#living loud

[calamitys-child]

One of my favourite mundane weirdnesses about Edinburgh is that we set the big clock visible approaching the station to be 3 minutes fast to make sure people are on time for their trains. My Favourite mundane weirdness of Edinburgh is that we check this by firing a cannon.

[unized-3]

so i got kerrang's living loud-

[hatedbyiife]

"jon wouldn't wear that outfit" but consider: what if he did. second consideration: what if he served cunt

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

[First] Prev <–-> Next

[bamsara]

I love Arson he's my favorite heater but I should really get a cheap laptop one day so I can leave the house to write because the Noise. Is . Too Much. I need to go write in the forest

[cubbihue]

I just found your Itty Bitty Au and I have to say, I love how you've written Perry and the other fairies to be... just a bit selfish? How Perry won't consider turning Dev into a Fairy- not because he doesn't really care about him or thinks there's a moral issue with it, but because if he turns Dev into a fairy it'll negatively effect HIM. Also, super excited to see more of Timmy (both)!

Fairies are not like humans in that they have “Good or Bad” morals. Fairies, by nature, are extremely selfish. They don’t care for human conflicts, human goodness, or human morale.

A fairy’s first priority is doing their job right for their court, and their second priority is doing what they want most. Selfishness is innate for Fairies as Compassion is innate for Humans.

Cosmo and Wanda are outliers in that they care about their godchildren to an emotional degree. It’s what made them the best fairies to be godparents!! Peri… doesn’t understand that quite yet.

Bitties Series: [Start] > [Previous] > [Next]

[hope-ur-ok]

Medley of Everything Has Changed / End Game/ Thinking Out Loud

Just like with Us I thought this deserved 2 versions

[dekusleftsock]

Yaoimation

[lunarlivs]

ron, my love <333

[lucabyte]

[Vid] The King Goes to Starbucks

Sir, this is a House of Change. We sell transformation and progression here.

[Act 4 spoilers, original doodles by @samhainian under the cut]

my muse.... i lost my mind giggling at these long enough that i made a whole animatic. thanks sam

[airenyah]

The four of you have worked together before, but never in the same series, is that correct? How was it when you learned that the four of you would be playing the main characters of the series?

BONUS: everyone's reaction

[crossdressingdeath]

I love how in PJO Percy makes such a point of trying to spare the enemy demigods because they're just being tricked or brainwashed and he couldn't possibly let them die (because killing your enemies is for the bad guys), and then in HoO we finally get to see the POV of Nico "as long as it's not technically murder it can go in a kids' book" di Angelo, and he just does not hesitate. You're hurting his friends? You're a threat that can't be dealt with via a stern talking to? Okay. Goodbye.

[riickgrimes]

"The key thing was of course, the fact that Rick has PTSD and that's very much what's driving a lot of his behavior and being in a place of that level of vulnerability, back with the love of his life in that way.

It's also the thing he fears, the loss of her. It manifests itself in a way that is visceral and leads to the lovemaking not just being about love, but the revealing of pain and trauma and fear. That informs Michonne, that she can't just blast him into making sense. There's something deeper going on here that he can't verbalize. She has to help him get through in a different way. So she gets to see him, as well, as he reveals what's really in there, the wound. That's going to happen most likely in that most vulnerable space." — Danai Gurira

"Yeah, I think it is about pain. As Danai just said, it's about him wanting her and then fearing what he's about to unlock again. He gets to sort of articulate it in the scene further in the episode, when he gets to say that, 'I can't do this again. I haven't got the capacity to do this again. I've worked out how to die and live again.' So it is an absolutely necessary scene that allows Michonne to realize that there's something really broken here, more broken than she's ever anticipated. [...]

So the scene was about a real intimacy, a sort of frightening intimacy. This is a part of his personality he has shut down. It's almost like he's trying to stop himself from feeling this love again. She sees that and she just says, 'Just trust. We're back. We're the same...' I find it very moving. I think it's a very, very moving scene, because it's about them connecting in a way that he's had to deny for seven years. He's denied that connection for the sake of living on in this half life for the CRM" — Andrew Lincoln

Andrew Lincoln and Danai Gurira Discuss Episode 4 of The Walking Dead: The Ones Who Live

[mikakuna]

the fact that jason shared food with other hungry and homeless people when he was catatonic makes me feel so many emotions.

for one, it's so true to his character as a compassionate boy who gets so rightfully angry about the struggles impoverished communities have to continually face due to society's failures. this is the same boy who was homeless for about three years of his childhood, had to steal to survive, probably went long periods without food, and knew firsthand what it's like to actually be lonely. he's the boy who got mad at bruce for even insinuating he would drop jason off with the cops or social workers because he knew their true natures and how they treated poor kids, people, like him.

jason has always been about protecting and defending children and the defenceless to the point of disregarding moralities. we see this in his 80s robin run, as well as in utrh and lost days. his unmoving stance on their well-being is what's so captivating about him. he kills to protect children and easily agreed with/excused a woman who killed a rapist when he himself was only around 12-15 yrs old. sure, a bunch of people would agree with jason's reaction but it's especially important because he's a kid who grew up poor. he witnessed firsthand how many women have to suffer sexually at the hands of men to get by.

this is the real jason todd that so many comic writers now fail to capture in their comics. they completely turn him around and have him do things that in no way make sense to his character (not surprising since some literally admitted to hating him/not knowing enough about his robin run). jason todd is insanely compassionate-- that's his thing. he's empathetic to a fault. why erase that core part of his character?

[poorly-drawn-mdzs]

hope you feel better soon!

I am riddled with ailments, but I stay silly!

[couldbebetterforsure]

I know people have all sorts of opinions on how Garp is handled in the live action but, for me, I just find him hilarious. Like, from the perspective of someone familiar with the show and knowing Luffy and Garp's relationship, Garp's expressions after learning what Luffy is up to in the early episodes are funny!

Garp, episode 1: *after being told a pirate with a straw hat robbed a marine base* There's more than one straw hat in the world, it doesn't HAVE to be Luffy.

Coby, episode 2: The pirate's name was Luffy 😔

Garp: *speedrunning the five stages of grief* Goddammit.