#lost ollie netflix

[flamingofiendart]

Lost Ollie doodle of Rosy and Ollie. Rosy deserved a happy ending

[1988-fiend]

[catschimericalcreations]

Lost Ollie on Netflix

No that rhino plush is fine actually, he survived and was adopted by a nice family who patched him up and now he lives a nice life with lots of cuddles and many stuffed animal brothers and sisters

[skeksisloving]

My clown simping has struck again.

[skeksisloving]

Everyone watch this so you too can be emotionally attached to a clown who let his grief make him do bad things.

Lost Ollie is a marvelous four part movie in the most pay off inducing tears there is. It's Toy Story but in real life, but with its emotional whamminess, sympathetic villain, sorrow, amusement, songs, friendship, love in all its forms. There is a twist that changes everything that Ollie goes through. This is a limited series to be invested in and it's got a pulsing heart.

[marfoxx-nova]

I will found you - Lost Ollie (1th Anniversary)

- Marfoxx

[the-great-bonkings]

Lost Ollie feelings in a nutshell:

Episode 1: wow! What a cute show! This definitely won't emotionally scar me!

Episode 2: Rosie, what the heck?

Episode 3: ZOZO WHAT THE ACTUAL FUCK

Episode 4: Billy...I get you were a kid at the time but what the hell. Screw you too bully kid.

After watching: * screaming *

[stephenlinco]

Netvember (Bonus) - Lost Ollie and Scott Pilgrim Takes Off

Featuring: Ollie and Ramona Flowers

Netvember is Created By: @arditb06

[catfoxposts-blog]

so recently someone who worked on Scott Pilgrim takes off said that they've made the "first season self-contained" to prevent a cliff hanger ending due to so many shows getting canned after one or two seasons.

Which got me thinking, 1: I love the idea of more animated mini-series like the one's featured above and I think would be a great way to get some experimentation & stories made with a clear start & end. Not every story needs a boatload of episodes & I think more mini-series are welcomed.

And 2: I know shows getting abruptly axed is way too common in the streaming but for someone working on a show (Even one that is getting a lot of fanfare like Scott Pilgrim) to come out and say something like shows how dire shit is right now.

I don't want Mini-series to be viewed as a compromise but rather a in between of movie & TV series, a way to get certain stories that work with the format out their and accomplish something great.

There are a few I missed in this list like Long live the royals, the 3 Adventure Time had (Kind of wondered if that counted since those were basically just arcs within the show itself), The 2003 Clone Wars, and likely others I'm unaware of. Let me know if you can think of any I missed.

[aratinatophat]

Dude. Watch Lost Ollie. This is a DEMAND. Good lord. It’ll put yous in your feels and shit

[that-random-person-again]

I wanna draw stuffed animals

[disneytva]

Development Art for Disney Television Animation's two attempts of a Haunted Mansion adaptation by Alex Kirwan.

The two attempts had the following creative members:

Joshua Prett and Scott D Peterson ("Phineas and Ferb","Milo Murphy's Law","Hamster And Gretel") as a special for Disney Channel and Disney XD. - First five photos

Shanon Tindle (Laika Studios "Kubo and The Two Strings",Netflix Animation's "We Lost Ollie", Netflix Feature Animation "Ultra-Man") as a mini-series for Disney Channel and Disney XD - Final four photos

The project was sadly passed by the same executive change at leadership at Disney ABC Cable Group at 2016-2017 which axed Disney Junior's The World According To Winnie The Pooh by Cartoon Saloon, Disney XD's Very Important House created by Jenny Goldberg and Jhonen Vásquez, Douglas Furs created by Jesse LeDoux and Matt Olsen and a pitch by Thurop Van Orman however the latter would by revived at Disney TVA development on 2021.

[yall-hate-kids-tourney]

Y'all Hate Teens Tourney Bracket

(Bracket updated through Round 2c)

76 teens who are unfairly treated by the fandom for being teens. Who has it worst?

We tried our best with the matches, but sifting through several unique submissions does get to us... We apologize for any unfavorable matchups.

Please let us know of any name corrections. For Japanese names in particular, we denote long vowels and put given name first.

No guarantees on when the tourney starts, but we'll try to get it started within a week. We'll start by setting up the propaganda posts, which will be separate from the poll posts this time around.

Round 1 and 2 matchups under the cut. Color-coded schedule here; undescribed. Note that the listed order is not the same as the schedule.

