#like to the same degree that a lot of fantasy is based on medieval times

[corvidayyy]

the hunter

[alpaca-clouds]

How "Europe" was made

You know what? Based on this rant from yesterday about the typical "boohoo, Black people in my medieval fantasy are unrealistic" assholes, let me talk about the history of Europe a bit. This is gonna be a bit unstructured, but I also know that even people who like their diversity often do not understand the history of Europe. How could they? It is not taught.

If you even do early European history of Europe (which is a big if and very dependent on where you are and what school you visit) it tends to go a bit like this: Greece, Rome, then Rome fell and we had the middle ages happening.

One way to describe this narrative would be: Dumbed down. Another way to describe this would be: Plain wrong.

I talked before how the entire "oh, the Roman gods are just the Greek gods" narrative is wrong (i cannot find that blog again, because tumblr's search remains shit), but... here is the thing: Rome didn't actually fall. Not really. It just... changed.

Because here is the thing: The Byzantine Empire was Rome. And the Roman influence was very clear for a very long time. If anything, it kinda just slowly evolved into something else. But you cannot really point to any given time and say: "This was the end of Rome!" Well, at least not before the fall of the Byzantine Empire.

And the Byzantine Empire played a massive role into how Europe was made.

See, behind the entire idea of those folks speaking about a "white race" and "white culture" is, that there is a uniform white culture - or at least a European culture. Which is something that is very clear if you live in central and western Europe, too. Sure, if you ask people about it a bit more, enough people will still be fucking racist about Slavic people... But in general there is this idea. The idea of a European culture.

But... You have to realize that this culture was created. And it was created through what was basically colonialism.

Now, we all know that Rome had a lot of colonies - at some point throughout most of Europe. And the usual narrative goes something like this: "Rome had its religion, the colonies had theirs. Rome was accepting of this." Which is at once true and false. Yes, they just let local religions be - but they also considered their own religion as superior and folks from the European indigenous cultures would often gain acceptance through converting to the Roman religion or integrating the Roman gods into their religious practice at least. But yes, for the most part the Romans did leave the indigenous tribes alone.

And make no mistake. There were many, many indigenous cultures living all over Europe. Most people kinda have the once again simplified idea of "there were the norse, the germans, the celts and the slavs", but those were also still names given to groups of cultures that were related but differed to some degree. And there were also some cultures that did not fit any of those cultures - cultures, incidentally, about which we still lack a lot of information.

The usual depiction then goes: "Constantine converted to Christianity and then all the people saw how awesome Christianity was. There were missionaries and they spread the religion throughout Europe." But... That is not what happened.

See, in the late 4th century, the policy within the Byzantine Empire towards the old and indigenous religions of Europe shifted from "they are pagans, but who cares" to "they are pagans, we do not want pagans in our empire". And so, under Emperor Theodosius I the Byzantine Empire started to burn down religious sides throughout the Empire and hunt down the pagans, at times pushing them out of the empire or forcing them to convert to Christianity. This was not a peaceful process, like it is so often depicted, it was violence. It was colonialism. It employed many of the same strategies that were later used to forcefully convert people in the colonies a whole millennium later.

And those hunts and the burning of religious sites, religious artefacts and at times religious texts is in fact one of the reasons why we do not have a full understanding of any of the ancient religions. This shows of course most in our lack of understanding for Celtic and Norse religion (where it was made worse by the fact that the cultures themselves did not write things down) and of course our very, very lacking understanding of the smaller indigenous cultures within Europe - but it even shows in our understanding of Ancient Roman, Greek and Egyptian culture. Because while we do have a lot more records on these that were preserved, there are gaps in our understanding of how the religious practice throughout those ancient cultures developed, because certain places that held this information were partially or completely destroyed.

This entire idea of the "European Culture" was created from this. From a culture that was in the end a result of early colonialism and violence. Because originally Europe was maybe not quite as diverse as the other continents (given how small Europe is), but so much more diverse in terms of cultures, than the usual narratives tries to make you believe.

[eclipsecrowned]

writer muses + publications: Sarah W*lliams (1971- ) long post under cut.consider reading on blog instead.

Given the depths of Sarah's imagination, it should come as no surprise that she has made her living telling tales. She spent a lot of her childhood making up little stories to entertain herself or her parents, and ever her mother's daughter, would sometimes perform them in the comfort of her own living room. This was all, of course, before her parent's split and her own burgeoning teen angst.

Post-L*byrinth, however, Sarah felt a burning need to put pen to paper, like a girl possessed. It is quietly assumed that her time spent among the Otherworld and reaping some reward from it influenced her burgeoning skills for the better. She attended Columbia after high school, and had her first book published the same year she obtained her undergraduates degree.

To date, Sarah has written 11 standalone novels, four novels in a series, a series of stageplays, and three compendiums of mythology and fairy tales -- some of which are collected from the Fae themselves. Her latest manuscript is only recently finished in-universe, and to be published in 2025.

Standalone Novels:

The Stolen Child (1992) - Sarah's premiere novel was very much a 'Write What You Know' scenario. It's her coming of age retold with the punch and romanticism that makes for good 90s fiction. It concerns a teenage girl who unwittingly shuffles her younger brother off to the Fae, and the trials she faces to retrieve him. Was a sensation upon release, but all Sarah really cares about is Diana Wynne Jones provided the quote for the cover. That's when she knew she made it.

Within You (1994) - No sophomore slump detected here. A medieval fantasy based around the legends of the Beast of Gevaudan, Within You took a slightly different direction that much of her later work in dabbling with Werewolf mythology. Most will call the work a great corner of the 'Beauty and the Beast' retelling market that spun out of the 1991 Disney film, but it's motifs and characterization is a lot deeper than a surface 'Beauty and the Beast retread' interpretation.

Crystal Moons (1997) - A return to the Fae narratives that are so close to Sarah, this one is a fantastical tale which uses the phases of the moon as a pivotal aspect of the plot. It concerns a young woman in a loosely Gilded Age inspired setting that goes to work for a manor house that is on the border of the Mortal and Fae realms, and how she navigates both worlds and the inevitable march of time. Controversial upon release for vague Sapphic themes between the protagonist and a Fae woman.

It’s Only Forever (1999) - While this work could be easily dated by it's Y2K premise, Sarah isn't actually interested in the scuttlebutt that was relevant at the time. She simply uses it as a tool to kick off the plot concerning time travel, legacy, and the things we leave behind. Considered to be one of her more mature works from the era, and a crowning achievement in the coming of age tales she prefers to weave.

The Lost and the Lonely (2001) - This book would be forgiven for being her most bleak. The first book written since her divorce, since becoming a single mother, and written during a time of significantly horrific political and economic upheaval, it'd be easy to assume this book is Sarah venting her frustrations given the title. However, that's not how Sarah works. The book instead focuses on a ragtag group of outcasts coming together against a supernatural threat, and their character growth therein. Despite some heavy horror themes, the book is like something of a reassuring hug to the reader assuring them they are not alone.

As The World Falls Down (2005) - A passion project for Sarah, concerning the Battle of Camlann in fabled Arthuriana. Pulling from several traditions to try and mete out a 'baseline' of events, the narrative is told from the perspective of the various queens, mothers, maidens, and fae folk who are tangled within the harrowing final battle between father and son. The narrative can be bleak at times but carries underpinnings of hope/living with ones trauma/women supporting women as an ultimate lesson.

The Fooled Heart (2007) - A Venetian caper involving the Fae amidst the Renaissance. It concerns a young painters apprentice who must stay afloat amidst intrigues both human and inhuman, all while collecting miraculous ingredients so his maestro can finish a painting commissioned by Queen Mab herself. Features what a lot of fans take for the first appearance of the humanoid Tytos King, meaning all of Sarah's Fae-focused novels might be in a shared universe. Sarah is amazed most fans caught that and not that the protagonist is trans--

In Search of New Dreams (2012) - Sarah had to spell it out in big bold letters this time. The story of a changeling protagonist -- from the perspective of the human child brought into the Fae world. Deals with a lot of queer/identity trauma themes and is considered a great novel, but also a bit of a cathartic tearjerker in how the narrative backs up and validates the protagonist, and in turn the feelings and identities of certain readers. Unwittingly released the same year her child started to recognize they were nonbinary.

Valentine Evenings (2015) - The result of a lost bet, but proved popular regardless and secured Sarah's memetic status as an author that can truly 'do it all.' A trio of romantic novellas where each features a different supernatural being. No one is surprised at all that there's a Faerie romance. The surprise is that it's a Sapphic as fuck interpretation of Goblin Market. The other two novellas involve a Vampire and a re-imagining of the Prince Lindworm tale.

The Path Between the Stars (2017) - Sarah wrote an Eldritch Horror novel. And it kicked ass. The 2010s were a largely experimental time in Sarah's writing, and nowhere was this more apparent in her taking the Lovecraftian formula and stripping it down to the brass tacks to rebuild it in her own image. It's not about the otherness of the indefinable, the horror of not understanding something so unlike you, but the power of soldiering on. If people didn't cry during As The World Falls Down, they cried during this one.

Buried Underground (2019) - Wow, the New 10s were a wild ride for Sarah's fans. She dialed it down a bit to bid the decade farewell, giving her fans a chance to recover from the Memento Mori (Affectionate) that was tPBtS. This one is an affectionate parody of pirate/adventure novels and associated media concerning a protagonist with a secret inhuman heritage dragged into the middle of a treasure hunt. There's a cat and mouse game between the pirate crew and the navy, and the protagonist solving the mystery of how everyone but her got here.

The Sky Within Your Eyes (2025) -Sarah's yet-unreleased latest novel. Little is known of its contents, except that it's a return to the Fae lore she excels at and is quite long pre-editing. So far she's only teased that she has a lot more free time now on social media which has her fanbase vibrating wildly at the mere thought of new material.

The Stars Constant series:

A series which treads similar material to her YA/young readers oeuvre, but with far more edge and older protagonists. The narrative focuses on generations of women who face down a Fae threat identified only as 'The Tytos King,' who appears as a owl-like chimaerical beast or else as a handsome, if dramatic, man with golden hair. The books are generally sleeper hits compared to her childrens/YA fare, but has a devoted fanbase online. Had two seasons of a Netflix adaptation that focused on the modern 'Black Tide' novel with the plots of the historical 'Winter's Fable' and 'Fantasy's Requiem' relegated to flashbacks/worldbuilding.

Despite what can be inferred... Sarah only took the aesthetics of her former foe and later mentor for the Tytos King. His haughty, cruel beauty and dark wardrobe meshed perfectly with the image she wanted to project of her villain, but otherwise there is little resemblance between the two.

Winter's Fable (2003) - A 1980s-based piece of nostalgia about a young woman drawn into a deadly game by circumstances beyond her control. While it smells a little of her early interactions with J*reth, there is no autobiographical slant to the story as there was in The Stolen Child. The stakes/underhanded bullshit the Tytos King puts on the heroine might be closer to how her own bastard mentor was when they met, but that's where the similarities end.

Fantasy's Requiem (2009) - A 1910s-based prequel to Winter's Fable, concerning the grandmother of WF's heroine dealing with a far less monstrous Tytos King in an isolated corner of rural South England. One of those books, like tPBtS and tLatL, that really shows Sarah would be a terrifying horror author if she put her mind to it. Most villain/heroine shipping in fandom will involve this protagonist and old TK himself.

Black Tide (2013) - The first modern take on The Stars Constant, following the daughter of WF's protagonist navigating an academic setting whose architecture is becoming increasingly hostile to the student body. A pigeonholing of modern academia and its gatekeeping ways, where the protagonist might be forced to willingly ally with TK just to get out alive. Because the only thing worse than the allegedly fictional Fae is the very real specter of the modern American school system. Revered by fans of D*rk Ac*demia who don't realize it meets their beloved aesthetic with open disdain.

Ruby Red (2020) - An early Victoriana fever dream serving to remind the audience that TK is both far older and far more cruel than the 20th century could ever predict. Follows an ancestress of the prior heroines breaking ground on a new estate in the south of England, only to upend local wards against something ancient and malevolent. Presents a penultimate chapter plot twist that sets the entire modern plot on its ear concerning the family. Source of many an anti-owl meme on the internet following the amount of scares concerning TK's shapeshifting.

Compendium:

Tales From the Edge of Night: A Treasury of Classic Fairy Tales (1997) - Part collection of Toby's favorite childhood stories, part an academic approach to traditional bedtime stories from their Grimm sanitization to their folk tale origins, even getting into truths that she gathered from the mouths of some figures in the tales themselves. Remarkably expensive to find online, as it had scant printings and collectors of Sarah's works don't like to let this one go.

From The Water We Came: Tracing The Roots Of Wives, Witches, and Wonders in Arthuriana (2005) - Released alongside AtWFD, the book is a compilation of facts, translations, and interviews Sarah compiled in researching every angle of the mythos surrounding King Arthur. A bit better respected by both academic and non-fiction circles than the aforementioned Fairy Tale collection, the book has seen several reprints and is still commonly cited by fans of the subject at hand.

Like Rays From the Moon: Another Treasury of Favorite Tales (2009) - Like its elder sibling before it, this is a collection of stories and related facts concerning he favorite stories of a child in Sarah's life. This time, it was centered around the tastes of her own child, Rosetti. This one has fared better than the first attempt as well, and weaves in several stories attributed as original fiction to Sarah herself that are instead collecting from non-human history and folk tales.

Corridors Without Thread: The Accurate and Concise History of the Goblin Dominion Known to Humanity as the L*byrinth, From the Mouth of its Second and Best-Loved Monarch, King J*reth the 1th, May His Song and Splendor Bless the Land Evermore, and Queen Hel Shall Most Certainly Read This So Please Call Him Back (ongoing, unfinished) - Sarah wanted this. She wanted to know what made the scene of her adolescent triumph kick. She wanted to separate the legendary chaff from the truth's wheat. What J*reth gave her was an absolute whopper of a tale starting with when he killed the former king when he was all of 8 years old, and the roller coaster did not slow down after that. Sarah wanted off this ride three chapters in but they're only up to the 100th year of his 5 century reign. He just met Hel. She had to call it there because she didn't realize how annoying this man was about women he simped for. She understands the title now and she hates it.

[thehomelybrewster]

Being Trans in D&D and other Fantasy TTRPGs - Magical and Non-Magical Transitions

So I've been thinking a lot about how to incorporate being trans into D&D and other fantasy TTRPGs because hey, why shouldn't I?

Trans people deserve to exist in fantasy settings and players should be able to be trans in-game. Now here's the thing though: for most trans people being trans involves transitioning to some degree. But how can one represent that in-game? Note that this is in the context of binary trans people and meant to be setting- and system-agnostic, however I will make a D&D-specific suggestion at one point.

The first and easiest to include method is just good old way of using clothing (+ hair styling & make-up potentially), binding/stuffing, and voice training only. It is very doable and doesn't really require anything mechanical or stuff that has wide-reaching implications for the world.

The second option that basically supplements the first option is to have transition-inducing potions and salves, basically HRT. In a typical TTRPG medieval fantasy setting with stuff like healing potions, why shouldn't potions or the like exist that drastically affect a person's hormones? It is also easier to justify for the format than modern gender-affirming surgeries might be.

The third option is downright magic, but it admittedly comes in two flavors: the mystical and the controlled. The former is divine intervention, a wish to a djinn, or part of a bargain with a fiend or hag. Basically getting a very powerful entity to instantly transition you. This is risky, unlikely, and not great in my opinion... Controlled magic, as in stuff which is potentially attainable for players, might be the solution.

The question there is very much related to the magic system in use and the prevalence of magic in the setting. A simple to cast spell that can permanently alter the appearance of a person has massive implications for a setting. Let's look at D&D specifically for this.

Disguise Self is a popular illusion spell that can allow you to look and sound different for up to an hour, but doesn't change your actual physical appearance. This makes it a flawed way to change your appearance and as a 1st-level spell it is easy to cast but still, a Lvl 17 and up wizard only has 22 spell slots per day, so it would require a mighty spell caster to keep up this sort of illusion for a whole day (excluding warlocks who can gain the ability to do this at will quite early, so that is something). The spell Alter Self does include a physical alteration with the same 1 hour limitation though, but it's a 2nd-level spell and thus slightly less attainable.

The only official spells I know which can permanently and substantially change your appearance are Wish and Reincarnate. The former is (in)famous for being able to do virtually anything (but with heavy risks involved), the latter is an RNG-based resurrection spell with an expensive material component. In terms of cost, Reincarnate might be a good guideline for a spell that can induce the sort of permanent physical change that transitioning would entail.

Let's imagine for example this homebrew spell of mine, which is basically a mixture of Reincarnate and Alter Self:

Reshape Person

5th-level transformation

Casting Time: 1 hour

Range: Touch

Components: V, S, M (exquisite-quality ointments and make-up worth at least 1,000 gp, which the spell consumes)

Duration: Instantaneous

You permanently transform the appearance of a humanoid to look like a different member of the same race as the target. You decide what you look like, including your height, weight, facial features, sound of your voice, hair length, coloration, and distinguishing characteristics, if any, which can also include characteristics which might point to a mixed ancestry.

