#like they are more so acting in extremes but it’s in character

[dirt-str1der]

WHY DID YOU FEEL THE NEED TO TELL ME ABOUT YOUR AROACE SENKU HEADCANON ON MY GAY SENKU AND TRANS REI POST

Just finished Dr Stone Reboot

[tiredandoptimistic]

What I think works so well about Clary and Isabelle's friendship is that they're very similar people, but they present themselves just differently enough to appear alien to each other. Both of them were the only girls in a group of boys (Isabelle was raised more or less isolated with Alec and Jace, while Clary doesn't seem to have any friends other than Simon and to a lesser extent his band), and they responded to this in very different ways. Isabelle basically committed herself to her role of "the girl" and always performs extreme femininity, while Clary attempts to sink into the background as "one of the guys." Both of these behaviors can be seen as rebellions against their culture. Isabelle comes from the very misogynist world of Shadowhunters, where women are respected as warriors but expected to act in a masculine way in order to earn that respect. She rejects this, and proves her place as a brilliant fighter while maintaining her fun and glossy feminine traits (compare her with Jessamine Lovelace, who was seen as silly and frivolous for her feminine interests). Clary on the other hand is a child of the nineties growing up in NYC. As a teenage girl in the early 2000s, she would have been surrounded by "not like other girls" philosophy, and hyperfemininity would be both pushed on her and demonized in popular culture. Because of all the pressure placed on gender roles and her lack of connection with other girls her age, it's no surprise that Clary would develop a certain bitterness towards people who perform gender in a way she won't.

With all of that out of the way, we get two teenage girls who have no fucking clue how to handle each other. They're both jealous of how the other one fits in with the guys in a way they can't. Obviously any friend group is made up of friendships which fit together in unique ways, but Clary and Isabelle both see themselves as The Girl, and thus are worried that the other one will make them redundant (Clary gets along with Jace, so will he still need Isabelle? Isabelle and Simon are getting along, will this take away Clary's place as Simon's most important person?) Of course this isn't something that will actually ruin their friendships, but Clary and Isabelle don't know that. Instead they need to learn how to engage with each other, and I enjoy that TMI actually shows them having those conversations. They're trying, but it doesn't all happen at once. Clary still has bitter thoughts about Isabelle's femininity, and she also looks down on other girls like Maia.

Speaking of Maia, there's a really good moment in COA where Clary starts grumbling to herself about how unfair it is that a werewolf can be pretty, and that Maia should be gross and hairy. She then catches herself, and literally thinks "this is exactly why I don't have any female friends," showing that thanks to Isabelle she's learning to recognize her internalized misogyny. She can hang out with other pretty girls, and it doesn't decrease her value as a person.

It's just so nice seeing a character whose internalized misogyny is actively acknowledged by the narrative and treated as a flaw she must overcome. So many female protagonists in the early 2000s (and other decades) had the hyper-femme "best friend" who they hated, but even though that's how Clary sees Izzy at first, she's able to look past it and see the ways they click together. The two of them don't become besties immediately, but they're at least able to get past that first layer of hostility.

[annabelle--cane]

i wasn’t here when tma reached the height of its popularity (i only joined last year) so could you describe the Vibes (how bad the drama was, did it feel like there were too many people, etc.)

only if you want to :]

I've said this before, so this may be a familiar spiel to longer term followers, but 2020 tma fandom was honestly not the worst fandom I've ever been in, it was just by far the biggest thing I have ever been actively into at peak popularity and so the 1% of insane people that are found in every fan space were 1% of a much bigger total population. most people were fine and chill, but there were a vocal minority who Weren't.

major ingredients in the discourse pot:

from my observations, tma had a small but devoted listener base for its first few years, then it got a little bump in mid 2018, then a considerable bump in late 2019, then hit proper virality in early 2020, so there were a lot of people with hipster complexes about being Real Fans who were there first and weren't just part of the masses.

at this point I'm not even sure if this part was true, but the above was compounded by the perception that the earlier og listener base were mostly adults and the new wave of fans were mostly tweens and teens. whether the different waves actually fell along those age lines or not, a lot of people felt like the fandom was split into 80% Cringe Zoomers Who Are Here For Ships And Memes and 20% Millennials and Gen X'ers With Media Literacy Who Are Here For Horror. nice dichotomy, idiot, now what lies outside it, etc and such and such. our blessed fandom etiquette vs their barbarous dni lists.

which isn't to say that suddenly having a huge number of people, including young people, become interested in a single piece of media at a time of global stress where everyone had to be much more online and the content of the media itself was at its darkest and most socially relevant had no downsides. oh no. Oh No.

"my headcanon is not only objectively the best headcanon but it actually invalidates all of yours and if you hc something different then it's an act of bigotry against my Correct Headcanon." / "I have drawn up a list of Good Characters you have to like and aren't allowed to criticize and a list of Bad Characters you have to hate and can't acknowledge exist unless it's to make fun of and completely condemn them." / "I saw her username in the kudos of a jonelias fic" "girl what were YOU doing in the kudos of a jonelias fic" / "this latest episode handled a social issue unforgivably badly, I haven't experienced it myself but the vibes were off, everyone demand accountability and boycott the rest of the show" "hey that one was actually based on jonny's personal experiences" "ah fuck not again. well boys let's remember this for next time. this latest epis--"

honestly most of the discourse was down to like two or three friend groups. there was one group of people who you will probably remember if you were there at the time whom I have sometimes seen referred to as the Clown Gang. Clown Gang were ground zero for a good 90% of fan discourse ("hcing melanie as ace is ableist and lesbophobic" "fan content that focuses on jon's asexuality is biphobic. what's pansexuality I've never heard of it." "desolation tim aus are inherently ableist and racist"), but eventually they had a big falling out with Clown Prime and things calmed down. to be very clear I hold no ill will towards any of these people for four year old bad takes, hence why I'm not using any names, but god was it a time.

and this is only about the tumblr side of things. I was barely active of twitter so idk what it was like there but I was on tiktok for about a year during that time and the vibes were wildly different. iirc people there were less confrontational and there wasn't really a callout culture like on tumblr, but the extremes of the takes were FAR worse.

[catboybiologist]

Wanted to ask about this for a while but you had asks off, you mentioned having experienced hetero(ish) relationships from "both sides", so like, do you have any interesting observations or perspectives you think most people don't know about?

Ah yes, the bisexual transgender eye. There's lots to say here, and I don't think much of it hasn't been said before. I don't think my observations are limited to what I'm rambling about here, but here's some surface level ones.

