#little nightmares themes
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All FNAF protagonists are artists.. and traumatized..
#myart#chloesimagination#comic#fnaf#five nights at freddy's#fnaf fanart#michael afton#fnaf oswald#into the pit#fnaf 3#fnaf 4#nightmare fredbear#pit Bonnie#I love all of Oswald’s little drawings throughout ITP#they are so endearing and honestly well done#THE theme of FNAF protagonists being artists is my favourite#Michael Abby Gregory and now Oswald#wanted to draw a lil something of Michael and Oswald sharing doodles#cause Oswald’s stuff reminds me of the survival logbook#Oswald actually does draw the nightmares along with pit Bonnie#so it’s obvious Michael and Oswald are having similar nightmares#I like to think Michael try and look on the bright side#for Oswald’s sake#seeing he knows how scary this can be#its better to know you aren’t alone during it
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I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.
#at the risk of getting put on a list there is something tragic & relatable in nightmare#someone who desperately wants to make connections but just can't understand how#anyway wraith is one of my favorite princesses for stuff like this (and bc tragedy aside her route is a riot)#also im sorry if she doesn't say that line if you got there via nightmare#that's how i got her and i could've sworn she did? But i only found footage of her saying it in spectre#slay the princess#stp#stp wraith#the wraith#stp spectre#stp nightmare#side note archetypal/heart#(slash so i don't accidentally tag them)#pointed out on another post of mine that you get wraith via nightmare by killing her and via spectre by leaving her in the basement#in both cases its a rejection of her (rejection being one of wraith's main themes)#which makes me speculate on spectre's ch 3 (which i think we currently have very little info on?)#Trying to run from Nightmare should technically be a 'rejection' as well#but you get MOC from that (and from choosing to stay with her)#imo bc you're just repeating the same inaction which got you into this situation in the first place#you don't want to slay her. you don't want to set her free. So you just leave her there (again)#and so you get MOC where things have only gotten worse and you have no choice left. Because you chose *not* to take action again#So I wonder if spectre 3 will be a similar 'repeating your past mistakes' type of deal#i was skeptical about it coming from stabbing yourself while she possesses you or trying to crush her bones#but it does make sense with that in mind#im curious if it'll parallel MOC#except instead of having no choice but to free the princess you have no choice but to obey the narrator again#maybe you both end up stuck in the cabin forever again?#idk#sorry i probably should've put all of that tag in the post lmao
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when the media has themes of food and/or hunger
#yapping#one of my favorite things#delicious in dungeon#redesign your logo#<- specifically the line “color makes us hungry / hunger makes us human”#mouthwashing#fear and hunger#little nightmares#nbc hannibal#just themes of like. malicious eating. idk something about it#tokyo ghoul#thats all i can think of rn but there are more#if you have recommendations tell meeeeee :3#madk manga#yellowjackets#the menu#i keep thinking of more
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He’s such a goofy silly guy!
#there was talk of Tinky designs in brp and it really made me want to draw him again#so here’s him#he’s so much fun#i need to draw him more#I also need to draw the other Lords#I’d really love to draw Nibbly#I love the animal themed LIBs#I also just love all of them#hatchetfield my beloved#I’ve got some more CC stuff cooking as well#although I’ve once more started school so there will be a little bit of waiting lol#fun fact: violins and fiddles are the same thing#I learned that just yesterday#the only difference between the two is the genre of music they’re playing#Starkid#team starkid#starkid npmd#the lords in black#nerdy prudes must die#nightmare time#tnoy karaxis#t’noy karaxis#Tinky#tinky npmd#curt mega#hatchetfield#hatchetfield fanart#my art
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Distant visions buried in static snow
Read today's pages.
