#little nightmares ii theory

[queen0fm0nsterz]

Gonna say this rn before I forget, but personally I am of the opinion that while the Nowhere (the official name of the LN world) has a regular time continuom, the children who are brought in from different timelines/universes can pop in it at completely random points in time.

This could explain why, in the podcast, Noone did not know/understand Jester's joke, and why doctor Otto mentioned it was an old joke. Two or more children from different time periods could stand together in the Nowhere. And it could also explain why the LN universe seems to have so many different aesthetics clashing together.

I am also of the opinion that some children (pointing to Mono and the Pretender, but partially to the Refugee Boy as well) could very well be natives from the Nowhere, while most other children -- Six included -- come from other worlds. The logistics of how they get stuck in the Nowhere are unclear for now, but it seems that at some point their physical body stops being in their original universe/reality and follows them into the Nowhere which is what gets them completely trapped.

[itstimetotheorize]

The future of Little Nightmares, the worlds final fate.

I was recently asked where I think the Little Nightmares story is headed and what will become of this world. We have always theorized the world was plagued by the eye entity and its many forms, but upon seeing the true impact its existence had on the world, we realized something…whatever this thing was doing to the world… was far worse than we could have ever imagined. 

From what we have seen thus far, people are dying, children are being hunted and imprisoned, cities and towns are crumbling as the Residents of the world roam around, fueled by their corrupted desires and base instincts. It seems no matter where we go, nor what we see... the story remains the same... the more the eye entity continues to feed and spread its influence, the more the life of this world continues to rot and wither away,

 and whatever future this world holds for the few children who manage to live through it, are merely doomed to suffer the same fate as the other adults who have had the misfortune of being corrupted by the influence of the eye entity, their only future is to one day share the same fate as the rest of the Residents, until they to are consumed by the very creature which continues to thrive off of the lives of others. 

One can only dream of what horrors have befallen onto the rest of the world, what tragedies have occurred to those who did not deserve to suffer. I understand why people would want this world to be saved, but upon understanding the true horrors children such as Six and Mono have had to bare through, it had become all to clear that whatever this world used to be…was gone. This world the children are so desperately trying to run and hide from...wasn’t their world anymore, it wasn’t for quite some time, it had become a world of nightmares and monsters, and for this very reason….it must be destroyed…not by those who have learned to evade it, but by the hands of those who have accepted this world for what it is and are more than willing to take action against it without fear of what it could do to them, only then will this world be truly saved for those who remain .

[chorusofkhonshu]

Blooming In Nowhere

OK! So now that the legit subtitles were released for the podcast I went back to listen to the podcast again. The first thing I went back to check were the words of the Ferryman, because I don't know about you guys but he was really hard to hear but man was this worth the wait.

This really made me think because there was a lot of other wording in other episodes.

The screenshot up top is from the first episode. The flower she got from her parents in the first episode. This doesn't really have any importance on its own but it sets up the use of symbolism later.

So heres the important part from Episode 5 where Noone is compared to a chrysanthemum. That will blossoms year after year. Only youth blooms which I am pretty sure just means only children can "bloom". Then onto "Petals pure. But uprooted, spoils wait within". Back to Nowhere wanting something that is in children, I often ponder what that can be but right now the process itself of blooming is also important. There is something in kids that beings in Nowhere want but just because kids enter Nowhere doesn't mean they've gotten what they wanted.......yet. They've been uprooted from their world, yet the spoils still wait within. So what constitutes "blooming". Blooming is what I believe to be a kid standing against their fears. Now this sounds simple but it really is not. You literally have to stand against them with the will to fight, not escape. Perfect example that we already have are Mono and Six. Mono standing against the Thin Man and Six standing against the Lady. Nowhere wants and orchestrates things to happen this way, its a set up to get them to bloom. Back in the day on Twitter the Little Nights account said Mono and Six needed each other to make the journey. Mono needs to have someone, he needs to lose them, he needs to confront the Thin Man, all this in an effort to build him up, to bloom, and then pull the rug out from under him. Same with Six, the paper that shows her the Maw at the end of LN 2. Six's journey seems to have a lot less certainty though, but they the end of her journey she has to fight against the Lady. Why not just kill Six as soon as she sees her? RK gets turned into a nome instantly and we've seen the Lady's powers at play after Six get them, she has the power to kill her instantly, so why not? It has to happen, they have to fight, she has to bloom and when she does, she will still be trapped on the Maw. There is something in kids, something that feeds Nowhere once they bloom, not many kids do bloom but Nowhere takes its time cultivating those that have the potential too.

Something swirled in Noone, something that the denizens of Nowhere wants. Low and Alone are on their way to facing their fears too.

Can't wait to see how they bloom.

[wreniikinz]

Oh buddy boy my little nightmares theory! A!

So... lnii established that there's some sort of time shenanigans occurring, but it can't be a time loop because there's no way for the ending to come back around to the start [where does Mono come from? Or any of the normal children, for that matter?] My proposal is that the signal tower is resetting the timeline. It's definitely warping space, so distorting time isn't that much of a stretch. So, the signal tower is resetting the world to trap Mono over and over again; but why? My theory is that the signal tower used to be a human, and that human had a close bond to Mono. I default to it being mono's mother, but really any close family member would work [but it's important for them to be an adult, because little nightmares is all about the innocence of children being exposed to the horrors of adults] The reason why mono's mom would do something like this is because Mono likely had some sort of accident resulting in his death. So his mom reset the world using her reality warping powers, but she corrupts reality and goes a little more insane each time. No matter what she does, Mono keeps getting hurt, and eventually after a lot of resets, she's some sort of freakish monster and likely not in the best head space, so Mono starts running away instead. More and more resets, each distorting the world, her body, and her mind, but one thing remains: her obsession with keeping her son close. I imagine she warps into the eyeball flesh mass at some point, and has the tower built around her, or maybe she finds an already built one and moves in like a hermit crab. Boom, now you have an evil signal tower.

[shadowdaddies]

is it okay if I request a lot?

Can you do a smut where it's just like lots of wingplay? With the same Summer Court female and Az? You wrote my last ask so beautifully it was amazing to wake up to, especially because you answered so fast!!!

honey it's okay if you request a LOT a lot, lol sometimes it takes me a little longer to get through my requests but I'm ALWAYS excited to see your ideas💜 and I love Az and the summer court reader, they're so sweet

A/N: this is a continuation of Part 1 but can be read separately

Wings of Desire (Pt. II)

Azriel x Reader

Warnings: smut below the cut, oral f!receiving, p in v sex, wing play, minors dni, not proofread sry

You lurched awake in the bed, covered in sweat as you quickly took stock of your surroundings. Only once you had confirmed it was just the same nightmare as always did you allow yourself to breathe. A shiver ran down your spine as cold caressed your cheek, a shadow dancing along the wall before slipping through the door. 

You shook your head, realizing that you must be imagining things after that horrific dream. Before you could get swept up in the memories you had recalled in your sleep, you looked around the space, grounding yourself in the present. A small smile graced your lips as you remembered where you were. 

It was cozy in the High Lord’s cabin. Despite the unfamiliar chill of winter, the house was as warm and comfortable as ever. The space next to you on the mattress was empty, however - different from how you had fallen asleep next to a certain shadowsinger. As if summoned by your thoughts, Azriel knocked softly on the door to your room. “May I come in?” his low voice sounded through the door. 

A small laugh escaped you at the ridiculous question. “I fell asleep with you in here. Of course you can come in.” Only a moment passed, but it felt like a century before Azriel slowly entered the room, softly closing the door behind him. “I just wanted to check on you.”

Realization dawned on you as you cocked an amused brow at the spymaster. “Would the shadow you left behind have anything to do with your concern?” You admired the blush that reddened his cheeks as your theory was confirmed.

“I didn’t think it was appropriate to stay in here with you while you slept, but that shadow insisted on staying behind with you.” He spoke as if the shadow were an unruly child, and you couldn’t help but giggle at the thought of the feared Night Court spymaster having trouble controlling his shadows.

“I much preferred it when you were in here with me, if you would like to stay in here,” you whispered, looking at Azriel with hopeful eyes. Another one of those rare smiles flashed across his face for a moment, before he schooled his features into an indifferent facade. 

“Of course,” Azriel murmured, moving to settle into his old spot under the sheets next to you. His shadows danced as the male settled into the sheets, and you watched enraptured by their personality. They seemed to be more telling than their master when it came to emotions. One shadow - likely the one who had stayed with you through your nightmare - darted out to brush your cheek, twirling through your hair as you let out a loud laugh at its playful nature.

As if your laugh got their attention, more shadows followed suit. They all moved towards you, like puppies eager for your attention. They played with your hair and clothes, until they brushed the inside of your wings, eliciting a loud moan from you. 

Azriel shot up in bed, frantic as he studied your face. “Are you okay? They aren’t bothering you, are they?” It was your turn to blush now, embarrassed by the scent of your arousal, which the shadowsinger had clearly picked up on, if his darkening eyes were any indication. He was frozen above you, eyes searching yours for an answer to his unasked question.

You reached up, threading your fingers through the hair at the nape of Azriel’s neck as you gently guided him towards you, your own eyes searching for any hesitation. Instead, Azriel eagerly leaned into your hold, lips brushing lightly against yours in a soft kiss. Shadows danced across your wings once more, this time eliciting a moan as you arched into Azriel. 

The energy between you changed drastically - turning from a chaste kiss to fervent need for more. Teeth and tongues clashed as Azriel climbed on top of you, both of you grinding against each other in a frenzy. You had never felt the need for someone like this, desperate to consume and be consumed as you ran your own hand down the outside of Azriel’s wing.

He growled into your mouth at the touch, and you smirked into the kiss - a silent challenge which he understood. Azriel quickly lifted your nightgown, leaving you bare and him only in his pants as he kissed his way down your body. He read you like a book, taking note of your reaction to every touch, knowing where to move next as you writhed under his hold.

