#lmk if you listen and like any of these !
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so iâve seen a few running lists of the surprise songs from each show but i thought itâd be nice to keep one with links to the surprise song audios! all audios come from the lovely @hope-ur-ok everyone say thank you rachel <3
3/17 Glendale, AZ: mirrorball + Tim McGraw
3/18 Glendale, AZ: this is me trying + State of Grace
3/24 Las Vegas, NV: Our Song + Snow on the BeachÂ
3/25 Las Vegas, NV: cowboy like me + White Horse
3/31 Arlington, TX: Sad Beautiful Tragic + Ours
4/1 Arlington, TX: Death By A Thousand Cuts + Clean
4/2 Arlington, TX: Jump Then Fall + The Lucky One
4/13 Tampa, FL: Speak Now + Treacherous
4/14 Tampa, FL: The Great War + Youâre On Your Own, Kid
4/15 Tampa, FL: mad woman + Mean
4/21 Houston, TX: Wonderland + Youâre Not Sorry
4/22 Houston, TX: A Place In This World + Today Was A Fairytale
4/23 Houston, TX: Begin Again + Cold As You
#lmk if any of the links dont work or smth rip#i mostly wanted this bc i keep wanting to listen to them then having to hunt them down#i havent bothered downloading them yet#i probably will now but in case anyone else would like easy access to them here you go#taylor swift#sam speaks
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The role of Pryce and Carter's Deep Space Survival Procedure Protocol Manual in the characterisation, symbolism, and themes of Wolf 359
TL;DR: The DSSPPM is used as a tool to help establish and develop Minkowski and Eiffel as characters: Minkowski as a strict Commander who clings to the certainty provided by a rigid source of authority like the DSSPPM, and Eiffel as the anti-authority slacker who strongly objects to the idea that he ought to read the manual. The way their contrasting attitudes towards the DSSPPM manifest through the show reflect their character development and changing dynamic. The DSSPPM can be directly used against the protagonists by those with power over them, and the reveal of its authorship gives a particularly sinister edge to its regular presence in the show. But it can be also be repurposed and seen through an individual interpersonal lens.
Note: Thereâs plenty that you could say about the DSSPPM through the lens of what it says about Goddard Futuristics as an organisation, or about Pryce and Cutter as people. Or you could talk about Lambert quoting the DSSPPM an absurd number of times in Change of Mind, and Lovelaceâs reactions to this. But in this essay, Iâll be analysing on mentions of the DSSPPM with a focus on Minkowski, Eiffel, and their dynamic.
âOne of those mandatory mission training thingsâ: the DSSPPM as a tool to establish characterisation
The first mention of Pryce and Carter's Deep Space Survival Procedure Protocol Manual (the DSSPPM) in Wolf 359 is also the very first interaction we hear Eiffel and Minkowski have. In fact, the first time we hear Minkowski's voice at all is her telling Eiffel off for not having read the manual:
[Ep1 Succulent Rat-Killing Tar] MINKOWSKI Eiffel, did you read your copy of Pryce and Carter? EIFFEL My copy of what? MINKOWSKI Pryce and Carter's Deep Space Survival Procedure Protocol Manual. EIFFEL Was that one of those mandatory mission training things? MINKOWSKI Yes. EIFFEL In that case, yes, I definitely did. MINKOWSKI Did you now? Because I happened to find your copy of the D.S.S.P.P.M. floating in the observation deck. EIFFEL Oh? MINKOWSKI Still in its plastic wrapping.
This is an effective way to establish their conflicting personalities right out of the gate. Minkowski's determination to "do things by the book - this book in fact" contrasts clearly with Eiffel's professed ignorance about and clear disregard for "this... Jimmy Carter thingâ. Purely through their attitudes to this one book, they slot easily into clear archetypes which inevitably clash. Everything about Eiffel in that opening episode sets him up as a slacker who doesn't care about authority, but the image of his mandatory mission training manual floating in the observation deck "still in its plastic wrapping" provides a particularly striking illustration.
By contrast, we immediately encounter Minkowski as a strict leader who cares deeply about making sure everything is done according to protocol; the intense importance she places on the DSSPPM is one of the very first things we know about her. Her insistence on the importance of the survival manual might seem somewhat understandable at first, if perhaps unhelpfully aggressive, but it starts to feel less sensible as soon as we start to hear some of the tips from this manual:
Deep Space Survival Tip Number Five: Remain positive at all times. Maintain a cheerful attitude even in the face of adversity. Remember: when you are smiling the whole world smiles with you, but when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action.
The strange, controlling, vaguely sinister tone of some of the tips we hear in the first episode is largely played for laughs, emphasised by the exaggeratedly upbeat manner in which Hera reads them. But even these first few tips give us some initial suggestions that the powers behind this mission might not care all that much about the wellbeing of their crew members.
It says something about Minkowski that she places such faith and importance in a book which says things like "Failing to remain calm, could result in your grisly, gruesome death" and "when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action." (Foreshadowing the Hephaestus Station as the home of immense emotional repression and compartmentalising...) Having those kind of pressures and demands placed on her (and those around her) by people above her in the military hierarchy doesnât unsettle Minkowski.
Eiffel groans and sighs as he listens to the tips, but Minkowski seems to see this manual as an essential source of wisdom. The main role the manual plays in this episode is to establish Minkowski and Eiffel as contrasting characters with very different approaches to authority and therefore a potential to clash.
When Minkowski demands that Eiffel reads the DSSPPM, he decides to get Hera to read it to him, asking her to keep this as âa 'just the two of us, totally secret, never tell Commander Minkowski' thingâ. Eiffel seems convinced that Minkowski won't be happy with him listening to Hera read the DSSPPM rather than reading it himself. This suggests that (at least in Eiffel's interpretation) Minkowskiâs orders are not just about her wanting him to know the contents of the manual, since this could theoretically be accomplished just as well by him listening to it. But she wants him to do things in what sheâs deemed to be the correct way, to put in the right amount of effort, and not to take what she might see as a shortcut. Itâs not just about the contents of the manual; itâs about the commitment to protocol that reading it represents.
