#lol this is such a long rant im sorry

[3416]

also kyper going so hardcore about 1634 today saved me..... "34 wants 16. he doesnt want 88, he doesn't want anybody else. he wants him." he said it with SO much conviction, it's killing me. like that's how me and the oomfs speak bro, welcome to the club. also the use of their numbers to make it less personal like these guys dont wear their numbers like a LIFELINEEEE......

[petitprincess1]

the hateboners that the antis have for hazbin and everything related to viv is INSANE. can't scroll through any kind of social media (especially on twitter!) without accidentally stumbling upon the dumbest, most braindead takes. can't make silly little posts about hh or hb without antis flooding in. it's like their entire personality is to hate on viv and her works for some fucking reason

SO SO FUCKING REAL!

That's why I had to leave Twitter. It's just impossible to say even the slightest thing positive about HB and/or HH without the swarms of hate. Like I posted the small clip from the first ep of Hazbin with Adam wanting to be called "Dickmaster" bc I found Charlie's blunt af reply funny, especially since she's usually so perky. That's it. So many fucking QRTs of people either saying how bad or unfunny, commenting about Verbalase, and [insert stupid ass drama here]

And it's not even like I could block them. The moment I blocked 5 accounts there would be, no exaggeration, hundreds of others popping out of nowhere. It got to a point where it was bad for my mental health. If it weren't for HB and HH posting on Twitter, I would have no problem deactivating my account. It's so bad.

Don't even get me started on TikTok, even some of the fans there can be a bit much 😮‍💨

While Tumblr has hateful shit, it's not nearly as bogged down as Twitter is. Plus, I find so much more love here than I ever have on Twitter. (Not to say no one was nice to me. It just was a lot of hate that it was hard to separate the good from the bad.)

I'm not saying that they can't dislike Vivzie or anyone. It's just mind-boggling how antis/crits will literally HARASS ppl for watching a cartoon, even if that person also has misgivings for Viv. Which some fans do and that's perfectly fine. It's almost like separating art from the artist isn't hard.

I think it's even stranger when fans often echo the SAME CRITICISMS that they're saying, and yet....we dick ride Viv?? Um...sure....why not....

At this point, I just mainly say positive shit out of spite (and genuine love for the shows ofc). I'm just so done.

[kitfizzo]

The "this number is.." is a reference to idksterling.. theres nothing nsfw on here its all just innocent kissies and cuddles i promise 🙏

Ughhhh I'm waaayyy too autistic and depressed rn to say anythingg... ive got choir district on Saturday and its really stressing me out so im bringing my X plush for an extra friend to support me... autism who?

Also a stupid vent under the more lolol its funny if you need a laugh i guess

Someone on Pinterest saw my gore art and was like.. "dni" I GAVE A TRIGGER WARNING WHY DID YOU GO TO THE COMMENTS- and then on the htwins discord server i posted some adorable 4x art i got eight 🔥 reactions BUT SOME KID PUT A ROLLING EYES EMOJI- BROOOOOOOO THEY WERE JUST GIVING EACH OTHER A FLOWER WHY U HATTING 😭😭😭☹️😨❤️😭⁉️❤️☹️❤️🔥🤭🗣️❤️✌️🩸🙏❤️🗣️❤️❤️🤭 I SWEAR OSC KIDS ARE SO MEAN FR ☹️

[thebirdandhersong]

Lol

[nemotakeit]

i think that if we dig all the way down to the roots of tøp's musical theme, it all comes down to that constant internal conflict between desperately wanting to be seen and desperately wanting to stay hidden. we can see how they've been making gradual progress in "managing the tension" but it's still there on Clancy. dare i say it's the central theme of the lore as well.. the reason the character & the era Clancy feels so rebellious is because he's actively fighting to Be Seen. the oscillation continues, but a subversive variable has emerged.