The same shadows that had been teasingly brushing your wings now skated over your bare body, teasing your breasts and clit as Azriel licked a stripe up your core. Gripping your thighs, Az held you open as he ate you out hungrily, enjoying how you moaned praises at his touch. A scarred finger pushed into you, curling against your walls as Azriel sucked on your clit, his shadows oscillating against your wings. The overstimulation sent you over the edge with a scream, vision fading in and out as Azriel worked you through your orgasm.

The moment the smirking spymaster came back into focus above you, you shoved his pants down with your feet, ready to take control of the situation. When you tried to flip Azriel over to ride him, shadows wrapped around your waist, pinning you against the bed. Azriel smirked, shaking his head as he leaned down to suck on your neck. 

“Let me pleasure you for tonight, love,” he murmured, his deep rasping voice sending a shock of pleasure through you. Hazel eyes watched yours as Azriel pulled your leg over his shoulder, lining up at your entrance. A rough laugh left his lips as you wiggled your hips in encouragement, eager to be filled by him. 

Azriel pushed into you, making you feel more full than ever with his size. The both of you moaned at the feeling when he settled inside of you, waiting a moment to adjust before he began thrusting. Finding the spot that earned the most reaction from you, Azriel held you in place as he pounded relentlessly, stealing the breath from your lungs as he worked you. 

You clenched around him as you neared a second orgasm, and desperate to have him come with you, you reached your hands out to his wings. Fingers slid along the dark veins, satisfaction filling you as Azriel came inside you with a roar. Shadows were unleashed, again overstimulating your clit and wings as the both of you came together. 

Azriel fell to his elbows, hovering over you as he left kisses all over your face. Giggling under his sweet touch, you lightly pushed the shadowsinger back to look at him, shocked by the feeling that rushed through you as you looked in his eyes. “Mate,” you whispered.

A brighter smile than that which you had ever seen from Azriel graced his features. “Mates,” he confirmed.

[delusional-mushroom]

Platonic Hazbin Hotel x Autism creature reader ii

Apparently you all like this? Sorry about the long wait, school’s been kicking my ass lately.

Anyway, here’s part 2, Bon appétit

Part i | Part ii

You fell.

It hurt. It hurt a lot.

All you remember was waking up to Speckle slithering on your face and- HOLY CRAP YOUR WING SHOULD NOT BEND LIKE THAT

After about 10 minutes of wallowing in your pain, you slowly got up.

Ow ow ow ow ow ow ow ow

You took a moment to take in the situation. Your clothes, as well as the ground beneath you, we’re stained in gold. It was hard to miss the golden blood trailing behind you too.

There was also a crater in the ground where you fell.

You see the Hazbin hotel in the distance and with the obvious attitude of “What could go wrong?” You sauntered towards the looming building

Speckle took over sight duty on the way tho. The Bright sign posts and the occasional dumpster fires rubbing salt on the metaphorical wound of your approaching melt down.

When you finally got there, you uncovered your eyes and stood outside for a few minutes before finally gathering up the courage to knock on the door.

Luckily for you, it’s Charlie who opens the door.

You exchange awkward greetings, Charlie beating around the bush of asking you the casual question of you know, why the fuck you’re in hell?

After a few seconds of staring at each other, you nervously fiddle with your thumbs

“So Uhm, I uh, fell, I guess.”

After the initial shock, concern, and confusion, Charlie welcomed you with open arms

At first, the hotel residents didn’t know what to make of you

Vaggie was pretty neutral with you, you seemed alright enough in heaven and if you weren’t gonna make a fuss neither would she.

That is, until she found you making yourself a cup of cocoa at two in the morning.

“Had a nightmare,” you mumbled when she questioned you, hand stretched towards you as if she held her spear to you throat. Did she sleep with the thing? Who knows.

She dropped her arm and took in your disheveled appearance. That seemed to check out. It seemed tonight wasn’t good for you either. “What about you?” She heard you ask drowsily.

“Nightmare.” She said. It was cold and blunt as she turned on the kettle and carelessly threw a teabag inside of a mug. ‘Best girlfriend ever’ it read in black. A gift from charlie, she smiled at the thought.

“Wanna talk about it?” You tested. This situation was more awkward than you wanted to deal with. At least the noise of the kettle in the background filled up the silence.

Vaggie turned to you, the ghost of a smile lingering on her face. Maybe tonight wasn’t so bad.

And since then you and her talked about what was bothering you. Or not. Sometimes you just sit next to each other, a cup of cocoa in both of your hands and enjoy each other’s company.

Angel found you funny

Fat nuggets 🤝 you.

Whenever Angel has to go to the studio, he leaves Fat Nuggets with you.

Whether its for you to watch the pig, or the pig to watch you, well… thats up to you.

He probably won’t open up to you about Valentino

But if he does, the stupid bald moth asshole can expect a lot of passive aggressive [special interest] themed notes that come seemingly nowhere.

Sir Pentious didn’t know what to make of you at first.

To him, you were some random child that showed up one day and could go from staring into someones soul for minutes on end without blinking, to looking like you were on the brink of tears if you hands brushed against a nope texture.

Eventually though, you ask about his inventions.

Bro had a whole “your asking about my theories? I’ve waited years for someone to ask me about my theories!” Moment.

(If you get that reference I love you)

You become hyper-fixation buddies.

You and Nifty don’t get along too well…

“YOU LEAVE THE ROACHES ALONE!” You shriek, holding two bugs high above you hear as the short little menace tries to get to them, knife brandished.

“NEVER!” She laughed back a crazed look in her eye.

…that wasn’t fun. Rest in piece Sir Bob and dame Jane.

Whenever you zone out in front of Husk, he pours a glass of apple juice and gently places it in front of you, eyeing you every now and then, a concerned look in his eyes.

Alastor finds you amusing.

He tried making a deal with you on your first day.

Now Vaggie won’t let him within a 3 meter radius of you.

When you meet Lucifer, he takes one look at you, Speckle coiled around your neck and a bottle of apple juice in your hands and just immediately goes “🫠”

He’s your father now. There’s no getting out of it. Why would even you want to tho?

Hyper-fixation buddy #2

You both rant about your special interests to each other

Be prepared to be bombarded with rubber ducks.

Meanwhile, in heaven…

Everyone: wHeRe iS tHe cHiLd?

[lillysdreaminnn]

Labyrinth.

Labyrinth; chapter II

Word count; 1.9k

Summary; one time Ivy noticed something was wrong with Aaron and one time Aaron noticed something was wrong with Ivy - or alternatively; the case and how Ivy almost solved it.

Warnings; JJ being a little shit because I love her, Hotch being hot (what's new?), nightmare but no description of it, discussion of puncture wounds and maybe a little bit of gore, I think that's all

The team was on the jet, talking about the case and whatnot, but Ivy's eyes were on Hotch. As someone who had suffered kind of the same problem, she knew how his ears must've hurt quite a bit.

 "They have parachutes on board, right?" Rossi asked, looking between the team. "They should, it's standard in all federal transport." Spencer said with a confused look on his face, but Ivy caught on Rossi's drift.

 "Maybe we should give one to the elephant of the room, get him out of here?"

 Ivy's gaze turned to the man across from her, seeing as he was in obvious pain. "That be the elephant with the dead mans DNA." Derek muttered, looking up from his files and back at Rossi.

 "Obviously someone planted the semen on the victim." Hotch commented, taking a break from rubbing his forehead.

 "In the victim." Ivy corrected, making Hotch look at her with a soft sigh leaving his lips. "That's one theory." Spencer said, taking everyones attention to himself, "There's another theory?" JJ questioned, voicing everyones thoughts once again.

 "Think of someone who shared the exact same DNA as an other person."

 "Reid, you're not seriously floating around the idea of an evil twin, are you?"

 "No, I'm not." As Spencer continued to explain his theory about the unsub, Ivy was looking at Hotch, noticing how he closed his eyes tightly and groaned subtly.

 Jesus.

"Hotch, you have been cleared to fly haven't you?" Ivy asked after a few beats of silence, making Hotch look at her, knowing she was fully aware of his situation with the bombing.

 He just sighed and leaned back on his seat, throwing his head back and closing his eyes as a sigh mixed with a pained groan left his lips.

 Jesus Christ.

 With a sympathetic smile, and a sigh because of the scene in front of her, Ivy leaned back on her seat as well, looking down at the file she had on her legs.

 Hotch assigned where everyone would go and Ivy was paired with Rossi for the morgue, "My favourite." Ivy said sarcastically, "Tell me about it." Rossi agreed, making her chuckle. The rest of the short flight, they talked about past experiences and funny stories, JJ and Ivy sharing stories one about the other.

 "Oh my God... Bella remember when y-" Ivy cut her cousins sentence short, by shaking her head; she knew what JJ was going to say since she loved that story.

 "Don't call me that and no I don't."

 "What did she do?" A very curious, and grinning, Emily asked making JJ jump with excitement.

 "JJ no."

 But what JJ heard was "JJ yes" so she told the story Ivy dreaded to hear. "When Ivy was like... five? Three? Four? Or more? I don't know, she was very young anyways." Ivy snorted a laugh at her cousins confusion, hiding her face in her hands.

 "She was in daycare, waiting for her mom to come pick her up, right? And she was hiding under the Goddamn slides just waiting, lurking, when a woman with the same pants as her mom came in, looking for her daughter. Ivy, thinking that it was her mom, ran over to the poor woman, clinging onto her leg for dear life."

 The BAU laughed, while Ivy was hiding her face in her hands, embarrassement written all over her face.

 Hotch couldn't help smiling at her embarrassement as well, finding it kind of sweet how JJ and Ivy always had a nice bond. "My mother still makes fun of me for that." Ivy muttered, laughing softly at herself.

