#like yeah looking at the characters on their own terms but also for this kinda thing man o need some comparison points for inspiration

[griffinborn]

ARCANE ENDING ANALYSIS

****obviously SPOILERS ahead****

Everyone is debating whether jinx is alive or dead so here’s my thoughts first I’m going to try and explain my view on WHY jinx is alive but made to look dead and then I’m going to prove HOW she is Alive. And why air vents have nothing to do with it.

WHY JINX IS ALIVE

With ARCANE coming to an end we are to believe that The piltover part of the show is over, the reason?

Well… we all think this season felt rushed, the beats didn’t land properly and character development felt shallow. That is because it was rushed it’s been 9 years since they started writing this story arc and they wanted to end this story arc that had to end at this point in this way.

if they could have produced the more quickly over a shorter period of time they would have streched the arcs and have had better pacing but it’s a long time and they wanted to move on to the next arc of this universe.

That doesn’t mean this is the last we’ll see of these characters or even piltover as a lot of piltover champions haven’t been introduced because this wasn’t the arc for that yet. We get hints of that as we see sevika become a councillor but be met with distrust and being looked down upon so now the class division and healing will go on in the background as we explore different parts of runterra (cause the writers don’t have the competence to write engaging happy stories).

The characters will come back to begin the next arc of their character growth.

Take Vi for example she is not even a person in her own right, right now she’s just ‘dirt beneath Caitlyn’s fingernails’ that does not seem like a fulfilling way to live your life for anyone. But makes sense for Vi, she needs to grow relax not be a person for a while because for her being a person means sacrificing everything she is to save others live for others but she’s never successfully done that she needs to do that live for someone else (1 person- cait) be successful in protecting them so she one day live for herself, find herself, find the meaning of being a person, her own goals. Till now we haven’t seen the story of Vi - just Powder’s sister her keeper since the first scene when she became wholly responsible for her a role that Vander did nothing to deter her from but pushed more heavily onto her.

And we kinda got a happyish end for jinx, NOT because she died so is free, NO, but because she finally got to save Vi not just from death but also stop Vi from killing herself (cause that’s what she has doing staying on that ledge not because she thought she could save Vander but because she left his dead body behind once). Show her that she has to rise above her self sacrificing bulshit, cause that only works when she is the only one protecting others not when she is fighting with others together, cause in those scenarios if she puts herself uncaringly in danger someone else will protect her and get hurt doing so.

She is alive but more importantly ready to go go on a journey of self discovery and define for herself her identity (herself not silco as Vi’s sister but not one dependent on her) away from Piltover and Zaun. Truly find herself, and be ready to come back on her own terms not bcz the outside forces dictate it.

HOW IS JINX ALIVE

I want to preface this by first cursing the guy responsible for camera work on Ep9 May seven generations of your family cry tears of blood!!

it was so hard to figure everything out!

let’s start with our North Star the stationary point around which everything revolves.

You’ll understand that in a moment.

I’ll like to draw everyone’s attention to this Frame.

Aww… Sob.. jinx hugging Vander while she kills them both… 😢 Forget that focus on the background!

the glowing runes the circular shape with an opening in the middle in 3 rings like oh? The hex gate beam!

but that could just be a pretty backdrop yeah I wouldn’t believe that even if this was the first time I was seeing it but it’s not. We’ve seen it before…

here

Here

Directly followed by

then after cutting to jayce and victor in the tunnel, different backgrounds for a sec but none of them from a consistent camera angle

and we’re back here again

Then another cut to jayvik, them finally entering the sphere, and again different backgrounds for jinx/vi/vander

and then? We’re back here again

And it’s here that jayvik enter

Disrupting the vi/jinx/vander fight and creating the ledge.

now the North Star why do I mention it? Because the existence of the gate itself is not enough to prove that the hexgate turned on, so what is?

let’s go back to the image of the blast

Notice that rune in the corner?

that’s also a repeating marker it first appears not when we get the first look at the inside of the hex gate where where jinx/Vi/Ekko/Vander have crashed but after jayvik have started their ascent and the tunnel lights up.

and again when jayvik finally enter the sphere

and again after Viktor has blasted through the ledges and is exiting the sphere

notice the lack of light entering the scene from the hole created by Vi/jinx/ekko But in all these instances the rune has the top horizontal straight line facing away from the tunnel but when the explosion happens the line is facing inwards towards the tunnel that means a the rune turned in its casing implying that a mechanism was activated.

vs

also notice how the tunnel is between the tube on which jinx lands and the ledge vi and vander land on no way that somebody moving like this

will fall towards the centre of the tunnel.

also take these 3 frames

vander gets a hold of jinx

cut to vi coming to rescue

Back to vander with jinx in his grasp turns his head towards incoming vi

The camera in the first and second image is the same, a split second has passed but the background changed.

because the sphere started rotating the moment the tunnel light up the first time, the first time we see the North Star.

Let’s have a positive outlook for the future and until then see you all on ao3

P.S. - If you think my theory makes no sense or the evidence is insufficient or disapproved do let me know….

[beatcroc]

what kind of frivolity would you engage in, mecha?

<

---

[zerguette]

Carol and Rupert designs! :D

Gosh, i love this woman a lot, AND BABY PRICE, i actually went with playing with military uniform/gear designs, and decided that his is modified (by himself with the permission of Galeforce).

Still, next ones should be Dave and Jhonny and Henry/or Charles. Also idk if it would be better to make a side blog for this, debating it(and yeah if you got asks abt their designs and some lore, feel free to ask :D)

And, some doodles

[pikkish]

idk if this is a good prompt but put doomguy in myhouse.wad I think he would find it enriching

Right, so I've been mulling on this one for a little bit now, n I'm not opposed to writing something for you, I'm just not... entirely sure what to write? Because the thing is, myhouse.wad doesn't actually really have anything to do with Doom as a story. Sure, Doom is important in that it's the vessel through which the story is told and one of the connections between the narrator and his dead companion. But as far as Doom itself goes, and the story about a man who was too angry/stupid to die, fighting demons and saving earth, none of that is at all relevant to myhouse.wad and its story. For all intents and purposes, Doomguy isn't actually a character in myhouse.wad. So I'm not really sure how exactly to fit him in there.

[waywardsalt]

not sure if pointing out that the two ships that most influence bellum x linebeck for me are meruem x komugi and benrey x gordon makes it easier or harder to understand

[ham1lton]

summer came like cinnamon (so sweet)

pairing(s): logan sargeant x reader. oscar piastri x reader.

warnings: mentions of mental health, dieting, fractured friendships and constant mention of jim’s ice cream parlour. also different povs, it goes through the minds of all three of the main characters.

summary: after their rookie season, in a bid to repair their friendship, the two drivers decide to take their new paycheques and go explore the sun, sea and sands of greece. what they didn’t anticipate was to bump into you.

wordcount: 5.6k

author’s note: this is my first semi-interactive fic, please give it some love <3 any major issues in travelling and stuff like in terms of logistics? please ignore. also let me know who you’re planning on choosing. team oscar or team logan?

— wanna be updated on the next parts? join my taglist! —

— part one of the summer lovin’ series. —

[ i ain’t a kid no more / we’ll never be those kids again ]

logan didn’t know why he was so overwhelmed with anxiety, when he knocked on oscar’s door on that rainy thursday night.

this was his oscar, the oscar that had practically grown up with him. the one who knew how he liked his toast and that he was fond of a burger with all the extras. that he had a scar on his left ankle from when he was a kid and wrestled with his brother after watching too much wwe.

ever since he had signed to williams and oscar had been a mclaren driver, they had hardly talked in comparison to their pre-formula one days. when he had crashed out during a race, he half expected oscar to text him or come knocking on his hotel door.

he didn’t. logan pretended he wasn’t surprised.

fuck it. bite the bullet. he lifted his hand high and knocked on the door. three quick taps in succession.

“one moment!” oscar called from inside. logan would wait, even if that old lady from room 135 kept looking at him like he was an intruder. maybe he was. he hadn’t been in oscar’s room for a while.

oscar opened the door with messy hair and a shirt that had been clearly shoved on before he opened the door.

“logan? hi.” oscar swallowed. the awkwardness in the space between the two of them felt heavy. “you okay mate?”

“yeah! yeah.” logan fake laughed, rubbing his sweaty palms against his jeans. “just wanted to come see you.”

“i’m here.” oscar grinned, with no teeth, at his own joke. “wanna come in?”

“sure. kinda awkward talking in the hallway anyways. that old lady is about five minutes from calling the cops on me.”

“oh that’s just brenda.” oscar said after leaning out and getting a glance at the woman, who waved at him. he waved back. “she’s harmless.”

logan followed oscar into his room. it was bigger than his and he didn’t know if feeling jealous was appropriate. he had felt many emotions when it came to oscar; happy, sad, angry, and others. he didn’t want jealousy to join the list.

