#listen to me i will NEVER

[honeybyte]

. well,

[overlymetaromantic]

Dungeon Meshi, or as I like to call it, Marcille's-increasingly-difficult-to-ignore-revelations-that-her-endless-devotion-to-Falin-may-in-fact-be-more-rooted-in-lesbianism-than-she-originally-thought

[verysadlesbian]

Sky practically called Viktor a fruitcake and then faded away. That is queen behaviour.

[starcurtain]

Please someone redraw this with Dr. Ratio and Aventurine because this is the exact vibe they have in my head post-Penacony.

[mangozic]

archivist be upon ye

[qualityrain]

[bacchuschucklefuck]

no more fan-ta-sizing about it! everything's already changed~

[chloesimaginationthings]

Is Michael Afton gay or European in FNAF?…

[lotus-pear]

do you finally see me?

[akynoctua]

They’re so married.

[hinamie]

*catboys ur shounen protag*

[makesyouevil]

in dreams

[sabertoothwalrus]

appreciation post for the second half of dungeon meshi where senshi clearly starts treating chilchuck more like an adult. and also how the two of them start looking incredibly married

[socallmedaisy]

absolutely obsessed with the implications of the different versions of the ballad now we have the full picture. it really is a masterclass in songwriting.

we start with nicky's version. the road is a metaphor for death, but it's about acceptance ("tame your fears, a door appears, the time has come to go"). it resolves musically, we end on the note we began on. it's in a major key, it sounds happy. it's a fun little tune.

agatha takes this and twists it in the version that plays over the montage of her killing covens. some of the chords are the same (A and D in the chorus) but they're minor versions now. it sounds dark and sad. agatha is grieving. when the other witches join in the harmonies are sinister, adding notes from the minor key. this becomes canonised in the sacred chant version: for 260 years agatha has been stuck grieving nicky.

enter lorna wu. her version is in a different key (p sure it's E flat major at the start). there are still some minor chords but the overall effect isn't the same, it's a major key. partly this is a trick of the instruments and the rock/pop vibe but we know there's a still a mother's grief about not being able to save her child (and herself?) in there, but she's more positive about this than agatha was: she accepts her own death, and she will protect alice if she can, but ultimately the road is still a metaphor about death and everyone walks it, but this time lorna changes the lyrics (the door doesn't appear to death in this version, it appears "to love that never dies" the people we love stay with us after death). and then the bridge. now a bridge musically takes us somewhere new, quite often it signals a key change, a turning point in the lyrics, something shifting. here I think the function is to show us that lorna is not accepting of agatha's static version of the ballad that has stayed the same (unable to move past her grief). the key modulates to a minor one (I think it's A minor), it's sad as lorna tells alice that though lorna will die, she'll always be with her: "if I can't reach you... if I can't hold you, remember what I told you". I think it's significant the last chorus is "we" go down, down, down the road. everyone walks the road to death. it's part of life. agatha can't accept this, but lorna does. she'll see alice at the end.

[sandflakedraws]

re : how each brother reacts learning that they can't go back

you'll have to pry the "all the Brozone Bros knew what happened at the tree" headcanon outta my cold, dead dead dead hands.

[tsuutarr]

Yandere! Love God x Reader

Soulmates do not always meet in every lifetime. Sometimes, a person may become a bird that soars the skies while their soulmate becomes a fish that swims the depths of the sea. Other times, a person may become a little flower in a field while their soulmate becomes a large cactus in a desert. More often than not, the stars must align for soulmates to meet in a single lifetime.

You, however, are the exception. You will meet your soulmate in every lifetime for as long as your soul exists.

After all, your soulmate is the God of Love, an immortal being that ensures that you will meet in every single lifetime. 

It doesn’t matter if you’re a little plant, an animal, or a human – he’ll always find you and love you. When you’re not there by his side, he patiently waits for the glow of your soul to return to the mortal realm.

It’s become a pattern of his, a habit. When you leave his side due to your life’s candle burning out, his world will be drowned in grayscale and monotony. He goes about his days without much care for anything, his duty taking the forefront of his mind.

But when you reincarnate, your soul colors his world with his love for you, brightening up his days. To him, it doesn’t matter what you are, just that you are – that you exist. Your existence takes the forefront of his mind, his body, his soul. He devotes everything to you for as long as he can, eager to dye you in his colors in every one of your lifetimes.

It doesn’t matter that you don’t remember him – he’ll remember for the both of you, filling pages and pages with his memories of you. It doesn’t matter that he has to start all over again in every single lifetime – he’ll gladly fill you with his love for you over and over again. Because, to him, you go beyond just being his world – you’re his universe.

So, for most people, the stars must align for soulmates to meet in a single lifetime. But for you, your soulmate forces the stars to collide so that he can draw your constellation next to his again and again for the rest of eternity.