#looney tunes rabbit run

[xinnamoon]

Listen you can have Space Jam Lola Bunny I don’t care, but please let me have Rabbit Run Lola Bunny I love her so much.

[kyraxyrespace]

Day Twenty-Nine - Bugs Bunny/Lola Bunny, Bola (Looney Tunes)

[icantchoseanam3]

INTRODUCTION!!!!

Other things I like:

Theater/Voice acting

Drawing

Animating

History

Comedy of art

Greek Mythology

Animals and flowers

And im a Mel Blanc and Gabriel Iglesias's fan

My fav vocaloids/utaloids: Kaai Yuki,Kasane Teto,Rin Kagamine,VFlower and SeeU

I mostly post about Looney Tunes,Tiny Toons and Roger Rabbit tho

[just-honey-dewd]

Looney tunes shitpost idea/au: Daffy gets turned into a hunk for insulting a witch. And now he and Bugs have to find that witch or he’s stuck like this. Which is bad. Cuz… Daffy Human sounds like a terrible name.

[ddarker-dreams]

lock i hate to break it to you, but your bunny is absolutely literate, and your fanfics are the reason she hates men

SHE SNEEZED AS I READ THIS... a sign mayhaps... i think your theory holds some weight. there have been times i glance over my shoulder and she's just staring at me, like she knows too much. i need to start moving my laptop screen out of her line of sight.

[hideawayfairy]

Millie: Okay, you know there are male flight attendants. Moxxie: Yeah but I like the height the heels give me.

[incorrectquoteslooneytuneslatino]

Correcaminos: Industrias Acme se complace al presentar la primera red electromagnética en el mundo.

Wile E. Coyote: Gran parte de esa red fue diseñada por mi.

Giovanni Jones: ¿Tú la diseñaste?

Wile E. Coyote: ¡Ajá, si!

Giovanni Jones: Cómo no, y yo soy Súper Conejo.

Wile E. Coyote: (jalando a Giovanni de la camisa) ¡Tú no eres Súper Conejo! ¡Él es Leo y usted es Sagitario! ¡Sí lo vuelve a usurpar le arrancaré su bonito peinadito! (lo suelta).

Giovanni Jones: Ya ve a trabajar.

Fuente: El Sorprendente Hombre Araña 2: La Amenaza de Electro (2014)

[logical--dreamer]

I finished the looney tunes show....i need more. *eye twitch*

[wildechildwrites]

Looney Tunes

König/reader

Word Count: 1.2k

Warnings: N/A

No use of Y/N

Summary: You keep running into König in the elevator at your apartment building. He'd be incredibly intimidating, but he kind of reminds you of a cartoon character.

A/N: König is so serious with all his war crimes and intensity, and you are... not serious

AO3 Link: Looney Tunes

The man who steps on the elevator is giant, bigger than anyone you've ever seen in real life, and you can't help looking up at him, craning your neck. He's wearing a sweatshirt, the hood up and cloaking most of his face, disguising his eyes, but you see his nose point down at you, and you know he’s staring back at you.

"How tall are you?" You ask, before cringing at your own social awkwardness. It's silent for a moment, and you wonder if he heard you at all. The elevator dings for your floor and as you step off, a quiet, accented voice calls out.

“Two hundred centimeters.”

You whip your phone out, googling the conversion almost immediately as the doors shut behind you. He’s huge, with shoulders so widely set it's almost comical. You marvel at it briefly, then he slips your mind.

The next time you see the man, he’s got his hood off, his long hair pulled back into a bun. He’s older than you’d thought he’d be, strands of gray catching the light, standing out against the auburn. You step into the elevator with a greeting he doesn’t acknowledge. You both stand in silence, listening to the quiet ding as you pass the floors.

You've developed a quiet rhythm with the elevator man, leaving in the mornings at the same time, your greetings always met by a silence that should probably deter you but doesn't. You're staring at his reflection in the elevator doors, noting the way he seems to slightly slouch into himself, when your unbidden thoughts cause you to giggle. His eyes shoot up instantly to meet yours.

“You remind me of the looney tunes monster,” you blurt suddenly, the aimless rambling of your inner monologue spilling out before you can stop yourself. The man beside you stiffens, before turning his body fully to look down at you. You try not to cower, unable to meet his eye.

