#listening to a lot of HiM lately

[chasiufan]

Won’t u die tonight for looooove

[lagsemantics]

shockwave but its an metaphor for the horrors of war beyond man's comprehension

or alternatively: me at 3AM going into the kitchen in search of shredded cheese (8 found dead, 36 injuried)

based on that one cover by Mark Bright. you know the one.

[feelo-fick]

more misc au art... (the last two are unrelated but shh)

GAAAHHHH i promise ive got actual stuff cooking im just scared to post it/motivation to finish art Hard :"D clutching my head... always forever 24/7 thinking about them...

[kelin-is-writing]

fwb!touya who despite your agreement on not necessarily having to stop seeing other peoples, has deleted the contacts of the two or three girls he used to occasionally hook up with, when you weren’t around, the moment you two had started your relationship and everytime he crosses paths with them at school he barely even acknowledges their existence. why? ohh that’s because the moment you, the girl he desires on a soul-type of level, has agreed to be in all this with him touya’s eyes haven’t been able to look away from you, not even for a split second.

fwb!touya who a mere call or text for you telling him how much you miss and want to see him, is enough to make him skip practices with his rock band only to run over to your place and spend time with you. be it doing homework, watching movies or those weird reality shows that secretly pique his interest, playing games that usually end up in heated makeout sessions, you putting on nail polish while he styles your hair, cooking together, napping together, having sex four or five times. just you two basically being all over each others at any given occasion. touya wanted you close to him as much as possible and he was going to have exactly that.

fwb!touya who keeps telling himself you two are just ‘friends with benefits’ but from time to time he finds himself playing the guitar, compose and writes songs while thinking about you. he would’ve never wanted to admit it, for the moment, but you’ve been his muse since the first day you guys meet and the major reason for it was your smile, your laugh, your voice… that beautiful spark in your eyes whenever you looked at him… it made his heart warm up and a pleasing emptiness take over his stomach… shit… this wasn’t good at all, he was going into a dangerous territory right there and it wasn’t supposed to happen.

fwb!touya who has never marked any girl he’s slept with before nor has he ever permitted them to mark him, because he has never felt the need to do that with his past flings; yet it took only one week, three days, fourteen hours, thirty-two minutes and twenty-six seconds in your relationship to make him go around the campus proudly, a shit-eating grin on his face, with your glossy lipstick imprint onto the side of his neck right where everyone could see it while you walked around with his teethes’ mark on your neck; a statement dedicated to everybody in the school that told all of them he is yours and you are his.

fwb!touya who never holds back from showing off to everyone your close relationship. you could be talking to a classmate and he would walk up to you surrounding your waist with an arm, pulling you flush against his side, and ask genuinely curious and interested what you guys were talking about while leaning his cheek against your head as he hummed along to the explanation you gave him with that voice of yours that is as beautiful as you are, completely smitten and mesmerized. once you were talking with another classmate of yours, that was assigned as a committee with you for a school festival, about some preparations when he came up to you ignoring the other person’s presence and just fixing his intense gaze on you while asking if everything was alright and if you needed any help while delicately moving a strand of hair behind your ear and then rest it gently on the back of your head to let you know that it was fine to lean on him whenever things became too much.

fwb!touya who keeps telling you and himself that the two of you are just ‘friends with benefits’, but the way he fucks you, talks to you and overall treats you are far from being those of an actual ‘friends with benefits’ and he doesn’t notice until a random guy who’s a schoolmate of you two and fan of his band starts asking him about you, throws glances your way, tries (but fails) to flirt with you and touya is watching over you two seething as he smokes by the fences outside the school’s building, tomura being the one who makes him notices that he’s clenching his jaw so hard they can hear his teethes scratching together. it’s right then that he realizes that the reason he had suggested all that thing between you two wasn’t only because he was attracted to you, but because he has been in love with you the whole time since the start of your friendship.

[feroluce]

I've only recently started having my own thoughts about Emanator!Sampo and I think my favorite version of this is that he is technically an Emanator, it's just that he doesn't talk about it because Aha is a dick who only blesses people that don't want it and Sampo hates it here dkjxkdkdck

Aha blessed the Mourning Actors! A whole faction of people who have specifically made it their life's mission to resist Elation! THEY made a literal worm THEIR Emanator just to see if it would be accepted into the Genius Society! And when it wasn't, Aha just as easily killed it and tossed it aside! So I feel like there is a good possibility that Aha looked down at Sampo, this little oddball who doesn't seem to even like Epsilon or a lot of the Masked Fools and was like.

Hey.

You know what would be really really funny.

