#look what he did to earth

[folklore-girl]

ok so warner’s dad is the real BITCH.

[shanastoryteller]

The day his deal comes due, Sam goes missing.

Dean tells himself it’s nothing, that he’s gotten caught up in some research, some last ditch, hail mary nonsense and that he’s just turned his phone off and everything’s fine, that he wouldn’t do something stupid, that he wouldn’t break his promise.

He tells himself that for the first two minutes after he cracks his eyes open and sees the empty bed across from him, and the first time his call goes straight to voicemail, and not much after that. Sam’s broken his promises over things significantly less important to him than his brother’s life.

Dean is dressed and in the Impala five minutes later, heart thudding wildly in his chest. He calls Bobby, Ellen, everyone he can think of, but none of them have heard from Sam, none of them have eyes on him. Sam was with him last night, even if he boosted a car, there’s only so far he can get.

He keeps calling, keep searching, desperate to stop whatever he’s trying to do, to find him, to see his brother one last time before he’s dragged to hell. To make sure Sam is going to be okay after he’s dragged to hell. But the hours tick down, the sun sets, and he can’t find a trace of him. He’s so exhausted and heart sick that when he goes to call Sam again it takes him a long time to read the number on his phone, eyes swimming, the time not making any sense.

1:03

That’s not possible.

That’s not –

His phone rings, blocking out the time with Bobby’s name across the screen, and he answers it but his throat is too thick to say anything.

“Dean?” Bobby says tentatively. “Are you – I got an email from Sam. It just said, I mean, did–“

“What did it say, Bobby?” he asks, even though he’s sure he knows.

Bobby sucks in a breath at his voice, because he knows just as well as Dean that he should be screaming in hell right now, not answering his phone. “To take care of you.”

Dean drops the phone, hears Bobby still talking as he grips the wheel and presses his forehead against the back of his hands. This is what he’d been afraid of. This is why he hadn’t wanted to mess with the deal in first place. This is the one thing he’d begged Sam not to do.

It's easy to find a crossroad.

The demon is laughing at him when it shows up, wicked grin in a pretty face. “That didn’t take you long, boy.”

It’s a different demon than the one he delt with, obviously, but Dean figures they all know the same shit, since demons are a bunch of gossips. “This wasn’t the deal. My brother lives and I die.”

“You traded your soul for your brother’s life,” she corrects, so amused by all this that all he wants to do is kill her, to exorcise her, to make her scream. “Just like your father traded his for yours. There’s no reason Sammy can’t make his own trade. Man, but is your family fucked up. Maybe if you’d just settled down like little Sammy wanted, you wouldn’t all be bargaining for each other’s lives like haggling at a flea market.”

“Untrade it,” he snaps. “My soul for him alive, come on, no year, no waiting, you bring him back and take me to hell right now.”

She laughs in his face. “You don’t have anything to bargain with, boy.”

“My soul,” he repeats, “That’s what this is about, isn’t?”

“Oh, it’s what it’s all about,” she says. “But Sammy’s a clever boy. You know that, don’t you? He didn’t trade his soul for your life, he didn’t have to. You didn’t die. No, he traded it for your soul. Sorry, honey, but your credits been declined.”

At first he doesn’t understand. Sam traded his soul for Dean’s, exactly, so there’s no reason he can’t trade it right back. Then he gets it.

She sees the exact moment it clicks, the moment despair and horror sweep across his face too quickly for him to stop them. “That’s right. Little brother owns your soul now. For some reason he didn’t think you’d take proper care of it. You have it because that’s where he wants it, but no one will be making any deals with you, Dean Winchester. You can’t sell a soul you don’t own.”

“You can’t,” he has to clear his throat, “you can’t just come in and change things at the eleventh hour-”

“Eleventh hour?” she interrupts. “Sammy made his deal eleven months ago.”

His mouth is so dry he can’t speak.

“Isn’t it funny?” she asks, head cocked to the side. “All this time, the deal he’s been trying to get out of wasn’t yours, but his own. Maybe the two of you might have even managed it, except you just wouldn’t help, would you? Insisting that he not research, that he not look for a way out, and he spent so much time trying to convince you, coaxing you to talk about your feelings when he knew you were safe, all he because he thought it would make you feel better when he was gone, because he couldn’t tell you the truth and talk about how scared he was, so talking about your fear was as close as he could get.”