“The… um… the orange one? Have you ever seen looney tunes?” you push on moronically. He’s glaring down at you, and you wonder if getting murdered in an elevator is really the way to go.

“What is ‘looney’ tunes?” He finally asks, his voice low and hoarse, as if he's not used to speaking.

"It's a children's show… there's a bunch of little characters and they have their own personalities…" You know your face is bright red, and you thank whatever deity is involved when the elevator chimes and you can step off, too embarrassed to say goodbye.

You consider taking the stairs when you see him again the next day. You give a quiet greeting that he doesn't acknowledge, so you hope you're forgiven for yesterday. You're scrolling through your phone when he speaks, startling you.

"You are der hase?" He asks.

"What?" You respond, looking up with wide eyes, off guard.

He huffs, looking at the ceiling.

"The— rabbit. That is you?"

You scrunch your nose in momentary confusion, then the realization hits you.

"Oh. Bugs Bunny, you mean?" You laugh. "I guess I could be him."

You two stand in silence for the rest of the elevator ride.

You forgot you could be this drunk, staring at the elevator buttons in a daze. You couldn’t quite remember which one you were supposed to press, only knew for sure this was your building because your friend had put your address into the uber. You don’t even hear the footsteps behind you, the irritated sigh as König watches you sway slightly. It’s only when he reaches around you, pressing the up button, that you startle.

“Jesus Christ!” you say, jumping back. An impossibly large hand grabs your arm, steading you. You tilt your head back, and the elevator man is towering over you. He’s in army fatigues, and as your inebriated mind processes that information, the door to the elevator chimes open.

He doesn’t wait for you to move, just picks you up like you weigh nothing before stepping inside. You blink upwards at him in a daze, and he glares down at you. He’s chastising you in his low voice, and it takes you a moment to realize the reason you can’t understand him is because he’s not speaking English.

“You can let me down now,” you interrupt, your voice quiet and slightly slurred. He somehow manages to look even more pissed, staring down at you, incensed, and you’re sorry for saying anything. He fumbles in his other language before finding the words.

“You can— You can not stand.” He says with finality. You relax against him, lapsing into familiar silence as the elevator shoots upwards. This close to him, you can hear his heart beating, and you wonder why it's thumping so fast.

He carries you to your door, and you're too distracted to think about how he knows which apartment is yours. He sets you down, plucking the keys out of your hand with ease when you fumble with them, watching as you sway slightly.

"I keep thinking about the cartoon." He says suddenly, abandoning the key in the lock. He’s leaning over you, shadowing you in the small doorway as you look up at him, your expression confused. His face holds a neutral expression, but his eyes seem to glint in an odd way.

“The monster, he wants to eat the rabbit.” He states, taking a step towards you, crowding you against your door. The wood is cool against your back, and you’re blinking up at him through your drunken haze, trying to figure out what he’s talking about.

"Looney Tunes?" You finally respond, remembering your last conversation. He nods and reaches out one large hand to tuck a loose strand of hair behind your ear. Your heart skips, and you wonder if he can hear it as he drags his fingertips along your jaw, cupping your chin softly.

“Does the rabbit want to be eaten?” He asks, his head cocked. His eyes are like molten steel, his voice so soft and deep it’s practically a purr. It feels like the oxygen has been sucked out of the hallway, leaving you lightheaded.

“Oh,” you breathe, your lips parting softly, what little mental clarity you had abandoning you. There’s a scar that runs up from the man’s chin, stopping just below his bottom lip, and you’re staring at the scar, staring at his mouth, when he bends down, guiding your chin up as you raise yourself unsteadily on your tiptoes.

His lips are warm, scorching against yours, and you open your mouth, letting him deepen the kiss, whimpering when he presses his hard body against yours. His hand slides into your hair, his palm curling around the back of your neck, holding you steady. You shudder at the contact, and he breaks the kiss, pulling away, leaving you dazed and breathless. Everything is spinning, and you can’t tell if it’s because of the alcohol still coursing through your veins, or the fact that he’s still leaning over you, caging you in.