Read from the start
Support artists and the production of this comic
#solivaga#comics#original comic#artists on tumblr#webcomic#webtoon#update#comic#comic art#pu art#my art#Elias#Maia#Lyra#He has studied these things for a few years at least#had the main theme from little nightmares 2 on repeat for page 32
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#I debated including the Nightmare Time and Little White Lie themes but decided against it#Same with the Nightmare Time episode songs bc there are too many#poll#starkid#starkid musicals#npmd#hatchetfield#tgwdlm
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horror being very specific with table manners and he berates people (dust and killer) for eating like fucking pigs
i think it'd be morbidly funny that because there was no food in horrortale but the cutlery and stuff was all there that maybe he would pretend to eat with no food on the plate. it was in a satirical way that he would joke maybe around horror paps or alone where he would pretend to eat and have really good table manners but then the satire joke became REAL and now horror is incredibly specific about how to eat food
you MUST hold the fork in the left and knife in right says horror. no killer you can't duel wield the fucking knives this is a table not a slaughterhouse. dust pick up your elbows off the table. actually how about you get your entire upper body off the table tf why are you SLEEPING ON THE FOOD??? killer's sitting fetal position in the chair because of course he wouldn't sit normally like the idiot he is. dust is forced to put his hood down and reveal his face no more mysterious shadow style because it puts horror at ease. they cannot have a single peaceful meal because once they get past the table manners phase it then becomes a completion to see who can eat the least (because they suck at everything including eating)
#hey guys. every time i don't post it feels like i'm abandoning my own children#NOOO im sorry i'll come back home... i wont abandon you chat PLEASE DONT MAKE ME PAY MORE CHILD SUPPORT#i've been a busy little bee i snicker out. and by busy i mean playing. and by playing i mean hi3#i'm sorry my brain literally cannot handle having more than one interest. once i get into something else the other thing becomes ignored#IT MAKE ME SO UPSET BECAUSE WHY CAN'T I DO BOTH OF THESE THINGS I LIKE EQUALLY ☹️☹️☹️☹️ is this a me problem#anyways none of these tags were related to the post. i usually do little extra tidbits adding onto the post when i tag huh#i just recently learned (2 years ago) that youre supposed to put the fork and knife in that order. i still mess it up#i've been drawing on this notebook from the same brand from what i drew on in 2019 AND GODDAMN 🤤🤤🤤#this notebook is SO FUCKING SMOOTH I LOVE IT 🤤🤤 drawing on this paper is like drawing on fucking BUTTER it's delectable#a shame nobody likes traditional art i cry out (i'm not particularly skilled in either traditional or digital)#you could call me a jack of no trades master of none#got this idea bcs i was listening to binomi (HARDCORE MARETU FAN SINCE I GOT A PHONE. WHAT YALL KNOW ABOUT MARETU‼️‼️‼️)#and i was like omg food theme.... horror. so i drew it in earlier mentioned notebook#and i was like hmm what positions should i put the fork and knife. and then i got this idea#i KNOW cannibalism songs aren't exactly horror themed. but let me be delusional i wanna give my boy a cool theme and cannibalism is soo coo#killer sans#dust sans#horror sans#murder time trio#tricule hc#bad sanses#bad sans gang#nightmare's gang#this is funny but in a sad way because i added context to it. as is with all my mtt content#it's comedic because i think they're all stupid fucking idiots but i also make them do this dumb shit bc theyre traumatized
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we are such a fucking tragedy, you and i
#fall out boy#fob#ybc#youngblood chronicles#*mine#*art#id in the alt text#eye strain#potentially anyway...figure i might as well just to be safe#this pose was a nightmare and im still not happy w it...#i messed up the lighting in this but who cares#anyway consider this a spiritual successor to that patrick and andy piece#ybc and the nature of physical touch is so rich a theme i could write a whole thesis on it#and for these two. the only times patrick and joe lay hands on each other in the physical world it is in death#it is while patrick is corrupted into a murderous version of himself laying hands on his friend to kill him#as joe frantically fights him off. refusing to do so lethally and dying because of it.#the next time they touch it is joe hugging patrick in forgiveness in heaven#their physical presences exist in collision with one another; with an explosive and a far-reaching impact#and then gone and disseminated into nothingness. with little but the cratered remnants left behind#they are the consequences. they are the fallout.#the narrative resonates from the magnitude of what transpires between them. in guilt and in desolation and in silence#they are a TRAGEDY
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[ID: A drawing from the paranatural au, drawn in the paranatural style. Five and all the kids are gathered around Carmichael, who is dressed as an ice cream seller and has a pastel pink ice cream cart with him.
From left to right: Diego and Viktor are seated and focused on eating their ice creams. Allison and Luther both have ice cream, but that isn't stopping them from watching Carmichael with great skepticism. Five stands between the two of them, smoking a cigarette, holding Delores the mannequin, and looking deeply tired. Carmichael is facing them cheerily, and holds an ice cream cone even though he has no way to eat it. Behind him is his cart, and Klaus (and Ben) who are gleefully stealing ice cream from it. End ID.]