âWhen in doubt: whip it outâ: Hilbertâs use of the DSSPPM
In Season 1, the DSSPPM isn't purely associated with Minkowski. Hilbert actually quotes it more than she does in the first few episodes. In Ep2 Little RevoluciĂłn, Hilbert's response to Eiffel's toothpaste protest is inspired by "Pryce and Carter six fourteen: âWhen in doubt, whip it out - âitâ being hydrochloric acid.â" This tip is absurd in a more direct obvious way than those we heard in Ep1. While this absurdity is partly for humour, it also casts further doubt on the usefulness of this supposedly authoritative survival manual, and therefore on the wisdom of trusting Command.
In Ep4 Cataracts and Hurricanoes, Hilbert starts to quote Tip #4 at Eiffel, who protests "I'm not gonna have one of the last things I hear be some crap from the survival manual". These moments again place Eiffel in clear opposition to the DSSPPM, but also suggest that Hilbert's attitude towards the DSSPPM - and therefore towards Command - is closer to Minkowski's than to Eiffel's.
When Hilbert turns on the Hephaestus crew in his Christmas mutiny, his allegiance to Command is revealed as dangerous. And here the DSSPPM comes up again. As Minkowski dissolves the door between her and Hilbert, she triumphantly echoes his own words back to him: "Pryce and Carter six fourteen: âWhen in doubt, whip it out - âitâ being hydrochloric acid.â Never. Fails." This provides a callback to a previous, more comedic conflict on the Hephaestus, and reminds the listener of a time when Minkowski and Hilbert were working together against Eiffel, in contrast to the current situation of Minkowski and Eiffel versus Hilbert. But it also shows that Minkowski, like Hilbert, is capable of using some of the more absurd DSSPPM tips to defeat an adversary. And it shows Minkowski leaning on those tips in a real moment of crisis.
Once Hilbert has betrayed the crew in order to follow orders from Command, we might look back on his quoting of the DSSPPM as casting the manual in a more sinister light, and again calling into question the wisdom of Minkowski placing such trust in it.
âIt's not that I don't believe it, I'm just disgusted by itâ: the DSSPPM as an indicator of a changing dynamic
The next mention of the DSSPPM is in Ep17 Bach to the Future:
MINKOWSKI Eiffel's been spot-testing me, Hera. He doesn't believe that I've memorized all of the survival tips in Pryce and Carter. EIFFEL It's not that I don't believe it, I'm just disgusted by it. I keep hoping to discover it's not true. MINKOWSKI Well, believe as little as you want, doesn't change the fact that I do know them. And so should you!
I think this provides an interesting illustration of the way in which Minkowski and Eiffelâs dynamic has developed since Ep1. They still have deeply contrasting attitudes to the DSSPPM, but this contrast is now a source of entertainment between them, rather than merely of conflict.
Given that Hera wasnât aware of Eiffel testing Minkowski on the tips, we can guess that itâs a game they came up with while Hera was offline. In the midst of all the exhaustion and uncertainty and fear they were dealing with after Hilbertâs mutiny, this was a way they found to pass the time. It must have been Eiffel who suggested it; Minkowski cites his disbelief as the reason for the spot-testing. And yet she plays along, responding each time, even though this activity has no real productive value.
Minkowski is keen to demonstrate that she does know the tips and she emphasises that Eiffel ought to know them too, but their interactions about the DSSPPM in this episode have none of the genuine irritation and frustration that they displayed in Ep1. It feels almost playful and teasing. Eiffel still thinks Minkowski is "completely insane" for learning all the tips and is "disgusted" by her commitment to memorising them, but these comments feel much closer to joking about a friend's weird traits than to insulting a hated coworker's personality. It feels like something has shifted since Eiffel responded to Minkowskiâs passion for the DSSPPM by saying âI'm so glad that your shrivelled husk of a dictator's heart is as warm as a decompression chamberâ.
Another thing to note here is that Minkowski's respect for the DSSPPM has clearly survived Hilbert's Christmas mutiny and Minkowski's resulting distrust of Command. From Hilbert's behaviour at Christmas, it's clear that the crew's survival is not at the top of Command's priority list. But Minkowski still trusts the book that Command told her to read. She still thinks Eiffel should read it too. The main figures of authority above her are dangerous and untrustworthy, but she still clings to the source of guidance they provided her with.
It's also worth noting that Minkowski has not just learnt the advice in each of the 1001 tips, but she has memorised (nearly) all of them by number. If it was just about the information that the manual provides to inform responses to potentially life-or-death situations, then knowing the numbers wouldn't be necessary. Nor would it be particularly useful to know them all exactly word-for-word. Minkowski's reliance on the DSSPPM is again suggested to be about more than the potential practical use of its content. It's about showing that she is committed and disciplined and up to the task of leading. She does have some awareness of the strangeness of many of the tips, but this doesn't diminish the value of her adherence to the manual for her:
EIFFEL You're insane. MINKOWSKI I'm disciplined. Although I will admit they do get more... esoteric as you go higher up the list.
There's only one tip Minkowski doesn't seem to remember, and that's revealing too:
EIFFEL 555? Minkowski DRAWS BREATH - and STOPS SHORT. [...] MINKOWSKI Hold on a second, I know this. (beat) Dammit. EIFFEL Hey, look at that! Looks like there may be hope for you yet. MINKOWSKI Quiet, Eiffel. Hera, what's D.S.S.P.P.M. 555? HERA "Good communication habits are key to continued subsistence. Be in touch with other crew members about shipboard activities. Interfacing about possible problems or dangers is the best way to anticipate and prevent them." This hangs in the air for a second. Then â EIFFEL So you forget the one tip in the entire manual that's actually helpful? MINKOWSKI Shut up.
Communication is a key theme of this show, so itâs interesting that this is the one tip Minkowski canât remember, perhaps indicating an aspect of leadership and teamwork that she doesnât always prioritise or find easy.
