#like such a cool mention in the book 2 novelization

[raayllum]

Linking for credit with the information (largely from the book 2 novelization) regarding 6x05 "Moonless Night":

ORACLES OF OPHIDIAN?? FOR ME??

and ofc viren inherited it from kpp'ar

[a-b-riddle]

Part 2

Can't stop thinking about reader finally cutting them loose.

For three days there was nothing but radio silence. In those three days you had told yourself that it was a grace period. Time for Simon to cool off and realize how much of a bastard he was for saying all those things he obviously didn't mean. Johnny coming back over with a bouquet of flowers and endless apologies and cuddles.

Simon didn't apologize for his harsh words.

Johnny didn't call you later, as promised.

For three days you jumped at every single notification, silently hoping it was one of them. Any of them.

But it wasn't.

And you, unfortunately, got the answer to the question you had been asking yourself for months.

Did they still want this?

The answer was clear.

You didn't let their unofficial dismissal get to you. You still had shit to do. A life to get on to. A book signing to go to.

Jesus.

A book signing. A book you wrote. A book that was being published and released the day of the expo. You weren't expecting a huge line because this was your debut novel, but with the help of some ARC readers who had took to social media, there had been a bit of a storm brewing.

You had listened to John when he had mentioned writing under an alias. Don't know how crazy people are out there. They'd do anything to get close to you, Dove. Just better to protect yourself where you can. You almost hated yourself for listening to him now. Now you would just have to keep writing under your pen name.

You were getting ready to close up shop early when your phone finally pinged.

Kyle.

Fuck.

Of course it was Kyle. The one who hadn't treated you like you were constantly bothering him. Not the one who made you feel guilty for agreeing to your arrangement. Nor was he the one who fucked you and left you. No. He was just the one who just wasn't there.

Maybe that was just as bad.

What are you up to today?

That was it. Almost two weeks of radio silence and that's all he had to say? It just added more evidence that you were making the right call in ending this now. It had already carried on for too long.

You had two things on your to-do list and you wouldn't let Kyle's sudden reappearance deter you.

E-mail the publisher back.

Change the locks.

You didn't have the strength to face them again. If they groveled, it would be too easy to take them back. One against four wasn't much of a fair fight. And if they didn't care to fight for you... you don't know if you could survive it. Coming face-to-face with the proof that it didn't bother them to give you up even though it was killing you.

No. Cutting it off completely was the best thing to do.

So you didn't respond.

You left Kyle's text unanswered as you e-mailed the publisher back that everything was set for your flight on tomorrow morning. You would spend Thursday adjusting to the time difference and Friday you would rest up before the expo this weekend. She assured you that you would need to rest up your writing hand. Whatever that means.

You left Kyle read as you closed up shop several hours earlier than usual. You needed to drop off the bank deposit before you started on task number two.

You didn't bothering responding to Johnny when he had texted you when you were leaving the hardware store, purchase in hand. Asking if you were free Friday. Promising dinner. 'In or out. Your choice.'

It was almost second nature when you got home to pull up your phone. Ready to text one of them to see which one of them could come over and help.

Fixing a leaky sink? Nothing Johnny hasn't seen before. Need help moving furniture? John won't mind when you change your several times on what should go where. Kyle would always come in with take out the moment you mentioned you were hungry and whenever you felt like going for a walk when it was a bit too late in the evening, Simon was the first to volunteer as your personal guard dog.

But asking them to come and change the very lock you planned on using to keep them out seemed... counter productive, if not downright petty.

You were almost done with the lock when your phone sounded off. Only this time it wasn't a text. Someone was calling you.

You almost faltered when John's name came on your screen.

Fuck.

That almost got you.

You almost answered it.

Almost.

You clicked on the 'Sorry, I can't talk right now. Options, before finishing up your work.

And just like that, you were done. No help needed. You had changed the lock. Even adding on a deadbolt. Replacing the flimsy chain Simon had taunted you about. If someone wanted to get in here, that wouldn't stop them.

Well, now you didn't need to hear it anymore.

Not that you would really hear it again...

Your flight was in twelve hours. Although that seemed an ample amount of time you hadn't even begun to pack. You had luckily narrowed your outfits down, but now was the task of folding it nicely into your suitcase rather than just stuffing it in there.

On my way. We need to talk.

It was too late for talking. Three days too late. Several months too late.

The last message sent was four weeks ago. A new Thai place had opened up close to your apartment that you were wanting to try. All of them had given you excuses.

Not my taste, Dove.

Cannae do it tonight. Next weekend? Next weekend didn't happen either.

I can do tomorrow. Kyle ended up bailing. You forget the excuse he used.

Simon hadn't even bothered to reply.

The final nail in the coffin of your relationship. Almost two years wasted with nothing, but a broken heart to show for it. And the worst part is, they had all chipped away at your heart, leaving you to deal with the final blow that would shatter it.

Im sorry. I can’t do this with you anymore. wish you all the best.

Your fingers made quick work in blocking their numbers. It was best. If they wanted to reach you, they couldn't. On the other side of the coin, if they didn't care to reply, you wouldn't spend countless hours crying over the fact that none of them had been affected the same way you had.

You would deal with getting them their belongings that they had left behind another time. You had big things, great things happening for you. You were cutting your loses. You were cutting them loose.

You just hoped you didn’t regret it.

[gin-juice-tonic]

So, for Starters: Book Of Bill Spoilers warning. Another opinion from me below. This new one is about the lost journal pages again, of course.

Originally, I wanted to make a super big crazy essay about all the reasons I think the journal pages in BOB (The Book of Bill’s given name) are fake, and show off my super-cool totally completely sound deductive reasoning techniques in the process.  

Unfortunately, knowing myself I’m not sure I’m actually capable of accomplishing such a feat. You all know how I tend to post things in parts, sometimes out of order, often never finished. However I would like to share something in particular that’s been eating at me that I’ve seen… partially discussed, but only partially. And certainly not the part that I would like to discuss. 

It’s about the rats.

You know, the rats.

I saw these rats being talked about since before I was even able to have a look at the book myself. 

But before I get further into it all, I would like to start off with a joke: 

Why did dead rats, eggnog, a land orca, shrimp colors, It’s a Small World After All, and an Anti-Cipherite Suit cross the road? 

Well, that’s easy. To get to the other side. 

Of the book, that is. 

If you’re anything like me, you probably skipped right to the journal pages upon contact with the book. And if you’re even MORE like me, you were probably left a little confounded by them. Not only did they seem… wrong somehow. But they also felt random. Full of odd choices of subject that didn’t make a lot of sense. Could these pages really have come from journal 3? If so, why do parts of them feel so… completely out of context? 

And this is where the rats come in. As I mentioned before, I saw many people discussing them. In particular, they were noting a connection to this passage from earlier in the book:

Many of the related discussions also felt odd to me. Though I lacked the knowledge to be able to articulate why at the time. UNTIL, I read the book for myself from start to finish. That's when I realized something:  This is not the only time something from earlier in the book connects back to the journal pages. In fact, it happens many, many times throughout the earlier passages. (Here is a small collection of them for your perusal.)

And then it started clicking into place. The reasons the pages felt like they were so abnormally out of context… is because they WERE lacking context!

Now, before you can finish saying “Gin, you’re an idiot.” I would like you to ponder these three questions: 

1) Why, if these pages were taken from Journal 3, should they require context from outside of it to be able to be completely understood?

2) Why is it that this context can be found in what Bill Cipher has been writing in the preceding passages up till now? 

3) If you put food in a mogwai’s mouth at midnight EST but drive it over the CST time zone line back to 11PM before it can swallow, will it still transform into a gremlin? 

Okay, you caught me, that third one is unrelated. But the first two I believe require further thinking. So let’s delve a little further into the idea. Consider this the real third question: 

3) Are we to seriously believe that these, the only pages of J3 still lost to us, just so happen to tie into the new topics from the rest of the Book of Bill over and over like this?  

And since you’ve done so well thinking thus far, I’ll ask a fourth question: 

4) Are you aware of the concepts of Watsonian and Doyalist analysis? 

Assuming you don’t and you won’t google it, I’ll skip to the important part. Watsonian analysis is to analyze a story from within it, as if you yourself were Watson making deductions in a Sherlock Holmes novel.  

Now, from a Watsonian point of view, what happens when we try to answer our earlier questions? Why should it be that the Book of Bill provides so many of these points of reference to the journal pages? 

One possible line of thought could be that Bill wrote the earlier passages of his book *around* the idea of what was contained in the pages, but I think this doesn’t work for a few reasons. For one thing, the purpose of the book is to get the reader to make a deal, not to take a whole novel to set the stage for a 3 day mini Ford adventure. For another, not all of what I described prior is really fit to be called “context”, is it? The rats, the “Small World” cassette, and the Bill-Suit are one thing, but Eggnog? Shrimp colors? Land Orcas? I certainly wouldn’t define them that way. If anything, they’d be better suited to being called “references”. And unlike the more contextual ideas, there’d be no real need for Bill to sneak mere references to the pages into his grand story.  And lastly, there are a great deal of Bill pages that have nothing to do with the content in the journal pages at all.

So what exactly am I trying to say here? 

If we do intend to think of the callbacks outlined above as references, the only logical conclusion within the story is that the journal pages themselves are referencing back to the Book of Bill, not the other way around.

But… how? And why? Something Ford has written in the 80’s shouldn't be able to reference something Bill is writing post-weirdmageddon certainly. 

That’s because “Ford” isn’t referencing it at all!

And as for why… Well, have you ever noticed when you're writing a story on the fly, things you wrote earlier all come crashing back to you as you try to wrap things up? I believe personally that the journal pages are not pages actually written by Ford, but more a strange endcap on Bill’s crazy train of thought! That Bill is the one writing them, and the "references" are just fuel that further the pages creation. Almost as if, to quote someone much more knowledgeable than me on this subject…

(This single paragraph has been inserted a good deal after the original writing of this post.) I would like to clarify, I am not trying to claim the ideas presented in the pages have no basis in reality whatsoever. Ultimately, what I'm saying is I think Bill wrote them, and they should be taken with suspicion instead of as complete fact. "Did this event happen exactly this way?", "Does some of this feel distorted?", "Did this part even happen at all?" I think those are questions worth examining with the events detailed on these pages.

In the end, all I've described above (as well as other aspects of the pages I've not mentioned here) leave me with the impression the pages are not real.

As I stated only a bit earlier, the idea that these pages, the only pages of J3 purported to be lost, should be so connected to the rest of the book is beyond coincidence to me. Not to mention that in order to take these pages as total truth, you must give credence to several other passages of Bill's book as well. And I'm not too keen on having to trust him that much.

To all who have read this far, even to those who may have scoffed at the ideas in here or think I've only written up nonsense. Thank you for reading and considering my thoughts.

I am not saying anyone must agree with me on this. I know some people have found the pages to be important and meaningful to them, and I do not wish to give the impression that I think my view is the end all be all correct one, or that I think lesser of those who believe them to be Ford's own writings. I only want to share my own thoughts on them. And to anyone else who found the pages to feel "off" somehow, possibly validate their feelings too.

[takes1]

p.2 bratty tsukishima x manager!reader enemies to lovers

warnings. nsfw. m!masturbation at the end. midterms mentioned. minors DNI content. misinterpretation of emotions. tsukki not knowing how to handle a crush. enemies to lovers. or maybe enemies with benefits, i haven't decided yet. manager!reader. tsukki being so incredibly horny. tsukki not understanding facial expressions. sexual frustration. male masturbation + implied previous. kiyoko being a friend. yachi being a friend. 1.7k words notes. 3 more parts planned! ask to be added to the taglist if you don't want to miss one! links. PART ONE HERE. PART THREE . PART FOUR. FINAL PART. masterlist for mha. my ao3. masterlist for haikyuu

Despite your iced latte being mostly just water by now, you still sucked it down in desperation to get every ounce of caffeine you could. Midterms were just around the corner and one of your most difficult classes involved writing a 10-page scientific paper.

You had the whole semester to do it, so the dread you felt now was the amalgamation of months' worth of opportunity that you could've and should've used to work on it.

Thankfully, you didn't have to churn the majority of this thing out alone.

"What the hell does ameliorate mean." Kiyoko asked, though her soft frustration was starting to sound more like a statement now.

Yachi took every opportunity she could to stop doing her work, including this one. For her, there was less pressure to do perfectly on her finals since she had another two years to get those top marks.

She scanned her laptop screen for a moment, lips perched on the lid of her strawberry refresher: "Ameliorate means... To... make something bad or unsatisfactory better."

Kiyoko muttered something about how it still didn't make sense. Of course it wouldn't- she was taking an organic chemistry course.

The plan as it stood now was to rot in this spot all day until hunger moved you, so you all made an event out of it by putting on something cute, grabbing some coffees and pastries from a cafe nearby, and settling into this local library.

