#long live Homestuck
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bloobydabloob · 4 months ago
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Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.
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Art I drew related to the subject because I like to respond to asks with art.
But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.
The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.
It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.
Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.
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I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.
I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.
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lucabyte · 7 months ago
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[Vid] The King Goes to Starbucks
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Sir, this is a House of Change. We sell transformation and progression here.
[Act 4 spoilers, original doodles by @samhainian under the cut]
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my muse.... i lost my mind giggling at these long enough that i made a whole animatic. thanks sam
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iskawhiskers · 8 months ago
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i had to draw the funny interaction between @finalcord , @squeakitties and i about the bucket after seeing someone rb with tags about homestuck
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aroaceleovaldez · 8 months ago
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It's honestly wild to me that ToA went through so much trouble to emphasize the fact that Will did not magically fix all of Nico's problems and was explicitly not Nico's only doctor.
Only for TSATS to have Will fix all of Nico's problems and have Nico be entirely reliant on him the entire book and literally helpless without him and LITERALLY have Nico's problems be magically removed.
#pjo#riordanverse#tsats crit#nico di angelo#solangelo#it doesnt make any sense too cause. in HoO we KNOW Nico was fully capable of handling himself in Tartarus#we already knew he was explicitly on his own. we know he had it worse than Percy and Annabeth did#because we are explicitly told that Nico saw Tartarus' true nature the ENTIRE TIME versus Percy only getting a tiny half-glimpse of it once#and Percy acknowledges that he would not be able to withstand actually seeing Tartarus more than he did without just dying on the spot#and Nico was down there for as long as Percy and Annabeth at least. on his own. flying blind and explicitly having it worse.#so it doesnt make sense to totally retcon Nico's ENTIRE experiences with Tartarus to make him sopping wet and pathetic about it#needing to be helped and only being down there for twenty minutes and crying the whole time#and then all of the book he's literally functionally helpless without Will for some reason. despite being in his element.#could not get more in his element than being in the Underworld. my guy literally lives there. that's his HOUSE. that's his YARD.#and he's still just totally sopping wet and pathetic in Tartarus the second time around#like im sorry. no. we literally have previously established canon indicating this is absolutely not the case#that is not something you can retcon. that is an entire major event. it was not glossed over.#unless you are doing time travel and it's a canonical retcon a la Homestuck im sorry the events of TSATS just could never occur#(not to mention Damasen is just never acknowledged in TSATS and him and Bob were absorbed by Tartarus the god and ergo dead in HoH)#(so Bob and Damasen are like. *Gone* gone. they didn't just die to be reformed later they got ERASED.)#(and Nyx sure as hell isnt gonna be the one to have Bob trapped for whatever reason. definitely not cause she hates light/change/whatever)#(nyx is literally the mother/sister [depends on version - sometimes a mitosis situation] of the personification of day? and sky?)#(and FRIENDSHIP? and the nymphs of sunset? sometimes also CHEERFULNESS? and THOUGHTFULNESS? and old age)#(ah yes the mother of concepts such as love/friendship and aging and. day. would HATE [checks notes] love/friendship changing and light)#(she INVENTED THOSE) < anyways thank u for coming to my aside rant in the tags#in parenthesis to indicate this is an aside/tangent rant. anyways i have so many problems with this plot. it just DOESNT WORK#on NO LEVEL DOES IT WORK AT ALL WITH ESTABLISHED CANON
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erkythehero23 · 11 months ago
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oh shit dads mad
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slavhew · 5 months ago
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skirts suit strider
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nana2009 · 5 months ago
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dave gets a vasectomy
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such options have been pondered before
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dirkuu-daily · 7 months ago
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DAY 108
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cultivating-saplings · 7 months ago
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In honour of 4/13x15 I'm posting (a very slightly edited version of) the paper I wrote on the Unofficial Homestuck Collection for one of my classes last term. The language/tone is a bit more academic than what I would usually put up on here, but it's exam season so... 