Btw, this is probably going to be my post with the most weirdly gendered thing of anything I've posted here. I hope its abundantly clear that I don't think any of this intrinsic or morally good, its just my observation on how heterosexuals act towards each other while dating. This isn't about the boxes men and women should be in, its about the boxes that society has put them in.

I think that dating apps are intensifying stereotypical "masculine" and "feminine" dating roles in heterosexual relationships. Eg, encouraging men to "take the intitiative", oftentimes enabling harassing behavior in the process. This, in turn, forces women to screen and shut down men extremely harshly. Except, because of the entire dynamic that's being set up now, this makes a lot of men think women are "playing the game", and again, enables harassment from them.

I recently deleted all my dating apps, but even before then, I had them set to women and enbies/other only for a long time. Her was my primary app, but it has a very small userbase where I live.

Irl, men absolutely take the initiative more than women, but less aggressively than online. There's a huge added element of fear because of the in person aspect, however, and when meeting up, men can be extremely pushy.

The "toxic girlboss" angle of this is that this is often fun to play with. If you're clearly communicating in a serious context, and have established systems of consent that extend to communication as well as the bedroom, playing with "the chase" is... intoxicating. Having a man wrapped around your finger is really fucking fun. It has to feel safe and fun for both parties involved, though. You need to be able to "break character" at any point and have direct conversations, either about boundaries or directly communicating a want or need.

Obviously I haven't publicly been a woman for very long, so my experience isn't vast and limitless or anything. But I've had a few wonderful romantic entanglements with men already. Luckily for me, one of these is ongoing 😘

As for some of the people I've talked to, but never gotten far with.... cishet men are really stupid. I'm sorry but like. Y'all are. There's a lot to be said about how society normalizes male incompetence in heterosexual relationships (eg, the dopey husband stereotype) but I think this also extends to the early stages of a relationship. Men very frequently bitch and moan about "games" while not realizing that they play just as many "games" themselves. Oftentimes, those games involve being overly pushy with everything, and then not communicating their own limits and what they want out of a situation, expecting women to figure it all out for them. Eg, they want to bring forward unlimited energy and pushiness, but expect women to be the ones that whittle them down to what they actually want. This applies both romantically and sexually. Men have a lot of emotional needs, of course, and yes its a problem that they're often not met. But a huge part of that is society discouraging them from openly communicating what they want.

I guess to summarize all of this, I feel like so much of modern dating is essentially a process of elimination, where men are constantly encouraged to push and say yes, and women are constantly encouraged to shut them down for their own safety, and if they're lucky, they eventually reach a healthy dynamic by sheer process of elimination. Which... really isn't fun, and leaves a lot of room open for frustration.

Queer relationships and flirting provide a lot of open communication that hetero dynamics don't. I've had the most luck in "heterosexual" dynamics with queer or queer adjacent people, and literally everyone I've ever gotten past the initial stages of "talking" with has been at least a little bi, by their own admission. It's not that straight men aren't interested in me, or that straight women weren't interested in me before, its just that these are the people who will understand my existence as a queer woman the best and communicate with me the most openly.

I probably could say more, but that's a summary, I guess. I know its weird and stereotypical, but unfortunately, heterosexual dating is pretty much the most gendered possible environment you could be in. I feel like Jane Goodall in there sometimes, but hey. Ya gotta do what you gotta do.

[jack-kellys]

so we all know life is a circle. thus fandom is a circle. we see things come back around like the de/twinkification of racetrack higgins. or cowboy versus artist jack kelly. or "mom" friend david jacobs and the perpetual need to make the newsies some kind of heteronormative family. and yet again we've found our way back to the anti katherine pulitzer arc of her "getting in the way" of jack and davey's popular subtextual/fanon relationship. (yes im late nevermind that.)

now, not being a katherine fan is different than being anti-katherine. not being a katherine fan means you might have criticisms like "i'm not sure how she serves the newsies narrative better than, say, sarah jacobs, as sarah is more aligned with the newsies contextually/societally and katherine is very distant and rich lol", or even "i'm not a big fan of how katherine seems to be tired of jack's shit for most of the play and then 'suddenly' finds romantic interest in him within one song".

but being anti-singular-young-woman-character because of a ship between the main two boys is. a tired take is it not? again with the circle, we've had this discourse already and its been cut out. since 2012 and 2017 we been talking about this girl and her value, but not in the context we should be.

(because the context we should be talking about it in is a newsies 1992 versus newsies broadway context, not an anti-katherine context, but i digress.)

katherine's value. what is there to mine from? she is an extremely young woman reporter, 17-18 years old, whose article makes the front page of the new york sun. since she writes under a pseudonym, i'm presuming she writes with skill well above her age to be published at all (yes, even writing vaudeville reviews). in past productions she either finds the newsies at jacobi's because she saw the walk-out (TWWK) from inside The World (UK), or jack kelly simply interests her enough for her to seek him out again (Broadway/Tour/Live). she is unsure about herself as a writer despite her skill which is made clear in her song. she is rich. she did not need to have a career and was encouraged not to. pulitzer is her father and she does not get along with him. she matches jack word for word, often with davey at her side. she mills comfortably about the newsies through the second act and has a friendship of some kind with specs specifically. she also literally says "that's a face [jack's] that could save us all from sinking in the ocean/like someone said 'power tends to corrupt'" essentially prophesying the act 2 betrayal. which is crazy.

you can draw your own conclusions from the above, but all of it is essentially canon? right? so maybe you don't have to be a fan of all of it, but you're really going to tell me absolutely none of this is compelling. that none of this is something you can interpret for yourself as complex. that albert is more complex.

this is not me saying you have to include katherine in everything, because that isn't what this post is about. this is about individuals choosing to dislike or devalue katherine by only viewing her in relation to her as a romantic interest, instead of a complex character in a period piece with a full arc. yes a full arc. it's the musical that's rushed not katherine.

@we-are-inevitable speaks on this extremely well in the comments of this post as well, more in connection to katherine as being a compelling romantic interest in the context of newsies speaking in the defense of love interests/often women characters. in this post i speak on how i would navigate jack/katherine as a director, and in this post i speak on how to direct something to believe in to make it, well, believable, aside from its awful writing for both kath and jack. because again, fandom is a circle, and i literally talked about how to "fix" jatherine in august 2024. at length

[signanothername]

Who do you think is the strongest Sans in the multiverse?

