#like...yes???? we stan??????

[frenchublog]

Steal their look 👗

[bubbarnes]

“... happy superhero week from myself, me and I. and be very kind to your, I would imagine, camp leader because she's my friend and I miss her and I love her to death.”

[flame-cat]

i love ford getting mad @ stan & accidentally triggering a flashback/bad memory recollection & that startling him enough for him to stop being angry

major wake up call. i love that man getting humbled

hmmmm yes i love it i'll take 20

bonus thing that happens Later

[dsmp-lainey]

it’s often painfully apparent if someone truly cares about dsmp as an actual story and or if they’re JUST a stan of a real life content creator who was on it, because the latter will always find a way to have the most exhaustingly boring and reductive takes.

they’ll completely ignore any actual character building that took place in order to project their feelings about the cc’s onto every character. which gives them a bizarrely skewed view of characters actions and motivations.

[erinwantstowrite]

people underestimate how close tim and dick are and it is driving me NUTS

you get me oh my god,,, alighterwood and i talk about this ALL the time

like, i do love the dynamics between jason and damian and the rest of the bats!! do not get me wrong, i think they have lots of potential and the writers did us dirty in some cases. it's fun to explore them. however, tim and dick's brother relationship is so impactful to the entire story between them that it's insane no one talks about it more? or practically no one??

tim learned their identities through dick grayson, robin, not batman. he looks up to both of them but robin was his hero. when jason died and tim knew something needed to be done, he went to dick first above all else (technically, he went back to the circus). he trusted that nightwing (his robin) would be able to do something about it. he wasn't aware of just how deep dick and bruce's fight went but he knew who to go to about it. dick brought him back to the manor and tim became robin because of it. he was involved in tim's time as robin, he was the person that tim could go to about his insecurities, he was the one that tim went to about his relationship/family/friendship/life problems. he learned how to be the hero he is because of dick (and bruce, but this is about him and dick).

they were brothers before jason came back, before damian, before tim even met steph, etc. when tim was, in fact, going a little crazy (even if he was RIGHT, that doesn't mean he wasn't losing his mind at least a little bit, Tim Stans) about bruce being alive, dick was WORRIED about him!! because that's his brother!! he didn't threaten to send tim to arkham, he wasn't even the one who planned to give damian robin!! dick picked up the batman mantle because he felt there was no other choice (do not get me started on how gotham does not actually need BATMAN, but his spirit) and with that came the responsibility of looking after BOTH of his brothers. brothers. not children. dick can do a lot of things but he is not infallible. it was a shitty situation and it does not soley reside on his shoulders. tim had a right to feel hurt that no one was listening to him, but... y'all. he dropped out of school, he was kind of going off the deep end with how many other people died in his life around that time (his BEST FRIENDS) so of course dick was like "hey dude..."

tim is the closest to dick in the family, he looks up to dick as if he IS infallible in a lot of ways. that's his BIG BROTHER and also his personal hero. his favorite person. and dick cares about him just as much

can you tell alighterwood and i have such strong feelings about this?

[hellsquills]

Disclaimer: I know about the duffle bag Filbrick threw at him, but you can ignore that if you want

My thoughts below the cut! (this turned into a whole ass fic lmao)

My personal headcanon is that Filbrick is as much of a coward as he is of an asshole. Therefore, he wouldn't have kicked Stan when he did in canon. Probably not for a while after that.

However, he does try to send him to military school. He keeps talking about how this kid needs to learn discipline and respect, and if he's not gonna bring money to the house, then he should at least bring some honor to his family.

Stan obviously does NOT want to go. Not only because it's a pointless war ("what've the vietnamese done to us anyways?") but because he remembers his mother's face when Shermie got drafted and he will NOT make her go through that hell again. Also, he doesn't wanna die!!!! Hello?????

He talks it out over the phone with Ford, who's obviously just as against it as he is. He tells Stan that, if he gets into a PhD program, he could skip military. Stan laughs in his face. It'd be easier to jump off the plane without a parachute.

And so, he comes up with a plan. When he goes to take his physical, he tries his best to botch it. If he is bad enough, if it looks like he can't do it, maybe he won't have to. Unfortunately, the recruiters are far too used to this by now, and they don't buy it. Stan goes home with a recruitment letter hidden in his jacket.