Dean’s going to be sick. “Don’t – please, please, I’ll give you anything-”

“You don’t have anything,” she says, gleeful. “You want to know why I agreed? The thing that made it just too delicious to refuse? Sammy’s down there, just starting in on an eternity of torture, and all he has to do get out of it is give up your soul. It’s his, after all, and he can put the original deal back in place any time he chooses. Just one moment of weakness on his end and his beloved big brother will be on the rack instead.” She sighs happily. “It’s almost as good as anything we’re doing to him down there, the knowledge that if he slips up for even a moment then it would all be for nothing. I couldn’t have found a way to twist the knife deeper if I tried.”

There’s vomit crawling its way up his throat and he has to swallow it down before he can speak. “I can’t – I’ll do whatever you want, please, there has to be something.”

She leans forward, cruelty and delight shining in her eyes. “The only thing you can do is what you’ve been telling your precious baby brother to do for the past year. Accept it. Move on. Live a good life so his sacrifice isn’t in vain.”

God. How can she – how can Sammy expect him to –

He’s doubling over, finally upchucking what little he’s ate today, and he’s dry heaving on the dirt when he hears the fading sound of her laughter.

This can’t be real. This has to be Hell, he has to be in it right now. He has to be.

[angryducktimemachine]

A brotherly visit.

[ID: a digital drawing of Sherlock and Mycroft Holmes. Mycroft is sitting in an armchair with a large cat asleep in his lap. Sherlock is pacing in circles around him, talking. /end ID]

[puppetmaster13u]

Prompt 119

Another divine twitch chat Au? Another divine twitch chat Au. With a bit of a twist. 

Billy would like to say it is in fact not his fault. It’s really not. Who hits someone with magic they obviously don’t know how to use? Well okay maybe he had done that before, but it’s not like he ever did it around other people where they could get hit! 

But someone was an idiot and now he’s here, as his normal ten-year old self kicking his legs while sitting in the Watchtower as the others argued. Apparently the League thinks he’s been de-aged, which is good as his secret isn’t out. 

The uh, issue is that something about the spell might have um, partially manifested the gods- or as he called them the Mediterranean Magic Men, if only because of how annoyed it made Zeus. Now everyone can see the chat that’s usually only visible to him and apparently it’s concerning. 

He doesn’t see how it’s an issue, Zeus has been silenced for the next hour and Hercules has been dying of laughter for the last three. Oh, wait, it might be from Mercury’s constant attempted flirting with Flash. …Or the fact they’re trying to convince him to commit a crime and he’s honestly down for doing so seeing as he’s a homeless ten year old who is down for getting clairvoyance and super speed for the next thirty minutes in exchange…

[merlins-strawberriesandroses]

The thing no one ever considers while writing up character analyses about Merlin is that. he must have been sooooooo sleepy.

[toubledrouble]

You know what we should bring back?

Older christianity. I mean the anti government, anti military, community based christianity. The one that cared the most about peace, equality, mercy, kindness, and radical love. The one with shared property. The one that didn't conform to society but instead existed mostly outside of it. The one where noone considered one sin worse than another because in the end, we are all sinners trying our best to be better.

[hajihiko]

My friend Hajimmy Hinata birthday post🎆🎉

[idkaguyorsomething]

buffy season four will give you whiplash any time they cut from one romantic subplot to another. ¿anya and xander? autistic loser4loser in the best way possible. they’re cute as hell. ¿willow and tara? amazing, magnificent, spectacular, literally groundbreaking witches experimenting with magic and being gay 10/10 no notes. ¿buffy and riley? rancid. worst ship ever. what does a queen like her see in such a cardboard cutout of a man who doesn’t even like that she can fight better than him

[flyboytracy]

[sesamestreep]