It wasn't planned, but you all simultaneously chose to wear skirts and cute summer tops. The mutual reaction of humor helped ease the pain of having to study all day. Suffering together was preferable to suffering alone.

The chance finally came again to stretch your legs and find another vaguely relevant reference to add to your bibliography.

With a rewarding, careful stretch, you rose out of your chair and took your time walking up and down the aisles to find something to support the fifth theory you'd written about so far.

Midterms were one stressor, but you weren't afforded the privilege of having tunnel vision over it.

Qualifiers were just around the corner, and you had the Tokyo training camp to prepare a load of equipment and personnel logs for.

As you selected a thick novel from a shelf above your head, you let out a small sigh.

The front matter described a concept you could start to look into and fluff up to your liking for the paper. Your mind fell back to the team, and how you wanted to do well on these exams so you'd have less to worry about going to Tokyo.

The side of your face was growing warm, probably from the East-facing window to your left, so you raised the back of a cold hand to cool yourself down.

You were just deciding to take this book back when, in the process of dropping your hand, you caught a blur of blond hair and glasses in the corner of your eye.

Your stomach jolted, heart starting to race, and an uncontrollable surprise took over your features.

Tsukishima was sitting, leaned over a table on his elbows, his head twisted all the way to the side to look at you over his shoulder.

You quickly looked back to the shelf and sucked in a breath. God, that must've looked so lame- you regretted every millisecond of that reaction and prayed he wouldn't ever bring it up.

He hated you. You didn't want anything to do with him. There was no pleasant exchange to get out of saying hello, or even acknowledging each other. It's not like you were friends.

Why was he even here? You started to get worried, but realized that he did ride the same train back with you after practice in the evenings.

Now you were really remembering. He got off one stop before yours and always moved to create the most space possible between you. You usually didn't see him again until he got off. Even then, you didn't care enough to look for him anymore.

You glanced back to him, expecting to now have to speak to him after you'd exchanged a mutual acknowledgment of each other's presence.

He was staring. But... that wasn't exactly the right word for it.

He was distracted. You wondered if he knew who you were, because you'd never seen him stare at you for more than a few seconds.

His brow wasn't pinched like usual. It was relaxed- in fact, everything about him was relaxed. The way his head was held in his hand, the loose grasp on his pencil, the subtle part of his lips. The lazy, yet measured scan of his eyes.

There was a reddish tint at the tips of his ears and highest points of his cheeks. It was astoundingly easy to notice, since he was so fair-skinned.

A strong chill ran up your spine when he finally made eye contact with you. Even then, it took a glance down to the book clasped against your chest, then back up for him to really notice your gaze and stiffen right up.

That new side of him vanished in an instant. It was replaced with a brief, stone-cold glower before he turned back to his own midterm work.

On the stiff walk back to your table, you smoothed your skirt out and pulled on the edge a bit before sitting back down.

It took a minute of silent sitting to even begin to unpack what you felt.

"Do I look stupid?"

Yachi instantly piped up, "Of course not! You're very pretty!"

"You really shouldn't waste your breath asking," Kiyoko glanced up at you.

It was brief but it rested your immediate insecurities.

"Why?" Yachi, once again, wanted nothing more than to just hang out and talk.

Another surge of chills. It was sickening.

You put your head in your hands, elbows on the table. "Mm-mm, it's just-..." You thought to tell them, but held back at the last second, "I dunno."

Another big sigh and you were back to typing to take your mind off of it. You'd have plenty of time to see what this spun into once you were free from this academic prison. It was too confusing right now.

Kiyoko didn't read into it, but Yachi lingered until 1) it was obvious you simply didn't want to disclose and 2) an abnormally tall boy from school walked past your table. She watched him watch you on his way towards the exit.

Her eyes narrowed with keen intuition.

the keen intuition in question:

Kei felt himself practically melt against the closed door of his bedroom. Breathless from a difficult and quick walk home, he fumbled with the tie of his sweatpants and the lock on the door concurrently.

"Finally," He sighed with a desperate laugh, "Fuck..."

His bag hit the floor with a sharp and careless thump. He stepped over it and fell onto his back on his mattress, a long arm stretched toward his side table for some lotion.

It was useless trying to study after that. Library or home, it didn't matter unless he could fuck this one out.

This time he didn't have to stalk your Instagram to spark his imagination; it was already running rampant with filthy ideas of what he'd do to you in that short skirt.

An ignored, aching erection sprang out of his waistband as he pushed it down and out of the way.

Light grey sweatpants had (for the first time in his life) ended up being a shit idea. All he could worry about on the 20 minute walk back was if anyone could see the tip of his cock tucked up just under his shirt.

Every shirt was too short. Every pair of pants was too big in the middle.

His slippery hand was beautiful relief. He was quick to get himself lubricated, and quicker to pump in slow, twisting motions to the image of you reaching, reaching, reaching up to that book on your tippy toes.

All the worry in his tight brow washed away in crashing waves of steady-growing pleasure.

Soon he didn't care about the harrowing journey home, the threat of midterms, nor the growing dread of that training camp.

It was just you.

It felt like fate that he got the only chance anyone might ever have to see the curve of your ass just under the hem of your skirt. You were able to get that book all too quickly.

If everything were different, he would've gotten it for you. You would've thanked him, kissed him on the cheek- he would've pulled you in for a heated, raunchy kiss with a hand palming you closer. He would've savored the view of you spread on the table for him -homework long forgotten- and his massive hand over your mouth to keep you quiet. It was a library, after all.

He seethed and stalled for a moment--, "a-ahh- Mm..."

His cock twitched hard with the need to cum, but he stopped just soon enough.

An oversized hand was holding the base; he looked at his other dry one, then closed his eyes in an eager but fruitless attempt to visualize just how they'd look on your thighs. Fuck, anywhere at this point.

Just one touch, that's all he wanted. He never let himself get close enough to even consider it, but my god, the internal struggle he made to stay away was commendable.

His tight, lightly sweaty stomach flexed with effort as he slowed down again.

You were so quick to switch up when it came to him. He could tell he had a special place in your heart, the way your lips pursed into a small frown and your eyes narrowed when he tested you.

It was out-of-this-world cute from his vantage point. A smile might just kill him.

"Mmm, fu-ck," He croaked, mind circling back to today.

His chest swelled with a shaky inhale- he smirked at the thought of you finding out about his terrible secret, how you would punish him for his unprofessional behavior. You were so pretty when you got mad.

The breath caught in his throat. He wasn't even thinking about the skirt when he finally came all over his stomach. Just that pretty face of yours did it for him.

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[fairytaleendingss]

Room for One More?

Chapter 2

Summary: Your rivalry with Remus continues as you spend a night out with his friends at Sirius’ concert.

CW: Alcohol Consumption, mentions of vomit (briefly), references to sex.

Pairing: Poly!Marauders x reader

Chapter 1

—

A few days later and you were finally settling into your new home. And as far as roommates go, the boys were pretty good ones.

James was usually out early in the morning at the gym or Rugby training and he’d often return with coffees for everyone. Sirius was a natural born entertainer and always had a joke or a silly anecdote to amuse you with when you returned home from work.

It was just Remus that hadn’t warmed up to you yet. However, you had no idea why. You’d done everything you could think of to win him over. You cleaned up the kitchen for him before he got home from his lectures, you left extra for him when cooking dinner, you even offered to do his laundry when he was too busy studying for upcoming exams. But still, nothing. No matter what you did, you were greeted with a cold disinterest and one word answers.

By the time the weekend rolled around, you were exhausted, both from him and your long week at work. You were hugely looking forward to Sirius’ show. You figured it’d be the perfect way to unwind.

—

You were squashed into a booth next to James and a girl named Dorcas, twirling your straw in your hand.

The bar was full, thick with energy and cigarette smoke. It was dimly lit, some dive down a back alley. Apparently Sirius and his band played here every Saturday night.

“So y/n! Mary tells me you want to be a writer!” Lily called across the table, barely audible over the clattering of glasses and loud talking that filled the room

“Yeah, it’s something I’m working towards,” you replied. “Although I’ve been working on my novel for a couple of years now but it’s still not quite there yet.”

“Oh cool!” Peter chimed in. He was sitting beside his girlfriend Sybil, a hand around hers under the table. They looked positively smitten with each other. It reminded you of how glaringly single you were.

“What’s your book about?” Dorcas asked.

You sighed. “I guess you could call it a fantasy.”

“Oh is it one of those ones about wizards and magic and stuff?” James pondered enthusiastically.

“I mean, kind of? Not really.” You replied.

“Oh good,” Dorcas mused. “I don’t really like those kinds of stories. I’ve always found them to be a bit childish. I mean, the idea of wizards living amongst us? it’s a bit absurd if you ask me.”

You giggled. “Yes well, I’d say mine is more of a high fantasy. Anyway, enough about me. What do you all do for work?”

You took a sip of your drink.

“Well, I’m a primary school teacher.” Lily offered.

“Oh wow. And how do enjoy that?”

She giggled, her dimples appearing as she did. You had to admit, she was stunningly beautiful, with long auburn hair and astonishing sea-foam eyes. You understood why James had been pining after her for so long.

“I love it,” she responded. “It’s wonderful knowing you’re able to shape a young person’s life.”

“That sounds really rewarding,” you responded.

“It is,” she smiled. “But it’s far from impressive compared to what some of the others do. I mean, Dorcas here is a lawyer and Remus is studying to be a doctor!”

Eyes fell on Remus and you watched as he recoiled slightly under the attention.

As the conversation drew on, you learned that Peter was a Banker, Sybil read tarot cards for a living and Dorcas’ girlfriend Marlene played lead guitar in Sirius’ band.

“Just wait until you see her,” Mary exclaimed. “She’s incredible.”

“I’m looking forward to it!” You replied. You took another sip of your drink and realised you’d finished your glass. Upon looking around the table you saw that the others were in a similar position.

“Looks like I’m in need of a refill. Next round is on me guys!”

There was a slew of cheers from the group as you slid out of the booth and made your way towards the bar. You placed your order and then took a seat on a stool as you waited for the drinks to be made.

You were scrolling through instagram when you felt a presence beside you. Looking up, your heart sank slightly when you noticed it was Remus.

“I thought you could use some help carrying everything,” he muttered, taking a seat beside you.

“Thanks but I think I’ll be okay.”

“Yeah well, I could use some space. The table was getting a little crowded.”

Your eyes raked over his figure, you saw the was he was nervously fiddling with his hands. It dawned on you that maybe the bar scene wasn’t really his thing so much as it was his friends’. He seemed to be a little overwhelmed.

“Okay,” you relented.

A few drinks were placed on a tray in front of you, and Remus reached out to grab his, taking a long sip. Your eyebrows raised.

“You’re drinking straight whisky? That’s pretty hardcore.”

“It’s referred to as a whisky neat,” he responded matter-of-factly (as if you hadn’t been the one to order it for him). “And it really isn’t that bad. I have a pretty high alcohol tolerance. Why? What did you order.”

“A gin and tonic.”

“Exactly my point.”

Your eyes narrowed as you looked up at him. You could help but scoff.

“Are you implying that I can’t hold my alcohol?”

Remus shrugged, taking another sip. “I’m just saying that some people have a higher tolerance is all.”

A mix of irritation and downright anger began to build in your gut. You’d had enough of him. His coldness towards you, his constant condescending remarks. Fuck it, you thought, I’m done being nice. If he wanted to start something, then so be it.

“Fine,” you challenged. “If you’re so sure about that, £20 says that I can out-drink you tonight.”

He turned to face you, a brow quirked questioningly.

“Are you sure you want to do this?”

You rolled your eyes. “Just shake on it, Remus.”

“Fine. It’s your funeral.”

You shook hands. Then you turned to the bartender.

“Excuse me, I’d like to change my order. Could I get a whisky, neat?”

—

The band came on around 10pm and the crowd cheered wildly.

Sirius was the first to enter, clad in black and leather, looking like a true rockstar.

His eyes twinkled beneath the stage lights. Even on the narrow bar stage, he managed to look ethereal.

“How’s everyone doing tonight?”

The crowd roared once more, you among them.

“That’s good! We’re Snakes and Lions and we have a few songs to play for you. Is that alright?”

The crowed cheered again.

As the first notes of the song trickled through the room, you couldn’t help but stare up at Sirius. His long flowing hair, the tattoos that peaked out from under his black tank top, the way his eyeliner brought out the grey of his eyes.

A glance to Remus beside you, told you he was feeling the same way. He was staring up at Sirius like he was the most beautiful creature he’d ever seen. And you couldn’t blame him.

Still, you felt and odd pang of jealously shoot through your gut.

You decided to push it down, instead venturing to the bar for another drink.

As the set drew on, you could feel yourself beginning to sway, not only from the music but also the alcohol in your blood.