Eiffel saying âLooks like there may be hope for you yetâ seems like just a throwaway teasing line, but itâs got a profound edge to it. A lot of Minkowskiâs arc is about learning how to provide her own direction and support her crew outside of the systems of authority and hierarchy that sheâs grown so attached to. So perhaps Eiffel is right to see a kind of hope in her failure to remember every single DSSPPM tip â she has the potential to break free of her reliance on external authority.
âWhich one was 897, what was the exact phrasing of that Deep Space Survival Tip?â: the DSSPPM in interactions with Cutter
The Wolf 359 liveshow, Deep Space Survival Procedure and Protocol, is literally named after the manual. This suggests, before weâve even heard/watched the episode, that the DSSPPM will be a key symbol here. Which is interesting because I'd say the liveshow has two main plot points: (a) Eiffel's failure to read the DSSPPM or follow orders in general, the resulting disruption to the mission, and his crewmates' frustration with this; and (b) the looming threat of Cutter, the necessity of keeping information from Command, and the risk of fatal mission termination.
Even without the knowledge that Cutter is one of the co-authors of the DSSPPM (which neither the Hephaestus crew nor a first-time listener knows at this point), there's a kind of irony in the contrast between these two plotlines. On the one hand, Minkowski repeatedly berates Eiffel for not having read Pryce and Carter's Deep Space Survival Procedure and Protocol Manual, which was made mandatory by Command. On the other hand, she is aware that Command in general - and Cutter specifically - represents the biggest threat to the safety and survival of her crew.
Cutter uses the DSSPPM against each of the Hephaestus crew in their one-on-one conversations with him. For Minkowski, he uses it as a way of emphasising the expectations and responsibility placed on her:
MINKOWSKI There are always gaps between expectation and reality, but-- CUTTER But it's our job as leaders to close that gap, isn't it? Pryce and Carter...? MINKOWSKI 414, yes. Yes, sir, I know.
Cutter knows that Minkowski will know those tips and he knows abiding by them is important to her. She's quick to demonstrate her knowledge of the DSSPPM and agree with the tip. There's something deeply sinister to me about Cutter's use of the word 'our' here. His phrasing includes them both as leaders who should be ensuring that things are exactly as expected. Itâs almost a kind of flattery at her authority, but it comes with impossibly high expectations. This way of emphasising the importance and responsibilities of her role as Commander is a targeted strategy by Cutter at manipulating Minkowski, designed to appeal to her values.
In Hera's one-on-one, Cutter uses a DSSPPM tip to interpret her behaviour and claim that he can read her motives:
CUTTER This thing you're doing. Asking questions while you get your bearings. HERA Sir, I'm just curious about-- CUTTER Pryce and Carter 588: Shows of courtesy and polite queries are an efficient way to gain time necessary to strategize.
Unlike with Minkowski (or Eiffel), Cutter doesn't prompt Hera to demonstrate her knowledge of the manual. That wouldn't work as a power play against Hera, who would be able to recall the manual (or, rather, retrieve the file, however that distinction works within her memory) but who doesn't care about the DSSPPM like Minkowski does. Instead, Cutter implies that Heraâs behaviour can be predicted - or at the very least seen through - by the DSSPPM, which seems like a cruel attempt by Cutter at belittling her.
For Eiffel, Cutter uses the manual as a weapon in a different way again. He asks Eiffel, "which one was 897, what was the exact phrasing of that Deep Space Survival Tip?", something which Eiffel clearly doesn't know, but Cutter of course does. This puts Eiffel on the back foot, trying to defend and justify himself, allowing Cutter to emphasise his position of power yet again.
The DSSPPM plays a double role in the liveshow. On the one hand, as Minkowski reminds Eiffel, proper knowledge of the manual "would've saved [the crew] from these problems with the nav computer" â some of the tips can potentially save the crew a great deal of hassle, stress, and risk. On the other hand, the same manual is used by Cutter to manipulate, unsettle, and intimidate the crew. There are these two sides to the information given to the crew by Command - two sides to the manual which Minkowski still values.
In another duality for the DSSPM, the manual is sometimes used as a symbol of the relationship between the crew members and Command, and sometimes used to indicate the dynamics between the individual crew members, usually Minkowski and Eiffel. Before Cutterâs appearance in the liveshow, Minkowski and Eiffelâs discussions of the DSSPPM reflect interpersonal disagreements between two people with fundamentally different attitudes:
MINKOWSKI Oh come on, why do you think I keep trying to get you to go over these things? Do you think I enjoy going through them? EIFFEL Yes. MINKOWSKI Well, alright, I do. But this knowledge could save your life.
Minkowski enjoys rules, regulations, and certainty, for their own sake as much as for any practical usefulness. Eiffel very much does not. This is a simple clash of individuals, in which the link between the DSSPPM and Command is implicit. Minkowski doesn't seem to question the idea that the information in the DSSPPM is potentially life-saving, even though she knows Command don't care about their lives. But Cutterâs repeated references to the DSSPPM remind us who made that book a mandatory part of mission training â it certainly wasnât Minkowski, even if sheâs often the one attempting to enforce this rule.
At the end of the liveshow, in a desperate attempt to prevent mission termination, Eiffel promises Cutter that he will read the DSSPPM (the liveshow transcript notes that him saying this is "like pulling teeth"), an instance of the manual being used in negotiations between the Hephaestus crew and Command. All Minkowskiâs orders werenât enough to get Eiffel to read that book, but a genuine life-or-death threat might just about be enough. Perhaps it's ironic that Eiffel reads the survival manual out of a desire for survival, not because he thinks the contents of the book will help him survive, but because heâs grasping anything he can offer to buy the crewâs survival from those who created that same book.
In the final scene of the liveshow, Minkowski catches Eiffel reading the DSSPPM, and he fumbles to hide that he's been reading it, a humorous reversal of all the times that he's lied to her that he has read it. Perhaps admitting that he's reading it would be like letting Minkowski win. Minkowski seems to find both surprise and amusement in seeing Eiffel finally reading the manual, but she doesn't push him to admit it. There's some slightly smug but still friendly teasing in the way Minkowski says "were you now?" when Eiffel says that he was just reading something useful. In that final scene, the manual is viewed again through the lens of Minkowski and Eiffelâs dynamic â Commandâs relation to the DSSPPM becomes secondary.
