#love all of u a whole lot :-) <3< /div>
Explore tagged Tumblr posts
delicourse · 9 months ago
Text
Tumblr media
been watching dungeon meshi...🌱
3K notes · View notes
applestorms · 2 months ago
Text
ok, well. if last time i talked about parallels between near & light, i guess it’s only fair that this time i talk about parallels between mello & misa. yap central on this blog lately.
the main thing that stands out the most about mello & misa, and the reason why i will forever Defend them and their place in the story, is that in my mind they both function in a similar way on a narrative level: namely, both of them are incredibly active wild-card characters that keep the action going and the story moving forward when the other main characters like light, L, & near start getting too passive.
notably, while i often see this trait praised in mello, usually in the context of a comparative criticism of near for his overly-abundant passivity, i have also seen it used as a criticism of misa's character, that she breaks up the status quo of DN too significantly and thereby makes the story feel less realistic. this last point in particular is an odd argument to make imo, as if anything misa's presence only increases the realism of DN by adding some extra luck/random chance into the story in a way that is ultimately still character-motivated and thus easier for the audience to go along with-- something DN in general is very good at, often introducing elements through pure chance but keeping them grounded in characters enough that you almost don't even notice.
take light meeting naomi misora, for example: the only reason he runs across her at all is because he offers to run an errand for his mom on a bored laundry day, literally stumbling across her right at the exact moment she is divulging important insights she is literally the only person capable of making about kira. yet this moment does not stand out as particularly aggravating or out of place in the story, as ultimately the only reason why light is able to get out of that situation is his own quick thinking and ability to calm himself while under immense pressure, squeezing his way out of a potentially run-ending situation he didn't even know existed moments prior.
(not a fan of that big joel video, if you couldn't tell. lmao.)
point is, mello & misa both fulfill about the same narrative function in the story by being so aggressive in their actions, catching the others off guard even if their plans aren't as well thought out or careful as they could otherwise be. they're both incredibly passionate, dedicated characters as well, tough enough to take the hit when it inevitably comes, and in my opinion neither of them are nearly as stupid as the other MCs like to make them out to be. to some degree, i think both of them are aware of the fact that they can't win at the Mind Game Cold War Bullshit the others are inclined to get involved in, so they instead choose to carve out their own place in the story through sheer perseverance alone.
which, speaking of passion: one of the most interesting parallels i think you can make between mello & misa is the ways in which they idolize their respective heroes, misa's obviously being light while mello's is L. allow me to elaborate.
as this post points out, DN has some very interesting use of its religious imagery & theming, and in particular its use of christian/catholic gothic imagery in its story and especially its art. however, as op notes, a lot of this is quite superficial, ascribing to an aesthetic of "kitschy Catholicism," that was characteristic of a lot of early 2000s japanese goth style. yet, while i admit that a more serious consideration of religious elements in the art & story could add some interesting flavor to the story, i also think that, regardless of intention, the superficiality of DN's religious elements works really well in the context of this particular story. as i stated in my tags on that post: light is a superficial god. he is a fake, a scam, some idiot human that stumbled across the powers of a real shinigami and got his head up his ass about it. and a lot of the arcs of other characters in DN is about their reaction to light's claims-- whether they choose to follow him (e.g. misa, mikami), follow somebody else (e.g. mello), or follow nobody at all (e.g. near, also kinda soichiro?), and the implications that has for their lives and personalities.
this is all to say that while you can, on a surface level, connect misa & mello pretty easily as the two aggressive, fashionable blondes of the series, i also think that these somewhat superficial traits betray a greater connection between the two of them. if we understand the christian/catholic elements of misa & mello's fashion as a demonstration of their connection to not just a higher power but a lie, a superficial deity simply reflecting the sunlight of powers greater than himself, then i think we have great insight into another key element of both their characters.
do not forget: in the world of DN, heaven & hell do not exist. at least in the context of death itself, the realm & lore of the shinigami reign supreme, a point which the DN musical makes even more overt: "Isn't it a laugh? / Isn't it a shame? / Thinking there is someone in heaven to blame?" and "Going through the motions / as if there will be a reward / Oh, while we stay eternally bored!" (BEST SONGGG.) everyone is destined for the same fate of MU, the same void of nothingness awaits all. no reward, no punishment, no greater deity looking down upon us than the bored, slothful shinigami, lazing about in their realm and picking people off only when necessary (for the most part).