The room began to blur in a dizzying haze and you found yourself leaning into James who stood beside you, for support.

You continued to watch Sirius perform, entranced by the way he moved around the stage, his voice baring into your very soul.

At one point, when he he introduced the band (Barty on drums, Marlene on lead guitar, Evan on rhythm guitar and his little brother Regulus on bass), he sent you a wink and you felt your heart leap in your chest. You felt like you were watching a celebrity.

Still, amidst the music, your mind continued to wander to Remus. Your bet had carried on and you continued to down drink after drink out of sheer spite.

You were determined to beat him. Determined to prove that you could hold your own, that there was a spot for you in his home, whether he liked it or not.

By the time the band finished playing, you were far past the point of no return.

—

There was a light on somewhere. It was too bright, shining directly into your eyes. You groaned and rolled over, sinking in to your mattress. You tried to go back to sleep but you couldn’t. You needed to get up and turn the light off.

As you blinked your eyes open, you realised the light wasn’t in fact coming from the ceiling but from a window.

That’s odd, you thought, I don’t remember there being a window there.

The room was blurry as you looked around. It was clearly morning, that much you could tell, and there was a throbbing pain in your head. Last night was definitely a mistake.

It was then that your gaze fell on the football paraphernalia that sat on the dresser and the framed jersey that hung above it.

You shot upwards like a bullet, your eyes widening as you glanced around the space.

This wasn’t your room. It was James.

You gasped loudly as you looked down at yourself. Fuck! You were in your underwear.

You frantically looked around the space, searching for anything you could use to cover up. There was a black t-shirt thrown over a chair in the corner.

A sniff told you it was clean and you hastily threw it on, not caring right then that it wasn’t yours.

It didn’t cover much but it’d have to do for now.

It was at that moment the door swung open. You froze, wide eyed like a deer caught in the headlights.

James just looked you up and down for a moment, balancing a cup of coffee in each hand.

“Oh good. You’re up.”

“W-what happened last night?” You blurted out in a panic.

“You don’t remember?” The boy queried, moving to place the coffees down on the bedside table.

You shook your head.

“We didn’t… ah? You know?”

“Oh no! Nothing like that! We didn’t sleep together if that’s what you’re worried about.”

You let out a heavy sigh, running a hand through your hair in relief.

“Oh. Okay. Good.”

James just smirked. “Oh no, it’s much more embarrassing than that.”

You looked up at him nervously, feeling your cheeks grow hot. “Shit. What did I do?”

James moved to stand in the doorway, leaning against the frame with his arms crossed, muscles in his biceps flexing as he did.

“Well, you stumbled into my room at 2:30 in the morning complaining you were bored.”

You grimaced.

“Then you collapsed in my bed and refused to leave. Which I didn’t mind, by the way. But then you complained that it was too hot and insisted on taking your clothes off. I barely stopped you from getting completely naked. You were on a mission.”

You groaned as he chuckled at the story.

“James, I’m so sorry.”

He waved a hand dismissively. “Don’t worry about it. We’ve all been there.”

“What? Mostly naked in our roommates bed?”

He snorted. “Yeah sure. Something like that.”

He gestured towards the coffee that sat on the bedside table and you took a sip, letting the warm drink sooth your aching throat.

“I’m sure you have a hell of a hangover,” he sympathised. “Why don’t you finish your coffee and then go and have a shower while I whip up some breakfast.”

You smiled up at him gently. “James, you don’t have to-“

“Stop apologising,” he cut you off. “I’m happy to. Besides, what are roommates for if not to make you meals?”

—

It was a while before you re-emerged, having showered and now wearing clothes that were your own. You weren’t bothered to dry your hair though. You resigned to let it drip down your back.

You trudged into the living area to see that the rest of the boys had beaten you there.

James was standing in the kitchen cooking what smelt suspiciously (and deliciously) like bacon.

Sirius was lounging on the sofa, half watching a random action movie that was playing on the TV, set to low volume.

You assumed that choice was made for the benefit of Remus who looked a wreck. He was sitting at the dining table, face down with his head resting on his arms.

An evil sense of satisfaction washed over you when you realised that he was nursing a hangover just as bad as your own.

“Well!” You made sure to exclaim loudly, smacking your hands down hard on the table as you took a seat across from Remus.

He flinched and groaned as he sat up, sending you an irritable look.

“Last night was fun.”

Sirius chuckled from his across the room. “For some of us more so than others.”

“Y/n definitely had fun,” James teased as he approached the table, placing a plate of bacon and eggs before you. You slapped him playfully on the arm as he walked away.

You glanced around the room as you began to eat, your brows furrowing when you noticed something odd out of the window.

“Guys, why’s the pot plant out on the balcony?”

“I’m airing it out,” Sirius said absent-mindedly. “Remus threw up in it last night.”

A delighted smirk overtook your features. “Did he now?”

The boy just groaned, thumping his head back down onto the table.

“Here mate,” James stated, placing a plate of food down beside his head. “Eat something, it’ll make you feel better.”

You had to admit, you did feel better after some food. And James was a bloody good cook.

Then, suddenly an idea flitted through your mind.

“Did anyone keep a copy of the tab from last night?”

“Yeah I’ve got it in my wallet, why?” James confirmed.

“Could I see it please?”

He placed the receipt in front of you on the table and you began to add up the drinks that you remembered yourself and Remus ordering.

“Aha!” You shouted after a moment, jumping up and walking around the table. Remus looked up at you, displeased.

“I beat you! Pay up!”

“What’s this?” Sirius questioned curiously.

“Remus bet me £20 that he could out drink me and I proved him wrong!” You exclaimed.

“Hey, don’t put this on me,” Remus muttered. “It was her idea.”

“It looks like you’ve been a bad influence on our poor Remus,” James teased.

“Yeah, he never usually drinks that much,” Sirius added.

You looked at him suspiciously. “Huh? Really? That was big game you talked last night.”

“Remus is all talk,” Sirius joked. “Deep down he’s really just a little softy.”

“Fuck off, all of you,” the boy groaned.

“Not until I get my £20!”

James barked out a laugh.

“Come on buddy,” he stated in Remus’ direction. “You heard the girl, pay up!”

—

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Another Ending - 4 | Bucky Barnes

Character: ex!Bucky Barnes x Female!Reader

Summary: It was supposed to be a short week watching over your niece, who loves romance books. She thought you were just a normal aunt, but it turns out you have secrets.

Tags: Spies, action, threat, offense, fight scene, violence, romance, comedy.

Chapter 1 , Chapter 2 , Chapter 3 , Chapter 4 , Chapter 5 , Chapter 6 ,-

Main Masterlist || If you enjoy my work, please consider buying me a coffee on Ko-fi 🙏🏻

Thank you to everyone who has read this chapter. Leave a comment and Reblog, please. I'd love to hear your thoughts. ❤️

Inside the cozy café, where the aroma of freshly brewed coffee mingles with the soft hum of chatter, Jill Krege sat at her usual spot near the window. The café was a revolving door of people, each bringing their unique quirks and stories, making it the perfect place to find inspiration for new characters. For a bestselling author like Jill, places like this were gold mines—at least, they usually were.

Today, however, was different. Despite the stream of customers, none sparked the creative flame she was hoping for. She sighed, disappointed, and began packing her belongings into her bag. Her latest novel, The Red Swan, had catapulted her to fame, and with that fame came the pressure to produce something just as captivating. Her agent was already pushing her for a new book, but inspiration was proving elusive.

Just as she was about to leave, a new group entered the café—a family, by the looks of it. A mother, a father, and their teenage daughter. Jill's eyes were immediately drawn to them. The mother had a cool, confident demeanor, and the father… something about him struck a chord. He reminded her of the male protagonist in The Red Swan. And the daughter? She seemed like an ordinary teenager, though her eyes were sharp, and observant.

As the daughter scanned the drinks menu, she glanced over at Jill, and their eyes met, her eyes lightened up like she recognized someone.

She must be a fan, Jill thought, instinctively straightening her posture and smoothing her hair. She reached into her bag, readying a pen for an autograph.

Lori turned to you both and whispered. “Why don’t you guys get drinks? I’ll give you the signal.”

Watching her stride confidently towards Jill, both you and Bucky felt a flicker of unease. “Did a 13-year-old just give us an order?” Bucky murmured.

“She’s perfect,” you replied with a smirk, clearly impressed by Lori’s nerve.

Bucky chuckled, squeezing your hand as you both walked toward the cashier. “So, what will it be, dear? I’ll take the usual—an iced Americano.”

You shot him a look, surprised by the sudden intimacy. Bucky leaned in closer, his breath warm against your ear. “We have to play the roles of mom and dad, right?” he whispered, a playful wink following his words.

Rolling your eyes, you turned to the cashier. “Two iced Americanos and one matcha latte, please,” you said. Then, glancing at him, you added, “A real married couple would stop acting so lovey-dovey.”

While waiting for the drinks, you both stood in silence. “I noticed you never mentioned Lori's father,” Bucky remarked, remembering that Lori had mentioned her father, but you had never brought him up.

“He died,” you answered, your voice subdued. Lori's father had passed away several years ago from stomach cancer. Your sister had become obsessed with creating healthy food in hopes of helping him. Though he managed to maintain his weight and appearance, the cancer cells never stopped, and eventually, they took his life.

In the wake of his death, your sister became even more fervent about spreading healthy eating habits. Lori, on the other hand, had been very quiet after her father's death. To cope with her grief, she had turned to reading books, finding solace in them. You knew that was her way of escaping.

She used to be a quiet girl like you, but after her father died, she began to change. She became more like him—cheerful, funny, and with a love for singing.

Bucky was taken aback. With Lori’s cheerful demeanor, he had never imagined she had experienced such pain. Now, he felt a pang of sympathy for her.

Meanwhile, Lori approached Jill cautiously, her steps deliberate. She paused before speaking, her voice small and nervous. “Hello, Miss Jill?”

Jill’s smile widened as she turned to face the young fan. “Hello to you too.”

Any pretense of Lori’s role melted away as her inner fangirl took over. “I’m your biggest fan! I really love this book!” She held up a copy of The Red Swan with gleaming eyes. “Can I get your autograph and maybe a picture with you? But only if it’s okay.”

Jill’s heart warmed at the polite request. Fans like Lori were the reason she loved what she did. “Of course!” she said, signing the book and preparing for a photo.

Lori suddenly looked around, feigning surprise. “Oh no, my phone’s with my dad!” She waved you and Bucky over. “Mom, Dad! Come here!”

That’s the signal, you thought as you and Bucky made your way to Lori. The two of you snapped a few photos, with Lori grinning from ear to ear.

“Mom, let’s take a picture together!” Lori suggested, her voice dropping to a whisper as she turned to Jill. “My mom won’t admit it, but she loves your book too.”

Jill nodded, finding the idea charming, and invited you to join in. You played along, acting bashful as you handed the phone to Bucky.

Now, it was you, Lori, and Jill posing together.

“One, two, three, say Tchaikovsky!” Bucky announced with a grin.

You and Lori smiled brightly, both saying “Tchaikovsky!” in unison.

But Jill didn’t. The color drained from her face as she heard the name. Tchaikovsky. No one ever mentioned that name, not in her circles, not even in passing.

It wasn’t a name associated with classical music for her—it was tied to something far more sinister, something only she and a select few knew about. It was the name of a mission, a report she had read, and a man she never wanted to cross paths with again.

Jill froze, her mind racing. How do they know?

Your eyes narrowed as you saw her reaction. It was all the confirmation you needed. The name was a gamble—a code word that only someone with knowledge of the mission would recognize. And Jill’s reaction was telling.

You leaned in close, your voice a whisper that barely reached her ears. “If you want to live, follow us.”

Jill nodded, her hands trembling as she hurriedly gathered her belongings and followed you out of the café.

As you made your way to the car, you and Bucky exchanged a glance. Both of you noticed the black sedans idling near the café, their drivers watching you intently. The hairs on the back of your neck stood up. You weren’t safe yet.

“Get in, quick,” Bucky urged as the four of you piled into the car. He floored the gas, pulling away from the curb just as the sedans roared to life, tires screeching as they gave chase.

Jill clutched her bag tightly, her eyes wide with fear as she glanced back at the cars gaining on you. “Who are they?” she whispered, her voice shaking.

“Not the kind of people you want to meet,” you replied, your tone grim as you kept your eyes on the road ahead.

The chase intensified, with Bucky weaving through traffic, narrowly avoiding collisions as he tried to lose the tail. You kept a close watch on the side mirrors, searching for any sign of an opportunity to shake them off.

Finally, as you approached a busy intersection, Bucky made a sharp turn, diving into a narrow alleyway just as the traffic light turned red. The sedans were forced to a stop, unable to follow.

Bucky didn’t slow down until you were several blocks away, the sound of sirens fading into the distance. Only then did he exhale, glancing at you with a look of relief. “We lost them. For now.”