[snapcracklepop-myjoints]

do u have a reccomendation for what form of shorthand to learn first. deeply interested-- i saw ur reply on that one post and then u seem cool so i just followed u and figured i would ask here

hello !!! thank you for asking !!!!!!!!!! and im so sorry this is so long lol

If you want my biased personal recommendation, I would suggest Pitman New Era. That's what I use, and I think its the best balance of efficiency vs difficulty to learn, and I like that the learning curve is such that, as you learn, you apply more rules that simplify the writing process more (meaning that earlier practice is still legible, if far less efficient). This compared to other forms (like Gregg) where, as you learn, youre just kind of generally suffering and trying to get your brain to memorise things and differentiate very similar looking strokes. I find Pitman also lends itself well to using in conjunction with other "standard" writing styles so you can take notes that are enough in "standard" writing to be skimmable while using enough shorthand to be much faster to write, basically maninmising writeing AND reading speed. [example below]

You can skip to the end for resources for Pitman and shorthand in general if this answer is sufficient :)

If you want a horrifically long, massively autistic answer that breaks down the three most popular/common styles, then thats what the rest of the post is !! It is so fucking long I am so sorry

Horrifically Long Answer:

I'm answering on the assumption that you would be learning for use with english. If you want to learn shorthand for another language there are a variety of options however I am less versed in them :( I'm also assuming you're asking out of personal interest rather than vocational, since certain jobs will recommend or require you learn certain styles of shorthand and it would be best to defer to that.

The most popular methods are Gregg, the various forms of Pitman (this is what I use), and Teeline. Gregg and Pitman are phonemic while Teeline is alphabetical. There are also a huge number of other, less popular forms of shorthand (as well as shorthand systems which are popular in/made for other languages). If you're interested in learning about these, check out the subreddit listed at the end of this post under "resources".

Teeline:

I know much less about Teeline, so I'll go into it less, but basically it is a "spelling-based" shorthand system -- that is, it is based off the standard spelling of words. It replaces latin letters which different forms that are faster to write and can be connected more efficiently, while removing extraneous letters from words. It is simpler to learn, in part because it is spelling-based, and also because it has fewer rules which further consolidate and shorten word forms. Due to this, it is ultimately much slower to write than the other two systems mentioned here (although you can still get up to good speeds !!). Like the other shorthand systems, you can learn to a more basic extent, or learn more advanced theory to maximise its capability and speed. Teeline is very standard for journalism and overall quite popular for professional use, however it is still in copyright and so there are far fewer resources available online. If you are interested in taking classes, however, I would assume those are available.

Teeline TL;DR: alphabetical, simplest to learn but less efficient, popular, still in copyright so fewer resources.

examples of Teeline:

[images sourced from wiki]

Pitman and Gregg: Phonemic Systems and Regional Accents:

As mentioned, Gregg and Pitman are phonemic. If you dont have any practice with phonemic writing systems, you might have luck starting out with shavian just to practice. also because shavian is fun :) (its one of the writing systems in my header !) Im saying this partly because I want more people to learn shavian and partly because I learned Shavian long before I learned Pitman and found that having that practice was helpful. In particular, if you have any accent other than RP, its helpful for figuring out either which vowel sounds and phonetic spellings are relevant to your accent and your pronunciation, or, should you choose to go a "standard" (RP) route, how certain words should be spelled despite how you may pronounce them. Using a "standard" RP approach can be helpful if you want people to more easily be able to read your writing or want to "match" the dictionary, but someone well versed in shorthand should be able to figure it out no matter what, and if its just for your personal use I'd suggest just going by your own regional pronunciations.

Pitman:

Pitman was an early shorthand system developed in the early to mid 1800s. It used to be the most popular shorthand system, however nowadays has been eclipsed in popularity by Teeline and/or Gregg, depending on the country and occupational context. However, it remains popular among enthusiasts and there are significant amount of resources available for learners and practitioners.

The main thing to know with Pitman is that words are built using different strokes for each consonant sound, and symbols attached to these consonants to mark vowels. These consonant sounds are differentiated by shape as well as line thickness. Voiced and unvoiced pairs of consonants (eg., T and D, C and G, S and Z, etc.) are designated using the same strokes, with the voiced consonant of the pair being thicker than the other. This line variation is something which is normally achieved with a pencil, though I mostly use fountain pens to write and so I use flex nibs to achieve the same effect.

Vowels are marked with certain dots or dashes placed along corresponding consonant markings, For increased writing speed, most vowel markings can also be left off in Pitman, and instead where on the line the first stroke begins serves to signal the first vowel.

Pitman uses short forms (also called "logograms" or "grammalogues," depending on the version and book you use) which are abbreviated forms of commonly used words (see picture below for a few examples). Different versions of Pitman have different numbers of grammalogues.