And I feel like being an Emanator wouldn't even be a plus for Sampo, because of how he operates. Sampo excels at blending in; he managed to smuggle himself onto a planet

that had been isolated for 700 years,

with only one (1) single city on it,

and going even further, he snuck himself into the Underground,

where the population is even more sparse,

and STILL. Not a single accusation of him being an alien! Not even after the Astral Express lands and proves that interstellar space travel is possible! Sampo is so thoroughly ingrained into Belobog that yeah, some people admit they don't know his origins, but none of it ever comes with the question of whether he actually is a Belobog native or not. Sampo knows exactly how to blend himself into his surroundings in the most subtle way possible. And being an Emanator, something far more powerful than any normal human or Pathstrider could ever hope to be, would only throw in a massive extra variable for him. Sampo would have to be so so careful to keep a lid on his Emanator traits, to keep up the appearance of being totally normal and average at all times. It doesn't help him at all.

And this part is pure indulgence, but I love taking Aha's closeness with mortals, and THEIR tendency to take human form, and twisting it into a case of THEM using Sampo as a vessel.

I want Aha to look at Sampo the same way all of us look at Sampo. A chew toy. A plaything. Something to shove through the meat grinder. Aha thinks Sampo is hilarious and a funny, silly little guy, and THEY want to put him in Situations just to see what he does. Sampo is not a fan.

This though, this is what makes Sampo so wildly entertaining as a vessel. Because Aha knows that Sampo does not want to be a vessel, does not even want to be an Emanator, and THEY find it SO much fun to watch the mental gymnastics he has to pull to convince himself he's ok with it, this is fine actually, because he's not exactly about to tell off a literal god. He doesn't feel like getting a smiting today, please and thank you.

Because squeezing yourself into a human vessel is so different than merely adopting a human disguise, there's already a human soul in there, it's kind of a tight fit. If Sampo doesn't make room, doesn't all but dissociate right out of his own body, it could cause. Consequences.

And so, Aha always gives a warning, just to watch him squirm.

It begins with the sound of bells.

Just little ones, at first. Small, clinking little sounds that could even be considered nice. Something almost gentle, like a wind chime in a pleasant breeze on a warm day. This is the signal for the countdown.

Sampo breathes in, breathes out. Makes himself as small as possible within his own body.

The bells rise and multiply, tinkling wind chimes give way to sleigh bells, to shopkeepers bells, the sound of something inevitable approaching, something entering.

Sampo breathes in, breathes out. Dilutes himself, weaker and weaker concentrations.

The bells rise and rise, multiply and multiply, celebration and tragedy resonating in the sound of church bells, ringing bright and loud, the sounds of weddings and funerals both the same.

Sampo breathes in, breathes out. Becomes like smoke, like vapor. Hollows himself out.

Empty, empty, empty until he echoes, like a bell, like something with the sole purpose of being shaken and rattled around, a thing to be struck, the sounds jarring and punched out and gasping and piercing the air, the lung, the eardrum.

Sampo breathes in.

Beaten he rings, bashed in he sings.

Aha breathes out.

[twifairy]

Absolutely fascinated by the personal connections Seishiro Jigoku has to the main TGAA cast like its actively insane

But Jigoku is someone Susato knows by name, and someone who is seemingly comfortable with her. Yujin was worried Susato might be recognized by Jigoku when even Rei couldn't recognize her immediately.

Jigoku is a family friend of Susato and Kazuma's. Like. That's the text. Do we get how close Jigoku and Yujin are? Not really specifically.

And then Kazuma. Yujin takes Kazuma in and Jigoku is close enough with Yujin that when Kazuma gets sent the letter about the Professor, he feels like the right answer is to go ask Judge Jigoku. Because if Yujin is too kind to tell him the truth, Judge Jigoku will do it.

But also Jigoku and Yujin's relationship.

Jigoku knew Yujin before the study tour. He was so worried about Yujin's well being when he was grieving Ayame that he dragged him along for the study tour (something he was already signed up to do, but was likely considering quitting, is how I read that)

I don't think saying Jigoku and Genshin were less close by the end of the study tour (if they were ever close at ALL) is a stretch. Genshin deliberately tells Yujin not to bring Jigoku when going to help Lady Baskerville, or to even mention it to him.

Yujin knows the identity of Klint van Zieks' daughter. Jigoku knows who killed Genshin Asogi. They both keep those secrets from each other for 10 years, on top of over 16 years of very close friendship.

That is a man who has had dinner at the Mikotoba family home many times. That is someone Yujin trusts with his children. We never see Yujin throw someone the way Susato does— Jigoku does it. The person handling most of the logistics of Kazuma's study tour is not Yujin, it is Jigoku.

Jigoku has been a family friend for a decade. It's possible Susato has known him all her life.

And with the knowledge that he killed Genshin Asogi, and that Yujin Mikotoba trusts him with his children, Seishiro Jigoku chooses to look at Kazuma and say "You seem like you would do anything to find out what happened to your father. Would you kill for it?"