His pupils are blown wide, and you watch his chest rise and fall. He’s monstrous like this, a man at the brink of self control, his hands trembling at the effort to not touch you. He pushes away, creating distance, and you stare at him, stunned and confused. He’s muttering to himself again, and it finally cuts through your stupid, intoxicated brain that he’s speaking German.

He’s looking at you like he’d like to devour you. Instead he breathes, slow and deep, and takes another step back from you.

“Have a good night, häschen” He says, and then he turns, heading towards the elevator, away from you.

Part Two

[gerogerigaogaigar]

Phineas and Ferb fascinates me from a structural standpoint. I'll admit I haven't watched the show front to back, but I've caught the odd episode here and there and I certainly get the gist of it.

The first time I saw P&F it seemed charming but unremarkable, the second and probably third time it became obvious that it was a clever but formulaic show. At some point it clicked. Children's shows are usually formulaic, Dee Dee will destroy Dexter's invention, Elmer Fudd will fail to hunt the Wabbit, He-Man will defeat Skeletor, and Sisyphus will roll that boulder up that hill. Phineas and Ferb asks not just that we imagine Sisyphus happy, but that we imagine that he is ecstatic to see that boulder roll down the hill.

Where the status quo is an unspoken rule of older cartoons it is the explicit law of the P&F universe. There is a roadmap to every episode, you probably already know it but I will spell it out regardless. Phineas will say the phrase "I know what we're gonna do today" thus kicking off their project for the episode. Candace will try and fail to get them "busted". There will be a musical number. Meanwhile Doofenshmirtz will have made an -inator that Perry will be called upon to destroy. Perry will get caught, Doofenshmirtz will explain his plan, Perry will escape, destroy the -inator and the ensuing chaos will clean up Phineas and Ferb's backyard shenanigans just in time for their mom to get home. Ferb says something at the very end, often his only line in the whole episode. The end.

There are stock lines that must be said. "I know what we're gonna do today" "I wonder where Perry is" "Busted" "🎵Doofenshmirtz Evil Incorporated🎶". The show doesn't just have a cartoon status quo, the universe operates off of the laws of cartoon status quo to the extent that characters actively notice when the cycle doesn't complete correctly. The characters seemingly know that their world operates on cartoon physics, but to them it's just physics. In P&F a giant whirlwind carrying away a giant backyard amusement park is as natural as gravity.

Candace's place as the character who knows this is all insane must be a tortuous existence considering the whole world is conspired against her. Not out of a cosmic meanness but a deep thematic kindness. Candace is the only character whose intent is to cause purposeful harm and the universe will not let her get away with it.

Truly this is one of the most unerringly kind shows I've ever seen. It is unreal how much faith it puts into wordplay, running jokes, and raw absurdity to carry itself while never stepping into the realm of cartoon cruelty.

You know cartoon cruelty. It's why Tom gets punished for Jerry's actions and why the Trix rabbit can never eat his own damn cereal. At its best cartoon cruelty manifests as Ed, Edd n Eddy or the Looney Tunes short Duck Amok where there is catharsis in seeing the characters hoisted by their own petard. At its worst you get CatDog which is so intensely cruel to the character of Cat that I can't comprehend what the writers were going for.

The confident lack of irony is part of what makes Phineas And Ferb work. The show is a parade of cartoon cliches and dad jokes and it never it never winks at the viewer or lampshades how silly this is. It just has absolute faith that the corniest jokes ever really are that funny. And so they are. I actually laugh out loud every time they do the "Aren't you a little young for this?" "Yes, yes I am" bit. Maybe it's the delivery, maybe it's just the confidence in the bit. Probably a bit of both. I am smiling to myself just thinking of this dumb running joke.

But what this all amounts to is what every bit of fandom wankery amounts to. I am of course talking about shipping. For my money the best bit in the show is the romantic framing of Doofenshmirtz and Perry's rivalry. This is where the show's cartoon logic and unrepentant kindness synthesize perfectly. The homoerotic undertones of the spy/supervillain dynamic are an extremely tired observation and are usually only emphasized in an ironic sense to poke fun at pieces that never intended the gay subtext. P&F flips this joke by not being even a little bit ironic about it, but still adhering to the unspoken nature of the gag.

