#like when I focus I focus

[tossawary]

This is petty fandom salt, BUT... I've been chewing on this phenomenon that I've been calling "Fandom's Darling". It is related to things like "Author's Darling" and "Mary Sue / Gary Stu" and "Protagonist Halo" and all that jazz, where one character gains a peculiar narrative weight in a story.

"Author's Darling" is when a writer has a favorite character, and the world and all other characters sort of get... warped to put the Darling in the spotlight. It's most noticeable in TV shows with multiple writers, when a character you personally like suddenly has their previous characterization destroyed to make another character look good somehow. Every other character might become weirdly incompetent. The Darling's feelings are treated as The Most Important Feelings in any given situation. The logic of the fictional world seems broken past suspension of disbelief in order to validate this one character's beliefs or skillset or some other fantasy. And so on.

"Fandom's Darling" is what I've been calling the pattern where a fandom essentially crowns a New Protagonist for their fanfiction stories (it's often a side character rather than the original protagonist, but it can also happen to protagonists). This character becomes the self-insert for all sorts of indulgent fantasies, gaining special powers or backstories, and/or becoming the focus of extreme whump, and/or hooking up with all the various hotties, starring in all sorts of tropey AUs, and so on. They're not always an obvious Mary Sue version of themselves, but the character's original personality and interpersonal relationships tend to get warped or dropped completely, and other characters tend to become a little flat around them. I call it "Fandom's Darling" because it's not just one self-indulgent fantasy fic (you do you! Have fun!) with characterization choices that I don't vibe with (I have neither the time nor the desire nor the authority to police anything, I am just venting), but rather a prolific mini-fandom of sorts revolving around this empty doll / fanon version of the chosen vessel character, so it becomes a little unavoidable.

I am salty about this (mildly frustrated) (imagine a soft sigh of disappointment before I just go do something else) because you are FUCKED if you actually liked the canonical version of this character and their interpersonal relationships. It's almost worse than liking an obscure character that no one cares about. There's about a thousand fics starring your fave, but maybe only about a dozen of them are actually rooted in any kind of recognisable canon.

[bigturtl]

i love lawyer game

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[brainrotcharacters]

TW: Wolverine Badonkas

I laughed rewatching because like

[rogerdeakinsdp]

CINEMA'S BEST SWEATERS — Part 1 (Part 2)

Basic Instinct (1992) · Let's Make Love (1960) · Scream (1996) · The Big Lebowski (1998) · Lucky Number Slevin (2006) · A Nightmare on Elm Street (1984) · The Holiday (2006) · The Devil Wears Prada (2006) · While You Were Sleeping (1995) · Home Alone (1990) · Good Will Hunting (1997) · 21 (2008) · Sweet November (2001) · Knives Out (2019) · How the Grinch Stole Christmas (2000) · Ocean's 8 (2018) · The Matrix (1999) · Mystic Pizza (1988) · Bridget Jones's Diary (2001) · Clueless (1995) · House of Gucci (2021) · The Lighthouse (2019) · When Harry Met Sally... (1989) · Awake (2007)

[swordsonnet]

i'm sorry but i don't think we should call this the "autism website" when there's still posts with tons of notes mocking people who:

struggle with social skills / have anxiety around social settings

are unemployed / unable to work certain jobs

have intense or "age-inappropriate" interests

haven't had certain life experiences that are deemed universal/essential

struggle with personal hygiene

don't have any friends or dating experience

don't go outside much or at all

take things literally / don't get sarcasm/jokes

have unusual ways of speaking

generally aren't "normal"

[starcurtain]

Teyvat's "Most Down Bad" Award Goes to Alhaitham for a Second Year Running

Seeing everyone making fun of Alhaitham for his "stalkerish" tendencies in this event is funny, because I feel like a lot of people missed that "Be literally everywhere Kaveh is" has been Alhaitham's MO from the day Kaveh appeared in the game.

From only grabbing his house keys after Kaveh returned from the desert (he couldn't have had both sets of keys at the end of the Archon Quest unless he went home and got Kaveh's copy) to ditching conversations to get back to his house only after Kaveh came home, to showing up without any warning or explanation in Kaveh's hangout with some ridiculous excuse about hearing his voice through noise-cancelling headphones... Refusing to offer any help in the Temple of Silence story quest other than staying in the library with Kaveh...

Since when does Alhaitham willingly cover anyone else's duties?

But this trend of "Be everywhere Kaveh is" didn't start when they were adults. It was already in place when they were still Akademiya students--and it's a trend that didn't end even when they had their fight.