misa & mello are thus dedicating themselves to false idols, and we can see the negative effects this has on them in almost every facet of their character-- particularly for mello, who is perhaps more self-aware and has more of a mixed emotional outlook on his idol, but maybe even to a more extreme degree for misa. i keep going back to this idea of equating boredom with depression in DN, but where light/L/near are all "bored" in a very quiet, passive, stewing-in-bed late at night kinda way, misa & mello are characteristically a lot more aggressive and intense about it-- while neither of them are super overtly suicidal, necessarily, their actions still betray a distinct lack of care for their own safety or lives, expressing the same thematic sentiment as the others. even if they still don't straight up say it, through their actions they're a lot louder about not liking themselves, and seem to take the problems they see in the world more personally, shouldering the blame as a failure within themselves instead of projecting it outward like the others: e.g. light taking his unhappiness at the emptiness of his life at the start of the story & placing the blame on the world for "going to shit" & humanity's moral failings, versus misa being willing to literally & figuratively give up her life for KIRA the second he demands it, whether that be in the form of shinigami eyes or killing her own friends w/o second thought-- all because he was the only thing to bring justice to her own parents' deaths, an almost undoubtedly traumatizing/horrible experience for her considering how much value she places on KIRA/light afterwards.
to clarify, this is not to say that all of these characters are actually and literally depressed and/or suicidal, though you could certainly make that argument for some/all of them-- this is just one way that i think you could interpret their roles in the plot, and their thematic attachment to the story. even if DN isn't all that interested in considering the True Moral Answer to ethics/the justice system/human society/etc, it definitely takes at least some interest in the emotional viewpoints of characters in relation to those concepts, so i think this is a fair enough approach to take. or to say this another way, it's less about justifying the claim that "the world is shit," and more about trying to understand the emotional motivation & experience of feeling like the world is shit, if that makes sense.
that being said...speaking more on the whole "not liking themselves," thing: even if she doesn't say it aloud often, if ever, i think that misa is deeply aware of the fact that she was not supposed to live this long, that her existence at all is a pure stroke of luck that let her live on past her destined date. she dedicates herself to light so fully, not even necessarily expecting reciprocation (though she at least reserves herself the possibility of such), because being a disciple to her god at least gives her life some kind of purpose. similarly, i think mello is also aware of just how out of reach the one thing he wants is, how his desperation in and of itself is ironically the one thing keeping him from surpassing near and truly being #1. it's important to note that pre-time skip misa & post-skip mello are almost exactly the same age, around 20 years old at the time of their main arcs. they're immature, and in the case of mello especially, are lashing out at the world in whatever way they can because they know they don't quite fit into it in the way that they want to or should. regardless of the intent behind it, mello & misa both still make the conscious decision to kill with the DN-- perhaps in a way that still keeps their humanity, at least following near's logic, but it's a decision to end a human life either way.
anyways, going back to my previous point, this "worshiping of false idols," idea has some interesting implications-- for misa & mello yes, but also for L and the ways in which he contrasts again light, as under this logic mello's treatment kind of inherently gives L a similar status as a sort of false god/idol. which-- actually makes a lot of sense? or at the very least, viewing wammy's house as a kind of mystery cult a la the eleusinian mysteries is a neat approach to take. L & light's mutual alienation from humanity fits them both filling a false god status, anyway. also there's another thread of analysis you could follow here where near is instead fit into the role of the person mello is fixated on which AAAAAAAAA has interesting implications but jesus fucking christ, this post is long. some thoughts for another time, i suppose.
56 notes · View notes
lavenoon · 1 year ago
Text
Tumblr media Tumblr media Tumblr media
The Three Stars
Hey yes hello may I interest you in @clxckwork-sun-n-moon's Old Forest Gods AU?
280 notes · View notes
rexscanonwife · 14 days ago
Text
Well last night I watched the SECOND Lazytown stageplay for the first time, the official introduction of Robbie Rotten as a concept and I gotta say he slays IMMENSELY
Tumblr media
Like this guy is SERVING! Every second he's onscreen is a delight and he's onscreen for MOST of it 😂 another thing I wanna talk about OFC is Sportacus...he's not in it very much, like I'd wager less than 10 minutes of the actual play??