Classes: Cleric, Wizard

This spell would be difficult to gain access to for e.g. criminals who need to permanently alter their appearance, but for people with means it might be a quick way to transition, or even to replace things like plastic surgery. Unless the setting you are playing in is overflowing with magic, then you need to put limits in place as to how easy it is to permanently alter your appearence through magical means, since it would have massive implications on how the world functions, but limiting the spell's accessibility lessens the impact it has on the world, even if it makes magically transitioning harder.

Anyway, this is just my perspective and far from extensive, but hey, discussion!

[aquamotto]

Polish School of Magic or what Rowling gets wrong about Poland

In short: many things. 

The only mentions of polish wizards come from two instances - some Quidditch team  (Grodzisk Goblins) and Hagrid’s visit to Europe (with some goblin mention, again). 

Why goblins, anyway? There is no such creature in real polish mythology. Instead, there are much more Harry Potter-esque things such as: Beast of Krakow, Dragon of the Wawel Hill who is the most famous and ferocious creature in all Eastern Europe. The majestic power of this beast can only be matched with majestic power of its city of dwelling - Krakow, to put it simply, is the city of Polish kings.

Below: Krakow, the city of “goblins”, according to JKR:

But let me guess - goblin invokes this image of rudeness and primitivity that probably comes from british understanding of poles as construction workers and such. It is curious that nuanced portrayal of poor people that is reserved for characters like Snape is not allowed to poles. They are “goblins” but Snape is a “working class hero”.  

 What I will describe below, is my headcanon based on what I imagine Wizarding Poland to really be like, sans goblins and other imperialist fantasies but based on my own observation of Poland as both pole and outsider (because, unfortunately, I am both).

Personality,  culture

Quidditch champion image as rude and loud lads couldn’t be farther from the truth. Polish wizards, much like their friends in neighboring Czech Republic, are wise, eccentric, philosophical and brave people. They have been blessed and cursed with difficult history (Such as Partition of Poland and German and Soviet Invasion) and know very well how to operate in secrecy. In fact, they are the most secretive of all european wizards and if muggle were to accuse them of witchcraft, they would deny the fact to their last breath. In the same time, polish wizards love magic and often risk everything to pursue their next magical experiment. They are prone to be idealistic and live with their head in the clouds, sometimes literally, which can lead to both troubles and brilliant inventions.

Some believe that Nicolaus Copernicus, the genius astronomer who placed the Sun at the center of the Universe, was a polish wizard (painting by polish artist Jan Matejko):

This image of genius, sudden discoveries and epiphanies is valued in Poland to the point that students of Polish School of Magic wear stars indicating their year on their uniforms - to honor Copernicus. 

However, poles aren’t Ravenclaws in disguise - they are traditional, obedient and lawful people at the core and no polish wizard, even the smallest first year, would dare to cheek their headmaster or teacher the way Harry and co. do. 

Teacher - student relationship is sacred in Poland and it’s almost like your second parent -  someone to be treated with utmost respect. This can lead to quite harsh hierarchies in Wizarding Poland. 

Looks

Polish wizards dress modestly, colorful suits Weasley Twins style are not for them. They can sometimes even look monk-like (or medieval knight-like) in appearance. Since Poland is filled with minor aristocracy called szlachta (and I am proud to belong to it, too*) many polish wizards openly wear their coat of arms on their clothes. (*If you are wondering whether I have a coat of arms - yes, I do).

Polish School of Magic uses dark red monk-like hoods with more normal suit under as an unifroms.  Since they want to be the guardians of well respected traditions, it fits them. 

This doesn’t mean that poles are somber, though. They can be playful but in their distinct, “I challenge you” way. They can be competitive and fiery to the highest degree, especially when their honor or honor of their school is involved. They are indeed the most patriotic of all wizards, thinking of themselves as separated not only from muggles but from foreigners too.

Relationship with muggles

Polish wizards do not like muggles very much but unlike Britain, it rarely comes in a form of hostility but rather patronizing and light mockery. Rather than valuing pure blood,poles just think of themselves as superior to muggles in intelligence.They are especially suspicious of muggle disrespect of culture and the past which leads to wizards thinking that muggles are morally and spiritually, rather than genetically, impure. However, there was never an attempt to deny muggleborns education - in fact, they are welcomed with open arms and often even relief - “Finally, another one of us!”. This makes them a bit closer to Grindelwald’s idea of superiority than Voldemort’s one.

Music

Anyone knows Chopin, the great french-polish composer and indeed, poles adore music. To the point that Polish School of Magic considers participation in a school choir mandatory. But highest praise is reserved for those who dare and pick up an instrument (be it violin, cello, horn, piano or something else) to join the School Orchestra. If Triwizard Tournament accepted Poland, they would arrive in most curious way possible - operating the giant musical machine which would look like a church organ mixed with piano and other instruments. The headmaster would play it and the students (dressed in cloaks) would accompany him with some strange melody to make the grandest entrance ever. 

Polish School of Magic

Pictured below: Frombork

Thanks to Copernicus, magical astronomy and astrology are best subjects to learn in Polish School of Magic. Unlike their colleagues in Prague who are obsessed with alchemy, potions and dark arts, poles are more interested in the spiritual so they also value divination in any forms and defense against the dark arts. Since living in a country as difficult as Poland forces you to  always be on your toes, teachers consider it important to teach their students nonverbal magic as soon as possible. They also encourage wandless magic and actually had a lot of luck with it (unlike other european schools). Thanks to a certain WW2 incident, they also offer a superior course of arithmancy (If you know what I am hinting at, well done!) 

Pictured: Frombork Cathedral Bell Tower

Since poles are not very practical people, they don’t teach their students about Magical Creatures at all (aside from a side course on dangerous creatures such as dragons in DADA). This just doesn’t fit their heady aesthetics. Being honest and reliable people, they also dislike transfiguration - something about turning things into animals and other things strikes them as unnecessary cruel and even devilish. Being pious at the core, poles want magic to always come from the source of respect and light. That’s why almost all students leave the school with full patronuses - most common of which is a white eagle, of course - the symbol of Poland. Poles are often so patriotic that even their best memories are linked to their national identity!

Poles are also good at charms and make superb magical duellists. In fact, not many nations can best them in this regard, if any. It is thanks to their wandless magic, wordless spells,  quickness of reaction and harsh discipline (almost military-like) instilled in them in their school. 

Talking about discipline... Polish School of Magic’s discipline is indeed very strict. The school grounds are usually quiet, students know best not to laugh too loud, not to pull pranks or fool around needlessly. Spontanous duels are forbidden. Teachers love their work and always keep an eye on misbehaving individuals. Lazy, incompetent or misanthopic teachers don’t exist in Polish School of Magic. Instead they can be overly strict, demanding, mocking, conservative and overly eccentric. (This one is based on real life experience, everyone.)

Below: Ksiaz castle

 Teachers in Polish School of Magic lean old and getting a place there is very difficult and demands tons of connections. They also lean male but not just because of prejudice (although, unfortunately, such prejudice exists - Poland is a country of soldiers in many ways), because DADA course there is especially harsh and physically exhausting. (Some say it’s because they want to best Durmstrang and it comes with knowing your enemy).

Despite the notes of traditionalist gender roles, female teachers are usually well-respected, even more than male ones. And that’s why many female teachers are quite haughty and have queen-like demeanor.

Below: Ksiaz castle room

But when do poles rest from all their strict training? The answer: when holidays come. Holidays are sacred for poles and many missteps are forgiven during them, rules become slightly more relaxed. 

One of the curiously LESS regulated things in Polish School of Magic is love. While british and american wizards such as Snape may get into a puritanical rage seeing two students kissing passionately, polish teachers would just smile sweetly at them and leave them alone. Girls sending boys postcards is not considered cringeworthy as it is in Hogwarts (I am looking at you, Harry) but natural and enviable. In fact, teachers encourage students to dance together and on holidays such as Christmas, they even overlook duels related to love triangles (a rare case of them approving non-DADA duels). Poles can dance well and you can often find them waltzing in the school balroom in their festive robes. They also flirt well and all this combined with the fact how good they are at duelling, makes them formidable rivals in love for students from any other school, including Beauxbatons, especially considering that Beauxbatons boys lean narcissistic rather than chivalrous.

In the end, if Poland did participate in Triwizard Tournament, I think it would charm everyone with their quick wit, intelligence, modesty, good manners and passionate spirit. 

Quite far from the “Goblin” stuff, isn’t it?

Below: various beautiful views from Poland

[plasticviolets]

Medieval Undergarments and the Witcher; OR: What the fuck should we call the thing that Jaskier wears under his doublet

(A brief guide by someone who works in fashion history and also has far too much time on their hands)

So, like pretty much everyone else right about now, I’ve had a lot of time on my hands, which for me means a lot of netflix, animal crossing, and Ao3. Specifically, when it comes to the netflix and Ao3, it means The Witcher. Based off of the huge influx of fics and other fanworks, I am certainly not alone in this. 

Now while the Witcher is arguably set in Medieval fantasy Poland, the costuming (especially for the female characters, but really for everyone) is very much an amalgamation of Medieval garb, clothing and style choices from more recent eras in fashion history, and a fun twist of fantasy and color and magical flair. I personally really enjoy the costuming for the show, and as someone who studied costume design for their degree, think that all the historical anachronisms are super effective for the fantasy setting and agelessness of the immortal characters!

But when it comes to fanworks, there is one thing in particular that I’ve noticed that seems to perplex fandom as a whole. What the fuck should people call the garment that Jaskier wears under his doublets. 

You know. This thing.

The word that fandom largely seems to have settled on is chemise, and while that is a word that would be used during this period for undergarments, it is a word used for women’s undergarments, not men’s. 

Despite how modern the word sounds when it comes to discussing period undergarments (a topic filled with words like chemises, farthingales, and braies), the garment that Jaskier is wearing is just called a shirt. For real. I promise.

In The History of Underclothes by C. Willett and Phillis Cunnington, they sum it up quite nicely: “Of all the undergarments worn by either sex this is the one which, if not the most ancient, has certainly preserved longer than any other not only in its original name but also its essential design and masculinity. Until a hundred years ago it was always worn next the skin.” The shirt that would be worn under doublets or other outer layers of clothing during this time is by no means identical to a modern shirt, but they do indeed share a name and most common design attributes.

This is a linen and silk 16th century shirt from the Met’s collections, which while more recent than it’s Medieval counterparts, actually exists in the present day to have a picture taken of it. (Most of what we know about Medieval clothing comes from paintings, illustrations, and the written word, as very few garments have actually survived to the present day. The way we learn about period clothing from periods long enough ago that the clothing no longer exists is very interesting, but also a discussion for another time.) Most shirts from the Medieval period were unadorned, and had wider, cuff-less sleeves than the shirt shown above. However, Normans from the higher classes, especially starting in the fourteenth century, would have embroidered cuffs and necklines on their shirts. Shirts would be primarily made of wool, linen, or hemp, though the wealthy might occasionally have some made of silk. Throughout the Medieval period the length of the shirt varied and the side vents that would eventually become universal were not always present, but when it came down to it, a shirt was a shirt, and not that dissimilar to what men would continue to wear as a foundational garment for their torsos for the literal centuries to come. 

As I mentioned above, chemises were a garment worn during the Medieval period, but they were the long, flowing smock often made of linen that was one of, if not the, only undergarment worn by women during the Medieval period. While it served more or less the same purpose as a man’s shirt, to serve as a layer between the skin and the outer garments, protecting the skin from rough fabric and the outer garments from soiling, it was decidedly a long women’s undergarment worn under a dress.

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Sources:

C. Willett and Phillis Cunnington. The History of Underclothes. New York: Dover Publications, Inc., 1992. 

https://www.metmuseum.org/art/collection/search/83867?searchField=All&sortBy=Relevance&deptids=8&when=A.D.+1400-1600&ft=*&offset=0&rpp=80&pos=41

[self-loving-vampire]

Ultima IV: Quest of the Avatar (1985)

Ultima 4 is a very historically-significant game, as well as being where the Ultima series cemented itself as something truly unique. Where the previous games in the series (as well as the RPG genre in general) often dealt with defeating some kind of evil overlord, Ultima 4 has no antagonist and instead calls on you to perfect yourself and embody a set of eight moral virtues.

Summary

You start the game by answering several moral dilemmas to determine your class and starting location. You are then transported to the fantasy land of Britannia to embark on a spiritual quest to become the Avatar of virtue and read the Codex of Ultimate Wisdom in the Abyss.

To do this, you must master eight virtues and understand the three principles involved in them.

The game has been widely ported but I will be reviewing the free version available from GOG.

Freedom

Ultima 4 is an extremely open game in many ways. There are eight possible classes and each is rather different, with a unique starting location. Most importantly, all of the many tasks the game asks you to complete prior to the final descent into the Abyss can be done in any order you desire.

You can maximize your virtues in any order, explore dungeons in any order, travel the world as you wish, find the runes in any order, and etc.

So all in all, this game is very non-linear when it comes to exploration and objective order.

Note, however, that due to the way this game is designed it is not actually very replayable. Even if the initial experience is different for each class and you can complete the game’s many objectives in any order, those objectives are still the same and they all do need to be completed by the end. There are no alternate ways to complete any objectives.

By the end of the game, you will be playing largely the same way regardless of what your initial class was or what order you did things in.

This is made worse by the fact that ranged weapons completely dominate the game. There is little reason to use melee if you have the option to use ranged weapons.

Character Creation/Customization

Besides your name, gender, and choice of class, you cannot really decide anything about your character. Once in-game, you also don’t have that many options for upgrading your party besides obtaining better equipment and finding magical orbs in dungeons.

That said, the game does get some points for the variety of classes and for how radically some of them can affect your experience, particularly in the early game. 

The most striking example is the Shepherd class, which you get for having humility as your favored virtue during the character creation questions. Shepherds are terrible at everything. They can’t use magic at all (most other classes can to varying degrees) and are awful at combat, having a very limited selection of weapons and armor available. They also start in a ruined island populated by monsters. It is basically the game’s “hard mode.”

You can answer these same questions and find your class here (the link says Ultima VI but it’s really the same ones as far as I can tell, or at least close).

Story/Setting

The game world is reasonably large and memorable, but to be honest the setting of the Ultima games has always been on the more generic side, even if some of the games in the series are pretty immersive. The virtues introduced in this game are really the primary spice on the game world.

It is a medieval fantasy setting with all the staples: Fireballs, orcs, dragons, liches, skeletons, and so on. It does have a few less common creatures as well (like balrons and zorns).

A generic fantasy setting is not necessarily bad, but it is not particularly good either. It is just the baseline as far as I am concerned, and can be boring on its own if you are not drawn in by anything else a game offers.

In this case, the setting is not really the game’s selling point so much as its unique objective. It is also still a massive improvement over some of the earlier games in the series, which feature things like space travel and time travel.

Another point in favor is that the towns scattered throughout the land are not just generic fantasy towns, they are dedicated to specific virtues. Those virtues seem to be particularly alive in the minds of their inhabitants in this game as well. The virtues are so embedded in the setting for the rest of the series that it does give it more of an identity.

The story itself is, as previously mentioned, unique among all RPGs I know of. While there is a lot of combat and dungeons to explore, there is no big antagonist for you to defeat.

Your behavior is tracked from beginning to end. You will need to do things like donating money to the needy, donating blood at the healer, and letting non-evil creatures (generally animals) flee in order to become the avatar. I also do not recommend “grinding” out these virtues unless you really need to, as I found that as long as you know how to raise them you can easily achieve avatarhood in several of them just by playing the game normally, talking to everyone and visiting Hawkwind every time you’re in the castle.

In addition to maximizing your virtues and then meditating at the proper shrines, your quest will see you travel throughout the entire world to collect the artifacts you will need for your descent into the abyss. 

You will need the eight stones of virtue (most of which are within dungeons), the Key of Three Parts, the three artifacts of the principles, the word of power, and more. You will also need to recruit seven party members to aid you in your quest, each representing one of the virtues (you are the representative of the eighth).

Immersion

I know it’s probably not that bad by the standards of its time, but I can’t say the game’s immersion is all that good. It does gain some points in some areas such as the way the manuals work and how you need to actually do things like keep track of the phases of the world’s two moons (clearly not something you’d see in our world!) to make proper use of moongates, but overall it is definitely not on the same level as other RPGs I have played. As was sadly the case for the technically-limited time period the game was made in, the world does not really react very much to your actions even though your virtues are tracked.

I do like the initial character creation questions, however. Trying to answer them honestly based on your own moral principles can be a good way to get started. It is also good that the whole virtue angle requires you to actually roleplay the quest of the avatar in order to win.

