#listen I promise I like this character

[inkblackorchid]

Me, every time Jack’s on screen during the Fortune Cup arc (affectionately): You bastard. You buffoon. You clown. You absolute idiot. Get kicked in the shins.

[fallenclan]

shits gettin REAL!!!! who is pumped. i know i am. enjoy the random ass starclan cat cameos that I crammed in here <3

finished this update JUST in time, but next week I'm gonna be even more busy so I guess we'll see!

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[heymacy]

IAN GALLAGHER + his journey with bipolar disorder

╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher

[starcurtain]

I wish everyone collectively understood aventurine’s character like you…things would be so much easier! I genuinely don’t understand how people keep getting his motivations wrong??? Could it be because some of the most popular Aven fanfics were written prior to his release? That could have contributed to some of the takes we tend to see about him…thoughts?

I struggled all day to come up with a concise way to answer this and couldn't think of one, so here, have a long-winded ramble:

I don't think early fic writers have much impact in the situation with Aventurine's character now, since most people can look at when a story was posted and go "Oh, this was before we had ____ information."

I think that Aventurine's problem is being a male character in a gacha game. Gacha game characters are designed to sell. Hoyo can sell female characters very, very easily. Give her huge tits and a visible underwear strap and you're good to go. I love all my guy friends, but I'm not gonna sugarcoat it: straight men are not the hardest audience to please. Hit a particular fetish (feet, spandex, dommy mommy), and you're gucci.

Nah, we all know why Jade's trailer is Like That.™

Male characters in gacha are harder to sell because women as consumers are a little harder to predict. Does every woman want a tall, ripped hunk? Shit, no, small cute boyish models like Aventurine are selling better now? Why?! Would a bad boy be more popular than a nice guy??? It's harder to account for women's tastes, especially because they are often (a little) less visually-oriented.

Hoyo is good at what they do though, and they've figured out that male characters sell very well when they possess at least one of two specific traits:

Endearing vulnerability/helplessness

Gay ship tease

Give a character both, like Aventurine? They might as well be printing money.

That sound you hear is Hoyo's stock prices rising.

So, from the very beginning, Hoyo is incentivized to create a character that appeals to people, a character people will want to crack their wallets open for. And they achieved this, first and foremost, by giving Aventurine traits that female players (in particular, but men too), find especially appealing: emotional and physical vulnerability.

We see Aventurine's pain. We sympathize with his grief. We identify with his struggle to make meaning of his difficult life. He's our woobie, blorbo, babygirl, whatever the hell they're calling it now.

He can't hide his suffering anymore. He's on the very edge. He's a dude in distress. He's surrounded by enemies! He misses his mama! He's been betrayed! No one understands him like you do, dear player!

The ultimate feeling evoked is: He needs to be saved.

When people talk about male power fantasies, I think they forget that women can experience them too, and "Emotionally vulnerable man that only I (or my favorite character) can fix" is actually a female power fantasy.

And from there it's really easy, right: the people who shell out cash to buy warps for their harmed-husbando feel like they've saved him; the people who are into mlm ships look for the nearest hot dude to be the savior Ratio was waiting for his time lol.

Morally and intellectually, this type of deep-down-golden-hearted, emotionally-wounded male character is very easy to digest. There is nothing to dislike about this type of character or role in the story: this character is a good guy who has just gone through so many terrible situations, whose victim status makes him endearing, and whose lack of agency means that any of the questionable or downright bad things he does are always the result of someone else forcing his hand, and never something he would have chosen himself.

His motivations are always clear and consistent: get free, heal, and live happily ever after.

Insert the Wreck-It Ralph meme: "Do people assume all your problems got solved when a big strong man showed up?" But to be fair, a big strong man did kind of solve Aventurine's problem, so--

Anyway, it's simple. It's straightforward. Morally, it's pretty cut and dry, black and white: Aventurine is our hero, which means everyone dictating the course of his miserable life is evil.

Hoyo is not remotely discouraging people from literally buying into this emotional appeal.

And trust me, I get it. I'll be the first to admit that hurt-comfort is its own entire genre in fandom because it is so appealing. People eat up Aventurine's tragic backstory like candy! The idea of watching a character go through hell at the hands of bad guys just to finally find a happy end is like the definition of everyone's favorite story.