Five and the gang are out on a spirit-based field trip and have stumbled across this very unsuspicious man who definitely isn't Five's secret spirit organization boss looking to talk to him. None of the kids suspect a thing. None of them. Look how completely won over all of them are by ice cream
#tua#the umbrella academy#now for the nightmare of tagging ensemble pieces#luther hargreeves#diego hargreevs#allison hargreeves#klaus hargreeves#five hargreeves#ben hargreeves#viktor hargreeves#aj carmichael#delores tua#my art#was originally gonna just do one ice cream AJ themed post but then i realised that i hadnt shaded this one lmao#that won't do#so here it is a little bit later#still unnamed paranatural au#or something#i dont think paranatural really does the colored lineart but idk how he gets it to look so light without it#paranatural au#extranatural
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Princess Luna Stimboard!
🌕/💙/🌕
💙/🌕/💙
🌕/💙/🌕
#mlp stimboard#princess luna#cw hands#blue stim#purple stim#stimmy stuffs#nightmare moon#stimboard#night theme#my little pony
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Sanctity
A Killer Sans story.
Every child dreamed of the Angel.
When Sans was young, he had imagined it as a skeleton, beaming with all the radiance of the stolen sun. Each evening, he kneeled beside his father and whispered the poetic words of prophecy, voice faltering at first, then growing steady as the tale of the Angel settled firmly into his skull. Later, he would kneel with his brother while his father vanished into the lab. Each night, he dreamed of the moment when the Angel would tear down the barrier, at last letting the bright and deadly sunshine in.
Everything could be attributed to the Angel. If a monster was successful, it was because they had a place in the prophecy, an important role which would contribute to their eventual freedom. If a monster fell down, it was because they had failed, somehow. They were not the Angel’s chosen and would never be free.
(Did Sans have a place in that prophecy? If he was chosen, then why was he so fragile? Why would it be so difficult for him to make it to that future? Sans had asked his father that one night, after their prayer. Nothing would ever break that silence.)
When Gaster’s final experiment went up in flames, Sans imagined it made a light brighter than the sun. He imagined its light was like the palm of the Angel, taking his father with it – or casting him, finally, into the infinite darkness of the earth. He spread his father’s ashes on the remnants of the lab and then, as an afterthought, on his younger brother’s scarf. He laughed at the funeral, quietly. He shook the chill hands of fear and doubt from his soul. He had faith.
(Some monsters whispered that the prophecy had been interpreted incorrectly. They whispered that the Angel would indeed free them – that their dust would one day mix with the river and thus find its way to the ocean. Sans ignored them as best he could.)
When Sans was young, he had imagined the Angel as a skeleton. But lounging at his post one day in early adulthood, he was surprised to see it take the guise of a child. He was even more surprised when no one else seemed to see it for what it truly was. It turned to him, looked him in the eyes. Then raised a single finger to its lips.
Sans followed the Angel. He watched it navigate through each encounter with kindness and grace. He watched it befriend his brother, the captain of the guard, the royal scientist, and even the king. He watched it destroy the barrier and finally baptize his people in the all-destroying light of the sun. He felt its eyes upon him, and in that moment knew the gaze of something truly unlike himself. Come and see, those eyes said. He saw the prophecy come true.
He stood with his brother in the light of the Angel, the light of the long-awaited sun. For a moment, he thought himself in heaven.
Then he woke in hell.
That first time, he didn’t even see the Angel arrive in Snowdin. His eyelights flickered slowly as he wandered the icy streets in a daze. The air was still, and thick with a scent he refused to recognize. They had escaped, hadn’t they? After years of prayer and service, monsterkind was finally free. His mouth curved around a quiet, desperate prayer. This had to be a dream…
Just outside of Snowdin, he found his brother’s scarf.
Funny, how these things worked. Sans’ first impulse was to find the Angel. Something had gone wrong, certainly – something had gone terribly, terribly wrong. But he had seen the Angel treat his brother with kindness. It would have protected him… right?
Perhaps he already knew…
“Sans.”