Don’t Turn Your Back on the Body:
The Resurrection of Homestuck After the Death of Flash
Digital media is, broadly speaking, very difficult to preserve. The rapid pace of technological development means that obsolescence and decay present a consistent threat to the availability of natively digital works. Most computers produced in 2023 no longer have built in CD drives, and I feel fairly confident in asserting that none are being produced with floppy disk readers outside of hobbyist spaces. Issues with the accessibility of physically stored digital media can be mitigated (at least for now) by the use of external readers, but the preservation of fully digital media, born and hosted in its entirety on the Internet, is a different beast entirely.
This is, in part, an issue of pure volume; no one organization could ever hope to archive the vast amounts of stuff that the Internet is constantly producing, let alone organize it into a resource that could be used effectively. Like Borges’ cartographers who created “a Map of the Empire whose size was that of the Empire,” to fully archive the Internet would be to replicate it in its entirety. Thus scope becomes a central question of fully digital archiving. 
The Internet Archive, which also operates the Wayback Machine, answers that question with a resounding and all-encompassing ‘yes’ — their stated goal is to “provide Universal Access to All Knowledge,” but even this comes with caveats. The organization freely permits members of the public to upload files to the archive and save pages on the Wayback Machine, but the work carried out by its official volunteers is more curated, and prioritizes webpages which have been identified as particularly important.
The Internet Archive is very effective within its own space, yes, but it has its limits. When the piece of work you are trying to archive is composed of not just static text and images, but longform animations and complex browser-based games, where do you put it? What do you do when the software necessary to access these elements of the work has been taken offline? And what happens if the people who were supposed to safeguard it fail to do so?
These were the issues that the fans of Homestuck faced in 2020 as the impending deactivation of Flash loomed on the horizon.
But first, before I properly explain what the Unofficial Homestuck Collection really is and why it is so effective as a digital archive, let me tell you about Homestuck. 
Frustrated with the poorly implemented official preservation of the comic, and with a lot of free time on his hands, one fan began the Unofficial Homestuck Collection as a personal project during lockdown, during the “depths of 2020.” As the project changed hands and more fans became involved over the following years, its true scope came into focus: the Collection would preserve not only Homestuck itself, in its entirety and with its Flash-dependent pages intact, but also as much of its contextual material as possible, thus making it a prime example of the effectiveness of fan-driven digital archiving and preservation. Because the people who created the Collection are long standing fans of Homestuck, they know which pieces of peripheral material will provide the context the comic demands. The Collection preserves Homestuck as a text in a way that would be impossible in an analogue format, creating an archive both of the work and of the experience of reading it in a serialized format.
Andrew Hussie began* Homestuck on April 13th of 2009, and published it serially on mspaintadventures.com, his personal website at the time, until its conclusion on April 13th, 2016. Prior to beginning Homestuck, Hussie had been publishing short webcomics and pieces of fiction for several years on his older website, Team Special Olympics, since 2004, which had gained him a small but very loyal following. This following was centered mostly around the forum attached to the TSO website, which hosted the first of Hussie’s ‘MS Paint Adventures,’ Jailbreak, in September of 2006. Jailbreak was a short comic which Hussie produced as a collaborative writing game on these forums, in the style of early text adventures.
Beginning with the prompt, “You wake up locked in a deserted jail cell, completely alone. There is nothing at all in your cell, useful or otherwise,” Hussie then wrote the rest of the comic according to the first comment posted after every page. This, perhaps predictably, resulted in a barely coherent mess of a story.
Following the conclusion of Jailbreak after a short 134 pages, Hussie would produce two more comics prior to beginning Homestuck: the unfinished Bard Quest (June-July 2007) and Problem Sleuth (March 2008-April 2009), which was his longest work so far at the time of its conclusion. Problem Sleuth in particular represented a substantial increase in production quality and general coherency over Jailbreak, as Hussie gained experience using the MSPA forums as tools for collaborative storytelling, reigning in the meandering narrative by allowing himself to be more selective about which forum responses he followed.