 The rest of the flight passed by like a flash and soon Rossi and Ivy were at the morgue, looking at poor Delilah Grenan.

"What about the puncture wounds?" Ivy asked the doctor as he walked back inside the morgue. The doctor briefly sighed before answering the young agents question, "My best guess is a small screwdriver."

 "Just like the prior murders, he's a stickler for the details." Rossi said, looking through pictures of the old victims, along with Ivy.

 Ivy took a longer look at the pictures and then back at the victim right in front of her. Something seemed... familiar, about the placement of the puncture wounds but she couldn't pinpoint what. "Their groupings on the prior victims were always different in number and arrangement." Ivy commented, showing Rossi what she meant.

 The older agent looked at the pictures and then at Ivy, nodding subtly, as if telling her she did a good job. "Three wounds on this one. Five, twenty four... He was all over the map." Rossi commented, as the doctor shifted in his place, making Ivy look up at him.

 "I also found traces of paper on the wounds." The doctor said. Ivy shot a quick look at Rossi, before looking back at the doctor and then down at the pictures.

 "Paper? Like Tissue?"

 "Like... Notebook paper."

 Ivy's eyes went wide for a second. Notebook paper? "Well that's new." She commented, mainly to herself, biting her bottom lip in concentration.

 "Unique copycat." Rossi added to Ivy's comment, sighing a little. Ivy was still trying to figure out what stood so familiar to her, but she couldn't and it was eating her alive. Being a profiler, Rossi noticed even when she tried to hide it.

 "Ivy, what is it?" Rossi asked the young agent quietly. "Hm?" Ivy hummed as she turned to look at Rossi, shaking her head a little.

 "I don't know... It just seems familiar." She sighed, rubbing her eyes a little.

Very few hours later, it was dark out, and Ivy along with Hotch and Rossi were at the cemetery, digging up the body of Cortland Bryce Ryan. Ivy was too busy thinking about what the puncture wounds reminded her of, when she noticed Hotch walking away with his head in his hands, groaning.

 She looked at Rossi, who motioned for her to go, so she did. "Hotch?" Ivy called out to him, running over to the man, trying to find his gaze to see if he was okay. Her boss just waved her off as if nothing was happening, when in reality he felt as if he was dying.

 "Hotch, can I do anything?" Ivy asked, keeping her tone calm and not loud, as she didn't want to cause him more pain.

 "No, no. I'm okay." He said mid-groan, making Ivy's stomach fill with a fluttery feeling.

 Ivy no.

"Are you sure, Hotch? Let me drive you back to the station; I'm sure Rossi will be just fine." Ivy offered, but Hotch still declined, "Thank you, Monroe, but I'm okay." He sighed heavily, looking at her.

 "Okay." Ivy nodded, sighing softly as well.

 After the - not so - shocking news that Cortland's body was missing, Hotch decided it was time to head to the hotel, as it was getting late. Everyone went to their rooms and settled in, prepping for sleep or whatever they'd be up to.

 Ivy took a quick shower to freshen up and went to bed, wanting her mind to be clear for the following day and the rest of the case.

 An excruciating dream later, Ivy shot up from her bed as sobs rippled through her. Seeing as it was only two in the morning, she decided to head out for a little to clear her mind. She put on a jacket over her torso and exited her room silently, not wanting to wake up the man in the room next door.

 But she did.

She walked outside and just sat on one of the hotel's benches, staring at the night sky, while trying to calm down. A short two minutes later, someone sat next to her.

 "Can't sleep, Monroe?"

 Ivy turned her head and came face to face with Hotch, who was in a short sleeve shirt and sweatpants.

 Holy mother of God.

 "Yeah, kind of. Did I wake you up? I'm so sorry." Ivy quickly apologised, thinking she had woken up her boss; who just waved her off, as if saying no. "You didn't, don't worry about it." Hotch sighed, moving around a little, before sitting in a manspread.

 Ivy inhaled sharply and looked away from him, back at the night sky, just as Hotch turned to look at her. He noticed how short her breathing was and how her cheeks shined with what seemed to be dried tears.

 "What's bothering you, Monroe?"

 "Nothing."

 "Don't lie, Ivy; you've been crying."

 Ivy's head snapped towards Hotch as he called her by her first name for the first time. Two days in and he was already making her feel things.

 "It was nothing, I promise. Just a nightmare." Ivy said with a soft smile accompanied by a soft sigh. Hotch studied her features as she didn't dare to look at him. He noticed how her eyes were brown but had a green tint to them as well, how her lips formed a slight pout and how she breathed deeply.

 Aaron no.

 "Ivy, I've been a profiler for a while. I can tell something is wrong. I won't push you to tell me, but just know that you can." Hotch reassured her, flashing her a smile that he only seemed to have when she was around.

 Ivy finally looked at him and smiled as well, "I promise it was nothing; just a stupid nightmare about the case." She quickly made up a lie - that Hotch saw right through - but he decided not to push her further.

 The two agents sat on that bench for another hour, not talking; just looking at the sky in comfortable silence, each one thinking about their own problems. Until Ivy spoke up. "Did you know that the brightest star is Sirius A and the biggest constellation is Hydra?" Ivy asked Hotch, not really expecting an answer - if she wanted to be honest.

  "I actually didn't. That's pretty great." Hotch said with a hint of amazement in his tone. "Yeah, see right there?" Ivy pointed to random stars in the sky, smiling to herself.

 Her eyes shine brighter than a stupid constellation.

 But Hotch looked either way.

 "Mhm. What about it?" Hotch muttered as he got closer to Ivy, in order to see where she was pointing. "That's part of Hydra." She said with a sweet smile, turnign her head to face Hotch. "What else do you know about constellations?" He asked, genuinely curious in the girls interests and knowledge about stars.

 Ivy started rambling about stars and planets and whatnot, until she finally stopped.

 "Oh... My God." She muttered to herself, looking up at the sky. "I got it!" She said rather loudly, before shooting up and running to her room as Hotch was left confused.

 He quickly got up and followed Ivy to her room, standing next to her as she pulled out the pictures that Rossi had given her of the puncture wounds.

 "Look! That's a contellation!" Ivy said, her tone full of excitement.

 "Holy mother of God, you're right." Hotch mumbled, turning his head to look at Ivy, a small smile on his face once again. "Great job, Monroe. That'll be useful for the rest of the case. But for now; get some sleep." He said in a soft tone, as if giving her advice.

 After saying their goodnights, Ivy was walking to her bed, when the door reopened and Hotch popped his head in the room.

 "Close the window. Cold atmospheres tend to make nightmares more vivid and frequent. Goodnight, Monroe."

 Ivy was left smiling like a fool to herself.

 The man who was supposed to be scowling and mean and whatnot, was nothing but sweet to her these past forty eight hours that she had known him for. She found herself thinking about him during the entire night.

 So Ivy ended up dreaming about him.

 And Hotch ended up dreaming about her.

[strixcattus]

STHeroine analysis post number something. I'm covering both the second and third routes we did, since most of the theorising space within the SSpectre route comes from the lead-in, which I already talked about. (There would probably be more if we had a Chapter III. I am just saying.)

The things I can note about the rest of the route itself are pretty isolated. SSpectre's "hair accessory" is dark streaks in her hair rather than a light-shaded attachment like we've seen from other Heroines, which is apparently important but lacks the context needed to know how. My first impression is that the dark color alludes to the Long Quiet, but aside from that there's not much to draw from this.

The other is her reaction to entering the Long Quiet. In the Spectre route, the Princess says, "I think... this is where I'm meant to be." In SSpectre, however, the Heroine says, "It's kind of nice like this. Kind of familiar..." She's seen the Long Quiet before, or encountered some part of what we are.

Both of these align with my standing theory that TLQ and SM merged and were torn apart incorrectly, but neither is strong enough to confirm it, although I can't at this moment think of an alternative hypothesis that fits with what we've seen.

On to WStranger. This one is pretty interesting! Right off the bat, instead of a disjointed mishmash of several possible cabins, we see a pitch-dark cabin with nothing visible save the things we can interact with... and though we can feel various textures when we touch the walls, there's no way to get an image of where we are.

The stark contrast continues with the stairs. Instead of three sets of stairs seemingly symbolising the Harsh and Soft Princesses alongside a branching middle ground that could be the Stranger or the Shifting Mound in her essence (wait, is that the deal with the stairs? woah!), we get... twelve.

Twelve.

Ten sets of stairs clearly represent the ten Chapter IIs—splintered wood for the Razor, suspended planks for the Nightmare, root-covered stairs for the Witch... but then there are two more. The plain wooden stairs match the stairs to the Chapter I basement, but then what of the glass ones? Are they meant to represent us, the Long Quiet? Or the Shifting Mound? Will they appear in the final cabin?

Do they somehow symbolise the Narrator?

If I had to guess, they're meant to represent the Long Quiet, since "shards of glass" and mirrors are both connected to him. But there's no real way to be sure at this point, and it feels like an outlier in the face of each other stairway matching so well to a Heroine. The Shifting Mound would fit... better, but still feels a little out of place with only what we know so far. Likely it will make sense by the end, but as for now...

We also have the stairway poem, and I'll paste the important part in full:

Obsession and invulnerability. Confusion and insecurity. Ire and interest. Cruelty and despair. Perseverance and willful ignorance. At the core of it all, is something that calls for you. Something familiar, and impossibly distant, that you can only think of as—

In the canon poem, the order is Beast, Witch, Prisoner, Damsel, Adversary, Tower, Nightmare, Spectre, Razor, Stranger. It's difficult to tell with only what we've seen, but the order seems to check out in places—"Insecurity" for SDamsel, "Confusion" for a Stranger-like Prisoner, "Willful Ignorance" for WStranger. The one that seems a little out of place is "Despair" for SSpectre, but it could be that we just didn't see enough of her. And the unsaid emotion at the core of everything is identified as "familiar," again implying some sort of preexisting connection between us and Her that didn't exist in canon.