“sorry, my room is a mess. i wasn’t expecting company.” oscar laughed with no heart behind it as he sat down on his unmade bed. “take a seat logan, you’re giving me anxiety just standing around.”

logan immediately sits down on the desk chair.

“so, what are your plans for the summer?”

“mine?” oscar thinks to himself. “probably just to go see my family and my friends back home.”

“i was thinking maybe we could, i don’t know.” logan bites his lip anxiously. “do something together?”

“like what?” oscar is curious now, his eyes focused.

“maybe go on that european holiday we always talked about? we have the money now and no parents to tell us no like last time.” logan speaks in a rush. “but obviously if you say no, dude that’s totally fine.”

logan looks at oscar, who’s actually considering it? he thinks to himself for a moment before turning to logan.

“how many days?”

“as long as you’d like.”

“where would we go?”

“anywhere you’d want.”

“make a decision, logan. i’ll say yes or no.”

“we always wanted to go to greece? how about there? maybe for three weeks?”

“we should go for a month. we can travel.”

wait. so that means? oscar’s face is still impassive. he doesn’t say yes or no, but he is still considering it. that’s a positive.

“that’s fine. i’m flexible.”

“i’ll plan it.” oscar nods.

“so is that a yes?”

“obviously.” oscar finally smiles, open and dazzling. logan grins too, allowing himself to bask in the approval. he was almost 67% sure that oscar would say no. he’d already done the maths, but it wasn’t his strongest subject anyways.

“i’ll text you the details.” oscar nods and logan gets up, running a hand through his hair. giddy with happiness that he’ll finally win his best friend back. this’ll be the trip that heals them. that heals him.

-❀-

oscar gets stressed when he’s not in charge. everything has to go through him. the plans, the schedule and especially the driving. he’s never liked being in the passenger seat. his hands get fidgety and he doesn’t know how to calm them down.

he’s lucky that logan is all too happy to sit in it, his eyes focused on making the perfect road trip playlist. for some reason, they’d decided to drive from london all the way down to munich.

they’d already driven down from london and through the eurotunnel and took a break sightseeing in france - which oscar had already scheduled for. they ate their weight in croissants. they ate steak and frites. logan had bought them matching ‘i ♥︎ paris’ t-shirts and oscar rolled his eyes but packed it neatly in his suitcase anyways.

they hadn’t talked about anything other than surface level topics. logan talking about his favourite sports teams, them both discussing the grid and plans for the upcoming season and the usual small talk about their family’s wellbeings.

they didn’t talk about how they ignored each other unless a camera necessitated a conversation. they didn’t talk about logan’s bad season. they stayed up till stupid hours watching badly dubbed french movies and ordering takeout.

they drove to germany, dropped off their rental car and then got a plane from munich to athens. it wasn’t very long at all but logan still curled up against the window and tried to sleep. they were both connected to the spotify account on logan’s phone - logan using his headphones and oscar with his airpods. their road trip playlist still playing.

oscar didn’t know why he didn’t take them out, even when the playlist inevitably repeated itself.

-❀-

they’d been in athens all of two days when they met you. logan had gone an insanely bright red when he’d forgotten his sunscreen had ran out. oscar laughed at first but then ran to the nearest pharmacy to grab emergency sunscreen and aloe vera for the both of them.

after slathering themselves, they’d decided to seek refuge in a small ice cream store. despite the hot weather, the store was almost completely empty besides the two of them and you. you were fiddling with your phone in the corner as you attempted to hook it up to the speakers.

“fuck’s sake!” you shout quietly, frustratingly trying to make it work. “i can’t do this shift without any music. my thoughts’ll drive me insane.”

“um?” oscar breaks the awkward silence. you jump and turn around. the first thing that they both notice is that you’re pretty. really pretty. even in the unflattering oversized neon green work t-shirt.

“sorry! sorry! i apologise. i didn’t think anyone was in the shop. please forgive me.” you look flustered as you move to quickly wash your hands and dry them. “what would you both like today?”

to be honest, logan hadn’t been thinking about the ice cream. oscar didn’t need to think, he was going to get his usual order.

“can i get two scoops of mint chocolate chip?”

“oh that’s disgusting. i forgot that you eat that.” logan shakes his head in shock.

“it’s good. you’re just a hater.” oscar rolls his eyes. “stick to your boring vanilla.”

“it’s a classic!” logan turns to you and asks for two scoops of vanilla and one scoop of mango. you smile and begin to start their orders.

“you guys aren’t from around here, are you?” you ask.

“nah. the accents give it away?” logan laughs as he slings an arm around oscar’s shoulder. oscar rolls his eyes again but makes no move to push him away.

“yeah. a little bit.” you pinch your fingers together as you say it. “i’m not really from here either.”

“no?” oscar replies this time, curious.

“international student. this was one of the few places that’d hire me with my insane schedule. i’m lucky i have the next month off, thankfully.”

“aren’t you going back home?”

“i could if i wasn’t scheduled to work here practically every day for the next month.” you finish logan’s order and move on to oscar’s. you shrug. “and i need the money. the job could be worse really, i just wish the speaker fucking worked and the air conditioning. luckily i stand close to the ice cream.”

“what do you study?”

“archaeology.”

“best place for that is probably here.”

“yes. i don’t know why but ever since i was a little girl i knew i wanted to come to greece and study here. this is the less glamorous side of it but i’m here doing what i love.”

“that’s all that matters right?” logan chimes in. you nod as you scan their orders into your till.

“that’ll be €7.62.” you say. “cash or card?”

“cash.” oscar says as he pulls out his wallet. he’s infinitely glad he’d prepared and went to the cash exchange in london before he’d left. logan doesn’t even bother to offer, he picks up his ice cream and starts to eat it.

oscar hands you the cash as logan moves to a booth right by the open door to take advantage of the breeze. you count back the change and place it right in his hand. his heart doubles a beat as your hands touch for a moment but the moment is broken as your phone suddenly decides that now is the time to work.

the speakers start blaring natasha bedingfield’s ‘pocketful of sunshine’. you curse, close the till with your hip and turn to fiddle with the playlist.

oscar thinks he’s a little in love.

-❀-

logan knows that oscar likes you, which is a problem because he likes you too.

this road trip was supposed to be about finding themselves, not finding you. yet, when they find themselves back in your ice cream store the next few days, it’s no coincidence.

“you’re back again! the american and australian.” on day four, you’re not alone this time. you have a colleague, a girl who’s slightly older than you. she smirks at the two of them like she knows a secret they don’t know. “i’m not the only international one here!”

the speakers seem to work normally today, playing elton john as you hum along with it. your colleague decides that it’s time to take her lunch break, slipping off her apron and leaving the three of you to it.

“same thing as every day? or are we changing it up?”

“what do you recommend?” logan asks earnestly. he’s not losing oscar to you, maybe if he charms you enough, you’ll pick him. he doubts you will.

“everything is good here but if you really want my opinion? the chocolate fudge is a real crowd pleaser.”

“i’ll take two scoops of that and oscar’ll just have mint chocolate.” logan pulls out his wallet, opens it to find a mix of euros in there. he takes a moment to pick at the right change when you shake your head at him.

“no, it’s fine. it’s on the house today. i’m in a good mood.”

“why?”

“a lot of reasons. you know what? i forgot that i didn’t even introduce myself. i’m y/n.”

“we know.” oscar is amused.

“how? are you psychic? i used to know a psychic once and i also watched that’s so raven. great show.”

“your name badge.” logan nods at your shirt as he eats a spoonful of ice cream. you were right, it’s amazing. not too sickly but just the right amount of chocolate.

“oh.” you bite your lip in embarrassment as oscar takes his ice cream.

“i’m oscar and the american is logan.” logan smiles and waves his free hand at you. “is the shop always this empty?”

“no. it’s really busy after school and at peak times. you just always come quite early. lucky. it’s hell in here when it’s busy.” you seem relieved for the topic change. “you both here on holiday?”

“yeah. a break from our jobs.”

“lucky. my best friend is back home and i wish she was with me. she’s planning on coming up at some point thankfully. i hate being here without all my friends.”

“i can be your friend.” logan says. then he immediately regrets it. what if you think that he’s a weirdo? but when your face lights up, he realises that regret was a fleeting feeling.

“i’d love that. let me take your number. one of the guys from my class is hosting a beach party tonight if you both wanna come.”

logan looks at oscar who shrugs as if to say ‘i don’t mind if you don’t’. logan turns back to you, who is the middle of unlocking your phone and grins.

“we’ll be there.”

he types his number in your phone and sends a message to himself to save yours.

“i’ll text you the details.”

the speaker interrupts the moment that you have as it starts to malfunction. you curse again and throw your hands up in annoyance.

“stupid fucking speaker! so stupid!”