He does not stop Kazuma from going. He does everything in his power to send Genshin's boy across the sea to kill for him, dangling the promise of answers in front of him, knowing damn well he is the one responsible for everything wrong in Kazuma's life.

[astrobei]

*hozier plays ominously in the background*

[poorly-drawn-mdzs]

It's the 6 month anniversary of this blog! Check out these cool bugs I found.

(EDIT: Check out this amazing fanart by thecornermushroom!)

Part 2 - Part 3

[eggcats]

I've been listening to the Thunder Saga, and I wonder if Zeus is also asking a question with a right and wrong answer in Thunder Bringer like I think Poseidon did in Ruthlessness. (I have a post for that, but I think Odysseus wasn't supposed to apologize, but to instead acknowledge that he should have killed Polyphemus).

Poseidon had to teach him to be ruthless.

Zeus needs to teach him to stop being so prideful.

Like, yes - Eurylochus did stage the mutiny and killed the cow. But! That was because Odysseus decided not to tell any of his men that they would need to accept 6 deaths to get home and allow them to make the choice themselves - because Odysseus couldn't handle the idea that they might refuse going past Scylla and keep him from going home.

This is even present in the song Scylla. Eurylochus is moved to confess that it was him who opened the bag of winds, but Odysseus keeps his own secrets and guilt to himself. I think none of the men even knew they were going past Scylla at all until it happened, since all Eurylochus says is "something approaches," implying he doesn't know what that something even IS.

Scylla even compares Odysseus to themselves, with his full transformation from man to monster now completed.

You hide a reason for shame You know that we are the same Leaving them feeling betrayed Breaking the bonds that you've made There is no price we won't pay We both know what it takes to survive

But if you notice, once they kill the cow, they start following Odysseus again. Hell, Eurylochus calls him captain! They follow his orders to escape! This shows that their real desire wasn't to overthrow Odysseus, but rather their anger and betrayal at not even having the option to choose to fight over sacrifice.

And honestly, this happened because Odysseus has demonstrated time and again that he will not discuss anything with his men and instead makes decisions without their input (too much pride to ever consider anyone's opinion other than his own).

In Storm, he tries to force the fleets to keep going despite Eurylochus saying that continuing would sink them all. In the same song, Odysseus also decides to go to the wind god without any discussion beforehand, and completely ignores Eurylochus's advice in Luck Runs Out about the inherent danger of going to the gods for help. In this same song, Odysseus also completely ignores the deaths of his men by Polyphemus, and instead brags about none of them dying in the war. (Once again, the pride Zeus mentions, and that Eurylochus criticizes in both Luck Runs Out and Puppeteer).

This is why Eurylochus opens the bag of winds, because Odysseus has proven he can't be trusted to tell him anything that could be important or put their lives in danger. Despite Eurylochus being his second in command, he's never treated as such. Odysseus has never once discussed something with him, taken his concerns into account, made a decision with him together, or even taken his advice. (Even cutting him off as far back as Full Speed Ahead without even considering his opinion).

Odysseus continues to ignore what Eurylochus tries to talk to him about in Puppeteer, and instead unintentionally gets all his men trapped by Circe. He then goes against Eurylochus again in the same song to confront her despite neither of them knowing if she can be defeated. All of this comes to a head when Odysseus does the same thing again in Scylla, except his decision was to intentionally let their men die for his own desires - and Eurylochus had no idea until it had already happened.

And that's why Eurylochus mutinies. He does it because he cares about his men, seemingly more than Odysseus has demonstrated he ever has.

(I'm not saying that Eurylochus has been right this whole time, and honestly I doubt Eurylochus would say the same - but Odysseus won't even listen to what he has to say, is the problem. He has too much pride).

And then Zeus arrives and proves Eurylochus right.

Zeus gives Odysseus a choice - him or his men. Forcing him to come to terms with the very same decision he made during Scylla and expose him for only caring for himself and not the men under his command.

Zeus is criticizing Odysseus and claiming that he's too full of pride to sacrifice himself to save his men. His men of which he is their captain. Of which he is their king. Zeus points this out to him explicitly, leading me to believe that he wasn't supposed to choose himself here.

I think that by taking back command after they killed the cow, Odysseus had taken responsibility for his men's actions. Except, when confronted with those same actions, he refuses to. Much like how a boss gets in trouble when their subordinates do something wrong, a captain should do the same for his crew.

Except. Odysseus doesn't. He fails the test.

And now he must have his pride taken from him again and again until he learns the lesson Zeus was teaching him. Just like he did with learning ruthlessness from Poseidon.

I think the next saga will involve him being confronted with this decision he makes here, and how it was the wrong one, and then the saga after that (perhaps with the suitors? I'm unsure how many more are planned) is when Odysseus will reprise Thunder Bringer and finally be able to return home.

[shaykai]

Super rambley but Sceleritas tries so hard for Durge.