Hm

It really depends on what you mean by “strongest”

As the word “strong” is very vague and extremely general of a wide of various meanings

Are you talking about physical strength? Emotional strength? Mental strength? Cause each would definitely have a completely different answer

I generally find focusing on strength as a factor to think about characters extremely limiting, and very much doesn’t give justice to how complex people can be and how they work

I never really think of strength of characters much, cause the more you focus on powerscales and who’s stronger than the other, the more you forget to focus on weaknesses the characters have and how these weaknesses affect them

Of course, sometimes power is essential to think about, especially when it comes to relationships, such as in Nightmare’s relationship with MTT, as power plays a very important part, especially the big power imbalance/dynamic between Nightmare and his subordinates, as it gives you a clear image that MTT aren’t there by choice, and that they can’t escape even tho they want to, it shows the abuser and abused dynamic between them

But other times, who’s stronger doesn’t truly matter when a supposed powerful character is put into a big disadvantage, you realize that power suddenly becomes null and void and all that matters is how a said powerful character chooses to proceed from there as the weaker one

Like, if I were to believe a character is stronger than another character, I’d focus less on physical/magical strength and more on how a character can use its own strengths to make up for their weaknesses, or how weaknesses can debilitate a character’s strengths and how said character makes up for it

Of course, naturally, you’d think Nightmare would be the “strongest”, but when I truly think about my own interpretation of Nightmare, I hesitate to call him “strong”

Like of course, Nightmare is extremely powerful, his aura alone can be utilized to strike fear into another character

But then you realize, huh, as powerful as my Nightmare is he can easily be outsmarted, as Nightmare’s emotional immaturity and tendency to act on fear and his immense obsession with power can be utilized against him easily, and the fact Nightmare would only come up with excuses for his behavior than facing the consequences of his actions and reflecting on himself doesn’t truly communicate “strong” no?

Hell even if we truly talk about physical strength, Nightmare would definitely not be who’d I’d consider emotionally or physically strong, his body is as fragile just as his mind is, the only reason he’s powerful is his very essence as a negativity entity and how he utilizes that magic, the moment that magic slightly wobbles, he’s immediately defenseless

Like, if Nightmare and Killer had been in the same room, and Nightmare has been poisoned by positivity enough, he’s no longer physically, mentally, or emotionally stronger than Killer, he becomes the weaker one in that room

This doesn’t just apply to Nightmare, this applies to all characters, power and strength aren’t reliable parameters

Ok diverted so much from the question, but I can’t truly give you an answer to who I think is the strongest

The only thing I can say is that I think each character has strengths and weaknesses of their own, in all areas, whether physical, mental, emotional or otherwise, and that causes the answer to who’s the strongest to always fluctuate instead of staying on one clear cut answer

Bottom line is that I don’t think of one character to be the “strongest”, all of them are strong and weak in one or more areas

[ghost-bison]

a christopher eccleston appreciation post

i will never say this enough because i don't know enough words, nor do i think such words exist, that could even begin to summarize how much i love christopher eccleston, but... i love christopher eccleston. and, more importantly, i have a deep-rooted respect for that man.

i started doctor who as, let's be honest, a sci-fi hater, forcing myself because i was obsessed with david tennant, and i was kind of dreading the first series because of this. but i was dead wrong.

he broadened my mind, gave me so many laughs, and so many cries, and i'm not the first to say that whenever eccleston is on the screen you just can't take your eyes off him, even when he's not supposed to be the main focus of the scene.

the way he can switch from silly goose to traumatized soldier in a matter of seconds will never cease to amaze me. or how he can play with both like he's on a swing by balancing it out with sarcasm?

i think whoever doesn't give him the title role in their shows/films is either an idiot, or they know the main character just isn't always the best.

i think it's downright idiotic and shameful that he gets rejected from ever playing some shakespeare just because of his northern accent (they're just posh elitist pos). now that he's older, and that times are evolving (i mean, i hope the world of theater is vibing with this evolution, but i'm not delusional), i hope we get to see him portray a character like leontes in winter's tale cause i know he'd be absolutely perfect for the role, and who better than shakespeare (this character especially, with his nuances and highs and lows and breakdowns and breakthroughs) to match acting like his?

saw an article where eccleston talked about how the moment he really knew he wanted to be an actor was when he had to wear mascara for a play, and had enjoyed it. i think he talks about it in his autobiography too (you should read it, btw, it's frankly affordable, and he happens to be a marvelous writer as well).

eccleston knows he is mistakenly type-cast, because of his background, as macho men and tough blokes in general. he's aware that it's kind of a big part of his culture. again, he talks about it i think in the very first chapter, how for instance he used to dress up as james bond, the pinnacle of "masculinity", which i think was a disguise in the metaphorical sense of the term, to mask his delicacy and femininity (or at least, that's my interpretation of it).

in his biography, eccleston talks about the differences between him and his dad, ronnie: he was surprised, as a child, whenever his father's affection manifested as a kiss or a hug, cause that usually wasn't his father's way of doing things. he compares it to how he, in contrast, has the habit of kissing his own son, albert, and telling him he loves him.

you can find it as well in how he talks about his anorexia, his body dysmorphia and, i think we can call it that, gender dysphoria. he's from a time when those concepts didn't even exist, they weren't a thing to the public eye. my father and my step-father, both feminine men in their own way, and both around eccleston's age, both told me about the struggle that it represented, not being the stereotype of the macho tough guy, and being surrounded by boys who didn't struggle with that issue. it made my dad a junkie, my stepdad a depressive artist, and, apparently, it made eccleston an anorexic actor.

i think it takes a lot of courage for people that age (the boomer generation as we call them), especially men, from whom we expect toxic masculinity, masculinity pushed to an extreme, to be able to openly call it out and dissect it into what it is: a ridiculous standard. but to be a PUBLIC FIGURE, in his 60s, and still find the strength to express it? damn. takes guts, i think.

most of us on this website, we're babies. most of us are at most in their thirties. the millenials and the gen z, and now the gen alpha, we take that for granted. or get offended and scandalized that being able to express oneself isn't yet a basic standard.

but then, i talk to my mum, and i realize that she had to stray from her catholic, sexist education, she had to make up her own mind about things in order for me to be born a free spirit. and that's just considering my mum's a cishet.

christopher eccleston expressed in other words that he doesn't fully consider himself to be cisgendered. i have mad respect for the way he talks about it, and for even talking about it at all.