Gameplay

Playing the game is extremely simple as long as you reference your keys as needed and read the manuals (perhaps it is even too simple, with only one type of non-spell attack action and relatively few and uninteresting equipment options). Talking to every NPC you meet is also recommended, as they not only have a lot of advice but also several vital clues that you will need if you plan to complete the game without a walkthrough, as the whole thing is rather obscure about certain aspects of your quest.

The magic system is a mixed bag. You have to gather and mix reagents to cast spells. The reagents must be mixed ahead of time and are consumed. You must also know which reagents to mix. The spell manual that comes with the game explains most of the combinations, but there are some that you must discover on your own within the game, and they are for some of the most potent spells too (such as Resurrect).

On one hand, I like how the game invites you to actually learn its magic system in order to make use of it, with many reagents having consistent qualities that can let you guess what kinds of spells they may be used for. On the other, it can be a bit time-consuming to manually mix these reagents every single time you want to prepare a spell.

However, the thing that really kills the second half of the game is the combat.

The combat is initially a bit simple but functional. You can press one of the arrow keys to move in one of four directions, you can press A followed by a direction to attack in that direction, or you can press C to cast one of your prepared spells.

With such simplicity, combat in the early game doesn’t take very long, especially since as far as I can tell there are less/weaker enemies early on (though there’s enough encounters to make it a bit of a pain still). However, as you gather more companions (and you must have a party of 8 before venturing into the final dungeon and completing the game) combat starts to drag on as you have to manually command each of your eight party members.

It’s especially bad in that one party member in particular (Katrina the Shepherd) is, to put it bluntly, a complete burden on the party as you might expect from a shepherd. She will be missing every single attack against the stronger enemies that populate the late game, and not hitting very hard when she does hit due to the awful weapon selection shepherds get. I wish you did not need to recruit everyone.

This would have been a bit of a pain on its own, but not that bad. No, the real problem is one single spell: Sleep.

A handful of late game enemies (such as gazers, but especially reapers, and balrons) will spam this one spell without mercy, even if your entire party is already sleeping.

This is a spell that can incapacitate multiple characters, potentially half your party or more, for several turns. The Awaken spell is pointless as a counter to it, as it affects a single target and the enemy can spam Sleep every round while you will quickly run out of Awaken even if your spellcasters somehow manage to avoid the sleep themselves.

Your characters do not wake up if they take damage, and there seems to be no limit to how often the enemy can use Sleep.

This is still manageable when fighting only one or two of these enemies in reasonably open ground, but in tight spaces where sleeping characters can block the way for the rest of the party or in dungeons where you face half a dozen or more of these enemies in a single room it can make for an experience that is just painful.

It is not even that this makes the game difficult either, the enemies do very little damage even when they are not spending all their turns casting Sleep over and over again, but it does make some dungeon rooms feel like they exist merely to waste your time.

The single worst offender was this room at the bottom of the Abyss.

10 Balrons that you can’t even reach due to a wall of force (central blue square) in the way. They can Sleep half your party despite this, regardless of where anyone is in the room. I timed it and it literally took me about 20 minutes just to walk everyone east at this one turn. There are other rooms that have this same issue as well.

While there’s annoying things like that, the game is actually extremely easy in terms of combat, at least once you get over the initial hump.

Aesthetics

As noted in the setting section, the game is on the more generic side aesthetically. That said, the simple graphics are at least readable for the most part (magical fields and the like aside) and the unique main quest gives the game a very distinct feel.

Accessibility

Surprisingly high due to its simplicity. Combat is about as mindless as you could ask for in an RPG other than making it completely automatic like Ultima 7 did, and there are not actually that many keys to remember.

However, there are still a couple of things that modern players will have to adapt to. Chief among them are consulting the manuals throughout the game and taking notes.

The game has no quest log to record all the clues the game’s many, many NPCs provide you with. You have to actually write those things down together with things like the mantras for meditating at the shrines, the visions you get as you achieve partial avatarhoods, and etc.

Your knowledge of the virtues will be tested at the very end.

Conclusion

I would not blame anyone for jumping ship once the late game begins, as things become slow and repetitive at that point. However, I believe that this game is worth trying regardless (especially now that it is given out for free).

This is an RPG unlike any other I have seen, demanding its players to not only live up to heroic (and largely secular) moral principles but also encouraging them bring them out of the game and applying them to their lives and become better people.

While its combat can become a bit of a pain later on, the game’s ideas remain interesting at the very least. It is also possible to import one’s Ultima 4 save into Ultima 5, and then from that game to Ultima 6. Both of those games also have rather interesting premises that I will talk about in time.

In the end, I think you should at least try it if you are interested in the history of RPGs. This is the point where Ultima really “gets good” and ditches the nonsense that plagued the early games, though Ultima 7 is still likely a much better starting point for modern players.

The game ends with a call to action. The Quest of the Avatar is a lifelong journey that does not end with the game. You are told to return to your own world and put the virtues you have learned into practice and live as an example to your people, to truly be the avatar.

In the future, other games in the series will challenge and twist these ideals in various ways, but I like the heroic idealism on display here.

[victoriareyloficlists]

Engagements, Weddings, and Arranged Marriages

Updated 15 November 2021

Rest of the Masterlist.