Everything goes downhill after that. He runs away from home, changes his name several times, does some crime here and there... The military is after him, and it doesn't take rejection kindly.

Stan stays out of contact with his family for a few years. He can't risk getting them involved in this mess. They don't deserve it. So he just leaves, without saying a word, in the middle of the night. No phone calls, no notes, nothing. Not even he knows where he's going. But if it just looks like he abandoned them, maybe they'll hate him. That will make them sound more believable with the police. They aren't covering for him, because they genuinely have no idea where he is. It's the best way to keep them safe.

In that time, Ford doesn't stop looking for him. He finds him every once in a while, but only his phone number, and he knows that could give away his brother's location and get the family in trouble. So, against his deepest instincts, he doesn't call.

One, three, five, seven years pass. Stan has been around almost all the country, and is genuinely considering leaving it. Maybe going to Mexico, or Colombia. Those sound nice. Maybe they'll be nicer to him.

He's passing his time and thinking about this in a small town restaurant in wherever he's in (somewhere he's not banned from, yet), when a family enters. He doesn't make eye contact, but he can't help but stare at them: a man and a woman, probably in their 50s, with 7 kids; one must be older than him, the second one around his age, the third one a little younger, the fourth one a teenager, and the last three between 10 and 15, no more. Except for the last three, they're all taller than him, even the mother, and they have various degrees of blond hair. Their clothes (overalls and plastic boots) suggest they must work in one of the farms he's seen around the state. They don't wear any accessories, except for the glasses that the father and four of the kids have. They're talking loudly and laughing. They look exhausted from a morning of hard work. They seem happy. They... look nothing like his family, and yet, he can't help but think about it.

He can't help the sob that comes to his throat. It's loud and messy from trying to suppress it, which obviously makes it worse. He covers his mouth immediately, and at that point he notices the tears that have run down his cheeks. "Great", he thinks, "that will make it easier to hide, for sure".

He doesn't move. He wants to escape, but that will draw even more attention to him, and he hasn't even paid for the food yet (normally he'd leave without paying, but the old waitress was kind enough to give him some extra food when she saw how little he ordered). He settles for not moving, lowering his head and covering his face, hoping that no one heard (unlikely) or cared (very likely).

"Ya'lright, son?"

The voice startles him. I wasn't very deep, but it was close enough to send his body into immediate danger mode. He looks up at the man towering over him, who's standing in front of him at a prudential distance.

"Y-Yeah, yeah, no worries."

He hates how broken his voice sounds. He's spent more than enough time sweet-talking his way out of trouble, he should be better at this by now. The man looks about as convinced by it as he is himself.

" 'lright then. Can I help ya?"

Damn villagers and their welcoming demeanor. If he wasn't a wanted man, he would appreciate it. But right now, it couldn't be worse timing.

"Come get ya food, kids!" The waitress' yell yanks him out of his thoughts.

"No", he blurts out, and he turns to the man. Least he can do is show him some respect and look him in the eyes. "I'm fine, thank you."

The man smiles lightly and nods. "Okay. Welcome to the town."

Stan watches as the man goes back to his table. He wishes he had been more polite, the guy was just worrying about him, but he can't afford it. They already know his face, he can't risk anyone else recognizing him-

"Sweet Mother of God almighty."

Stan turns to his right. One of the kids, the one about his age, is looking at him like he just grew a second head. He's frozen in place, his eyes wide as plates behind thick glasses. He doesn't say a word, and it's getting increasingly unnerving. Was the bruising on his face still visible? Maybe it's more apparent in broad daylight than in the shitty light that last motel had in the bathroom.

"I'm sorry, I- Can I ask your name?"

The fuck?

"No", answers Stan. Considering how nice his dad was, this guy is pretty rude.

"Son, leave him alone." The mother seems to have manners too, good to know.

The guy does pretty much the opposite. He comes closer to him, until he's right in his path, blocking his exit. That can't be good. Stan feels trapped.

"Are you Stanley Pines?"

Well, that's about it.