The end result is that Perry and Doofenshmirtz's status as a romantic couple is tacitly understood to be part of the shows status quo, but never commented on. The world of P&F is too inherently kind to be homophobic (homophobia being a key component of the joke) but it still has a joke shaped hole to fill. So it does the funniest possible thing and fills the hole with nothing. The joke is the lack of a joke. The expectation of a joke that is met with a shrug from the show's own internal logic. And that's really funny. An evil scientist and a platypus are in a loving relationship that happens to also be a hero/villain rivalry. Don't worry about it. It's not the weirdest thing happening in the tri state area I promise.

[scary-senpai]

I think it would be evenly matched and Saitama would enjoy it. It would be everything he wanted the fight with Garou to be and more, because Bugs Bunny is carefree and playful and secure in his identity.

Saitama did rip a few moves from the Looney Tunes playbook during the first part of the Garou fight. I am waiting for the day he accidentally escapes through a chalk drawing or successfully walks himself off between two cliffs by just…not looking down.

Can Bugs Bunny Defeat Saitama?

Rules: a character can only defeat Saitama if they

1: Can avoid getting punched, AND

2: It is funnier for them to win. Do not apply powerscaling logic to this poll.

Vote under the cut if you read the rules

[alanshee-keeper-of-realms]

wow you really love disney metafiction

Well yes Who Framed Roger Rabbit always fascinated me as a kid, what adaptions would our world have what would change if our characters really existed and lived beside us would Disney be as greedy as it is if Mickey Mouse was actually owner over it it instead of Bob Iger being CEO nd Investors having their claws in it? Would Bugs be the owner of Warner or would he be chilling as an A-list celebrity who is a known as a beloved LGBTQA Drag Queen and Genderfluid Veteran?

Mickey and Minnie married off screen and dating on screen?

Looney Tunes known as chaos incarnate but they're a giant family

Bugs and Daffy adopted the Animaniacs because they had no home

Are Bugs and Daffy together off screen?

What would shape each toon into their On Screen and off-screen selves creating that divide?

What would the huge differences be? Maybe some have kids others are married and some have entire seperate family?

How would humans react to these guys as a species that has a bad record of looking down upon people?

Mickey and Bob Iger having a I absolutely despise you but I have to tolerate you relationship

Off screen the Warner siblings are actually related to Oswald and Ortensia explaining the Animaniacs' strange unidentifiable appearances,

Like the possibilities are endless and vast, there's just so much unexplored due to the fact companies can't share at all anymore and they don't think live action hybrids are useful

Chip and Dale 2022 resparked it for me, a lot of ideas going a million miles, like if I had finances I'd be getting reference shots to use for test fan animation just for the fun of it, cause it fascinates me that much,

And while you call it metafiction it's actually just cartoons meeting our reality seriously go check out the movie Who Framed Roger Rabbit that movie right there shows what exactly I'm talking about and here I'll even include some screenshots of a couple films that do this

Bugs Bunny Focus for Back in Action cuz honestly I think this is his most iconic look besides the Viking look when it comes to his drag and honestly the line normally I play the love interest is just amazing

Roger and Eddie(played by Bob Hoskins) in Who Framed Roger Rabbit

Chip and Dale Rescue Rangers 2022

This is the adaption I was talking about earlier look at Ellie next to the apartment building for small toons. She's as tall as it, while Chip and Dale are the perfect size for it, unlike Who Framed Roger rabbit Chip and Dale takes place in the modern day that's what hooked me to create a modern AU it's all so fascinating,

You can't see it in that shot but Dale is driving a full-blown human sized car that has been adapted for Chipmunks I'm not joking, however their movie shows how wildly different everybody can look from each other especially in the modern day when CG is a thing. Chip is still clearly 1990s 2D animated while Dale decided to get a CGI redesign

Like if Mickey and Minnie are only two feet tall and if he's the big boss on set yeah it's really funny to me to imagine him running around Disney and trying to picture every single Studio adapting to these Toons and their various size differences

Again there is just so so much that has been untapped with this genre, because Studios cannot get along long enough to tap into it

[ducktracy]

What are your opinions on Looney Tunes: Back in Action? I personally have a soft spot for the movie nostalgia or not, plus it was my introduction to the Looney Tunes so I'll always love it for that.