-❀-

the party is already well underway, when oscar and logan arrive. logan didn’t bother with buttoning up his shirt. he wasn’t necessarily the most confident man in the world but he was comfortable with his nakedness in a way that oscar didn’t think he’d ever be. oscar was in a undershirt with a loose overshirt.

you finally make your way over to them, panting slightly. you’re wearing a plain white bikini with an open oversized orange and yellow patterned hawaiian shirt. your hair is free from the bun they’ve seen you in work with. you smile, easy and happy.

“my two favourite customers!” you sling an arm around the two of them, hugging them so close that they can smell your perfume. “come on, let me introduce you to the five other people i know.”

you lead them down to the bonfire, where three girls and two other guys are crowded around. they cheer when you arrive with the two of them.

“guys, this is oscar and logan.” they wave politely. “oscar and logan, this is anya, jerome, alex, sienna and jaya.”

the group all cheer and welcome the two guys. it’s clear that everyone is already buzzed. oscar has never really been a big drinker so he declines a beer when offered. logan shotguns it, the residue dripping down his face. you laugh and attempt to wipe it off his face. logan goes lax in your touch and oscar can’t watch anymore.

the speaker that someone played is playing shakira as the two of you giggle in your own little world. oscar turns to jerome? or was it alex? and starts a conversation. talking about some footy game that they were watching earlier. oscar is about as into football as the next guy, but he really needs to focus on something else besides the two of you.

oscar knew that logan had always harboured some sort of inferiority complex when it came to the two of them, but logan had something that oscar doesn’t think he’d ever have - being genuinely likeable.

oscar knew he’d have to win because no one would support him as a loser. logan is just likeable regardless of what position he’s in - an underdog if he loses and a force of nature when he wins.

likeable gets the girl.

-❀-

you decide to walk the two of them to the end of the beach. the night is inky black and the only light is the remnants of the bonfire you’d lit earlier. logan is buzzed, oscar is distant and you’re still vibrating from the fact that logan made the two of you run into the cold water with him in the middle of the night.

“tonight was fun! i’m glad you were both able to make it!” you lean in and hug them both goodbye. logan swears you’d lingered a little longer while hugging him. “i’ll see you both at jim’s ice cream?”

“what is that?” logan asks bluntly. oscar elbows him lightly, not hard enough to cause damage but just enough to wind him slightly.

“the ice cream parlour she works at dumbass.” he turns to you. “we’ll see you there”

“well, i do work there. so yeah.” you laugh. all twinkly and bright. then you’re waving and jogging back to your friends. oscar watches logan look at you and sighs.

“come on man, let’s get you back.”

-❀-

logan wakes up with a hangover the next morning. oscar is a good friend and runs to the continental free breakfast and sneaks him out some waffles, croissants and eggs. he walks to the pharmacy again, paying for some ibuprofen (at least he hopes that’s what it is) with his cash and runs to the corner store to grab some extra snacks.

logan’s eyes are wide with both joy and disbelief. joy that something is there for his splitting headache and disbelief that oscar would do that for him. oscar feels a little ball of guilt unravelling inside. how bad had he let their friendship become?

they spend the day inside for the most part. watching television together. then they go outside to the pool, logan immediately jumps in but oscar sits on the side. he pulls out his phone and scrolls through the texts that he’s been ignoring. the ones from some friends, his mum, and you?

it’s not a coincidence right? that you spent the whole evening with logan and text him the next day?

he holds the phone close to his chest. he doesn’t want logan seeing this. he doesn’t know why that is. he quickly texts you back. then logan shouts.

“hey oscar! come in! the water is gorgeous.”

oscar grins and slips into the water, keeping his shirt on.

-❀-

the two of them end up at the steak restaurant together that night. they’re both dressed as nicely as possible. oscar in a nice sweater and logan in a dress shirt. the maître d’ smiled knowingly at the two of them and led them to their table.

“he thinks we’re together.” oscar whispers to logan.

“are we not?”

“we are in the literal sense. i meant in the romantic, relationship sort of sense.” logan laughs and bats his eyelashes all coy.

“oh no! oscar are you breaking up with me?”

“obviously. i’m leaving you for my secretary.” oscar’s deadpan voice just makes logan laugh harder.

“i knew it, that skank! i’ll get him fired.” oscar laughs too, breaking out into an easy smile that comes easily when logan’s around.

the sounds of the restaurant move around the two of them as they peruse the menu for a long time. it’s been a while with no conversation when oscar bites the bullet and brings it up.

“hey.” logan looks up. “i’m sorry.”

“for the secretary? don’t be. i’m running away with the pool boy.” oscar shakes his head, smiling.

“no.” oscar says. “for what happened. letting our friendship fall to the sidelines. i didn’t mean it but it didn’t excuse it. i really do like being your friend logan. i wouldn’t jeopardise that.”

logan is silent. oscar wonders if he’s crossed some unspoken line. he bites the inside of his cheek and looks at the wall of the restaurant’s decor. it’s all dark in here. would it kill them to buy some light bulbs? he understands its for ‘ambiance’ and that shit but he’s worried that he won’t be able to find his steak in the darkness.

“i was gonna say i was sorry. i thought it was my fault. that you didn’t want to be friends with,” he cuts himself off, laughing awkwardly. “a loser.”

“no. that wasn’t it. you’re not a loser, not to me.”

“i am. that’s a fact. it’s okay. you’re very nice for that but, it’s just not true.” logan swallows thickly. “now, should i get potatoes or fries as my sides?”

oscar doesn’t comment on logan’s facial expression, that he looks like he’s holding it together by a thread. he knew emotional vulnerability took a lot out of him but it was harder on the person who admitted failure.

“potatoes.” logan grins and nods before calling over the waiter.

-❀-

the next time you saw the two guys was two days after the bonfire party. they came in laughing at a joke that had happened way before they had even walked in. you find yourself standing up as soon as they enter.

“hi! y/n!” logan’s smile is always wide and happy to see you. oscar’s smile is muted but it’s still sweet. “what would you recommend for me? i liked the chocolate fudge.”

“hmm,” you think, running your hand along the counter. “we have a new flavour, chocolate covered raspberry? it’s quite popular. i think you’d like it.”

“i trust your judgement, ice cream girl.”

you crack a smile at the nickname, the smile so big that it momentarily hurts your face for a moment. you turn to oscar.

“and what about you?”

“same as usual, two scoops of vanilla.”

you nod, getting to work on the ice creams. you even offer to pay for them but they argue, threatening to shove it all in the tip jar anyway. oscar pays and when your back is turned, logan shoves twice the amount into the tip jar.

“wanna sit with us in the booth today y/n?” logan asks, taking a spoonful of his ice cream. “it’s not like anyones here.”

oscar looks up at you with his wide eyes, not really eating his ice cream. he just swirls it, until it turns into a sort of thick soup. you shrug and slide into the booth across from the two of them. you don’t have anything else to do and if a customer does decide to walk in? well, you’ll just slide back behind the counter.

“so, what’s your plan for the future?” logan grins. “and i know it’s the worst possible question to ask any young person but i’m curious. what’s the goal? is there one? it’s okay if there isn’t.”

“dream is to become an archeologist and backup plan? i don’t know. work in an office or something? maybe teaching. i haven’t thought that far ahead just yet.” you bite your lip and look out the window for a second. the day is hot, and you’re stuck inside. “what about you two? what do you do?”

“we uh, we drive.” logan looks at oscar.

“oh like uber? cool.”

“yeah, isn’t it?” oscar smiles at you.

“i still haven’t gotten my licence just yet. taxis aren’t too expensive and public transport is decent. also everywhere i need to be is pretty much walkable.” you smile at them. “have you visited all the touristy places yet?”

“not everywhere but we’re here for a while. we’re going to travel to santorini, mykonos and corfu. i’ve already planned them out.” oscar swallows his bite of ice cream. “scheduled to the exact moment we get there and get back.”

“an exotic european vacation.” you grin, waggling your eyebrows. logan laughs despite the joke not being very funny. “i’m jealous.”

“you could come with us.” oscar blurts out, his cheeks pinkening. “you’re probably busy though right? don’t worry about it. it’s weird.”

“no, no. it’s not. it’s very sweet and tempting.” you look outside the window again. “i’m not free for the whole time, but, definitely i could join you for a week? jim won’t care.”

“jim’s a real person?” logan asks, eyes wide. you laugh.

“yeah! he’s british actually. came over here when he retired and bought this place. he was one of the few people that’d hire me. my mum’s british.” you nod. “it’s a pretty decent job. if you ignore these hideous uniforms.”

you pull on the neon jim’s ice cream parlour shirt, face crumpling in disgust.

“you look good.” logan says, shyly, as he tongues the last of his ice cream. “this is good too. the ice cream. i knew i trusted you for a reason.”