Even when they weren't speaking, Alhaitham dogged Kaveh's every step through published responses to Kaveh's research articles in academic journals. He insisted on keeping a line of communication between himself and Kaveh open, even if the only way to do that was through very public ideological clashes. Pulling Kaveh's pigtails to get his attention lolol. It's implied that, for at least the few years between their fight and Kaveh moving in, this was the only communication between them--Alhaitham's refusal to allow their connection to entirely fade away. (And the fact that this is revealed in Kaveh's character stories--through his precious journal that records the moments of his life that had the most impact on him--shows just how deeply he values the fact that Alhaitham didn't give up.)

Another relevant side note: Alhaitham never asked Kaveh to give up his half of their house. Knowing half of it belonged to Kaveh, knowing that Kaveh may one day want to reclaim his part of it, knowing that it was listed as theirs, Alhaitham moved into the house and made zero effort to change its ownership. He was completely fine with living in "his and Kaveh's house." The stories suggest it was only months later (or even longer) that Kaveh even noticed he had the house, and he transferred away ownership of his portion without Alhaitham ever asking him (or even seemingly wanting him) to do so.

Please, let that sink in. Alhaitham actively left his grandmother's (presumably comfortable) house to move into "his and Kaveh's house," with no apparent explanation for why, and after doing so, he made no attempt to change that "his and Kaveh's" label. He moved into the house with no promise that Kaveh wouldn't show up on the doorstep the very next day and move in too. It almost feels like another deliberate provocation--I've moved into our house, are you going to come stop me? LBR, if Alhaitham had had his way, Kaveh would have been living there with him from Day 1...

There's also the fact that Kaveh literally can't write on a single message board anywhere in the entire nation of Sumeru without Alhaitham hunting his messages down and responding to them (which absolutely no one else does, by the way).

"NUH-UH!" "UH-HUH." "NUH-UH!"

Alhaitham's own character stories tell us explicitly that one of Alhaitham's defining character traits is "He is never where you need him to be," yet somehow...

Shot, and chaser:

Any time Kaveh is in the slightest bit of need or danger or just wants Alhaitham near, Alhaitham is "coincidentally" exactly where Kaveh needs him to be, whenever Kaveh needs him to be there.

Alhaitham didn't just "happen" to run into Kaveh in Port Ormos, an entirely different city from where he was supposed to be working. He didn't just "happen" to read the same terrible book as Kaveh when we know he otherwise would not waste a moment of his time on poorly-written literature...

He didn't just "happen" to appear when Kaveh was upset and needed a distraction in the House of Daena during Kaveh's hangout. He didn't just "happen" to be sitting around waiting when Kaveh needed answers after the Archon Quest. He didn't just "happen" to find Kaveh's academic publications and every single message board posting and respond to them at length and in public.

Which is exactly what Kaveh's mother told Kaveh he needed.

What level of down bad is "Abusing your powers as an Akademiya employee to keep tabs on your crush's library loans"? Just asking for a friend.

The only person for whom Alhaitham just "happens" to be available is Kaveh, over and over and over again--because he is very deliberately making himself a constant presence in Kaveh's life.

(Like, out of all things, I think people really underestimate the devs deliberately paralleling the romantic relationship between Kaveh's mother and father with Kaveh and Alhaitham's relationship. If you want to point to one thing that says "These two characters are intentionally queer-coded," it doesn't get any more obvious than this.)

Alhaitham, are you not embarrassed to be this transparent??? 🫣

[poorly-drawn-mdzs]

Learning to celebrate the little wins!

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[stil-lindigo]

HELP PALESTINIAN ARCHITECT EVACUATE HER FAMILY FROM GAZA

This is a verified fundraiser for a family of four to evacuate to Cairo. The fund's creator, Amal Abu Shammala, reached out to me personally to share this since she's failed to get her fund on Operation Olive Branch and Let's Talk Palestine's fundraising linktree.

As of right now, she has raised €2,397/ €42,000. You can see the breakdown of what the money will be used for in the fund description.

Please give generously!

[just-null]

Do you ever do requests? If so, do you ever plan on drawing some Yandere with the Hantengu clones? :D hope you have a good day/night!!!

Mentioning an unfamiliar name

yes!! I love yanderes.. and these guys.. these guys are such good material...... nods nods..

I'm not sure about requests..I assume you mean drawing requests? I suppose if it REALLY catches my interest enough, I'd do it, but it'd probably just be line art/sketches.