Hussie would continue this more controlled style of forum collaboration throughout the first three Acts of Homestuck, which followed a much more focused story than any of his prior work, thanks to his decision to use reader input only in specific parts of the comic. In the introduction to the print edition of the first Act, Hussie described his own role during the production of these first Acts as “dungeon master, a game engine responding to input, and an improv comic all in one.” During the process of writing Act 4, Hussie stopped taking prompts from readers entirely, and would construct the rest of the comic ostensibly as its sole author.
‘Okay,’ you might now be thinking, ‘you’ve given me the context, but what the hell is Homestuck? And what’s it about?’ Well, to wildly oversimplify a very complex piece of media, Homestuck is a webcomic about four young online friends who play a video game that causes the end of their universe and grants them the power to create a new one as they see fit. It is a story about growing up and realizing you’ve been forever changed by your experiences, a story about leaving behind the life you knew and constructing a new one. It is also a story about time travel and paradoxes, genetics and cloning, a large number of aliens, a possibly larger number of puppets (at least one of which is sentient), and an unfortunate amount of clowns. 
This story slowly unfolds over the course of 8126 pages, 817,929 words, and 166 animated panels, 95 of which contained some degree of interactivity and all of which total over four hours in length. Most of the comic’s pages consist of a main image, usually a short looping gif, accompanied by a text description or dialogue, which is almost always written in the format and style of online chat-logs between characters. As mentioned previously, however, these simpler gif-and-description pages are interspersed with longer videos, animated in Flash and soundtracked by one of Hussie’s several collaborators.
The first of these animated panels was uploaded a few weeks into Homestuck’s publication — an animated opening title-card for the comic, scored ominously with sounds of howling wind and windchimes. This first Flash panel was relatively simple, but the next would introduce a bespoke soundtrack (“Harlequin” by Mark Hadley), and the third would include simple interactivity. These soundtracked animations and interactive segments increased in scope and complexity over the course of the comic’s run; the final animated page in the comic, “[S] Collide,” comes in at nearly twenty minutes in length, and some of the larger interactive segments can take upwards of two hours to fully explore. 
While some of the later interactive pages were developed in an engine based on HTML5, most of Homestuck would be built using Adobe Flash, and would depend on the program for basic functionality. This would prove disastrous for the comic’s long term preservation. Flash was very popular, and had become ubiquitous by the early 2010s, but it had security issues which were easy to exploit, its range was fairly limited in terms of what kinds of animations it could produce, and, as its most fatal flaw, it couldn’t run on mobile. Thus with the expanding use of smartphones and tablets, Flash became less and less practical as a tool for web developers, and Adobe began slowly preparing to kill it. On December 31st, 2020, Adobe sent Flash off to the farm where it could frolic and play in the digital sunshine, leaving many online communities facing a crisis. How do you preserve a text when its foundations have crumbled?
With Homestuck using Flash in such an integral way, the issue of preservation was an important one. After the finale, Hussie would post some short post-credits stories to Snapchat from October 2016 to August 2017, as well as a longer epilogue in April 2019, before stepping away from any formal involvement with the comic in 2020. In 2018, Hussie had given the distribution rights for Homestuck to VIZ Media, which primarily handled the English-language publication of several manga series, and had left the rights to the IP and the freedom to produce new work to former collaborators. Thus it was VIZ who took on the task of officially preserving Homestuck against the death of Flash.
To say their efforts were unsatisfactory would, I think, be paying them too great a compliment. The complex and highly detailed Flash animations were replaced with embedded YouTube links to low-quality screen-captures of the originals. The hours-long walkaround games were not translated at all, replaced with ‘choose your own adventure’ style pages of text and links. The official version of Homestuck as it currently exists fails to capture a lot of what made the comic work, because it removes a lot of the gamified elements of the comic that are so integral to its storytelling.
There are many snapshots of the website from before the walkaround games were taken down on the Wayback Machine, but the Flash emulator that archive.org uses is very inconsistent, frequently becoming stuck on looping loading screens or failing to process assets correctly. While the dubious preservation of the long Flash animations is a real issue on its own, the lack of any attempt to replicate the format of these longform games represents the loss of something essential to the comic. Homestuck is, throughout the whole of its story, intertwined with the visual and cultural language of video games. The loss of the complex interactivity of these panels fundamentally changes how the reader is permitted to engage with them and, by extension, with Homestuck’s narrative as a whole. The official version of Homestuck that exists online is no longer complete. 