(take me to) the lakes by akosmia (AO3 2021  Rated E Complete, One-Shot, Modern AU, Quick Synopsis: It’s a quiet Saturday morning and they've been dating only for two months, when Ben slips and calls her wife.) A Dog is a Man's Best Friend (and also a force for fate) by Impossiblefangirl0632 (AO3 2020  Rated G Complete, One-Shot, Modern AU, Quick Synopsis: Ben is dog-sitting for Poe and everything is going fine until BB sees a rabbit and runs off. Rey finds a muddy, but happy dog and takes him home with her. She's going to turn him into the shelter, she really is but before she can she runs into a very stressed, very annoyed Ben who accuses her of dognapping.) A Doggy Intervention by corpse_wife (AO3 2020  Rated T Complete, One-Shot, Modern AU, Quick Synopsis: Interventions come in many different forms. Whether it's time, a place or occasionally, people, it's up to the universe to decide when two soulmates meet. In Ben Solo's case, the universe had a cruel sense of humor. For his intervention comes in the form of a German Shepard and his graceless brunette owner. Two things happened in the short span of a minute: 1.) Ben got tackled to the ground 2.) The dog had just swallowed his wedding rings) A Marriage of Rebellion by Zoa (AO3 2020  Rated T Complete, One-Shot, Historical AU, Quick Synopsis: Historical Arranged Marriage- Rey is a princess and must choose a prince to marry. Solely (at first) to spite her grandfather, she chooses the grandson of his old rival, Prince Ben Solo.) A merry Reylo Christmas by MeadowHayle (AO3 2018  Rated M Complete, 24 Chapters, Modern AU, Quick Synopsis: Rey and Ben are roommates and celebrate the most wonderful time of the year together. For Rey it's the first real Christmas with friends and family and she wants to make up for all the things she missed as a child. Ben tries to help as best as possible, giving her a Christmas experience she deserves.) A Night at the Opera by orphan_account (AO3 2020  Rated T Complete, One-Shot, Historical AU, Quick Synopsis: Prince Benjamin is resistant to his arranged marriage to the Palpatine heir. ) A Scandalous Match by Musickat18 (AO3 2019  Rated T Complete, 18 Chapters, Regency AU, Quick Synopsis: Despite a very poor first impression, Rey has found herself forced to wed the mysterious and intimidating Ben Solo, Duke of Ren. The marriage is deemed highly scandalous by society as Rey is no more than an orphan living on the good graces of Mr. Unkar Plutt. Rey, now Duchess of Ren, finds herself forced into a role for which she has no training, with a husband who does not even seem to like her.) Adoration of One Rey of Light by stellarnightmage (AO3 2020  Rated E Complete, 2 Chapters, Modern AU, Quick Synopsis: Since she was born, Rey Palpatine has been betrothed to Ben Solo, someone she's never met, and who's 10 years older than her. She hates the very idea. That is until they meet when she's 19 and Rey finds that it's hard to hate someone when they seem to adore you. It was her birthday, and the contract dictated she had to meet her husband-to-be on this god-forsaken day. She’d rather not ever see him ever. Or marry him. Or whatever.) All I Need for Christmas is You by Atchamb7 (AO3 2019  Rated G Complete, One-Shot, Modern AU, Quick Synopsis: Ben wants to make this Christmas special. He finds a rare toy that Rey has wanted since she was a child (baby doll) and attached to the doll is a ring.) an unexpected alliance by antematter (AO3 2019  Rated E Complete, 6 Chapters, Regency AU, Quick Synopsis: A Regency ABO story in which Captain Kylo Ren dallies with Miss Rey Niima, and she accidentally mates him.) And Closer Still Is Never Enough by lovefrompluto (AO3 2020  Rated E Complete, One-Shot, Historical AU, Quick Synopsis: Ben has an arranged marriage to Rey but what happens when he starts to court the wife who is a stranger to him?) And Your Kingdom Too by vuas (AO3 2020  Rated E Complete, One-Shot, Fantasy AU, Quick Synopsis: Her kingdom sells her hand the moment his thunderous black horse arrives at the border. Nobody fights for her honor like in the stories she’s read. There is no duty-bound, brave knight in possession of sparkling eyes coming to save her. There’s only the Red King and his bloody sword.) as luck would have it by prncesselene (AO3 2020  Rated E Complete, 16 Chapters, Modern AU, Quick Synopsis: When a case of violent food poisoning ruins Rose and Hux’s honeymoon plans, who better to take their place at a pre-paid Hawaiian beach resort than the Maid of Honor and Best Man? Sure, it’ll take some maneuvering, but a free vacation is a free vacation. They just have to pretend to be devoted newlyweds for a bit to enjoy it. There’s only one glaring issue, really: they can’t stand each other.) baby fever by cursebreakker (AO3 2021  Rated E Complete, 3 Chapters, Modern AU, Quick Synopsis: Rey’s boss kylo basically has a heart of stone, he literally has a reputation in the offices as 'Satan’s right hand'. That is until Rey’s two year old daughter toddles up to him outside of work one day and he just completely melts.) Baby, It's Just Biology by Polkadotdotdot (AO3 2018  Rated E Complete, 32 Chapters, Modern AU, Quick Synopsis: For Rey Jackson, trying to finish your degree in Biomedical Science at Harvard is difficult enough when you're one of the few Omegas on campus. It's made even more difficult when your Professor is the one to trigger your heat. You can't help it, it's just your biology. An Alpha Omega love story.) before we go. by AquaWolfGirl (AO3 2021  Rated E Complete, 2 Chapters, Medieval AU, Quick Synopsis: On the eve before the battle against their enemies, General Rey Jakksun seeks out General Kylo Ren. There are others she could have gone to in their camp, sure, but of all the men there, she decides to ask him to teach her pleasure -- something she's never known and wants to experience once before she dies in the morning.) Bespoke by fettuccine_alfreylo (AO3 2019  Rated E Complete, 12 Chapters, Modern AU, Quick Synopsis: When new stylist Rey Jackson receives a request to dress the hottest (and most unfashionable) new actor in Hollywood, she gets a lot more than she bargained for. Mentally AND physically. Because Ben Solo is freaking massive.) But I Do by SpaceWaffleHouseTM (AO3 2019  Rated E Complete, 8 Chapters, Modern AU, Quick Synopsis: Rey and Ben get married at the same venue at the same time. When both are left at the altar, they decide to flip life off and marry each other.) Butter Crisp Sandwich by DarkMage13 (AO3 2021  Rated M Complete, One-Shot, Modern AU, Quick Synopsis: “Mr, I insist you join me for a tea party today, at precisely noon. My teddy will be there.” Ben glanced at the boring clock on the wall. Ten minutes until noon. He swallowed in fear. There was no escape.  Or: Ben Solo cannot say no to an adorable hazel-eyed little girl's request for tea.) Compass by SpaceWaffleHouseTM (AO3 2020  Rated E Complete, One-Shot, Historical AU, Quick Synopsis: Kira is not in the business of harboring fugitives aboard her ship, but for a doe-eyed prince disguised as a peasant, she makes an exception.) count the rings by lachesisgrimm (olga_theodora) (AO3 2020  Rated E Complete, 20 Chapters, Modern AU, Quick Synopsis: Urban legend says the demon tree needs a bride in order for it to escape its confines. What happens when Rey jokingly marries herself to the tree during a camping trip?) Crystal Crowns by altargaryen (AO3 2021  Rated T Complete, 10 Chapters, Royalty AU, Quick Synopsis: Princess Rey Palpatine was a sprightly twelve year old the day her very best friend in the whole world left her. She is a women fully grown the day he returns, six years later, on the verge of taking up her own crown half a world away. A best friends to lovers, royalty romance.) Day Follows Night; Dark Follows Light Sequel by LyricalRiot (AO3 2018  Rated T Complete, 20 Chapters, Canon CD, Quick Synopsis: After the thorough defeat of the First Order, the Resistance is busy forming a new government, and two powerful Force users, Ben Solo and Rey, are in search of their destiny now that the war is over. Their new feelings for each other are strong, and they know they want to stick together, but learning what exactly that means is undiscovered country. Vague plans and a bit of planet hopping are all they have in their future for now, but it won't take them long to find the Force has other plans in store. Visits to old homes, nights of glamor and artifice, and exploring the secret deep places of the galaxy ahead. Steamy, but not graphic.) Deceit, Delusion, and Desire by AttackoftheDarkCurses, thebuildingsnotonfire (AO3 2018  Rated E Complete, 16 Chapters, Modern AU, Quick Synopsis: When Rey realizes her student visa is about to expire, she struggles to find a way to stay in the country legally. Her roommate has a terrible idea, and it's just risky enough to work.) Dreaming of a December Wedding by greywilde (AO3 2020  Rated E Complete, 11 Chapters, Modern AU, Quick Synopsis: A Reylo modern AU based on the Hallmark Christmas Movie, "A December Bride" Rey Jackson was supposed to marry Poe Dameron and have her dream December wedding - until he fell in love with her foster sister Kaydel. And it's all Ben Solo's fault. Now it's payback and he's her fake date to the wedding, but when Ben makes an impulsive announcement, it sets the stage for an elaborate holiday arrangement.) Eating for Two by Hellyjellybean (AO3 2021  Rated E Complete, 3 Chapters, Modern AU, Quick Synopsis: Rey is pregnant and smells her neighbour Ben's cooking. She goes round to ask if he would be willing to share. But maybe Ben would like to share more than his cooking with Rey.) Fated and Inevitable by Kyriadamorte (AO3 2018  Rated E Complete, 2 Chapters, Canon AU, Quick Synopsis: Padawan Ben's life gets a whole lot more complicated when a group of Force users on Jakku demands he marry one of their own before offering aid to a floundering New Jedi Order. He refuses, of course. At first.) Five Times That Ben Saved Rey's Valentine's Day & How She Forever Saved His by AnneAnna (AO3 2021  Rated T Complete, One-Shot, Modern AU, Quick Synopsis: Ben makes a confession in his wedding speech: He knew he was going to marry Rey when he and Rey were 4 years old and she gave him a Valentine she made and colored herself. And 21 years later, he still has that Valentine.) for love or money by KiKi37 (AO3 2020  Rated M Complete, 30 Chapters, Modern AU, Quick Synopsis: The loss of a scholarship has left Rey Niima in a financial bind, with only a few months until graduation. Her friend Rose might know of something that could help.) Force du Couer by Stargazer1116 (AO3 2018  Rated T Complete, 24 Chapters, Modern AU, Quick Synopsis: Kylo Ren is the CEO of a successful corporation in NYC. In a power play, his board, led by his uncle, demand that he marry to makeover his dismal public image. Rey is an art therapist working with foster kids in Harlem. When she contacts Kylo for possible support, he proposes a business deal that can benefit them both. He has no idea how much this woman with a fierce heart will turn his world upside down.) forever valentine by bellestar (AO3 2021  Rated G Complete, One-Shot, Modern AU, Quick Synopsis: Ben makes a confession in his wedding speech. He knew he was going to marry Rey when he and Rey were 4 years old and she gave him a Valentine she made and colored herself. And 21 years later, he still has that Valentine.) Gifted Forevers by ABeautifulBreakdown (AO3 2020  Rated M Complete, One-Shot, Modern AU, Quick Synopsis: When Rey said yes to Marrying Ben Solo she never expected things to get so out of hand. Now, on the day of her wedding, she's given a choice because all roads lead to him.) Go And Catch A Falling Star Chapter 18 by Ayearandaday (AO3 2020  Rated G Complete, One-Shot, Modern AU, Quick Synopsis: Rey asked for something to keep her warm for her birthday. Poe decides the best present he could get is Ben.) Go And Catch A Falling Star Chapter 45 by Ayearandaday (AO3 2020  Rated G Complete, One-Shot, Modern AU, Quick Synopsis: From childhood to adulthood, Ben is practiced at catching a clumsy Rey.) Go And Catch A Falling Star Chapter 50 by Ayearandaday (AO3 2020  Rated T Complete, One-Shot, Modern AU, Quick Synopsis: Ben needs to get married in order to get full ownership of his company. Rey learns about her boss' predicament and offers a helping hand.) Go And Catch A Falling Star Chapter 56 by Ayearandaday (AO3 2021  Rated G Complete, One-Shot, Modern AU, Quick Synopsis: Hungry overworked Ben accidentally ends up in McDonalds. Guess what happens next?) Go And Catch A Falling Star Chapter 59 by Ayearandaday (AO3 2021  Rated G Complete, One-Shot, Modern AU, Quick Synopsis: This chapter was born during a video about how pockets on women's clothing shrunk through history. Modern Rey would be outraged to know that womankind used to have pockets big enough to stash a loaf of bread. Imagine all the snacks they could fit! But she would have to make do with her boyfriend's pockets. Yep, that's basically the plot. Warnings: if Reylo babies bother you, you might want to skip this one.) Good Opinion by Hormonal_Trashbag (AO3 2016  Rated T Complete, 4 Chapters, Regency AU, Quick Synopsis: “Will you allow me my freedom if I consent to marry you?” He blinked, startled by her question. “You cannot be serious. Regardless of what my mother may want, we have no need to marry.” The flickering candlelight cast wild shadows on her lovely face. There was something absolutely untamable about her, something he could never touch should he want to; Ben found that he decidedly did not. She was fierce and unforgiving as the sea, and he could not fully comprehend the twist of desire coiled in his gut at her unmoving gaze. Her response was simple. “Is that really true?”) Good Opinion by Hormonal_Trashbag (AO3 2016  Rated T Complete, 4 Chapters, Regency AU, Quick Synopsis: “Will you allow me my freedom if I consent to marry you?” He blinked, startled by her question. “You cannot be serious. Regardless of what my mother may want, we have no need to marry.”) heaven in hiding by blessedreylo (AO3 2021  Rated E Complete, One-Shot, Modern AU, Quick Synopsis: They say it's impossible for a guy and girl to be "just friends", but Rey and Ben had managed to discredit that throughout their decade long friendship. What they both have is special, that people would often arrive at the conclusion the two were made for each other. He's her safe haven, her rock. She gives him a sense of clarity and direction. Ben and Rey know each other more than anyone ever possibly could. Therefore on Valentine's Day, their friends decided to secretly set them up together on a blind dinner date.) Heavy in Your Heart by crossingwinter (AO3 2018  Rated E Complete, 2 Chapters, Medieval AU, Quick Synopsis: Kylo, a prince who decided to have one last good night before their arranged betrothal, fell in love with a stranger at the bar. They don’t remember much except a voice. The next day, the stranger at the bar is at the altar marrying her bethrothed when she recognizes him as the man she had fallen in love with last night.) Homestead Fire by ladyofreylo (AO3 2020  Rated E Complete, One-Shot, Prairie AU, Quick Synopsis: In this story, Ben Solo is a homesteader trying to court O. Kenobi's adopted daughter whilst on the prairie. He believes he will make Miss Rey a good husband. He shows her how when he stops by to chop wood and build up her fire.) Hope Is Like The Sun by LoufromJakku (AO3 2021  Rated M Complete, 15 Chapters, Modern AU, Quick Synopsis: Leia tries to set-up her painfully single son with her assistant Rey. What Leia doesn't know is that Rey's already pregnant with Ben's child after a (drunken) one-night-stand and she hasn't told him yet.) How Not to Break Up by LadyBrettAshley (AO3 2020  Rated E Complete, One-Shot, Modern AU, Quick Synopsis: Nothing means more to Leia than her Annual Pumpkin Carving extravaganza. That’s why Ben asks Rey to keep their recent breakup a secret until after the party. After a carving-related accident, Ben comes to her aid and it turns out... they may not have to tell anyone they broke up at all.) I Thee Wed by Hellyjellybean (AO3 2020  Rated T Complete, One-Shot, Modern AU, Quick Synopsis: Rey is a wedding planner and on the wedding day she finds out that the young flower girl and the ring bearer are very stressed about their role in the wedding. Rey offers to walk them through it by pretending to be the bride so they could practice at the altar. They search for a fake groom amongst the wedding guests and find Ben. He agrees to help. ) I'll Pick You by greywilde (AO3 2020  Rated E Complete, 7 Chapters, Modern AU, Quick Synopsis: Rey broke off her no-strings arrangement with Ben to move to the big city and broke his heart (and her own) in the process. Three years later, a trip to an apple orchard has her falling - literally - into the arms of the man she left behind. His feelings haven’t changed, but have hers?) I'm Your Dream Girl by Hellyjellybean (AO3 2020  Rated T Complete, One-Shot, Modern AU, Quick Synopsis: Reylo AU where Ben & Rey are roommates but Ben is constantly blowing up at Rey for being messy, eating his food, but Rey always just smiles and takes it. That’s because she knows Ben’s secret. He talks in his sleep. Mainly about how much he loves her and wants her to be his wife.) ignorance of etiquette by blessedreylo (AO3 2020  Rated E Complete, 2 Chapters, Regency AU, Quick Synopsis: Lady Rey Kenobi lives a life of pristine comfort and luxury on her family's estate in Chesire with her parents Lord Obi-Wan Kenobi and Lady Satine Kenobi. When they receive word that an old family friend, Lord Benjamin Solo, is coming to visit, Lady Rey is reminded of how he tormented her as a child. She decides that she will prove herself not the same girl she once was in more ways than one.) ignorance of etiquette by blessedreylo (AO3 2020  Rated E Complete, 2 Chapters, Regency AU, Quick Synopsis: Lady Rey Kenobi lives a life of pristine comfort and luxury on her family's estate in Chesire with her parents Lord Obi-Wan Kenobi and Lady Satine Kenobi. When they receive word that an old family friend, Lord Benjamin Solo, is coming to visit, Lady Rey is reminded of how he tormented her as a child. She decides that she will prove herself not the same girl she once was in more ways than one.) In Sickness And In Health by Theyna_Shipper (AO3 2020  Rated T Complete, 8 Chapters, Modern AU, Quick Synopsis: Rey knows it's not an ideal situation, but it's a situation thousands of people are in. It's not like there's much she can do about it right now, anyways. She can go a little while without health insurance. Until she gets breast cancer. The treatment will be simple if she can get it. But she's worried she can't, until her old co-worker Ben offers a solution: "We could get married.") Inspired by Wasting Time on the Interwebs Chapter 8 by Theyna_Shipper (AO3 2020  Rated G Complete, One-Shot, Modern AU, Quick Synopsis: Rey and Ben are paired up for an economics assignment, but they have a major difference of opinion on some key points.) key to the kingdom by blessedreylo (AO3 2020  Rated E Complete, 12 Chapters, Princess Diaries AU, Quick Synopsis: Most girls get a drunk weekend in Vegas for their 21st birthday, but Princess Rey Kenobi gets the chance to rule the country of Alderaan. But the only way she can become Queen is if she marries a man in 30 days, or the throne goes to the selfish (and annoyingly attractive) usurper Lord Benjamin Solo. Will Rey be able to ascend to the throne or will it all just become a royal pain in the ass?) lay all your love on me by akosmia (AO3 2018  Rated T Complete, One-Shot, Modern AU, Quick Synopsis: Ben doesn't really think much of himself, and Rey is determined to change his mind.) Leave a Message by spicytofuuuu (AO3 2020  Rated G Complete, One-Shot, Modern AU, Quick Synopsis: Ben and Rey's relationship as told by the voicemails Ben leaves for Rey.) Let me Dream, Let me Stay by Melusine11 (AO3 2018  Rated E Complete, 12 Chapters, Modern AU, Quick Synopsis: Rey has kept up a charade of a non-existant boyfriend for two years and now that Rose and Finn are getting married, she needs someone to pretend to be said boyfriend, enter her coworker Ben.) lie with me and just forget the world by hi_raeth (AO3 2021  Rated T Complete, One-Shot, Modern AU, Quick Synopsis: For Rey Solo, the year is 2016. She’s just woken up in the hospital, she’s recovering from a car crash, and she’s wondering where the hell her husband is. For Ben Solo, the year is 2021. It’s been two years since the divorce, since the worst mistake in all of history, since the day he walked away from the love of his life. Sometimes, the universe has a weird (and potentially fatal) way of bringing people back together.) lucem ac viventis by neonheartbeat (AO3 2018  Rated E Complete, 17 Chapters, Beauty and the Beast AU, Quick Synopsis: In the midway of this his mortal life,/Poe found him in a gloomy wood, astray/gone from the path direct: and e'en to tell:/ it were no easy task, how savage wild/ that forest, how robust and rough its growth,/ which to remember only, his dismay/ renews, in bitterness not far from death/--Yet to discourse of what there good befell, /all else will he relate... discover'd there. A Star Wars take on Beauty and the Beast. Tale as old as time, in a galaxy far, far away.) Make Me Over by Hellyjellybean, Twisted_Mirror (AO3 2020  Rated E Complete, 2 Chapters, Modern AU, Quick Synopsis: Ben Solo is a man with a past. The famous actor has used everything from drink to sex to try and fight his demons but maybe all he really needs is the love of a good woman? Rey Johnson is excited to have been appointed MUA to the lead actor on her first film set. From the moment she meets Ben Solo, she's a goner but does he feel the same?) make my heart a better place by defiersofthestars (AO3 2020  Rated M Complete, One-Shot, Modern AU, Quick Synopsis: Ben is babysitting his niece and she begs him to FaceTime Rey so she can read her a bedtime story. He’s never met her but as soon as the call connects, he’s completely transfixed. He doesn’t tell her when the kid falls asleep because he doesn’t want her to stop reading.) My Dad Will Not Date Miss Palpatine (But Maybe He Can Marry Her) by AnneAnna (AO3 2021  Rated T Complete, One-Shot, Modern AU, Quick Synopsis: Annie Solo is perfectly happy with her Dad and brother and the last thing she needs is her dad's high school sweetheart coming to town and ruining everything. But maybe just maybe Miss Palpatine will be far better than she expected.) My Sandwich by Blueyedgurl (AO3 2020  Rated G Complete, One-Shot, Modern AU, Quick Synopsis: Someone took Ben's turkey sandwich at work, he is infuriated and eager for revenge, until he finds out it was Rey then those feelings no longer exist.) My Whole Life by AttackoftheDarkCurses, thebuildingsnotonfire (AO3 2018  Rated E Complete, 13 Chapters, Modern AU, Quick Synopsis: The "Without a Hitch" high school sweethearts, fake-dating rom-com AU.) Nevertheless, She Persisted by dawninthemtn (AO3 2019  Rated T Complete, 24 Chapters, Modern AU, Quick Synopsis: Junior campaign staffer Rey works for US presidential candidate Leia Organa and ends up with the job of babysitting her aloof and entitled adult son Ben.) Newspaper Hearts by Celia_and (AO3 2021  Rated G Complete, One-Shot, Modern AU, Quick Synopsis: “She made her Valentine’s cards. She tore hearts out of newspaper and glued them onto used envelopes and painstakingly wrote each child’s name. She probably spent days making them. And you know what she wrote on mine?” He doesn’t need to read it to know what it says, so he looks down at her instead, and the hand on her heart and the tears in her eyes. “Ben: You are OK. Rey.”) Nonsense & Nuptials by thehobbem (AO3 2021  Rated T Complete, 2 Chapters, Regency AU, Quick Synopsis: Rey is the ward of Leia and Admiral Han Solo. She lives alongside Ben Solo who is the victim of her repeated attempts at matchmaking. But her scheming reveals more about her own feelings and fears that she's missed out on something very important.) Of Colds by Armayra (AO3 2020  Rated G Complete, One-Shot, Modern AU, Quick Synopsis:  Rey gets a cold and ends up feeling lonely. Ben plans to fix that.) Peacock by AttackoftheDarkCurses (AO3 2019  Rated E Complete, 22 Chapters, Modern AU, Quick Synopsis: Thanks to a series of misunderstandings, failed attempts at flirting, and loud Katy Perry music, Ben grows to hate his new neighbor. Proposing to her wasn't the best solution to his problems.) Port in the storm by Blueyedgurl (AO3 2020  Rated E Complete, 2 Chapters, Modern AU, Quick Synopsis: Rey pretends to be afraid of thunderstorms so she has an excuse to sleep next to Ben. Ben figures it out when he races home early after seeing thunder, fearing Rey will be crying alone curled up in a ball, only to find her totally chill and eating ice cream.) Rey, Voulez-Vous Prendre Ben Comme Époux? by Theyna_Shipper (AO3 2020  Rated T Complete, One-Shot, Modern AU, Quick Synopsis: Rey is her boss's best friend and is present at his French wedding. However, due to a language barrier, Ben and Rey are the ones who end up married.) Sleepyhead by Blueyedgurl (AO3 2020  Rated T Complete, One-Shot, Modern AU, Quick Synopsis: Ben, a mere himbo, tucks a stray hair behind Rey's ear in class. He knows he deserves the hot coffee in her hand to be thrown in his face and yet he gets a date. ) Something Beautiful by ceciliasheplin (AO3 2019  Rated E Complete, One-Shot, Medieval AU, Quick Synopsis: Lord Ren forces orphan Rey to marry him. On their wedding night he refuses to take her because he wants her to be willing. Rey is both enraged and frustrated. She may hate him but she isn’t exactly opposed to being ravished by her husband.) Sunshine and Gunpowder by rightforlife (AO3 2020  Rated E Complete, 8 Chapters, Modern AU, Quick Synopsis: She’s a teacher who would do anything to protect her student. He’s a glorified hitman with a heart of black gold.) Teenage Dream by ReyloRobyn2011 (AO3 2020  Rated M Complete, One-Shot, Modern AU, Quick Synopsis: They met on the playground in first grade. Ben saw the scrawny girl with three messy buns lining the back of her head from across the schoolyard. She sat by herself on the bench, watching the other kids play. He’d never seen her before; she was the new girl in class. Ben didn’t have any friends and he was too shy to talk to anyone— but there was something about this girl. He felt drawn to her.) The Background by Blueyedgurl (AO3 2020  Rated T Complete, One-Shot, Modern AU, Quick Synopsis: He draws her every week. He draws her looking at him smiling, thoughtful, or truly magical, He pours his heart and soul into these drawings. Every Sunday he comes to the hospital room, hoping to meet her eyes. But she's not waking up. His hope is fading. Today...) The Five Times Ben Stole Rey's Halloween Candy and the One Time He Bought Her Some by AnneAnna (AO3 2021  Rated T Complete, One-Shot, Modern AU, Quick Synopsis: They meet when Ben Solo tries to steal Rey Kenobi's Halloween bucket and Rey hits him over the head the with her plastic lightsaber. They eventually become best friends and then more. This is just all the Halloween Fall Fluff in the world.) The Soiled Doves by fernybranca (AO3 2018  Rated M Complete, 28 Chapters, Regency AU, Quick Synopsis: Luck raised Miss Rey Jakku from the streets into the household of Baron Luke Skywalker, and he willed her a fortune beyond the dreams of wealth—earning her the eternal hatred of Benjamin Kylo Skywalker Organa Solo, His Grace of Alderaan, who had counted on his uncle's money to rebuild his ruined ducal seat. But hatred bleeds into obsession, obsession into love, and the rules of the haut ton are strict.) The Trail Bride by SecretReyloTrash (BadOldWest) (AO3 2019  Rated E Complete, 47 Chapters, Historical AU, Quick Synopsis: Rey Niima finds herself in a perilous situation when her husband dies at the start of their journey West. From the few bachelors on the trail in her party; she attaches herself to the best of her options. That option is the mysterious Banker Ben Solo.) The Trial of Naboo: Fall of a Duke by Twin_Kitten (AO3 2020  Rated E Complete, 2 Chapters, Historical AU, Quick Synopsis: Ben and Rey are engaged to be married, but after several attempts on her life, he takes personal responsibility for her safety, including keeping her in his bed at night. Problem? Ben is extremely attracted to his bride but the MUST wait until marriage. ) The Ward by dreamingspires (AO3 2021  Rated E Complete, 18 Chapters, Regency AU, Quick Synopsis: An angsty, Bridgerton-ish/Alpha/Omega/Smutty mash-up, Ben rescues Rey and ends up her guardian.) the way I see you by ocjones (AO3 2021  Rated T Complete, One-Shot, Historical AU, Quick Synopsis: Ben glides a finger over the painting’s shining face. It’s long since dried, having traveled the slow journey of hills between Naboo and Mortis, yet the varnish is so glossy it almost feels wet to the touch.And there she is: a soft-looking woman, her breasts pillowing over the top of her corset, her hair held lightly back with a band and flowing out behind her. Her delicate fingers grip a book, clasp it in her velvet-clad lap. The smile on her face is as gentle as her portrayal. His wife.) The Wedding Necklace by daughter_of_the_fifth_house (AO3 2020  Rated M Complete, 21 Chapters, Canon CD, Quick Synopsis: Nambi Ghima sensed Rey’s longing for a family and gave her a wedding necklace for her future husband - the necklace Kylo Ren ripped off Rey's neck. Which means getting married. First Order Officer Tishra Kandia is confused why she had to analyze said necklace. She and a lot of people – and droids – on both sides of this war wonder about the marriage of Supreme Leader Kylo Ren and the Jedi Rey. The only thing is… Rey and Kylo don't even know they’re married.) Through the Years by castles_and_crowns (AO3 2018  Rated T Complete, 10 Chapters, Modern AU, Quick Synopsis: Ben Solo and Rey Jakkson meet on the playground as children under unusual circumstances and quickly become best friends. This fic follows them through the years, showing glimpses of their friendship as it slowly progresses into something more.) to climb steep hills by galvanator (AO3 2020  Rated T Complete, One-Shot, Modern AU, Quick Synopsis: No one really talks to the new girl who sits in the back of the class. She’s been here a month but kids are afraid of her and teachers are too overworked to be able to solve a problem like Rey. No one really talks to the new girl - except for Ben. A childhood to adulthood love story.) To Have and to Hold by bunilicious (AO3 2018  Rated E Complete, 5 Chapters, Medieval AU, Quick Synopsis: “Your husband is gravely injured, my lady.” The envoy’s words should have pleased Lady Rey. After all, her husband was one of the dreaded Norman barons who invaded her beloved country and claimed the lands in the name of the bastard who now called himself king. Ben Solo had stormed her uncle’s keep, killed all the men who opposed their new conquerors, and claimed the stronghold for his own. He took the keep, he took the surrounding lands and, at the new king’s orders, took Rey to wife. Rey should have hated him. But, in the six months following their hasty and undesirable marriage, Rey found that hatred for her new husband was the furthest emotion from her heart and mind.) Trick or Treat, Baby by Everren (AO3 2021  Rated E Complete, 7 Chapters, Modern AU, Quick Synopsis: Ben Solo is not in the mood to deal with trick or treaters this Halloween. In fact, he’s taken measures to ensure he doesn’t have to. Can Rey, his next door neighbor and lover of all things Halloween, change his mind?) Unexpected by incognitajones (AO3 2020  Rated E Complete, 6 Chapters, Modern AU, Quick Synopsis: Rey doesn’t want anything from her one-night stand Ben Solo, not even now that she’s broke, jobless, and pregnant. But he’s desperate to avoid a scandal that could derail his election campaign, so they agree to a cold-blooded business deal: she’ll marry him and be the perfect political wife—for a price, and a limited term.) weddings and wingwomen by bigfootsflannel (AO3 2020  Rated T Complete, One-Shot, Modern AU, Quick Synopsis: After hiring Ben Solo as her wedding photographer, Rose discovers her true calling as part-time matchmaker.) Wild Child by tmwillson3 (AO3 2020  Rated E Complete, 4 Chapters, Regency AU, Quick Synopsis: Rey spends her first Season in Bath with her best friend, Rose Tico. When Rose begins a hate-at-first-sight relationship with Sir Armitage Hux, Rey thinks that nothing more exciting could happen. That's when Sir Hux's friend, the Earl of Alderaan, and his dogs come crashing into Rey. Rey has never liked peers, but when she bonds with him on a rainy day, everything changes.) Wild Child by tmwillson3 (AO3 2020  Rated E Complete, 4 Chapters, Regency AU, Quick Synopsis: Rey spends her first Season in Bath with her best friend, Rose Tico. When Rose begins a hate-at-first-sight relationship with Sir Armitage Hux, Rey thinks that nothing more exciting could happen.That's when Sir Hux's friend, the Earl of Alderaan, and his dogs come crashing into Rey. Rey has never liked peers, but when she bonds with him on a rainy day, everything changes.) Worth the Wait by LadyBrettAshley (AO3 2021  Rated E Complete, 7 Chapters, Modern AU, Quick Synopsis: After being cheated on by her fiancé, Rey decides not to wait til marriage & decides to lose her virginity to known scoundrel Ben. "Scoundrel" Ben begs her for a dinner with him, worships her in bed and trails after her like a lovesick puppy. Rey is confused.)