With Pitman, efficiency is increased through a combination of memorising various short forms and implementing rules which simplify strokes. (Examples of these can be seen in the picture below. probably need to click to be able to actually see anything rip) This allows you to have certain "levels" of complexity, where as you learn more complex rules you increase in efficiency, but you can also eschew some of those rules if they are too complex for you without sacrificing legibility to you or proficient practitioners. Probably someone somewhere on reddit has something to say about that but tbh who gives a fuck. You can do whatever you want forever. Its known to be very common for people to come up with their own personal shortcuts and variations in whatever shorthand system they use, and imo sometimes that just means looking at a rule and going "well thats stupid👍" and ignoring it. Pitman can seem really intimidating, however just remember that you can ignore rules for as long as you want until they are less intimidating to learn and apply.

There are 3 "main" versions of Pitman: the original system, Pitman New Era, and Pitman 2000. New Era has the most complex system of rules and abbreviations, while 2000 simplified many of these and got rid of most of the abbreviations. I personally use New Era, in part because I was able to access more resources for this, but largely because I found the increased number of rules and abbreviations to be better in the long run. If you are willing to invest more time and effort into learning a more complicated system, with the tradeoff that it will be faster and easier once you are proficient, you should learn New Era. The main benefit of 2000 is that the rules are simplified. I would say, however, that the downsizing of the list of abbreviations is not a benefit. While it in theory requires you to memorise more individual symbols, in practice these abbreviations are commonly used enough that they can become automatic with very little practice. If you decide to learn 2000, I would suggest taking he time to go through the list of abbreviations from New Era and, if not learning all of them, picking out the ones you think you are likely to use with semi-regularity. If you compile them into a cheat sheet and hand it next to your desk, they should be easy to practice using and become memorised really quickly. I myself dont have every abbreviation memorised, but instead focused on ones i use regularly, and often go through the list again to pick out new ones to learn and add to my lexicon as I think they may be used.

Pitman TL;DR: phonemic, differentiates strokes through line thickness, rules can be applied or discarded as best suits your practice without sacrificing readability. Increased speed and efficiency is achieved through extra short forms for commonly used words, and rules which simplify strokes.

examples of Pitman:

[first image mine, other two images sourced from Long Live Pitman's (website, linked below), and wiki]

Gregg:

Gregg is a very popular form of shorthand which utilises round, smooth strokes with the intent of increasing writing efficiency and legibility.

Where Pitman uses variation in line thickness to differentiate between strokes, Gregg uses line length. Both consonants and vowels are marked with designated strokes (compared to Teeline, which has vowel strokes but tends to omit them where possible, and Pitman, which adds vowel marking to consonant strokes or signals vowels through figure placement), and vowels are largely kept in-line. With Gregg, efficiency is achieved through the use of short forms, prefixes, and suffixes; "phrasing", (wherein certain phrases, such as "I may be," "one of the most," "by the," etc. are combined into a single stroke); as well as through the more efficient way in which strokes are joined together into words.

Left-handed people sometimes write Gregg from right to left.

Like Pitman, there are a number of different versions of Gregg, however Gregg seems to have significantly more versions and significantly less consensus around which version is best or why. I am not the best person to give advice on which one is best or information on the different types, so if you decide to go with Gregg I'd suggest checking out the subreddit or some of the other resources linked below for information on that.

examples of Gregg:

[Images sourced from wiki and gregg-shorthand.com]

Comparisons:

I would say that one of the main things to consider if choosing between Gregg and Pitman is which you think is more intuitive to read and write for you. Which sounds obvious lol but like. as an example. I struggle with spatial awareness and stuff like estimating lengths so for me Gregg is not a good option since it differentiates certain consonants through their length and I would have a hard time writing those consistently or easily reading them. Pitman is easier for me in that regard, as well as since it is more "choppy" (for lack of better word) which makes it much easier for me to recognise certain words without having to break them down, as well as making it easier for me to break them down to read them should I need to. On the other hand, some people find Gregg to be easier since its much "smoother" and flowier to write, which can be much faster and more intuitive for some.

Compared to Pitman, Gregg has significantly fewer rules to learn, making it in theory simpler, however, due to the way it is written, it requires significantly more practice to be able to consistently properly write and tell apart certain letters, words, and phrases. Once you are proficient in this, it is by far more efficient, however Gregg is very difficult to use while you are still figuring it out. Pitman, on the other hand, has significantly more rules, however you can continue to easily use it as you learn these rules and add them into your practice. The downside of this is that once you are fully proficient, it is less efficient than full proficiency Gregg. Essentially, the main difficulty with learning Gregg is telling apart different strokes and writing them so that they can be differentiated, while the main difficulty with Pitman is in learning the rules.