Jill was still in shock, her mind racing to make sense of what had just happened. You turned to her, your expression serious. “We need to talk. And you’re going to tell us everything.”

🥀🥀🥀🥀🥀🥀

In a secluded, dimly lit room, the atmosphere was thick with tension. Jill Krege sat tied to a wooden chair, her hands bound behind her back. The only sound was the faint creak of the old floorboards beneath her feet. Her eyes darted around nervously, landing on the door where you and Bucky stood, your expressions unreadable.

Lori was safely out of sight, back in the car, just as you insisted. This could go bad quickly, and you couldn’t risk her being involved.

“Now, Miss Jill,” Bucky began, his voice low and controlled, “tell us. How do you know about the Red Swan mission? Are you with the agency?”

Jill’s head snapped up, panic flashing in her eyes. “No,” she stammered, shaking her head vigorously. She glanced between you and Bucky, her gaze dropping to the floor as she mumbled, “I’m sorry. Did he send you here for royalties? I’ll prepare the payment as soon as I can.”

Both you and Bucky exchanged a look of surprise. “He?” you questioned, your tone sharp.

Jill hesitated, too terrified to continue. Her hands trembled, the ropes binding her wrists biting into her skin.

“Please, believe me,” she pleaded, her voice cracking. “I had no idea the story would blow up like this. I’m just a failed writer who took another job as a nurse at a nursing home. I changed all the names to make sure they didn’t match the reports.”

Bucky’s eyebrows shot up. “Make changes? The mission details, the routes, the street names, the hotel numbers, even the seats at the opera—they’re all the same. You’re a lazy author.”

Jill winced, guilt washing over her. She hadn’t had the money to pay for a fact-checker, and the publisher assured her it was fine. Nobody had ever complained—until today.

But then, a realization struck her, and she lifted her head, her eyes widening. “Wait a minute! Are you Agent Cipher?”

Her gaze shifted to you. “And you’re Agent Nightingale?”

A spark of excitement lit up her face, reminiscent of Lori’s fangirl energy. “Oh my God! Both of you are real! I can’t believe it!” She looked you and Bucky over, from head to toe, nodding as if something had clicked. “I can see why.”

Bucky sighed inwardly, feeling more exhausted than before. Another one, he thought. “For the last time, Miss Krege, who gave you the details of this mission?”

Jill’s excitement dimmed slightly as she answered, “It was Mr. Henry Tucci.”

Your eyes narrowed. “Is he bald, with scars on the back of his head, and only three fingers on his left hand?”

Jill’s eyes widened further. “Yes! There are scars on the back of his head, but he’s not bald anymore.”

That was all you needed to hear. The physical description matched perfectly. You knew who Henry Tucci really was—your former handler, Mr. Herb.

The one who still had access to those classified reports. Jill wasn’t a threat; she was just a nurse who had stumbled upon a treasure trove of secrets and turned them into a novel. But something still didn’t add up.

Why would Henry be so careless as to let someone like Jill get her hands on those reports?

“That’s all we need,” you said, your tone firm but not unkind. You pulled up a chair and began cutting the rope that bound her hands. “Thank you for your cooperation.”

Bucky leaned in close to Jill, his voice low and dangerous. “If a word about us gets out, you know what will happen, right?”

Jill nodded quickly, too frightened to speak.

“Where is this nursing home?” you asked, your eyes narrowing.

Jill scratched her head, hesitant. “At Legacy Residence Nursing Home. It’s not exactly a nursing home…”

“Explain,” you demanded.

“It’s a nursing home,” Jill began cautiously, “but it’s also like a prison for elders. Most of them are too old to be in a regular jail.”

You massaged your forehead, frustration mounting. This just got a whole lot more complicated.

“Let’s go,” you said to Bucky, turning on your heel and heading for the door.

“Wait, wait… I have questions!” Jill called after you, desperation creeping into her voice. “Can I interview you for my next book?”

“No,” you and Bucky replied in unison, not breaking stride.

“Please! Maybe I could give the characters a good ending,” Jill insisted.

Your footsteps faltered. “What happened to the ending?” you asked, a dangerous edge in your voice.

Jill hesitated, her excitement faltering under your glare. “Well… it’s a sad ending. The male character gets shot and falls off a cliff.”

You shot Bucky a look, both of you visibly tensing.

“But it could be an open ending,” Jill added quickly. “Look at you both now—you’re alive!”

“No,” you repeated, this time more forcefully.

Jill tried to follow you to the car, still pleading her case, but you and Bucky ignored her. Lori, however, couldn’t bear to see her idol so dejected. She rolled down the window as you approached.

“Miss Krege, I’m sorry,” Lori said, her voice small but sincere.

Jill spotted her and asked. “Are you their daughter?”

“Lori, don’t answer that,” you warned.

Jill reached into her bag and pulled out a card. “If you have any stories, please contact me. This is my private number.”

Lori’s eyes widened in disbelief. She had just gotten her idol’s number. “Yes, you can count on me!”

“Bye!” she called out as the car started to move.

Jill waved back, a mix of disappointment and excitement swirling within her. Today was her lucky day. Despite the danger, she had everything she needed for her next bestseller.

Seeing Jill’s figure shrink and eventually disappear from view, Lori adjusted her sitting position and asked, “So where are we going next?”

“To a nursing home. This time we need your acting skills again,” you replied.

Lori gave a salute gesture. “At your service, Sergeant!” Then she turned to Bucky. “Did I do a great job?”

Bucky glanced at her through the rearview mirror. Reaching back, he patted her head. “You did. I’m proud of you.”

When Lori heard that, she felt a lump in her throat. It had been a while since she’d heard those words or had someone pat her head. Bucky’s large hand reminded her of her father. She lowered her head, cleared her throat, and asked, “What do I need to do next?”

🥀🥀🥀🥀🥀🥀

At Legacy Residence Nursing Home, the atmosphere was far from the peaceful retirement community it might appear to be at first glance. This was no ordinary place where elders spent their twilight years in comfort. Instead, it was a luxurious prison, a haven for former criminals who were too powerful and wealthy to serve time in a regular jail.

The residents here were dangerous individuals, their pasts shrouded in secrecy, and though it was technically a prison, the price of admission ensured that their surroundings were lavish. Guards patrolled the grounds, and the security was tight, but family visits were almost unheard of.

Most of the criminals housed here had long since alienated any relatives, and their only visitors were usually lawyers managing their affairs.

So when you and Lori walked through the front doors, your presence caused quite a stir. The guards exchanged puzzled glances, and the receptionist at the front desk looked up in surprise as you approached.

“Hello,” you greeted her politely, keeping your voice calm and composed.

“Yes, ma'am. How can I help you?” the receptionist replied, her tone professional but tinged with curiosity.

You cleared your throat, mentally preparing yourself for the act you were about to put on. “Yes, uhm, I’d like to visit my father, Mr. Henry Tucci.”

The receptionist’s fingers flew over the keyboard, searching the system. “Uhm, Mr. Tucci doesn’t have any listed family.”

A wave of relief washed over you. He was here, and he was alive. You quickly composed yourself, shifting your expression to one of sadness and regret. “I’m sorry. Yes, it’s been a long time since I last saw my father. We… cut ties because of his job.”

The receptionist’s gaze softened, understanding flashing in her eyes. She was well aware of the type of people housed here, and it wasn’t hard to imagine a child distancing themselves from a criminal parent.

“And my daughter,” you continued, pulling Lori closer to your side, “she wants to meet her grandfather.”

Lori played her part flawlessly. She looked up at the receptionist with wide, innocent eyes, her lower lip quivering slightly as she clutched a piece of paper tightly in her hands.

The paper, folded neatly, had “Nice to meet you, Grandpa” scrawled on it in Lori’s careful handwriting. She glanced at the receptionist, her expression a perfect mix of hope and nervousness.

The sight of Lori’s apparent longing to meet her grandfather was enough to tug at anyone’s heartstrings. The receptionist’s resolve visibly softened, and she gave you both a sympathetic look. “No matter what, he’s still family, right?”

You nodded, your eyes shimmering with unshed tears, as you reached up to wipe them away with the tip of your finger. “Yes, exactly. Thank you so much for understanding.”

Moved by the emotion in the air, the receptionist handed you two guest necklaces. “I’ll let your father know about the surprise. He’ll be delighted to have his daughter and granddaughter visiting him.”

You accepted the necklaces with a grateful nod, giving her a tearful smile. “Thank you,” you murmured, holding onto Lori’s hand as you prepared to face what came next.

🥀🥀🥀🥀🥀🥀

You and Lori waited in the garden, a beautifully landscaped area that seemed more fitting for a high-end resort than a prison. The sun was shining, birds chirped in the distance, and the gentle breeze rustled the leaves of the meticulously maintained trees.

If it weren't for the discreetly placed guards and the subtle sense of tension in the air, it would be easy to forget that this was a place where some of the world's most dangerous criminals were confined.

Lori, ever the curious and bold teenager, was taking everything in with wide eyes. She wasn’t scared at all; in fact, you almost wished she were, if only to make her a bit more cautious.

Instead, she leaned closer to you, her voice barely above a whisper as she said, "Aunt, that guard over there is handsome. I could see his muscles from here. I wouldn’t mind staying in a place like this."

You couldn’t help but roll your eyes at her casual remark. "You’d have to be a criminal first. A threatening and powerful one at that."

Lori pondered this for a moment, her brow furrowing in mock seriousness. "Hmm… what should I do to qualify?"

Before you could reply, you heard a voice behind you, gravelly yet carrying a tone of amused resignation. “They thought I had dementia when I told them I don’t have a daughter or granddaughter.”

You turned to see Henry Tucci approaching. He was an older man in his seventies, his hair a silvery gray that matched the fine lines etched into his weathered face. He wore a pair of glasses that gave him a scholarly look, more like a retired professor than the feared handler he once was.

The years had softened his once intimidating presence, but there was still a sharpness in his eyes that hinted at the formidable man he used to be.

“I guess so. Otherwise, you wouldn’t have let your nurse read the ‘Red Swan’ project,” you replied, keeping your tone even, though the irritation was evident. “Did you forget to secure it properly?”

Henry raised an eyebrow, a smile playing on his lips. “So that’s why you’re here,” he said, his voice carrying a hint of satisfaction. “I remember that young nurse. She had quick hands. If the agency still existed, I would’ve hired her.”

As he spoke, his gaze shifted to Lori, who had been watching him with open curiosity. “You have a daughter?” he asked, a touch of surprise in his voice.

“My niece,” you clarified.

Lori, ever polite despite the strange circumstances, waved her hand. “Hello.”

Henry returned the gesture with a warm smile. “Hello, young lady.”

“Why did you bring your niece here?” he asked you.

“It was because of her that I found out about this,” you replied, pulling out a copy of The Red Swan from your bag. You held it up for Henry to see, the cover prominently displaying the book that had unintentionally exposed so many secrets.

Henry lit his cigar, letting the smoke curl lazily around him before he spoke again. “Ah, yes, that book.” His tone was dismissive but carried an undercurrent of grudging respect. "It’s quite the little troublemaker, isn’t it? Also, the most interesting mission the agency got."

You rolled your eyes and decided to keep the conversation light for now. “How many years did you get?”

Henry’s eyes twinkled with a dark amusement. “For life.”

“I can’t exactly feel sorry for you,” you said, glancing around the picturesque garden. “This place is like heaven.”

Henry lit a cigar, taking a deep inhale before speaking. “Try living here with killers, mafias, and corrupt officials for a few days. My hands itch to strangle their necks—”

You cleared your throat sharply, a pointed reminder of Lori’s presence. Henry caught himself, glancing at Lori before exhaling the smoke and growing more serious. “Where is he?”

“Who?” you asked, though you already knew.

“Your flame, your lover, the traitor,” Henry replied, his tone a mix of disdain and curiosity. Despite Bucky’s potential, Henry had always resented him. Bucky’s betrayal of the agency had been a personal slight.

You avoided his question, focusing on the pressing matter. “First, tell me why you let a civilian read the mission report,” you demanded. “And why was a writer chosen to care for you?”

Henry chuckled softly, tapping his fingers on the table as he considered his answer. “You’ve always had a sharp mind,” he said, a note of pride in his voice. “Yes, I chose her because of her background. And yes, I let her take the report.”

“Why?” you pressed, trying to make sense of his reckless actions.

“Because I’m bored,” Henry replied, his casual tone catching you off guard.

You leaned forward, anger simmering. “Because of you, everyone knows about the mission. And now, they’re chasing me and him.”

Henry’s expression remained unchanged, though a flicker of amusement or regret passed through his eyes. “Oh,” he responded, almost dismissively.

“I could make them stop,” Henry offered as if it were a trivial matter. His eyes glinted with a mix of challenge and opportunity. “As long as you can get me out of here.”