Then we have the actual Wary Stranger, which is by far the most intriguing part. Instead of one Princess who slowly splits into five contradictory entities, we have a single Heroine who switches between different aspects of her being—six in total—only showing one face at a time.

Unfortunately, we didn't get to see much of most WStranger faces, so they're a bit tough to categorise and I can't tell how, or whether, the questions we chose related to the faces that showed. We have a "blank" face that shows up at first, a "soft" one that looks a lot like the original Heroine (or at least the soft one, the only one we've really spoken with), a "harsh" face that follows her, a "scared" face in place of the Stranger's more monstrous aspect*, a "cautious" or "wary" face (that we got just in the nick of time, and didn't speak with enough to really see how she differed from the "harsh" face), and... that face.

*And this is really interesting! In STPrincess, the Princess is usually portrayed as a dangerous figure with power over us as the player—even though in truth it's the player's choices that have power over the Princess—and this is reflected in her "monster" aspect. In STHeroine, we haven't really seen much of a monstrous side to the Heroine, and the "scared" face seems to imply that the appearance of power is in our hands. I'd be interested to see a Heroine who in canon would be an exemplary of an apparent power dynamic tilted towards the Princess (coughnightmarecough), just to see how she differs. Will she seem to have less power over us than she ought to?

That face seems to have given up, stating that there's nothing to do when we attempt to do something and that there's no point in us approaching her.

In short... we have no agency, and neither does she. We have the illusion of endless choice, but when the time comes to do something, we really don't have any options that mean anything.

It seems pretty clear now that, instead of Change, the Heroine represents Agency. She has more independence in Chapter I than the Princess would. When we kill her, we lose our agency. Instead of evolving into countless concurrent versions of herself, the WStranger switches between faces, one at a time. The catastrophic culmination of WStranger is not endless choices branching into endless contradictory variations, but a complete lack of choice that nonetheless ends just as badly. (And the Prince changes too, especially in this route, where he becomes more carefree! We have Change with us, and the Heroine has Agency with her.)

Instead of confusion, the WStranger faces us with anger. I'm curious, to say the least, whether it would have reacted the same way had we not tried to step forward, to do something. It also says, before being taken away, that "there's so much." Is this a reaction to its nature, or to the Long Quiet? Is there more muddling of the boundary between Us and Her than I initially thought? To what degree can we really call ourselves the Long Quiet? How much of Change is left outside of us?

When we face the mirror, we have been "shaped" and "sharpened" instead of having "grown" and "withered." I'm going to call attention both to the verbs and to the use of the passive voice. There's an implication that this has been done to us, rather than being a process we naturally go through, and that we're being clarified, instead of moving through the stages of decay. We are being made into something by a process outside ourself, and this is the surface-level appearance of our evolution.

Before I get into anything Not!Shifty might have said, I want to point out two things.

Neither SSpectre nor WStranger comments on or reacts to the arms as SDamsel seemed to. I have no way of knowing if they saw them and didn't comment or simply didn't see them at all.

Not!Shifty refers to WStranger with it/its pronouns. Not to read too deeply into a pronoun choice, but far be it from me to not read into them at all (glances at STPlay). (I've made the choice in this analysis to use she/her for the individual separate faces of WStranger and it/its for the WStranger as a whole or combined entity, to reflect how they're referred to in-game and also because Strangers are complicated.) This reminds me at first reaction of how the canon Stranger works. In the basement, while separated, she is referred to with she/her, while the Shifting Mound acknowledges the combined Stranger as several entities in one, using they/them when discussing them. This is tied to how the Stranger touches closer on SM's true nature than any other Princess—they are multiple facets in one, and a failed imitation of SM's true form. The Wary Stranger may be similar. Obviously I don't know and won't speculate as to whether Not!Shifty's true form will appear as a shattered mirror, as it does, but it's not impossible that it would. Overall, it may be closer to a singular concept than to a person, in contrast with other Heroines, as the Stranger is closer to the completeness and multitudes of SM. Despite being a conglomeration of six faces, it's referred to as it, not they, which probably is an important distinction to mark between SM and Not!Shifty.

...The Long Quiet was called the Long Quiet, back at the beginning. Are we still Quiet? Is She still Shifting? Is the place we are in formed from stagnancy or chaos? Does it belong to Us or to Her? I don't have good answers to any of these questions.

To Not!Shifty.

She continues with the fabric metaphor rather than the water one of SM, and continues to seem more passive. My memory of most of SM's later dialogue isn't exactly sharp, so I can't pick out too many notable distinctions beyond that.

She has a bit more to say on the "kind" point than SM, expressing that she feels we have been kinder to her than she can be to us.

She acknowledges the Vessels' perceptions of us, saying that they each see us in a limited way. When she says "perspectives," it feels like she could be talking about perspectives on us, specifically, rather than SM's perspectives of reality in general (or possibly our perspectives of her.)

One of the most definite things she's said is her assertion that the worlds we leave behind are ended. I'm not sure, but I don't think SM ever said anything to that effect, at least not so bluntly.

She also says, "All the people in them fade." Is this meant to be taken at face value, implying there's someone out there besides us? Is she referring to our Voices? I have no way to tell.

She acknowledges WStranger as "constantly changing," and that it is similar to her in this way, which may indicate that she contains some part of Change. But as its change is different from the Strangers, her Change may be different from SM's.

When asked what she will be like, she says, "more of me, and more of you." Are we giving parts of ourself to her? Are we truly separate as we are, or was the tear incomplete as well as incorrect? Are we growing as two entities, or as one entity with two faces?

Aside from growing stronger in my convictions that A: the Heroine contains Agency, and B: we and Not!Shifty have merged and unmerged, and possibly gone through all this before as beings with a different point of separation, I feel like I've got more questions than answers to offer in this point. Not that that's bad! Questions are good! And they shape things.

The one new concrete theory I have is that Not!Shifty might be more of a place than we are. I'm not convinced that the Long Quiet—especially not as we know it—is as much a part of us as we're used to it being.

...If we do end up getting Beast or Witch, you guys have to promise me we'll try to find out if there's a Wild-equivalent branching from them. Okay? And no matter what we get, you guys have to promise me we're done with ending in Chapter II. Okay?

[queen0fm0nsterz]

So, if you are accepting any asks, I have a small question.

Who do you think was longer in The Spiral? And which kids were "born" there? Sorry if this is a stupid ask, or if someone already asked it.

Feel free to ignore! I just really like how you analyze and theorize 'bout everything of The Little Nightmares world; you realize things that most people most likely don't notice, and that's admirable to me!

Thank you so much!!! This makes me very happy to hear, I'm very grateful you enjoy my interpretations of the games. Your question is not stupid at all; it's a very good one, and I see there is a few misconceptions about children who are Nowhere born and children who come from other worlds.

I have seen argued that most children we meet must be kids of the Nowhere due to their ability to survive; for example, a child as young as the Toddler was able to survive for at least a while before being snatched away. However this is not an indicator of them actually being Nowhere born.

Noone herself explains how this is possible in episode one of the podcast. Quoting:

"I turned away from the window, which was only a hole in the stone wall of the curved passageway, that stretched on a long ways. This- odd feeling, told me to get up. But I couldn’t stand because the ceiling was so low."

(...)

"That same feeling told me I was lost inside a giant."

They are being guided by this strong instinct. Which explains why children as young as a Toddler can get around without dying near instantly: they inherently seem to know what to do and they are constantly on the move. If anything, children who are stagnant are more likely to be Residents or becoming Residents; they are the odd ones out. Remaining still means certain death, after all, unless you intend to join the Nowhere.

Here's a diagram to show in short who is what based on what we know about the world. The ones with the * are those who are uncertain.

Visitors

These are the most common kind of children one can meet in the Nowhere: the ones brought from outside, either by the Ferryman or from other forces. Remember; the Ferryman is a guide, not the means.

In Episode 3, Noone was pulled into the Mall, an outside force, and in Episode 4 the Ferryman was not present at all. He is not the only way for one to get inside the Nowhere, he's merely somebody with enough power to intercept some of the children coming in to bring them away with him. I don't doubt that his role is incredibly important, as he's the reason why many children even reach the Nowhere alive, but... he's a harbinger of death, no doubt.

All these children are the nameless ones. The ones whose full journeys we'll never get to see: just segments and fractions. We saw the beginning of Noone's, and the end of RCG's and RK's. Nothing more, and nothing less.

The campfire children in particular are highlighted because of two reasons:

The comics were confirmed to be partially not canonical. Obviously not everything was cut from the comics, since the Ferryman and Mirror Man are both physically there and implied to exist, but due to the vague answer we were given, we'll have to take their tales with a grain of salt.

We could only hear two of four stories; as such, only the Humpback Girl's testimony can be counted as her not being a child of the Nowhere. We can attest this because of a few lines given from her friends:

This place is haunted, though, as well as being sealed. Someone locked the mirrors away a long time ago, but! Interestingly enough, they did not break them. Maybe whoever sealed this place away was hoping for someone to come back?

Considering that Low and Alone are also involved with mirrors, I wonder if Mirror Man's abilities are on par with the Ferryman's, meaning he too can cross the bridge between realities. It could be a reason as to why the Ferryman does not intervene until the very end here. This post is not about him though, so moving on!

Nowhere Children/Residents

Now we're getting to the interesting part of the ask. As you can see in the diagram, we only know a few children who are Nowhere born, and of them, only one of them is 100% factual. Let's go through them one by one.

The Pretender was born and raised in the Nowhere. Period. She has her own mansion, pictures with her parents, and on top of that her family at the very least part of the bourgeoisie.

While powers are not necessarily an indicator of one's belonging to the Nowhere (if Low's powers are of any indication), the Pretender herself has quite the number of supernatural abilities that seem to have been present since her youth, making it hard for her to form meaningful connections with others. She's a very lonely child. This means that these powers most likely developed from her naturally rather than being acquired from the outside, like Six's and possibly even Low's.