In fact... people love Aventurine's suffering so much, they have invented whole new ways for him to suffer that aren't even in the game.

This is where we get all the headcanons that Aventurine was a sex slave, every single person he meets hates him because of his race, the Stonehearts are executioners holding knives to his throat, Jade enslaved him to the IPC with a lifelong contract, his material possessions belong to the company, the IPC is forcing him to take only the most dangerous missions where he is being required by his evil jailers to continually put his life on the line... You name it and I promise you, I can find a fanfic where Aventurine suffers from it. 😂

Bro can't even sleep in on his day off; life is so hard for this man.

Being serious: if the game is telling us that Aventurine is a victim... Why not make him the perfect victim?

Why not envision an Aventurine with no freedom, who bears no responsibility for any of the horrible situations he is in or any of the dubious things he does?

It's so natural to like that version of Aventurine, so appealing to see a totally powerless underdog use his own wits and charms to claw his way up to freedom. Or, if you're the kind who really relishes angst: It's even appealing to see Aventurine lose more. To delight in fics where he loses his wealth, where the IPC punishes him for past crimes while he's powerless to stop them... (I assure you, this is many people's cup of tea and the fanfics prove it!)

Ultimately, there's nothing wrong with liking characters who are exactly this straightforward! It's completely fine to embrace characters that are intentionally written to be morally above-board, whose primary role in the story is to generate angst by being a good person who suffers, or those characters who never show unlikable traits, bad decisions, or contradictory actions.

The problem is that that's just not who the game is telling us Aventurine is.

Hoyo may be capitalizing off people who love to envision poor Aventurine still living his life as a slave... But the game also needs to tell a complicated enough story overall to appeal to people who don't care about this specific husbando--Aventurine's role in the actual game's plot has to be interesting enough for almost everyone to appreciate it, not just Aventurine's simp squad. (Don't get mad, I'm in the simp squad with you.)

So his character doesn't stop at just being a pure-hearted victim who is still waiting to be saved.

Aventurine is not that easy to label, and I think the biggest struggle in this character's fandom right now is between people who prefer the even-more-angsty, still-a-slave Aventurine versus people who want a morally grey, self-destructive character instead.

To me personally, while I greatly understand the appeal of fanon!Aventurine and the joy of a really juicy angst fic where characters lose it all, I think that missing out on the depth that canon is suggesting would be a real loss on the fandom's part.

The character motivations that Aventurine shows in the game are complicated. They cancel each other out. They're basically self-harm! He makes almost every situation he's in worse for himself--on purpose.

He is a good person, but also a person who has done unspeakable things. He does have morals, but he's not above allowing those who don't have them to use him to their advantage.

He's both the victim and the victor. He's his own worst enemy. He's a lost little boy who's been making terrible decisions for himself since he was like eight years old, and a grown ass man who is barely managing to fake his way through an existence that destiny is not letting him quit.

This kind of character is a lot harder to embrace. He's done things that most people would find appalling--like willingly joining up with the organization that let his entire race be massacred. He's invented a whole new peacock persona to frivolously flaunt riches he doesn't even care about (Poison Dart Frog Self-Defense 101). He actively plays into racist stereotypes about his people to manipulate others through their preconceived expectations. He's made a mockery of his mother's and sister's hopes and dreams by endlessly trying to throw his own life away.

He has flaws! He bet everything he had on a ploy without doing his homework to find out if the people he was risking his life for were even still around. (Maybe he already knew, and couldn't bear to admit it, even to himself.) He's intentionally off-putting and obnoxious to everyone he meets (Poison Dart Frog Self-Defense 102). He terrifies everyone who gets close to him by (seemingly) carelessly throwing himself into the jaws of death without the slightest provocation.

He knowingly allows the IPC to exploit his power and talents for profit. Did everyone forget that his role in the Strategic Investment Department is asset liquidation?! Like, his actual day-to-day job is ruining people's lives. Canonically, Aventurine kills people when his deals go bad.

His motivations change off-screen in two lines of story text. We're told in one line that his biggest reason for joining the IPC was to make money to save the Avgin, then in the next line we find out that's impossible. And... then what? What motivations does he even have now? The whole point of his character arc from 2.0-2.1 is that he was on the edge of giving in to utter despair and nihilism because he couldn't even perceive a single reason to stay alive. He has no purpose in life before Penacony, and that didn't start with the Stonehearts at all??