You crossed your arms, your eyes narrowing. “You planned this, didn’t you? You wanted us to come here, to get you out. You want to escape.”

Henry’s smile widened, confirming your suspicions. Jill’s success with the book had not been a mere coincidence; it was a carefully orchestrated plan by Henry himself. He had been pulling the strings from within his gilded cage, manipulating events from the confines of the nursing home.

The real motive behind his actions was far less straightforward than mere boredom. For Henry, it was akin to a twisted game of treasure hunting. He was driven by an intense curiosity, a desire to see which of his old connections would notice the hidden clues buried in the pages of The Red Swan.

What would happen next? Who would come looking? It was a way to inject a bit of excitement into his otherwise monotonous existence.

Over the year since the book’s release, he had watched with a mix of disappointment and impatience. There had been no significant fallout, no grand revelations—until today. But to be honest, he hadn’t anticipated that you, one of his top agents, would be the one to unravel his little game.

And even more surprising was the role of your niece in the discovery. The unexpected involvement of a teenager had added a layer of complexity he hadn’t counted on.

Henry leaned back in his chair, his gaze shifting between you and Lori. “You see, it was never just about the book or the chaos it created. It was about the challenge—testing the waters, seeing if anyone was sharp enough to pick up on the clues I’d planted.”

He chuckled softly, a glint of amusement in his eyes. “I didn’t expect you to come here. I didn’t expect a teenager to be the key to solving my little puzzle. But here you are, proving that even in a place like this, things can still get interesting.”

You stared at him, grappling with the realization that his manipulation had been far more intricate than you’d initially thought. His aim had been to create a ripple effect, to see who would react and how.

“I taught you well,” Henry admitted a hint of pride in his voice. “Now, where’s Bucky?”

You remained silent, giving him nothing.

Unfazed, Henry took another slow puff of his cigar. “I’m the agents’ handler. I know everyone’s real name.”

You stayed quiet, but he continued, undeterred. “He’s already preparing to get you out of here.”

Henry clapped his hands together, clearly pleased. “I knew I could count on you two.”

Lori, who had been listening intently, suddenly spoke up. “Wow… really mind-blowing!” She looked at Henry with wide-eyed admiration. “Sir, you’re a genius.”

Henry chuckled, clearly enjoying the compliment. “Hahaha… thank you, little girl.”

“Are you satisfied with what you’ve done?” you asked, your voice tight with frustration. You clenched your fist, the knuckles whitening as you tried to keep your anger in check.

"You're not exactly blameless yourself," Henry said, his voice carrying a hint of mockery. "You also betrayed the agency."

That was why you and Bucky had been chased—because the previous agency you worked for had also turned against you both.

You shot him a cold look. "It’s what we do."

Henry smirked. “Touché.”

Just then, a guard and the receptionist who had helped you and Lori enter the nursing home appeared. The guard announced, “Mr. Tucci, your visiting time is over.”

Henry rose from his seat and spread his arms, a crooked smile on his face. He looked at you and Lori expectantly, as if waiting for a family embrace. As you moved closer, he leaned in and whispered, "I’ll be expecting my ride. And don’t forget, you owe me."

“What do you mean?” you asked, narrowing your eyes.

Henry’s grin widened. “Without this book, you and Bucky wouldn’t have ended up together.”

Lori, her face lit up with a bright smile, chimed in, “He’s right!” She and Henry shared a laugh, the camaraderie between them almost palpable. Meanwhile, you managed only a tight strained smile.

To the guard and receptionist, it looked like a touching family reunion. In reality, you were itching to punch this old man in the face. You forced a smile, though the tension in your shoulders betrayed your true feelings.

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Author Note: Hey friends,

If you enjoy my work, please consider buying me a coffee on Ko-fi 🙏🏻

Thanks a bunch for being fabulous followers!

[crystallizedtwilight]

🎃 LSBC Questions: Part 20! 🎃

Lock, Shock, Barrel, and Calliope questions that call for quick answers will be under the cut in batches of 10-15 🧡

Previous bulk questions batch

She wants to adopt every dog she meets honestly 🥹

If Oogie was in a gambling mood it usually wasn't a good thing.

Something equal parts dangerous and hilarious apparently! [x]

They already have their skincare routines down!

There's a couple of those in the lb tag 😚 Barrel is very romantic and Lock loves to be showered with affection as long as it's in private.

Thank you! And yes! They do prank each other on occasion. Gotta keep each other sharp! [1] [2] [3]

He did at first (and was too "cool" to tell anyone) but now he's an expert at capturing them.

Mike Cachuela, who helped design the trio, stated how he spoke with Henry Selik, the director of the movie, about who the trio could be. The initial concept was that that they were tasked with keeping Oogie Boogie imprisoned and feeding him bugs. However, this concept was later changed so the trio would be Oogie's henchmen instead.

No, all three of them love their natural hair colors! (Which, lucky, I've been dying my own hair for 10 years lol)

She gets up, makes herself some tea, and reads her potion book to clear her mind. If that's not enough, she'll go for a flight.

No. I'm aware he returns in several spinoffs—Oogie's Revenge, Kingdom Hearts II, one of the novels—but this AU uses the movie as the sole source material. Resurrecting Oogie is an easy way to reintroduce peril and doesn't require writers to explore who the trio are without him. That separation, freedom, happiness, and concept of the trio stepping into their own identities is exactly what I want to explore!

(Zero's Journey is my favorite tnbc book because the trio are shown carrying on happily without Oogie for once and I love that!)

❗️[SENSITIVE: TOPICS OF ABUSE]

The trio state that they believe they will be harmed for failure / displeasing Oogie across multiple media:

____

"We can't say, the boss'll whomp us if we do!" (whomp, verb: to strike heavily) - Lock [source: game, The Pumpkin King]

The trio tremble visibly at Oogie's feet, holding onto each other as he reveals his plans. [source: game, Kingdom Hearts I]

In an interview Stephen mentions that, out of the three of them, Oogie might be meanest towards Lock or treat him the worst. [source: Stephen Buckley, one of the main animators on the movie, The Nightmare Before Christmas]

"If I were on his Boogie list, I'd get out of town." / "We do our best to please him and stay on his good side." - Lock, Shock [source: movie, The Nightmare Before Christmas]

"Jack will beat us black and green." - Lock, Shock [source: movie, The Nightmare Before Christmas] Through Jack has never shown himself to be physically violent, the trio assume all authority figures show their displeasure in this way.

"Don't hurt us, Jack! She's with Oogie!" - Lock [source: game, The Pumpkin King]

"'Stead of treated we get tricked. 'Stead of kisses we get kicked!" [source: stage performance, 2003 Disneyland "Haunted Mansion Holiday" wherein the trio perform an excerpt of "Hard Knock Life"]

"Looks like my no-good henchmen thought they'd cool their heels in Halloween Town 'stead of helpin' the boss man do his job...well, I can decide which of 'em I want to eat later." - Oogie Boogie [source: game, Disney Magic Kingdoms]

The camera pans out, displaying the masks of several previously devoured trick-or-treaters on the treehouse walls. None of these fit the trio's faces, revealing that Oogie has eaten several children in the past. [source: movie, The Nightmare Before Christmas]

[224bbaker]

So, hypothetically speaking, if someone had never been interested in Sherlock Holmes before but wanted to get into it because of Fawx & Stallion... Where should they start?

Oh my GOD, anon, so upset we didn't see this until now because what a great question and also, our show inspiring someone to go check out Sherlock Holmes?? Deeply upsetting for our characters but SO exciting for us!

Hopefully since you sent this you've just dived in to the stories--because, honestly, that's how both of our writers got into them as kids, and also because despite what roughly 40 contradicting scholars will try to tell you, the timeline is nonsense and Watson's continuity doesn't make sense (we have made our own peace with this and addressed it in-universe because we didn't want to go on deep-dives to decide what puns we were allowed to use for the place we're at in the timeline it's fine, we're fine).

However, just a quick sidebar before we jump into The Stories--if you would rather start with an adaptation than the original ACD stories themselves, there are two options we'd recommend as starting points that are pretty true to canon while remaining engaging in and of themselves:

The Granada TV series with Jeremy Brett and David Burke/Edward Hardwicke: It rules, and most of it's on YouTube! Highly recommend their Solitary Cyclist, Speckled Band, Scandal in Bohemia, and Blue Carbuncle (we may be biased towards the early, David-Burke-Watson entries). These actors and sets are what we picture when we read Holmes.

For an audio adaptation, the 1989 Bert Coules radio adaptation, which you can get for a single credit on Audible in full and has basically the whole canon! Incredible dramatization work that preserves the stories and really deepens the character work in a way that we're obsessed with. Big fans!

If you're liking the vibe of these, you'll probably like the stories themselves! In which case, there are also awesome online book clubs like Letters from Watson that have great communities here on Tumblr (just peruse the tag, it's super fun!), and also over on Discord.

SO. If you're still here and looking for our direction on the stories:

If you just want to start with what is/will be relevant to Fawx & Stallion, we recommend:

Our goal is that our audience doesn't NEED to have read any Sherlock Holmes to understand anything in F&S. We'll hopefully lay things out or give context clues. However, we do have little jokes for the fans, and in season 2, some subtext may be a bit clearer, or have a bit more weight, if you've read some of the stories.

A Study In Scarlet: I know, I know I know I know, Holmes fans, the Utah Mormon stuff, I get it, BUT. Holmes and Watson meet in this one, and it's incredible. The first few chapters of them meeting, starting to live together, going from roommates with a mutual fascination to, through Watson's unintentional insult of Holmes's writing and a fateful invitation to a crime scene, actual friends, are electric. It's a crime (pun intended) that we have so few dramatizations of this in the canon era (we're trying to fix that), we love it so so much. Sacrilege, but, wikipedia the stuff in the middle, enjoy the fantastic meet cute that bookends the thing.

Hound of the Baskervilles: Happening during the events of Fawx & Stallion season 1. I don't need to tell you this one is a banger, we all know this. Less Holmes content than you expect, but a GREAT setting, mood, and roster of suspects, and a thrilling, well-paced mystery with some great Watson.

The Final Problem: Occurs right before the events of season 2, and though you again don't need to have read it, some stuff might hit better if you have, particularly in the back half of the season. High recommend. On the same note, The Beryl Coronet is also mentioned a few times, which is the case right before this one.

Ok, with that out of the way, we highly recommend:

The "Jump Around To Whatever Short Story or Novel Sounds Cool" Approach

This is the move, in my opinion. As I've said before, the timelines are nonsense, you CAN try to get into the weeds of continuity as we have and there is delightful madness to that, but would I recommend it as an intro? No. They're short stories! They're serialized! Treat it like a TBS rerun series at 1 AM and just pick one that is on/sounds cool!

Now, if you want our PREFERENCE? There are different genres of Holmes mysteries, different types of mysteries for different preferences, but we're going to recommend one particular sub-genre of Holmes mysteries that we find particularly fun/unique: The "It's Not Necessarily A Crime Yet But the Vibes Are There" Mystery.

We love these. They're the best. Not depressing or gruesome off the bat, usually starting with some whimsy at Baker Street, these stories usually begin with a client coming to Holmes and the following interaction happens

CLIENT: Um, hi. Honestly it's pretty silly that i'm even here. It's probably just a Weird Thing, you probably don't-- HOLMES: No no no please tell me I love Weird Things. CLIENT: Ok. Well. My boss/guardian/brother/[insert-person-who-has-power-over-them] has been doing this Thing where he [insert extremely weird thing that again, is not a Crime, but the vibes are there]. It's kinda weird. HOLMES: Yeah, super fucking weird. CLIENT: I know! But it's not a crime, so I don't know, you're probably not interested, I'm just a [not rich not male not high class not privileged identity] so there's really no point in checking that out-- HOLMES: No girl (gn), we are DEFINITELY checking that shit out there's a crime in there somewhere and we're gonna find it!

And we're off! If this sounds interesting to you (and it SHOULD), check out: The Solitary Cyclist, The Red Headed League, The Copper Beeches, The Greek Interpreter, The Speckled Band, The Stockbroker's Clerk, The Musgrave Ritual, The Resident Patient, and honestly probably some others we're missing because it's REALLY common.

Other fun Holmes bangers:

Holmes overworks himself and Watson takes him to the country to rest, only to solve ANOTHER FUCKING MYSTERY: The Reigate Squires

The Christmas One!: The Blue Carbuncle

The Dancing Men: I don't have a fun little thing for this one it's just a banger and the Granada Adaptation rules!

The One Where Sherlock Holmes does NOT fall in love with Irene Adler but does get completely owned because 1) he thinks women don't get up early, and 2) he wanted to have a sleepover with Watson: A Scandal in Bohemia

There are a ton, and hopefully you'll find one that you like and just jump in!

