the fact that i'm no longer the same age as the protagonists of novels and films i once connected to is so heartbreaking. there was a time when I looked forward to turning their age. i did. and i also outgrew them. i continue to age, but they don't; never will. the immortality of fiction is beautiful, but cruel.
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I could get over anything as long as I have something new to be obsessed with
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Taking a 5-second break from the Bagginshield angst to bring you this meme I created after an all-nighter, enjoy.
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William Afton into the FNAF-verse
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this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.
good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.
sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.
so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.
one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.
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edit just realized i forgot video game. sorry guys
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listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded mfer happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
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REPLICA PLAYLIST
MUSIC UNDER CUT
I have been receiving requests for any songs that inspired Replica, so here, have my personal playlist. Sorry it’s not Spotify/Soundcloud but they don’t have some of these songs available so uh… guess you’re stuck with YouTube vids. For fun I'll include my personal titles for them (which might give a few hints of what to expect in the future/end).
Replica Main Theme - “Die for You” by Grabbitz
Like Father Like Son Like Brother (Omega and Shelldon) - "As Above So Below" by Alistair Lindsay
Mikey's Theme / The 1st Vision - "Suzume no Tojimari" by Nanoka Hara
Military (Mad) Dogs / Central Park Colony - "Imperium" by Madeon
Shanghai - "Icarus" by Madeon
Boom Goes the Donnie-mite (Mikey/Donnie vs the Sweeper) - "The Red Zone" by Mitsuoto Suzuki
The Day the Sky Bled Red - "7 Seconds Till the End" by Nobuo Uematsu
Going Out Like a Boss (Raph and Leo) - "Agape" by Nicholas Britell
Remembering the Right Way (Mikey and Leo) - "The Souls of Many" - by Alistair Lindsay
Mystic Hands / The 2nd Vision - "Am I Dreaming" by Metro Boomin x A$AP
Book 2 Trailer - "Sea Dragon" by Covet
7 Years Later - "Iron" by Woodkid
Leo's Theme / Attack on the Labor Camp - "Ego Death" by Polyphia
Omega's Theme - "Touch" by Daft Punk
Flat Lines (Omega Alone) - "Die Toteninsel Emptiness" by 1000 Eyes
Spear - "Monsters" by Tommee Profitt
Final Protocol - "The Kraken" by Katie Dey
Rise / Epilogue - "Close in the Distance" by Masayoshi Soken & Tom Mills
I will admit, it's a little embarrassing since you can easily see the patterns of what I've been listening to for the past year or two. I swear I listen to more than just videogame OSTs, these songs just jive well with the story and I often find lyrics distracting when brainstorming scenes. Regardless, the music I listen to is such an important part of my creative process and some of these songs really defined the scenes I now have locked in my head. So I figured it was only fair to give them the credit they're due.
I will continue to add to this playlist, and will note in comic updates when one of these songs is applicable!
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Back at it with my enchanted merthur shenanigans
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Holiday Classics
Been thinking about Ford watching the 70s Animated Lord of the Rings Movies... (companion comic to this post!)
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okay you know i literally dropped off the face of the earth with my pjo and hoo fandom shit and there’s a will and nico book?!! wtf?! and apparently i lost my books from the pjo series so i only have the first two and the first one from hoo..but i’m going to the beach and bringing them with me which is very much a slay for me
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oops.. more hunger games
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I'm in love with Lisa Frankenstein and male critics are wrong 🥰.
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[…]
Percy’s warning to fellow half-bloods in the audience, across different mediums.
The Lightning Thief by Rick Riordan (2005) The Lighting Thief: The Percy Jackson Musical (2017) Percy Jackson and the Olympians Series Teaser (2023)
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Broke: Acknowledging that a character who is an objectively terrible person is also a complex and intentionally well thought out individual with different levels of nuance you can empathize with in some ways while not in others is immediately “woobifying” or “poor little meow meowifying” them.
Woke: “This character is a bad person” and “this character is still a person” are two statements that can, should and do coexist and admitting that they exhibit nuance and depth and are more than just their bad actions doesn’t immediately excuse or condone their bad actions or mean that you’re ignoring or trying to soften the canonical version of the character.
Bespoke: That’s the whole point, that’s always been the point, to be made to empathize with horrible people so you can understand that they can be anyone, that bad people can be likeable, can be interesting, can be human, are human, and it’s scary to think about all the ways they’re just like you and all the ways they’re just like everything you hate, forcing the use of critical skills in media analysis, forcing a confrontation of the duality of man.
Whatever Level is Above Bespoke: But sometimes, yeah, sure, maybe they are a poor little meow meow, what are you gonna do, get a lawyer
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Got bored and doodled older Pevensies
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