(Even then, one can make a small argument to counter with Six developing a small power of her own... but there's a reason as to why I set her aside from everyone else.)

Now, here's someone a lot more interesting to discuss (both on this topic and in general): Mono.

He's a real special little guy. Taking into context the etymology of his name, the meanings we get always tie back to the idea of there being one of him. A single, unique little boy. Looking at the descriptions we were given of Mono, we can find out some more about him and his backstory:

Interesting as this is on a character perspective, what I would like to direct your attention on here is the mentions of the world. Here, it's mentioned that Mono is aware that the world outside hates him. Being a single minded child living in the Nowhere this makes a lot of sense; what is interesting here is the wording.

There is never the mention of "another world" in Mono's descriptions, unlike Six's descriptions in which it is directly mentions her not originating from the Nowhere.

For Mono, it's not a world: it's the world. Almost as if there is no other world he knows by now.

His nature is also rather unique. You see, Mono is a glitch. Not in the traditional Glitching Remain way, but still not entire enough to be considered a human being. For one, he quite literally glitches multiple times: we see it happen everytime he is near a Remain and is about to absorb them, whenever he gets too close to the Thin Man, he even glitches as he channels his powers to use them.

The Thin Man causing him to glitch is especially interesting because when he motions to grab him, Mono does not split in two like Six does. There is no body to be left behind: instead, he flies into Thin Man's hand and you can visibly see his body go both entirely glitchy and instantly limp.

(You can see it for yourself in this video; pay attention to him struggling when other enemies grab him vs how quickly he stops moving as soon as the Thin Man gets his hands on him.)

This indicates his nature as not being human the same way Six is, for example, but rather a product of the Nowhere. Due to how his cycle works, this makes sense: for the Tower to have a continuous of energy supply and access to the power of the Transmission, Mono needs to live through this experience over and over for as long they deem fit. This could also explain some other odd factors of his, such as not having to take a break when running and his almost grayish skintone.

While it can be argued that at the beginning of this whole mess Mono was a Visitor rather than a Resident, at this point in time many factors point to the version of him we play as being a Nowhere child.

The Refugee Boy is, as for the campfire kids... complicated to expand on due to the dubious nature of his story: nevertheless, I will still bring forth my evidence.

When the children begin telling Six their stories, the Refugee is the first to narrate his tale and he begins doing so by showing her a memento of his previous life outside of the Maw. This comes across as being peculiar on its own as no other child that we know of has anything of the like.

As you can read here, children in his village are given charm against the North Wind that one day suddenly stop working. This implies that, unlike the Mirror Man, the North Wind has always been a tangible threat looming over their birth land.

It could be easy to chalk this up to N.W. being a local legend where the boy used to live and he had a nightmare about him, but it is then mentioned that he and his sister have been running away from him for years. Much longer than any of the dreams Noone ever had.

This was a long pursuit. We know thanks to the LN III trailer that "normal" looking adults and cities existed in the Nowhere; this explains away both the Refugee's village existing and the other groups of people that chased them away when they brought around the North Wind.

While this evidence is good enough to stand on its own, it has a couple of points against it, which is why I marked the Refugee as "unsure".

The narrator could be considered unreliable. In this same screenshot I added right above, the narrator states that the siblings were welcomed everywhere, but we can visibly see them be chased away by the villagers. This can be interpreted as meaning "they were originally welcomed, but when the North Wind arrived as a consequence, they were chased off", but we don't have enough substance to back this up.

^ Supporting the above take, the narrator also says that the children have been running for years, but we visibly see that they remain the same during all this time. The sister not changing makes sense as the Ferryman has taken her place, but the Refugee also doesn't change at all. We don't know how fast time passes in the Nowhere, so it could also be attributed to that, but it must be mentioned for fairness' sake.

The Refugee's words: I'm not running anymore. This sentiment has never been echoed before, nor will it ever be echoed again. As I said earlier, being stale in the Nowhere only leads to two things: death or permanence. His surrendering could indicate that he has chose to remain in the Nowhere after being stuck in it for a long time, thus becoming an official Resident. If this is the case, he could classify as a "Visitor turned Resident".

With this, I suggest we move on to our last and currently final segment:

Visitors turned Residents

This one is an interesting breed. We don't get to see the act of a child turning into a permanent part of the Nowhere all that often; Noone could count as that, but we don't yet know if she ultimately decides to be still in the Nowhere or if she'll regret her choice.

We do have the most importantly character of this narrative as an example to this, however.

Six, my dearly beloved... what a terrible path she's gone down to. I have already displayed the evidence stating that Six is from a different world than the Nowhere up un Mono's section so I won't dwell on it.

Thin Man splitting her in two is what doomed her and, as hard as she tried to fight it, her trip to the Maw was the nail in the coffin. No matter how far away from it she gets: she will never be free from the influence it had on her person. When it comes to the LN I ending, this is what the writers had to say on it:

(From this interview. It's an interesting one; they also confirm that the Signal Tower and the Maw were not places that were "built" but that exist for various reasons, which supports the idea that they are entities rather than buildings.)

I think Six is not leaving the Nowhere anytime soon. If at all. She might have left the Maw, but at this point, she's ventured too far in to turn back to the person she was before. To think none of this is even her fault is saddening, to say the least, but horrifically realistic.

Sisi... is an incognita. I've only put her in this category to be fair, since we don't know anything about her. There is a possibility that she has grown up to become a Resident, but it's just as likely that she may have died off somewhere, like many others before and after her.

I will not be dwelling into the adults for now, but we do have reason to believe that some of them are most definitely Visitors turned Residents. Most notable is the Lady who, in her character description, directly expresses discomfort with how nonsensical the Nowhere is － a sentiment only someone who knows alternatives to it can have.

It also indicates a surprising level of self awareness to some extent; most Nowhere inhabitants do not question the nature of their world, not even important and powerful beings like, say, the Thin Man.

I hope this answers your question!

[itstimetotheorize]

Little Nightmares 2 Foreshadowed in Very Little Nightmares?...or something worse...

Of all the secret rooms to be uncovered within Very Little Nightmares, there has always been one room which has garnered a lot of attention and question, it’s the room where we find  the broken eggs and a single functioning tv hanging from the pipes, above a single baby bird. For the longest time, many theorists and I couldn’t help but wonder what this room in particular had to say about the lore of the Nest.

by analyzing the room we see the following:

-broken eggs with the yolks spilled out

-a  functioning tv

-a single living baby bird standing underneath a T.V. ,which is suspended from a rope tied around a pipe. The rope around the tv is dangerously close to breaking it’s last thread, dooming the baby bird to be crushed the moment the T.V. falls on it.

-wallpaper depicting eyes all around the room

-a single dead adult pigeon

-numerous locks on the door

-a secret passage leading into and out of the room through the vents

    At fist, it was believed this room was meant to be some sort of foreshadowing for Little Nightmares 2 as the room presented eerily similar characteristics to the room the Thin Man was trapped in within the Black Tower. The T.V. emits a blue/purple glow similar to the towers hypnotic transmission, but then again...all the T.V.s are like this. The walls are lined with eyes similarly to the flesh eyes which hide behind the walls of the tower, but then again... it’s not uncommon to see the walls lined with eyes, we see them all over the place in the Maw, the Nest and the Pale City, either as wallpaper or drawings, it was as if they were set as a reminder of the eye entities constant watch, presence and influence over the residents of the world .

     Many theorized the dead older pigeon might have symbolized the Thin Man and his final fate, while the baby bird was left to represent Mono as the now younger inhabitant of the room. However, there was always one little detail about the room which made I, and many theorists, question everything...the door. The door is locked, except, upon closer inspection, we realized...it was locked from the inside. 

      Now, what does this mean exactly? it means there was once someone who inhabited the room, someone who could leave if they wanted, which did not fit into the lore of the Thin Man as we analyzed the Thin Man as a prisoner within the Black Tower, leaving Mono as the only person capable of opening the door from the outside in order to set the Thin Man free.

    But if the room in the Nest was not meant to represent the Thin Man inhabiting the Tower, then could this potentially mean there was another inhabitant of the Nest within this isolated room?...maybe, but if so, then...where did they go? and what was this room to them?....unless....what if this room was no ordinary room...what if it always had a simple purpose, we just couldn’t see it at first

     Whoever resided in this room was someone who had the capability and paranoia to lock themselves inside such a small space on purpose. Based on how isolated the room is, as well as the series of locks which can only be accessible from the inside, its almost as if this room was... a safe house/panic room inhabited by a resident of the Nest. However, knowing what we know now about the world and the eye entity we theorized is responsible for it’s ongoing downfall (more here), it would appear as though the inhabitant of this room might not have been able to obtain the safety they wanted.

   We have always theorized the people of this world felt the effects of the eye entities influence corrupting their minds in a slow and ongoing process. The first sign of its hold on a person was theorized to be depicted by the persons sudden and unknowing desire to draw or incorporate eyes within every inch of their surroundings. In this case, the inhabitant of the room might have had the sudden desire to incorporate eyes onto the rooms’ walls as they felt the eye entities influence corrupting them.

However, considering the locks within this room are still attached to the door and locked in place, it’s almost as if the room was set up to tell us something happened to the inhabitant, while they were still in the room, but what?, unless...what if the room already gave us an answer? 

       Upon closer inspection, many theorists and I began to realize the peculiar presence of the single T.V. within the room, now, what was so bizarre about it? Well, this T.V., which was dangling from a pipe on the celling...was not plugged into any electrical source...so then, how was it able to stay in power?

And of all the things which could be in this room, why was there a  T.V. dangling from such an obscure location?...then again... we have seen this kind of thing before, all over the Pale City. When we traveled through the Pale City in Little Nightmares 2, the one thing many of us took note of was the various TVs in obscure places. We saw TVs hanging from the edge of balconies, clothes lines, through multiple broken floors within a building etc., but the most bizarre thing noted about these TVs, was how many of them were not plugged into any electrical source, yet they still remained in power. 