This incredibly poor preservation was the impetus behind the creation of the Unofficial Homestuck Collection. In its most basic form, the Collection is simply a preserved and restored version of Homestuck, intact and in high quality, accessible through a downloadable client, rather than online — reducing the Collection down to this basic description does it a disservice. The Unofficial Homestuck Collection includes not just Homestuck, but all of Hussie’s prior work: Jailbreak, Bard Quest, and Problem Sleuth are in there, but so are the full contents of his first website, Team Special Olympics, alongside archived versions of his now-deleted accounts on various social media platforms, and copies of threads from the MSPA forums that he would later reference in the main comic. The Collection also includes material that Hussie released alongside Homestuck, like the in-fiction blog of one of the main characters, various short comics written by guest authors, and a full episode of an in-universe childrens’ cartoon.
These peripheral materials are interesting and provide context for some of the more obscure references throughout Homestuck, but many of them were not produced until well into the comic’s run, and assume an audience that is caught up with the most recent update, making them dangerously full of spoilers for the unaware new reader. This issue is solved by the appropriately named ‘new reader mode.’ One of a variety of useful accessibility tools included in the Collection, the new reader mode tracks which page a user has reached, and implements a universal spoiler cloak over the whole program, hiding all materials that were released after their most recent page’s publication. This tool is what transforms the Unofficial Homestuck Collection from an archive of a text, into an archive of an experience.
De Kosnik argues that fan-driven archiving serves as a way for fans to mediate their own temporal experience of a text, describing websites hosting fanworks as mechanisms which “maintain the possibility of individuals joining fandoms… long after a media text has ceased to air.” While De Kosnik’s focus is on archives of fanworks and their function in ongoing fan spaces, I would argue that this framework, which centers the impact of serialization on the dynamics of fan communities, fits extremely well when applied to the Unofficial Homestuck Collection. Homestuck was published serially over the course of seven years, accompanied by blog posts, side comics, music, and other pieces of peripheral media that were released in tandem with the comic itself.
Updates were highly anticipated events, and fan communities were structured around them — one user on Tumblr found an unlisted part of the MSPA forums where Hussie posted new pages before they were published, and this “MSPA Prophet” became a fixture of the fandom for their ability to predict when the next update would come. The event that was an update (or upd8, after the typing style of a popular character) was a central aspect of the experience of reading Homestuck during its publication, and it is one that is very difficult to recover now that the comic exists as a static, completed work. The Unofficial Homestuck Collection, through its new reader mode, functions as a solution to that absence. It does more than safeguard the reader against unwanted spoilers: it temporarily transforms Homestuck back into an incomplete text. 
Homestuck makes use of the assumed preexisting knowledge of the reader, and their “intuitive familiarity” with various types of digital media and culture, especially ones which are inherently participatory. The story’s use of narrative motifs and referential easter-eggs allows Homestuck to function, in Hussie’s own words, as “both a story and a puzzle,” but that “There [are] a range of ways to interface with it[…] Failing to grasp everything shouldn’t preclude basic enjoyment, nor is it a symptom of failure by either the reader or the story.” In the most frequent example of repeated symbology in Homestuck, Hussie peppers the text with references to the number ‘413,’ simplified from April 13th, the day the comic began.
The story follows four friends who are all thirteen years old, many of the songs on the comic’s soundtrack are exactly four minutes and thirteen seconds long, and the timestamps on chat-logs show that characters frequently begin important conversations at precisely 4:13, to name just a few of the number’s appearances. The combination of puzzle and story in Homestuck extends beyond these kinds of motifs, however, and into the way Hussie employs referential humour.