People keep saying Aventurine was held in the IPC by golden handcuffs, but how do you tie down someone for whom profit is meaningless? What can you offer to a man whose only desire is to bring back something already lost forever? How do you imprison someone whose only definition of freedom is, canonically, death?

Working for the Stonehearts is obviously not healthy. But that's why Aventurine was doing it--because taking dangerous missions allowed him to put himself at risk. The job that he originally pursued hoping to save his people became a direct means to self-harm, and the IPC's only real role in that was just happily profiting off the results.

The journal entries for Aventurine's quests are there deliberately to tell the player what is on his mind, and none of it has to do with escaping from his job:

Like... Work is the least of this man's problems.

At really the risk of rambling on too long now, he's also just a massive walking contradiction:

Aventurine is among the most explicitly religious characters in the game, yet he's one of the only people in the entire game that we have ever seen actively question his people's aeon.

You might be tempted to think Aventurine's risky gambles with his life as an adult are a result of giving up after finding out about the Avgin massacre... Butttt no, Hoyo makes sure to tell us that even at knee-high in the Sigonian desert, Kakavasha was already willing to risk himself in a fight to the death against monsters because even back then he found his own life to have less value than a single memento.

He's the "chosen one" who will lead his people to prosperity... except they're all dead.

He's explicitly suicidal... andddd also a pathstrider of Preservation.

He wants to die... He doesn't want to die. He wants to make it end, yet goes to staggering lengths to continually survive. (Every plan risks his life on purpose--but every plan's win condition is also to live.) He life is the chip tossed down, but his hand is trembling beneath the table. When faced with an otherwise unsurvivable situation, Aventurine literally became a winner of the Hunger Games. He beat other innocent people to death with his own chain-bound hands just to come out alive.

He knows the IPC failed the Avgin and left them to die... and he still willingly sought out a position of power in their organization. Maybe he really is after revenge... but maybe not.

He starts his journey in the IPC with a truly noble goal in mind: to help his people using his newfound wealth and power. He's a good guy who did genuinely want to save the Avgin and repay all those who helped him. But once it became clear he was too late, once it was obvious he would have no use at all for that monetary wealth and power he risked his life to get... What did he do with it? Unlike Jade, we don't see him over here donating to orphanages. (I'm not that heartless; I'm sure he does actually do a lot of good things with his money on the side, but the point is that the game does not show us that--it shows us, over and over again, Aventurine putting on a wasteful, over-indulgent persona toward wealth. We've supposed to feel how meaningless money is to him, how meaningless everything is becoming to him.)

He outright refuses to use underhanded tactics or to cheat at gambles, which is meant to show us that's he's more morally upright than his coworkers. There's an entire exchange where he says that he'll never stoop to using manipulation the way Opal does. But... he doesn't have any issue fulfilling Opal's exact agenda. He was never remotely morally conflicted about denying the Penaconians their freedom by dragging Penacony back under IPC control.

He's willing to risk his own life, which is one thing--but he's also willing to risk other people's well-being. Topaz accuses him of constantly egging their clients on into dangerous situations; we've actively seen him shove a gun into Ratio's hands and pull the trigger with no care for how Ratio would feel about that on their very first meeting... Dragging the Astral Express crew into the entire Penacony plan in the first place was exceedingly dangerous...

To me, I just think it's vital to understand his character through the lens of these contradictions because they demonstrate the extreme polarity of Aventurine's life: from rags to riches, from powerless to empowered by multiple aeons, from willing to kill to survive to killing himself... He has quite literally lived a life of "all or nothing," and while he is the victim of many terrible situations out of his control, his arc as a character involves facing the truth of himself and the future his own actions are hurtling him toward.

Frankly, the Aventurine that canon is suggesting is a little annoying. You want to grab him by the shoulders, shake him, and say "Why are you like this?!" And he won't even have an answer for you, because he doesn't even know why he's still alive.

In the end, to me, this is so, so much more interesting. I can read an endless supply of hurt-comfort fics where Aventurine escapes the evil IPC and Ratio is there to fill the void in his life with the power of love and catcakes and be a perfectly happy clam online, but I want canon to continue to serve us this incredible mess of a man who constantly takes one step forward and two steps back.