[frenchfriesoverguys]

my review of ‘cursed’ (spoilers)

i have a degree in film and visual culture with no use for it in the pandemic so

i’ve seen a lot of comparison to bbc merlin. it would truly be odd to compare the two shows as merlin is a light hearted fantasy action while cursed is more of a drama fantasy. they fit into two completely different genres within fantasy. in general, never judge a show based off of another. the intentions in making merlin and making cursed are obviously different. i’ve seen other people talk about the character arcs being flat and the characters being boring. again this is a drama. most of the conflict is within the characters instead of in the fighting. i will say that while i do like arthur and gawain, their characters are not truly explored. i enjoy gawain being fae as it does add to the character but he has no true arc and is more so there for a plot device. meanwhile, arthur fits into the lover dilemma of only being seen as the love interest. i admire the twist of the man being the flat, love interest character. however, with this being the first, that i’ve seen, depiction of arthur being a black man, it would have been nice to see more character development. 

pym was THE best development in my own opinion. the reason being, she is so shy, so scared, so complacent. she embodied everything women are taught they have to be. she is resigned to her own duty to be aaron the fisher’s wife. pym lovingly chastises nimue for wanting escape their destinies of their mundane village life. yet she escapes the raid of her village, hides with aaron’s nets, finds an opportunity to leave and does so. she sneaks onto a viking ship and begins stitching up the men and women there so she can survive. she survives being a red paladin prisoner, the same red paladins that raided her village. iris tried to manipulate her and she saw right through it. she ends up being incredibly powerful without ever welding any power. underrated character and need more of her.

now nimue. i really like her depiction in this series. she is shown as powerful but not overly so. she cant end the war with a summon of the hidden’s power, yet she can kick some major butt. she first comes across as the damsel and quickly proves the audience wrong. however, the talk of her from peasant to queen seemed to escalate out of nowhere. it was a little rushed and could have been paced out better. that being said, it was a welcome change. it helped show her power, a rarity for female characters. morgana was also an interesting character. her conflict and growth relied graciously on her own self. having her be attracted to women was the biggest game changer in terms of her character. she seems abrasive and cold until her love is discovered. that moment with nimue was beautiful and the definition of women supporting women. it was a moment that defined their entire relationship. a friendship, by the way, that was so powerful it became a driving conflict within morgana.

by far my favorite thing about this series is the names. people familiar with the arthurian legends know these names. each name carries weight and defines who that person is, was, or could be. waiting to reveal said names by cleverly misleading the audience is significantly more powerful. i’m looking at you morgana and lancelot.

okay lets talk about the red paladin. people are probably uncomfortable talking about religion but ‘cleansing’ sanctioned by the church is based off of real events. this stuff actually happened. so awkward but necessary conversation when bringing up the red paladin. the church is supposed to be operating with kingdoms but instead we see the church as its own power, its own army. they manipulate the kings in order to continue their raids and serve their own agenda. by definition, they represent the patriarchy. or at least they are one of the representations of the patriarchy, the kings being another. they belittle nimue by calling her ‘the fae peasant girl’ while she takes down most of their men. they exclude iris who truly seems to be the only one efficient enough to kill fae and her own sisters. their blatant abuse of said sisters. ect. in later seasons it would be nice to explore the kinder side of christianity. people use god’s name in vain to defend their own ideas of hatred, it would be nice to see a character that spread love instead. (arguably morgana does this but as she rejects god and the religion by throwing her cross away, i’m not quite sure she’s the best example)

everyone wants to talk about the weeping monk so lets get into that character. one of the best character arcs on the show. i love redemption arcs - especially well done ones. so lets be clear, this is not and cannot be the entirety of his arc. he has only just begun. i want to be surprised that he is fae kind but dude showed his magic throughout the series - still a nicely done reveal. this man has been heavily abused and manipulated. and to see that dynamic between cardon and him explained everything (gotta love daniel sharman playing an abuse survivor - dude kills it every time). especially why he doesn’t kill kids as that is a line characters just cant come back from. love him and squirrel but curious as to how he will continue to recover. i personally would love to see his mental health thoroughly explored.

stepping away from plot and characters for a minute, we need to talk about graphics. i cant tell if they got better over time or i got used to them but in the end they didnt seem so bad regardless. the transitions are based off of medieval manuscripts. this may seem like a strange comparison but monty python and the holy grail did a similar thing. that film took more of a comedic route but the idea is still the same. its interesting and different but i think they could have done a little better. they seemingly tried to mix art forms while keeping with the style of medieval art and in the end, they modernized it.

the flashes were incredibly well done. every character defining moment had a flash of green, which is incredibly detailed. the flash forwards were dramatic and jarring and i loved it. by allowing the music to shift and the actors expressions to shift before the flashes, it created a beautiful transition. elevates the series into a more cinematic piece. 

all in all, this series has great potential. the women on this show go from passive characters into decisive leaders. as for the next season, i hope to see more character development and exploration for arthur, kaze, and the red spear. all were underrated and need more screen tie. especially kaze.

[bookcoversalt]

SERPENT & DOVE 2: ELECTRIC BOOGALOO (also blood and honey)

I originally covered (pun intended) SERPENT & DOVE in February 2019, and I wasn't complimentary. While the black and gold color scheme is appealing and there's a nice sense of depth and texture to the snake, beyond that, it is a hot mess. The rendering is plasticky, the imagery is mostly vague ~ AESTHETIC ~ nonsense, the whole thing has an off-center awkwardness, and what, for the love of god, is up with that midcentury typeface. An eagle-eyed blog reader even clocked weird crop mark.

Since then, I've been pointed to the online portfolio post of this cover by the designers, which has some very cool (and enlightening) process shots:

You may notice that this looks better than the actual cover! The serpent and dove figures actually share hierarchical dominance here as a single unit, and their overlap is dynamic and interesting as a focal point. So what happened? Since there's so little color in the comps, I have to assume that either it was originally intended to have a paler overall palette, or the question of color was intentionally punted down the line, but either way, this seems to have been created before the stark black and gold was decided upon. Because that's where we lose the dove completely.

She's also been pushed fully behind the snake, losing any sense of the interaction between them and making our general sense of depth and "physical" space sort of... confused. Knowing how design processes typically work, I would think they tried the dove in gold in that original lockup and for whatever reason, it didn't work: maybe it overwhelmed the cover with too much gold or maybe it interfered with readability too badly. This explains my original discomfort with the size of the snake and weird emptiness of the design between the dramatically spaced type: originally, it was supposed to be (more) filled, and it hasn't been adjusted for the loss of that element.

Full disclosure: the first time I made a post on this cover, I didn't even realize the dove was there. My eyeballs lost it in all the nondescript foliage and flourishes so badly that the meaning-making part of my brain didn't translate those shapes into a specific object. And I spend a lot of time looking at covers when I review them! So that's embarrassing for me, yes, but this is also a failing of the cover itself. Regardless of my other issues with it, I think it's really disappointing that the (interesting! relevant! aesthetique but in a good way!) visual focal point that the entire iterative process centered around ended up completely dismantled in favor of....... ugh, I dunno, the 1950s diner type? Pinterest board trimmings of leaves and sparkles, like turkey trimmings but even less appealing?

Because I didn't know the dove was there, I was, uh, confused when I first got asked about how EXTREMELY similar BLOOD & HONEY is, a sentiment I've heard a number of times now, because BLOOD & HONEY, shall we say, overcorrects on the "bird loss" front.

HELLO, SAM THE EAGLE. LET FREEDOM REIGN, BITCHES. MY COUNTRY TISSSSS OF THEEEEEE- 

[Edit: I have been informed that this is probably still a dove, not an eagle, based on the face, but i’m not changing this joke.]

First of all, yes, the red is Bad. The black background of S&D matches the dark coloring of the objects, thereby hiding some of those Rendering Sins and lending a sort of subtlety to the mishmash of Aesthetique Things. It's all out in the open here and no less of a hot mess. The highlights are blindingly shiny and feel arbitrary as hell, like every single spear and leaf is being lit independently of anything else, and the almost pure black shadows that contrast them make my eyeballs burn-- it looks like it's a color being reflected from somewhere, rather than native shadow, because of how metallic objects reflect light, but there's nothing here but a perfectly flat, untextured field of red. I appreciate the emphasized presence of the bird (I'm ASSUMING it's an eagle, but I haven't read it, so correct me if I'm wrong) from a hierarchy and space-filling standpoint, but it is goofy as shit, and I have no idea why its chest has been so aggressively lit and filtered that it looks nearly on fire with saturation.

The primary offense of S&D's cover, that it's a tangled mess of meaningless and poorly crafted flourishes meant to be aimlessly Fancy that ends up being kind of ugly in the process, has been cranked up and the knob broken off here. An "Oooh, shiny!" from a dumb character who is about to trigger a trap manifested through a hypertrendy YA goth lens.

The text is also Still Bad. Compare the font to the one the Fairyloot book box uses for the book:

Although this isn't rendered in the metallic style, which it would have to be to match, it has a dramatic blackletter quality that matches the edgy medieval tone of the story far better than. Whatever the hell this B is doing.

So round!!!! So friendly!!!! So Un-witch-hunt-ey!!!!

To be clear: no, B&H is not a full, exact recolor of the S&D cover-- most of the elements, though the same, are arranged differently, and that's a completely different bird and at least a nominally different snake.

However comma I see why people think it is, because someone got lazy with the bottom left lol.

There is a Behance post for this one, too, although there's noticeably no process work, because the process was quite clearly "do it again but slightly to the left," and that doesn't involve much iterating.

Here's the thing, though; I'm not convinced any of this matters, because the truth is that hot, high-contrast messes photograph well.

Particularly when paired with a moody setting or editing, the red that comes across as kind of a nightmare in the jpeg pops, and the Escherian snarl of detail becomes more a texture nonspecifically indicating luxury and romance than an object theoretically representing something concrete about a story. And I personally may not Love This For Us, but honestly, that's half of a book cover's job these days: look pretty and do nothing.

If there's something to be learned from BLOOD & HONEY's cover, it's that better or worse, instagram filters matter. (Also true of Shelby Maurin's immaculately aesthetically curated, goth-trendy personal brand, which has increasingly been mimicked by other authors since S&D listed, although the author-brand-as-book-marketing-tool has always been a thing to some degree). A book isn't just a book, it's a prop for the countless ongoing performances of book-consumption-as-identity done both for fun and for clout in this particular subculture. I'm not passing moral judgement, here-- anyone buying a new YA fantasy book, no matter what they want to do with it or what my feelings on the book itself are, is a win. But this is the industry moment we live in, and it's savvy of publishers to have it in mind in regards to marketing and design.

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[rametarin]

The complicated issue of the ‘war on science’ in the United States.

We are all painfully aware that there are individuals and communities in the United States of America that believe garbage like, “The earth is between 2021 and 6000 years old.” That’s not where the story begins or ends.

Yes, individuals like this exist. Small communities of people like this exist. I’m not denying that. They’re well documented and will out themselves in the right section of the country. They do tend to be right wing voters, but not exactly for the reasons you’d think. And it is an anti-science position to say the earth is only that old. This is not in dispute.

Typically the conversation then goes to a smug look at the 4th wall, some smug assed, “LOL LOOK AT THE AMERICAN MILITARY BUDGET VS. ITS PUBLIC EDUCATION BUDGET. :^)” And the implication for this thinking is that North America is so full of religious zealots, systematic conservative theocratic control and by extension nativist white supremacism based on bellowing blowhards that it does not value science, “as a society or a culture.”

This is pure and simply masturbatory fantasy on behalf of people that tend to see all religious culture under this light. Or at least, Christianity. Since they often don’t have the balls to apply these “harshly judging medieval superstitious culture” standards to immigrants from Islamic countries or cultures or communities.

The actual numbers of flat earthers, young earth creationists, etc. are extreme outliers with very little actual power. However, those people are good caricatures to shame and embarrass and stigmatize and stratify religious people. They don’t have to DIRECTLY mock the religious, they just have to mock those extremes, get the actual religious to also join in and be part of the cool kids for mocking the more extreme and nonsensical beliefs. That creates a mental, psychological and social division. It’s a Mean Girl tactic and technique to make a person socially divorce themselves and shun and ostracize someone else in order to be spared being made fun or, or similarly be shown that derision or hostility.

The people doing it the loudest and most subvserively tend to do it because they aren’t JUST atheist or agnostics, like normal scientifically minded individuals, but zealous atheists and secularists that have a big mind about what “society” is and means and what they want it to mean. And they abhor that religious culture that is so contrary to science and reality exists. Especially when they’d much rather those people stop existing in their own bubbles, (”Atomization”) and get on board with THEIR brand of culture, society and, dare I say, revolution.