[gazorninplat]

As much as I love Disco Elysium, I think I was not prepared for Sacred and Terrible Air. Of course, I was expecting to know more about the world of Elysium as a whole, and Robert Kurvitz is a very good writer, but the thesis of the novel (and how it makes its points) flash-banged me.

Disco Elysium this is not, and it wasn’t supposed to be, but I think I can understand better now what the team at ZA/UM was getting at with this specific setting, and these specific narrative angles. Kinda messy, because it’s been a week since I finished it, but here are some things I’d like to highlight: 

1. The pedophilia. I surely wasn’t expecting this to be such a central theme of the novel, but a lot of its main points revolve around it. The most interesting use of this, as a narrative device, is how the girlfriend of Jesper basically accuses him of being a pedophile because he cannot relate to the adults around him. He’s still obsessed with a girl he met when he was 13 years old, and fetishizes a scrunchie he stole from her bag two decades ago. Yeah, I guess Jesper, well into his thirties, is still in love with a 13 year old girl. His girlfriend is almost half his age, and they started dating when she was 15 years old and a lingerie model (!). Zigi mentions how pedophilia was a bougie disease, and well… That idea went right into my thought cabinet (I call it “Bougie Babies for Sale).

Still processing it.

Now, let’s go back to the rest of the main characters. With all this in mind, a pedophilic overtone covers their interest in these four missing girls, but Jasper is the only one who acts on it, sort of. Khan remains in a sort of arrested development (he still uses a shirt he had when he was 13), foregoing normal adult relationships, and Tereesz joins the police as an investigator with the idea of still finding them some day (essentially letting these eternally prepubescent girls define his entire existence), leading him to a very dark path. I wonder if the brutality they afford to the “actual” pedophiles in the story (Vidkun Hird and the Linoleum Salesman) comes from the realization that they are not that different?

2. Obviously, though, this fetishization of the Lund sisters is also a fetishization of the past. The novel states it in the first few pages; they disappeared twenty years ago, in a time that most conservative people remember as the “good old days”. Basically their version of the American Fifties. Now, being obsessed with the past is a running theme in both SaTA and DE, but the angle here is different.

I already said it: the past is not remembered, is fetishized with an almost sexual yearning by a lot of the male characters of the book. They want to be consumed by it (and lucky them! It will) and do nothing more than serve it. It reminds me of a poem by Yamil Nardil Sadek, which, translated to the best of my ability, goes like: 

She awaits me

sitting on the bed,

wearing leather,

and armed to the teeth,

the Memory.

Yeah, that sums up Sacred and Terrible Air pretty well. Everyone is being consumed by the past, bite by bite, and enjoying it. Vidkun Hird, by the mythologized version of his tribe’s history; Sarjan Ambartsumjan, by a miniature ship model that requires constant, devoted thought or else it will disappear, the three main characters by the memory of that summer with the Lund girls. Even the Linoleum Salesman is being haunted and consumed, of sorts, by his sickness and dementia that only sometimes let him take a peek of the past. Beyond that, there are very few characters that do not spend time being followed by relentless ghosts. Literally, in the case of Zigi. Which brings me to…

3. The Pale. It was a really cool concept in Disco Elysium, and it’s an existential nightmare in Sacred and Terrible Air. It always was, really. But here it lets you take a look into it in a way that’s applicable in real life. The Pale is a metaphor for many things, but actually for a single one: A world where our current Capitalist reality facilitates both apathy and yearning for better days, often idealized in our collective pasts.

My favorite scene, one that was incredibly puzzling but so obvious in retrospect, is a beautiful speech by the ghost (?) of Ignus Nilsen to Zigi. I will just paste it here:

“I said terrible things, yes! I stood on a white horse, in a blizzard, and gave speeches. In the mountains, on the construction site… I swung my sword, with silver sunbeams on the hilt. And all around me fluttered white flags, crests of crowned horns made with silver thread, a pentagon between the prongs of the horns, the branches raised to heaven. Everyone who came here with me became happy, Zigi! Communism is powerful! Believe in Communism, it’s a burst of enthusiasm! I promise! It’s beautiful when you believe in a person, but without it…!”

“Without it, there is nothing.”

“Nothing. It was a blizzard, but it was bright, it was morning. Communism is white, it sparkles! Communism is the morning, it is a jubilation!” 

The Pale begins to recede dangerously around the entroponaut.

The fucking Pale recedes with talk of Communism! At first it might appear a little heavy handed (yeah, Communism, by itself, could save the world). But then I got into how Communism could be a solution to the antipathy and chronic nostalgia that sustain Capitalism, and then it hit me. Nilsen, a literal ghost from the past, is talking about a future that could have been. That he wanted to accomplish. That people, probably, can still achieve. The Pale is not eternal, it can be pushed back. Because the Pale seems to subsist on the past, it abhors any talk of the future. A better future. That’s how we solve things, and for a central thesis, is not bad at all.

With that being said, and because I’m just rambling here while pretending I’m working, there are also some things that I just didn’t understand, but maybe it was because of the translation. The original novel is written in a very poetic style, and some of that is still here, but I still need to untangle…

1. The Man. It is said that the day the Lund girls disappeared, they were joined by a mysterious Man that nobody seemed to remember correctly. A character even suspects that she was remembering wrong. Now, the Pale erases people and memories retroactively, so maybe it had something to do with it, but… Who was that? Is there any theory about that Man, or I just missed something? Some scenes and narrations were tough to parse for me (my primary language is not English).

2. Was Malin Lund pregnant? That flash with the fetus was sudden and weird.

3. What was the significance of the three meat piroshkis? They mention that it was unusual that the girls bought them (and if you do the math, you can realize early on that they were not planning to get back home. That purchase didn’t leave them enough money for the bus fare back), but that’s it. Were they for the Man? Also, the narration mentions that Lund girls’ picnic basket contained “the kind of things girls like to eat”, so maybe they were planning to see the boys and bring them the kind of things boys eat? I’m overthinking that? The chapter actually titled “Three Meat Piroshkis” just left me even more confused.

4. I don’t understand how Khan’s pen works at all. The one he brought to the school reunion. That was the part I re-read the most. Anyway, even with that, I loved Sacred and Terrible Air. Definitely one of the most enthralling reads I had, with or without the background of Disco Elysium. I’d still like an official translation that could potentially solve the issues I had, but for now, a Top 10 Book for me.

Go for it now.

[steddielations]

Flight of Icarus lore dump part 2:

Part 1 | Character List

- Wayne has a green thumb. He reads Gardener’s Weekly magazine. It doesn’t say what he grows, but it says he buys vegetables from the store so I’m going to say that gruff old man Wayne has the prettiest petunias in the whole trailer park.

- Eddie sneaks into the Hawk with his best friend Ronnie to watch action movies and thinks Snake Plissken, Han Solo and Conan the Barbarian are cool.

- Eddie talks for hours about the intricacies of Elven politics in Tolkien.

- Eddie read comics as a kid and hid them all over the house "like a little squirrel" under the bed, behind the nightstand, under the rug. Wayne found his Uncanny X-Men in the freezer between stacks of tv dinners. Also, "Hellfire Club" comes from these X-Men comics.

- Floor time! There's a part where Eddie is literally just lying on his back on his bedroom floor counting down from a million. When Wayne comes home, Eddie army crawls on his belly to the doorway to see him.

- Eddie reads Gormenghast paperbacks, gothic fantasy novels. It mentions that Wayne saved them from the house fire along with Eddie’s guitar. It never says how/when Eddie originally got his guitar.

- Eddie says lots of cc’s original songs have D&D references. It's implied that he writes them. One is called “Fire Shroud” after a spell

- Eddie is called Freak King at school and Munson Junior or just Junior around town and he hates all of it

- Eddie talks about having anxiety a lot and it's implied he has had panic attacks in the past

- Eddie is the lead singer and guitarist of cc. He started the band with Ronnie specifically because it was required to participate in the school talent show.

- Neither Wayne or Al graduated high school. When Eddie (temporarily) drops out, Al celebrates.

- Eddie doesn't cook. He doesn't even own a spatula. The smell of cooking in their house actually shocks him and gives him a deep longing for family meals, which Al uses to manipulate him

- Eddie jokes about being into Saturday Night Fever and strikes the pose a couple times.

- Eddie knows how to hotwire and how to pick locks. Al taught him this at the age of ten. Eddie is "disgusted" with himself any time he does either of those things.

- Eddie "drives like a monster" when he's upset about something.

- Eddie smokes cigarettes occasionally. Weed is mentioned a lot in the book but it never says anything about Eddie smoking it or doing any drugs. He either doesn't smoke much or he hasn't tried anything yet in the book. Also, he’s just now meeting Rick. But It’s pretty clear after everything he went through why he would start

- There's lots of mentions of PBR and Bud Light. Though Eddie says he doesn't like to drink after his shifts at the Hideout (where he's a barback). He mostly drinks off-brand Big Buy soda in the book (he calls it "pop")

- Eddie's parents were married on March 12th, 1966. The date is inscribed on the bottle of their wedding wine. Eddie asks what kind it is and Al says they only had 'red or white' kind of money

- Al breaks out the wedding wine (to manipulate Eddie, you guessed it) it's red wine and Eddie really, really likes it

- Eddie went to War Zone with his dad for supplies for the truck heist (spike strips, coveralls, etc)

- Eddie's band played Exciter by Judas Priest at the talent show. The song was only approved because they emphasized the "priest"

- There was another (?) talent show in Winter of 1981 where Eddie's band played "Prowler" and they were kicked off stage halfway through because the song was considered Satanic, and the PTA visited all their parents for trying to convert everyone to Satanism.

- Eddie imagines hitting his dad twice. Once with a glass bottle and once with a metal wrench. (He should've- oops who said that)

- The only hug Eddie gets in the book is when his dad first comes back, Eddie knows it's the first step in his cycle of showing up, using Eddie and leaving, but Eddie still accepts the hug and feels guilty for enjoying it.

- It's implied Eddie gets close to tears a couple times in the book, but the only time they actually spring up is when his mom's favorite song (from Muddy Waters) comes on in the truck radio while Eddie is doing the heist with his dad and feeling awful about it. Eddie has several flashbacks of dancing with her to this song, it seems like his happiest memory that he always returns to.

- Whenever Eddie is doing what his dad wants (hotwiring, charming a person into their plans) he puts on what he calls his "best Al Munson smile" and he's terrified that it will eventually take over his whole face. There's a part at the end where Eddie is sitting in a jail cell and says "All I want to do is tear my face off. If a new one grows in it's place, maybe it'll make me a different person. Someone who isn't such a complete fuckup."

[slayingfiction]

How I push through writing when I don't feel like writing.

Here are some of the techniques that I use to help me write more often or more consistantly when my laziness/depression/anxiety starts to take over.

I watch TV. I don't do it with the purpose of zoning out though. I watch something popular and well-liked such as the LOR or Harry Potter to get new ideas on how I can develop my story and apply their in-depth world-building ideas to help develop mine. Without plagarizing of course!!!!

Zoning out and daydreaming. As I have mentionned before, daydreaming is a huge part of my story outlining and world-building process. I'll stand in the shower, or take a walk and think about how my charcaters would act/react/behave in situations, mundane or not. Doing this gives me a better sense of my characters, and sometimes gives me ideas for scenes I use later on.

Work on writing related projects. These work well at keeping me distracted while still being productive on my writing goals. Example, I have one story I am working now, I made a new language (alphabet and numbers included) to include as a cool and fun component for the book. So, at times when I don't wan't to write, I continue creating the dictionary (very fun, 8/10 would recommend). Also, for the same book, my characters don't work off the Georigian calendar and 24 hour clock, so I've been working at creating a new calendar (harder than it seems, 2.5/10 dont recommend). These are side projects that help my story, without having to write.

Reading. You saw this one coming, I know. Reading is great, especially when you're editing, your writing style will unconsciously change to be more similar the author you were just reading. Also, most importantly, I'll be reading and think, "this story is really good, but you know what story I like even better? Mine." then change to writing.

This one is my biggest life saver!! I learnt about a year ago that sometimes I'll get bored of writing a story, and have difficulty keeping on track. That's why I finished my first book in 2016 and just started editing the first draft last week. The solution for me was to work on multiple projects at once, because it was much harder to be bored of multiple stories. I stick to 2, but will sometimes add a third. This is easy for me, because I have a list of over a dozen series I want to write. Don't abandon one project for another, use them as a distraction/ motivation for each other, so you're always furthering at least one project. I've never heard someone say, "oh no, i accidentally worked on this other writing project for three months instead of the other writing project I was doing. Dammit." No, we're just happy we have written something. Be sure to have well outlined story lines before starting, don't just start writing randomly or you'll reach a point where you don't know where to go from there.