I havent talked much about Teeline because honestly I know far less about it, because it is so much harder to find resources on, and honestly because I'm a bit of an old man and personally prefer the older styles lol. Its popular for a reason, though !

I know it probably sounds like I'm shilling a lot for Pitman, however thats just because its what I use and know the most about, as well as because it is what works best for my unique considerations. Most people would probably be more likely to recommend Gregg (for a number of very good reasons !), however when I was first deciding which shorthand system to learn I saw very few people making the points that were most relevant to me (eg, that pitman can be used AS you learn, whereas Gregg is more of a "its useless until you actually have it down" situation, that Gregg is really difficult if you struggle with differentiating lengths, etc) so I feel the need to mention them

TL;DR: Everything:

Ultimately you should use whatever you think is best for you :) I'd say Teeline is your best bet if you are in journalism, or want something easier. Gregg is best if you want something popular, smoother to write, and extremely fast, and are willing and able to put in significant amounts of consistent work and practice to master it. Pitman is best if you want something you can use as you learn, and that's somewhere in between Teeline and Gregg in terms of difficulty and efficiency. If you wanted, you could probably learn Teeline as well as either Pitman or Gregg, but learning both Pitman and Gregg would be much more difficult.

Other:

I take all my notes by hand, generally using a mix of palmer method cursive and pitman shorthand to do so, however, I also have to write a lot of papers, and when I do, I get frustrated at having to type out whole words I normally write in shorthand. This is kind of the curse of shorthand, you get really annoyed having to type out "because". To deal with this, while typing in a word processor, I use an alphabetic shorthand I've come up with over time. I basically input a bunch of auto-replacements into my spellcheck, so that I can have shortcuts for commonly used words set up. so basically i can write: "here, . cnstrctn ` ntnl idntty served to lgtmse the ntn stte" and it will autocorrect to "here, the construction of national identity served to legitimise the nation state". Highly recommend this if you do a lot of writing, especially if a lot of the same topics and words come up a lot. Use whatever shortened versions feel intuitive for you, instead of something you've consciously + intentionally constructed, otherwise youre more likely to forget them or have them get mixed up.

Resources:

stenophile.com has a huge number of shorthand resources linked, particularly for Gregg and Pitman. If you end up choosing either of these I'd suggest starting here to find instruction books.

this website can transliterate into Pitman and Gregg, DEK and Stolze-Schrey (two German shorthand systems), and Sütterlinschrift (a historical German script)(also in my header !)

r/fastwriting is run by a very nice very dedicated man who posts a huge amount of content and resources on various shorthand methods, including lesser known ones. If you decide you want to learn/learn about a different shorthand system, he's the guy to talk to. This subreddit differs from r/shorthand or system-specific subreddits like r/greggshorthand, as those are more discussion-based for learners and practitioners, while r/fastwriting is better for research and being autistic. R/shorthand does have a number of resources listed for more popular shorthand systems, and is a good place to go for advice while learning.

Teeline:

blog with a few free resources

Pitman:

Pitman New Era Instructor and Dictionary. These are what I largely used to learn.

Long Live Pitman's: a website dedicated to Pitman, full of good information for beginning learners.

if you learn Pitman, as mentioned the line variation can be accomplished with a pencil, however if you want to get a bit fancy with it while staying on a budget, Fountain Pen Revolution carries a number of cheap yet reliable fountain pens with flex nibs, such as the FPR Indus or Himalaya. I'd suggest the steel flex rather than the ultra-flex for shorthand unless you have a lighter hand or have practiced with a flex pen before. I've also heard good things about the Noodler's Ahab pen but honestly find its very temperamental, needs tweaking (not ideal if youre a fp beginner) and just not as good. Both FPR and Noodler's pens are made of bioresin and must be kept away from solvents like isopropyl alcohol !!!

Gregg:

Gregg Phrasebook. Short guide to phraseology for Gregg

Gregg-shorthand.com: seems like a good place to start for learning Gregg. Answers some beginner's questions, and provides learning aids and reading material (transliterated into Gregg)

r/greggshorthand

greggshorthand.gibhub.io: a more in depth website with a number of book pdfs and lessons for various forms of Gregg.

[somedecrepitcryptid]

ALL of my younger siblings are watching sonic.

Boys…… I might be next.

Im going to fall farther down the sonic fandom hole despite spending YEARS barely toeing the edge, knowing stuff about it but not getting into it. But now….. NOW????