-❀-

santorini is exactly like the instagram photos. well, despite being slightly too hot, a little less vibrant and he’s here with you and logan. logan has kept his shirt on this time, a loose linen blue one with a pair of shorts and flip flops. you’re dressed in a white skirt, a cropped tank top with a massive handbag.

oscar wants to do something crazy, like reach out and hold your hand or put his arm around your shoulders. he doesn’t because he’s not insane but he thinks about it for a solid moment. thinks about the way you’d curl into him or the way your shampoo would smell. he shakes his head.

“you don’t like it?” the two of you turn to look at him. fantastic. now he looks weird. his eyes widen.

“no, no! i love it. it’s lovely.” he reaches into his pocket, shaking hands grabbing his phone as he takes a picture. “i was thinking about the best angle to take this picture for my mum.”

“i’ll take a photo of you against the backdrop? maybe the both of you. your mum might like that. logan said you two were childhood best friends right?”

oscar nods. at least you bought his story. he stands against the barrier and smiles, awkwardly. he’s sure that all the other tourists are looking at him and thinking ‘what a weirdo, his crush on her is so obvious. she wants his best friend clearly, why even try?’

after a moment, logan stands next to him. logan dissipates the awkwardness with a wave of his hand and the two of them fall into an easy grin. when logan leans in and tells a joke, oscar finds himself laughing loudly with the click of your camera as background noise.

he sends it to his mother later on, when he’s in his hotel room with logan snoring in the room across from him. she texts him back quickly.

-❀-

— from mum.

well, it looks like you’re having fun honey!

— to mum.

yeah, i am.

-❀-

it doesn’t even feel like a lie when he messages her back in the cooling heat.

-❀-

it’s three days into the trip and two weeks into knowing the guys that you realise that you have a crush. it’s only a small inkling but you know it’s serious because no matter how much you try to dissuade it, it keeps popping up.

when you’re eating, when you’re brushing your teeth and even when you’re picking your outfit with him in mind. does he like blue? is he more of a yellow guy? or is it pink that’ll catch his eye?

the three of you head to a restaurant that night. it’s a seafood place, the three of you laughing and joking about something you’d seen earlier. they look good. smell good too. they even argue over who’s going to pay for the meal and look at you like you’ve got three heads when you offer to pay.

“it’s fine y/n, you’re a student.” oscar says, smiling as logan gives up. he pays quickly, all cash with no fuss. “we can get it.”

“ubering must make you a lot of money.”

“yeah. something like that.” he smiles again. this time with no teeth as he gets the receipt.

-❀-

logan goes to bed early that night, citing something about his family being desperate to check up on him. it leaves just the two of you outside in the corfu evening air.

“want to go for a walk?” you ask, looking at him earnestly.

“yeah. sure.” he’s trying not to be too eager. not to scare you off. the two of you start walking down the street.

“i always like to go for a slow walk after a big dinner. i feel like it probably helps with digestion.” you speak quietly, as if not to disturb the silence of the street. he likes your voice and is willing to listen at any volume you decide.

“i think it does. i try not to eat too much.” oscar responds, shoving a jittery hand in his pocket. “i can’t gain any weight for my job.”

“yeah, logan said. that’s weird. what kind of uber driver has a weight limit?” he shrugs and smiles. “do you miss australia?”

“sometimes. i’m used to travelling though. i’ve done it for so long.” he looks at you. “what about you? do you miss your home?”

“eh, i wanted to get out of there as soon as possible. i wanted to remake myself. i was gonna do it all y’know? a name change and everything.” you look up at the stars for a moment. “i didn’t go through with it. even if i changed my name, i’d still be y/n really. inside.”

“i get that. i think.” oscar looks at the gorgeous landscape in front of him. he ignores all the people milling around the two of you. to him it’s just you, him and the view. “so, y/n-“

your phone interrupts him. a loud, obnoxious ringing noise. you mouth an apology at him when you look at the caller id.

“sorry, it’s my best friend. she wouldn’t call me if it wasn’t important. she’s more of a texter anyways. do you mind?” you point at your phone. he shakes his head with a smile. you disappear to take your call and he finds a bench to sit on. he leans back, closes his eyes and takes a deep breath.

what was he thinking? asking you out? thank god the world or fate or god or whoever is in charge, stopped him before he made the biggest mistake of his life. you liked logan and he didn’t blame you. he really, truly didn’t.

when you come back, you ask him what he was going to ask. he shrugs. it wasn’t important anyways, he says. he asks what happened with your friend and listens you chatter all the way back about your friend’s current work drama.

-❀-

the next morning, logan and you head down to breakfast together. it’s a continental breakfast that the hotel offer. it’s good, with a wide spread of toast, pancakes, omelettes, cereal, fruit and sausages. you load up your plate, happy to get food for free even though technically you paid for it.

logan’s plate is smaller. you think about what they said earlier about weight limits and feel a pang of sympathy. i mean, your job was not very well paid but at least it gave you freedom in your spare time to do and eat whatever you want.

“is oscar not coming?” you ask, forking a fluffy piece of omelette and hash browns in your mouth. it’s gorgeous and you’re hungry.

“nah. he’s not feeling too good. i’ll bring him some breakfast in a bit.” logan methodically goes through his breakfast. slow, small bites and chews it for as long as possible. “wanna go for a swim later? it’s hot as hell outside. i feel my skin melting off.”

“you are going a little red.” you tease. he smiles again, shyly. his face does go red when you lean forward and press your cold cup against his cheek. “a little better?”

“it’d be better if you’d go swimming with me.” he smiles.

“of course i will. can’t leave you by yourself. who knows what’ll happen.” he laughs this time. “now wanna try some of this omelette?”

he sits politely as you lean over and feed him a forkful of the spinach and cheese omelette. for a moment, the two of you look into each other's eyes as you feed him. he turns away as soon as it’s okay and chews the bite.

“good?”

“yeah. yeah. it’s good.” he smiles at you. “let me just get some more water for us, be back in a moment.”

“is it getting too hot for you?” you tease.

“a little.” he sheepishly grins again. “let me cool down.”

-❀-

it’s your last day with the two of the guys before they drop you back off at the bus stop to go back to athens. your heart is still pinching at the thought of leaving, but you decide your last day can’t be in vain. they’ll be going home soon so it’ll be the best time to admit what you already knew. what you had known for the whole time.

you’d been on the phone with your best friend who had helped you to write a pros and cons list.

— pros - you could be a girlfriend to a great guy. you would be happy. you would have a rich boyfriend (your bff added that). you could touch them in any way they’d let you. you could sleep together. you could also sleep together (bff again). you would have a great time. you would have fun. would it improve your life? potentially.

— cons - they could say no and you’d have to jump off a cliff. they could be dating each other and you’d be embarrassed that you didn’t figure it out. they could laugh at you. they could be disgusted. they could be nice about it and gently let you down. they’re not even from anywhere close to greece. it’d be a long distance relationship. could you even deal with that?

you shake your head and lift your hand up to his bedroom door. the wood is cold under your knuckles. the world still moves around you, tourists laughing in their rooms and people walking around. their voices murmuring.

as your hand hovered there, you thought for a moment. about how this could change everything. was it too soon? too risky? then you remembered, it’s now or never.

take the plunge and with that, you knock.

liked by anyaaaa, alexjohnson and 183 others.

yourusername: this summer is going well. made two new friends, spent half of my savings and made some new memories and isn’t that what life is all about?

anyaaaa: when are you coming back? miss u girl!!

-> yourusername: soon! i just need to figure something out first.

-> anyaaaa: you’ll figure it out. you always do. can’t wait till you come back <33

taglist: @decafmickey @nichmeddar @casperlikej @purplephantomwolf @cuteskz @booksandflowrs @mxdi0 @alexmarie29 @luckyladycreator2 @23victoria @molten-m122 @evie-119 (want to be removed? or wondering why you weren’t tagged? check your tag settings or send me an ask!)

[tangents-within-tangents]

Thoughts on Echo as amputee/disability representation

First and foremost, I am not disabled or an amputee and I don’t claim to speak for those communities (and if I was I couldn't speak for everyone). What little I do know mostly comes from this youtube channel (@oakwyrm), this post, and other research I’ve done for my writing (and like one amputee I kinda knew in passing). By all means correct me and add to the conversation, I just have some thoughts I want to share because I haven’t really seen this discussed anywhere

Overview

So Echo is interesting. He is a triple amputee which is pretty rare in media. His disabilities come from extremely traumatic circumstances: injured in a near-death experience, imprisoned and dehumanized as an experiment with no autonomy over what happened to his body.

There are a few moments in the shows where Echo is treated… questionably. Like this bit where Rex uses him as an example of the Separatists' evils to convince the locals to fight back:

To be fair, yeah Echo’s treatment does prove that the Techno Union is not neutral like they claim. The modifications that everyone is gasping in horror at here obviously weren’t made with comfort and accessibility in mind, nor with Echo’s consent. But you still just want to be sure that “They took away his freedom, his humanity, they tried to turn him into a machine” is about using him as a living computer, not the fact that he is missing limbs. 