Author/ writer projects. Maybe this is building a following, or community to share your projects and engage with. Tumblr, Insta, Reddit, whatever it is. My hope this year is to start up my website to offer publishing services (editing, graphic design, short writing courses) and build a following as a writer. (See what I did there? Never a bad time to self-promote ;) ) Having your own projects like this will help you in the future when you're going to try to publish and sell your books!

Talk with friends and a writing community. Never underestimate the passion that will burn inside you when talking about your story, or when others are talking about theirs. Surrounding yourself with a positive writing community can be the best thing for you as a writer.

Write or read (your story) every day. I'm not going to be one of those people that say you need to write 1000 words a day, that's a lot. But maybe try for 100? That could maybe only take 5 minutes, and at the end of the year that's still over 36 thousand words of a novel. Or just read your story, and I've always found it helped me get in the creative mood.

Make a playlist of songs that remind you of your characters, your story, or just puts you in the mood to write. Then play it ONLY when you're having trouble writing. Playing it while writing will not help, you'll get annoyed with the songs.

Just really can't do it today? That's okay, take a break. You deserve it. There's always tomorrow.

Does anyone else have ways they push themselves to keep writing? Let us know in the comments!

Happy Writing!

[rewh0re]

— LOVE, TENDERLY ; ITOSHI RIN

-1.2k, hurt/comfort, fight with parents mentioned, reader wants to pursue a literary career, insecurities and second guessing about choices in life, crying reader and gentle rin

a/n- I saw a reel on insta where the bf was wiping his gf's mascara and it was so cute that I was fuelled to write this. I'm literally writing after 2 months so pls spare me. Also I love rin. REBLOGS + INTERACTIONS ARE HIGHLY APPRECIATED!!

you could always count on your lover to support your decisions. Rin was your biggest admirer, he was all you could ask for and more.

When the doorbell of his apartment rang approximately at around 10:41 in the night, Rin scrunched up his eyebrows in confusion.

He was not expecting anyone this late. He looked up at the door in suspicion when the doorbell rang again.

Taking his reading glasses off and putting his book down on the coffee table, he uttered a 'coming' before walking off to open the door.

His eyes widened in shock, concern and a little bit of fear at what he saw.

There you were, standing on the other side, arms wrapped around yourself as you sniffled. You were supposed to be at a family dinner. But you were standing in front of him, mascara and eyeliner running down your very glossy and very red eyes, staining your cheeks black.

The sight in front of him, made Rin's heart drop as a sense of unpleasantness and worry consumed him whole.

"Hi," you croaked out, wiping the fresh tear that streamed down your face which  in turn smudged the black makeup residues.

"I'm sorry, I..I just didn't know where to go. I didn't want to be alone. Can I come in?" Your arms tightened around yourself as you looked at him hopefully.

Your words broke his chain of thoughts as he pulled you inside and locked his door.

He sat you down on the sofa and gave you some water which you gratefully drank. You didn't quite realise how scratchy and dry your throat had been until you drank the water.

"Thank you," you offered him a gentle smile.

"Wait here," with that he seemed to disappear somewhere only coming back with a packet of wet wipes.

He sat down and took your face in his hands, inspecting it thoroughly before taking out a wet wipe.

"Dinner went south? Mhm?" He asked, voice gentle like the cool breeze of an autumn's day. It soothed you a bit.

"Yea..." You replied in a murmur, feeling the damp wipe against your already tear dampened face.

Rin's hands worked skillfully as he gently wiped off the runny mascara from around your eyes and cheeks. There was a shared silence between you two that was comfortable, welcomed even.

"I want you to look up for me," he said and you obliged. "Want to tell me what happened?"

"Got into a fight with my mum. She said stuff about me trying to pursue a literary career," you felt your chest tighten as the earlier fight with your mum, who you thought would support your decisions, replayed in your brain.

Rin only hummed, urging you to continue as he slowly went to wipe the other side of your face.

"She said it's not a promising career, would not sustain my life and who knows if it could work out. She said it's better as a hobby, something that I do in my free time. She's so sure I'll fail Rin, I'm scared," your voice broke as a fresh stream of tears fell down your eyes. You bit your lip to suppress any sound from coming out.

"I was so sure that I wanted to do this and now...now I'm second guessing. I mean, what am I even doing with my life? What if she's correct and nothing works out?" You inhaled, exhaling shakily from your mouth. Your breaths were heavy and Rin was livid that someone could break you this badly.

He remembered all the days and nights you spent working on your unfinished debut novel draft, scraping, editing and doing it all over again till you believed it to be perfect. He was there through your writing blocks and how you felt helpless when it happened. He would read your work for you, smiling at you proudly because that's what he was. He was always so proud of you. He always provided you with comfort whenever you needed it. You need it now more than ever.

He kept the wipe down as he finished removing your makeup and wiped away your tears with his hands. He rested his hand on your cheek then. Calloused as they were due to years of football training, they blossomed in you a feeling of solace. A much needed one. You closed your eyes, leaning into his hands as you took it in.

"I think you are wonderful," he rubbed his thumb against your cheek in a comforting motion.

"I think you're wonderful and absolutely brilliant at what you do. Your writing is splendid y/n and never ever let anyone make you think or feel otherwise," you let out a breathy laugh at his words as you opened your eyes to look at him.

"Oh no no don't laugh. I'm dead serious right now," and he was. He was absolutely focussed on your face and he spoke from his heart, with all his heart.

"You have a way with words and you execute them brilliantly. As far as not knowing if it will work out goes, really, of how many things are we absolutely sure about? Life is unpredictable. What if it does work out? That's a fair possibility isn't it?" He tilted his head as he smiled at you, bringing a small smile to your own lips. You didn't even notice but your sniffling and your tears had stopped.

"I know that but it's just so aggravating you know? She just gave me this reality check. She said everything I sometimes feel so insecure about like I don't know, voicing out my worst fears or something," you sighed as you flopped back on the sofa pillow sighing.

"Tell me about having a shitty family," he pushed back his fringes — which messily fell over his eyes again — as he fell beside you, putting his legs up on the coffee table.

"Tell me something Rin," you rested your head against his shoulder, snuggling against his muscular body, his arms engulfing your figure and bringing you closer.

"How do I know everything will be worth it?"

"You don't and that's the beauty of it," he looked down at your face, placing a kiss on your temple.

"You know I never knew if football would be right for me. I knew I was skilled but there were these thoughts in the crevices of my mind that would crawl up to the surface sometimes and I would worry. It took practice, a whole lot of shaping and belief."

"You have to believe in yourself. You have to believe in your dreams. Keep writing, no matter who says what, no matter what happens. You are skilled, you are smart and you have so much potential. Sometimes the thoughts will crawl up but you've got to push them down okay? And when you're the biggest author out there with bestseller books and millions of fans around the world, remember I was your first fan. Also, always your biggest one," He placed another kiss on your forehead as you were left in awe of the words he spoke. You could only grin at his softly smiling visage.

"What?" He whispered.

"I never knew you had a way with words," you took his face in your hands, looking up at him with adoration and love.

He mimicked the look on your face as he slowly wrapped his hand around your wrist, leaving a chaste kiss on your fingers.

"Eh. I try. Gotta watch out for my love now don't I?"

[olderthannetfic]

Sending this to you specifically because I feel like you're the only normal brained person about this series.

I read Captive Prince a couple of years ago and liked it fine, as someone who doesn't have a strong preference for or against m/m and therefore isn't well-versed enough in its clichés to notice whether it reads like something full of cliché fanfic tropes. I really liked the use of language, some of the historical/political stuff, some of the ways that the characters are made complicated or unreliable.

The problem is, I've since coincidentally read most of the books that were Pacat's inspiration and. Well. Like 80-90% of the stuff in there has direct parallels in one of those. I'm not sure if there are more than three original thoughts in there.

I am not joking, if you read 1. The Lymond Chronicles and House of Niccolò by Dorothy Dunnett; 2. The Nightrunner series by Lynn Flewelling and 3. The Vampire Chronicles by Anne Rice, you will find that some of the scenes were ripped off beat for beat, many jokes were taken and just lazily reworded, a lot of the character beats and arcs are at best a mashup of 2 or maximum 3 things from those books with the serial numbers filed off really poorly. There's a scene where some characters discover a suicide victim whose structure and descriptions are completely ripped off from another series, except Pacat fails to see what made the original scene so impactful. A lot of the pretty use of language is also directly copied from those, including some really really specific descriptors. It's so blatant!

And I don't see how people are okay with this! I know people who are fans of several of these works and they're totally cool with it! And honestly if it were some rando's unpublished original project I'd be cool with it too, but as a published beloved worldwide phenomenon with rabid fans? C'mon.

And another thing is, all of the other series mentioned above are balls to the wall insane. She just... she just made it bland. She took off most of the edge and reshuffled the elements into a fairly straightforward MLM love story with some light kink thrown in. It's not a BAD series, but I feel like I'm disappointed that someone read all my favourite books and THAT was their takeaway?

--

I started reading, got to the name of the series and burst out laughing.

And, wow, you brought up something totally new that I hadn't thought about! I'm impressed. Genuinely. Usually, I rant about all the reasons I hate the series while debunking the standard anti talking points.

--

I've read the Vampire Chronicles, but that was in the 90s and I read Captive Prince in like 2016 or after. I had zero recollection of common points. I haven't read The Lymond Chronicles despite years of hurt/comfort fans bugging me to do so, and I think I got like a chapter into the Nightrunner series before getting distracted...

The reason I found Captive Prince annoying and derivative is that it also reads exactly like the original m/m that was available when it was first being written, most notably the work of P.L. Nunn who was extremely famous for horny fan art but who also wrote some original m/m fantasy novels. The scene where they finally bone reminds me heavily of the one from... uh... what's the P.L. Nunn one where the prince creeps on that archer dude and he gets raped because of course and then the prince has to be ~patient~ and it's peak boring 2000s rape recovery tropes?

The rape backstory is not only lifted from Fushigi Yuugi (the author's fandom at the time) but is shared with basically 100% of original m/m from that era. It's sometimes the uncle, sometimes the stepfather. One single time that I can think of, it was the foster brother, but mostly it's that "funny uncle" type. Unless it's gang rape from a bad Gundam Wing fic. That was also everywhere.

Once somebody told me the author had previously shipped Tamahome/Nakago, I realized that they'd taken what would be a kind of unusual anime ship and made it a thousand times more boring by dumbing down the scary, tall general with the tragic backstory into an uke-appropriate waif.

So I guess what I'm saying is that there may be some inspiration you aren't familiar with, but it's the same story as what you said above: this is the blander remix.

--

As for why people are okay with this... honestly, most of the people who really adore the series whom I've talked to point to how it encapsulates the exact tropes and tone they loved in anime fic circa 2000.

As a fellow weeb, I loathed the tone of said anime fic circa 2000 and could not wait for tastes to change, so Captive Prince is a hideous blast from an unlamented past for me.

I think most people who love the series aren't familiar with its inspirations. Those that are may have consumed them quite a while ago and don't realize quite how direct the parallels are. Or, for the inspirations that aren't overtly canon m/m, the lure of it being Exactly Right may overshadow other things.

(They also mostly haven't read 90s fantasy doorstops that actually contain political intrigue, tactics and strategy. Captive Prince is a piss poor entry into this genre and should be recced for m/m, not this other stuff people constantly think is in there. None of these characters can reason their way out of a paper bag.)

More than any of that, there's a lot of love left over from when the series was a serialized original story on Livejournal in an era when we had vanishingly few original m/m works, especially long ones in a fantasy alternate world.

I think that is what gets it a pass when a new m/m novel presented as "m/m romance" or posted on one of the webnovel sites would be mocked for unoriginality. Many Captive Prince fans aren't (or weren't when they read it) all that familiar with the smorgasbord of original m/m available today. Many are unfamiliar with anime fanfic circa 2000, so this feels adjacent to the fic they've read but a little fresher... instead of like the week-old sardine tin I found it to be.

[raven-at-the-writing-desk]

When the twisted wonderland anime comes out what are the things you hope they do better then what they could do in the game?

To quickly clarify a few things (so new readers and anyone stumbling across this post doesn't get the wrong idea): firstly, we do not yet have any confirmation on what the Twisted Wonderland anime will be about. Secondly, I have previously expressed that I would prefer the TWST anime to be random slice of life rather than another main story adaptation. If we assume that the anime will be another adaptation of the main story, I don't think the anime staff has a ton of liberty in the alterations they can make to the source material. Book 2 is widely known to be the greatest example of Bad Writing in TWST, and it cannot exactly be swept under the rug since it's in the main story. I doubt anyone would be allowed to make massive rewrites to the script or to the series of events; the biggest changes we get are slightly compacted scenes in the manga and the light novel. For example:

Skipping lines that appear in the game. (Ex: in the Book of Heartslabyul, Ace does not joke about sharing a room with Yuuken.)