[unknownbookworm]

I am here to hear you out about Leah. I dont think Ive ever seen anyone super passionate about her so please explain. I actually married her for my first playthrough but ended up divorcing her 😅

OOOO ALRIGHT. I'll try my best to keep this coherent because I genuinely wanna do her justice! However I make no promises This will contain heart event spoilers so I am going to do a keep reading, here we go!

Leah was one of the first people I befriended on my first save file and I immediately was like OMG womans <3. Like shes very down to earth and came to pelican town to get away from a very shitty ex and chase her real passion. She loves the forest and nature, is constantly going around to different spots to sit there and sketch, loves doing her craft, and stands up for herself against her ex! I just appreciate her so much and she gives you a whole ass art piece????? WHAT I FEEL ABOUT FARMER??????? THATS SO SWEET!!! She spends time dedicated to making something for the farmer, and is always offering to have you stop by because shes lonely. Like shes so sweet and chill, also its an extremely popular headcanon that she is STRONG, like look at leah art and you will come by one of buff leah pretty easily. Shes so pretty and ?????? Look she is THE cottage-core lesbian material.

Look its hard for me to like place all my thoughts on her in a digestible way without running over my own words, but tldr I really appreciate her story and how far shes come. She realizes she wants something else in life, realizes shes in a shitty situation, and moves out to a town where she knows no one to do her own thing. She is independent but so very kind, and I love her. Its a shame that people just say shes budget Robin, and often find her a bit dull. And other marriageable in sdv (especially bachelors) often get more of the spotlight because more people tend to love their characters. I get it, they are pretty cool and I have some different save files where i go for them, but I always come back to my wifey Leah. She likes all foragables, so it wasn't that hard to just friend her over time and I really enjoyed seeing her in the game. Her character arc in the game often has people saying its not as impactful as others, which yeah when compared to Haleys and Shanes (for example) it doesn't have the same impact. But like, Leah's arc is like a sequel arc, she already got away from her ex and moved to the new town, she is figuring out what she wants to do now and its where she is in game. No hate to anyone! This is not me being bitter against the other marriagables at all, simply me trying to say my piece about Leah. Because lets be real, she doesn't get a lot of hype. It's not that anyone hates her, or thinks she is terrible, its more of shes just "okay" to many people. Which is fine, everyone is entitled to their opinions and preferences! I just choose to appreciate my badass artist wife whose lonely and just wants someone to talk too.

[theclearblue]

I'm gonna get into a brawl with my mother one day don't be surprised when I get on the news

[stalkiwi]

So about this Canto V... (Spoilers)

I rather say it straight, my review is quite negative, so if you loved Canto V, you should ignore this. I don't like to put bad vibes in the main tag, but I wanted to give my opinion on this Canto.

This Canto was... Disappointing. I love Ishmael, I love Moby Dick, I truly do, and I had high expectations. Especially because, I know Project Moon is good at making us feel things, so I was confident with this Canto. I was confident it would be as good as the last one. But... There are things.

I'm not going to talk much about the CG or character designs. I will be honest, the new characters designs were really mid, Queequeg and Ahab were the two to stand out, and yet, even so, I did not saw them very great. Yet god knows I love evil old women and butch she/her himbo. I feel sad that Nai_Ga had to, well, literally carry the entire visuals of the Canto, did every background, every character, every CG. I hope he's paid tripple for his work. But also it felt like rushed, naturally, when you're the only artist working on a whole game's chapter, there's high chances that it will look low quality. But at the same time, since VellMori left the crew, I can't say much. I really, really hope they can find new artists. I love your art style, Nai_Ga, but dear god we need to discuss how you draw muscled arms.

ANYWAY, now into the real subject; what really disappointed me in this chapter. The feels.

I AM going to compare it a lot to Canto IV, naturally. It was the previous Canto, so it's hard to not compare them, especially with how good Canto IV was. It's like eating a very dull and mid dessert after an absolute banger of a feast.

The characters were not attaching. At all.