âThe first thing I'd make damn sure was hard wired into anything that might end up in a situation like this oneâ: the DSSPPM as a tool of survival
In Ep30 Mayday, when Eiffel is stranded alone on Lovelaceâs shuttle, he hallucinates Minkowski to bring him out of his helpless panic and force him into action. And this hallucination also brings with it one of Minkowskiâs interests:
MINKOWSKI Eiffel... I worked on this shuttle. Reprogramming that console. EIFFEL So? How does that help â MINKOWSKI Think about it. BEAT. And then he gets it. EIFFEL Oh goddammit. MINKOWSKI What's the first thing that I would do when programming a flight computer? The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one? EIFFEL Pyrce and Carter's Deep Space Survival Procedure and Protocol Manual.
Again, a conversation about the DSSPPM gives us an indication of the development of Minkowski and Eiffelâs relationship. Not only does Eiffel imagine Minkowski as a figure of (fairly aggressive) support when heâs stranded and alone, he thinks about what advice sheâd give him and he follows it. Rather than dismissing the manual entirely, he looks for tips that are relevant to his situation. Heâs not pleased about his hallucinated-Minkowski trying to get him to read the DSSPPM, but that was what his mind gave him in an almost hopeless situation. Some part of him now empathises with Minkowskiâs priorities in a way that he definitely wasnât doing in Ep1. He thinks that the DSSPPM might be on the shuttle because he knows the manual is important to Minkowski. Itâs by imagining Minkowski that he gets himself to read the manual in order to see if it can help him survive â he certainly doesnât think about what Cutter or anyone else from Command would tell him to do.
In the end, the tips Eiffel picks out arenât all that helpful or informative: âConfront reality head-onâ; âIn an emergency, take stock of the tools at your disposal. Then take stock again. Restock. Repurpose. Reuse. Recycle."; and â"In times of trouble, an idle mind is your worst enemyâ. But Eiffel does use these tips to structure his initial thinking about how to survive on Lovelaceâs shuttle. In an almost entirely hopeless situation, Eiffel finds some value in the DSSPPM. But since the tips he picks out are mostly platitudes, the actual wisdom that allows him to survive all comes from his own mind; the tips, like his hallucinations, are just a tool he uses to externalise his process of figuring out what to do.
âWasn't there something about this in the survival manual?â: Minkowski potentially moving away from the DSSPPM
Given the significance of the DSSPPM in Season 1 and 2 to Minkowski in particular, it feels notable when the manual isnât referenced. Unless I've missed something (and please let me know if I have), Minkowski â the real one, not Eiffelâs hallucination - doesn't bring up the manual of her own accord at all in Seasons 3 or 4. This might make us wonder if sheâs moved away from her trust in and reliance on that book provided by Command.
Perhaps the arrival of the SI-5, which highlights to Minkowski that the chain of command is not a good indicator of trustworthy authority, was the final straw. Or perhaps the apparent loss of Eiffel - and any subsequent questioning of her leadership approach, or realisations about the valuable perspective Eiffel provided - were what finally broke down her faith in that book.
Alternatively, perhaps Minkowski still trusts the DSSPPM as much as ever, but trying to get Eiffel or any of the other crew members to listen to it is a losing battle that she no longer sees as a priority. Either way, Minkowskiâs apparent reluctance to bring up the DSSPPM feels like a shift in her approach.Â
The associations between Minkowski and the DSSPPM are still there in Season 3, but they are raised by other characters, not by Minkowski herself. The manual is used to emphasise Eiffelâs difficulties when heâs put in charge of trying to get Maxwell and Hera to fill out a survey in Ep32 Controlled Demolition. Trying to force other people to be productive pushes Eiffel into some very uncharacteristic behaviour:
EIFFEL Jesus Christ, what is wrong with you? It's like you've never even read Pryce and Carter! Tip #490 very clearly states that â He trails off. After a BEAT â HERA Officer Eiffel? MAXWELL You, uh, all right there? EIFFEL (the horror) What have I become? [...] Eiffel, now wrapped up in a blanket, is next to Lovelace. He is still very clearly shaken. EIFFEL ... and... it was like an episode of the Twilight Zone. I was slowly transforming into Commander Minkowski. [...] It was a nightmare! A terrifying, bureaucratic nightmare!
This is a funny role reversal, but it shows us the strength of Eiffelâs association between Minkowski and the DSSPPM, as well his extreme aversion to finding himself in a strict bureaucratic leadership position. It also suggests that becoming extremely frustrated when trying to get other people to do what you want might make anyone resort to relying on an external source of authority, such as the manual. I donât know whether this experience helps Eiffel empathise with Minkowski, but perhaps it might give us some insight into how her need for authority and control in the leadership role she occupied might have reinforced her deference to the DSSPPM.
In Ep34, we get a suggestion of another character having a strong association between the DSSPPM and Minkowski. After the discovery of Funzo, Hera asks Minkowski what the manual says about it:
HERA Umm... I don't know if this is a good idea. Lieutenant, wasn't there something about this in the survival manual? MINKOWSKI Pryce and Carter 792: Of all the dangers that you will face in the void of space, nothing compares to the existential terror that is Funzo.
Itâs interesting to me that Hera asks Minkowski here. We know from Ep1 that âPryce and Carter's Deep Space Survival Procedure Protocol Manual is among the files [Hera has] access toâ. Two possible reasons occur to me for why Hera might ask Minkowski about the DSSPPM tip here. One possibility is that Hera thinks that retrieving the manual from her databanks and finding the correct tip would take her more time than it would take for Minkowski to just remember the tip. Which suggests interesting things about the nature of Heraâs memory, but also implies that - at least in Hera's view -Minkowskiâs knowledge of the DSSPPM is more reliable than that of a supercomputer.