The Batch is also pretty insensitive toward him and his trauma imo, which is weird considering they've supposedly also faced discrimination for their mutations

Disabled people do have to deal with stuff like this in this day and age so I guess it can speak to those experiences. I think especially him being mistaken as a droid (and Hunter going along with it (bruh)) might resonate with some people. 

Aside from that stuff, Echo isn't really treated any differently as a character/person which is really good (as low of a bar as that is).

We get this moment in CW where Echo contemplates that yeah things are gonna be different now

While also (imo at least) showing that he is still the same person regardless, evidenced by the fact that he just echoed Rex :,) I also think it's significant that he joins the Bad Batch on his own terms and we're given a really emotional scene to specifically show that he's not just like 'lumped in with the other misfits' but that it is his choice to go where he feels his place is.

A lot of people, myself included, are disappointed that TBB didn't have more time to explore Echo's PTSD, but I think the one panic attack scene we did get is really good. Even thought it's minor it at least is an appropriate reaction from a guy who was medically tortured (which is more than I've come to expect from Star Wars shows lol)

And it's really sweet to see Omega showing Echo some empathy and consideration.

It would have been nice to see more of his adjustment period, and other side effects like chronic pain and maintenance, but there’s a lot of daily life stuff the show never had time for (i.e. we don’t know if he removed his prosthetics to sleep, but we also never saw him sleep anyway). His disabilities might take on a background role (much like the character himself sadly) but for the most part they aren’t invisible or erased, nor do they define his character and arc.

Physical Appearance

Okay this one is bit dicey, bc on the one hand, yes complaints that Echo’s paleness (most likely caused by burns from the explosion or chemical burns from the cryo-chamber) is whitewashing are totally valid. But I also think you can draw comparisons to real life conditions that affect pigmentation/complexion (like you know burns). So while I understand why a lot of fanart will depict him with his original skin tone and with hair, consider that there are real people who have to live with temporary or permanent changes to their appearance, and the idea of “fixing" him by making him look more like his old self can be problematic.

It's also interesting to note that Echo could act as a reversal of the 'disabled/disfigured = evil' trope. He's pale and bald and wears black and red, which is so often visually associated with villains, but we all know Echo is the bestest boy™

The Headpiece

Echo’s headpiece is interesting because within the show we don’t actually ever learn much about it (idk if there is more info in books or whatever bc i don’t have them so?). He didn’t have it in CW so we know it didn’t come from the Techno Union and therefore Echo probably had more choice with it. We don’t know its exact purpose but it’s most likely related to his scomping abilities. When he is hacking with his scomp in CW, before he has his headpiece, it’s clearly very mentally straining:

We don’t see him struggling like this in TBB once he does have it (though that could be bc he got more used to it over time). There doesn't seem to be much of an impact when he removes his headpiece in s3 ep14-15, except that he gets stuck in the ports every time he uses his scomp which is not something we’ve seen before: 

There might not be an exact real-world equivalent, but the headpiece is some kind of accessibility aid. It means that someone specifically designed a device to help him adapt to the changes the Techno Union made, as well as a helmet that integrates it. It’s removable and visually very present, much like a cochlear implant would be. (A lot of people actually headcanon it to act partially as a hearing aid, since it makes sense that Echo’s hearing would have been damaged in the explosion, but there isn't really any indication of this in canon.) The headpiece is never really acknowledged in the show, but I think that's a good thing. It's something he needs/wants and it just exists, completely normalized, and that's pretty cool 👍

Legs

Sigh... So from the very first episode of TBB I was really disappointed that the animation team or whoever completely visually erased Echo’s prosthetic legs (I think we all were, honestly, if fanart is anything to go by). It’s one thing when he’s in armor because he would probably want to protect his prosthetics, but we literally see him in his blacks and there is no indication whatsoever that he lost his legs even though it was not left up for debate at all in CW:

Like ??????!?

This is just really strange to me! Idk what went on behind the scenes with this decision but I don’t really see why it would be that much harder to animate or anything since it’s 3D and they've done it before. We do see some pretty sophisticated cybernetic technology in Star Wars canon that mimics real limbs:

But Luke’s fancy hand is technically 20ish years from now, so Anakin and Maul are more of a representation of what level we could expect here

So yeah, for no apparent reason, his leg amputation is effectively, visually and narratively nonexistent. Which is not great 👎

Arm!

The scomp on the other hand (uh lol!) is the complete opposite and I kinda love it!

At first I, like many others, thought it was a bit odd that they didn’t give Echo a prosthetic arm. Losing hands is basically a Star Wars tradition at this point, so robotic arms/hands are well established within the worldbuilding: 

We aren’t necessarily given a canon reason for why Echo doesn't get a cybernetic arm (again unless it's in some lore book I haven’t read, sorry). General fanon explanations I’ve seen are that he either couldn’t because the Techno Union wired the scomp too far into his nervous system, and/or the resources to give him one were deemed too expensive for a clone (what about his legs tho?), or that he chose not to, usually because he thought the scomping was useful. 

Regardless, I actually really love this choice (and it's the whole reason I made this post), because here's the thing: There’s a lot of problematic tropes out there that either erase/cure disabilities or compensate them with perks (like how pretty much any blind character is actually not blind by some sort of magic power). With amputees that is done with robotic arms. The character is still an amputee or course, and there is still value in that representation, if this story from Mark Hamill that makes me tear up is anything to go by:

but for the most part these characters function like anyone else, just with a limb that looks a little different. It’s no more than a video game skin, an able-bodied actor with a green screen glove. It “cures” the disability, or it actually makes the character even stronger than usual: 

It usually makes sense within the world of the story, but the reason it’s not so great in my opinion is that in the real world we just do not have technology anywhere close to that yet. Prosthetics can more or less replace any mobility from lost legs, but not for all the complexities of a hand (and even if they could the average person wouldn’t be able to afford it).

So

I think it's actually really super cool that Echo’s scomp bypasses the canonically-established amputee erasure and functions much like a stump would irl. He integrates it into his movements and everyday life and it’s (as far as I know) a lot closer to an everyday amputee’s experience. 

It doesn’t define his character, it doesn’t hold him back, he lives a full life, the other’s don’t treat him any differently, and he’s still a total karking badass 

The only additional thing is that he sometimes uses it as a weapon (which given his story, I think it’s cool to see him taking back autonomy in a way, and we only see that like twice)

And also the scomping, which could be seen as the 'added/compensating superpower' trope. But narratively it's no different than if he was plugging in with a hacking gadget of some kind (he didn't necessarily "need" to lose his arm for it) and it’s not like Echo is completely defined by this skill. Personally, I think it's well worth the positives of him actually having a visible and realistically impactful amputation. 

I see a lot of posts or comments out there that say stuff like “how come Echo doesn’t get a hand?” or fanworks that do give him one and I just think it’s a bit of a shame. If he did get a robotic hand, it just would have disappeared the same way his legs and Anakin’s arm did (aside from that one time he got yoinked by a magnet). When Echo did “get a hand” in the last two episodes there were comments like “yay he finally got a hand! but it doesn’t even work” but I was actually so relieved that it didn’t! Bc for one thing that wouldn’t make any sense, he grabbed it off a droid, it wasn’t designed to implement with his scomp, that would be really complicated. But more importantly because it again refused to erase/cure his disability! It functioned like a real-world cosmetic prosthetic (useless beyond appearance) which is exactly what he needed it for, so that he could blend in better with his disguise.

And he continually took it off throughout the episode and ditched it at the end. He only used it for the necessity of a stealth mission, he doesn’t feel the need to visually “fit in” in his daily life. 

And, last but very much not least, he made a dad joke and from my intel that is very accurate representation!