Who is fully aware of his role as a cog in the grotesque profit-wheel of cosmic capitalism and still manages to say he never changed from the rags-wearing desert rat of the Sigonian wastes.

Who over and over again flirts with nihility but, ultimately, even if he has to wrest it from the grip of the gods themselves with bloody, chain-bound hands, chooses life.

[shannonsketches]

[serpentface]

WHITECALF SPOTIFY PLAYLIST(S) DROP

^Heres the short, selective and organized playlist for people who can't handle themed playlists with more than 20 songs and no internal order

^Here's the playlist for elite music listeners who love incoherent, lengthy, and wholly unordered playlists dealing with dozens of subject matters at once, most of which is at least Somewhat relevant to the story/characters

^Here's the very, very long playlist consisting of every single song that I even remotely associate with the story (often in the capacity of 'I was listening to this a lot while working on it' or 'this is funny') and at least a dozen songs I slapped in arbitrarily because I wanted to listen to them.

[godspeedviper]

There's nothing to fear but fear itself

Caleb Landry Jones as Jonathan Crane aka The Scarecrow

[marblerose-rue]

click for better quality!

the perched king / tigerstar I

[macadam]

Fully of the belief that Miko is only seen as an annoying character because of the dynamic between her and Jack.

Miko in isolation isn’t an annoying character. She’s reckless, and unwise, and has to be bailed out of trouble every five seconds, but this isn’t really an issue for any of the bots because as far as they’re concerned, this is Normal Human Behaviour™. They are constantly having to work with and around humans or bail them out of trouble.

Bulkhead adores Miko. He is exasperated by her like a parent is of their toddler, sure, but I wouldn’t say he is annoyed by her in any way. Her interaction with wheeljack is another example. When she exists with the bots by herself, she doesn’t come across as burdensome. She’s just limited, as every human is, by the curse of being small.

It’s only through her interactions with Jack, and his continuous challenging and calling out on her behaviour, that Miko becomes an annoying character. Frankly, it’s the tension between them which annoys the audience. We can only watch the same cyclical bickering between children before it gets old.

I have noticed that there actually are a lot of people who do like Miko, and find Jack super annoying instead. It seems like people pick one or the other depending on how you interpret which one is causing the tension. When I watched tfp as a kid, I loved Miko and hated Jack. Like, hated hated him. Because I saw Miko as a fun punk rock kid and Jack as the one needlessly calling her out. Upon rewatching tfp as an adult (who works with kids a lot) I related far more to Jack, and so the situation flipped; I saw Miko’s actions as more frustrating to watch.

The writers did eventually try to fix this, with the one heart-to-heart scene between Miko and Jack. But it was kind of rushed, and didn’t leave any lasting change to their dynamic. They went right back to arguing.

Tldr: Miko and Jack are annoying together. Fans usually pick one of em as the cause to be annoyed at but honestly, they are both fine on their own. Children bickering is annoying even in a fictional cartoon lmao

[eatmy-customjorts]

i wonder what he's listening to

[sparring-spirals]

From like. a character analysis perspective. i LOVE Ashton's tendency to have some very good instincts when it comes to like human nature and fuckery that are also very clearly swayed by their own experiences and biases, because the combination of correct gut instincts with strong confidence makes it. Easy to buy in. Or easy to bristle.

Ashton tells F.C.G "This is what happens when you start externalizing every fucking problem that you have-" and, with affection towards F.C.G- well. Yeah. And then he starts breaking down the issue- how its about people with power fucking with others, how the end goal and the aim doesn't matter, their methods are clearly AWFUL and going to harm tons of people, and besides, if they had such a clear and proper image about what they're going to achieve they could just tell people. They're going to hurt people, they're killing, people, fuck that, fuck them.

"It's easy to make a nice world by killing everyone who disagrees with you. If you get down to five it'll be amazing. Fucking utopia."

Its- beautiful. And correct, in more ways than one, and probably what everyone needed to hear, and also has so much of their own experiences and resentment threaded into it, reductive to an almost dangerous point. Dangerous because he's right, in so many ways, and confident and righteous with it. Dangerous because of how the life lessons and the rage and the loss have left them with base tenets about human nature and motivations that are clear cut and resigned and simple. Because simplicity is powerful, and reassuring, and keeps them going, and is also not infallible.