The other possibility is that Hera could have recalled the relevant DSSPPM tip incredibly quickly but she doesnât want to, maybe because she resents having that manual in her head in the first place, or maybe because she wants to show respect for Minkowskiâs knowledge as a Commander. Either way, we can see that Hera â like Eiffel â strongly associates Minkowski with the DSSPPM.
And Minkowski, even if she wasnât the one to bring up the manual here, recalls the relevant tip immediately. Perhaps she is moving away from her trust in that manual, but everything that she learned as part of her old deference to the authority of Command is still there in her head. She might want to forget it by the end of the mission, but thatâs not easily achieved. The way Minkowskiâs friends/crewmates associate the manual with her emphasises the difficulty sheâll face if she tries to move away from it.
âOne thousand and one pains in my assâ: The authorship of the DSSPPM
In Ep55 A Place for Everything, Eiffel effectively expresses his long-held dislike of the DSSPPM when he comes face-to-face with both of its authors:
EIFFEL What? What the hell are - wait a minute - Pryce? As in one thousand and one pains in my ass, Pryce? (sudden realization) Which... makes you...? MR. CUTTER (holding out his hand) W.S. Carter, pleased to meet you.Â
Itâs significant that the two âbig badsâ of the whole series are the authors of the manual which Minkowski and Eiffel were bickering about all the way back in Ep1. Itâs not the only way in which the message of this show positions itself firmly against just accepting externally imposed authority and hierarchy without question or evidence, but it does reinforce this ethos.
By being the authors of the manual, Cutter and Pryce have had a sinister hidden presence throughout the show. Long before we know who Pryce is and even before we hear Cutterâs name, their manual is there, occupying a prominent place in Minkowskiâs motivations and priorities, and in her arguments with Eiffel. Itâs not at all comparable to what Pryce put in Heraâs mind, but it is another way in which these antagonists have wormed their way into the heads of our protagonists.
Minkowski will have to come to terms with the fact that the 1001 tips she spent hours memorising and reciting were written by two people who would have killed her, her crew, and even the whole human race without hesitation if it served their purposes. We never get to hear Minkowskiâs reaction to learning the identities of Pryce and Carter, but I think processing the role of their manual in her life will be a long and difficult road thatâll tie into a lot of other emotional processing she needs to do. Her assertion to Cutter that, without him, she is âRenĂ©e Minkowski... and that is more than enough to kick your ass!â feels like part of that journey. She doesnât mention the DSSPPM at all in Season 4. Sheâs growing beyond it.
"Doug Eiffel's Deep Space Survival Guide": The DSSPPM as a weapon against those who wrote it
Last but not least, I couldnât write about Eiffel and the DSSPPM without mentioning this scene from Ep58 Quiet, Please:
EIFFEL As someone once told me: "Pryce and Carter 754: In an emergency, take stock of the tools at your disposal, then take stock again. Repurpose, reuse, recycle." And right now? You know what I got? I got this lighter from when Cutter was using me as his personal cabana boy. [...] and I've got myself this big, fat copy of the Deep Space Survival Manual, and you know what I'm gonna do with it? [...] Eiffel STRIKES THE LIGHTER. And LIGHTS THE BOOK ON FIRE, revealing Pryce just a few feet away from him! EIFFEL I am going to repurpose it... and reuse it... and recycle it into a GIANT FIREBALL OF DEATH! And he swings the flaming book forward, HITTING PRYCE ON THE SIDE OF THE HEAD. [...] EIFFEL That's right! Doug Eiffel's Deep Space Survival Guide, B-
No one other than Doug Eiffel could pull off the chaotic energy of this moment. It doesnât get much more anti-authority than lighting the mandatory mission manual on fire and using it as a weapon against one of its malevolent authors. It might not be the wisest move safety-wise, and it certainly doesnât improve the situation when the node gets jettisoned into space. But there is still a powerful symbolism in taking a symbol of the hierarchical forces that have tried to constrain you for years and setting it alight to fight back against those forces. Eiffel takes his own approach to survival and puts his own name into the title, an assertion of his agency and rejection of Command's authority.
The DSSPPM tip that he uses here is one of those he considers when stranded on Lovelaceâs shuttle. Itâs understandable that after that experience it might have stuck in his memory.
I canât help feeling that the line âas someone once told meâ has a double meaning here. The immediate implication is to interpret âsomeoneâ as being Pryce and Cutter â itâs their manual after all â which makes this line a fairly effective âfuck youâ gesture, emphasising how Eiffel is using Pryceâs manual against her in both an abstract and a physical sense.
But I think âsomeoneâ could also mean Minkowski. Eiffel uses a singular rather than plural term, thereâs already an association established between Minkowski and the DSSPPM, and, in Mayday, itâs his hallucination of Minkowski that gets him to read this tip. She's probably also recited this tip to him at other points as well. Under this interpretation, this line is as much a gesture of solidarity with Minkowski as it is a taunt to Pryce. I like the idea that these two interpretations can run alongside each other, reflecting the duality of the use of the DSSPPM that I talked about in relation to the liveshow.
Conclusion
The DSSPPM is a symbol of external rules imposed on people by those with power over them. These rules can be strange, arbitrary, and even sinister, but for those with a desire for certainty and control, like Minkowski, they can be tempting. And they can have their uses, as well as the potential to be repurposed. Attitudes towards these rules provide an effective shorthand as part of Minkowski and Eiffelâs characterisation. And the clash between these attitudes, and how that clash manifests, can tell us something about how the dynamic between those characters develops and changes.