Sans spun around, gripping Papyrus’ scarf. The Angel stood behind him, eyes almost as wide as its smile. A silver knife glinted in its grip. His whispered prayer froze as his eyes went dark. He stood still.
“what happened?”
“Nothing much. And everything.” The Angel stepped forward. “Give that to me.”
“where’s papyrus?”
“Free.” The Angel took another step forward, and Sans felt a chill creep up his spine. “You remember being free, don’t you?”
“i…”
“Don’t you want to be free again?” This time, Sans didn’t have time to respond. Its knife had already slashed through his chest.
The second time, Sans woke in the early hours of the morning. He took a shortcut into the woods, stepping onto the abandoned path which led to the hidden door. Even so, he didn’t quite understand. Even so, he didn’t quite believe. Fear made a nest in his ribcage.
This time, the Angel killed him first, separating his head from his shoulders, and Sans woke up back at home.
If a monster fell down, it was because they had failed, somehow. Sans fell again and again. Each time he died, the Angel would say something different, something new. It spoke of the sun’s rays, the way they warmed at first then burned and bleached and ruined. It spoke of the sins of the surface, the suffering of the Underground. It spoke of an endless loop, from which they would never be free. “Better to end it now,” the Angel whispered, wiping blood from its blade as Sans crumpled to the ground.
The loop continued endlessly. Bit by bit, Sans stopped praying.
The loop continued endlessly. He began to fight back.
The loop continued endlessly. The angel’s words changed.
“Do you know the difference between an angel and a god?” the Angel asked once, after Sans dodged its blade. Sweat dripped down his skull, and the air seemed to frost his ribcage as he gasped for breath.
“sorry. i god no idea.” The knife whistled past his ear, and a hushed “angel’s sake” escaped his mouth before he growled and swallowed the word.
“I’ll give you a hint.” It attacked once more, and this time it didn’t miss. It walked over to his dissolving form and whispered to him. “An angel is a servant. A god serves no one.” It stepped back. He died.
This time, the Angel approached him with an altogether different kind of smile.
“But what is a god without an angel?”
Sans said no in every way he could imagine. Loop after loop, death after death. He joked and danced around the question. He sent another attack. At his lowest, he pretended he hadn’t heard.
“Angels live forever.”
“when everyone else is dead?”
“Angels are never alone.”
“i wouldn’t be alone if it wasn’t for you.”
“Angels are powerful. They are beautiful and loved.”
“heh, that’s kind of a loaded comment, isn’t it?”
“Angels know their purpose.”
“what would a lazybones like me want with a purpose?”
“Gods are tireless. I can keep going forever, and nothing will ever change.”
“…”
“You were made to serve me.”
The funny thing about prayer? Repetition makes it meaningless. There is performance to it, certainly. There is what prayer symbolizes, there is the essential power of routine. But once the words become instinctive, the meaning can’t help but diminish. After enough repetition, prayer becomes little more than muscle memory for the weary. And when the weary recite it, how then can they hope to see God?
Sans kneeled in the hallway, bones aching, magic all but spent. Somewhere before this moment lay the memory of the sun, the way he had rested in its blinding light. Even before that, the echoes of evenings spent in prayer with his father, torn carpet barely cushioning his bones. Those memories were lost now, or buried. So many deaths – had there truly been anything before this? Could there ever be anything after? Sans didn’t know. Eventually, he no longer cared.
“and if i said yes?”
It paused and stared at him. A chuckle started low in its throat, stopped just behind its teeth. Sans wished he could feel a twinge of anger or fear at the sound. He just felt tired.
“Just for one round. Just to try something new.”
“somehow i don’t believe you.”
“Somehow, I don’t think that makes a difference.” The god stepped forward, knife glinting in its hand. Sans closed his eyes, waiting for the final blow. Instead, he felt the warm handle slide into his skeletal grip. “Go forth, my angel. Do as your god commands.”
There was a momentary darkness. He woke at the foot of his bed, hands folded. Eyes dark.
When Sans was young, he had imagined the Angel as a skeletal figure. After maturing, he discarded that image as a figment of childhood’s vivid ego. For a moment in time, doesn’t every child worship a god that looks like them?
Sans was not a god. Through the snow, the water and the flame, he became the angel of death. The flash of his knife answered prayers, scattered dust in the river that it may one day reach the ocean. He remained by his god, always. He watched, as if outside himself, as his knife found the faithful and the faithless alike. He watched his brother die.