If they spare Isobel, he tells them they’re going to kill their nearest and dearest companion (which Durge has a history of not doing- Orin straight up calls them a liar if they say they’d kill those they’re closest to without hesitation) not because Bhaal asked for another head to replace Isobel’s, but because Sceleritas knows the consequences of not giving him one (and so should Durge, but their brain is ruined and muddied and surely they can turn this around because it isn’t their fault, they don’t know what they’ve done by sparing her)

They need something grand and dramatic and meaningful, it needs to be a sacrifice on Durge’s end because that’s the only way to possibly make up for them resisting their god given Urge

It’s not meant to be a punishment (but it is, isn’t it?) it’s meant to be repentance, a sad gift to Father in hopes that he’ll forgive their transgression

It’s not right, but that’s just how it is being under Bhaal. Sceleritas understands the consequences- his whole existence is purely meant to help steer Durge towards their purpose- what’s a bit of hurt now if it will save their very life? Their blood right?

The love is there, it’s just twisted to the point that the only people who would recognize it as love are other Bhaalists

[be-an-echo]

happy (belated) valentine's day!

[angeart]

elf scar for the assassin au~

alt under cut

[deeva-arud]

Deeva Årud - Club Wear Voice Lines

When Summoned: Lights dimmed, tension building up… Are you ready to feel our rhythm? Summon Line: Playing music with friends is fun, I’m glad to be here even though I’m starting to feel a bit nervous.

Groooovy!!: We’d be delighted to see you at our next show. Spotting a familiar face among the crowd is always nice. Home: “Let’s rock and roll”, as some would say. Home Idle 1: I joined the Pop Music Club on my second year. Perhaps it’s quite a drastic change from my previous club but… it’d be a lie to say I’m not enjoying my time here. Home Idle 2: Most of the time I’m the one suggesting we should practice, but somehow Lilia, Cater and Kalim always distract me with all these unknown snacks and gadgets. Sometimes I have the feeling they do it on purpose… Home Idle 3: I need to warm my hands, it’s hard playing an instrument when they’re cold. Home Idle – Login: *humming Piece of My World* Ah- sorry, I didn’t see you there. Can I help you with something? Home Idle – Groovy: I’ve been playing violin and other instruments since I was a kid. My family has always had a connection with music and I’ll gladly continue this legacy. Conveying your thoughts and feelings through sounds is quite satisfactory. Home Tap 1: My first concert with them? Since it was the first time I’d be playing in front of many people, I knew I’d have a hard time trying to look at the audience. Cater noticed and told me to look at him so I could feel less overwhelmed… Let’s say I didn’t expect him to be so literal. His clones substituted the audience because no one came to see us. Home Tap 2: Hm, my violin? Indeed, it’s not the same one I use at Mostro Lounge. An electric violin is more suitable for the club’s activities. I’m surprised you noticed it. That means someone’s been paying too much attention to the musician playing ambience music… That was a joke. Home Tap 3: Kalim and I joined the club in the same year so I got to see how much he’s improved his drumming technique. It’s impressive. Certainly, Lilia’s been an excellent teacher to him. Home Tap 4: I like the idea of having customized masks for our performances. Maybe I should mention it once we have enough funds. Home Tap 5: I recently accepted to do some vocals just for our club sessions. You can come see us, but please refrain from telling everyone else. At the moment, I only feel comfortable singing for a few people. Home Tap – Groovy: When it comes to a band like this many wouldn’t think of a violinist, but that actually gives songs an interesting feeling, don’t you think? Duo: [DEEVA]: Ready for a shocking performance, Cater? [CATER]: Ready as ever, Dee-chan!

[robotsafari]

redrawing my favorite gba chain of memories scenes with my own interpretations part 1(?):

“You’re thinking about me… You’re afraid of the darkness I command.”

[cake-chad]

Something something Gideon always inevitably wakes up with Kremy on or curled up next to him because being cold-blooded he seeks out the literal furnace sleeping next to him every night.

Frost is usually nearby too, but only if they're sleeping outside and not in beds, he's not cold-blooded but he is a cat, of course he likes to be near a heater too.

And now that I think about it, Torbek would be there too, having gone through what he has and severly underweight, his circulation is terrible and despite having his own layer of fur, he just can't stay warm on his own, so he sleeps sandwiched between Gideon and Hootsie

Just. A whole cuddle puddle of all of them, Gricko curls up next to Hootsie, Twig sleeps under Gideons arm, and when Pigtunias around she acts as a pillow for him

I love cuddle puddles and I love characters who naturally make everyone more comfortable to sleep around them 😭😭

[running-tweezers]

The way I would give any nonessential internal organ.

The way I would do something to wind up on the national news.

The way I would perform dark rituals of questionable morality.

For a Damien/Huxley bridging audio.