“requiem for methuselah” crazy ass episode for many reasons. Kirk is being fully insane, like I don’t actually think, even controlling for how quickly and easily and readily he seems to fall in love with anybody at the slightest encouragement, that he’d go that bonkers for that android woman he just met while everyone on the ship was this close to dying, but that’s neither here nor there, because in the background you’ve got an equally but much more subtly insane episode for Spock, who extremely uncharacteristically admits to experiencing an emotion (or nearly experiencing, whatever) and that emotion is ENVY of all things. And then spends the rest of the episode warning Kirk away from this new love interest (something that doesn’t usually happen, even when Kirk has very inadvisable love interests) and is, in the end, the person who accurately identifies that Rayna’s competing love for Kirk and Flint is ultimately what overwhelms and destroys her with the most killer line in maybe history???

And then to wrap it up we get an equally uncharacteristic sort of denouement scene (TOS loooves to cut an episode off right after the actual climax, leaving little time for falling action or character reflection, or to stick a sitcom-y button on the end where the gang all smiles and laughs at their misadventures and everything resets to zero, which is not a criticism, it’s just the style of that era of tv, honestly) where Kirk is literally miserable over Rayna’s death (again, kind of unusual for a lot of his love interests, he tends to be able to move on pretty quickly) and Spock goes to see him and he falls asleep right in front of Spock (also odd) and then when Bones comes in to give the final word on Flint, Spock waves him off from waking the Captain (tender) and Bones gives him that awful speech about how it’s sadder that Spock can’t even imagine the love Kirk felt for this random android woman than it is that Kirk lost her in the first place (debatable but also rude) and how his great tragedy is that he can’t love at all like they can and how all he wishes is that Kirk could forget about all of this and move on. AND THEN, to have Bones leave and Spock go over to Kirk and very gently, tenderly, reluctantly touch him and put his hand to his forehead and tell him to forget and HAVE THAT BE THE END OF THE EPISODE??? What am I supposed to do with that??

[snazzydwarf]

I watched Transformers One last night, and now that I've let it sink in over night I have some WORDS (In a positive way, this movie SLAPPED and I just wanna ramble haha)

I'll just be going over the main 4 however!

So Spoilers under the cut!!!

Okay straight off the bat I wanna preface that I'm not the most knowledgeable about the TF franchise, I'm more of a casual fan. I've seen some of the Bay movies, Bumblebee 2018, and a little of bit of a few of the TV shows. (I'm starting to read the IDW comics, but I'm not far)

So as a casual fan of the franchise this movie was EVERYTHING.

It's just so... refreshing to have a simple "friends to enemies" story line that doesn't try to get complicated. You can tell that the people working on the movie really fucking loved the franchise, and that they took the time to refine the movie.

Megatrons origin story is very believable and well paced, at time's I went "YEAH BEAT HIS ASS D" outloud. OOOOO AND HIS OPTICS CHANGING COLOURS SLOWLY IS AWESOME!!! I can't remember the exact scene (I have horrible memory) but there's this one frame of Orion standing up after being pushed away, and you can see D-16 standing up in the background behind him... and he's just covered in shadows, his optics are a muddy orange. No longer the bright yellow like they were in the beginning and UGG THAT WAS GREAT!!

Chris Hemsworth was actually really well cast as a young Optimus. I don't think he would suit a more war-torn and older Optimus Prime, however as Orion Pax I think he hit the nail on the head. He sounded young, hopeful and full of curiosity that it makes the broken friendship between D-16 and Orion Pax more impactful.

They spent the whole movie being at each other's backs, even when you can tell D was getting sick of his shit, they loved each other. D saying "I won't ever follow another leader" oof- and with his "the only person I can trust is-" being cut off short is GREAT foreshadowing.

At that point in the story I don't even know if he would have said Orion, or himself. Their bond is straining, tensions are rising high and they have hit a split road.

Elita I think, while not being as stand out as the other two, was pretty great in the movie as well. She had a more low-key character Arc, going from a stick in the mud looking for her next promotion, loosing it all because of Orion saving another bot (Jazz!!!!), being mad at him and willing to do anything to get back up the rank, having her whole world fall... and then finding hope within the last bot she would ever thought she would.