then, there's his honesty. the more interviews i watch, the more it impresses me. he knows honesty goes hand in hand with dignity. i'm sorry but i'm tired of people who are nice all the time. you never know when they're being honest, and maybe some of them are, who knows. but i'm not stupid enough to think that so many people are just pure sunshine all the time (respect for tennant for lashing out publically about transphobia, i think he passed the test).

eccleston? he knows how to be both brutally honest and yet respectful at the same time. no ukulele apology from this man and holy fuck, it feels good!

i've seen him call russel t davies out for his lack of professionalism on the set of doctor who, and then list him amongst the great writers he's worked with. which makes me want to believe eccleston's side, because, if you're always either too polite, or too full of spite about eveything, who's to say you're not the problem? i've got way less trouble believing you if you can stay unbiased about a person you're having beef with than if suddenly everything said person does turns into shit just cause you don't like them. that's just maturity and wisdom.

one last thing i love about eccleston is that he is interested in other people's lives. there's a critic by marcus berkmann in his book that perfectly expresses my point: "you know what to expect from the autobiographies of most actors, i think: anecdotes, charm, more than mild self-satisfaction and faux-modesty by the bucketload. but christopher eccleston is not most actors".

and that's it. watch him in interviews and at convention panels, where he lets his younger co-stars speak before himself, and seizes the occasion when journalists ask him questions that are meant to make him talk about himself to praise his writers and other actors instead.

read his autobiography, which is both a love letter to his dad and a big let's-be-honest about the struggles of growing up poor and his personal struggles, because he thinks raising awareness is just as important as protecting himself.

look at his instagram posts where he unabashedly disses the monarchy and stays true and loyal to his background even after getting a taste of money. and his other posts where he shares his love for acorns and spending time with his kids.

i've seen him nearly break down in shame and regret on television for having stolen a kid's crisps in primary school. and not trying to find lame excuses for his behaviour. no ukulele apology, just facts, just christopher eccleston showing us what masculinity in its purest, most beautiful form should be about

[lbulldesigns]

Proof that Jinx Ziggs has a heart

I'm currently writing the first chapter of my Jinx!Ironman AU fic ❤️❤️❤️

I don't have an estimate of when it will be finished just yet because I keep going back and rewriting and editing as I go, but as soon as I finish I'll be announcing it here on Tumblr.

In the meantime, here is a list of character that I've come up with so far:

Powder "Jinx" Ziggs -

Jinx is obviously playing Tony Stark. There are some diversions from Tony Stark's character. For one, Jinx will still have her family and is a single mother to Isha. She is somewhat estranged from her family because of her busy lifestyle.

She also has a history of struggling with psychosis and is prone to auditory hallucinations but has made leaps and bounds in handling her condition.

Another diversion is that she built up her wealth independently, unlike Tony, who came from generational wealth.

Her company is called Jinx Industries, and even though her legal name is Powder, she prefers to be called Jinx.

She also prefers to go by her birth parent's names, because she's scared that their name will be gone forever if she doesn't go by it.

Isha Connie Ziggs -

Is Jinx's biological daughter, she was conceived by accident when her mother's gynecologist messed up their schedule and impregnated Jinx instead of inserting an IUD. Jinx used the settlement from suing the clinic to invest in her company. She also doesn't know who the sperm donor is, but that information will be coming to light later on in the story.

Jinx does what she can to keep Isha out of the public eye, for her own safety and to try and give her a somewhat normal childhood.

Isha absolutely loves her mother, and bugs ❤️❤️❤️❤️❤️

Sevika Wafiya -

Sevika was a close friend to Felicia during her pregnancy with Jinx, and became Jinx's godmother when she was born.

She has been by Jinx's side her whole life, and they act more like sisters than mother and daughter. They are constantly butting heads. However, when Jinx needs advice or needs help cleaning up a mess, Sevika is who she'll go to.

When Jinx started her business, Sevika was the one to step in and help her get it up and running.

Her role in the company now is basically as a Jack of all trades. She runs the security in Jinx Industries, steps in and fills in for Jinx when Jinx isn't available such as when she doesn't turn up to claim an award or just decides to skip an important interview, and keeps things running smoothly alongside Lux.

When Jinx went missing, she organized for Isha to be sent to her family for safekeeping and got to work making sure that some of the more greedy board members didn't take Jinx's absence as an opportunity to grab the CEO seat.

She is loyal to Jinx.

Yasuo Hiraoka (I don't know Yasuo's full name in LoL, so I came up with one myself) -

Yasuo is Isha's personal bodyguard, Jinx hired him after a kidnapping attempt when Isha was four. Jinx and Sevika didn't play around with Isha's safety and sought out a former assassin to keep the little girl safe.

Yasuo is a very patient man and has developed a mild obsession with Animal Crossing. He and Isha play together often.

He is extremely protective of Isha.

Luxanna Crownsguard -

Lux is Jinx's personal assistant, she basically plays the role of Pepper Potts but isn't a romantic interest. Her and Jinx are best friends, and she is Isha's godmother.

Lux was disowned by her family for being an Inhuman and was given a job by Jinx, she takes her duties seriously and is one of the only people who can handle Jinx.

Vi Kirraman -

Vi is married to Caitlyn, and is a former Enforcer. She quit after a near death experience on the job and realized that she actually really hated her work and wanted to do something different with her life.

She opened her own gym that mostly caters to Enforcers, soldiers, MMA fighters, and so on.

She's currently working from home, due to reasons.

Caitlyn Kirraman -

Caitlyn is the Commander of the Twin City Forces and basically plays the role of Rhodey in this AU, she was previously an Enforcer but transferred over to the Twin City Forces when it was established as a means to draw Zaun and Piltover closer together.

She works quite a bit with Jinx, they used to be at each others throats but have somehow managed to form a solid friendship over the years. Caitlyn is Jinx's only real connection to the rest of her family.

She is career-driven and a bit of a workaholic but tries to make time for her family as they are extremely important to her.

When Jinx goes missing, she jumps right into action and is determined to bring her sister-in-law home to her family.

Mylo Lanes -

Owns several businesses in fashion, locksmithing, and even a dive bar.

He is currently single but is in the process of courting Gert, a DJ who works closely with The Chemical Sisters.

Claggor Lanes -

Is a botanist, who is working on improving Zaun's air quality using plants (much like his S2E7 AU self). He works closely with Ekko.

Claggor has his own daughter, named Cleo who is four-years-old. Cleo's mother is Sona Buvelle (I read a Star Guardians fic once where her and Claggor were sweet on each other, and just had to get them together for this one <3).

