#lords of the wasteland

[looseygoosey66]

The 1 & only show played under the name (and using that spelling). After changing drummers & adding Bruce on guitar the band (in large part due to some Mark Arm shenanigans) then changed their name to Mother Love Bone

[pinkwinesupernovas]

just me and my emotional support blue albums against the world

[lifemod17]

"that's the kind of love, I've been dreaming of"

Edmonton Folk Music Festival || 08/08/2019

And uhhh... gif version for you know. Science purposes...

[hellsgate-roadhouse]

[gatheringbones]

[“After just a couple of semesters as an English major and philosophy minor at Hunter College, Audre felt she knew which fiction was worth respecting. Even though the subtitle described her as a fan, and she called herself a sci-fi “addict” by the end of the piece, she also alluded to her own discerning tastes. She knew how to judge the “character studies” and “emotional integrity” and “artistry” that truly good science fiction authors demonstrated. She called Ray Bradbury a “master craftsman” for his “dexterity” in seriously portraying the imagined perspectives of people living on Mars. She called August Derleth a “master of all fantasy fiction.” All of this before her critique, decades later, of the master’s tools and the master’s house.

For Audre, it was important that good science fiction and fantasy get the science right. As she pointed out, even children know the basics of science. Sci-fi authors cannot irresponsibly portray humans walking on the moon, breathing without any special apparatus. In this piece our young Audre, with the hopeful comradery of a fellow fan, suggests that Seventeen readers start with the collections she calls “excellent,” especially Bradbury’s The Martian Chronicles and Derleth’s edited anthologies The Outer Reaches, The Other Side of the Moon, and Beyond Time and Space.

Audre thought the rise in science fiction’s profile was timely, and timeless. “The unconquerable drive that will always urge man to scan the future and to seek knowledge of what he knows not, is ageless,” she wrote. But the timing of this piece in her life is also telling. The future-oriented work she was reading and writing about may also have reflected her own desire to move into a new stage of life or, in her words, a “preoccupation with things to come and with the better world of tomorrow.” She empathized with a society, especially people in her own generation, who felt “caught in a world very little of our own making.” At the same time, she saw science fiction as an important form of worldmaking, noting that what science fiction depicts will eventually come into being. “Fifty years before the submarine was invented, Jules Verne equipped his fabulous Nautilus with forerunners of present-day submarine equipment,” she pointed out.

And if nineteen-year-old Audre were to make a world, what world would she make? Her own future had a lot in common with the other side of the moon. She had no idea what was going to happen. But she knew she wanted something different. Remember, this was the high school poet who wrote: Strange other lands do call me With alien songs I heed …”]

alexis pauline gumbs, from survival is a promise: the eternal life of audre lorde, 2024

[lord-of-the-wasteland]

Ur basically a dilf how does that make u feel

[brutalcrash]

can someone please make a fallout: new vegas that i have never played before. i need to play fallout: new vegas for the first time again. why has no one made anything even close to the same experience including the other fallout games

[diseasefork]

the idea of him in regular clothes is incredibly entertaining to me (i'm not a fashion person, obviously)

[angelellipsis-devilofdots]

rip aragorn you wouldve loved francesca and wasteland baby by hozier

[pinkusmaximus]

she is so SILLY and i want to KISS HER A LOT. A LOT. a lot. a lot.

[lesbianjudasiscariot]

blue album covers

[rebellionsuite]

one of my favorite pastimes is looking up “____ hozier edit” and seeing what kind of devastation or life-changing concept i’m met with

[vintagerpg]

Enter: the Neon Lord himself! This week on the Vintage RPG podcast, we talk with Brian Shutter, the radioactive brain behind Neon Lords of the Toxic Wasteland. He’s got a pair of massive goodies coming to a BackerKit: Deities & Demi-Bros, a guide to the gods of the squared circle, and Deadly Dudez/Toxic Creeps, a massive monster manual! Plus some more surprises. Listen up, or Lord Randy will drop an elbow on you that your descendants will never forget!

[seaside-writings]

Guess what? Your girl ordered herself a "Strange Trails" vinyl and a "Wasteland, Baby!" vinyl!

[laithevillain]

GUYS LETS MAKE MEGALO DON PRESIDENT!!!!!