Some of these references are fairly easy to catch; in Act 4, one of the main characters is gifted the Warhammer of Zillyhoo — a brightly coloured weapon which originally appeared in Problem Sleuth. Others, however, are much more obscure. The older brother of another main character runs a business creating bizarre, semi-ironic puppet pornography. Most of the audience read this as an absurdist joke about the internet’s love for offputting porn; the subset of fans who had been following Hussie for several years, or those who looked into Hussie’s early activity on the MSPA forums, however, would find themselves with new understanding of a long-running joke. This element of the experience of reading Homestuck is something that the Unofficial Homestuck Collection not only preserves, but makes readily accessible to the comic’s readers in a way that would not have been possible during the comic’s publication.
On a purely theoretical basis, I would argue that the Unofficial Homestuck Collection is valuable not just in the context of contemporary fan activity, but as a potentially valuable resource for future research. Homestuck is a foundational piece of the current cultural landscape, its influences permeating both digital and analog media in subtle (and sometimes not so subtle) ways.
Undertale, titan of online culture that it is, was created by Toby Fox, who was the composer behind a large amount of the music in Homestuck and was, during the game’s production, living in Andrew Hussie’s basement. Tamsyn Muir, author of the Locked Tomb tetralogy, began her writing career as a prominent figure in the Homestuck fandom on Tumblr and Archive of Our Own. Although the reach of her original work has thoroughly outgrown her fandom roots, Muir includes sly references to Homestuck in several places in her books. Hell, one of the animators working on Bluey, a cartoon aimed at very young children, included references to Homestuck in the backgrounds of episodes they worked on, as easter-eggs for the benefit of parents in the know. All of this is to say that Homestuck has its hooks deep within the culture of the Internet, and its impacts will, I think, be felt for a long time yet.
The Unofficial Homestuck Collection is certainly not immune to digital decay or link rot, but it is resistant to them, since it is hosted on a large and well established website (GitHub), and, once downloaded, can be accessed without an internet connection, and shared freely. For the hypothetical future researcher, the Collection contains resources to mitigate the frustration of trying to hunt down pieces of contextual or peripheral material by packaging them with the text itself — it functions like a sourcebook. 
Bibliography
Bamboshu, and GiovanH. The Unofficial Homestuck Collection. 2020. https://bambosh.dev/unofficial-homestuck-collection/ 
De Kosnik, Abigail. Rogue Archives: Digital Cultural Memory and Media Fandom. Cambridge, Massachusetts: The MIT Press, 2016. https://doi.org/10.7551/mitpress/10248.001.0001.
Glaser, Tim. “Homestuck as a Game: A Webcomic between Playful Participation, Digital Technostalgia, and Irritating Inventory Systems.” In Comics and Videogames. Edited by Andreas Rauscher, Daniel Stein, and Jan-Noel Thon. 96–112. Routledge, 2021. https://doi.org/10.4324/9781003035466-8.
Hussie, Andrew. Homestuck. MS Paint Adventures, 2009-2016. https://homestuck.com. 
Nakhaie, FS. “Reproduce and Adapt: Homestuck in Print and Digital (Re)Incarnations.” Convergence, 2022. https://doi.org/10.1177/13548565221141961.
Read MS Paint Adventures. “Statistics.” Last modified April 7, 2018. http://readmspa.org/stats/.
Veale, Kevin. “‘Friendship Isn’t an Emotion Fucknuts’: Manipulating Affective Materiality to Shape the Experience of Homestuck’s Story.” Convergence 25, no. 5-6 (2019): 1027–43. https://doi.org/10.1177/1354856517714954. 
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why-is-it-always-autumn · 5 months ago
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The Beforan ancestors are so...
We know nothing about them. We know exactly who they were. Not one of them has ever spoken a single line in anything even canon-adjacent. Everyone can agree that He Would Not Say That. We know their full legal names. We don't know what anyone called them in adulthood. We can make some pretty solid predictions about their interpersonal relationships. We don't know which of them were even alive at the same time. We only know they exist because of a bunch of parodies of 2012 tumblr.