Stan tries his best to stay still. This guy doesn't look like a cop, not even an undercover one. But he knows his real name, so maybe someone in his family or friends works in the police; or worse, in the military.

"Listen man, I don't know who you're talking about, but that isn't my name. See?" He reaches for his wallet. He pulls out an ID, with a very clear Jackson Cage on it. He makes a mental note to change it soon, just in case his hunch is right and this guy has connections. "Now, if you excuse me, I'd like to pay for my food and leave. Move."

Stan is already on his feet, but the guy hasn't moved. Stan looks him up and down, trying to appear threatening despite his face probably still being a little red from before. He also gauges how feasible it'd be to escape if things turned bad; the dude is taller than him, sure, but he's also as thin as a toothpick, and by the anxious look on his face, he doesn't seem eager for a fight. The real problem would be evading the restaurant's staff and the other costumers, which include eight carbon copies of the guy in front of him. Probably better to try to de-escalate the situation.

"I- I can't let you leave. Please. I know who you are."

This man is making it really difficult to believe he's not a cop.

"No, you don't. I'm new in town. Move."

"Listen, I-"

"Move out of my way."

"I know your brother."

The words are like a bullet between his eyebrows.

"You look just like him-"

Against his better judgement, he quickly grabs he guy and pins him to the wood in between the booth benches, arm to his throat. If he knows Ford, he knows too much. God he just wanted to have lunch.

The commotion is immediate. He doesn't break eye contact with the guy who's grabbing his arm, whose strength is frankly surprising. He can hear, however, the screams from the dad and the siblings, as well as a couple of gasps from the other costumers. This is not going to go well, but fuck that. He's escaped worse.

"Stop!", the guy shouts as he keeps Stan's forearm from blocking his airway. "Don't hurt him! Don't get closer!"

It takes Stan a second to process what he said. The first part, sure, who wouldn't shout 'stop' when you're being attacked? But the second half doesn't make sense. Is he protecting him? The attacker?

Whatever it is, it works. The family stops in their tracks, still very ready to attack if needed. Out of the corner of his eye, he can see the three younger kids moving closer to their mother. For a split second, he feels a pang of remorse for the scene he just caused.

"Hang up the phone, Clarisse, it's okay. Please."

Stan looks in the direction the guy was talking to. Right behind him, the waitress reluctantly puts the phone down.

He looks back at the guy. He looks a little shaken up, probably from the impact his back (and his head?) made with the wooden plank, but he doesn't look scared. He almost looks... sympathetic? Stan is confused as hell.

"I know who you are", the guy whispers, low enough for Stan to hear alone. "You're Stanley Pines, and you have a brother named Stanford. I know him, okay? He's my friend. I met him a few years ago in a quantum physics congress and we've been talking ever since. He told me about his family in New Jersey, and about you. About how he hasn't seen you in years, and how he was trying to find you, to no avail."

Stan is gradually loosening his grip on the guy's neck, who takes a deep breath. He should know better, but- shit, hearing that Ford was looking for him was not what he expected. Even if he doesn't know yet if this guy is lying out of his ass, it's enough to make him doubt.

"I know you were called to Vietnam. He told me. I spent a week with him in his place when he found out, he was unconsollable. When you ran away, he called me. He knew what it meant for you and he thought he'd never see you again, whether you got caught or not. All because of that stupid war." Stan is now trembling a little, he knows it. This guy must know it too, with how close they are. If he stays here any longer he'll break down, but he can't move. Anything to hear his brother's name a little longer. "I know what it's like. Three of my cousins were drafted last year, and I know at least one of them won't be coming back home. Please... let me help you."

Stan meets his eyes. They're green and brown-ish, not unlike the immense fields he's seen in his last journey, the one that led him to this town. With the years, he's learned not to trust beautiful eyes, because they are better at hiding. These ones, however, seem serene and honest, just like his words, and he can't help but believing them. This guy, whoever the fuck he is, knows just about enough.

Stan lowers his right arm. The guy still has his hand on it, but this time is much less defensive and much more comforting. He doesn't complain.

"My name's Fiddleford McGucket, and I'm gonna help you find your brother."