Tumblr media
This guy, who in my mind is the predecessor to TV Sportacus, his daddy!! My partner told me that the fandom wasn't very fond of this version bcs he was too 'serious' but he wasn't IN the play enough for me to gage that and when he WAS onscreen he still had a goofy side to him and a kindness and understanding that I associate with Sportacus nowadays 🥺💖💖💖 overall 10/10 viewing experience
22 notes · View notes
huellitaa · 3 months ago
Text
i giggle so hard whenever i see one of my posts on someone else's blog like omg..... i'm actually liked by people..... blushing rn
25 notes · View notes
dungeons-and-dragon-age · 7 months ago
Text
DA2 is the best DA game actually because not only you are are a refugee, but your whole friend group except one (1) guy are also all refugees in some way or at the very least foreigners in the city, and you get to see all the different ways they do and don't struggle to adapt and fit in and make a new home
37 notes · View notes
bacchuschucklefuck · 5 months ago
Note
Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?
I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.
disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.
this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.
what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.
with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.
from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.
with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)
#ask#not art#tldr a lot of fantasy high's and d20's nature plays against having a Horror horror piece in it. there's no space for emptiness or dread#that's one of the most attractive things to me about horror. the monster signifying a new world you don't understand#you see something on the deserted streets and you realize: oh. the world doesn't work how I've been thinking it does#if u've noticed how much this has in common with queer experiences haha. yeag#man. actually I should also put the I Am Not White disclaimer in there too lmao a lot of the notion of The Monstrous is! traditionally#about maintaining and upkeeping a ''social order'' (read: the powers that be)#and a Lot of Wilderness Fiction is deeply and maliciously colonialist#so when I say ''the unknown land'' and ''the monster'' I am pretty much speaking From one of those unknown lands#and from the position of one of those monsters#the fear of the monstrous is so very often the fear of being consumed by - or becoming - the monstrous yourself#and well. when you're already there in the eye of the zeitgeist. You Can Do What You Want Forever#all that to say it Is important to me that baron is made of riz's lies. even more so in this funny class swap thing I make for fun#like as a horror protag he makes me insane. he loves lines! he loves lines he drew himself. he replicates these borders in himself#that mirror the world he lives in that's so hostile to him. that kid Loves rules. he bows to even the ones that hurt him#like. u get where I'm getting to right I did make a whole comic kinda near this subject he's Already The Other#baron is a monster's monster. baron is a mirror image. GODs I cant help but wish they were messier#it's kinda why I make class swap baron to be like. an ever nearing realization. like I warble abt all this but I genuinely do also find#canon baron to be just as visually coherent and thematically perfect as riz if not more. it's hard to beat how cool the mirror stuff is#it's hard to beat that doll face in iconic visuals! I have to strike according to my strength rather than trying to beat canon#so instead of reflection it's captured moments. instead of a blank face it's the lack of one. mmm. maybe I'm just kinda breaking things#for fun also but that's My prerogative in my house awooga <3#well. thats kinda my thoughts on the general subject. thank u for listening. I will bake something soon dyou want some
28 notes · View notes
averlym · 1 year ago
Text
Tumblr media
ghostwriter (their grandma would tell them she'd lose half her soul)
#or smth smth. having a lot of Thoughts. anyways here's the piece i've been working on and sometimes u have to just say Done#there's a lot of thinks but i am maybe a bit tired and so tmr i'll come in and add all the Tags that i'd personally want to get from myself#maybe i'll reblog the extras tmr too. this is an incredibly self indulgent piece + it probably deserves a tag ramble essay or smth#ig for now we see how it stands for itself + in the meantime:#adamandi#beatrix valeria campbell#hello!! i'm back with belated tags yippee!! alright so for funsies i'm going to make it sound like i'm going bonkers over this :3#the eye shine... the glowy eye... it's like phaethon shine but also smth about eyes to windows to the soul and like#there's two beatrixes here! half the soul. lost part doing things specific to the phaethon and here it's portrayed as tearing off her name#because that's really; truly; when it all starts!! also notable for the ghostly beatrix is i did it more painterly and cloaked in shadow and#fading into the bg. i think i was super duper specificish about where the glow comes from! front lighting back lighting beloved!!! like help#let's put it this way- beatrix face always