Let's talk about Ahab first, the main antagonist. She's... Well, a very fucked up old lady. She's senile and obsessed by her revenge. Which, well, makes sense! But it gives no sympathy whatsoever to the character. Comparing to Dongrang, the antagonist of the previous Canto, she was not a grey antagonist. She was all black. All evil. Which is BAD when Project Moon has been serving us really morally grey characters before. She's obssessed, she's ready to throw her crewmates to death for her own desires, she just wants to kill that Damned Whale. And this was so, so bad when at the end, Ishmael spares Ahab. WHY would you spare this absolutely madlad. Sure, Ishmael doesn't want to be like her, but Ahab had absolutely no reason to be left alive. She will just be more evil, AND join the evil people gang to be even MORE evil. That's fucked up. Yes, Kromer was also some unhinged feral woman, but she fought for something and was not just evil, but smart. She was scary BECAUSE she was smart. Ahab, at first she was shown as charismatic, that she can manipulate... But she quickly, way too quickly fell into "just some senile old woman." Starbuck and Queequeg followed her because she was the reason they were still alive, she was their lighthouse. But at the end of the dungeon, even after she shouted with absolutely no shame that she's ready to kill her crew, after Queequeg discovered with horrors that she sacrified everyone to make her way to the heart, she... Still joins Ahab? Without, even a second thought? Queequeg, you KNEW Ahab had not a single care for you, that she was ready to use your body for the steps that would lead her to her ambition. WHY, you followed her, and DIED for her till the end.

And Queequeg is my next point. She could, she SHOULD have been a character I enjoy a lot, but instead I felt neutral about her. A character we can associate to her in the previous Canto is Dongbaek. And now, we get a hint; all the Pequod crew was introducted way too late. They got introduced at the start of the Dungeon, and all died at the end of the Dungeon. Compared to Kromer, to Dongrang and Dongbaek who were introduced way before. We saw the memories of Sinclair and Yi Sang with them, we saw the interactions, the good moments, and that's how we got attached to them. Unfortunately, for the Pequod's crew, from the start of Canto V to the start of the Dungeon, we got absolutely nothing. Just their names mentioned. We should have got flashbacks. We barely saw Ishmael interact with Pip or Starbuck, and even her interactions with Queequeg, they were sure, adorable and heartwarming, but I could not feel the attachment between them that much as I was able to feel it between Yi Sang and Dongbaek. Dongbaek gave us an amazing boss fight, despite being not the final boss (Queequeg had a boss fight too, but! Too bad! It was just some random looking fight.), she gave us amazing memories of her and Yi Sang, and she died a heartbreaking death.

Queequeg, not only you had to guess that she was dead because at no moment it was showed, but all she got is around five lines of dialogues, Ishmael's crying sprite, "oh no!, anyway. that whale's not going to die alone."

Then we got Pip, Starbuck, and Stubb. Who? They appeared, they had a bit of dialogues, then they disappeared. Reduced to atoms.

This is really sad, because Project Moon always had a talent to make us attached to characters, then once they were growing into our hearts, kill them. I mostly think about Xiao, about Yan, we saw those characters evolve throught the story of Library of Ruina, we followed them, we saw their struggles, we saw their feelings, we fought them, the music playing behind broke our hearts, and we killed them. It was painful, it was hard, and even after they're gone, we will still think about them. We will read their books and discover even more. The promise Xiao and Lowell made that she broke after his death, how Yan had been chosen as a messenger just after he tried to take his own life away.

Queequeg, Ahab, and the rest of the Pequod's Crew are forgettable. And this is AWFUL for a Project Moon game.

And Ishmael's evolution... The conclusion felt, quite random. A few time I felt bad for her during the Canto, and it was good! But at the end, it felt rushed. She dropped a "my friends are Limbus Company now" randomly. She did not even interacted with anyone during the Dungeon. All the Sinners were just looking from far away like "go white girl go". She could have teamed up with them, she could have created bounds with them. All we got is Heathcliff saving her to make the Ishheath fans scream because Ishmael is a dark skinned himbo magnet.

I hope at least, Ishmael will play a really good part in Heathcliff's evolution in his Canto, the next one, but that's disappointing that during Ishmael's, it wasn't much. She could have got closer to Outis during the final fight, since both were already working as a team on the boat before, she could have got closer to Rodion, who helped her, or maybe Don! It's sad she was just, here, alone, against Ahab. It broke the whole purpose of "finding her new self", and she seemed that she came to this conclusion randomly.

So yup. Big disappointment. I probably set the bar of my expectations too high, maybe, but I'm not the only one sharing this, as I discuted it with some people before. I can complain about other points, like how Moby Dick just appeared for one scene, that Queequeg's death was absolutely useless to the story, or the lack of new abnormalities. But I'm being annoying.

Mili's song was fire tho, as always

[ferncloud]

hmm i wonder if tumblr user ferncloud likes ferncloud...

/.\ MAYBE...