So they publicize and shame the religious by showing every potentially inbred, belligerent, anti-science yokel from a small community where a religious culture is the norm of the territory by embarrassing them, they put it in the news to create this image of a basis and normalty. “Look at how stupid and anti-intellectual the seedy underbelly of the US of A’s culture is!”

When in reality, that’s the sign of multiculturalism. Multiculturalism does not mean, “a bunch of different cultures that also fit your neat ideas of reality.” Some cultures, despite what your cultural relativism says to you, really are that stupid. And guess what? Many of them would make their new home a lot like the failed or inadequate idea of home, if they could.

Multiculturalism is not, “we’re all different but we all believe the same things!” Multiculturalism doesn’t even necessarily mean all cultures will cease being based on imaginary shit and only pull from objective, measurable reality. When you shame an outlying religious community for their asinine beliefs and then try to use the broad strokes to negatively portray the land they live in as dangerously unhinged psychopaths purely based on what the outliers believe, you lose any and all credibility when you defend corrupt religious nations like Pakistan or Taliban era Afghanistan.

The, “War on Science” is a lot like the War on Christmas. In that, neither are quite happening in quite the same way the people crying about them are saying.

If you asked a person that voted more left-wing or liberal, they might say the US was full of religious kooks that vote contrary to reason or science. That they think with their egos, not their rational brains, and that the only thing that has stopped them from destroying everything is exploitative greed and/or sadism.  They imagine people that disagree with them as effectively screaming, shit throwing chimpanees wearing papal gowns and beating people with scaramental candle holders.

If you asked a person that voted more right-wing or conservative that also happened to believe the hooey about the US being a “blessed Christian nation,” they might say that “liberals’ (an umbrella term used by these types) are waging a war on North America’s religious Christian traditions and culture. Firstly by trying to disentangle Christian participation in public schools, such as getting rid of Christmas decorations, holiday songs, even cutting snowflakes and stuff. Not in any display of multiculturalism, but simply to eliminate “respecting establishment of religion” in a secular public school environment.

By trying to stigmatize “Merry Christmas” as unwanted and uncalled for, the product of assuming if you’re wished one, they assume the recipient is inherently Christian, and that’s either annoying or offensive depending on the religion of the recipient. Borderline hate speech, if the recipient is a member of a religious faith or culture that sees such well wishing to be heretical.

Both of these examples are of people with a vested interest in painting your perceptions of the issue from a position of bias. Both of these examples have elements where they are correct in all the wrong ways and incorrect in all the right ones.

The truth is that the US also has a problem with smarmy assed people that rue the power of the religious communities and would give anything if only they could find some legal avenue to make them go away, short of going out and firebombing churches in high profile. Some way to disincentivize going to church, to get observation of religious culture and beliefs to have the communal aspect removed from them in order to be acceptable, since they view the entire concept of culture and society to be the sole domain of secularism, and religious community is seen as a stumbling block, opponent or even a danger to their preferred majority society.

We seldom get to hear about these ones outside the context of an angry religious idiot harping on about, “them godless li-bur-awls.” That doesn’t mean these people that are just jealous they bow at the altar of a different god aren’t the secular, dogmatic yuppies and shit. It just means the reason they’d specify as to why they have a problem with them gets stuck in their own personal bias and perspective. From their view, erroneous as it is, the United States was a country created by the will of God and ordained for a purpose (it wasn’t) and to divorce God and Christianity from dominance in the United States is to deliberately be spitting in the face of god and trying to destroy the world.

Outwardly, that sounds crazy and stupid. And it is. But just because that guy is crazy, egotistical and stupid does not make the objectives, reasons and goals of the person doing it noble, reasonable or even beneficent. Not even by comparison.

Socialists and communists style themselves as The Scientists, The Thinkers, The Creatives. Which is why so many of them wind up burnt out, addicted to drugs and miserable, while going nowhere. They share many of the same ideological trappings as creationist Americans. They do not share much of the same peace of mind as the simple minded religious folk that everything happens in some grand plan or because some beneficient deity willed it.

American socialists/communists desire a more unified and singular society and culture that does not bow its thought processes to religion. Which isn’t to say that it bows to science, just that it doesn’t bow to other religions and disagree. For you see, the major failing of socialist/communist culture is that it sees itself as THE way fashioned and formed by objective science. At the same time and in the same breath they fashion their own proposed solutions to problems based on the ideals and “theories” (opinions, editorials) of social science. Which ultimately are just arbitrary crap from people produced with degree granted institutionally provided papers of authority they believe gives them more credibility and justification to run their mouths, because they’re “valid to society.”

They do not see the inherent contradiction of hating religious and theocratic institutions for doing the same bogus shit, just under the pretense of a creationist shared myth. In fact, they view the shared myth and everybody believing the same shit with veneration and ideals. They just don’t want people believing rival or opposing things to their Grand Society.

God and the different religious communities, to them, aren’t a bunch of different cultures we all need to make room for and tolerate and appreciate and let live. They’re rival oppositional sources of competition for society’s attention. The only use this particular brand of secular dogmatist has for religious multiculturalism is to break up the homogenuity of a small community without dirtying their reputations or even having to lie about their intentions when they try to derail the inertia of celebrating things like religious holidays in those small, homogenuous communities defined by their populations and people.

They’d rather drive to get a number of similarly devout religious people, toss them into the same population, and not only make the established population fight for dominance, but deal with the incoming sects trying to use secular, neutral civic government as a bat to disentangle things like Town Christmas Parties from being acceptable, community gathering things.

The people conspiring and trying their hardest to inflate and magnify the expanse and reach and power of the religious right, the supposed anti-intellectualism they see as so base and prevalent in the United States, are simply covetous of the useful idiots in the Christian pews, when they could be useful idiots in yoga class, or gazing into crystals and inhaling incense fumes and doing irresponsible amounts of shrooms. Anything but being part of a coherent and established mainstream religion or religious culture and anything but a cloistered off community that differentiates itself with space and partitions itself with ideas.

And given the predatory, condescending, often “ends justify the means, by any means necessary”, culturally predatory way these types conduct themselves, using psychology, social psychology, institutions of state and interpersonal relationships to peel away the onions of misc. groups identities, try to force them down specific lines of social thought using the bridge of modernity as the means to reach them, I simply cannot mention the US’s supposed “War on Science” without also explaining that these people have been deliberate agitators in the debate between the place of religion, faith and society and secularism in the US since at LEAST the rise of communism across the US, if not the rise of anarchism in Europe.

The argument of the war on science is not, “polite and civilized society desperately trying to calm down a schizophrenic and make them take their anti-psychotics.” The war on science is more like a corrupt psychiatrist that detests the local church and would rather not just own the property the church is built on, but disestablish the entire religious community, chemically treat and psycho-condition the flock to feel (not think) the same way the psych does, and have them operate in the way he (or she) sees as “normal and good.” Whatever that is at any given moment, based on whatever doctrine they feel serves them.

It’s not about science. It’s about control. The fact they make the environment contested about secularism in the state and creationism in the mind and civilized society in the heart and soul of a given population or community is just good human resources and public relations nonsense. They honestly don’t give a fuck about anything but being right. The minute they don’t have competition for thoughts, out comes the Lysenkoism. The minute they don’t have to worry about shit like armed insurrection or forceful resistance, out comes the jackboots and the open shirking of legitimate channels of government. Out comes more blatant and blazen corruption.

So if you are not a fan of either extreme, you realize the status quo is simply a rapidly diminishing peaceful, middle ground. A middle ground that has been the inertia and the status quo of secular mainstream society, put in place literal centuries before you were born, maintained with temperance and discipline not by innocent cavemen that could not possibly understand the things you’ve seen and understood because they lack a modern perspective, but reasoned and civilized individuals that had more intimate schooling and treasured it all the more when they had it to spare. That they didn’t “finish off” their competition, be it religious docmatic or “li-bur-awl” anarchist/socialist, because they staunchly fought for the ability to respectfully disagree and would shut down, by force if necessary, any extreme that tried to assert itself over these values of tolerant religious secularism in government and society.

You realize that the religious people seldom can make more than even minor headwinds in even the most bumpkin and backwater of places without the next generations moving away and leaving them decaying husks, unable to properly establish themselves for long. And that while the disgusting megachurch evangelical pews of the 80s were monolithic and ridiculous, they also all but curled up and died by the turn of the century as secularism and reason and simple CHOICE allowed young parents the luxury of not forcing religion on their kids. And so, attendance dropped.

And you realize a lot of the supposed “war on science” is in fact a smear campaign levlied against a weakened religious institiution and its credibility and justification for existing in a modern society. Designed like putting the poor, simple fool in stocks in the middle of town while some falsely compassionate jackass of a jester disingenuously asks it, “harmless questions,” only to get back vitriolic declarations of fire and brimstone and just generally behave like an irrational, angry poked bear. So the faux-intentioned performer can shrug helplessly and go, “Eh, religious nuts, what can ya do?” before mourning how anti-intellectual and misplaced our values are, pumping so much money into national defense and so little into secular, federated, public education.

And as much as you may despise the preacher being socially and mentally flogged and made to look like an idiot, a loose and unhinged cannon, a danger to themselves, others and every impressionable child they are allowed to bark mythical nonsense at, the people behind the camera, the people directing where the camera looks, the people arranging this “interview” to show and bring out the worst in the targeted, vetted mark, are just as insidious and disgusting as the Holy Rollers extorting millions from dying old people that want to buy their way into heaven.

And you realize the enemy that they want you to shake your head at in sadness and pity is just one enemy on that stage. One easily spotted wolf in sheep’s clothing that lures the gullible, the mentally troubled, the simple, the emotionally unwell and looking for purpose, structure and community belonging to function.

And the other is so slick and sneaky, you don’t even notice they exist. Their campaign to embarrass the predatory they see as their competition so organic and well orchastrated and asymmetrical, they don’t even get their name dropped. The nature of the relationship is not mentioned. Their presence, obfuscated unless you know what to look for or suspect conflict of interest behind it.

And this predator vying for the pews and the flocks from the religious authority? Here’s the biggest kicker of all.

They wage their own war on science, too. By labeling their religion as ‘social science,’ and demanding when hard, empirical, objective, physical or biological science butt heads, it is social science that gets to dominate, get priority and interpret other science based around the social science. Based on what? Abstracts and constructs in law and philosophy that say to not do so would be a violation of civil rights and protections. To NOT give them ideological right of way is oppression of other people.

The American war on science is not limited to fire and brimstone spewing megachurch preachers. It’s in the heart and on the face of every horn rimmed glasses wearing, “quirky hair dyed and dyke short cut”, “nonbinary and politically ‘kweer’“, hammer and sickle flag waving asshole, as well.

Both want to destroy culture and philosophy which are not their own. Both want to dominate how government works and why it functions and how. Both want to dictate what is right and wrong based on ideology. Only one observes an organized creationist myth, though the other may harbor some arbitrary individual “spiritualism” if they’re particularly narcissistic or crazy.

But explaining this takes a lot of time, space and breath, and, well... saying it is one thing, proving it is another.

Thems my thoughts. I hope they help in some small way.

[morethanaprincess-a]

@ahogedetective​ said:  ✋ and 📝!

Munday dos and don’ts

Send ✋ for a prompt/plot/concept/ anything you refuse to role play

Ticking off the obvious here: incest, pedophilia, rape, animal abuse and/or death, murdering my muse.

But beyond that, I’m not really interested in medieval/historical fantasy, particularly magic-based medieval storylines. Magic (and fight scenes, too) aren’t strengths of mine to write or big interests, either. I can kind of work with urban fantasy, which to a degree I think helps with writing the Fate verse crossovers that I do. But anything that’s really focused on magic, supernatural creatures, etc. is a challenge that I don’t really enjoy trying to write. Hakuoki and Code: Realize are probably the two exceptions to this, but I’ve played both VNs for these and feel confident about how I can integrate my muse into those verses comfortably. I feel less confident about fandoms like Lord of the Rings, for example, even though I’m familiar with the books and the films. I also wrote in the Harry Potter fandom for a long, long time, and I’m kind of burned out on witches/wizards/magic because of this.

I also tend to be very selective about when, and with whom, I write a Despair!verse thread with. I have to be in a certain mood to write it or it takes a toll on my mental health, and furthermore, I have to really trust and communicate with the mun I’m writing with. I have to feel very confident that I know their boundaries of what they will and won’t read and write, and be upfront with them about the type of content they could encounter with my version of Despair!Sonia. It’s never the first thread, or even the first couple of threads, I’ll write with a mun. I know it’s crucial to the canon storyline, but a lot of the time it’s easier on me emotionally to allude to what happened in a post-Neo World Program verse thread and the effect it’s had on Sonia and those she’s interacting with than writing it out as a thread. 

Send 📝 for a rule you think is important when it comes to role playing

 Being patient. For replies, for ships (if they interest you), etc. While some muns and blogs can, and do, reply very quickly (less than 24 hours is what I’d call quick, but that’s me!), others take their time. They might have other hobbies, or busy schedules, or just want some time to come up with a reply to your thread that they love and think you’ll love too! I’m someone who uses the queue system for my replies so I don’t get overwhelmed with drafts, so often a reply is added to my queue and it’s just a matter of time until it’s posted. It’s okay to ask if it’s outside someone’s posted or usual turnaround time, but don’t constantly message them for it.

In the same vein, I think it should be an important rule to chat with your partners if a thread just isn’t working or you want to start something new. There’s patience, and then there’s absences without letting partners know about it (hiatuses and emergencies aside). It can be disheartening to see other threads get replied to several times over while you’re still waiting on yours, but instead of asking where your reply is, just reaching out to a mun and asking if the thread is still working for them or if they want to write something else is a great way to open up conversation about the state of a thread/interactions.

[snugglyporos]

@theplasmablade​  Originality is dead in anime and tropes are "safe". The industry is too big and now it looks like the American film industry... which is to say, there is no more risk taking.

I mean, tropes exist for a reason. There’s a weird trend in western movies and media to do twists without any reason. You end up with like, game of thrones and star wars and the like having nonsense twists for the sake of them, thus denying payoff that the audience wants emotionally. There’s a reason romantic comedies all have the same structure. It exists because it works, even if we find it repetitive at times. 

And it’s kinda not at all like the american film industry. The american film industry is paranoid in the extreme; they don’t name anything that they can’t trademark and market to the nth degree. 

Which is why it’s so bizarre to see japanese creators, big ones, either cannibalize their own work repeatedly or use names that cannot be trademarked or marketed well. 

Example! 

Right now, there’s a major thing revolving a dating sim involving the demons of hell in western Christianity. Which, okay, idea aside, all your characters have names that are going to be buried in search results. There’s a ton of series based around the seven sins, ensuring that they all cannibalize each other for space. 

Again, in western media, everything is designed to maximize presence. You can bet, for example, baby yoda was 100% focus group tested and pushed to the right people using algorithms meant to make them the most money. 

I wonder if it’s a bit like how in a lot of japanese fantasy creations, from games to anime, they take a decidedly western setting for granted. Dragon Quest, for example, has medieval knights and castles. Anime too, uses western fantasy with goblins and dragons as the standard rather than a form of it. Most fantasy churches are based on christianity, right down to the crosses. Their paganism counterparts are almost always based around medieval european paganism, right down to the ideas of witches. 

I mean, look at a series like Berserk, a series that straight up cannibalizes western mythos for its dynamics and iconography. And again, that series is almost 30 years old now. 

To me, that means one of two things: 1. japanese consumers are hungry for western mythological/fantasy ideas and settings, 2. japanese mythological/fantasy ideas are less interesting as creative settings. 

I mean, western creators don’t usually, say, just up and decide to create entire fantasy worlds using say, japanese caste systems and castles and the like. Or use their ideas for mythology or world structures.

Again, I don’t know if this is because consumers desire this, or if there’s just less interest? 

But I think it might be related to how for some reason in the 2000′s, japanese game companies assumed that japanese products and creations weren’t marketable to American and western audiences? Which is how you got great takes like ‘persona would never sell well in the west!’ 

Honestly, I’m mostly curious about Japan’s creative output in an academic sense? Because how they create is as interesting as what they create to me. 

[fortunatelylori]

I think one of the reasons some people hate Sansa is that she represents real people, women mostly, during the medieval times. Even now. People won’t be so annoyed with her or call her useless if this was just a period drama. But they added the fantasy side, with dragons and assassins. Along with women that possesses these. Why couldn’t Sansa do the same? Sansa is the reason why I watched GoT in the first place. I saw myself in her. I don’t have dragons or fighting skills, I only have my mind

Hey, nonnie!

I saw myself in her. I don’t have dragons or fighting skills, I only have my mind

This right here is the reason why I love and identify with Sansa, as well. I’ve never been a fighter. Dragons don’t exist. I’ve always been feminine and proud of it. And I was encouraged from a young age to use my brain to get out of problems. Seeing a character like that on screen is interesting for me because it feels realistic and her slow burn arc makes me feel like I can actually see her developing as opposed to having been granted the fantasy equivalent of super powers over night. 