glowy. important parts of paper also glowy. it's just that different elements are turned away#from the viewer by each beatrix!! also also. let's talk about the very gently implied blood and red etcetera#like the red string is canonical and i love personally the whole red strings of fate thing even though it's not Here Applicable exactly but#that definitely was an influence! and also the blood in the bg... i'm starting to think this is a recurring trend. but anyway shadowy bea#the other strings hang while the red string loops!! so like that one string feels almost alive. it's a sort of whimsical i put on the same#as metaphorical glowy eye!! also also the eye is lowkey influenced by the whole idea of Eyes and Spotlights within the show and also glow#as in power as in heyyy you ever think about writing as a visual medium huh#speaking of writing!! there is no beatrix thingy complete in my head without text sorrry but the black text overlays are always so >>> to me#and in the sense of art styles and overlays shoutout to all the black crosshatching outline thingys because For Some Reason in my mind#of all the characters beatrix feels like the bnw ink printed illustrations you get in books idk#fun fact! i spent so long rendering this and that was fine i liked it! but then trying to figure out text to go on the papers was a Thing#i tried to do. but then gave up on! sometimes i have to pick my battles and graphic design is indubitably Not my passion bc Fonts#fun facts about this is i Actually did start with a quick sketch in mind and there's been so many changed elements. in the og the front#paper for instance had 'ardess murders' written on it and the back one said phaethon interviews.. i like the nominee list better it feels#more narrative-esque and less passive than her just holding her writing.! other elements that got discontinued were that#front beatrix was supposed to blur into the other ghostly beatrix but i couldn't do it without sacrificing clarity so... no... no blurry#oh and the red string morphing at the ends to smth more abstract was always there from the start!! og had more floating papers#and also a silhouette of vincent and a scalpel bc 'one who pulls the strings' but that (pun intended)! got cut (hahahahahahaha) (sorry)#used also to be a lot of print room clutter but that got cut to bc compositionally i made beatrix larger (learned lesson from last art)
84 notes · View notes
batsplat · 5 months ago
Note
casey also talks about sepang 2015 what do you think of that
oh in that podcast? uh... lemme listen again...
yeah idk it's not really anything new I'd say? he's said basically all the same stuff in more interesting and extensive ways elsewhere. I think casey inevitably has a very 'well feuding is bad and helps nobody' point of view, has expressed that before in the past, does it here again, and he's also drawn a parallel between himself and marc on several occasions. which... well, of course there's similarities in terms of public discourse or whatever, but the parallel really falls apart whenever casey argues the feuds cost valentino. like, I do think it's sometimes important to just. keep in mind. it's interesting that casey draws this comparison in his mind but that doesn't necessarily means he's right about this. I'm not sure how you'd argue that starting a feud with casey cost valentino anything competitively? you can argue it didn't help him I guess, and then we can have a debate about the ins and outs of the 2008 season. we can also have an argument that in a hypothetical world where casey isn't ill in 2009, valentino doesn't break his leg and casey isn't on a piece of junk in 2010, and valentino isn't on a piece of junk in 2011-12, then actually maybe valentino sparking open animosity with casey COULD have cost him. but we don't know that! didn't happen! I wish we could have found out, but we never got the chance! as it stands, the tally on this is pretty straightforward: casey won the title when things were reasonably civil between them in 2007, and valentino took control of the following season at the exact moment he worsened the relationship between the pair of them in 2008. obviously, it's all more complicated than that and casey would of course argue laguna didn't negatively affect his subsequent performances... but it certainly didn't help them. like, at the very worst valentino escalating tensions in 2008 is a complete net neutral. after 2009, them being bitchy to each other every other tuesday was completely competitively irrelevant beyond maybe affecting how they approached occasionally fighting for a podium position. hey, maybe casey used that feud to fire himself up through sheer spite throughout the later stages of his career, but that doesn't actually support his anti-feud stance - it's basically the exact same thing as what valentino does. they're both quite similar in that regard! always so hungry to prove a point, to show how someone else is wrong. kinda half the point with this feuding business is to get yourself going, get yourself motivated, yeah. he straight up openly admits to using yamaha's repeat rejection of him as a way of giving himself motivation, and at the end of the day that's really not all that different?