#Wolf 359#w359#Renee Minkowski#Doug Eiffel#Renée Minkowski#I guess I lied when I said I was halfway through at 1000 words#I hope that those who liked my preview post were up for a long read#This is over 5000 words and I still haven't said everything!#You could write a PhD thesis on this#Honestly I feel like this is full of typos and mistakes cos I was kinda tired as I proofread it but I just want to get it posted today#Otherwise I could spend even more time on it and make it even longer... (and also I want it to be out in the world)#But please do lmk if you spot a typo/mistake. I won't be offended#I'd also be interested to hear people's thoughts on any of this#Unimportant point but I'm shaking my head at Minkowski if she wouldn't let Eiffel listen to the DSSPPM instead of reading it#Audiobooks are a valid method of reading. Don't deny a man with ADHD his own approach to absorbing info!#Then again. it might have been an unfounded assumption of Eiffel's that Minkowski wouldn't have accepted him listening to it#I think in school he definitely got in trouble for boasting that he's actually read the book this time when he just watched the film#the empty man posteth
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she is live!! me gushing about music and why i love writing about it and recommendations for the fall days ahead
#you can rb if u feel like it <3 thanks for reading as always + if u listen to any of these please lmk what you thought xx#t
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Watching random Pathologic video essays/reviews on YouTube while i draw and knit and stuff is one of my favorite things to do. But I've noticed something that bothers me so much. A lot of them talk about how much they love the game, and then they proceed to actively discourage people from actually playing the game.
Like, I get it to an extent. It definitely does feel a bit like a walking simulator and the gameplay can be a bit wonky, and I definitely get it if it's not for you. But like. If you watched one of these videos and are interested in the story, I highly recommend at least attempting to play it! It does have issues, but I feel like the story and the characters make up for it. And if you get stuck, you can look up a walk-through or something (I definitely looked up where to find the haruspex, bachelor, the sister, and her followers while playing the Changeling route because i had such a hard time finding them lol)
Many of them recommend only playing Pathologic 2 (and don't get me wrong, I absolutely adore that game and it is definitely better than the first game-play wise) but like, if you enjoy the torture simulator that is Pathologic 2 then I feel like you'd probably enjoy Classic as well.
#also if you try it and decide its not for you both Steam and GOG let you return it#sorry for ranting this just really bothered me#i usually recommend playing The Marble Nest first because i think its a good introduction to the series#but like it doesn't matter#you can play them in whatever order#pathologic#pathologic classic hd#ĐŒĐŸŃ. ŃŃĐŸĐżĐžŃ#if anyone wants any pathologic video esaay recommendations lmk I've watched a lot#im knitting a patchwork style blanket rn and most of it I've made while listening to them#pathologic rambles
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Me: "okay google give me shows happening in London on this date"
Google: "West End? You want the West End? You want to pay ÂŁ242 to see Phantom of the Opera from behind a post?"
Me: "okay give me shows -"west end" please"
Google: "For ÂŁ55 Shrek will suck you off behind the theatre"
Me: "....Okay how about concerts in London on this date"
Google: "ERAS TOUR ERAS TOUR FIVE NIGHTS IN LONDON TAYLOR SWIFT SEVEN THOUSAND POUNDS RESALE WEMBLEY STADIUM ERAS TOUR LIVE IN CONCERT"
#if you have any tips... lmk#i didn't expect it to be this hard to find shows in london#I'm open to anything other than like. west end shows that cost a ton#maybe i will just go sit outside wembley and listen to taylor :/
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i'm not an aroha i never really have been but i heard about fly and now i am crying
#it feels weird to say because i feel like people will judge me for it#but to be vulnerable for a minute moonbin's passing really hit me hard#i really don't know why but it did#and i was just crying every day for a week or two straight#i didn't gif or really come out of my room or anything i just sat around and was sad a lot of the time#and i still get emotional about it all the time#whether listening to yawn or any of seungkwan's recent covers/songs or just out of the blue#idk why i'm saying all this lol but there's probably others who have felt like this and i guess i just want to say you're not alone#and it's not weird to cry for someone you don't really know anything about or who you've never had any kind of connection with#idk i'm rambling idk what i'm saying i love u all#theo.txt#death tw#< lmk if i need to tag differently
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if a character in a fictional romance is/was a fuckboy, i need them to be falling to their knees and becoming a complete simp over their love interest. i need to see you become a lovesick idiot who suddenly has no idea how to act around the person you like and who is a complete embarrassment to watch. these are non-negotiable rules
#i'm looking at you biyu su#LISTEN#i recently read one last stop and it was really fucking cute okay I was kicking my feet and smiling so hard#BUT I WANTED MORE SIMPING FROM BIYU!!#i couldn't even tell if this girl remotely had any feelings for august until she confessed#like there should have been more signs bc I feel like there wasn't enough build up or foreshadowing of her feelings#this girl was mentioning past partners left and right and getting excited to go back to the seventies and like BRO WHAT IS HAPPENING#I wanted to see more of her getting jealous and angsty for august I'm sorry đ#I would've even accepted a post-confession explanation of her behaviours#like admitting the radio stuff was her way of expressing affection and she mentioned her past partners to tease august idk man??#anyways I didn't feel fully convinced of her emotions esp bc she didn't seem to bring up her admiration of august outside of the confession#and there just didn't seem like a lot of times where she subtly or obviously conveyed her emotions#anyways đ€Ș lmk if you want more thoughts on the book LOLLL#one last stop spoilers#casey mcquiston#ols spoilers
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So now that I've shared my ocs I have to ask bc ur takes are always sooo good, w/ what you know abt them so far, what songs do you like that you think Margaret and Jamie would like?? I will listen to whatever you tell me cause I feel like I wanna know how other people see them through music (and if im gonna ask anyone its you!!!)
Thank you!!! Idk about what songs I think they'd listen to based on genre, but I kind of have an idea based on lyrics. (Also I'm sorry but I usually listen to things as a whole albumđ)
So for Margret, I think shed like lots of maccafferty (which I can't ethically recommend but I love so much) specifically the album beach boy, forest life, Clementine, and Snoqualmie welcomes you for her. I feel like it has the struggle with self and queerness and overall yearning (not just for a person, but just in general, of a life, of a person you could be, etc) and regret. Also probably some the mountain goats, it's just her vibe to me kind of. And definitely some of the smiths (asleep, I know it's over, miserable lie, etc). And I also think the sound of cherry lugosi's music feels very her to me.