[geekynichelle]

It’s funny when my interest in things is dialed down to a normal level, but I have so much shit queued up I’m going to look obsessed for weeks. 

[emziess]

So, uh, so he's-he's with the doctors now. Like the ones that fixed you? Uh-huh. Yeah, like-like the ones who fixed me. Then he's gonna be okay, right?

9-1-1, S04E14 - Survivors

[thebrainrotsreal]

Was pondering how Mark’s rigid ass mask/lens is prob a Budget Thing (since squishy, bendy lens are pretty much a mandate for all hero animated series, like JL, BTAS, TNBA, Spider-Man, etc), and then I was slapped with a vision of Mark in a more JL/BTAS-ish style and I had to see it through. I am a genius btw.

[mickeys-been-staying-at-ians]

So Dean is fucked up after Cas is taken into the Empty obviously, all melancholy, no sleep, drinking too much, you know his gist. Sam probably tries to get him to talk about it, but he would never tell him everything Cas said, you know. So Dean is miserable, and Sam is miserable, but THEY DON'T STOP trying to get Cas back.

And they do, somehow. So Cas appears somewhere in the library or wherever they were Doing What Brought Him Back and there's a second of confused, vulnerable silence because this can't be real don't believe it's real he's gonna disappear and it's gonna suck all over again but he stays, and looks at Dean, and then Dean is hugging him, clutching him like... well, like everything that happened, happened, and they're breathing each other in. Cas hasn't had the chance to think about what it all means, yet, so he's not overthinking it. Then they break apart, and Dean has tears in his eyes and his lower lip is shaking, and while Sam hugs Cas, too, Dean's body is like, shutting down, months of exhaustion (physical and emotional) catching up to him, and he feels it coming, so when Sam gets Cas to sit down, making him drink some water, Dean's like "I'm just gonna-" and he's running into his room and he doesn't even make it inside before he starts sobbing. He's sitting against his bed, his face in his hands, all wet now, when Sam comes in. Maybe he knocked, maybe not, Dean couldn't hear him. And he tries to cover himself a little, but Sam sees anyway, and he's so tired, so he just. Doesn't care.

And Sam says, "Dean, don't hide from him" and Dean isn't sobbing anymore but he's still crying into his palms, saying "I'm so tired, Sammy" and Sam knows. He doesn't know what happened between Dean and Cas but Cas said he did something and now Dean wouldn't feel comfortable around him. So, you know. Sam can guess, a little.

So he says, "He thinks you don't want anything to do with him anymore" and "you should go talk to him" and Dean is like "I can't" and he doesn't know why, maybe because he's exhausted, or because he doesn't know what to say to him , or because Cas sacrifised himself for him again, or because he told him he loved him and turned Dean's world upside down and disappeared, or maybe because he's scared.

And Sam knows this is all happening in Dean's head and he knows some of it is whispered to him in their dad's voice, so he says, "you know nothing in the world would ever change how I think of you," and Dean's head snaps towards him, wet with bloodshot eyes, confused and terrified, but he doesn't say anything, so Sam asks, "what really happened down there?" and Dean knows Sam knows. There's a hand squeezing his heart and lungs and he can't breathe, and Sam knows, and Dean wishes he could go back to when it wasn't even an option.

"He's your best friend," Sam says, and he is, he is, he's Dean's best friend, above all else, it's not just sacrifises and battles and blood and desperate confessions, it's also movies and music and inside jokes, so Dean asks Sam to get Cas. He does, and leaves them in Dean's room alone. And Dean says "don't ever die for me again" and "you think you saved me but i was barely alive" and "next time we die together" which is maybe a little fucked up, but he's feeling so raw. He says, "you're my best friend" and looks at Cas, hoping Cas hears everything he isn't saying, how Cas is the most important person in all the universes to Dean. He's family, but he doesn't say that, doesn't want Cas to think he's family like anyone else, because Cas is more. To Dean, Cas is- something Dean won't say yet, but he is.

And they have a quiet dinner with Sam because they're all tired, and Cas showers while they turn on the TV and bring out a couple of beers, and they act like it's a normal day in their life. Dean's head keeps falling and his eyes keep closing, his temples aching, but he stays, and at some point Sam goes to sleep, and when they're alone Cas tries to get Dean to go, too, but he keeps coming up with lame excuses to stay and Cas doesn't know what to make of it until he thinks maybe Dean doesn't want to be alone, or even - maybe Dean doesn't want to leave Cas alone, maybe he's scared something will happen to him again, or maybe he wants to just - be with Cas longer. And Cas is completely out of his element, because why would Dean- But it doesn't matter. His priority has always been Dean's well-being, so if there's any chance Dean is pushing himself because of - some of that, Cas will step up.