I thought it might be interesting if I actually talked a little bit about the reasons why I feel Sansa is such a divisive character within the fandom as well as one that is, frankly, overlooked by most of the GA, despite her growing importance to the plot. Because while some of the reasons can be dismissed rather easily, at least one of them is an issue of execution (particularly within the show). 

The issue of femininity, agency and use of sexuality

I’ve grouped all of these together because the root cause for them is the same: Patriarchy, which in turn encompasses such wonderful things like misogyny and victim blaming. 

Sansa’s femininity will always be used against her not only because feminine qualities are seen as lesser than masculine qualities (which is why characters like Arya and Brienne get the stamp of approval from misogynists everywhere) but also because she doesn’t “use them properly”. By that I mean that she’s a beautiful girl who does not weaponize her sexuality and, also, doesn’t put out. And within a patriarchal mind-set that’s the ultimate crime. And that’s further exacerbated by her foil Maergery, whose sexuality is her greatest asset and weapon, as well as by D*ny and her use of sexuality in order to flip the tables on Drogo. 

Sansa doesn’t do that. Instead, she goes as far as to dare to withhold her sexual favors and affections from fan favorite Tyrion which enrages the truly vile of this fandom. How dare she? Doesn’t she know that if she wants to be a feminine girl, she is obligated to give her body away to the men lusting after her? Why is she so stupid? Look how Maergery is playing the game and has Joffrey under her thumb! That Sansa, she’s soooo useless! I mean, we’ve been watching this show for 7 seasons and we have yet to see Sophie Turner’s boobs! The outrage!

This argument can go die in a ditch. I actually love that Sansa has retained autonomy over her body and has refused to use it in order to get out of problems. I’m genuinely tired of seeing “smart” or “important” female characters depicted solely as either women with masculine pursuits or “enchantresses”. I want to have a cerebral female character who uses her brain to win over or defeat her foes and Sansa Stark is developing in exactly such a character. And I love it!

She’s one of only main characters who isn’t magical

You’ve touched on this in your ask and while I agree that, in many ways, Sansa is meant to represent the reality of medieval women stuck in a system that was working against them at every turn, I do think GRRM did Sansa a disservice by eliminating all connection to magic from her arc. 

That’s because all of the remaining Starks are magical to a degree. Bran, of course, is the one with the most magical abilities in the family (and probably in the whole series). However, Jon is pretty magical as well. Not only is he a warg through his connection with Ghost, he is now resurrected as well as the blood of the dragon which makes him, in part, the product of magic. Arya, for her part, is not only a warg but also possesses magical abilities through her Faceless Men arc. 

Sansa’s connection with magic was severed irrevocably when Lady was killed and even prior to that, we never see that warg bond with her. In that sense, she’s the plain Jane of the family and thus seen as less important or special. Which coupled with her lack of fighting skills as well as her prolonged victim arc, makes her seem inconsequential and disposable. This is unfair, of course, because in every other respect, she’s a wonderfully developed character (particularly in the books) but this is a fantasy series. I think GRRM should have retained some sort of magical qualities for her. 

Tyrion, among the mains, is probably her closest analog because he’s not magical either. However, GRRM has imbued him with almost super-human intelligence (an aspect of his character that his fans blow out of proportion even further). Despite that, however, there is still a tendency to try to make him magical in some way to justify his importance, hence the theory of Tyrion as the 3rd head of the dragon. 

She feels like an outdated character

I say “feels” because she isn’t really but the “princess in the tower”/”damsel in distress” archetype that Sansa most resembles has, by and large, fallen out of favor with modern audiences. 

They used to be all the rage and writers always had such a female character. Sansa, in a sense, shares literary references with Ivanhoe’s Rebecca or Robin Hood’s Maid Marion. Personally I love those characters but the archetype has been used a lot in the past and almost never done right. It’s become a prop in a classical hero’s journey type plot, instead of a character in its own right and Sansa, on the surface, feels very much like that type of character. 

Of course, GRRM has really utilized that archetype in the best way possible and instead of making Sansa a prop, he’s exposed us to the reality of the pretty damsel stuck in a tower, to her drama and her tragedy, to her fight for survival and eventual escape. 

But people, by and large, have decided to hate the archetype instead of demanding better stories based on it and because of that, they simply bristle at its mere existence. 

The issue of Sansa’s POV in the show

This is, honestly, the reason that pains me the most and it’s really a combination of how the show has chosen to portray Sansa and well as the fact that the show is now further along than the books. 

This is one reason where I can’t really place the blame on the audience, particularly the general audience. 

For a very long time, I wondered why people weren’t really paying that much attention to Sansa in the show. And I don’t mean youtubers or people on reddit etc. I’m talking about normal people watching this show. I have a lot of friends that watch GOT and love it. They’re definitely not involved in the fandom nor are they specifically fans of one character in the show. They simply love the story and find it entertaining. 

We’ve had conversations about GOT from time to time and they’ve never mentioned Sansa once. They don’t hate her, btw. They simply don’t think about her very much or consider her important within the context of the story. 

And I believe the reason for this is because Sansa started out as a pawn in the Game of Thrones, an arc that lasted for 4 seasons. That’s a long time for a character to have limited to no agency and also enact change in the plot solely through the machinations of other characters. 

However, it’s not an issue that can’t be overcome particularly since Sansa has an ascending arc where she goes from pawn to player. The beginning of her “player” arc is marked by her descending the steps of the Eeryie dressed in her Littlefinger dress. Unfortunately, this is also the moment that marks the creators’ choice of cutting the audience out of Sansa’s POV for long stretches of time. 

Since season 5, they’ve played a hide and seek game with Sansa where we get glimmers of her POV for a short time (her marriage to Ramsay, her reunion with Jon) only to be cut out as quickly as possible in order for the writers to play up the Dark Sansa red herring. 

I believe this reluctance to make Sansa understandable and transparent to the audience is affecting the way the general audience views her. In order to get a handle on Sansa’s character from season 5 onward, you need to watch the seasons a couple of times, think about her character in depth, read some metas as well as be predisposed to like her to begin with. Honestly, that’s too much to expect from a general audience who simply don’t engage with this show as in depth as we do. 

As such the character of Sansa has become, I believe, to most of the GA a mystery wrapped up in a riddle, where questions are raised but never answered, where looks and gestures are left unexplained. The GA is not going to do heavy lifting to get to know this character so they’re simply going to ignore her and focus on the dragons instead. 

This is a huge disservice to Sansa, in my opinion. Because she’s increasingly important to the plot but I doubt season 8 is going to make the GA get to know her enough to root for her. I fear that the fate of show Sansa is to be the Ginny of Game of Thrones. People are just going to be utterly confused how this character that the creators never gave them much reason to care about ends up married to Jon Snow and becomes queen. 

And that, I have to say, makes me very sad. :(

Thanks for the ask! 

[rhysnrivers]

Odyssey to becoming a Published Author

(Note: with Odyssey being in the title, this is quite a long post.  The link to the facebook page that leads to where my novel can be bought from can be found at the bottom of the post, as can some of the initial artwork done)

So, despite never been a ‘blogger’ per se before, I’ve decided to write this article about my journey from having dreamed about writing and having my own works published, through to actually writing my ideas up and publishing them myself, as I’m sure that there are many an indie author and authoress out there who can relate and have been through the very same journey I have.

First thing’s first.  Rhys N Rivers is not my real name.  It’s a pen name.  There’s something in being anonymous when it comes to writing, almost like a sense of freedom.  This day and age of social media means that almost everything we do is recorded somewhere on the internet, and an opinion or action from ten years ago can be drudged back up to be ridiculed by the Facebook jury and/or the Karens of the internet, in line with the fashionable opinions of the day.  A pen name grants anonymity and to some degree, security.  The only people who know my identity are my immediate family and a few close, trusted friends.

When people embark on a new venture; be it a new hobby, learning a new language, travelling the world, changing jobs etc, the journey actually begins long before said venture starts.  Quite often, the journey always begins in the classroom, at home, in bed, in daydreams.  It begins as a state of ambition.  A plan that one day, will be put into action.

My authoring journey was no different.  Mine actually began around the age of eleven.  I was of the Harry Potter generation where I was the same age as the main characters in the early years when a new film came out each year.  J.K. Rowling got me into reading beyond in school, and I - being one of the cool kids, clearly - read a lot throughout my early and mid teenage years.  It was admittedly predominantly fantasy based, (Tolkien, Pratchett, Philip Pullman, Garth Nix) or Bernard Cornwall’s historical works before I branched out into people like Wilbur Smith and others.  When I was around 14 or 15, Dan Brown’s The Da Vinci Code took the world by storm and I also ended up reading all of his works. School provided a sophisticated reading list, which included Dickens and Golding, and so growing I had read through a rich and broad variety of fiction.

Where actually writing was concerned, I think it was about the age of eleven or twelve that I realised that I wanted to write properly.  I think it was actually after reading William Nicholson’s Wind Singer when I decided, and I set to task in writing coming up with a fantasy novel.  I didn’t start writing the plot straight away; I actually started coming up with characters and places, even drawing out a world map.  That was really fun to do.  It had a sense of total control to it.  What I decided was what things were.  Where a kid may not feel in control of things in other parts of life (insecurities of school, friends, growing up, relationships etc), this was something totally different.  The ability to create your own fictional world, in whatever genre you go for, is a form of escape and release in which you can develop your talents and ideas.  

There were lots of elements to what I was planning out - which included ideas from Star Wars, Lord of the Rings, The Legend of Zelda, The Wind on Fire among others.  To be honest, I’m actually glad that ‘project’ didn’t get very far.  Poor Christopher Paolini, the author of the Inheritance Cycle quadrilogy of books, was slated by certain groups and reviewers for his alleged lack of originality and using of ideas from other stories.  In Paolini’s defence, he was only fifteen when his first book was published, which is something that most fifteen year olds don’t achieve!  But I think that had I completed mine, it might have faced the same criticisms - not necessarily from reviewers or publishers, but perhaps friends and family reading through it first.

School, in particular, provided me with a lot of enthusiasm and inspiration to write (clearly, I was one of the cool kids).  My GCSE English teacher was a great bloke (probably still is) and gave great, honest and constructive feedback to the entire class’ work.  Our first piece of English Literature coursework was a piece on creative writing and I elected to do a piece on the topic of an opening chapter/opening chapters to a novel.  Having just read Dan Brown I did my piece in his sort of style: bloke copping it at the start, trying to prevent some conspiracy from going ahead, then the reluctant hero of the story gets dragged in to solving it.  My piece didn’t revolve around religious groups or secret societies, but around a historical artefact.

Out of 54 marks, this scored 52.  I was more than happy with that.  I had no idea where the story was going to go but I was determined that I would one day finish the story.  To this day, I still have no idea where the story is going, but I am certain that it will be the last novel of a set of three, dragging the main character, a desperately-can’t-wait-to-retire detective, through painstaking research, learning about history that he wouldn’t usually be arsed about and running away from people, of whom he’s becoming more and more of an embuggerance (word-invention credited to Terry Pratchett) to.

For some reason, I really can’t remember why, but about a year later the option was given to my English class to rewrite that piece of coursework (we were about four out of five coursework pieces done by that time).  I was of course happy with my score but I saw this as an opportunity to try something new and see what ideas could again come spewing from my mind.

This time, again sticking with the opening chapter(s) option, I wrote about a start of a medieval conspiracy, beginning around the Battle of Crécy and going…err…I still have no idea where!  But this piece resonated better than the previous piece, earning full marks from my English teacher, along with the comments “…should come with an 18 rated certificate.”  Again, I vowed that I would complete this story one day and see it published.  This one I think I will try to make into a three-book story.

The summer after completing my GCSE exams I did the normal stuff: went on holiday with family, chilled out with friends, even attended the World Scout Jamboree that year.  But I also by then had a set of ideas in my head that I wanted to turn into novels, and wrote that list onto a computer, and saved it to my USB memory stick.  I have no idea where I last saw that USB stick…

After I left school I joined the British Armed Forces.  I’m not going to write too much about what I did, where I went etc (not because I was part of some uber-top-secret unit, but more-so that it just doesn’t contribute to this post) but my priorities changed.  I read a lot less and writing properly in the near term future just was not a possibility, or something that I wanted to concentrate on at that time.

In early 2017 I was considering a career change, and during that time I joined fanstory.com, under my real name.  The purpose of doing this was to put myself into an environment with other amateur writers, gain inspiration from other budding authors (and hopefully give some inspiration back), and be in a place where my works could be read among ‘peers’, giving me a good steer on things.

It was on this website where my first novel, Payment, was conceived.  There was a competition going for short stories up to 7000 words long in the horror genre (“Put your readers on edge or terrorize them”) and so I thought this was a good place to test out to see what people think and to  develop my writing style.

It took me a couple of weeks to put Payment together and submit it.  I had never considered writing horror before but this, again, was an ample opportunity to try something new and see what I could come up with.  I decided to go with a 19th Century narrative; much like Mary Shelley and Bram Stoker.  I prefer to think or the horror genre as the old neo-gothic styles of writing - the old ghost stories.  Horror, in recent years, both in writing and film-making, has taken more of a gore and shock factor turn.  Personally, I think that will turn horror more into the thriller genre.  To me, horror should be about ghosts, vampires, witches - the occult and the supernatural.  And that’s that I have tried to achieve with Payment. 

What surprised me the most during the writing of this were my decisions to use the first-person narrative - something I used to despise growing up, and the use of a one-word title.  For some reason it used to bug me no end that it was becoming more and more common that artistic projects, be they novels, films, dance, visual art etc, would use one-worded titles.  I used to think that was a cop-out.  But here I am with Payment - a novel told in first-person narrative…

I have always thought that my writing style was/is closest to Terry Pratchett’s.  I’ve never tried to emulate him but his style of using irony, dry humour and satire, whilst also plummeting to some very deep philosophical ideas.  But I couldn’t do that whilst writing Payment.  The thing is with writing horror, is that you have to be able to maintain that macabre atmosphere all the through.  That actually isn’t easy.  I found there always has to be a sense of the character’s isolation, a sense of doom and gloom, and a sense of something about to happen.  

I didn’t win the completion that I entered.  I don’t think it even made the top three.  The votes are cast by the other entries’ writers and maybe a few other people.  I can’t remember if you could vote for your own project but I think you could.  The entries placed above mine, although I thought their storylines familiar with ideas already done, were admittedly much easier to read than my entry.  A 19th century style of writing will always lose to simplicity when people have a number of works to read.

But that didn’t deter me.  I’d created a fictional work and was determined to show it to the world.  I didn’t go ahead with the career change at that point but decided to fully review Payment, at get it out there as a completed project.

Fanstory is a good platform, it really is.  I’m not sure why, but after only a couple of months and having written a few competition entries, I came to stop writing on it.  My old job was getting in the way and to be honest, I was getting impatient with writing on it.  I had the mentality that I wanted to be published right now sort of thing.

A couple of years later, I did go ahead in a change of direction career-wise.  This provided the opportunity to fully revise Payment and make it into a ‘novelette’, more than 7000/7500 words but fewer than 17,500.  I would then prepare it for editing, get the artwork sorted and then publish it online for maybe a couple of quid.

I was actually in Tanzania at the time when I thought that Payment had been expanded enough to put out as a novelette.  Once I’d finished writing, I showed it to a couple of the volunteers I was working with and they both enjoyed it.  Although I was pleased about that, I still wasn’t satisfied with it.  I had touched on quite a few themes in the work but I don’t feel like I had explored them all as much as I could have.  Although complete, it felt very much incomplete.  At the same time I wanted to expand the work into a full novel and also I didn’t - mainly because of the challenge of maintaining that horror atmosphere.

I decided that, in order to put more meat onto the bones and develop this short story/novelette into a full length novel, I needed a goal to work towards; something that has an end achievement that will make me work to expand on what I had already done.  And so I set about looking for horror writing groups and/or competitions on the internet. 

In not much time at all I came across the Horror Writers Association (HWA).  They are a group that cater for all things horror and occult in fiction.  There, you can advertise your works, read or recommend other people’s works and learn about events - namely the StokerCon.

But what attracted me to them the most was their sponsorship of the Bram Stoker Awards (“for Superior Achievement”).  These are awards that are given out to authors and authoresses who have had their works judged in certain categories.  The one that has caught my eye is the ‘First Novel’ category.  A quick reading of the rules informed me of the minimal word limit:  40,00 words.  Perfect.  There’s something to work towards, with a chance at winning what is described as ‘the Oscars of horror writing’.  When I returned from Africa I set about the task of bolstering a 17,000-ish novelette into a 40,000 word minimum horror novel!