And for Jamie, twin fantasy(mirror to mirror) !!!!! Like please just like listen to it in order and lmk,(and it is one of my fav albums) it deals with a lot of queerness and these highly specific memories and moments that are so important to the narrator, that are seen as minute from the other, and a lot of pretending that a person and relationship are different from what they were. Idk I like it's just great, and can apply to many things despite the meaning of the og album(which I also could go on about and how it relates to my OCS). Also all mirrors by angel Olsen that my bsf recommended to me once, and I feel like it kind of matches something she would! like. Also Adrienne Lenker bright eyesđ
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should i be making gifs instead of doing class prep ? probably not. am i going to continue ? yes. yes, i am.
#âš đšđšđ . â©#listen yâall#i promise i know the material#i just get hyperfixated on things#plus i like that i can make gifs while watching tv or listening to audio books/lectures/podcasts#it makes me feel so productive lmfao#side note#if thereâs any fcs you wanna see gifed lmk#particularly if itâs a black fc#or a woman of color#bc i know the resources can be scarce
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Thinking about why spinner has his forearms covered (I am ignoring Stain's influence)
(drabble under the cut)
CW: description of scars
The league was on the run and being around each other all the time meant they saw each other outside of their villain personas. Toga wore large sweaters and kept her hair pulled back - in braids, hair ties, pigtails, pinned - it didn't matter so long as it stayed out of her face. It wasn't uncommon to see Twice with his mask off but it never lasted long. Mr. Compress kept his face covered still - in a face mask or bandana and a hat - whatever was convenient. Dabi flitted in and out, hardly staying in one place for long. When he did, it was usually with a smoke and sans jacket. Spinner still seemed on edge and standoffish, with a long sleeved shirt or jacket on - different from his sleeveless Stain inspired shirt. Shigaraki was the same as always. He had no need to don a villain persona and his hands were as close as always.
Tapping away on a hand held game console, a game over screen flashed. Huffing out a breath, movement caught Shigaraki's eye. Glancing up, he saw Spinner pushing up his sleeves. Looking back down at his game, Shigaraki paused. He knew what those were. Shigaraki looked up through his eyelashes. Scars littered Spinner's forearms, crossing over one another in sporadic multitudes. Raised bumps, pale skin, scales missing, divets and uneven gashes. Some of them looked old - pale and barely there - others looked healed, but still stretching skin unevenly and brighter, not quite settled in the skin. Raising his eyes to briefly look at Spinner's relaxed face, Shigaraki put his attention back on his console. He stared at the screen. He measured the time it blinked the game over - flash flash flash. He thought. Dabi's scars had an obvious cause, it wasn't hard to guess how and why they covered so much of his body. A single cause with irritation from improper care and overuse. He himself was intimately familiar with his own. Shigaraki furrowed his eyebrows. He knew what skin biopsies looked like, various weapons and wounds, burns and impalements, and how they healed from his time around Nomus. He knew what old scars looked like, what new ones did, and how they overlapped on the skin. He scratched his neck, the uneven surface causing his nails to catch awkwardly as he pulled across. He glanced back up. Spinner had scars that looked like biopsies, but with rough edges from unsure cuts and ripped chunks from scales that never grew back. Scars that ripped up edges of nearby scales without dislodging them. Patches of skin that Shigaraki supposed lied covered underneath all Spinner's scales. Various ages and depths telling a story, a story that Spinner kept hidden and quiet. Clicking the restart button, Shigaraki narrowed his eyes. One day, he'd get that story from him.
#shuichi iguchi#mha spinner#bnha spinner#mha#bnha#this started bc i went âhey even his civilian outfit covers his arms tooâ#listen: cosplayers often add or change the original design all the time so im saying spinner kept it on purpose :))))#also MASSIVE thank you to everyone who liked my post. yall insured that i wouldnt forget about this thought (as i dont go back to my posts)#first time in a while that i want to write a little drabble....#drabble got away from me... i wanted to add other league members too (like dabi) and they just... didnt show up..#i was going to write dialogue... but it was so much easier to not... so I u didn't.. lmao sorry for all the descriptive-ness#cw scars#tw scars#(they're not self imposed scars btw... i don't think any other cw/tw apply but if they do lmk)#mha jbee
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hey mutuals who have this blog. whenever I apologize for things maybe not being accurate to your selfships, please know that I don't apply that to things you say about my selfships. every headcanon you may have is canon. I'm putting it in the notes. you're so right that did happen.
#I live for sending and receiving selfship headcanons. it's as vital to me as the blood in my veins#and because I never announced that I also like sym (<33) lmk if you want to learn more about him!! <3#the game he's from has a reallyy small fandom. and the only mutual I have who plays the game is misha.#i'd love to talk about him if any of you would like to listen <3#also my askbox is so open for you to ramble about YOUR guys. I'd love to know everything you have to say!!!!#:shroom is typing...#hehe I love my tags for this blog <3#probably my favorite tagging system I have#why did I torture myself by giving each blog it's own tagging system.#hehe I also just love t his blog. it's very nice <3
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anyway here are my inkheart playlists i've promised for months and never delivered
inkworld--all the songs together in case you're deranged
brianna
dustfinger
farid
meggie
mo
nyame/the black prince
resa
roxane
violante
#if y'all actually listen to any of them lmk which ones you like#i would apologize for the near hour of the crane wives but that's just what happens when i like a band#my super junior playlist is like three days long so like.#i had kind of wanted to hold off until i had ten hours of songs total but i just looked at my calendar#and it's a massive girl group comeback month so i'm probably jumping genres and won't be working on these for a sec#also characters are alphabetical if you couldn't tell that's not preferential order#inkheart#inkworld#says kenna#theyre not on any of these bc wrong genre but while im here#the new saint motel release is so good it's got me bleeding from my eyes
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So we know you play DND, are there any DND podcasts you listen too?