“That prayer, in his final moments – you know, before he forgave and spared you. Didn’t you teach him that?”
“…”
“Aw, don’t be like that. It’s hypocritical when you’re the one that killed him.”
“shut up.”
“Ooh.” The god smiled and leaned forward. “But it’s new, isn’t it? Isn’t it better?”
“no. no, it isn’t.”
“Hm.” The god nodded. “Do it again.”
The funny thing about prayer? Its meaning is only found through repetition. Sans scoured through the Underground again and again, knife faltering at first, then growing steady as the path of the Angel settled firmly into his skull. He made a sacrament of death, and his god glutted itself on the dust in his path. He became something truly unlike himself – did that now make him holy?
Holy enough, he decided, waking among flowers with his soul burning bright outside his body, a strange tarry fluid dripping from his eyes. Holy enough for this.
It seemed to know what he was planning. At least, it didn’t look surprised when he brandished his weapon. Nor did it fight back. It only spoke. “You know, you were nothing before me. And you will be nothing after.”
How easy, to kill a god. In the end, how stupidly simple. The Angel laughed as he killed his god with its own gleaming knife, and it laughed too, bright blood staining its teeth.
“i killed you.” The Angel giggled. “does that make me god now?” The god lay still. Its chest had stopped moving a long time ago. The Angel finished his prayer anyway. He had to be certain. “actually, nah, not sure i like that… hey, i’ll figure it out.” The Angel rose to his feet, staggered a bit, then bowed his head. “go to hell.”
What is an angel without a god? From then on, the Angel drifted from world to world. He recited prayer as he always did, utterly divorced from meaning. His knife brought whatever his victims chose, and he learned to see the afterlife in their dimming eyes – the reflection of paradise or punishment, a final acknowledgment of the waiting dark. He laughed in the moment before a creature crumpled to dust – something about it made his soul sting, sharply. It made him feel alive.
Sometimes the Angel would glance over his shoulder, searching for his god’s approval. When he caught himself doing this, his posture would stiffen suddenly, and he would cease his prayer. In those rare moments, a victim might escape. In that way, news spread through the multiverse of his arrival – though ‘Angel’ was not the word they used.
Even to the multiverse’s darkest corners, the Angel slowly became known, and this filled certain people with a cool excitement. Gods watched on and wondered where his allegiance might fall. But this Angel had little patience for deities.
“Aren’t you just fantastic!” The Angel paused, then straightened, turning through the snow of decimated universe to face a small, skeletal figure, dressed in a stained scarf and splattered with ink. “A Sans who no longer believes in anything, but still sees himself as the Angel! A Sans for whom death has become prayer, because prayer never led to anything but death. Odd, definitely – I’d guess your creator was feeling pretty ambitious when they made you…” The skeleton tilted their head. “I’m not sure they succeeded.”
“who are you?”
“Ink! God of Creation. You see, I helped make this universe, so… whoa there, let’s not be too hasty!’ The Angel had raised his knife and taken a smooth step forward.
“god, you say?”
“Hm. Maybe I shouldn’t have said – wow, you’re quick!” Ink swung a massive brush through the air and the Angel’s knife skittered across the brushstroke’s obsidian surface. “Look, sloppy or not I think you came from a place of real excitement and love! I’d like to –”
Ink never finished his sentence. Blinking, the Angel darted around the obsidian shield and raised his knife to stab this god in the chest. He managed to spill a vial of red paint, so much like blood that he smirked, believing for a moment that he had already won. Retribution was brutal and swift.
The Angel no longer felt fear. His god had cured him of that, through the endless resets. Still, Ink’s rapid-fire attacks quickly had him on the defensive, constantly dodging and side-stepping to avoid strike after inky dark strike from the god’s strange weapon. Each time he brandished his knife, he was ambushed by a new attack from a new direction, all coinciding on his form as he struggled to fight back, struggled to survive.
Was this the true power of a god? Something cold settled in the Angel’s soul, causing it to fizzle. He began to seriously consider retreat.
But to where?
The Angel tried to step into another world, but Ink was on him the moment his portal closed, taking advantage of the snow’s blinding afterimage to dig a painted blade into his back. It was dark here, and cold – far colder than Snowdin ever had been. Another blow, and the Angel’s soul shuddered again. This time, he felt fear.