I'M DUE FOR A REWATCH! i'd like to give it a fair shake, because i think the last time i saw it was in 2021. i unfortunately am not the biggest fan :((((((((( my stance on the LT movies i think is "i prefer Space Jam [the original] over BiA while acknowledging that BiA is superior to Space Jam in every way".

BiA is not an exhaustive shoe commercial, so that helps immensely. it's clear that it was made by fans of the shorts and there are a lot of deep cut cameos that i really value and appreciate. i think part of my aversion stems from my contrarianism that i've been able to curb PRETTY well in the past few years, but being a child of the early '00s, i grew up surrounded by the Corporate Chuck Jones LT aesthetic and BiA is the pinnacle of that to me--i naturally have an aversion to that style and i've been good at overcoming it (i now love Joe Alaskey as Daffy, but it took me a long time for this to be the case), but BiA falls into so many of the trappings of that era that i really just don't like. stuff like acting like The Hunting Trilogy shorts are the only LT shorts ever made

i also have a hard time taking it seriously, and that is a problem because i felt that this film often tries to get you to take it seriously and i just can't. i said this last year and still stand by it in discussing its "Hollywood pathos":

I THINK PART OF IT ALSO IS LIKE. again. unrealistic contrarianism. sorry but if Daffy Duck were thrust in my lap and i had to go on a wacky road trip with him i would be ECASTATIC. i hate how he's treated as like "uhhhhhh only people who live in their mom's basement like you as a character lol because you suck and are mean and rude!!!!", and i know he's trying to prove otherwise etc but i'm just soooooooooooooooooooooooooooooooooooooo tired and averse to that narrative. Bugs is amazing Daffy sucks yahoo yippee. it feels like they missed the intent of the originals in that Daffy Does Not Actually Suck and is in some cases exhaustively more competent than Bugs, but he's just so quick to be foiled by his own impulses and vices.

most of my critiques against the movie are moreso in regards to my tastes rather than an indication of its objective quality. i do wish other characters got more screen-time, i think i would like it more... i'm not the biggest fan of the Bugs and Daffy cartoons because they enable a lot of my aforementioned gripes. i've slowly been able to turn around on them and even love shorts like Rabbit Seasoning! but their dynamic always runs into the same trappings and i get rubbed very raw by those trappings. what i want from Bugs and what i want from Daffy, i don't get out of either of them at all when they're paired together. and so i'm obviously not going to like an entire movie centered on that dynamic

i do want to give it another shake though because i may be able to appreciate it more now or, at the very least, be able to suspend my reservations more. but it's just not for me. which is a shame! because, kind of like TLTS, i've tried many times and seen it multiple times to try and understand and see what other people see in it but i just can't. the curse of being too protective of the duck

[its-wabby-stuff]

How Human is your Animal?

Based on animalistic representation in Media. Ranging from anthropomorphic to everyday pet.

A tier list for your convenience

S Tier- Humans don’t exist here

Qualifications: the world has no humans, animals tend to walk on hind legs and participate in human like societies, most likely anthropomorphic but not required

Zootopia, Kung Fu Panda, Sing, Rise of the Planet of the Apes, Chicken Little, My Little Pony, Goofy Movie, Ducktales, Robin Hood, Angry Birds, Samurai Rabbit, Paws of Fury, Spiderhams Universe

A Tier- I see, a little co-op happening

Qualifications: the world has humans, humans acknowledge animals in some way, they can be hired/considered for jobs and/or are active in society. Might be considered mutants

Paddigton, Muppets, Stuart Little, The Bad Guys, Pinnocio, Shrek universe, Care Bears, the Bee Movie, Guardians of the Galaxy vol. 3, and subsequently the entire MCU, Monsters Inc, Storks, Looney Tunes, TMNT, MHA, Yogi Bear, We Bare Bears, Chip N’ Dale: Rescue Rangers (2022), Who Framed Roger Rabbit, Hop, Wonderland, James and the Giant Peach, Hoodwinked, Mr. Peabody and Sherman, Ichabod and Toad, Sonic Movie

B Tier- Your getting suspiciously close

Qualifications: act more human like, perhaps develop a hidden society or walk on hind legs or plan elaborate heists, it’s just not quite right for an animal