I have read Edgar Allan Poe in the past, and even bits of Mary Shelley.  For more inspiration in keeping that spooky, Neo-Gothic atmosphere, I read some parts of Bram Stoker and H.P. Lovecraft.  Despite all of that, I initially found it difficult to write again on the same piece of work that I started almost three years previously.  It was only after reading Susan Hill’s The Woman in Black, where I became inspired by her power of description to turn chapters, paragraphs and sentences that belong in quick short stories to ones suitable for a long read.

In January, this  year, I had finally finished.  I expanded heavily on the ideas that I was before concerned that I was rushing through and before I knew it, my word count was well over the 40,000 words I wanted to achieve!  I read it all again myself, edited out any spelling or grammar mistakes that I had seen, and sent it out to beta testers (readers) for opinions and editing.

Following the last edit - of which there wasn’t relatively much to do - my debut novel stands at a word count of 53,850 words!  That isn’t considered very long by today’s standards.  To give a point of reference, Harry Potter and the Philosopher’s Stone is estimated to be around 77,000 words long (depending on who is doing the word count).  But my novel is longer than The Woman in Black as well as other novels such as The Great Gatsby and The Hitchhiker’s Guide to the Galaxy, and considering it came from a short story of 7,000 words I am still happy with it.

Concurrently with writing the novel came the task of finding an artist/illustrator for the cover.  That was a more difficult task than I expected.

Not only did I want to find someone who could create a suitable cover, I also wanted that someone to be able to do ‘scene art’; by which I mean a picture at the start of certain chapters.  The reason for this is that I see a completed novel itself as a form of art, and scene pictures add to that completed projected.  In fact, I actually wanted a sort of teamwork between the writing/art found in the Edge Chronicles books by Paul Stewart and Chris Riddell.  

I combed Facebook for a very long time, joining all sorts of groups and pages for amateur artists to show off their works, hoping to find someone who I thought was suitable for my work.  To my dismay, there was very little, I thought, that I could go off.

Around October time I put an advert on a freelancing work website, just for an idea of who else is out there and possibly able to take this up.  I did receive a fair few responses but, again, there wasn’t really anyone whose work suited what I was after.  A couple of them, one of them being an art company based in Central Asia, actually got quite nasty about it.  They were expectant 

It was when I was on a course in Spain that it was suggested to me to look on Reddit, as Reddit “literally has everything on it.”  I had never actually been a proper Reddit user before; I’d clicked the odd link from Facebook but had never really interacted with it before. 

The guy who suggested Reddit to me was right - Reddit has literally everything on it.  There’s so much information to be found on so many topics it seemed unlikely that I wouldn’t find what I was looking for on it, and so I combed through a few sub-reddits dedicated to (freelance) artists and checked some of them out.

So I once again posted out an advert looking for artists and this time the response were much more positive, and enthusiastic!  It really was quite uplifting to see and hear from so many people who were interested in taking up the project and I received so many messages.  Everyone who commented on the post and/or messaged me with links to their portfolios, I checked out their work.  I honestly don’t think there was a single person whose works of art that I wasn’t impressed by.  There is so much that can be found at deviantart.com and artstation.com and so much talent to be viewed and be in awe at!  Everyone who directly messaged me got a return thanking them.

One of the people I got talking to was a young lad from Sweden called Daniel Percy, whose artwork I also checked out.  My preferences came down to him and another guy from Germany, and after speaking with Daniel he agreed to take on the work.

Daniel does a lot of freelance art work, predominately doing concept art work for electronics companies (I want to say video games but don’t take that as gospel), but he still found the time to do this properly, compiling several drafts of the cover and inside sketches.  We collaborated quite often on what to change, ideas to put in etc.

The finished artwork is incredible!  I’m showing some of the initial first-sketch ideas here along with the final book cover, along with a couple of since-altered scene pictures, just for an idea of his talent.  You’ll have to buy the book to see all of the finished sketches ;)

And the final thing to think/worry/mull over until stupid o’ clock in the morning, was the publishing aspect.  Luckily, ever since I’ve thought about writing (as an adult), it has become increasingly easier to get your works out there.  The rise of the internet and social media age has made self publishing so much more accessible, and that is the route I have gone down.

At first, I wanted to go down the traditional printing route.  I - again showing cool I was as a kid - always liked the idea of a fresh and printed book in my hands.  But, there are two reasons why I haven’t done this:

The first one is environmental.  Even before the climate change debate became a fashionable thing to signal your virtues about, I was uncomfortable about the idea of trees being cut down for my creation, unless I could be 100% certain that exact same area would be immediately replanted.  It’s true, there are forested areas specifically for this kind of thing but the amount of bureaucracy involved, along with the middle-men, wouldn’t make it an immediate thing.

The second reason is that the majority of writers who send their works in get rejected by so many publishers.  Yes, people refer to J.K. Rowling’s story of being rejected twelve times (and again later by one of the same publishers when she first wrote as Robert Galbraith) before Harry Potter became a hit, but as the option of the internet is there, it makes sense to negate that possible rejection.  In the event that my works do get noticed and attract the attention of publishers, then great!  But if they don’t, at least by online publishing, I’ve still achieved putting my novel out to the world.

Finally, today, Friday the 13th (intentionally - it is a horror novel after all ;p ) of March 2020, I officially became a published author.  It is a fantastic, monumental feeling.  My story, my novel, my creation, is out there for people to buy, read and hopefully, enjoy.

If there’s any advice that I can give for anyone aspiring to be an (indie) author, it is this: just write your ideas down.  Sounds simple, if not downright obvious, but it really is incredible that so many people don’t achieve their dreams or aspirations simply because they don’t do them.  The world of authoring and indie writing is so much more accessible now than it was even fifteen years ago, that is takes a great lot of effort not to find at least one platform to get your works out onto.

It is also incredibly easy to find every excuse in the book to not write at all.  School, work, family etc, being the big ones, and they are legitimate reasons.  But they are only obstacles themselves to an extent, before you yourself make them obstacles.  Start small.  Set yourself half an hour on an evening.  No more, no less.  Half an hour to start getting your ideas onto paper and then after a week, you’ve spent three and a half hours writing.  You’d be surprised at how much you’ve achieved after three and a half hours of concentrated effort.

If you need motivation, there are plenty of people out there, particularly on the internet, who give great examples of motivation that apply to all disciplines.  Joe Rogan, for just one example, has plenty of people on his podcasts who talk and give advice on self-betterment, and it can apply to anybody.  If you want to write, you will find the time and means to do it.  It doesn’t matter how long it takes; everybody finds their ways at different times. 

As to my next works, what am I going to be writing next?  Well, shortly after writing Payment as a short story I thought of another idea to write about, and use that particular project to actually develop my writing style.  This next one, of which the first ‘act’ as such does already have a skeleton outline to it, is a light hearted yet philosophical at times medieval adventure, combining humour and seriousness together.  I’m not going to divulge ay more information the storyline because, although it’s a simple idea, I believe it’s one that no-one’s done before and some smart-arse with more time on their hands than I can easily bash something together using my idea!

The school coursework pieces?  They are still on my ideas list and will no doubt be developed into their own proper projects and they hopefully will also be published just as Payment is!  The fantasy that I started aged eleven?  Absolutely no idea.  Whilst I would certainly like to do fantasy, going for originality is going to be difficult, as the standard format (young hero finds out he’s the ‘chosen one’ and goes on a long quest) has been done to death, as have a lot of fantasy ideas already.  George R R Martin had the idea of using the idea of old English houses warring against other in the past, and that was used to great effect even before he threw in the ice zombies!  So that one is going to be a case of properly allocating some time to sit down, think and decide how I’m going to go about, but make no mistake, I will go about it!

Thank you all for taking the time to read through this!  I hope its provided at least some entertainment or light (ha!) reading, and I hope you’ll feel interested to buy my debut novel!

My Facebook page can be found at:  

https://m.facebook.com/Rhys-N-Rivers-Writing-101015961412385/?ref=bookmarks

All the places where Payment can be bought from can be found there.  I thought it better to post one central link than the individual ones.

[gavillain]

Maleficent

I guess I kinda like this one? ;)

Lol, jk, Maleficent (from Sleeping Beauty/Kingdom Hearts) is my favorite fictional character of all time. I love literally everything about her. All of this is on my villains’ list entry on my profile, but I’ll copy and paste it here so I can get my praise for her out there.

So oftentimes when I set out to explain why Maleficent is my favorite villain, I struggle a bit. Usually in villain list entries I just go over the elements to them that I like with a bit of analysis and personal narrative mixed in for good measure, and I'm certainly going to do a bit of that here. However, that's not really the big picture. Maleficent is more than the sum of her parts, more than whatever interesting analysis I could pin on her, more than some childhood story I can relate back to you. She's literally a villain I could go on for a paragraph gushing about how excited I get by the back of her head, I love her so much. She just transcends explanation; she is villainous perfection incarnate. She is the perfect model who all my other favorite villains are in some form or fashion a reaction to. She is fundamental.

Though really, when you get down to it, there's not really some big huge secret to why Maleficent is simply the best. She's just the perfect blending of elements to create a whole that never could have been achieved if anything was handled slightly differently. No other villain is quite that same perfect balance of threatening, regal, powerful, charismatic, entertaining, visually stunning, and intriguing all put into a single package. And because all of these facets to her are there, they create a solid entirety that can only truly be described as a masterpiece. 

So let's actually get into some of those parts that make Maleficent the greatest Disney villain of all time and my personal favorite villain period. First there's her name. The word "maleficent" is a Latin derived adjective meaning "doing evil or harm." Her very name describes the evil that she inflicts upon others. Yet, though "maleficent" is an English adjective, it's not one with widespread popular use. However, even to a casual viewer who might not know that "maleficent" is anything other than the character's name, the meaning behind her name still gives the same impression because it phonetically sounds like a blending of the more commonly used words "malevolent" and "magnificent." Her evil and regality both are phonetically ingrained within her very name, yet unlike the ridiculously derivative names that you may see crop up in bad fanfictions or pretentious fantasy novels, it still very much sounds like a name. It rolls off the tongue beautifully, yet it's not complex, and from the moment you hear it spoken, you know she's not someone to be trifled with.

The next big element to Maleficent that warrants discussion is, of course, her magnificent character design. And Disney is of course known for their incredible artistic vision, but, from where I'm standing, Maleficent is one of those figures where that vision is most apparent. Sleeping Beauty on the whole is designed to emulate the style of medieval tapestry, so for Maleficent to blend, she had to become essentially a meeting ground between the demonic religious symbolism apparent in pre-renaissance art as well as a believable human female form. She couldn't be too monstrous or the climax with the dragon wouldn't have the same emotional resonance, and she couldn't be too human or they'd risk her just looking like the Evil Queen again and clashing with the stylized and intentionally different look of the rest of the film. And if you look at the concept art for her, you'll see that it took a while to get to just the right design.

So why is this one of the great Disney villain designs to the point where it's pretty much the gold standard that all of the villains in the 90s were in some way looking to duplicate? Well, first of all, there's those medieval demonic elements that crept in. The horned headdress (yes, it's a hat) is the most obvious detail, clearly meant to invoke the idea of the Devil, later complimented by her vocally invoking all the powers of Hell. From these horns we know she's an inhuman force of evil and sin before she even speaks a line. Her dress has a motif of flames in the sleeves and train, again, invoking the notion of Hell fire, and the collar of the dress is based on bat wings. And not only does all of this character design shorthand her evil, it harmonizes together beautifully thanks to the purple, black, and green color scheme that is applied in just the right way. Not to mention, of course, that the entire design foreshadows her dragon transformation in the climax (put a pin in the dragon for now).

This design is one that honestly never fails to make me gush in awe. It's such an artistic masterpiece that flows so elegantly and powerfully that I by and large credit it's incredible design for getting me to love villains in the first place. When I said earlier that I could gush about the back of her head, I genuinely meant that. A lot of people scoff at character design being used as a metric for liking a character, but in the realm of animated film, character design and animation is job number one. And here's the truth of the matter: Maleficent would still be on a pedestal among Disney villains even if she was just this magnificent character design. But she's not. She's more than just this magnificent, unparalleled design.

When a design as beautiful as Maleficent's, finding a voice that can breathe life into it in a way that harmonizes and accentuates the quality of the design is not an easy task. A poor voice casting could have killed Maleficent right where she stood. Thankfully, Walt personally suggested that they bring back Eleanor Audley, who had previously worked with them on Lady Tremaine. Audley of course blended so well with the animation because she was such a talented actress and because Maleficent's facial expressions were modeled on Audley's own. But Audley in general turned in the greatest performance as a villain that I have ever seen. Her delivery is just melodic, and she brings a great degree of power, control, and arrogance to the role simply through voice. It's absolutely stunning.

Of course, Audley's not working alone on that front. The actual dialogue writing on Maleficent is top tier stuff as well. These two elements working in perfect harmony helps gives Maleficent one of the most subtle yet charismatic personalities in all of Disney. She's stern, powerful, and she inspires fear in all who encounter, yet she's not just some domineering bully. She also has a delicious little playful quality to her, such as when she pretends like she's embarrassed about showing up unwanted and pretending to leave without causing a scene directly before cursing Aurora. She's coy, and she uses that to play with her enemies' emotions. But if you test her, she'll explode in violent storming rage. She's this beautiful blend of powerful regality, playful coyness, and loud wrathfulness – a perfect evil personality.

Her role in the story isn't especially complex. She's a fairytale villain, and she fulfills that role nicely. She's not complex or deep with a tragic backstory; she doesn't need to be. She's a fantasy evil incarnate, and she does it marvelously. Every bit of misfortunate that befalls the characters in Sleeping Beauty is directly attributable to her. She allows her minions to do some of the dirty work, but most of the time she's right there taking action for herself. She curses Aurora, causing King Stefan and Queen Leah to miss out on raising their daughter, and she later kidnaps Prince Phillip and plans to keep him locked away until he's an old man so that when he awakens Aurora, he'll be old and she'll be young. She uses time as a weapon to inflict suffering and misery. For all that she hurls lightning, her modus operandi is almost always to cause internal pain and strife, and I love that quality to her.

A lot of people tend to oversimplify and misrepresent her motivation as her just being upset that she wasn't invited to a birthday party, and, honestly, that's such a blatant oversimplification that it barely deserves to be dignified. Maleficent is a villain entirely motivated by her arrogance and desire for respect. Any act of disrespect to her is an act of war, no matter how insignificant it might seem. She lets no affront to her go unpunished, and that's why she's so terrifying. Though also, what's nice about how her motivations aren't spoon-fed to the audience is that it leaves a lot of room for interpretation. We're left with a lot of questions about why Maleficent cares so much about disrespect, and every possible answer makes her more interesting. She's a perfect example of how effective "less is more" can be in storytelling.

And of course, it all culminates in the best finale ever put into a Disney film: the final battle against the dragon. Actually, there's no dragon anywhere in the original Sleeping Beauty fairytale, but because Sleeping Beauty was striving to be a grand medieval fairytale fantasy epic unlike anything the studio had ever produced, and because having Prince Phillip throw a sword into a human looking Maleficent would be unseemly for a family film, they decided to put the cherry on top with the most recognizable medieval fantasy creature to face against the brave knight in shining armor. And it really is the perfect climax to the story. Prince Phillip, who is wielding the Sword of Truth and Shield of Virtue and fighting on behalf of true love, clashes against Maleficent, who invokes all the powers of Hell to become a Satanic creature motivated by hate and pain. It is the ultimate symbolic battle of good triumphing over evil, and the fact that Maleficent so perfectly incarnates that evil makes it all come together.

So, naturally, it is already very apparent that I greatly admire and enjoy Maleficent and think she's an incredible villain. Yet, the question still remains: why is she the number one spot? Why was she the villain who clicked with me on such a profound level that I can write an over four thousand word essay on how much I like her purely recreationally? The answer is honestly pretty simple: consistency. Maleficent is the one villain who, no matter where I am in my life, she's always to some extent at play. 

She was my favorite villain when I was a kid whose movie's tape I wore out rewatching. She was my favorite villain to drag my parents to the Disney store and start my collection of villain merchandise I have to this day. She was my favorite villain at the Disney parks when I'd visit and watch her in the shows. She was my favorite video game villain when I got into Kingdom Hearts as I got older. She was my roleplay character who I played on the side while playing Hades. She was my favorite villain to edit with when doing the villain tournaments. She’s my favorite villain who I write for on a consistent basis with my fanfic. And she's my favorite villain now with all of that looking back and still having the same enthusiasm for her as the first time I watched the movie.

In a kind of bizarre way, Maleficent has been one of the biggest constants in my life. No matter how things have changed, no matter where I've gone or what I've become, she's always been right there, holding my hand through all of it. Other villains and characters, love them though I do, come and go in phases. Maleficent never does. She's always there, and in some way, every single villain who I love has some element that links them back to her. She's that inescapable bedrock to everything fictional that I love and hold dear.

She's the Mistress of All Evil, one of the greatest villains of all time, the single most important fictional character in my life, and my absolute personal favorite. Long may she reign!