(High Rollers has been rapidly bouncing between making me wheeze in laughter and ripping my heart out)
i acc dont HELPPP
#i dont rlly like listening to podcasts all that much recently#instead my friend usually info dumps on dnd or at my college we have this enrichment programme which you can do dnd on#and i hear a lot and watch a lot from that while painting on it instead :)#i play atm 2 fridays a month. one saturday a month . a wednesday every now and then and we're starting up an every sunday one#but if i start/come across any dnd podcasts i will let u know#anyone still reading if u have any feel free to lmk here !!!!
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What would be your top 5 non-skip albums? đTrying to listen to new artists and listen to one new album per week
sorry it took me so long to respond to this! i wanted to wait until i could get on desktop!
to be honest i'm terrible at ranking albums by "top favorites" because my music taste is pretty varied, so these are in no particular order, but they're all albums i consider "no skip". i have more than these, these are just 5 i thought of!
i love you, honeybear by father john misty
sansan by kaneko ayano
fuzao by faye wong
titanic rising by weyes blood
remain in light by talking heads
#thank you for asking!#i tried to do a variety of different genres here#if you listen to any of these and like them pls lmk!
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omg fallon!! iâm so dumb i mean to respond to ur reply but i would love some podcasts recs!! i like listening to scary stories ones (like personal anecdotes / folklore etc) and true crime ! or any just good nonfiction ones! i will say i canât really get into the ones that are fictional >< ik a lot of people recommend some of the fictional horror ones, which is what i always stumble upon when looking for ghost stories⊠and then i get bummed theyâre not real HHAHA. but if you have any suggestions iâm always open :)
AHAHA no it's ok!!! also i do want to say i saw this like right after you sent it but if this answer isn't up right away it's bc i went overboard with the recs whoops. but i have a friend from college who used to refer to me as "the podcast queen" and also i'm never chill about anything ever so. prepare yourself.
i'm gonna separate these into true crime & not, just for your ease of picking something! i'm also including the app(s) i use to listen to them. these are in no particular order btw
True Crime
Serial - this is probably one that you've heard of/had recommended to you before, but if so there's good reason. i've listened to season one, about adnan sayed, at least a dozen times. i skipped season 2 (about bowe bergdahl), and season 3 (about the justice system of a city in ohio, i believe it's cincinnati?) was lower stakes but still interesting. season 4, about guantanamo bay, is also really good so far. on spotify.
Cold - three seasons, each about a different case of different utah women who went missing and whose body has never been found. i've listened to season 1, about susan powell, probably 6-7 times. i never finished season two, about joyce yost, but as i'm typing this i'm listening to the season 3 finale, about sheree warren. seasons 2 & 3 include descriptions of sexual assaults in varying levels of detail, but the whole show is worth a listen. i love the journalist who narrates it. on amazon music & spotify (s1 & 3)
Beyond All Repair - about sophia johnson, who was accused & convicted of murdering her mother in law when she was 6 months pregnant, pretty much solely on the word of her brother. i won't say anything else so i don't spoil it, but it's a case i never would have heard of without this podcast. on spotify.
Dr. Death - about a spinal surgeon that really should not have been allowed to operate on people. i haven't listened to season two (about a different doctor), but season one is NUTS. another one i've listened to multiple times. on spotify.
Your Own Backyard - about the disappearance of Kristin Smart. the host was born & raised in the same area Kristin was from, and it bothered him that her disappearance was never solved. the show brought the case back into the spotlight and helped get convictions. on spotify.
The Clearing - about a woman who realized later in life that her father was a serial killer while she was a child. another one that's absolutely bonkers and i have listened to multiple times. on spotify.
The Shrink Next Door - same production company as dr. death, about a psychiatrist that completely took over a patient's life & finances, told by the patient after he got out of the situation. you can listen to episode 1 on spotify, but the rest has unfortunately been put behind a paywall đ
Heaven's Gate - about a cult that committed the largest mass suicide in north america at the time (i believe it was pre-jonestown). on spotify.
Supernatural/Etc.
S-Town - same production company as serial, but only one season. about a small town in alabama and one man who lives there. sort of true crime, kind of not. on spotify.
Let's Get Haunted - they cover true crime occasionally, but mostly do conspiracy theories or stories about ghosts/cryptids/folklore. the hosts are hilarious. this is the podcast that helps me sleep at night and that literally got me through my last two years of uni. there's like. almost 200 episodes so if you want a few specific episode recs lmk i will dm them to you!!! on spotify.
Myths & Legends - the title is pretty self explanatory, but the whole show is about myths, legends, folklore, and fairytales from around the world. it's like if a friend read the story and then recounted it to you in detail, i love it, but i am Very behind. on spotify.
Lore - about various ghost stories & the history behind them, mostly in the usa but from other places too (mostly like. canada & europe from what i remember). i am also years behind on this one but i remember really enjoying it. on spotify.
National Park After Dark - about true crime cases/disasters/supernatural stories in national parks from across the globe. i've only listened to a handful of episodes but it's pretty good! on amazon music & spotify.
ok beyond that what i listen to is either fictional or it's not worth a recommendation AHAHA. sorry if this was overwhelming but i cannot sit in silence and you asked for recs!!! thank u for giving me an excuse to talk about this đđđ
#asks answered#podcasts#podcast recs#fallon's friends#regal rylie#like i said i have no chill!!! anyways if u listen to any of these lmk i'm curious what you think
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Tesseract - A Breakcore Jade Harley Playlist
20th century toad - toadmilk
Phase Alpha - Machine Girl
.hackmod - Golden Boy
fly me 2 the moon - Casper Mcfadden
Puppy Dog Soul - CubeNatural
Space Trippin' 214f - Lil Kevo 303
Infinite Transcendence - MANAPOOL, 99jakes
Young Girl A (Breakcore) - Scammacist
Dreamer - Goreshit
Dog Bus - Metaroom, Telemist
#id never listened to any of this stuff before! fun genre i like it!#anyway if this playlist isnt up to par just lmk and ill try and get you a new one!#but i hope you enjoy <3'#mod clowncar#homestuck kin#hs kin#kin requests#kin help#kin playlist#playlist#jade harley#jade harley kin#listening to these songs made me kind of dizzy for some reason so im gunna lay down but ill be back
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