Sona Buvelle -

Is a virtuoso, and Inhuman. Who is engaged to Claggor Lanes, who she shares a four-year-old daughter with. She plays in the Piltover Grand Orchestre, on the high harp and grand piano, and is well renowned for her beautiful music.

Ekko Bennett -

Is Jinx's ex-best friend and ex-lover, they were never actually official but were close enough. They had a falling out due to miscommunication, and some meddling from Ekko's birth parents who thought knew what was best for their son, despite not being very present in his life. Due to this meddling, Ekko and Jinx had a falling out resulting in Jinx moving overseas, to Bilgewater, and cutting contact with Ekko.

When Ekko found out about the meddling he cut contact with his parents, and tried to get in contact with Jinx but it was too late.

He threw himself into his work in physics, engineering, and bio-engineering. He works tirelessly to improve the environmental status of Zaun with Claggor, and spends a lot of his free time working with the community and following Jinx's work even though he doesn't approve of her weapons manufacturing.

He suspects that Isha might be his daughter, and is pissed with Jinx for keeping him away.

There's still a bit more world-building to be done, but here are a few things to keep in mind:

The AU is set in Runetrra not Earth

Yordles, Vasteyans, Chireans, and other magical beings in LoL are citizens

Magic is a thing, but it isn't commercialized

Hex-Tech is a controversial technology

Piltover and Zaun are separate states but Piltover is constantly working on trying to merge with Zaun again

And, Vander and Silco's relationship is a great big question mark to everyone, they keep calling each other brothers but live together and raise four kids together and are always touchy-feely.

Anyhoo, this is what I have so far. I tried not to give away to much here because I want to leave some mystery for the actual story.

[chaos-of-the-abyss]

i don't think "war crimes are fictional my annoyance is real" is the point when it comes to thingol hate. it's fairly rare that i see stances on thingol that are "i dislike/hate him because he acts like a jerk at times and that reminds me of unpleasant irritating individuals i know irl." and when i do see that, it's like, fair enough, he can be an asshole when he wants to be. his method of telling beren to fuck off was extreme and it was petty; he could have just said "absolutely not, get out." and he absolutely is a smothering overprotective father sometimes, who very much chose to lock his daughter up. no matter if he believed he was doing it for her safety, imprisoning her is an inexcusable violation of her autonomy.

but here's the thing: i don't see that many people who hate on thingol doing so for "the war crimes are fictional, my annoyance is real" reasons. if they did that they would call him out for things he actually does in canon, for being an unpleasant dick at times and a helicopter parent -- while still knowing that from an objective moral standpoint, those things do not make him as vile as mass murderers, attempted rapists, evil overlords, and all the other types of villains you can find in the silm. but that's not what i see from most thingol hate. what i see from most thingol hate is, on the contrary, based in things that canon makes no indication of, and said things are used to make him look like a worse person, morally speaking, than he is canonically. "he's racist against the noldor," "he turned refugees away," "he was a xenophobic isolationist through and through who never let anyone into doriath," "aredhel's situation with eol is his fault," "he would have disowned luthien if she had just eloped with beren without coming to him first," "he would have let celegorm marry luthien against her will," "he owed the union of maedhros his allegiance and unreasonably abandoned the noldor by not sending forces to help," "the feanorians made every effort to be diplomatic and humble to him but he's a bigot so he snubbed them at every turn which led to them resorting to violence," etc. etc. etc. -- all in all blaming him for every last thing that ever went sour in the first age. making up lies about how a character did x and y bad action as a reason for why you dislike them isn't "the war crimes are fictional, my annoyance is real," it's "i already hate this character and i want to justify my hate." i understand disliking characters because their unpleasant behavior is more mundane, so to speak, and therefore hits closer to home -- i do it too -- but from what i've seen? that is not fandom's attitude towards thingol. fandom's attitude towards thingol is accusing him of things that he literally never does to make him far more villainous that he is in the source material

[scoobydoodean]

wait that video includes 4.01... the scene where sam thinks dean is a demon/trick and both him and bobby were prepared for a violent reaction because they had no fucking clue what could raise dean from hell so he Should be a trick? the same episode where dean has to fight bobby because he ALSO thinks dean is a demon?????? bro. the bias. (the point is that those scenes are some of the most justified violence in the show and i bet none of the characters hold it against each other)

I guess it is a little funny that we brush right over Sam and Bobby both immediately attacking Dean with knives and refusing to believe him at first. Also, I would like to point out that samgirls make a huge deal out of bodily autonomy, but only if it's Sam's, because they don't give a shit about Sam's shady ass behavior all season 3. In fact, they're more likely to argue that Dean refusing to agree to shady plans Sam comes up with in the name of saving Dean's life is Dean controlling Sam lmao. While Dean may get aggressive when it comes to demanding answers on how he was revived in 4.01 (that whole scene is so silly and overdramatic lmao) assuming Sam is the one who brought him back isn't exactly shocking, given they had multiple fights in season 3 where Sam expressed a desire to and acted on plans to deliberately disrespect Dean's wishes about his own life/body. And in 4.01, Sam says "I wish I had done it" and screams at Dean that he tried to make a demon deal and he even tried to open the devil's gate (which could have killed hundreds or thousands of people)... all in the name of a guy who begged him not to do that in his name. Sam's history of misleading Dean regarding "saving" him starts as early as 1.12 "Faith" and is extremely heavy-handed in season 3, to the point that demons repeatedly try to get Sam to believe that Dean needs Sam to be in control of his life because he can't take care of himself and isn't it so sad how "troubled" and "stupid" Dean is, not knowing what's best for himself (ex1 ex2 ex3).

[thehelltingvilleclub]

Matt Montgomery - Closet Geek & Closet Freak

An Adult in Eltingville that actually acts like an adult???? WHAT???

Matthieu "Matt" / "Mattie" Thomas Montgomery [02/16/1978] Not Affiliated with TEC - Known Tournament winner amongst Jerry's MTG players. Cosplayer and College student in Manhattan. AOL / Online Users: [MTM_cosplay] | [GoblinHoarder] Theme Songs: Talk talk - Charli xcx | Move Along - All American Rejects | Somebody Told Me - The Killers

Favorite Shit: Trading Cards, Puzzles, Sports cards, Cosplays, X-Men, Monsters, Kaiju, Robots/Mecha, Dr. Who, Rubicks Cubes, Hard Cover books, YAPPERS, Movie Marathons, Beast, Wolverine, MTG, D&D, Cosplay Contests

I don't know how tf to describe this man other than tired and done with everybody's shit and he hasn't been awake more than an hour. He's three years into his bachelor's degree, essentially has 3 full time jobs between cosplay, tournaments, and all of his school work PLUS TUTORING, homie barely has enough time to breathe let alone deal with the TEC. However, that doesn't mean he won't find a way to weasel himself in-- even if its.... by unconventional or rather... *unexpected* means.