TLDR: Echo’s scomp is actually really cool from an amputee representation perspective, especially within Star Wars, and I think that deserves some appreciation 

[gothiethefairy]

so, i've been thinking about laios's relationship with his mother. we all know about his daddy issues by now, but no one thinks about his mother. i mean, he disowned her as well. he hardly talks about her. he has a lot to say about his dad but when it comes to his mother, the most he'll say is "idk, she was kinda sick a lot."

and i think it was because he did hold her on a high pedestal. she's his mother, his protector. i know for sure she babied him a lot. mothers who's first-born is a son mostly do.

she was the one who even gifted him his precious monster manual!

so, what happened? why did he also lump her with his father and decided "i'm never speaking to them ever again." ?

to put it in simple terms, it was falin. laios was so upset about how his parents treated the situation about the villagers' abuse to falin. both of them didn't know how to handle it, but they both failed at protecting her. the best their father can come up with is sending falin away to the magic school. (without explaining why bc their dad sucked at communicating with his family.)

their village was also very conservative, especially towards magic-users. i always found it to be odd since magic does seem to be the norm in the "dungeon meshi" world, however evidence shows it's not all well-known all around the world. i mean, rin's parents were burnt to death for using magic that was thought to be "black magic".

and falin's natural magical talent being "talking to the dead" would make anyone nervous bc that could be linked to black magic.

their mother is always described to be "frail", and i bet it's mostly because she's very superstitious. gotta be honest here as well, she maybe wasn't mentally healthy. this is just an assumption but their mom comes off as paranoid and anxious, and then does these made-up rituals to try to "heal" her daughter.

hurting falin like this was the final nail in the coffin for laios, because maybe he thought he could rely on her? "hey mom, can you tell dad not to send falin away? please?"

yeah, she had "good intentions", but she still abused her daughter? because she made the situation about herself and went "oh god, it's my fault my daughter is a freak. i have to fix this."

also, laios looking so stressed and haggard here makes me so sad. like, what if their mother did something similar to him when he was younger? he wouldn't care about himself getting hurt, but seeing his own mother doing it to falin is nerve-wrecking.

the way both siblings are portrayed as autistic in different ways is important to their characters. just because falin understood why their parents did what they did, doesn't make it okay. they still hurt her, and laios knows that. and in a way, they hurt him too.

if their parents couldn't protect them from awful, nasty people and expected their children to just bare it, how can laios trust them?

this is scary to see for a child.

after that, he pretty much gave up on his parents and never looked back. but i also think, if he misses them, it's more his mother than his father.

afterall, he did his best to keep his monster manual safe.

[hauntingofhouses]

Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

--

Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

--

Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

--

Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

--

And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

--

AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

[bapple117]

Figured there was no harm in double checking lol. So… do you think bill is even capable of desiring or wanting sex? Would he just…….. be doing things to people lmao, can anything of his be touched sexually? Also maybe a weird question, but has Doc even felt anything physically like that, being that they have a human body, or no?

Okay I'm gonna be answering this after the jump - fair warning! My answer is 18+, minors DNI, and anyone who feels weird about thinking about the characters in this context just SCROLL AWAY! I'm serious! I'm answering this in a mature way, taking it seriously as an interesting question. I don't want any judgy looks, so I'm giving you ample time to walk away right now... Okay! With that disclaimer said...

So in regards to what I think about canon!Bill - I think he'd have fairly little to no interest in sexual gratification for the most part, given the fact he doesn't have a corporeal form / genitals (that we know of LOL) in his triangle state.

I think he would probably enjoy the psychological aspects of controlling / influencing someone ELSE'S physical experience, though - in a consensual scenario, I imagine he would be the one exclusively doing things to the other person, getting more of a mental satisfaction from it rather than physical. Like, "Huh! Poking you there makes that kinda reaction, does it? Well, this just got interesting!" sort of deal.

I also think gratification via proxy is an interesting concept too, ie, Bill possessing a human and experiencing what they feel through them. I've read fics exploring this idea - both the human being consciously aware of what's going on, with Bill inside their mind feeling the same sensations and controlling them - I think that's as close as canon!Bill would get to experiencing real sexual feeling / gratification.

Obviously there's scope there for a more non-consensual reading of those situations, but I'm not really one for non-con so I won't comment on that.

In regards to fanon!Bill, I think there's more of a spectrum available for exploration, depending on what that version of Bill looks like. I've seen lots of takes on human!Bill (both art and written) that explore him coming to terms with having human sensations / desires in a really interesting and nuanced way, and I think that's a really cool approach. A non-human entity suddenly becoming human and being like "Ew, gross! This body is weird. But... food tastes nice and being touched is fun..." is a trope I greatly enjoy, personally. In regards to MY Bill, as in, the one I am writing in The Theraprist... Hrm. The one I'm writing is going through a lot of character development that isn't present in canon so it's hard to compare, but I think it would involve a mixture of the above with some slight differences. My headcanon is that he has erogenous zones even as a triangle, so any kind of intimacy with him wouldn't look like typical intercourse, but would be possible in a manner of speaking. Maybe his edges are sensitive to being licked, etc etc.

I won't be writing anything sexually explicit IN The Theraprist, but if I were to explore that in a seperate work (maybe a one-shot or something) I would definitely go for that angle (pun intended.) Obviously, if it was happening in the Mindscape... Well. That opens a lot more opportunities. Anything is possible in there... In regards to Bill's past on Earth, times he possessed humans... Well. That's actually something I'm going to allude to in the fic itself, so I'll keep my thoughts on that up my sleeve for now. As for Doc, I think I'll mostly leave that up to reader interpretation, as I wouldn't want to project my own headcanons on to a character who's meant to be a faceless blorbo anyone can insert themselves in as. BuuuuUUUuut if I AM coming at it more from a "this is my original character" point of view, then I'd say that... Yeah I think they've been around. They've been alive for thousands of years and can turn into anything they want - I'm sure they've fooled around with something at SOME point. Not as a human, though - them turning into a human to be Bill's therapist was the first time they had shifted into one, ever. I touched briefly on the whole "getting used to human biology" theme with them here and there, hinting at the potential for more...

Maybe I will explore it more explicitly eventually! Hope that answers your question :)

[orengejoshi]

I can not believe im asking you this but I saw a post about flug having eggs or something? Is that like mpreg? I kinda know what it means bc I've seen sans au x sans au before. But whats with the eggs? Im not offending you its just idk that much in mpreg and i also don't draw any of it. (This is not to offend anyone im just curious.)(also love how you draw flug Hes my favorite character.)

Haha yeah it kinda is! I made a few arts this year where Flug takes care of eggs.

Don't worry you're just curious, that's cool💛 I don't feel offended

there's no other thing I get as many requests for as for mpreg with Flug so I feel like it's a good time to say:

I know it's called mpreg in fandom terms, but I for one don't even think of it as that inherently suggestive trope; I genuinely just think it's cute and silly. pregnancy is a beautiful thing in my eyes, and not a kink for me personally. there's no issue with it, but I'm saying that's just not my motivation. I headcanon Flug is a transman who still wishes for an own baby, like me. it's kinda coping for me to draw Flug going thru smth I wish for irl as well. I relate to him bc he's taken on such a good parent role for 505

this reasoning is gonna be super rare, most people who enjoy/draw this explicitly do NOT want children irl. idk why others draw it tbh... but this is just me.

so the reason I usually always choose eggs is bc I mostly draw the paperhat ship... and since Black Hat seems to have more reptile or insect features I figured his offspring would probably grow in eggs instead of live. he's basically an alien, right

you can canonly have Black Hat's offspring! in the old orientation video on youtube "Los casos perdidos del futuro" exactly at minute 7, Demencia hints to the fact that by drinking his saliva you can have his spawn.

they never actually showed anyone doing that but I'm just assuming they'll come in eggs.

his spawn does not look like this^, Alan has drawn it in a livestream; it's just an eldritch clump of eyes, teeth and tentacles on the floor. in reality Black Hat is the only one of his species and he's unable to create another independent sentient creature like him.

so I drew what I imagine them looking like if he could (a lot of people asked for that anyway)

Thank you for loving my art💜

[elementroar]

Question about Paracelsus, does he actually like aba? I’m guessing in the older game, he mostly tolerated her because she can fight (except for the fact he deliberately chooses not to control her) but in the new one, I’m pretty much confused. When he ends his transformation, He says “That’s my answer, ABA, As your partner.” Problem is that I have no idea which meaning of “partner” he meant. It could be just fighting partners but him having a whole emotional speech and transformation for a “business partner.” If I try to look at the view of actually going for ABA’s dreams for marriage, it feels incomplete and odd because she is slowly transforming him into what she sees fit. Please I really want to know what he meant!

Side note: ABA’s feelings of jealousy and abandonment are completely valid as Paracelsus has done that! To her face! WITH A RANDOM STRANGER TO HER!!! In night of knives volume 2.

Life partner, since Paracelsus no longer really wants to fight on principle, so 'fighting partner' like he used to regard A.B.A as and originally hoped she would regard him as, that's out of the window. So if he's still resolving to stay with her, it's as a life partner. The extent of what that means to him is prolly different from A.B.A, but that can evolve over time.

Because Paracelsus, as he has stated, is an axe. He understands relationships in axe terms, which is he acknowledges his wielder (which he did acknowledge A.B.A as at the end of Night of Knives) and he kills other people that threaten them. His whole situation-ship with A.B.A has forced him to be involved in roles he was never equipped to deal with and was forced to adapt to - being an emotional support, being an actual object of attraction, having to constantly protect his wielder from herself, having to be a counsel on social norms that he shouldn't know all that well to begin with as an axe but he's expected to, having to communicate on behalf of his wielder to navigate social situations and dispel conflict - quite literally none of these are on the checklist of 'being an axe that kills people real good.

Yeah he wanted to leave A.B.A in NoK, and honestly who wouldn't? From his perspective, she was hellbent on not treating him as the weapon he wanted her to treat him as. She was figuratively and literally emotion dumping on him constantly, what with the empathetic bond prolly not helping matters. And he kept trying to dispel every delusion and assumption she had about their relationship constantly. As he was being sexually harassed despite his protests and mid-battle, constantly.