      Based on the bizarre locations of some electrical cords, such as the one in a viewers apartment which extended from underneath the toilet to the electrical outlet on the wall, and upon discovering the T.V. in the apartment had short circuited the moment the Viewer touched the electrocuted water, we had theorized the Pale City harbored abnormal T.V.’s which were not only capable of extending their electrical cords to the nearest source of power, but remain in power no matter where they were located.  

As for how these obscure T.V.’s came to be, well, we've always theorized the T.V.’s within the Pale City were being produced by the one thing which connected all the chaos seen throughout the Pale City...the Black Tower(aka, the part of the eye entity which manifested in the pale city, more here), all of which was theorized to be for the simple desire of expanding it’s reach to obtain more and more victims.

            As the tower strengthened, we had realized there eventually came a time when inhabitants of the city could no longer escape the hypnotic transmission by simply removing and destroying the T.V.’s in their homes, because as the towers strength peeked, so did the threat of the T.V.’s. At some point within the Pale City, the T.V.’s began to appear anywhere and everywhere, wherever a living being could be, even as far as the Hunter’s vast empty wood fields.... and maybe even... farther than that. These T.V.’s scattered all around, may not have just remained in power by some functioning electrical source, but by the one thing which connected all of them, the very thing which manifested them in the first place, the Tower itself.

    Where am I going with this?, well, if the Tower was responsible for the manifestation of the many T.V.’s in the Pale City, if it is truly able to extend its reach to manifest even more T.V.’s in places as far as the woods, then,...who knows how much farther the tower was able to manifest its televisions as its transmission continued to broadcast farther beyond the city...maybe even...as far as the Nest? 

      We have always theorized the Nest was within distance of the Pale City, hence why a child like Six could have survived a journey overseas the moment she boarded the plank of wood at the bottom of the mountain (near the end of Very Little Nightmares), repurposing it as a small raft . If the Nest was not to far from the Pale City, then this meant it could still more or less receive the transmission the tower was broadcasting.  

   How do we know for sure it was?, well...In the Nest’s playroom, there was a drawing of a tall man wearing a hat, this drawing could have been of anyone, the Pretenders caretaker, their father, someone else she knew?...or maybe it was of someone she saw, not in person...but through the T.V.’s. 

Was the drawing we saw in the playroom...a drawing of the Thin Man?...honestly who’s to say...then again... if Mono had already defeated the former resident of the black tower around this time(more here), and if he had truly been forced to repeat his loop a number of times long before meeting Six(more here and here), then maybe...just maybe...his all to familiar silhouette we all saw walking out of the T.V., back in Little Nightmares 2, may not have been just for our viewing pleasure, in other words... who’s to say his silhouette wasn’t broadcasted throughout all the T.V.’s each and every time he escaped the tower and/or traveled through the T.V.’s. 

We know one of the Pretenders activities is watching the numerous T.V.’s in her T.V. room, but with all the T.V.’s in the Nest displaying the same static noise, who knows what more she saw through the screen....and who knows what more the transmission could have done by reaching out to places as far as the Nest.

  Perhaps it wasn’t all to strange to find a single T.V. dangling from a pipe within that bizaar room of the Nest,...because what if it had to be a T.V. ... because unlike everything else in the Nest, it was a T.V which had the capability of appearing anywhere and everywhere... providing the transmission through its screen, trapping anyone who gazed upon it, including whomever resided in the room. 

(pause for break)

    But if the Nest was truly receiving the towers broadcast, then could it be the T.V. we saw in this secret room, simply appeared the moment it’s inhabitant decided to isolate themselves from the rest of the Nest?...maybe. 

       If the T.V. had truly appeared in the room and began to warp the inhabitants mind just as it had done to many others within the Pale City(and around the world) through the transmission, then one can only imagine the events which transpired as this person slowly, but surely, began to lose their sanity and their connection to reality, until finally...  they became lost, fueled by whatever corrupt desire/base instinct they latched onto, evidently becoming another Viewer or Resident of “the eye entities” world, the only question is...what did they become in the end?

   Residents of the world, like the Teacher, the Chefs, the Doctor, the Lady etc. may move about on whatever desire/base instinct that fuels them blindly throughout the world, but they are still able to function enough to not leave themselves trapped in a room, they can traverse throughout whatever building or location they are in. No, based on the various cracked eggs and dead pigeon, its almost as if there was a very sudden, and very major struggle.

       Now, if the inhabitant of this secret room had truly been ensnared by the transmission, if they had instead become a Viewer, then... why weren't there any clothes or items left behind in the room? what am I talking about? well, we have always theorized the Viewers bodies were sucked into the T.V.’s, the only thing left of them were the clothes they once wore, in the exact spot they once stood. 

However, there were no clothes in the secret room, so what could have happened to the inhabitant of the room if they became a Viewer?...unless...what if “the girl in the yellow raincoat” already gave us an answer. 

         When a Viewer is entranced by the transmission, they do not feel compelled to move away from the screen, they just stand there, hypnotized and pacified by the wonderful word it offers them, leaving their true surroundings to remain untouched and wither away. If anything dared interrupt their focus on the T.V.’s, they would face the Viewers wrath....but what would happen if there was nothing to watch? Every single T.V. seen throughout the Nest, does not display any form of content, its all just a bunch of staticky white noise...but that’s exactly it isn’t it...there was just nothing to watch, and if there was no content, then this would mean the transmission was struggling to broadcast to all the T.V.’s, which would essentially give way to the same situation surrounding the Viewers in the Pale City.

    What am I talking about? well, in the Pale City, we discover many Viewers are able to act berserk if there is no functioning T.V. nearby. One Viewer who fell through the roof, smashed their head in the nearby T.V., however, this T.V. was not in power and did not provide the transmission to pacify the Viewer in order to prevent them from smashing their head through the screen.

 The Viewers who pursued Mono in the grocery store, were discovered to no longer be pacified by the T.V.’s the moment the Thin Man was set free. We additionally discovered the Viewers in episode 5 of the Little Nightmares 2 comics, caught the Ghost child the moment the T.V. shut down (situation in episode 5 was similar, but a little different, more on that here).

 What does this mean exactly? it means whomever resided in this room may have exhibited the same behaviors as the Viewers who chased Mono and attacked the ghost child once their T.V. failed to provide the transmission. The inhabitant of the room, may have gone berserk, lashing out at anything nearby, struggling to find some way out to search for another T.V. that could provide them the transmission once more, until finally...they found a way out...through the vent the “Girl in the yellow raincoat” discovered long after the room was finally left empty. Due to the location of the vent and the position of the vent cover being left leaning on the wall, its almost as if someone, some poor unfortunate child, had the misfortune of opening the vent and freeing whatever or whomever resided inside the room.

Is this why there was a dead pigeon and numerous broken eggs?. Had the pigeon made the unfortunate mistake of nesting in this room and disrupted the Viewer which resided inside, then the pigeon itself, along with its numerous eggs, would have suffered the wrath of the Viewer. The only egg to survive, would have been the one egg it incubated, the only egg which had the fortune of being nested under the T.V, providing it the advantage of remaining in a safer position as the Viewer focused its attention on the broadcast rather than the egg which laid silently below, ready to hatch at any moment, but ultimately facing the cruel fate of being born under a dangling T.V. hanging by its final thread.

Now, had this inhabitant(possibly Viewer),  left through the same air duct the girl in the yellow raincoat found, then...where are they now? there were no clothes left in this room so they couldn’t have been sucked into the T.V., meaning they must have gone somewhere else. Then again, if this Viewer had truly escaped, then odds are...it could not have gone far the moment it encountered the Residents of the Nest. We have never seen a Resident and a Viewer interact, but perhaps an interaction such as this may not be so different to the Guests of the Maw and the Residents who cater to them. In the Maw, the Residents do not care for what happens to the lives of the Guests, their only purpose is to eat until it is time for them to be drained of their life force by the Lady of the Maw to sustain the Maw and keep it thriving, then use their bodies to feed to other Guests and help the Maw continue to grow. 

    Because the Pretender is as short tempered as she is, then one could only imagine what she could have done or what her staff could have done had they encountered the inhabitant of the room wandering the Nest. Nevertheless, we can be certain of one thing, no matter who they were or what they did, if they had truly managed to escape from the confines of their tiny room, their fate would have been anything but merciful...but hey!, its just a theory...a Little Nightmares 2 theory!

[chorusofkhonshu]

Little Nightmares Fanfic Server

Just wanted to post this here and see if any tumblr people wanted to join. Already quite a bit of people in here. Most I am sure you'll know if you've ever read from AO3.

[cheshiresartblog]

Nightmaretale AU

I’ve been having brainrot concerning Undertale lately. It’s mostly cause of the fact I’ve been watching Deltarune theories rip. 

I love Little Nightmares and I’ve been having the thought about what if the Frisk came from the world of Little Nightmares. The Monsters wouldn’t be effected by the signal tower or whatever because of the barrier and they’re underground. Frisk just....seen real monsters. The Monsters of the Underground aren’t true monsters to them probably. 

Idk. It’s just a little thought of mine. 

Also yeah, I edited Frisk into a screenshot from Little Nightmares II. I was thinking they’re from the Pale City and headed the opposite direction of Mono and Six. So they’re heading toward the Hunter’s Cabin and not away from it. 

Also I know I forgot a word at one point in here, but I’m tired and too lazy to fix it rip. 

[khaleesiofalicante]

Well, that was some plot twist, can I just say that Cami and Antoine were the real MVPs of this chapter? I loved every single thing they did and said in this chapter and I really really hope we see more of Antoine and Abigail, they are the only sane couple of this story (at least for now).

But I have soo many thoughts!