Was this it? Was this where he died?
Another blow.
Perhaps this was right. Perhaps this was what he deserved…
Another blow and sparks flew from his soul, igniting terror and pain. This time the Angel screamed. This time, his mouth shaped a word he’d sworn to never say again.
“ANGEL!!!”
Ink lunged forward, but before his final blow could land something warm and strong gripped the Angel’s ankle and dragged him into the infinite darkness of the earth.
When the Angel woke, he imagined for a moment that he was dead. His sockets could not focus because there was nothing to focus on – the world seemed to have vanished into a brilliant white expanse. He lay there, soul burning, weeping black, emotionless tears. A minute? A year? If the figure hadn’t spoken, the Angel might have lain there forever.
“Greetings, little angel. I’ve heard a lot about you.”
The Angel leapt to his feet. Across from him stood a strange, dark figure. At first, he might have guessed that it was a skeleton – but a tarry black fluid not unlike the Angel’s tears covered every bit of the monster’s body, leaving only a single teal light to stare into his sockets. The Angel might not have recognized Ink’s power, but he could feel this monster’s strength – could feel it in the way the very air seemed to bristle against his presence. This was no mortal. This was beyond anything the Angel had seen.
“what have you heard?”
“In general? Ah, little one, that would require some time.” A fluid black tentacle slipped from the creature’s spine and wrapped around the Angel’s shoulders, immobilizing him. The Angel was still. “But you were asking what I had heard about you. So I will oblige. I have heard that you are a harbinger of death. Some have gone so far as to call you an angel, but I know better than that. After all, what is an angel without a god?”
“i already killed my god. i don’t need another.”
“I do not desire your worship. Besides, there is a title which suits me far better than god.”
“what do you want?”
“A fighter. Someone with little respect for the likes of Dream and Ink, who would aid me in destroying my enemies.”
“you want me to kill gods for you? i would do that anyway.”
“Well then, little god-killer. I have a place for you, if you’ll take it.”
“…and if i say no?”
“Then I shall leave you in the first universe that opens up beneath our feet. You will be free to cause whatever destruction you wish. But if you choose to follow me – oh, you will see and experience far greater things than you could ever imagine.”
“somehow i don’t believe you.”
“Very well. You may return to your dreary existence. But you are limited when you fight alone. You will be more powerful at my side.” The figure extended a tarry hand. “I am not like the other gods. I have no need for angels. But you aren’t exactly an angel anymore… are you?”
The god killer stared at the dark figure, stared at his extended, toxic hand. The dead grass beneath his knees felt like torn carpet. He remembered a different hand, a hollow palm. Prayer was simpler then. The words didn’t yet matter, not like his father’s cool hand on his skull, not like his brother’s chirping voice. The angel wasn’t present in that space. It was only them.
His soul flickered.
“no.” Killer rose to his feet, meeting those deadly teal eyelights. Viscous black fluid burned into his hand. “i’m not.”
The prophecy was fulfilled. The Angel was dead. And for the first time, a prayer was granted.
End credits music:
#this was just supposed to be a character concept#it’s 3010 words long#heavy religious themes#wow wow I have not written this much in ages#once I started I could not stop#I don’t know if this should be canon to my multiverse or not#eh what do y’all think?#I really hope at least one person reads this#I poured a lot into this one#writing ink is so fun because you can just add this little fourth wall breaker to criticize and encourage you#I’m calling this little guy God Killer!#I mean he’s still named Killer in universe but to differentiate between my take and canon#his soul is the target in stage 2#but in stage 3 it becomes the delta rune!#if this does well I might post more info on him#killer sans#utmv#utmv fanfic#utmv au#dreamtale nightmare#nightmare sans#ink sans#inktale#dreamtale
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Emos in a car
#Shout out to my depressed moon themed characters that had family issues#gonna be one of my favorite genders#nebula doodles#moondrop sb#moondrop fnaf sb#fnaf sb#nightmare sans#dreamtale nightmare#dreamtale#my little pony#mlp#princess luna#lmk macaque#lego monkie kid#lmk#crossover#twitter challenge
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FUCK what I said about the majority of significant changes to dialogue in Re:CoM being to adjust Axel's characterization, the most egregious change is actually this
(GBA CoM)
(Re:CoM)
if I had to guess, the reason for this change was because in GBA CoM, The Superior was a spooky, unknown being at the head of this Organization we had very little knowledge on, and for Vexen, the guy who runs his mouth constantly about how much better he is than the others, to be terrified of him, he must be some pretty scary dude. But then after kh2 we know him, it's Xemnas, he's very dramatic, he likes to talk to the moon, and the effect of your mind filling in the gaps about what "The Superior" must be like is gone. So it wasn't really necessary anymore, right?