But even back then, Slayer implied that Paracelsus never hated A.B.A personally, but her constant advances, the situations they got into, it was all frustrating to him when he really wanted to be 'just a weapon' back then.

We kinda skipped Paracelsus character development up till STRIVE but IMO, I think he figured out he had to be proactive with A.B.A, cause sticking with his "I'm a weapon, and only a weapon" principles wasn't helping. He accepted that he needed to be the responsible one of the two, that he had to kick his blood habit because it made him lose control and also got them into fights etc. He accepted that he had to change for the sake of A.B.A.

Thinking about marriage for them is kinda falling into the trap that A.B.A fell into IMO. Her theme hints that being bound by specific definitions of words or expectations may have prevented her and them from organically growing their relationship, whatever it can or would be.

Part of her major development is that she acknowledges she's been obsessed with the idea of love, but not actually truly understanding what it is. Her obsession with Paracelsus is more of her playing the part rather than understanding the feeling. Part of her growth was choosing to let go of Paracelsus for his own good, and in fact it was an expression of true love, even though she didn't realize it. Paracelsus is also learning about love and Elphelt suggested that looking out for someone is in fact a form of love, and that surprised him. He didn't seem to realize that the steps he's taken to take care of A.B.A are expressions of love themselves either.

As Paracelsus explained to A.B.A, he's not sure where their relationship will go or what the future holds for them. How their feelings will develop is still up in the air, but he tries to show A.B.A that if he could change so much, then she can too. The idea is that they're finally free to be whatever they're going to be, and they're choosing to stick together to that end, and that's the most important thing.

[k8-marsh]

songs that sound like chloe price sung them

okay so (naturally) i have playlists for most life is strange characters and i found a bunch of songs that sound like chloe sung them! :) it sounds more like her voice in 'before the storm' (rhianna devries) if anyone is interested. so yeah! i just thought it was cool! a lot of the songs also really suit chloe in their lyrics/genre too ^^

also i added photos to help you. visualise. hope you enjoy.

Sorority Girls - Mommy Long Legs

this one is so very chloe, especially with her hate for the vortex club (more specifically, victoria and nathan)

Hey, hey, hey, boys, let's go to the frat party The theme's white people, get your roofies ready Shoot their parent's money away And act like assholes every day!!!

I Threw Glass at My Friend's Eyes and Now I'm on Probation - Destroy Boys

honestly, for all of these songs the entire song sounds like her! this whole album in particular 'Sorry, Mom' is very chloe.

anyway i think this song could kinda be about chloe and frank ;

'Cause you're scary as shit, dude! Like I don't know really know what I can tell you You kinda freak me out, but we can be friends

Never invite me over ever again Just kidding, please do! I really wanna hangout with you

obviously NOT in a relationship way but frank was definitely a bad influence on chloe and someone she kinda looked up to. so i think it kinda fits!

Duck Eat Duck World - Destroy Boys (again)

okay... i'm about to put the whole album at this point, the singer's old voice really sounds like chloe!!!

this song seems like other people's criticisms of chloe;

Ever since you cut your hair You're so different, you don't seem to care Staying out late, X's on hands Since when do you like punk rock bands?

then this verse kinda seems like chloe talking about max leaving her -

I liked the girl with the long locks What's her name? I forgot Ten years and we haven't talked Well, there's a new girl on the block

and the 'new girl' is rachel!

Green eyes leaning in on me Green eyes, am I what you wanna see?

guess who has green eyes... that's right guys. rachel amber. are you seeing these links or what.

this analysis isn't, like, that i think that the artists wrote these songs about chloe, i just love thinking about songs in terms of chloe. as you can tell.

A few other songs from the same album that match chloe with their lyrics:

No Respect - chloe criticizing david!

You don't own everything I've been here for years Stop meddling in my affairs and I'll stop middling yours Get out of my face Such a typical dude Thinking that every tiny little thing is just about you

Goldilocks Spot

This one is kinda sad/subdued. I think this suits Before the Storm Chloe too, i mean she went through a LOT of shit.

My handwriting kind of looks like my dad's Tell me your story, it won't make me sad

...

I don't wanna talk about it anymore I don't wanna talk about it anymore I don't wanna talk about it anymore I don't wanna talk about it anymore So I won't

Junk

The title just gives me junkyard vibes, which is totally relevant to chloe :)

My car exhaust clinging to the base Shiny and lost with onion ring remains Precious flowers lost within the hour I guess you can say they were written to decay

Long and gone Long and gone, long and gone, long and gone Lost my junk again Lost my junk again

B.F.F (Actually from a later album!)

This reminds me of Chloe's breakdown in the junkyard. you know when she just started smashing everything. you can draw a correlation (fancy) between the title and max...

Nails through my baseball bat I'm telling you to step back girl, step back You're dead, you're dust, you're sewage now (< william!!!) You dug your grave and then you asked me how

edit: you thought i was done? absolutely not. i completely forgot about ashly burch's songs!!!!!!!!! MUAHAHAa.... okay. these are usually covers/parts of a show or play so they don't have as deep meaning. but obviously i'll find a way to relate it to chloe.

(Cover) Black Sheep by Metric

I love the second video so much, it's animated by this totally awesome dude on reddit (https://www.reddit.com/r/lifeisstrange/comments/3nzxhc/animation_of_chloe_price_ashly_burch_singing/) but the video is private so I attached a different youtube link in case anyone wants to watch it.

Who's The Princess Now? (from Muzzled: The Musical)

The scream of 'who's the princess now, BITCHES??" is... very chloe to me. a little context, this song is from a very peculiar youtube musical episode series thing that ashly burch stars in, i watched it a few years ago and it's definitely something. it's actually got a bunch of popular youtube-musical people (like Joey Richter from Starkid) if anyone's interested. you can watch it here!

Song Battle (...also from Muzzled: The Musical)

okay. so for some reason i really love imagining chloe having a rap battle against victoria for this. someone please make it into an animatic. maybe i will.

How Do I Look? (you'll never guess where this one is from...)

i can also imagine chloe having a sick makeover and like chloe and rachel helping her. or something like that... anyways. rad.

Anyways. That's it for now, i hope anyone who remotely wanted this enjoyed it!!! i hope it helped if you wanted to create a playlist or animatic or anything or just have a little chuckle.... um. please let me know if you have any more ideas because my chloe playlist can never be long enough.

[cerastes]

With the exception of Arknights what are your thoughts on gacha games?

I don't feel like I need to exclude Arknights from the statement, I can criticize things even if I like them.

In general, I don't like that their widely accepted and even defended business model is "Capitalize on FOMO, exploit gambling addictions, create dependent users". I also think that the use of the "game as a service" model, and one that needs to keep pumping content forever and can't risk to alienate the player, severely limits what can be done with the medium in terms of creativity, because you can't kill off playable characters nilly willy (I actually think Epic Seven was cooking with this, Epic Seven will kill off playable characters and remove them from the plot if it feels like it, or at least used to back when I played, don't know nowadays), relationships and dynamics with characters tend to be limited because otherwise your audience can feel like you are cucking them, and I wish I was kidding but just look at the absolute dumpster fire of a drama going on as we speak (22nd of January, 2024) in Girls' Frontline 2 over in China over one of the characters having interactions with a male NPC, and you can't ever bring a true sense of finality to any given arc because everything ends up having to be foreshadowing, set-up, build-up and so on and on and on. In many cases, you also have a mold cast of Must Have tropes in your playable cast: The Maid, The Idol, The One That Worships The Ground You Walk On, The Underage And Underclothed One, The Underage (But We Treat This One As A Precious Child!) One, Foxgirl, The Cold And Highly Analytical One (But Actually, Loves You), Chuuni, etc, so it feels like in every game I kinda already know at least a third of the cast minimum already and I'm kind of primed to not really want to know them, even though there's subversions I end up liking sometimes (Fenny from Snowbreak is an example of an Idol-type I ended up loving despite not liking Idol-types).

On the other hand, even with these negatives in mind, having a game that periodically updates and adds content, and that you can discreetly play pretty much everywhere on the go due to smartphones being their main 'console', games that foster community and something to talk about with your friends that also play and that will always have something new every couple of weeks, as well as inspire fanart, fanworks, analysis, and commentary, and that tend to be more risque and interesting with their designs is honestly good to have. I personally enjoy the community aspect of gacha games, I consider it one of the two most important aspects for me, because I know I can come here, for example, and see people talking about the story, the characters, the music, the gameplay, and more, every day, and the other important thing to me is how discreet they are, since I can just play a few maps or stages in my phone real fast midst a social situation at work, and then hop back in with a renewed social battery or when a topic I like comes up.