#homestuck#beforus#just fascinated by the way the structure of homestuck makes it really really easy to analyze these characters who are inherently absent#pre-scratch feferi is the only one whos so much as alluded to the rest are barely implied#but unlike say dad crockers mom we know for a fact that they existed and we can talk about them with canon support#we cant prove anything because again they are not discussed in canon but#we know they lived on beforus#we know that most if not all of them arrived long before the dancestors#(see post scratch handmaid for evidence of potential exceptions)#we know their 'role' was to prepare their descendants for sburb#we know they were cloned in an ectobiology lab on a meteor and karkat was there#(ig technically they appear on panel in that one image of karkat getting covered in grubs since that was pre-portal but...)#we know feferi was the empress#everything else we have to extrapolate from what we know about beforus#(and everything we know about beforus is extrapolated from interactions with 12 long dead teenagers who hadnt been on the planet for years)#and what we know about sburb/sgrub and what we know about the main trolls and the alternian ancestors#we have five different sources for seer/knight interactions that we can apply to the beforan karkat/terezi dynamic#we know who vriska is when she models herself after mindfang and we know who mindfang was and we know who non-mindfang aranea is so...#we know how kankri talks about his mutation and we know what happened to the signless and we know who karkat is and we know feferi#we can make some really good guesses!#we dont even know if adult tavros had wings
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alfiely-art · 5 months ago
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FINISHED ACT 2!!!! I promise I'm taking my time
Act 1 live reaction here
Here are notes I took while reading!!!
Hi vagabond fella… you're cute
Huh. So the world ended. Okay
Happy birthday john, you fucked up!!!! My god!!!!
Oh interesting… wonder if the kernel will come back later
I like this sprite lmaoooo silly guy
“It's a long way down” Hey. Hey wait a sec. Isn't that deltarune
HEY THE BUNNY WHERE DID IT GO
Bro Rose probably thinks you're dead lmfaooooo
House trapped. LIKE THE TITLE HOMESTUCK DO U GET IT
Am I supposed to ignore the Stop Scurrying button btw. He will scurry to my hearts content
HEY WHERES DAD.
“Would you like to play a game?” C…caliborn….? :3
We scurried until we couldn't scurry anymore
Aw he's scared :( WALK ACROSS IT ur fine…
A voice?? Is it the blue text. The sprite
OMG ITS THE VAGABOND!!!!
Sorry rose I'm not reading allat
So wait. Did the game cause the meteors or is it just saving people from them. Why was there no warning
Betty crocker is born /j
Nvm sprite said No <3
NOT NANNAS ASHESSSSS LMAOOOO
“Hoo-hoo-hoo” HEY I SAW CALIBORN GIGGLE LIKE THAT IN A FIC. I know the Striders have more to do with Caliborn but let me reach
OH its the sprite
Dave. Honey. Nows not the time for your rap
Which admittedly has fun rhymes
AW FLUCK IT
Dave what are you yapping about
THE FUCKIHG CAR OH MY GOD
DAVE OH MY GOD HOW ARE YOU STILL GOING
Fluthlu… I love you
I'm not even gonna try to spell that but I like the other squid octopus creature as well
Oglogoth… goth !!!!
Hey wait. The horror terrors are part of sburb. Is the game influenced by their lives and interests. Like. Deltarune
OH PSYCHE!!! hi Dave
Sword!!!!!!
Wow your room is really mHEY I KNOW THOSE GUYS. THATS THE FELT GUYS. SQUAREWAVE AND RHE OTHER ROBOT. I KNOW THOSE ONES!!!!! OHHHHHH
Bleat like a goat and piss on your turntable
Oh Dave. Oh Dave
Hey wait is this earlier in the day.
Okay this is definitely earlier in the day
Aw. He doesn't wanna make satire of the sburb review
FUCK IM FALLING DOWN ALL THESE STAIRS……
Is that. John's hand???? what the fuck is happening in midnight crew
Flagrant Homosexuality
YOU CANT BE SAYING THAT WHITE BABY (I was told that they use slurs, slur count 2!!!!)
Her life depends on you playing that game Dave
Ewwww what's the shit under the door
It's okay Dave piss probably isn't that bad. It's also probably Apple juice You're fine
HE GOT PISS/JUICE ON HIS TURNTABLES NOOOOOO
. They're gonna fly out the window
OH MY GOD BIRD NO
Wait. Davesprite is a bird with a sword in him. Omg is that bird the beginning of Davesprite omg!!!!