She is a figure head, someone who leads and gives commands, yet is bound and confined by rules and her superiors. I don't think she was every truly happy, but seeing Orion try his hardest and never loosing the spark of hope and bullheadedness inside him inspired her.

I believe that scene of her giving back the map to Orion was the first sign or her beginning to trust him, in addition to her not taking back the map later on.

OKAY NOW... BUMBLEBEE... well B-127 BUT MY LITTLE BEE!!

Oh you poor bastard, look at you! You're not mentally well honey, and the war has JUST started!!!! I really liked him in this film and I will defend him to the end.

Was he a little annoying? Yes. BUT it fits and it works. He's been alone for Prime knows how long, he's desperate for friends and companionship that he can't shut up now that finally, finally he has someone else to talk with.

I liked his jokes throughout the film, sure others can find it annoying (god knows the D, Elita and Orion kinda did) but underneath all of that is just a profound sadness.

You can see this when D-12 is standing up to Sentinel, he tells D to stand down, to kneel. Because he's afraid, he's afraid he's gonna watch as one of the first friends he's ever made be killed right in front of him.

He's also not as dense as other's think he is. He may be optimistic, loud and ever the chatter box who lacks the social ques of someone who's been alone for far to long, but he knows when to calm down. He was quiet when they found the bodies of the Primes, he was the one who had the Energon cube to give to Alpha Trion and he did that in a quiet and careful way cuz he knew that this was serious.

He doesn't crack a joke when they see the demise of the Primes and Sentinel's betrayal cuz he's also as shocked as the others. He's NOT an airhead, he's many things in this movie, but he isn't dumb. (also without him, legit nothing the movie was even possible, cuz he was the one who saved the SOS message of Alpha Trion and he was the one with the Energon cube... I'm just saying-)

Anyways, this was a great movie! If you haven't seen it (just spoiled urself mate lol) then please go watch it in the theaters if you are able to. It would be such a shame if this were to "flop" and we never got to see a sequel to this time line.

more thoughts in the tags cuz this has gone on long enough!

[shadystranger]

What was up with cass fighting for his life to stop dean from rescusing sam (not to mention his almost enthusiastic jumping to move past sam's death) He did NOT have that energy when the roles were reversed

like summin smell fishy and it aint just cass's pussy

[normal-thoughts-official]

The "faster than the elevator", the "there's always a first time", the Loud Wink™ at the dinner table, the grin in the helicopter, the way he laughed at himself when he said "we killed each other", the "there's your balance, asshole"... you can tell that Joe thinks that he's the funniest motherfucker on Earth. And he is right

[softness-and-shattering]

So I put on this netflix show, in their tradition of being extremely obvious with names its called Mech Cadets, and its an alien-mecha human-pilot fight-the-giant-bug-aliens story. My first complaint is that the alien mechas are called Robo's. Wow exciting /sarcasm. Anyway thats totally forgiven because 1 the story actually makes choices and puts the characters through consequences instead of like hinting at oh it something bad gonna happen psych we dont have the guts for that. Its a kid/teen show so its not super dark but it follows through and goes the places it needs to.

2, and maybe most importantly, I gotta talk about the disability rep. There's four teens chosen by the alien mechs to be their drift-compatible pilots (I think im using that correctly? Im not super informed on the genre but I know some), and we see straight away that one of the guys has a prosthetic leg from the thigh down, and uses it as an example to tell the main protagonist, hey none of us are perfect we dont have to be perfect we just need to be human. The next episode the mechas are given human-designed weapons to fight with, and the disabled kid gets these flippy sticks I cant quite work out. One of them gets a staff, the other gets this glove for punching, story moves on. Then a bug-alien-antagonist gets into the teens dorm and while fighting it, the alien dismembers the guys prosthetic. He immediately grabs his crutches and goes to town on it with his crutches, and balancing on them to kick with his one good foot*. Then they disconnect the rest of the prosthetic and use its sharp edge to kill the alien. And then he just moves around on his crutches with no comment and Ill cut myself off there so I dont spoil the whole thing.

Except, a couple episodes later, Im watching him in the mech fighting and moving around, and I realise that his giant fuck-off monster attacking weapons ARE A PAIR OF CRUTCHES. Theyre his fucking WEAPONS. Thats cool as fuck!

