Why did Rick do this to us?
Seriously, he went, "Yeah I'm gonna establish a history between two important characters on opposing sides of a conflict in which one of them clearly has negative feelings about the other. and then never bring it up again 🤪" BITCH COME BACK HERE!!!
There was so much that could have been going on between these two! I was talking to @nakamurastorrington about this on twt the other day.
Like, Annabeth's fatal flaw is hubris and Ethan's mother is the physical embodiment of the punishment for hubris, they are diametrically opposed! They have their shared history at camp but very different experiences with the system where Annabeth was pretty much immediately claimed and became the head councillor of her own cabin from a very young age, establishing her as a respected veteran at camp. Meanwhile, Ethan was shoved into a corner of someone else's cabin because he wasn't worth his own cabin, and so he just faded into the background. Also, Their relationship with Luke! They both had Luke as a big brother figure. Annabeth saw him as genuine family and Ethan would have looked up to him as his brother while in the Hermes cabin. Then Luke left and Annabeth still held out hope for him and refused to believe he'd ever truly passed the point of no return even while everyone constantly told her she was wrong, and Ethan, despite spending a year working for Kronos and seeing the worst of the results of Luke's actions, still believed he was in there fighting Kronos. Not to mention, THEIR MOTHERS??!?!!?!
There could have been such interesting conflict between them! Annabeth should have gotten to talk to Ethan during the parley. If anyone should have gotten to snap at Ethan about his mother, it should have been her because he would have snapped back so hard!
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I've reached the Helm's Deep chapter :>>
'Where is Gimli?'
'I do not know,' said Aragorn. 'I last saw him fighting on the ground behind the wall, but the enemy swept us apart.'
'Alas! That is evil news,' said Legolas.
'He is stout and strong,' said Aragorn. 'Let us hope that he will escape back to the caves. There he would be safe for a while. Safer than we. Such a refuge would be to the liking of a dwarf.'
'That must be my hope,' said Legolas. 'But I wish that he had come this way. I desired to tell Master Gimli that my tale is now thirty-nine.'
---
'Forty-two, Master Legolas!' he cried. 'Alas! My axe is notched: the forty-second had an iron collar on his neck. How is it with you?'
'You have passed my score by one,' answered Legolas. 'But I do not grudge you the game, so glad am I to see you on your legs!'
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I know it's common for, in radiostatic fics that get rid of Valentino, to get rid of the pornography empire they have, and I GET why, but in my own personal opinion I don't think it's always the best move
In my Housewife Vox AU, I've kept that part of the media empire Vox owns and simply changed ownership of being the overlord in charge of that to be Angel Dust (owned by Alastor) - (in the original deal, Val and Vox's agreement was a lot more equal, but to exert control, prevent a power grab, and make sure Angel can't do anything to hurt Vox or his empire, Alastor took Angel's soul)
(I also hate Val, so I did have him killed in the 80/90s and Angel taking over THEN, but even still, in my AU, Vox did decide to partner with Valentino to add control over hell's pornography into his empire because it'd be foolish not to, considering the power that would add)
Because, like, IMO the issue with that section of visual media was because of HOW Valentino was doing it (abusing his staff, using his venom to coerce people into it, creating the date rape drugs, etc) - but if you take that part out, it makes more sense for a media mogul who owns as much of the media and technology in the Pride Ring he can TO also have a monopoly on the pornography available - it's not like simply not owning it would mean it doesn't exist, so you might as well be the one to do it, do it right, and get the money from it, yeah?
I do think, though, that once Angel took over, he and Vox DID go over all of Val's previous contracts to make sure their employees still wanted the job they had signed their souls over for - the ones who didn't want to do pornography anymore were simply moved to other jobs; and Angel doesn't have issues signing new people on (even/especially without the drugging) because the contracts are relatively fair and the staff treatment at the studio is fine, so for many freshly fallen it's a good way to not be begging on the streets and to have a steady income
ALSO, because Alastor would go ballistic if any of Angel's employees hit on Vox or tried to get him to sleep with them, ALASTOR is usually the one visiting Angel at the studio when the need arises (he's not particularly bothered by sex work, he just has no interest in partaking in any part of it and generally doesn't want to think about it)
Alastor is aware of himself enough to know that if Vox came home smelling like the sinners and sex of the studio, he wouldn't be able to control the rampage he'd go on and would unintentionally clear out half of Angel's employees - which would be bad for Vox
Angel agrees, because no matter HOW many times he warns his employees not to, some will inevitably still hit on Alastor - who just ignores it and doesn't see it as anything relevant (so Vox never finds out to be the one murdering them) - but if Alastor saw/heard/smelled even a hint of them flirting with Vox it'd be a bloodbath worse than when he killed Val
Also, ironically, Angel can flirt with them both with no repercussions because somehow neither of them see him as a threat, and other than very close to his rut, Alastor considers Angel's scent on Vox not something to be alarmed about - like he's fine with Rosie and Niffty's scents as well
(Angel will never admit even under threat of death, but if Alastor and Vox ever did seriously take up his offer to be their third in the bedroom he's jumping at the chance - but he knows the only reason he's alive is because they think it's a joke. It's not. He knows it'll almost definitely never happen, but if the offer ever comes up, he's saying yes, immediately, lol).
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it is kinda funny to me when ppl say things in the vein of “jazz is perfect to represent rouge because of it’s chaotic nature”, cause like sure, okay, i can understand why you’d say that, but that’s the kinda thing you say when you have not listened to any jazz at all.
jazz can seem chaotic, sure, but it seems odd to me to define the whole umbrella of jazz as chaotic when you absolutely have not listened to actually chaotic sounding jazz subgenres like bebop. i just generally extremely dislike the descriptor of “chaotic” for jazz because i think it’s fundamentally untrue, there is absolutely logic and order in jazz, it’s built upon a rich tradition. jazz can be complex, frantic, energetic, and is often improvisational, but i don’t think it’s chaotic.
also i think that suits rouge far better than actual chaos, cause rouge is absolutely a complex and logical person, she just acts first and foremost on her desires
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