Guys I have like no art of him SORRY

Mattie generally only gets introduced very sparingly during 1999-2005, essentially in passing by Jerry or Josh, but he's still present and alive during this time, obviously. Him being friends with Jerry is what gets him to recognize Josh later.

Matt is studying for a Bachelors in English Comp, specializing in Journalism.

Speaking of, Josh and Matt work together at the editors office for the Comic Book News site in the epilogue. It's how they find each other again after Matt graduates and moves back home.

Matt is from northern Vermont, around the Canadian border, and has a bit of a Canadian accent because of it.

Everyone picks on him about it except for May and Jerry, (yes, even Josh, but it eventually becomes endearing to Matt.)

MATT. LIKES. YAPPERS. He doesn't talk much, he doesn't have much to talk about. Books and papers and trying to explain gymnastics routines isn't exactly the most interesting thing in the world, y'know.

He also doesn't have the time to really subject himself to the extreme absorption that Josh and Bill can get with their comics and shows, so.. Tell him about them!

He didn't get access to a lot of the more nerdy, pop culture side of things because of his parents. They had a significantly stronger iron grip on what he and his sister were exposed to, so he never really...

well, he didn't get to express his love for the more geek-y side of life until he moved to NY for college.

He became a professional cosplayer via his roommate forcing him to post, invited to events and photoshoots for his live floor routines he'll do in character, though he almost always wears a full-face mask or enough make up that you can barely tell who he is.

he can't have his sister finding out he dresses up as a blue demon freak in his spare time, yknow? (god she'd bully the shit out of him if she did--)

He's been in gymnastics since he was in middle school, and he's actually quite good; he's on a scholarship at his university, for pete's sake.

unfortunately a bad fall broke his clavicle and made it so he can't do vault anymore, but he enjoys his time doing floor routines and fucking around on the pommel horse from time to time.

Matt also.. is weirdly envious of TEC's... closeness? The fact they barely get along and yet they're all still together, they all still try and see each other or keep in touch..

He's never had that, and it makes him horrifically jealous, but he keeps it to himself-- smile and wave, swallow it down like normal, hm?

please subject him to a movie marathon. Infodump on him everything about whatever you're fixated on. He likes listening to people's voices, so please, just do it. It doesn't bother him at all.

This man has a TEMPER. His mother and his sister have this too, and it is BAD. Matt, however, learned ways to keep his temper at bay and calm down. to an extent. Bill, however, always manages to get his blood to boil by just the mention of him, so maybe... don't

Also, Matt and Pete absolutely bicker. A lot. Matt is constantly showing off that even though he's only an inch taller, he's able to do soOOSOooo much more! and Pete is convinced that Matt isn't actually gay and is trying to steal May away (guys Pete is such a fucking jealous goober I hate him)

Meanwhile literally the only person Matt wants is Josh. Pete should open his eyes maybe but like it's fine.

HOLY SHIT GYUSY

Okay UHM Hi Matt probably won't be talked about much but if you see me Vermont Honey posting it's because I need my comfort ship back okay THanks Also the NSFW cut is coming guys It's gonna have em all And I'll draw Jane and Matt's little sister soon, as they go to school together (Jane absolutely hates her guts OOPS unfortunately she's a bitchy cheerleader so you bet Jane has a voodoo doll of her somewhere in her room).

[slut4megantheestallion]

Hey can you do cullen x reader headcannons where the reader ghosts them and ignores all the messages and ignores them in school and stuff like that? it’s okay if not!

Cullen siblings x reader that ghosts & ignores them Headcannons

Warnings ⚠️: stalking mentioned of mind reading, cullens x reader, maybe some fluff, angst, black!reader, obsessivnesss.

Characters ☆: Edward cullen, Alice cullen, Emmet cullen, Rosalie cullen, Jasper cullen.

════ ⋆★⋆ ════════ ⋆★⋆ ════

-Edward Cullen

● Edward is instantly intrigued when he realizes he can't read your thoughts. To him, that's already unusual, but what really catches his attention is the way you avoid him and his family.

● He tries to figure you out what makes you tick - listening intently to your conversations with others, hoping for clues about why you're ignoring him

● Edward uses his mind reading ability to hear the thoughts of people around you, looking for any insights about you. It frustrates him when nothing adds up to you. Most people's thoughts about you are mundane or superficial, leaving him with no answers about you.

● Edward finds himself shadowing you more than he cares to admit, trying to learn more about you from a distance. He tries to act like it's just harmless curiosity, though deep down, he knows it bordering on obsession.

● He'll linger near your locker of eavesdrop on your conversation in the cafeteria, always careful to stay undetected.

● He would send polite text messages asking if he does anything to offend you, but when you don't respond, he starts over analyzing everything.

● He thinks about using his vampire speed to catch you off guard, but he doesn't want to scare you off.

● if you accidentally bump onto him the hallway and mutter an apology with meeting his eyes, his cold, undead heart flicks of warmth. He becomes fixiated on earning a silver of attraction. Though he's deeply conflicted about his growing obsession.

-Alice Cullen

● Alice was genuinely baffled by your behavior. She's used to everyone liking her, so your avoidance to her is both confused and challenging to her. She had visions of you interacting with the cullens and becoming part of their circle, which only fuels her determination to get close to you.

● She would wave at you across the cafeteria at lunch or try to sit near you, hoping you would acknowledge her.

● Alice would send you cheerful and polite text messages, trying to start conversation, but when you don't respond, she gives up. She'll try again with something like, "Hey, just wanted to say hi!"

● After weeks of being ghosted, she starts questioning if she did something to offend you. She would try to win you over until you notice her

● Alice would leave small, thoughtful gifts in your locker - a book she thinks you'd like, a handmade bracelet, or a note with a kind message. When you ignore her gestures, she becomes more determined, viewing it as a puzzle she needs to solve.

● If you so much smile in her direction, Alice feels like she won the lottery. She'll immediately text edward or tell jasper gushing about the tiny interaction.