[designernishiki]

i keep asking my friend why majima no majirock Exists and he always just says “well kurohyo needed karaoke songs” and when I follow that up with “that literally explains nothing, how and why does majima have a popular rock hit that’s technically canon because kurohyo exists in the same universe as the mainline games” he just casually says “i don’t know. it’s just there.” needless to say I have no answers and the enigma of majima no majirock just sits in my brain eating at me indefinitely

[buds-and-baubles]

thinking about the parallels between kon, apollo and midnighter regarding their creation/origins.

kon's origins where he at first was a fully human clone of a cadmus scientist named paul westfield, who was then genetically engineered and modified to be as close to superman as possible, utilizing his ttk metagene to emulate superman's powers. his later iterations simplified his origins by making him an actual clone of superman, fully kryptonian with a small amount of human dna to stabilize the kryptonian dna, utilizing his ttk metagene. (wanna thank @mamawasatesttube for giving kon facts that i am absorbing like a sponge).

apollo and midnighter were bioengineered/built as superhuman by henry bendix. these post-human 'prometheans' (my species classification of them) have three running rumors on their creation; they were young adult former u.s soldiers who were conscripted, they were kidnapped children, or they were modified cloned human dna from petri-dishes grown to adulthood. regardless of creation, they were experimented on where they underwent time on medical tables and or in cloning stasis/stasis tanks, as well as intense combat training to make them who they are. however, they maintain retrograde amnesia regarding their life before their first mission and all records were destroyed so there is no way to confirm their origins.

kon was aged to a teenager so he didn't experience early years as a child. apollo and midnighter either don't remember their childhood, or never had one.

kon has helped out other clones of CADMUS gain autonomy as well as the clones on new krypton. apollo and midnighter had no choice but to kill the clones of their long dead teammates, and clones of themselves as they were too far gone to be saved.

i like to think reasonably they all have a phobia of medical things like needles (i know it's canon for kon but i haven't read it yet for apollo and midnighter).

they have all died and been brought back by some seemingly otherwordly means.

they all had to learn what having family is like. kon with clark and the whole superfam, and apollo and midnighter in raising jenny quantum.

two out of three are queer sun-powered superhumans who deserve the world in my opinion.

kon and apollo have both been through two traumatic events that i literally cannot talk about and it makes me sad that they have this in common. fuck you millar i hope your ice cubes melt.

got their very own warm calculating (midnighter is only warm calculating to his husband and daughter) partner who vibes with nighttime.

had interesting ways they got their names. apollo and midnighter reclaimed their aliases as their names to gain a shred of autonomy from what bendix did. kon got his name from clark giving it to him.

though kon and apollo have many power similarities with clark, they've got ones that make them stand out! yes, the ttk and energy projection. three cheers for ttk!

all have their own classification on what they are because of their unique origins.

apollo and kon are both smart AND pretty unlike what some may write or say.

kon knows his origins but apollo and midnighter will never know their true origin.

are/were on a team with a speedster and amazon. kon has his two besties bart aka impulse and cassie aka wondergirl. apollo and midnighter had impetus and amaze, rip them.

apollo can fight to protect kon when there's kryptonite or only red sunlight present cause it doesn't bother him and kon can keep him away from extreme cold stuff like liquid nitrogen. teamwork!

secret identities! kon didn't originally have one because he was first just superboy, and got his secret identity later. apollo and midnighter have no secret identity.

if i got any kon tidbits wrong please forgive me i'm literally shaking with excitement at posting this and have been working on stuff regarding apollo that is still a work in progress for like a day and a half with only 3 hours sleep. i needed to post this or i was going to knaw through drywall.

this is what i meant that apollo and kon have so much in common. it makes me wanna scream and cry and roll on the floor to cope.

slightly unrelated but please invite apollo to sun-powered supers meet-ups, he can show off all his cool hobbies like origami and card stacking to name a few of them. if jenny q goes with him, she can share stuff about herself, both her dads, and the rest of the authority of silly things they do and be held in apollo's arms as he flies if they're all flying.