Most of the next generation, especially the kids you chose, to live in the same building has got to be one of my favourite plot twists. I'm shooketh. This has so much potential. Regine and Arthur? Kincaid wooing Arthur? Kincaid and Joan training and Arthur with Regine thirsting after them? Regine working through her feelings and becoming a better person? Lance witnessing Kincaid being a decent person and maybe being somewhat similar to him? Them hiding from the adoring crowd to a closet or something? Theia and Kincaid being amazing siblings in law? That storyline is a major game changer and I'm thrilled to see how you'll explore it!

I love love love Gwen and I'm so glad she's back! And telling Lucifer to respect Lance? Queen behavior right there

Does every Knightstorm have to be a bigoted nightmare? Blood supremacist, homophobe, what's next? No offence Mikkel but we have enough problems to worry about without you trying to create a cult. On a side note, super stoked to see what happened to him and Hermes. I have a feeling they used to be close? And most likely it was platonic but maybe a little romantic too? Maybe?👀

Here are some things that feel like they're connected (but probably aren't): 1)Theia mentions in LBAF 5 that she "sees" Lance dating a mundane blonde girl, like a Barbie girl, which reminds me of Regine 2)It's been mentioned a lot that Regine/Lance were going to be married/parabatai by Madeleime when they were kids a lot 4)Arthur sees Lance with a parabatai rune. I honestly don't even have an actual theory about this, those things just seem to connect?

Speaking of the parabatai rune, if Lance and Arthur don't end up becoming parabatai(I can see Atlas figuring the runes problem) Kincaid and Lance kind of make sense? Not because they are close but because parabatai are supposed to share a soul. And both Kincaid's and Lance's soul is Arthur. So, in a way they're already sharing a soul.

Another crazy theory: The prophecy isn't talking about Lance/Kincaid but about Lucifer/Micheal and Lance and Kincaid clash is just the beginning of the war between the other two. Or when Kincaid burns Lance, it would destroy the pandemonium but Lance would live, and it would be the prince of darkness' demise because he would no longer be a portal? Or even that it would destroy Lucifer and not Lance? Can Kincaid use heavenly fire to hurt Lucifer?👀

I was so convinced that Joseph would come back I just had a feeling! Oh, I can't wait to see his interaction with Madeleine and how he reacts to what he hears everything she has done. I can see Madeleine believing that it's not really Joseph or at first believing it and after he tells her what she's doing is insane, her being convinced it's a ploy by Lance. But that means his death is a canon event 😭

I am DYING just picturing how the conversation between Max and David planning the trial went. How they came up with using the alliance rune. That would've been an amazing scene, I love these two

Okay, while it was very in character, the Lance/Max interaction I didn't like. Because I feel like Max should have listened to Lance. He was the only person Lance would've told the actual reason to. The only person that could assure Lance that what he did was pointless. He did the same thing with Magnus in LBAF II and the "I hurt the people I love so they should stay away from me" mentality Lance has adopted screams Max so he really should've heard him out. Because it wasn't a "bullshit excuse" it was an actual reason that makes Lance feel bad about himself. And Max had an opportunity to comfort him and ruined it. But Lance needed a good whooping. I hope he talks to David about this. Let David do the comforting part.

Lance being happy about Arthur breaking up with Kincaid, while completely understandable and in character also feels wrong. He should've asked, because Arthur is so terrified and when Lance shut Theia out it was because of very similar reasons. But he wasn't alone in it. He had Gwen and Arthur. Arthur is alone. And he doesn't deserve that. And for a really long time he chose it. He hid it from other people. But now they know. So they have a say in it. To question, to help , to support him. They have an opening now and I really hope they take it. David asking why Arthur broke up with Kincaid made me so happy. I really hope he questions Arthur a little deeper about it. Because Lance and Max won't. And I get why. But someone has to. David really is holding them all together isn't he?

Every other villan in this story doesn't hold a candle to Lucifer. The guy is not here to fuck around. He kept to the point, he didn't have unnecessary dramatics. I can really see why he is considered the smartest out of all of them. Again, he DOES NOT fuck around. And that was crystal clear when Lance said he hates feeling unwanted and Lucifer made it sound like he doesn't want him. He used his insecurity against him and whether he meant it or not it was a very strong start for him to manipulate Lance. Never underestimate Lucifer indeed.

On a happier note, a small reminder that this isn't the first time Lance gives Theia flowers! But it's the first time they reach her-bad Kincaid

I live in Dream Denial Daydream world. It's like Barbie's world, except in this world all the good guys that came back to life can stay with zero consequences and only the assholes have to return to the dead. Some of them sooner than others. Pwease🥺

The Magnus changing the canon event- his dreams going away- Max treating Alec like that are things I have locked away in a little box and I refuse to revisit them until we get to LBAF 7. But Magnus not having these dreams makes me super worried about Other Magnus and the epilogue will probably let us know about what happened. I am so scared about that🙃

I can't believe that we are getting to the end of the first part! It was a wild ride and I loved every minute of it. Anxiously waiting for the epilogue and then it's back to Mavid fluff, I can't wait🥰

AHHHH LBAF ASK FROM VICKY. HEHEHE I LOVE THESE.

Cami and Antoine are indeed the MVPs. Really out there doing what needs to be done. We'll definitely see Antoine and Abby more...Maybe on a double date 👀

This is one of my favourite things about the next season (yeah I am saying it now too). I've been waiting to bring them all together. There's just gonna be a lot of bonding and I'm soooo pumped about it hehe.

Gwen, we missed you 🥹

Knightstorms being cunts, who else is surprised? Hermes and Mikkel is platonic I swear 🤣

They are not connected hehe. But then again I lie all the time so who knows?

Lance having a parabatai is hilarious to me idk why he'll be like "tying my soul to someone ew" But i'd love that for him

I've heard this theory before. I must say it's quite popular 👀

I remember when Joseph died, I let it slip that it's a canon event, I'm glad none of yall remember it kdjnkjsnjkdcs

I NEED A ONE-SHOT.

You're very right about this. It's in character, but it's also not the sensible thing to do. I feel like Other Max would've handled this before (he thinks with his head whereas Current Max very much still thinks with his heart)

Same thing. In character, but like bro why did you do that? I think Lance might have been too relieved to think too deeply about it. But maybe he'll start noticing how the break up affects Arthur? When mavid find out Arthur broke up with Kincaid, Max asks 'when' and David asks 'why' - a small hint there that David is indeed worried and doesn't understand why Arthur would do that. Hopefully they'll have a chat.

Lucifer 🫡

YOU REMEMBERED!

Wouldn't that be nice oof

Yeah all of it not good. very bad. terrible.

Wild ride is definitely right. Thank you for sticking with me through it 🥹🧡

[smolsix]

im back im back and im looking at the footage in this massive post WEE HEE HEE!!

no fr it's a long post

i went onto the website and Low is the boy in a mask and Alone is a girl with the wrench.

starting w the trailer

you can see Low here by himself which is interesting, in single player it makes sense to have one character before you meet your AI companion but I wonder how this could work in multi

Low is also by himself here, before the next scene where he meets up with Alone. So Ig Low is travelling and ends up with Alone.

In the trailer when it shows the busted mirror you can hear the ticking noise that is so well known in LN II for the section where Mono transforms into a new Tall Man (no i still do not believe in the time travel theory and I will not debate it < 3)

A NOME!!! ON THE LEFT!! while it makes sense emotionally that they are here (they are so little nightmares after all), logically it does strike me as curious. It was The Lady who turns children into Nomes, so either this one is just here (i know there's at least one in LN II) or other people can have this power?

Also it's curious they're holding a paper, wonder what they've found? Wouldn't it be insane if it was another advert for The Maw haha (in all likelihood it's probably a map of some sort since their goal is to leave this place, but it can also just be part of the trailer and not gameplay just to give us a better look at the characters)

the little umbrellas fiNALLY made me realise why the art direction feels so different, it's very tim burton. little nightmares could be considered as such but different enough because it lacked a lot of the whimsical aspects of tim burton's designs, but these have some charm to them that is whimsy enough that it is set apart. Anyways, the umbrellas are cute and i am guessing they auto deploy rather than you being able to use them whenever. I wonder if they're visible at all on the character's designs? since both characters have matching ones, do they get them somewhere? make them? i am interested in where they got these haha

also i noticed a lot of netting for this region, i know it's a desert style location (the website even mentions a fair park section and i am BEYOND excited for that because i LOVE clowns and circus stuff)

this particular puzzle is shown a few times in the trailer so they must be quite proud of it (i mean it is cute and i like it haha). i am guessing this is part of the fairgrounds section, as it did feel out of place in the trailer but would make a lot of sense for a location like that (it is very colourful which is pretty new for the series)

Also Low has this cute lil anklet omg

there is an axe here! i wonder if it dislodges when you solve the puzzle. the eye motif is back as it should be, it's very LNcore of them. im guessing the green thing is a giant crayon? being a too small child in a location made for children is a fun concept and furthers with the theme of subverting childlike concepts into something a bit unnerving.

initially i thought these were guests, but looking at the area more closely and now that i know there's a fairgrounds, these are probably The Dwellers and this is probably the fairgrounds.

ofc, we have the sewer hands. they are self explanatory honestly. but i can't help but wonder how they function in game as an enemy. i can see their surprise jump scare factor, but as an active enemy to avoid it does have me wondering how they will work.

the fuses are back! and there's the roaches. you can see Alone with her wrench out here, wonder if it's part of her idle or run animation at all? it could also be because Low has the fuse so she has her wrench ready for whatever reason. I want to say she could possibly smash roaches, but there's so many here I think it'd be impossible

strange thing in the back there........ the gears are cool though, wonder what they're powering?

these shelves are much like the ones in LN 1 in the swaying gnome section of the DLC i mentioned before, it's cool they brought these back as they're very reminiscent of the first game in general. But the jar is very LN II of them.....