-Emmet Cullen

●At first, he doesn't take your avoidance seriously. He thinks it's funny and treats it like a game, trying to get a reaction out of you. He'll do ridiculous things in class, like make exaggerated noises or cracking jokes loud enough for you to hear, just to see if you acknowledge him.

● if you ignore him in the hallway, Emmet might pretend to trip or dramatically gasp, saying something like, "Oh no, Y/n, you've wounded me again by ignoring my existence!" He genuinely enjoys the challenge of getting you to notice him and sees it as an opportunity to show off his charm.

●Despite his playful nature, he's extremely protective. He secretly keeps his eyes on you, ready to step in if someone bothers or upset you. He doesn't understand why he feels so attached to someone who barely acknowledges his existence, but he can't help it.

● on rare occasions, you ignoring him stings. He hides it well, but he starts to wonder if there's something wrong with him or if he's done something to upset you, hoping it's not because you dislike him.

-Rosalie Cullen

●Rosalie assumes you're ignoring her and her family out of jealousy or hatred. She takes it personally and brushes you off as someone who's unworthy of her time. However, as weeks went by, you began to intrigue her. She wonders what makes you different from everyone else.

● She admires the way how confident and independent you are, though she'll never admit it. She finds the way you ignore people both impressive and frustrating. She tries to engage small talk with you, like complimenting your outfit or asking about an assignment, but your dry short responses leave her both annoyed and intrigued.

● extremely overprotective. If she overhears anyone talk bad about you, she'll shut it down. She might not understand why she feels the need to defend you, but she will not tolerate anyone disrespecting you.

● if you do acknowledge her like a small smile, a thank you, or a brief conversation- Rosalie feels an unexpected warmth. It's rare for her to feel genuinely happy, but your attention sparks something in her that she didn't know she craved.

-Jasper Cullen

● Honestly, out of all his siblings, he's the most understanding. He doesn't take it personally and respects your desire to be alone, but he can't help but be curious about your emotional state, especially since you're so calm and composed.

●He tries to subtly influence your emotions, hoping to catch a glimpse of what you're feeling. When his attempts don't seem to affect you, he's both impressed and puzzled. He starts to admire emotional resilience and wonder what makes you so different from everyone else.

● he's quietly overprotective, often wanting to be near you during school events or crowded spaces. He tells himself it's just to make sure you're safe, but deep down, he's drawn to you in a way he can't even explain.

● He worries that his interest in you is selfish, especially given his past. He feels guilty, wanting to be near you, fearing he might bring danger to your life.

● if you do ever notice him jasper with a kind gesture, he feels a quiet sense of peace. He'll treasure those rare moments and hold onto them longer than he should.

[flastar13]

I think a Netflix Live Action series would be interesting. As for the change of nationality, my opinion is most certainly extremely unpopular but please don't crucify me, it would be very interesting and perhaps necessary. Something that caught my attention in the first anime and Crystal, is that all the operations of the dark kingdom are in Tokyo-Japan, despite the fact that: 1) Each general has a specific area assigned to work in, only Jadeite deals with Asia, and the rest should deal with other places like Europe, America and the Middle East. 2) It is not smart to keep attacking the same area in search of energy, even if you have already searched in other places for a mystical magic crystal, stealing energy from a specific place would attract unwanted attention from the sailor senshis. On the other hand, collecting energy from different places makes it harder for them to locate you.

Also it's pretty weird that they all reincarnate in the same place, maybe it makes sense with the sailor senshis, but as soon as the shitennou Another History hinted that they were reborn in other countries. I don't think Queen Serenity would be so dumb to make her enemies reincarnate near her daughter, so they must have been born in other countries. One Piece introduced a diverse cast even though the characters were considered Japanese, although in its favor the world in which the plot takes place doesn't have fixed ethnicities, so everyone can be multiethnic. Going back to the previous point, I think it's more realistic that the characters come from different places, I always found it too convenient for the plot that all the sailor senshis live in the same city, in the same country and that three of the five attend the same school. In other shows it's because a higher entity transferred them to the same class cough Evangelion. I think each Sailor Senshi awakening their powers in a different country, fighting the general that controls the neighborhood, and then reuniting with the rest of the team is great cough Evangelion again but it makes sense and is realistic that the chosen ones are not born in the same place neglecting the land, only Rei and Shinji are Japanese, Asuka and Mari are foreigners, okay Asuka has a half Japanese mother but her father is American and she herself was raised in Germany. I really liked PGSM, its plot twists were spectacular. It is the adaptation that best develops the cast, taking their backstories which were rarely or never touched on in the manga or any of the anime. We really see the family situation of Rei, Ami, and Makoto, and how that affected them so much that they were very lonely people until Usagi arrived. We really see the Shitennou interact with Mamoru, and remembering the past does not turn everyone into perfect soldiers loyal to their respective master. Each side and character takes information in a different way and acts according to their personality and character arc. It shows that a good live-action adaptation with its own plot development is possible. Its flaws aside from the special effects are the lack of information about the Shitennou’s second life pre-dark kingdom and Minako’s characterization. I love that Mina is an idol but can we have a flashback to her Sailor V days based on her prequel manga please? The Minako from the manga has been fighting the dark kingdom since she was thirteen, destroyed the dark agency on her own, worked with the Tokyo police, killed her first love in her first transformation and then had to kill her almost boyfriend Ace, only to remember how all her friends died and how her real boyfriend turned evil and joined the bad guys. I hate how the first anime makes up some absurd love triangle story, where Minako makes her surrogate older sister believe that she died just because the boy she likes is said surrogate older sister's boyfriend and that's her big tragedy. What the hell? Not only did they take away any depth from Minako but in my opinion they made her seem mean for traumatizing Katarina just because Alan loved her instead of Minako. The Minako of Damn Sailor V, disguised herself as the love of a boy she liked just to help him not get expelled. As for PGSM giving Minako a nameless deadly disease just to increase the angst is unnecessary when Minako's backstory written by Naoko is so rich and interesting, it's inexplicable why it wasn't used in PGSM given the darker and more serious approach, it was the perfect setting to show how screwed Minako is after the events of Damn Me Sailor V, as well as being an opportunity to explain how Minako became an idol, she had to participate in dark agency idol events and the Kaito Ace movie, attracting attention from the media and idol recruiters.