Round 1

Alicent Hightower (House of the Dragon) vs. Abigail Hobbs (Hannibal)

Amy "Panacea" Dallon (Parahumans (Worm/Ward)) vs. Orihime Inoue (Bleach)

Lady Kenna (Reign) vs. Lisa "Tattletale" Wilbourn (Parahumans (Worm/Ward))

Kokichi Ouma (Danganronpa V3) vs. Scott McCall (Teen Wolf (MTV))

Daphne Blake (Scooby-Doo) vs. Sophie Foster (Keeper of the Lost Cities)

Breezepaw (Warrior Cats) vs. Winter (Wings of Fire)

Gamzee Makara (Homestuck) vs. Yanqing (Honkai Star Rail)

Vriska Serket (Homestuck) vs. Haru (Beastars)

Dirk Strider (Homestuck) vs. Xander Harris (Buffy the Vampire Slayer)

Wednesday Addams (Wednesday (Netflix)) vs. Sylvester Ashling (Epithet Erased)

Yukine (Noragami) vs. Sayaka Miki (Puella Magi Madoka Magica)

Yukio Okumura (Blue Exorcist) vs. Soyo Nagasaki (Bang Dream! Girls Band Party!)

Round 2

Dawn Summers (Buffy the Vampire Slayer) vs *1

Marcy Wu (Amphibia) vs. Fatespeaker (Wings of Fire)

Sansa Stark (Game of Thrones) vs. Charlotte Pudding (One Piece)

Olly (Game of Thrones) vs. Penny Carson (Bojack Horseman)

Azula (Avatar: The Last Airbender) vs. *2

Mai (Avatar: The Last Airbender) vs. Peril (Wings of Fire)

Katara (Avatar: The Last Airbender) vs. *3

Steven Universe (Steven Universe) vs. Gohan (Dragon Ball Z)

Adrien Agreste (Miraculous Ladybug) vs. *4

Marinette Dupain-Cheng (Miraculous Ladybug) vs. Sakura Haruno (Naruto)

Muu Kusunoki (MILGRAM) vs. Misa Amane (Death Note)

Chloé Bourgeois (Miraculous Ladybug) vs. Candace Flynn (Phineas and Ferb)

April O'Neil (Teenage Mutant Ninja Turtles (2012)) vs. *5

Gwen Stacy (Spider-Man : Into the Spider-verse) vs. Dovepaw (Warrior Cats)

Damian Wayne (DC) vs. *6

Sasuke Uchiha (Naruto) vs. Kyuusaku Yumeno (Bungou Stray Dogs)

Shinji Ikari (Neon Genesis Evangelion) vs. *7

Shuuji Kayama (Digimon) vs. Gon Freecs (Hunter x Hunter)

Asuka Langley Sohryu (Neon Genesis Evangelion) vs. Youko Nakajima (The Twelve Kingdoms)

Rei Ayanami (Neon Genesis Evangelion) vs. Uzi Doorman (Murder Drones)

Akito Shinonome (Project Sekai) vs. *8

Ena Shinonome (Project Sekai) vs. Mafuyu Asahina (Project Sekai)

Katsuki Bakugou (My Hero Academia) vs. *9

Yuuma Tsukumo (Yu-Gi-Oh) vs. Megumi Fushiguro (Jujutsu Kaisen)

Wesley Crusher (Star Trek: The Next Generation) vs. *10

Ezra Bridger (Star Wars: Rebels) vs. Theresa "Scary" Marlowe (Dungeons and Daddies)

Hope Estheim (Final Fantasy XIII) vs. Tohru Honda (Fruit Basket)

Severa (Fire Emblem) vs. Taimi (Guild Wars 2)

Yukari Takeba (Persona 3) vs. *11

Rise Kujikawa (Persona 4) vs. Kotone Shiomi (Persona 3 Portable)

Goro Akechi (Persona 5) vs. *12

Yuuki Mishima (Persona 5) vs. Makoto Niijima (Persona 5)

Phew, that was a lot.

[catschimericalcreations]

The Rescue of Chance by Cat’s Chimerical Creations

[dynared]

I'm so glad someone else brought up how insular IDW felt, I thought I was insane for thinking along the lines of a similar thing. To me IDW1 felt like a continuity made by the fandom for the fandom, and despite some of its great writing decisions it often felt flat and hollow in a lot of important aspects. The lack of communication between writers and failure to maintain basic narrative and thematic cohesion as well as characterization reminded me a lot of in-fandom arguments over interpretations and headcanons

It took on too much and stretched itself thin resulting in sidelined characters, bastardized character dynamics/relationships or forgotten plots. People praised IDW1's lore and worldbuilding but personally I don't think there was much of it at all and very little of it was to a good enough standard when you consider how long IDW held the licence. It told us a lot and yet nothing at all, which would have been a genius move had it at all been intentional– something I often found myself saying in relation to IDW1 and content inspired by it, which was around post 2010-ish give or take probably