______________________________

Essentially, after this Fidds calls Ford as if nothing happened (per Stan's request, since he's still paranoid about the police tracking his calls) and asks him to come to Tennessee. Ford argues that he's very busy and all, but Fidds convinces him in the end.

Obviously the twins have a dual breakdown and cry their heart out. In this AU they're much less emotionally constipated lol

Ford tells Stan that he's gonna build a house in a small town in Oregon as a part of his research, and asks him to move in with him once it's finished. Stan, of course, accepts.

In the meantime, Stan stays in the McGucket farm and helps them out as a way of laying low. He has a great relationship with his family, and they're very proud of him for what he did (i believe that the McGuckets are hippies at heart, and they're VERY anti-war, especially when it already took three of them)

I don't know how much of the canon storyline would this AU follow, but it's pretty much your average Mystery Trio AU with some different backstory

[nebulousfishgills]

BRYNDEN RIVERS MY MAN

[sugar-petals]

whenever your favorite kpop idol returns to their natural dark hair color and grows a long fluffy mullet that has long af bangs. literally all you need

[karleksmumskladdkaka]

RukiYui (+Mukami fam) scans from the Vandead Carnival Official Fanbook (*´ω｀)♡

Spoilers for Ruki's route below!

[thereareeyesinsidethetrees]

stan: how can you be polyamorous and aroace, or…whatever mabel called it?

ford: in my case, i have my family and i have my platonic polycule. i would prefer to never have to interact with anyone outside these two groups

stan: what about soos and wendy? they’re not in either of those groups

ford: first of all, i am soos’ uncle, second of all, are you saying you don’t believe i would both die and kill for wendy?

stan: you’ve got a weird way of defining family, six

ford: it’s my favorite way

[yourelosingains]

no but this is literally THE picture ever

[luuxxart]

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[keiksy-cake]

Germany's second page from the Hetalia Collezione

Official revisions included "just like shojo manga!" to "maybe he likes cute things?", and the addition of "his casual clothes are often described as "dad-like"

all collezione pages

[Please note, I’m an amateur in Japanese and have to use various resources and translation machines to help me. If you notice a possible mistake or want clarification, please bring it up to me *politely* and not aggressively or hostile.]

[slytherinshua]

I love Kevin I am so so happy they’re free from that fuck ass company 🥹🥹

[galaxostars]

Do you guys remember the first time you read/watched Harry Potter and thought Snape was responsible for everything only to be hit in the stomach when you found out alongside the characters it was Quirrell all along?

Do you remember reading about Sirius Black escaping jail and wanting to murder Harry and do you remember being ready to throw hands at him? And then do you remember that sinking feeling when you realized he’d been wrongfully imprisoned for twelve years and was painted as the guilty one when it was Peter all along?

Do you remember hearing about the death eater Regulus Black, following in Voldemorts’ footsteps only to be hit with the crushing truth later, that he’d betrayed him and died doing so and no one knew about it and you had, yet again, judged him too harshly?

Do you remember hating Draco and progressively coming to understand the circumstances that led him to that?

Do you remember loving Dumbledore and realizing suddenly how badly he wronged Harry?

Do you ever think about those moments, and how we all judged those characters and fell into the easy trap? Time and time again? How easy it was to gulp down one version and not realize how biased it was?

I feel like if there’s one thing those books taught me it was to never get along with one version of a story. You can’t hear one side and admit it’s the final truth. You can’t judge someone through one lens and not admit it’s skewed. You can’t erase circumstances. You can’t shut out the other side of a story because one is sufficient for you.

If you want to crucify someone for something they did, remember all those times you were ready to crucify Snape, Sirius, Regulus, Draco and so on.

I’m not against holding people accountable for their actions, but I don’t want to get that sinking feeling of guilt that I had with characters on real human beings. And it is inhuman to hold one thing against someone’s head forever—especially when you don’t know the whole story.

We all make mistakes, we all fuck up, and we also, all have our own truth. And we’re also all capable of empathy towards others. 🖤

God knows I hate jkr with a passion but fuck if I love the message that was spread through those arcs.

[moonymelly]

“WE’RE QUEENS OF THE DISCOOOOOOOO”