I didn't like that she was so serious, granted Minako is actually quite serious but she always wears a mask of perpetual happiness, I felt that Minako from PGSM was missing that, they made her an expy of the outers. I love the outers but they are their own characters. I think Minako is more of a joker type teacher like Gojo. At least that's how I see her. I think Minako is an idol who acts like a clone of Usagi but as Rei gets closer to her, she realizes that she is the opposite of Sailor Moon.Sailor Moon Crystal was a missed opportunity to develop the Dark Kingdom arc more with a bigger budget than PGSM, especially if they decided to make SenshiXShitennou canon, but sadly while it was fairly faithful to the manga, it didn't develop the themes that the original work introduced. We get more development of the SenshiXShitennou ship in the musicals than in a TV adaptation. Rei and Ami's family life was not given any screen time, even though Naoko had already published "Casablanca Memory" a short story that chronologically takes place in the Dark Kingdom arc, it deals with Rei's past and why she distrusts men. Why wasn't it adapted in Crystal? But it was used in PGSM, it wasn't 100% faithful but it was used to develop Rei's arc. As for Ami, while her family life was introduced in the Dream arc in the manga, a slight glimpse would help give her more depth, the same as her friendless state before she met Usagi.I think any change of nationality isn't that important as long as the plot is good.

If Hollywood was able to get their hands on a Sailor Moon Live action movie who would you want to do it?

TBH, I would be super nervous about Hollywood touching Sailor Moon. They don’t have a great track record with adapting anime of any kind, and the extremely small handful of female-dominated ensemble movies I can think of are nothing like Sailor Moon. Hollywood is pretty familiar with superhero films by now, but magical girls and superheroes have very distinct flavors and conventions despite their similarities, and I think a lot of the charm that makes Sailor Moon what it is would be lost in an effort to make it recognizable for an American audience. Plus, it would be pretty much guaranteed to be whitewashed, what with Usagi being blonde. 

I seem to recall a Japanese live action Full Metal Alchemist movie that looked amazing. I’d be way more interested in something like that, or a Japanese-produced Netflix collab. 

[movedtodykedvonte]

One thing I appreciate is that they have been showing how depressed some of the characters are by having them do things incredibly out of character for them

Simon threw away a child’s book, making her cry, which given his own daughter he would never do in a good headspace

Prismo took someone saying wish on accident and used it as there one wish, when he actively refused to use up Jake’s one wish for a sandwich

The Lich held up the main trio and could’ve killed them, but decided not to, which is the most surprising of the three

I like this but also it’s mostly caused by the fact that the characters got what they wanted:

Simon only became so hostile cause he was constantly reminded how much happier and cooler they saw him as Ice King despite him wanting to be Simon. He’s realizing it’s not being easy when he feels like no one knows Simon and only the Ice King.

The Lich is despressed cause his existence is meaningless now. He is the bringer of extinction and there’s nothing to end now. He won. Even if he killed the three hee be back to having absolute victory and being without purpose, without meaning. I think it’s the least surprising to me cause if my purpose was rendered meaningless by my own hand… What’s the point?

Prismo is a special case in that it’s more he clearly doesn’t have anyone. Prismo isn’t really allowed to fulfill his own wants and by trying to do so it did cause problems for him but technically completely separate fro why he’s depressed. Also I think the wish is in character as Prismo is a tad bit snarky and mischievous, he describes his wishes as trick wishes himself. The Jake thing is more Prismo like really liked Jake and broke rules for him. It’s more so Prismo wouldn’t have been so blasé about the wish but he’s sorta in a rut since his dog crush died.

I think it perfectly shows that each character reacts a different way to being stuck in their lives that are supposed to be wonderful now and how it affects others who believe that they are happy.

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[serpentface]

Faiza performing the Kagnoma Odo (pretty literally 'lion dance'), a weapons dance and one of the more important ritual duties of Odonii priestesses. A relatively new addition to this traditional dance involves the musket as the primary weapon, which is fired mid-twirl into the ground at the climax of the dance. Faiza is experiencing an 'oh fuck' moment because her shot is more than ideally diagonal, but she’s being so cool with it.

This is a wholly ceremonial performance at the onset of the pilgrimage, performed in full regalia and lion skin (of the small, semi-domesticated strain) but no armor. It’s also distinctly a display of political allegiance between the powerful and beloved Odonii priesthood (and its loyal military) with the increasingly reviled and destabilized imperial family, with Faiza prominently wearing a bracelet of the royal serpent, which was gifted (along with the musket) by the usoma Stavis Amanti himself (Usoma is the Wardi word for king, which has been retained in the context of emperors).

The Kagnoma Odo is the ultimate demonstration of the Odonii as an embodiment of the Lion Face of God and living vessel of military might and sovereignty, demonstrating her fitness and proficiency with weapons and as a spiritual unifier for soldiers. It is accompanied by drumming and occurs in stages, running through the three keymost weapons used in war- the spear, the sword, and the musket. The musket is of the most significance, given the weapon has developed a particular esteem as the ultimate embodiment of might and superiority. Assistants (almost always other priestesses, occasionally high ranking soldiers) load and prime the musket to be fired at the climax of the dance, where it is shot into the ground as the priestess leaps out of range of the shot. The firing signals the end of the dance and the rite itself.

While not the utmost exemplar of trigger discipline, only fully inducted and senior (and therefore very thoroughly trained) Odonii are permitted to perform the dance, and injuries during actual performances are quite rare (though are known to occur during training, more than a few Odonii have burns and wounds on their feet).

The most important renditions of this dance are performed upon declarations of war and before battles (in this case, generally done in full armor along with the lion pelt). It is also done during some trainings (while a dance, it is carefully choreographed to include naturalistic maneuvers of the weapons involved and helps soldiers limber up and learn to move their weapons). It is regarded as an impressive and motivating sight and a morale booster, and, seen at a distance, potentially intimidating to enemies.

A special variant of this dance is performed as means of fully incarnating the Odomache, which is done in full nudity with the body covered in the blood of the freshly sacrificed lion and cloaked in its raw pelt (the lion has become the corpse of Odomache in the moment of death, as part of its recreation of God's sacrifice). Her public, full nude appearance once (and only once) in this act is what allows the Lion Face of God to incarnate within her. Those in attendance see the spiritually vulnerable, naked human body obscured with the sanctified and deified blood and cloaked in the sanctified and deified skin. It is a merger of the contradictions of mortality and divinity, the boundaries between the two indistinct in flickering firelight and the flash of musketfire. She is witnessed by her people, dangling in between humanity and divinity and leading them in dance, and and is thus transformed.