I just feel like. Ashton is so, so fucking right, often and especially here, is confident in his stances and judgement in a way that has been tested by flame and resigned itself to pessimism. Ashton is so right, and the reasoning is often so sound and tempting, and there's also so much of them, their own losses and shortcomings that bleeds into their confident readings of the world and its overall nature, in ways they maybe don't even realize.

ashton is- full of solid instincts, and also flawed by having lived their life firsthand, and also confident in a way that is reassuring until you find yourself in a blindspot, up against an immovable rockface.

[xchronicles]

If you want to feel good about J/C in Prodigy, I suggest listening to this interview which is great and has the completely opposite vibe from what's Kate been saying.

[the-headless-owl]

Whist in Hades! Whist in Hades!

Full sprite :D

[el-huddpudd]

silent steady stone

Orym spends the time thinking about Dorian.

He knows he shouldn't. He should be thinking about the family he has right here, right in front of him. Fearne, striking a twice dead Ashton with her hoof. Ashton, laying conscious on the ground and just taking it. Laudna, tipping towards that darkness too far from anyone’s understanding. Chet, staying back and too silent. Imogen, simmering with fury as she tries to put this sharp enormous feeling into words.

She and FCG seem to be the only ones who seem to have any words to say. He can hear them – he can hear everything, always – but their meanings slide away. Orym is thinking about Dorian and those skyward thoughts are louder than anything in this damned cavern.

"He’s our bag of dicks.”

When they saw him in the scry for those few seconds, that was the last time he set eyes on Dorian. That was days and battles and actual continents ago and now their friend, their Fearne, is crying. She's crying and all Orym can think is this never would have happened if Dorian were here. 

Weeks and cities ago, they were all at a pub for the first time. Orym barely felt a common thread with that aimless row of ducklings, all counting on the next one to take the lead. Orym had worried about Dorian then. 

Orym had liked him immediately. He was funny but never when he was trying to. Dorian was full of surprises, when he would be terrible at all the things he should have already known then somehow twist into rewriting reality with his cunning hand. He underestimated himself over and over and there was where Orym’s worry stirred up the strongest.

He’d worried and judged and spoke harsher than someone so new needed to hear. All the anger in this room could be worry. He hopes. People are just worried, worried they could have died, that Ashton could have taken them all with him, worried why, worried how. Worried they won't learn from any of this.

Dorian made similar mistakes with those disguised temptations that would have only led to danger, wrestling with the lure of power that could protect their group.

Because Dorian had a glint in his eye, a sudden surety that his risk could sweep everyone else out of peril. His spark of recklessness was beneath that graceful exterior. Ashton’s is a constant gleam, shining right on top of their volatile surface. Orym is nowhere near knowing what is in their head but he feels certain Dorian could have seen the shadows looming. He could have stepped between their fractured resolve before everything went so terribly here. They wouldn’t be here burning and hollow and so deeply frightened. If Dorian were here– 

Here. Now. (Not there. Not before)

He can not think about Dorian. He can, because he has to.

Orym lifts his head. He releases the breath weighed in his leanden chest. He parses out those distinct gaits of Bells Hells’ as they span farther and farther apart from each other.

Soon they'll want to know why he waited a day to speak up. Why it seems all he's done on this stunning day is splinter off their groups and push through his exercises again, again, again, like he is rushing across this strife into some type of victory record. 

Staying still would be unbearable. Standing alone would mean he reaches for that stone heavy in his pocket. The first stone. The stone he would never mistake for that trinket from the wayward wizard. This stone he carries, so close, fits in the palm of his slight hand with one divot in a simple arc. It’s been smoothed over the many times Orym strokes his thumb from side to side. 

Tomorrow he'll find the words and sit close enough to nudge the ones who need a nudge. Tomorrow.

Today, he thinks of Dorian.

very much of this is @slippery-soapbox thanks for giving me this sandbox

[potatobugz]

"tiso gets rescued after his loss at the colosseum of fools and recovers from his injuries" type au but cloth is the one who finds him. i think they'd be buddies

[kiwikiswia]

I'll keep walking on,

even if we never come to understand each other

for the rest of our lives.