Wizard
Rose and her mom are fucking weird
MOM!!!!!
Hardcore parkour
Jade be telling the future…. Why can she do that
LIL CAL MENTION
NARRATOR YOU CANT BE SAYING THAT (slur count: 3)
Ironic Indulgence
Btw. Are you able to. Win the strifes. I'm so confused
“Fine, you'll interrupt your reading and turn around, but you don't see what could possibly be so oh my god it's a monster.” Hi this is absolute gold this is how I type
John died :(
Yay he's alive!!!
YOOOOO SICKKKK AFFFFF MOVE
John is such a nerd I love him
JASPERS NOOO
Hi Nanna harlequin sprite
Dave is very suddenly creeped out by the puppets, okay. Don't diss Lil cal bro
Baked good hater for Life!!! Also I am just like John I have absolutely no idea what Nannasprite was talking about. We r along for the ride
HUMAN ETIQUETTE WOOOO I NEED THAY BOOK
Jade why do you know all this stuff
Haha Dave's an emoji
IS THAT A DRIPPED OUT SLAPPY
HI CAL HI BABYGIRL !!!! I like Cal he's the man
Sweet Bro n Hella Jeff is. I
Cals eyes are so shiny
HAHAHAHAH JOHN MADE A SWEET BRO AND HELLA JEFF REFERENCE. I can't
U and me both Rose. We Are giggling
John died again
What the fuck is happening at Dave's house
ROSE RAP ROSE RAP
WHSJSHSJSH THE LITTLE IMP????
What the fuck is happening
I WANT TO PLAY A GAME is this a caliborn reference. Anyway uhhh Bro is kinda weird what's going on with him
Why does he have a camera in the saw guy figurine. Bro. What's uh up with you
BRO REALLY IS A NINJA…. Whys he jusy moving Cal around
Dave. I know you said your Bro is awesome but I think he's just really weird. He's silly
I do think it's interesting. John doesn't like his dad even though his dad is great (worst thing is he ignores that his kid doesn't like betty crocker goods). Rose hates her mom, but.. for like, the wrong reasons?? Like yeah her mom’s an alcoholic and seems neglectful but she doesn't seem to do the Irony shit Rose says she does. And then Dave seems to think Bro is the absolute best even though. This is not a great situation. I wonder what Jade's family is like
Also John and Rose avoid their parents but Dave's Bro seems to avoid Dave. interesting
Anyway POOR DAVE HE GOT SMOOSHED
Hey that letter is the same as the one in the trans dirk comic I saw :0
NOOO I WANTED TO SEE BRO
Yoooo John that's a cool weapon actually
That's a big boy right there what a big boy
ROSE THE FIRE ITS AT UR WINDOW
YO WAS THAT SILHOUETTE JADE?!?!?! JADE YAAA
Big boy!!!!!!
HEY I WAS INVESTED IN SEEING JOHN FIGHT. Oh at least we can see Bro. Wait how's Rose
??? JADE???
OOP NOPE. VAGABOND
What the fuck is happening I
vagabond is so silly I like him
Hey guys I think a king hurt vagabond. Just a guess. Probably reaching idk /j
VAGABOND PISS SCENE ?!?!?! YIPPEE!!!
Oh nvm. Btw can we get this guy a burger
HES SO HAPPY OVER THE. idk what that is DANGANRONPA BLOOD IN A CAN!!!!!!
HEY WHAT THE FUCK ARE ON THESE SCREENS BTW. Wait I'm shouting so much. But what the fuck. Dave has his sprite??? Yay???? I thought he was gonna fight Bro??? What happened to Lil Cal???
Hey isn't that Jade's symbol on the pumpkin
Yooo that's such a cool cutscene actuHUH HOW IS IT THE END OF THE ACT AGAIN
The frick….