anyway, what else does casey say... oh yeah, that him and the other aliens were already kinda prepared for this and had learned vale's tricks. that valentino had only been able to get into the minds of the previous generation. welllllll *wiggles hand* sure, I mean, he did clearly have to change his approach... he couldn't just use the exact same playbook to get to them, either on-track or off-track. but that's why he did change up the playbook... again, whether you want to believe valentino won his final two titles 'in the head' rather than just through pure pace kinda depends on how you assess the evidence, but it is at the very least a debate. and, y'know, it's always worth remembering that valentino's most important mind games with casey didn't happen in a press conference... it was on the track. and the on-track stuff really is just embedded in how valentino approaches winning. speaking of aliens, this is what dani and jorge have said:
Tumblr media
like, valentino's entire approach to his riding, even to the way he's setting his bike up, is deliberately about directly fucking with you... he's not actually always trying to be faster than you as much as he's trying to give himself the tools to make your life miserable, to pressure you into mistakes, etc etc... and again, especially with casey (if anything because he was so mentally sturdy), the off-track stuff was really just window dressing. (I know they bicker a lot after 2009 but it's just so fundamentally irrelevant to actual on-track competition.) so you can be aware of those tricks, but it also doesn't necessarily help you when someone's being nasty to you on-track in a way you just fully do not enjoy. which is what it was like for casey! for casey, a lot of this comes back to the truly unpleasant context of how he was perceived by the public, how he was treated as mentally weak or 'broken' or whatever partly because he had the misfortune of coming up against a bloke who had the reputation for breaking rivals. I think it's quite natural to end up with a bit of a hardliner 'actually I've never been mentally affected by a result in my life' stance - and of course casey is a lot tougher than a lot of people give him credit for. that being said. sometimes your rivals affect you, shit happens, it's part of the game. it's fundamentally a nice idea to think that valentino's tactics weren't just morally wrong but also ineffective, which is kind of the appeal of this narrative, right? you want to believe you're above that, you want to believe you were adequately prepared and wise to valentino's tactic. it's unsurprising and understandable that casey does tend to tell the story that way, but again it's *wiggles hand* also hard to describe it as completely factual
uh. what else. oh I'm thrilled casey does canonically know valentino and marc were friends, he has said he wasn't following motogp too much during that time period so you couldn't be sure of that. does this mean anything? does it tell you anything? well, no, but it's just a pleasing thought to me. I like that. oh also 'provoking particularly aggressive riders isn't a good idea' is kinda a funny take from casey? like, he of all people would hate the idea of being cowed by someone's reputation like that... casey's right that provoking fast riders can potentially be dangerous, but y'know I do think that's probably not news to anyone almost nine years later. um. that's all I've got I think
#i will say idm getting asks like this AT ALL but i do hope that's not like. the only bit of the podcast people are paying attention to#my thing with sepang 2015 takes is that like... when's the last time anyone has said anything genuinely interesting about that event#which yes big words from the feud blogger... but in fairness a lot of the sepang 2015 stuff is from old notes. that's my excuse idc#but that's kinda the thing... i feel like i haven't really had a new original thought about the whole drama for three plus years#u do kinda run out. basically the takes say more about the person saying them than about the actual event at this point#which. yeah. casey's comments on sepang '15 are primarily interesting in what they tell you about how he feels towards valentino#mind u he's actually quite nice about valentino in this one? casey call him let's finally organise that dinner#heretic tag#//#brr brr#batsplat responds#oh casey does go on another spiel against riders who win at all costs. ships that passed in the night of feuds i always say#also he gets the age he enters the premier class at wrong. i held myself back in the last post from pointing this out for tonal reasons#but if people want my podcast hot takes. i do simply have to mention it. just to set the record straight here#'they battle for podium places after 2009' genuinely. twice. like the alien era giveth but a lot of the time it really does just taketh#somewhat ironically casey