[theokusgallery]

Since you have a lot of opinions about Sunflower fics, do you have any recommendations :p? I do generally agree with you about the derth of good works on them - kind of hoping for something I've maybe slept on.

Okay, I'll try,

First of all — I want everyone, and I mean everyone to read Coda for a Crestfallen Caitiff by MercuriallyApathetic, who also wrote The Strange Summer of Sunny Whatshisface (still one of my favorite longfics to this day but a lot more lighthearted). Coda is a masterpiece, it makes me insane, it is criminally underrated, I want to inhale its essence, and when I first read it it gave me a panic attack and a mental breakdown that lasted three straight days (/pos). Definitely read the tags and prepare yourself mentally but JESUS CHRIST I need everyone to read it. Please. You will regret it for a few hours but it is... an experience. To me at least. And to the two people I recommended it to who gave me feedback.

Then there's sunflower seeds in the rearview mirror by @andrewwtca which remains probably my favorite multichapter OMORI fic of all time (you might spot my essay-comments in the later chapters, I love this fic so much. I didn't end up writing one for the last chapter but man did it hit me hard). Very intriguing with a captivating style and an unreliable narrator mechanic that I am absolutely in love with. Everything by that author is excellent.

We have, of course, literally everything by BetweenDisorders. Arsenic is partly inspired by one of their fics ! (you know the one.) Their characterization of both Sunny and Basil (but especially Basil, because I'm gay) makes me froth at the mouth. Their style is very recognizable and honestly one of the best I've ever seen. But more generally, they have really original and intriguing ideas (like communication, in which Basil and Sunny are two computers... Did I mention how I'm a sucker for original/unique plots and premises enough yet) and everything they do is something you've never seen before. It's amazing.

Note to Self: Don't Be Gay in Faraway Town by witheredahlia is also very, very good. It's a lot lighter, but it still made my gay little heart ache, because I'm a sucker for misunderstandings done correctly (fight me).

Detective Sunny by Det_Sun is genuinely one of the most creative, fascinating OMORI fics I've seen, and also way too underrated. It's an excellent read, and there's a bunch of ideas in it that you know go deeper than what is shown, and it makes my brain go at the speed of light. Many many thoughts about this one. (Side note: I fucking love it when there's unexplored ideas in fics. Makes my brain go brrr. Not everything has to be shown and when I see hints of "behind the scene" thoughts and character background that isn't discussed much but still implied, my brain becomes a feral animal. I don't know if that makes sense...)

[ohumokay]

I love ICHBW, but I cry almost everytime I listen (like most should lol), but I thought it was bcuz of my daddy issues

But after talking with my bsf and mom, I now realize the interaction with Athena and Ody also triggered some older sister trauma 😃

(For context: my dad is a absent jerk and when he does show up in his childrens' lives, it's almost always abusive in a way. When I was ten, my older sister got tired of my dad and went no contact with his entire side of the family, which included our little brother and I. We didn't see or hear from her again until four years later and at the time my shitty grandma was dying, so 😀. And we never truly repaired our relationship. It's been two years now)

[umjamlam]

just read the interview danny pudi did with the last laugh, and i just have to say:

it makes me so sad to hear that he doesnt know if we like him outside of abed. yes, its his most iconic role, but ive seen so many edits and posts for his other characters!! a lot of people like him as an actor, and especially in mythic quest! and he said that he really liked playing a more villainous character and getting the chance to direct and-

i know he didn't say that he doesnt get support or anything from us fans, but he said like "i dont know if they like seeing my evil side" and the fact that he said 'i dont know' just makes me so sad because i want him to know that we adore him so much!!! he's such a wonderful actor and brad is one of my fav characters in tv history and i cant even express how thankful i am for everything danny has done

i love you danny pudi :( ♡

[scootatwoni]

shaking this lovely guy by the shoulders becos Humansongs just *perfectly* captures the love and wonder behind a lot of early 2000s and 2010s meta songs about the vocaloids being computer programs/instruments.

like honestly its right up there with odds & ends, miku, and tell your world for me. And while Sad Machine isn't explicitly about vocaloid so I don't regard it the same way I would, say, I'm your diva or Packaged...for me personally its only like one step removed from them. I still love it just as much and in almost the exact same way.

I could write so much about my love for humansongs and my general hopes for the vocaloid community following it and po-uta's release. But for now I just wanna express how surprised I felt when I read Porter's tweet because he's always felt like a vocaloid producer and fellow community member to me. And I hope he knows there's a lot of people out there that feel the same way

[lagtrain]

what are some of ur fav vocaloid producers and/or songs that use unique tuning rather than going for a more natural human-esque voice?