Anyway. Thoughts: I like Vagabond. Jade is mysterious. Dave gay. Bro creepy. Someone pls save Rose. John you gotta put your big boy pants on and fight those ogres. Good act!!! idk why people say the pre-trolls stuff is boring I'm enjoying myself
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lucabyte · 1 month ago
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ppl saying they look to my comics for inspiration and pointers on how to format things is WILDDDD to me (and delightful don't get me wrong!! i am overjoyed) because like. none of you are privvy to the absolute WAHHH I DONT WANNNAAA bitchfits i was *CONSISTANTLY* throwing every time i forced myself to make a comic before i got into isat. like no joke. i considered comics such a fucking difficult medium they always drained my drawing energy so hard because they always felt like they took sooo long and had so many moving parts and were so much harder than storyboards (WHICH I ALREADY STRUGGLED WITH) because you had to account for panel shape and speech bubbles and-- like you get it. but genuinely for real. the sheer amount that i complained whenever i clawed my way through drawing a comic (which thus! was not very fucking much!!) compounded by the fact that i *genuinely have trouble reading comics*. as in, i really struggle to parse the flow of contiguous movement or action between panels (possibly connected to the fact ive got mad aphantasia?) of even really well done best-of-the-best professional comics...
... BUT. basically. what im trying to get at is. if you wanna learn to draw comics, evidently you super can?! I genuinely *didnt* draw comics before drawing isat fanart! I have no idea what it was about ISAT fanart that made it finally click for me? (I think it was... not having to think about colour? Removing a step from the process really helped. Plus, it being fanwork meant I could just start en-medias-res and not have to think about setup... Trying to cram too much explanation and setup into my oc stuff was always a big hurdle too...)
I find them fast to do now! and damn if i dont value speed in art (<- impatient little fucker). its still going slowly on my oc comics.. mostly due to the colour again, i think. but it's not extremely, ecruciatingly difficult anymore. is what im saying. and im genuinely baffled by it every time i put pen to page. its fucked up. did you guys know that practice makes things easier? . fucking perverted if you ask me.
As for looking at other people's things for inspiration. if you want to know where I was looking when I was piecing together the first couple fancomics I did for ISAT i want to specifically point at . well besides everything rebecca sugar has ever done (for hands and facial expressions *especially*), the main person i really dug into the work of was Leo Fox (Website link). I feel like i wanna point people to the source of a lot of the inspiration for my more off-kilter panel choices so you all can get the full experience rather than through my regurgitated mimesis. I'm now at the point where i can wing panel layout so i wasn't in there for longgg but. everyone go add it to your knowledge banks as for SUBJECT MATTER aka why i am i so deranged. those are squarely the 2019 postcanon homestuck golden era bleeding through my CLENCHED BITTEN DOWN JAW. A BULL TERRIER ON YOUR BRACHIAL ARTERY. namely that @/floralmarsupial and @/tomatograter's works (no i am not tagging them . im shy) are things i go back to frequently and floralmarsupials pure black/white inktober comics were *especially* an inspiration. if you've been following me a few months you may remember me reblogging a bunch of their stuff from 2019~2021 for seemingly no reason. this was why. The narratively divorced reality of jade strider & Liminal Space are big in my mind here. I balk to call myself anywhere near as good as these but these are what i'm aiming for, tonally and quality-ways with it. also detective pony but ive mentioned that already and thats farrrr too inside baseball for this post.
BUT YEAH TL;DR: I DIDNT DRAW LIKE ANY COMICS UNTIL UHHHH LIKE, WHAT, LIKE 8 MONTHS AGO? JESUS. ANYWAY. THIS MEANS YOU 🫵🫵🫵 CAN DO IT TOO. BELIEVE IN YOURSELF. DATTEBAYO!!!!
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pen-the-second · 4 months ago
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ughhhh i love them
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oregano-gremlin · 5 months ago
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alpha striders...
the refrance
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messy-paws · 23 days ago
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@turntechyaoihead birthday art.
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gendertrickster · 9 months ago
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i find very cool how you're dating the writer of the comic you were (still are) swooning over
it's literally so fucking funny. you guys cannot even comprehend all the reasons why this is the funniest shit ever
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