Like I said, I firmly believe that IDW was essentially made by fandom, for fandom, but a very, very narrow cross-section of such. James Roberts, who was arguably the architect for most of it, was a fanfic writer and someone who wanted to make elements of his fanfics canon. Many of the writers were buddy-buddy with TFWiki moderators and the dingus behind Shortpacked, oftentimes parroting their opinions, which was that if you didn't like what they were making, you were a chud or a creep that wanted the entire brand to be Kiss Players. Especially as romance became more and more of a focus on the series, the idea was not "This is boring, I want to see robots punching each other and blowing things up", but "I don't want to see this because it's gay", which is a far easier position to defend. Even when they lost the license, Kit Harrison of IDW insinuated that the complaints were all homophobic in nature.

As an aside, while I think Kiss Players was terrible, it was literally nothing but a side-story manga and some collector's toys. That would be like me saying all the Western-created Transformers media is garbage because of The Car Wash of Doom, Afterdeath, that scene in Age of Extinction where the guy spells out the Romeo and Juliet Law in detail, the complete waste of Sir Anthony Hopkins that was The Last Knight, The Rebirth, numerous parts of Cyberverse, the WFC Trilogy, etc.

Anyway, because the audience was so narrow, it made sense that the audience that it did cultivate was so passionate about the material, but Greek to any audience outside of it, resulting in low sales and general dismissal from a casual audience. Any similarities to how fanfic is written, especially fanfic that has an active follower community and people addressing the work in progress, were purposeful, because that was the world that the writers came from, and the world that they were used to.

And then there were the attempts to integrate those ideas into shows, as shown by WFC not getting a sequel because Netflix said no, as well as Cyberverse and now Earthspark toys rotting on shelves in your local Ollies or Lot Less.

My conclusion remains the same. IDW was overly insular, fanfic-style writing, for people who liked that, and they could not care one iota about anyone outside of that little circle. Especially if you were a fan of super robots, humans that weren't complete jerks, or the mystic elements of the Transformers mythos. And this is why now even Duke's miniseries pretty much outsells anything that IDW published. (To be fair, Duke's miniseries is pretty good).

[jgroffdaily]

Karan Soni and Jonathan Groff to Lead Rom-Com Movie ‘A Nice Indian Boy’ [Exclusive]

Directed by Roshan Sethi, ‘A Nice Indian Boy,’ which will begin shooting later this month is a rom-com about changing traditional norms and pursuing a life of happiness

Deadpool star Karan Soni and Mindhunter star Jonathan Groff are all set to lead the gay rom-com movie, ‘A Nice Indian Boy’ for Scythia Films and Levantine Films.

The film will be directed by Roshan Sethi based on a script written by Eric Randall. ‘A Nice Indian Boy’ will begin filming on May 29, 2023, in Vancouver, BC, Canada, and will take just three weeks to officially wrap up on June 23, 2023.

‘A Nice Indian Boy’ is a contemporary tale about Indian marriage in the 21st century. The protagonist, Naveen Gavaskar (Karan Soni) is aware of his parents' expectations of him and his sister. They want them to profoundly respect their Hindi background, uphold all Hindi traditions, and, most significantly, exult in strictly Hindi marital ceremonies. This proves to be much more difficult for Naveen, who is openly gay in a culture where being gay can be tough. His parents want him to have a traditional Hindi wedding, but he worries he will never live up to their expectations. Naveen meets a white male, Jay (Jonathan Groff), whom he is attracted to and begins a relationship with. Despite his fear of introducing Jay to his parents, Naveen ultimately expresses his love for him and proposes in a dramatic fashion. The story is about changing traditional norms, having acceptance of who you are, and pursuing a life of happiness.

Tory Metzger is producing through Levantine Films, while Daniel Bekerman is producing on behalf of Scythia Film.

Karan Soni is known for starring as Dopinder in the Deadpool film. He will again reprise his role in the upcoming Deadpool 3 shooting at the end of this month. Karan is also giving voice to Spider-Man India in Spider-Man: Across the Spider-Verse, which will release in theaters on June 2, 2023. Karan's acting credits include films such as Strange World, Trolls World Tour, Ghostbusters, Goosebumps, Pokémon: Detective Pikachu, Office Christmas Party, and many more.

Jonathan Groff is an award-winning actor known for the Netflix series Mindhunter in which he portrayed Holden Ford and Frozen and Frozen II where he voiced Kristoff. He recently appeared in M. Night Shyamalan's Knock at the Cabin, Netflix series, Lost Ollie, and The Matrix Resurrections. He is also set to appear in a mysterious role in the upcoming season of Doctor Who. His acting credits also include Hamilton, Glee, Invincible, and many more.