(rest under cut because it's long)
Except... the way they changed it is so weird. In the GBA version, what's happening is pretty clear:
Marluxia tells Vexen that his project is a failure
Vexen demonstrates that he does not give a shit about Marluxia's opinion
he does care very much about The Superior's opinion, though, and Marluxia uses this to blackmail him into eliminating Sora- an action which is nonsensical, as the entire point of what they're doing needs Sora alive, making it clear to everyone in the room that he is deliberately sending Vexen to die
and then after that, when Vexen shows up to fight Sora, he goes "if you want to fight me for real you've gotta do it in the memories from the other side of your heart lol bye" and Sora goes "huh? other side?" and then it cuts to a scene on the top floor:
and then this gets more into subtext but here, Vexen has realized he's totally fucked and his only hope is to mess directly with Marluxia's plans (well, they were the Organization's plans, but it's pretty obvious by now Marluxia's abusing his power for his own purposes) by giving Sora more information than he should know. This does get the traitor gang worried enough to send Axel to go kill him (as opposed to just letting Sora take care of him, which was presumably the original plan)- he very specifically cuts Vexen off to keep him from saying too much (this is retained between the original and the remake)
Anyway, what happens in Re:CoM sort of follows the same order of events, but everything is changed slightly in a way that just makes things more confusing.
Marluxia tells Vexen his project is a failure and Vexen demonstrates that he doesn't give a shit about Marluxia's opinion, as before
Marluxia threatens Vexen with a weapon, rather than threatening to tell the Superior
this, notably, does not seem to faze Vexen very much. he continues to run his mouth while having the scythe pointed at him.
Xemnas is still leveraged- Marluxia points out it was the Superior who entrusted him with the castle
...even though reasonably Vexen would already be aware of this, and has still demonstrated that he has zero respect for Marluxia despite it
the lines about betraying the Organization being a capital crime are retained, probably because it's super relevant later, but then that line of thinking is abandoned in favor of Marluxia and Larxene just taunting Vexen instead
The part where Marluxia says "do it. you won't" could be seen as a sort of threat... if not for Axel's line: "You give a challenge like that to Vexen and he'll seriously want to eliminate Sora." It frames it all as though Vexen went to fight Sora out of some sort of pride.
And look, Vexen may have a temper and a superiority complex, but he's not stupid. They're obviously baiting him. Plus, what happened to him seeing himself as above the others and countering things he doesn't like with "well actually I'm higher ranked than you and also you're an idiot"? Is he that insecure in his fighting capabilities? I could deal with characterization changes doing him dirty if it didn't also make no sense in the context of the plot.
So now we have Vexen going to try to kill Sora, something that really makes no sense to do, out of pride. What was the purpose of sending Sora to Twilight Town? Also pride, over the fact that he managed to get that information? Giving the writing the benefit of the doubt, I could say that these nonsensical actions can be explained as evidence that Nobodies can have hearts and people with hearts do strange and rash things, but that just feels like a reach, which is bad because what they had in GBA CoM worked perfectly fine and made sense without any reaching for the "idk emotions make you do strange things" explanation.