wins the duel when he's on the shitty ducati and vale wins the duel when he's on the even shittier ducati#whatever that tells you idk#casey was always promising the laguna rematch would've gone differently and I love that conceptually but also we just don't know#he was like next time I WON'T play nice and it's like?? omg what does that look like. casey what were you cooking#for ethical reasons it's probably fine but for character arc reasons it's objectively ass that casey ended up being able to do all his -#- racing in a way he was entirely comfortable with for his second title in 2011. like it's just a complete waste of a year#you have this whole thing building for four years and then 2010 comes along and it's like. well that's enough narrative intrigue now! <3#also casey/jorge are fundamentally too interesting as individuals to have had such an obscenely boring on-track rivalry and yet here we are#it KILLS me because if you rearranged it and made valentino's dogshit ducati years like. 2009 or something#and do a straight title fight between jorge and casey THEN I genuinely think it would've been way more interesting#the problem with valentino is that he is fundamentally the WORST imaginable character you could invent to be casey's foil#literally everything about valentino could have been designed to be a casey-specific nightmare#but unfortunately that also makes him objectively the most interesting rival casey could have gotten#like morally it's on the edge. but narratively? literally could not have gotten a better villain in casey's story#constantly dancing on this faustian line of having to imitate valentino to beat him while trying not to lose yourself... juicy
9 notes · View notes
staraxiaa · 3 months ago
Text
chromatic (kirishima fic) update
how it started, chromatic v1:
Tumblr media
how it’s (maybe) going, subject to change:
Tumblr media Tumblr media Tumblr media
ive just started part III btw
14 notes · View notes
froghwon · 4 months ago
Text
hi 👋
10 notes · View notes
caimitos · 6 months ago
Text
saw a post about projecting your ethnicity onto a character and started missing vespa ilkay. so so bad
#pov u grow up in a 3rd world country(/planet) where healthcare workers are exported by the thousands like cheap produce to richer countries#it's your ticket out of poverty as long as you can deal with the loneliness the separation from everyone you know the discrimination etc#ive never talked about my hc that vespas mother was one of them sending money every month visiting every couple of years until it just stop#like why return to the swamps when youre doing fine working on a richer planet w much better living conditions#cost of living rises every year. sending home a % of your salary used to be enough to support your husband and daughter and then it isnt#you know how it goes#vespa is also dead set on this path until ranga realizes that hemorrhaging healthcare workers leaves them with little to none of their own#students on scholarships or in community/state universities are bound by return service agreements and are forbidden to leave the country#until theyve rendered a few years of work on ranga to pay back their tuition + as a really shitty solution to the brain drain problem#this is real in my country btw but my professors say a lot of ppl do break their rsa's and fucked off to work in other countries LOL#our state unis can barely afford decent facilities they do nottt have the budget to chase down their own alumni in other countries!#but the mental image is a bit funny#vespa ilkays first crime: tinakasan ang rsa#i do also think it lines up with her having a network of med friends everywhere in the galaxy (heart of it all) you kind of go into pre/med#expecting most of your classmates to leave to work in other countries eventually. mine are aiming for the usa / uae / europe / japan etc#anyway whether vespa breaks her rsa or not she leaves ranga asap decides to switch careers and the rest is history#i also deeply love the fact that she's superstitious i'm very sad it wasn't highlighted more (i've only heard s1-3)#as someone who did grow up in a rural area and went to more albularyos/folk healers than doctors in my childhood. (they never failed me)#lots of folk illnesses (ex. balis; pasma) local medical superstitions (dont eat noodles in hospital; youll have a really toxic shift) etcc#theres also a lot of potential in tying her past as a rangian + med student + assassin to me idk how to word this properly#being raised on cautionary tales of not to touch/disturb anything in the swamps then being given free reign to poke & prod at things in her#lab classes (now with the proper ppe)....she was having so much fun with the curemother prime too lmao#years of walking hanging bridges docks boathouses in ranga etc gave her great balance & stealth#cracking open alien shellfish in the swamps to cutting open bodies for studying then for assassination....#I MISS HER SO MUCH BALIK KN SAKEN 😭😭😭😭😭😭#i get why most people + the canon focuses on her being an assassin bc people find that cooler i guess#but vespa being a swamp girl > 3rd world med student > assassin is so personal To Me. the whole pipeline. eugh.#skl.txt