ANON HI HI HI ILY!!!! im so glad u sent this ask :)))))

im putting the recs under a readmore bc it got really long loll

ok so first up is producer recs!

Syudou- syudou is the producer who directly inspired the post i made about tuning (which is im assuming why u sent this ask lol)! the way he tunes vsynths for his songs tend to be very high-pitched as well as somewhat soft and quiet, which i absolutely adore. however, his unique tuning can be pretty offputting for some people (cough cough the insane amount of hate ive seen for jackpot sad girl & usseewa voca versions cough cough). if youre looking for good, unique tuning id defo say check out his stuff if u havent! specific recs are cute na kanojo and jackpot sad girl

Guchiry- guchiry is one of my all-time favourite producers, and has some of the most unique tuning for vocaloids ive heard. guchiry also usually goes for a high-pitched sound, but it's in a very different way. honestly, the way he tunes is kind of hard for me to describe?? idk... its definitely the type of vocals that a human could never replicate (this is proven by the fact that there's almost no human covers of guchiry songs LMAO). plus the way he tunes works extremely well with the intense, fast-paced instrumentals he usually goes for. honestly you'll just have to take my word for it and check out his stuff. specific recs are vanish and orthodoxia

Ayase- ayase's miku is one of my favourites ever!!!! he, like the two producers above, opts for a tuning in a higher range. there is also a soft quality to his mikus that i think is really nice. the thing that makes his tuning really unique is the fact that he leans into the robotic-ness of vocaloid! this style of vocals works so unbelievably well with the chill, electronic style of instrumental he often uses, and makes for some incredible stuff that human vocals just cant capture. specific recs are cinema and ghost city tokyo

sasakure.uk- if you thought that ayase embraced the robotic sound that vocaloids can produce, sasakure has practically buried himself in it! i think that sasakure's work is most notable to me for the fact that (in my opinion) his instrumentals stick out more than the vocals? and not in a bad way! not at all! its just that the way he tunes his vsynths is in such a fashion that they feel like part of the instrumentals. like, instead of the music feeling like it's a vessel for the vocals, the vocals instead blend into the instrumentals in a really unique way i havent heard with many other producers? the way sasakure tunes and uses vocaloids is something so distinct, and something that can really only be done through the medium of vocal synthesizers. specific recs are amara and future eve

Hiiragi Kirai- hiiragi takes flower, a vocaloid i find already sounds pretty unique, and goes fucking crazyinsane with her!! his flower tuning is so unbelievably cool and unique, ive srsly never heard someone use her in a way like he does. he makes her voice sound intense, harsh and growly which is seriously soooo sick :D flower's harsh vocals paired with the often intense instrumentals creates a vibe that's almost impossible to replicate with human vocals (the only covers i can think of that have managed to be on par with hiiragi's originals is ado's bocca della verita & loveka). specific recs are bottom and autophagy

Maretu- 😁😁😁 do i really have to say anything here. maretu perfectly utilizes the robotic sound that miku can produce, and makes her sound incredible with the chiptune & rock instrumentals he uses!! the vibes in maretu's original songs are so fucking good and ive (afaik) yet to find a cover that's on par with his og stuff. listen, you're asking for vocaloid recs on the maretu blog, this is a given. specific recs are koukatsu and white happy

specific songs recs now yayyyy!! im just gonna list the songs and give little blurbs abt them :-)

im not sure exactly how much this counts as unique tuning, but im putting it here anyways... the way miku and meiko are tuned here are different to how ive often heard them sound before, with a bit of roughness to their voices that you can only get via a vocaloid

really cool high-pitched tuning that expertly blends miku's & kafu's vocals! the vocals also work perfectly with the spooky vibes the rest of the song has! if you like this you'd probably also like unfriendly hater, which doesnt stand out quite as much to me as being unique but is still equally as good

i fucking love this song sm... miku's vocals are so robotic (i feel like ive used that word a lot...) which works suuuuper well with the instrumental and, with my incredibly limited knowledge of kagepro, works really well for ene's character!

the sheer insanity of this song can really only work with vocals provided by a vocaloid. listen to it and try and tell me that a human's vocals could improve on this... you cant (also pls listen to the song bc its really good)

p.h is an INCREDIBLE song, and it has such wild vocals. somehow seventhlinks manages to make flower sound more unique than she usually does, and it creates such a cool vibe for the whole song!