I know I keep making comparisons between I II and to III but I honestly do believe the studio is bringing back a lot of motifs, imagery, items, and assets on purpose specifically to feel familiar enough to the audience who has played the first two and might be uneasy about the somewhat new art direction.

also very LN II of them~~ but this could be a carriage like from the fairgrounds? So far the trailer seems to be going in order of locations, though, so who knows.

i wonder what location this could be? And why is Lone able to use mirrors like this, and why is he only doing so now? He also travelled here alone, so I'm super interested in his backstory.

so i was surprised to see the website explicitly call this a giant baby and not a doll when it is very obviously one. unless it is a giant baby wearing a doll head?

the left eye (our left) also clearly has the ability to petrify people, too. the baby itself is very worn down so it's either quite old, or has simply seen a lot of damage. im guessing at one point its other eye also functioned.

this is VERY interesting. these statues of petrified people are larger than the MCs meaning they were probably adults, so the baby really does target anyone probably. it's also strange as these people look... normal? there's nothing going on with them, they are simply petrified. it paints a picture where it's possible that at one point, the little nightmares world *was* normal, and something happened that warped the adults. it's possible the giant baby is man made itself, idk what it is but it feels that way to me. i dont think it was just... born like this.

literally no idea what this could be about. i know it looks like a trash dump but i can't tell for what if anything specific. why the table with jars neatly placed on it? why the giant machine? initially i thought it was like a machine that'd scoop things and then drop it, but it looks like a chute which means something or someone is filling it somehow.

if you watch the animation for this part Low is pulling Alone who stops him and then lets go before they look at you, it's probably a simple animation but it'd be interesting if it told us anything abt their dynamic.

and then from the additional gameplay footage:

we have the eyes returning < 33 tho they do look different-mostly the peep hole is more narrow giving it a more threatening look (pupils become smaller when someone is angry for example)

[dalek-ix-writes-stuff]

Red Ruin - INTERVAL 02: FIRST ENCOUNTER (Part II)

Yang occasionally remembered the first time she met Harlan Wade. It had been shortly after Summer died; Dad had completely collapsed, Yang herself barely struggled to hold on, and Ruby had gone from an almost normal little sister to something else. In fact, it had been immediately after… Well, the incident with the beowolves.

Being that she was ten at the time, Yang hadn't been told exactly how Harlan Wade had come into their lives; only that Harlan Wade, Dad's and Qrow's and Summer's and Her old teacher from Beacon could help them. That he knew what was… What was happening to Ruby.

The former professor of Beacon Academy had invited them to his home. He first spoke to Dad, and whatever was said behind those closed doors had shaken Tai Xiao Long enough that he still didn't want to speak about it, although Yang could take a few guesses.

Then Harlan spoke with Yang.

Harlan Wade had stared down at her from across his desk, looked Yang in the eye, and, not caring that she was ten at the time, spoke of the things that had begun to happen since Summer died. The hysteria and terror at invisible monsters. The nightmares which would make Ruby scream in a way that made Yang’s blood turn into ice. The whispering that seemed to follow her little sister, speaking terrible things to those around her. The sense of something being horribly, horribly wrong…

Then, his voice cold and hard, he began to talk of everything that was yet to come. He spoke of nightmares being set loose in the waking world, of red-rimmed shadows tearing at wood, stone, concrete and metal as if it were nothing. He told her of Ruby looking at her as she would a monster, a thing born of her darkest thoughts and deepest fears and most hidden secrets. He told her that Tai and her would find their minds pulled in certain ways, that rage would come at them without warning, fear would sink it’s fangs harder, grief would drag them deeper and deeper…

He spoke to them like a prophet of legend, speaking with such an apocalyptic certainty that it was almost like he was remembering the future.

(Or, in this case, as if he were simply remembering. Again, Yang had a few theories.)

Harlan had asked Yang a question when he was done. Maybe it would’ve been a complicated question for other people, but for Yang it had been very simple.

“Are you going to take care of your sister?”

After all, there was only one answer.

And so, Harlan had told Yang how to best take care of her sister. She wouldn’t lie and say that some part of her hadn’t resented the man for telling her how to do what she was already doing, but she grew to appreciate the tools and advice he’d given her.

(It would be another lie to say that Yang didn’t like Dr. Wade himself, in a way. Oh, the man was an asshole through and through, but there was an honesty to dealing with him. He didn’t bullshit you, or coddle you, or try to convince you that everything would be fine. And yes, he kept more than his fair share of secrets, and Yang wasn’t stupid enough to believe that him coming into their lives had been a coincidence, but when it came to the things that Yang actually cared about, he’d been straight with her since day one.)

One of the things Harlan had taught her early was how to treat a close brush with Ruby Rose.

Step one: Distraction.

"You know," she drawled, "You look a lot taller on television, Ice Queen."

Weiss, who had been staring at the middle distance for a moment, blinked.

"… I beg your pardon?"

"Yeah," Yang continued, gleefully ignoring the tone of voice, "I kinda figured you’d be somewhere around here,” she gestured somewhere a couple centimeters over Weiss’s head, “and that’s with the heels, mind you.”

Weiss blinked again, and Yang could almost see the heiress’ train of thought being sent off a cliff. She counted down in her head. Five, four, three, two-

“I’m not- I’m not short!” Weiss snapped, “I am of perfectly average- where did that even come from?!”

“Just an observation, Ice Queen,” Yang drawled, in a tone of voice older sisters had perfected over generations to be the most annoying.

“And don’t call me Ice Queen.”

“Right, my mistake, Princess.”

Weiss straight-up glared at Yang for that one. Yang just smiled back; she was pretty sure Weiss could scatter people with a look, but she’d grown up around Ruby Rose.

Weiss kept up the intimidation for a little longer, and then slumped in defeat, turning away.

She muttered something under her breath.

“Hm?” Yang went, “You said something?”

Weiss gave a sharp exhale of breath; a noise equal parts frustration and exasperation. “I said, at least it’s not “Schnee”,” she told Yang, voice flat, “I’ve had enough of that for today, thank you.”

“Oh.” Oh, right, Weiss and Blake’s little partner spa-

Wait.

Oh.

Oh.

Yang ruthlessly suppressed that from reaching her face, along with the urge to facepalm for not realizing that the moment Blake showed her her ears.

“Yes, 'Oh',” Weiss said, with more than a little bitterness in her voice, “I imagined I’d managed to outrun my name in Vale, but, apparently, I was wrong.”

The heiress sighed. “What bothers me is that I can’t seem to figure out why she’d be so angry with me,” she said, with such earnestness that Yang was shocked it didn’t cause her physical pain. Some of that must’ve shown, because then Weiss added, “And yes, I know my family has made more than its fair share of enemies along the way, but most of those are in Atlas.”

And the Faunus Quarter, Yang added, and Menagerie.

She wondered if this is what Ruby felt like when she had to keep one of her psychically-acquired secrets

[thebeetleball]

sorry need to be abnormal over my favorite horror game rq since its the sixth anniversary. the first little nightmares' ending is the opposite of the prequel's but it's still just as grim and i'll die on this hill.

specifically, i'm thinking about what tarsier posted in celebration of the anniversary and how they captioned it;

getting thus out of the way right now i do Not think six is the lady, i think that theory only ever came to be because of the thin man and mono's situation and if you hold it up to any scrutiny it falls apart, but i do think they're deeply tied to each other in a more . symbolic way? i do not think six takes the lady's place at the end of LN1, i think she escapes from the maw and leaves it to rot, as it deserves, but she doesn't really leave it. 

as the game progresses, six's hunger drives her to eat more and more disturbing things; bread, raw meat, a rat, a child, and finally the lady herself. not only that, but her musical cues changes over the game as well. there's multiple different tracks for hunger and six's own theme undergoes a dramatic shift, with part I being droning instrumental and quiet, nervous humming, and part II having a more upbeat hum contrasted against overbearing an brass instrumental, in both tracks the humming is eventually either cut off or drowned out by the music. in the comics, there's a repeated theme about six not knowing who she is, most notably the hunchback girl's line about how you don't know what you'll see if you look in a mirror.

there's an emphasis on change and not knowing yourself when it comes to six, and it confirms for me that despite their endings being tonal opposites, both of the little nightmares games are about cycles; just in different ways.

LN2 is about a little boy who wasn't able to escape a cruel, abusive environment, and eventually grows up to be another bitter adult, another cog in the machine. LN1 is about a little girl who was able to escape the environment that harmed her, but not without taking a piece with her. childhood trauma changes you, you're not the same person you were before it, you can leave your house but your house doesn't leave you.

the six who held mono's hand and hugged nomes, or played with toys at the playground, is not the six who lashed out and left him behind or the six who devoured other people just to survive. the six who was running from the adults that operate the maw is not the six who took the lady's powers. at the end of the story, six sits exactly where the people who hurt her did, she wasn't able to remove herself from the maw's food chain, only scale it and become the apex predator. she changed, the maw changed her, like all trauma does.

which isn't her fault at all, full stop the obsession some people have with portraying six as evil or malicious, or even worse, deserving of what happens to her in LN1, is appalling to me. i genuinely can't fathom how you can play a game so clearly about childhood trauma and abuse and come out of it putting her and mono in "bad victim vs good victim" roles. there's no right or wrong way to be a victim, there's literally only just victims, the real villains of the story are the adults who put them in this situation in the first place.

six isn't wrong for killing the workers aboard the maw, but it's still deeply sad to me that the story plays out the way it does, that the circumstances are what they are. LN1 ends with her going up, out into the sun where everything is bright and golden, but she's all alone and she's taking apart of the lady with her, she couldn't survive without taking from the lady, she couldn't survive without having to become someone else.

tldr; you know that scene at the end of chirin's bell? "what they saw was neither wolf nor sheep but some unknown creature that made their blood run cold?" yeah.