Madagascar, Ice Age, Shark Tale, Surfs Up, Snoopy, Rescuers, SpongeBob, Ratatouille, Horton Hears a Who, Free Birds, Great Mouse Detective, Chicken Run, Flushed Away, Fantastic Mr. Fox, Tom and Jerry, Secret of Nym, Tale of Desperaeux, American Tail, Once Upon a Forest, Garfield, Over the Hedge, Rango

C Tier- Communication is key in fostering animal relationships

Qualifications: Perhaps by magical transformation or special gift or something that has always been kept a secret until now, these animals are able to talk to you

Cinderella, Tarzan, Jungle Book, Epic, Cloudy with a Chance of Meatballs, Charlottes Web, Scooby Doo, Happy Feet, Snow White, Pete’s Dragon, Princess and the Frog, Aladdin, The Little Mermaid, Spies In Disguise, Emperors New Groove, Enchanted, Sophia the First, Peter Rabbit, Meet the Robinsons, Anastasia, Swan Princess, Dr. Dolittle, Leo, Up

D Tier- Oh look, it’s gaining complexity

Qualifications: although animals have been known to convey emotions nothing is more complex than creating Shakespearean like storylines. Humans take to the sidelines

Lion King, Finding Nemo, 101 Dalmatians, Bambi, Land Before Time, The Secret Life of Pets, Bugs Life, Oliver and Company, All Dogs go to Heaven, Lady and the Tramp, Fox and the Hound, Aristocats, Migration, Bolt, Dinosaur, The Good Dinosaur, Super Pets, Dumbo, Home in the Range, G-force, The Wild, Spirit, Rio, Curious George

F Tier- It’s all okay, animals are just animals here

Qualifications: Imagine your pet in a movie, that’s prolly what fits here. The everyday dog, or cat, or shark. Likely plays a part in the plot progression of the movie

Babe, Jurassic Park, Milo and Otis, Old Yeller, Life of Pi, Sword in the Stone, Beethoven, A Dogs Purpose, We Bought a Zoo, Pokémon, Dolphins Tale, Homeward Bound, The Black Stallion, Marley and Me, Jaws, King Kong, How to Train Your Dragon

Z Tier- So it doesn’t work like other places, but it works for you

Qualifications: a Universe with its own set of rules, perhaps jumping into a place outside of their own where rules seem just a little different. Who can say if it was real, or a dream?

Mary Poppins, Spiderverse, Fantasia, Mario Bros, Song of the South, Alice in Wonderland (cartoon), Calvin and Hobbes

Each placing is based on the highest human to animal ratio in universe even if that is one exception. This is for fun, don’t take it too seriously. You’re welcome to fill in anything you think is missing. If I mentioned one of your favorite movies you have to reblog, I don’t make the rules.

😉

[primordialsoundmeditation]

Bugs Bunny Wisdom:

Make friends with your personal, inner "monster."

It's there for a reason.

Maybe it just needs a little attention. A new hairdo. A chance to run around and get silly.

Don't take yourself too seriously. You need all your parts, even your shadow demons.

Halloween is a perfect time to let those little buggers out and get some fresh air!

🥕Who is Bugs Bunny?

Bugs was originally created by Bob “Bugs” Hardaway, but developed by Tex Avery, Chuck Jones, Friz Freleng, Bob Clampett, and Bob McKimson.

Bugs’ first appearance was in 1940 in "A Wild Hare" by Tex Avery. However, Bugs evolved into the suave, sophisticated rabbit that we know and love due to the genius of Chuck Jones. He’s starred in more than 175 animated shorts. Looney Tunes. Warner Brothers.

Mara Clear Spring Cook

[incorrectquoteslooneytuneslatino]

Lola: ¡Decidí que lo haré todo! Seré una Amazona, jugare básquetbol, diseñaré ropa, joyas, muebles, perfumes, ¡cohetes espaciales! Seré la mejor amiga de Wile E., y amaré a Bugs.

Aoogah: Pero… ¿Cómo harás todo al mismo tiempo?

Lola: No sé cómo… aún. Pero si, ¡puedo hacerlo!

Fuente: Miraculous: Las aventuras de Ladybug (2015 ~ Hasta la fecha)