So he asks Dean if he can sleep in Dean's room tonight because he doesn't want to be alone. And there's a blaring red light going off in Dean head, screaming he knows he knows he knows Dean wants him to... what? Dean doesn't even know. Cas is asking as if for himself, for Dean's benefit, and Dean. God. Dean loves him, doesn't he? He's always loved him, but he loves him like... like... but he doesn't think it, still. He feels too open, now, and he wants to lock himself in his room and sleep it off and drink and stop feeling so vulnerable, he thinks he must be an open book to everyone, to Cas especially, and god, could people always tell? Can Cas tell, now? But why does it matter? Cas told him- he told him-

But none of it matters, because Cas is here, and he's offereing Dean an easy way out, and Dean is a weak, weak man, and he's exhausted and all he wants is to breathe Cas' air and know he's here, and not going anywhere.

So Dean puts on an old T-shirt and gets out of his jeans like he always does before realizing Cas is here. He flushes all over, sits down on his bed because he didn't think about how this was gonna go. Cas glances at the desk as if he was gonna sit in his chair the whole night, and Dean doesn't actually know if Cas sleeps now or doesn't, which he maybe should've thought of before, but before he can say anything, Cas says, "Dean, I don't want to make you uncomfortable" and Dean, completely lost, says the first thing that comes to his mind, which is, "can you lie down with me?" which is not exactly how he was gonna tell Cas he's the opposite of uncomfortable with him, but it does the trick. He makes Cas get out of his dress pants and gives him a T-shirt to sleep in, too, and flushes even more when he realizes what Cas is wearing. Dean lies down when Cas steps towards the bed, faces the wall because he doesn't know what to do with himself. They lie in silence for an awkward moment before Cas says, "are we okay?" and Dean says, "of course we are" and Dean knows Cas is still overthinking it, and he is, too, but... Cas took the leap, and he must feel so uncertain about them, and Dean thinks he owes him something, at least. Cas told him he loved him. Nothing felt right since then, because Cas died and because Cas thought he could never have what he wanted and because Cas thought he wasn't the most important person in Dean's life with Sammy, whatever that meant, and because Dean had to come to terms with that reality, a reality where Cas loves him, has loved him, him, Dean, broken and all. A man. A man Cas thought beautiful, and loving, and- and Dean has many issues, but Cas was never one of them, and Cas deserves to feel certain about his place in Dean's life.

So Dean asks Cas to come closer, and there's a still moment before Cas does, still too far away from Dean, and Dean can't see him, can't make himself turn because his heart is beating so loud he thinks if he looks at Cas, it's gonna beat out of his chest. So he reaches behind himself, finds Cas' hand and brings it forward, keeps it between his hands and brings them to his face. Breathes Cas in. "Please don't leave again" he says, in that tone he used when he prayed to Cas. He feels Cas shift, finally, as if he lost some of the tension from his body, feels the bed dip behind him, and he doesn't know how Cas moves but then Dean's back is pressed against Cas' front, and despite his beating heart, Dean is feeling the exhaustion start to take him. "Cas, I..." he tries, but he can't think anymore, can't make sense of anything.

"You can fall asleep, Dean," Cas says, his words warm in Dean's hair and the last thing he hears before sleep takes him is "I will be here when you wake up."

So when Dean wakes up, it's to a heavy arm around his chest and slow breaths against the back of his head. There's no moment of confusion about who he's with, or why. He doesn't even get a second to consider if it was real before Cas says "good morning, Dean" and Dean wonders if Cas slept at all. If he needs to sleep, now. There's so much they need to talk about, all three of them.

"Cas," he tries again, remembereing his attempt from last night. He needs Cas to know, for sure. "Cas, I - what you said. You know I. I've never..." and Cas is like "I know, Dean" but he sounds a little confused, so Dean doensn't know what Cas thinks he knows. So he turns, takes a second to notice how close they are now, and he thinks about Cas' eyes, his lips. Thinks, soon.

"You have to know," he says, as if Cas didn't say anything. "You have to know how I - what I" and he can't get the words out, not sure if it would be easier if there were no words to get out or if there were no voices in his head screaming over them. So he breathes in, Cas' scent overtaking his senses, brings his palm to Cas' face. Closes his eyes. Thinks, soon. Thinks, now, and meets Cas halfway.

[ilonacho]

Sad book club📚