10 notes · View notes
wraithsoutlaws · 1 year ago
Text
you know i had a fun little vp idea i wanted to do for the cyberpunk anniversary but i haven't had the energy to even touch it recently so i'll just settle with saying that this game impacted me in ways i never thought it would when i first picked it up 3 years ago. i knew i would enjoy it, i had been looking forward to it for a long time, and despite a ~controversial~ launch, i had a fucking blast from day 1 (on ps4 no less). regardless of bugs and memes and public dunking, the story grabbed me like nothing else could at the time, and it reignited so much of my passion and motivation for art that i had lost in the clutches of mental illness and i'll always be grateful for that. it introduced me to so many wonderful people (some whom i carry very close to my heart), and maybe most personally surprising, it gave me an outlet to understand parts of myself that i had been too afraid to acknowledge for a long time, the courage to accept and embrace myself as non-binary, and allow myself to just BE without trying to convince myself i'm crazy. that's not what i expected from the get-go but it's been a really fun journey to be on ngl
20 notes · View notes
bugmistake · 8 months ago
Text
there's a darkwave/goth/post punk music night at a coffee shop i like next month..... i wanna go real bad but i always chicken out of going to goth events cuz im like . i feel like a DORK i feel like a POSER i feel like a CREEP im a WEIRDO waddahell am i doing here?????
11 notes · View notes
scatterpatter · 9 months ago
Text
Tumblr media
I HAVEN'T DRAWN MY LIL EDGY BOY IN SO LONG... I MISSED HIM...
alt version with less effects under the cut!
Tumblr media
12 notes · View notes
lovesickeros · 7 months ago
Note
This is a little out of the blue, but I genuinely really enjoy hearing your tsaritsa lore and character breakdowns. She's hasn't been someone I'm terribly invested in getting to know as a character, but reading your thoughts on her has really piqued my interest. I've never considered what being the goddess of love could mean I guess
Anyway, all this to say I've been really enjoying your tsaritsa/fatui hype :) it's contagious
THIS IS SO GOOD TO HEAR i love going into deep dive breakdowns of characters especially ones who don't really have a lot of content, because it provides wiggle room for a lot of interpretations. not that i can blame you for not being too invested in her, considering we've never actually seen her, and only hear about from a few sources (venti, who doens't really say much, and childe + arle who also technically dont say much in the grand scheme of things but understanding their characters to see how it changes their view of the tsaritsa and where it overlaps is a good chunk of it)
so its my job to do what hoyo doesn't and hype the hell out of her /j. ive been writing her since i joined sagau around when it first started snowballing into popularity i dont think i could leave if i tried
#asks#Anonymous#not a fic#the tsaritsa is one of my faves and frankly the fatui as a whole. top 3 faves is something like tsaritsa arle&furi and bina#its the harsh contrast of “goddess of love” and tsaritsa that just. chefs kiss. i keep saying it but its true.#a lot of harbingers core themes are about love too like okayyyyy im listening. im seated.#the goddess of love also being the cryo archon. being in snezhnaya. the coldest nation yet and will prob have the dragonspine mechanic..#i think its shown especially with arlecchino and her entire story. i wont say much bc. yknow. spoilers. its been like 2 days since release#bc while arlecchino is better then the old knave she is not a good “father”. i mean shes still raising child soldiers. knowingly.#and i do not think she “loves” them. i think she CARES about them. but she does not love them.#she is the cold unfeeling “father”. that is her role. it is her purpose. she refuses to be like the old knave in that manner#she will not pretend to love them to make them loyal. she will not put up a facade of kindness to make them listen#but i also find it interesting that after arle took over at some point “mother” was attributed to the tsaritsa#i cant recall where the line is from atm but its such an interesting bit that says so much#all children of the house of the hearth are children of the tsaritsa and thus. “mother”.#looks at the wall of text in tags ah fuck i did it again. SHUT IT DOWN#someday i wont get distracted and write an essay in tags. today is not that day!!!#glad u enjoy my ramblings though its fun 2 write and nice 2 know ppl like them :]
7 notes · View notes