Combining scenes to save on time. (Ex: In the light novel, Yuuya and Deuce meet Leona for the first time not in the Botanical Garden, which is the case in the game. Instead, the mob student that broke the eggs meant for Ace's apology chestnut tart is a Savanaclaw kid that Leona shows up to reprimand.)

Adding slight details to fill in logical gaps. (Ex: Yuuya in the light novel is granted a NRC uniform by Crowley; the uniform is described to us, the readers. Yuu getting a uniform is never mentioned in the game.)

Continuing from the last point, new details can also serve to flesh out character motivations, backstories, and lore. (Ex: the Heartslabyul light novel informs us that Riddle faces social repercussions for his OB and almost got expelled from school; the Savanaclaw light novel sheds new light on Leona's motivations, and the same can be said of Riddle.)

So basically, the story (again, if the anime does end up following the plot of the main story) would be the same. What would make the anime different from the manga, game, and light novel is largely the medium in which it is presented. I have talked about this at length in a number of older posts, but here is one example of how the manga, uses visual storytelling (as it is primarily a visual medium). A manga chapter is usually limited in length due to it being physically printed and shared in a magazine alongside other manga; there is therefore a constraint on how long-winded it can be, and its limited pages must be used effectively. We need to think about the strengths and the weaknesses of each individual medium and how those strengths and weaknesses affect how it might slightly change how TWST I presented.

An anime is able to incorporate animation with sound in a 20ish minute time slot to tell a tale. It gets the same benefits of the game, but far more freedom of movement. There is, however, also a time constraint to be considered. One complaint TWST often gets is that despite half of its core gameplay (I'm not going to count reading as gameplay) being rhythm games, the music the game has is NOT memorable. While the anime most likely won't have a ton of original songs, I hope that it can at least creatively incorporate some of TWST's scores as background tracks to fun scenes and make them more enjoyable that way. The anime will also be able to... well, be animated!! We won't get just a static screen where a maximum of three characters are crammed onto the screen at once staring back at you. It's okay to have in the game to save on time and budget, but you have to admit it does get boring to look at after a while. But with an anime production, we can get exciting lighting and camera angles that result in cool animation! I hope that this will really help the TWST characters' stories come to life on the screen ^^ One scene in particular that I hope the anime will adapt well is the VDC/SDC performances of RSA and NRC. The game tells us that RSA's performance is clumsy and amateurish, but it still managed to capture people's hearts. The game also tells us that NRC was not able to perform at their maximum capacity because they were already physically worn down from dealing with OB Vil. I want to see these descriptions actually be realized on screen (the Rhythmic/Twistune alone isn't enough), as it could help us better judge and have an enhanced understanding of the situation. I know a lot of fans who, to this very day, still feel that NRC was cheated of the win and shouldn't have lost to such a lackluster performance from RSA, so I'm hoping that a fully animated version might give us more perspective.

[asofspades]

I've seen a lot of people trying to get into the BSD light Novels and quite frankly you can read them in order but I do have a recommendation about the order I think makes more sense chronologically regarding the story.

So:

1. LN 3. The Untold Origins of the Armed Detective Agency.

2. LN 1. Osamu Dazai's Entrance Exam.

These two take place prior to the beginning of the main timeline and are actually a great way of understanding Ranpo and the partnership between Dazai and Kunikida (also recommend LN 1 to anime only watchers because they mixed the first chapters of the manga with Dazai's entrance exam which takes place 2 years prior to the manga and they royally screwed up on Kunikida's characterisation by doing that)

3. LN 7. Dazai, Chuuya, Age Fifteen

(the manga was good but I feel like you might understand Dazai and Chūya's dynamic and the difference of their relationship to both Mori and the Mafia once you read this)

4. LN 8. Stormbringer

(you might actually understand Chūya as a character after you read this one, dives a bit deeper into his relationship with Dazai, explains who Verlaine actually is and talks about stuff that's mentioned afterwards in the manga, like singularities)

5. LN 9. The Day I Picked up Dazai side A

(this happens at some point between LN 7 and LN 2, and helps you understand Dazai and Oda's relationship prior to reading LN 2, how Oda ended up in the Mafia and also a bit more dive into Dazai's character)

6. LN 2. Osamu Dazai and The Dark Era

(better than shown in the anime, allows you to see how Oda sees Dazai since it's written from his pov, a good dive into Dazai's character while in the mafia and why he actually left )

Once you finish The Guild arc

7. LN 4. 55 Minutes

8. LN 5. Dead Apple

(so, the first one is a bit crazy but actually dives a lot into Atsushi's character, explains weird phenomena in BSD regarding singularities and how Dazai isn't affected by certain abilities even without touch, how Yosano can actually use her ability on Dazai and I find it quite interesting, HG Wells is an interesting character as well)

(Dead Apple is entertaining and dives once again into characters and their abilities but also explains weird singularities again, also the bond between Dazai and Chūya, it also gets a bit weird towards the end in regards to things happening that might be hard to understand but the rest is easier to understand than in the movie adaptation)

9. LN 9. The Day I Picked up Dazai side B

(it's set in the alternate universe of LN 6. Beast and a great point to understand Dazai's actions and motivations in said light novel)

10. LN 6. Beast

(it should come with a warning that it's going to ruin your mental health for a while, an alternate universe of BSD, brings in the Book so you might one to read this during/after the cannibalism arc because it kind of explains a bit what the book does or how it kind of works, definitely needs a bit more explaining but it is good info before starting with the vampirism arc and all that stuff, the book is important and there's talk about singularities again. It's also cool to see how the same characters adapt to a different lifestyle, Akutagawa in the ADA, Atsushi in the PM, kyouka in the PM but with Atsushi, Dazai if he stayed in the PM, the ending will fully rip your heart out if the rest of the novel hasn't done it before that and I really recommend the manga adaptation of it because the art style is *chef's kiss* and heart wrenching)

Done with my rant now, you can still read them in their publishing order this is just my recommendation. Also, LN 9 is not out on paper yet and I think we only have fan translations online but it is definitely worth it, @popopretty has a really good translation of it.

And LN 7 is getting a manga adaptation which is also looking really good so you can check it out.

LN 5 has a manga adaptation as well as being a film and this one is not written by Asagiri but is still canon so you have that.

[topazadine]

How to Write Faster (And, Hopefully, Better Too)

Estimated Reading Time: 7 minutes

I've shared some tools before to help improve your speed and motivation, which include:

Using a word count spreadsheet

Working on only one WIP at a time

Leverage StimuWrite and Cold Turkey

.... but I still have a few more tricks, which I'll share now.

Why should you listen to me? I've written over 2 million words of fiction since 2021. That's a lot, more than many people write in a lifetime.

This is despite the fact that I also write 22,000 words every week for my day job. I do around 10k of creative fiction a week. And there's also the time I spend writing these articles for you, the lovely people of Tumblr, which is around 4-5k per week.

So, all told, I probably do around 37,000 words (creative, informative, and otherwise) every single week.

I did that by following these tips.

Separate the work into stages.

First, let's outline the stages of work (or at least the stages I use). You may have a different setup, and that's fine - if you do have a system that works for you, then you probably don't need my post at all. Keep doing what you're doing and ignore my advice.

But if you do not have a system, consider mentally separating things into these parts.

Active Writing. When I am busy doing the draft. It is both the most precarious and productive time; everything else related to books goes on the backburner. I am doing nothing writing-related but writing. No discussing the work unless I'm stuck somewhere, no making moodboards, NOTHING. This is my sacred time when I am in the thick of things and I put Writing Blinders on.

Percolation. I am done with the first draft. I set the piece aside and do other things like reading other novels, outlining another story, answering tag games, playing with moodboards, or putting everything aside and focusing on other hobbies. This is so I can come back to revisions with a fresh set of eyes. It keeps the story in my mind and can even help me discover new things I want to add.

Revision. After I have had a beta reader check things out, I go back and start fixing things. Then it percolates again. I repeat percolating and revising as many times as I feel necessary. Many times, I will have one beta reader look at it, then revise, and then have another beta reader look at it, each one getting a slightly different version of the story so I can compare what they liked or disliked.

Prepublishing. Most authors' least favorite part: marketing and telling people about your book so that they want to read it when it is ready. That includes stuff like making mood boards, doing tag games, sending out ARCs, setting up adds, posting on social media, and so on.

Again, ONE STEP AT A TIME. Do not blend all of these into a slurry.

I will say that this time around, with Pride Before a Fall, I ordered the cover before I was done with the book because I had a very clear vision of what I wanted.

Talk less, write more.

This is similar to the problem I highlighted in my Double Outlining post; the more you talk about your story, the more you trick your brain into thinking that you've done the work when you categorically have not.

Plus, the time you spend talking about your book is time you spend not writing your book. We can't do both simultaneously.

I don't really talk about my stories while I'm doing them, not even with my family. I may post a line or two, and I may tell people the basic plot, but I'm not spending hours discussing them with anyone unless I need advice on what to do next. Even then, it's more like "hey what do you think about this? Good? Cool, off I go."

Please get out of the habit of exhaustively picking apart your work with other people during the Active Writing stage. That can come during the Percolating and Revising stages.

Devote all your love and attention to one story.

Yes, I've mentioned this in a whole entire post, but I need to emphasize just how important it is to write stories one at a time. Working on a million things at once is not efficient; it's scatterbrained.

Force yourself to do ONE story. Just one. Not two or three or five. ONE.

Again, I've written 132 stories on AO3 (two of which are 100k+, multiple of which are 50k+), published one book, and written 5 of the upcoming manuscripts for the 10-part Eirenic Verses series. I am a very productive writer, and that is because I do everything one at a time.

Don't tell yourself "oh, I can get more done if I do a little bit on this one and that one and that one."

Can a chess player win three games of chess if they play all of them simultaneously? Uh, probably not. Each of their opponents is devoting everything to one game while their concentration is split between three different boards.

And you're not going to win either if you're playing twenty games of Write the Book simultaneously.

Do not mess around with moodboards, tag games, character questionnaires, playlists, etc, during Active Writing.

I discussed this in my Extremely Controversial Writing Opinions, but it bears repeating.

Do all of that stuff later, after you are done, as a marketing tool. It's procrastination, plain and simple.

Any time I get sucked into tag games or moodboards while writing, I get less done because I'm devoting time and energy to something that doesn't actually enhance my book.

It's one thing to do character questionnaires while you're figuring out a character, but quite another to stop what you're doing and tell everyone what your character's favorite food is.

Is that helping you get the project done? No, it is not. Log out of Canva. Turn on Cold Turkey to block Tumblr or Twitter. Leave that stuff alone.

Read short stories.

You know you need to read to become a good writer, but taking hours out of your day to read a novel while you're drafting your own novel can take away from your writing process.

That's not to say you shouldn't ever read novels, of course, but you can do that while you're in between projects.

During my active writing phase, I like to read a short story before I get started on working. This gives me inspiration and primes my creative pump so I'm excited to do my best.

Reading short stories also helps me focus on brevity rather than long-winded diatribes, which lets me pack more into a story.

Don't reread your work during Active Writing.

It's easy to get sucked into rereading and then not get anything new done; plus, this makes you want to revise, which should come later.

Reread only as much as you need to fix plot holes or remind yourself of where you're going. Refusing to reread also lets you look at your work with fresh eyes during revisions.

Make a writing ritual.

You need to tell your brain that it is writing time. This could be anything, like brushing your teeth right before you sit down to write, or drinking coffee out of one specific coffee cup when you are in writing mode, or putting on a playlist that you only use when writing.

For me, I light incense and ring a bell, then ask my muses to help me. When I take a break, I'll light a new incense stick (it's Japanese incense so very light scent) and ring the bell again.

That's about it, though I may write another post with more tips. I hope these are helpful to you, even if you don't like them. Sit on them, think about it, and give it a try. You might find yourself spending more time writing and less time just thinking about writing.

I've created a masterlist of writing resources that you can peruse at your leisure, all for free.

The posts I write can sometimes take me hours - they're always intricate, always thoughtful. This one took me about 1 hour to write.

I do this as a labor of love for the writing community, sharing what I have learned from almost 15 years of creative writing.

However, if you'd like to support me, maybe you'll consider buying my book?

9 Years Yearning is a gay coming-of-age romance set in a fantasy world. It follows Uileac Korviridi, a young soldier training at the War Academy. His primary motivations are honoring the memory of his late parents, protecting his little sister Cerie, and becoming a top-notch soldier.

The book features poetry, descriptions of a beautiful country inspired by Mongolia, and a whole lot of tsundere vibes.

You can also check it out on Goodreads for a list of expanded distribution.

If you do purchase my book, don't forget to leave a review!

Reviews are vital for visibility on Amazon and help to support indie authors like me. Whenever you love a book, be sure to let the author know! It's much appreciated.