I fully get when people showcase their disdain for gacha, yeah, but if we really want to be nitpicky, the majority of the game industry is kind of a cesspool of toxicity, which is not to say "stop bashing gacha" and instead say "bash the whole thing if you're going to be bashing it anyway" (and we should! Game devs and other personnel in the industry have been crying for better conditions for years now!). Either way, if someone decides to sit at the gambling den, it becomes their responsibility. I want there to be more safeguards for people with actual addictions and to protect them, but with this in mind, if anyone still decides to sit at the den, it's assumed they are going to take responsibility for their actions and financial decisions.

So all in all, yeah, predatory games that suffer in quality due to their own trappings, but also good sources of community, inspiration, and effective at being discreet games you can play anywhere and that get periodic updates (this isn't necessarily exclusive to gacha but it is an aspect of them that bears mentioning, which I point out since no doubt people will want to point out there's good non-gacha smartphone game options out there)

[maoam]

I love how sakura and hinata fans say sns shippers are misogynists for not liking those girls and the ships when really I think me being a man-hating-radical-feminist is what makes me not like them lol. Like I have self respect which is why I don't like someone who's entire purpose is to be a man worshipping housewife from the 1950s with no backbone and doesn't stand up for herself at all (hinata) or someone who's pretty much a male in female form who mimics real creepy male behaviour to a T like constantly harassing someone and trying to force them to like you back despite constant rejects, treating them like a sexual object only, centering yourself around their life and not even actually caring about someone they claim to love (sakura). Also if you take it a step further, I can even say the reason sasuke's my favourite character is bc he's female-coded. Like almost every way he gets treated both by the narrative and by real fans is how a lot of ppl treat real women. (think they know better for him, hating him for being attractive and able to get anyone's attention, hating him for having agency and not caring what ppl think, not caring to follow paths others want him to follow, etc) these are all things that most women get hated on for irl. It also says a lot that most of his haters are male lol, while other male characters with the "coolness" factor like sasuke are still worshipped (like his own brother, kakashi, even naruto). Also gaara getting more popular after he started worshipping naruto and leaving his cool backstory and interesting character behind also proves my point. If sasuke just became a naruto fanboy halfway thru and didn't bother with his revenge and only started loving naruto (not romantically tho, ofc, bc that's gay and we're alpha males who fuck bitches only 😤) he prolly wouldn't be as hated. Just like if sakura switched her affections from sasuke to naruto halfway thru, the dudebros would stop hating her. It's all about naruto worship, and the characters who end up doing that always end up being the shell of the interesting characters they once were (like gaara, hinata was never an interesting character, she's the only one who was meant to be his cock worshipper since the beginning) and that's what makes me hate all dudebros and some female fans who think this too. Like sometimes I start hating naruto myself bc some of the sasuke only stans on tumblr make really good points about how naruto's basically a male power fantasy series. Almost everyone ends up worshipping him, and even sasuke (if you wanna see it that way) ends up doing that. I personally like equal power in relationships so I like to see them as equal in the end, but some ppl who only wanna see their self insert incel mc be worshipped, they can see it that way. Sometimes I only like naruto in sns and sasuke individually, and hate everything else about this series. Anyway that got kinda off topic but yeah.

Sakura also does not stand up for herself when it comes to Sasuke.

Hinata's body language is always timid, but Sakura's becomes one too in the presence of Sasuke. Because she tries to make Sasuke like her, but since she doesn't understand Sasuke she also doesn't understand this is not what Sasuke wants nor needs. Sasuke wouldn't like it either if Naruto acted this pathetic.

Hinata is literally a tradwife dream, she is docile, submissive, doting and her only goal in life is to support Naruto and become Naruto's girlfriend/wife and have his kids. She has no thoughts about anything else. This is what many men want from a woman. It's really pitiful to read/watch people try to come up with something in order to make Hinata look like a decent character. It all comes down to "she liked Naruto since the beginning", "she sacrificed herself for Naruto", "she has had more kids than the other female characters".

I don't know about the use of "female-coded" as a term (I talked about it at one point), I think it's the homoeroticism that largely contributes to this (especially how Sasuke is made to be desirable to both men and women). But I do see where you're coming from. Sasuke does piss off many men but a lot of it is due to incel mentality. Some of it is due to main character entitlement, as in Sasuke takes too big of a chunk out of the manga when it comes to screentime. Ironically, there are many of them who think Sasuke should have been a female character so Naruto's obsession with him wouldn't make them so uncomfortable.

I also find it annoying when so many Sakura videos I watch have men ranting about how Sakura still likes Sasuke despite the fact Naruto saved her. Like you can tell they think a man should be able to buy woman's sexual interest by making her owe them. But thankfully, I have come across also videos that make very good points about her character.

Naruto and Sasuke's fight (or more like the aftermath) annoyed some men because it was physically basically a draw and Naruto even said to Sasuke "this isn't about winning or losing". Sasuke lost to his feelings, basically him admitting defeat was him accepting to be loved by Naruto LMAO no wonder dudebros were mad. Many of them whined because they hated how Kishi had to make it so gay.

Shonen tends to be a male power fantasy. Luffy also gets everyone to fanboy/fangirl him. And shonen mcs usually have one of the worst stans for this reason. It's funny (or not) how the same pattern can be seen in every shonen fandom when it comes to the main character. There are men who self insert into them and act like everything needs to be about them, and bash other characters especially if they take even a little from their mc. Meanwhile there is a subset of women who create this yaoi harem shit around the mc, him as feminine uke bottom that every other guy just wants to rail. And they also might wrote posts on how other characters are irrelevant and boring compared to their beloved mc. It always happens. If it makes you feel better, Naruto always saw Sasuke and Iruka as different from the rest, because he didn't need to prove anything to them, they just cared for him even when he was a loser. And to Naruto, Sasuke is the best in the world. Even to Sarada he started ranting how Sasuke is hot and cool and the best shinobi in the world lol. But yes, I think Gaara and Neji lost some edge of their characters after they were saved by Naruto.

[genericpuff]

Just saw your response to someone asking about plot points you hate. Can I ask why you don't like Athena/Hestia? From what I remember (take this with a grain of salt because while I've read the whole comic it's more in a junk food, read and forget til next time kind of thing)

From what I remember it's not a huge plot point? Like its just kinda.. there? It doesn't really impact much of the story at large.

Also I agree with the hades/thanatos thing, that's kinda odd and it doesn't make hades any better or more sympathetic of a protagonist. If I remember right, doesn't he abandon thanatos or push him away?

I have issues with the Hestia x Athena plotline the same way I have issues with the Hera x Echo plotline. It all feels shoehorned in for the sake of seeming 'inclusive' towards gay relationships, but gets next to no actual development or screentime aside from the odd lip service meant to benefit Rachel.

Especially when Hestia and Athena were already embraced as LGBTQ+ icons to begin with and didn't need to be shipped together to make it possible. Rachel has a really hard time comprehending aroace identities and this is present even back in her Tumblr days-

If Hestia and Athena are still supposed to be at least ace in LO then we haven't seen any indication of that. So it just makes them look hypocritical as fuck for running the "virgins only club" that is TGOEM (and even going so far as to punish Persephone for being around Hades by confiscating his gift to her) and that unfortunately makes them look like really terrible people which isn't a great look for the only lesbian couple in the story (at least until Eros and Hera were established but whether or not they're an actual couple now or if that was just a one time kiss scene remains to be seen). Like even the reveal that they're together is Artemis figuring it out and then being pissed that she's the "only one following the rules", not them coming out about it on their own terms.

Also no, the Hestia x Athena plotline wasn't as big as the other plotlines, but it was one of the ones that felt so out of left field and forced when it was first established. Plus I'd just love for them to be aroace rep again, there are characters who are legitimate gay icons that got erased so that Rachel could retroactively shove it into other characters without any reasoning or relevance to the plot.

I honestly wouldn't have been so salty about the Hestia x Athena plotline if it were just written better (and if it didn't reek of aroace erasure) and that goes for a lot of the queer relationships in LO, because so many of them are only given the tiniest ounces of screentime, enough for Rachel to take credit for being "inclusive" but not enough for her to actually have a diverse cast. Morpheus is the most consistently present character we've gotten for LGBTQ+ rep and now even she's been fridged :/

Anyways, as for Hades and Thanatos, yeah, the retcon that Hades was a 'father figure' to Thanatos the whole time seems like it was purely written in to make Thanatos look like a hypocrite for having very reasonable concerns regarding the special treatment being given to Persephone at work. But then Rachel had to actually resolve that plotline so in S3 she had Hades approach Thanatos in search of his brother just for them to have a weak 'heart to heart' where Thanatos took the blame for being a 'handful' and Hades trauma dumped and never really took accountability for everything. The fact that we're supposed to believe they have a father-son dynamic really makes the first season gross to read because the whole time Hades is legitimately treating Thanatos like scum. It absolutely does NOT make Hades more likeable, even with the attempt to 'redeem' him which really just made him look like an even bigger asshole u.u