It continues. After Vexen gives Sora the Twilight Town card in Re:CoM and Sora wonders about what the "other side" means, this is that version of the conversation the top floor members have:
...what? "If Sora disappears, that would mess up the Organization's plans"? what are you worried about? the only reason Sora would disappear is if Vexen killed him. there's no way they think Vexen being in Twilight Town would give him an advantage, right? they know he's a pathetic fighter. "Vexen has clearly committed a treasonous act against the Organization" HOW? HOW IS IT CLEAR? they don't express any worry about Sora learning too much, up until Axel says "I came to stop you from talking too much" when killing Vexen- and that being there makes it seem like they were worried about Sora learning to much, but if that's the case, why would they replace the perfectly serviceable lines in the above scene? it's just... baffling that they would want to lean into the narrative that Vexen going to kill Sora (which he'd been goaded into doing) is the problem here, because it just makes so little sense compared to what it was originally.
once again giving them the benefit of the doubt: Marluxia's real plan was to take over the Organization, and he saw an easy way to pick off one of the members, so he took it. the motive for stopping Vexen doesn't actually matter.
buuuuut it's the same as with Vexen earlier. Marluxia may be too self-absorbed and power-hungry to notice Axel is scheming against him, but he, too, is an intelligent man. he's plotted for a while, getting into Xemnas's good graces in order to be put in charge of the Castle. this is incredibly sloppy for him. I guess it could be said that getting so close to his goal would make him sloppy, but again, if they'd just left things the way they were in GBA CoM, I wouldn't even have to be saying this
in conclusion: GBA Chain of Memories' intra-Organization strife subplot is so tightly woven with calculated moves on all sides that Re:CoM changing certain things without taking into consideration the consequences makes certain parts of the plot fall flat and become far more confusing than in the original story
#kingdom hearts#kh#chain of memories#kh com#vexen#axel#axel kh#marluxia#larxene#the inevitable re:com comparison tag#conclusion 2: go play gba chain of memories right now !!!!!#me post#concocting a counterargument in my head rn about how emphasizing the humanity of the organization through their nonsensical actions is#a good thing#gba com leaned into how fucked up they are- kh2 showed us the rest of them- re:com backpedaled to give them a shred of humanity#see also: lexaeus's death differences between gba com and re:com#however#1. i believe making a kingdom hearts game make less sense on purpose is not a good choice due to its reputation of#already being incomprehensible#chain of memories is one of the easier plots to understand!#2. im not convinced it was on purpose. i think the only intentional one was axel saying he really was enjoying himself#and that this specific thing spawned from what i said about xemnas no longer being a spooky mystery#lexaeus's death scene change on the other hand was actually a change in characterization#and since it wasn't wrapped up in the nightmare 5d chess that this thing was it worked fine#3. if they wanted to show us the humanity of the chain of memories crew then they should've let them survive a little longer in 358/2 days#like. we don't know for sure how long end of kh1 -> start of com actually took. that was decided in Days#kh2 we saw a little humanity in all of its organization members but that's because there were lots of themes of nobodies and humanity there#days was extremely heavy on “hey these guys are all people”#but chain of memories' org members were written to introduce us to a group of extremely powerful and clever manipulators#changing that to add a little more humanity sacrifices some of the writing quality because they didn't commit to it
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I'm not sure y'all are ready to hear this yet
#but its the truth#hatsune miku#vocaloid#magical cure love shot#mesmerizer#tune into the madness#kasane teto cameo#the stupendium#dan bull#little nightmares 2#by technicality#guys#guys mesmerizer and titm have the same theme#they have the same thing#mesmerizer is just more magical cure love shot about it#i need you to understand
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{WIP] He's still out there
#artists on tumblr#nonbinary artist#art#art wip#fanart#dog nightmares#analog#analog horror#internet horror#digital horror#so i decided to delve a little more into horror lately#always have been a huge indie horror fan#something about the aesthetic of dog nightmares really speaks to me#maybe it's just me growing up with pbs kids but#this really puts the nostalgia into nostalgic horror#(i know i should stick to a theme for my art but my interests are all over the place)#(and i decided a long time ago that i'm going to draw things that “spark joy”)#(if it doesn't make me feel excited then i don't draw it)#(... does anyone even read my tags? lol)#tw body horror
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*climbs up on a bookstand and let's close to the mic*
★Erhem. We need first person horror video games where the protagonist is tiny. Like, we can see the horrific events that transpire through a tiny's eyes.★
#★mind is blank.#can't think of what else to add at the moment#make this of what you will /q + /ref#.also zure#we have g/t themed horror games#the best example that I can give being 'Little Nightmares'#but those are third person games. It would be far more intriguing#and rather terrifying#if we got to play as a tiny in a horror game— that has a first person view.★#g/t#giant/tiny#g/t community#giant/tiny community#g/t thoughts#giant/tiny thoughts
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