#like please please please i am begging

[bunnyboy-juice]

im begging people to turn on the post dates for your feed bc sometimes i see ppl rb advice with good intentions but the advice is from 2010-2017 and therefore is WILDLY outdated!!!! and that's not good!!!!!

[letmetellyouaboutmyfeels]

I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.

You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?

Click on their name. And look at their profile.

I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.

"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.

"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.

Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.

Click my author name. Just click it. Just click it.

Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.

I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.

Click the author's name, and explore before you ask.

[sanctus-ingenium]

and there was no border between sky and sea | print

[luxris]

brothers 🧡💙

[captainjonnitkessler]

I truly, TRULY do not know how to say this, because the fact that I have to say it makes me feel like I am losing my grip on reality. But no, in the post-capitalistic anarchist utopia, I will not be relying on “autistic minecraft girlies” to be building inspectors because - and this may shock you - one of those occupations takes years of education in how to read and interpret hundreds of thousands of lines of regulations based on complicated math and physics that were the result of decades of tragedy and death, and the other one involves playing a children’s video game.

[finisnihil]

“They finally made this theme more blatant-" Why does it need to be blatant. What's wrong with subtlety? Concepts can be underused but subtlety is not neglect.

Blaring all your concepts and themes is not good writing. It's so disruptive to a story's flow when the characters look off the screen to be like "See? This is the concept. The idea. The theme."

If you can feel the hand of the author becoming too heavy that's bad.

For example: I see people saying Azula's abuse in ATLA is more blatant in the live action and it's good because "it's being discussed more". It already was discussed at length. The show made it clear she was a victim at every turn, every behavior, every reaction, it came from a place of trauma. It was made clear that she was scared of ending up like Zuko because Zuko was an example of what would happen to her if she failed. When she says she's better than Zuko it wasn't just because she was raised to think hersef superior to him but because Zuko failed and failures get mutilated and exiled, failures are abandoned. In that final Agni Kai the music is morose and somber because this isnt some epic battle its a fucking tragedy, the burning out of "Ozai's brightest light" and Azula finally succumbing to her terror and trauma she was repressing now that her worst fears are realized. How can you see a fourteen year old girl chained to a sewer grate wailing and writhing and breathing fire desperately as unsympathetic? Even Katara and Zuko are horrified as to what has become of her.

The writers weren't looking us in the eye and saying "See? She's a victim too" when they wrote this, they weaved it in. They weaved it into her obsesison with symmetry, her extreme perfectionism, the way she talks about Ozai, the ways she calls herself a monster, her isolation from those with healthy home lives, all the ways she held herself together and ultimately all the cracks and seams that she shattered down when she fell apart. It did not need to be blatant to be clear.

[shizunitis]

Ghostfire Shen Yuan loyally following the lonely, undying, forgotten Luo Binghe from the original outline.

They never even met.

Shen Yuan had died long before Luo Binghe’s story was set to start. Abandoned by his System, he was left wandering the realms, searching for anything to latch onto, anything to stave off the darkness encroaching on his consciousness whenever he stopped. He keeps himself entertained with little jokes and references that will never reach anyone. At least back home, there were other people on the opposite side of his screen reacting, seeing. Paying attention.

He never would have thought he’d miss the times he was perceived by others. He’d give anything, though. Anything.

He stumbles upon the protagonist as he’s ascending the stairs of Cang Qiong Mountain Sect for the first time. Dressed in rags and heaving with the effort, Luo Binghe is exactly as Shen Yuan had pictured: a little bun, soft and kind and so very brave.

The excitement wears off soon enough. When the tea ceremony is held, Shen Yuan watches, hopelessly trying to stop the cup from hitting Binghe’s head. He lunges at Shen Jiu; let him be identified and exorcised, at least he would have done something with himself, however useless. It doesn’t work. Of course not—nothing can come between Luo Binghe and his fate.

Shen Yuan thinks about leaving. Many times. But every time he considers the possibility of going back to wandering the world, or just passing on… Well. There’s still a lot to see, isn’t there? It will get better. It will.

Only, it doesn’t. Not really.

There’s no harem; there’s no warm comfort offered to Luo Binghe by a sympathetic beauty, no wedding celebrations, no moments of gentle companionship, however brief, however superficial. There’s no camaraderie with his demon underlings, his generals, his allies; it’s all casual cruelty and dismissals, before it’s violence and subjugation.

There’s no joy. There’s no hope. There’s no ‘better’.

Something is wrong, that’s clear. Something is wrong, and Shen Yuan has no one to blame.

This is not the Proud Immortal Demon Way he knows.

Centuries later, when Luo Binghe begs for the heavens to allow him to die, Shen Yuan hears. When Luo Binghe rages against the passage of time, alone in the wreckage of his palace, left behind by everyone he’d ever known, Shen Yuan accompanies him. When Luo Binghe lies down in the Holy Mausoleum and refuses to get up, Shen Yuan waits, as he had for centuries, until Luo Binghe opens his eyes again and takes to the road.

They end up in a hidden realm so filled with Yin energy that Shen Yuan can channel it to manipulate his form into that of his former body. It’s not detectable by the living, but it’s there. He feels stronger, too. He can walk, float, fly, interact with what few other ghosts they encounter.

Still, Luo Binghe cannot see him.

Luo Binghe doesn’t talk much. Well, that makes sense, he was never in the habit of talking to himself, but still. It’s lonely.

They end up in a town where a diviner takes one look at Luo Binghe and offers him a free reading. Shen Yuan can’t enter her tent, well-warded against foreign entities as it is, so he waits outside.

She tells Luo Binghe of the little hanger-on he’s got. A powerful one, too, though he’s still getting used to his powers. He’s been here for a long time, she says. Since he was a child. He comes from far away—farther than even the most distant star.

Luo Binghe begins talking to him. Shen Yuan isn’t sure why, but he’s not complaining!

Luo Binghe also begins meditating again, trying to soothe the damage done by Xin Mo over the centuries. For every meal, he places a few fruits or snacks across from him on a plate he’d made himself, which he eats only after finishing his own dish. He makes space by his side whenever he walks on a narrow road. He stops at every landmark and tells stories about them, always starting the same way.

“Do you remember when…” becomes Shen Yuan’s favourite phrase.

One night, Luo Binghe sighs and looks across the table. Shen Yuan places himself so that he’s in Luo Binghe’s focus.

“What is it, Binghe?”

Luo Binghe doesn’t answer him, of course. Still, it feels like a conversation, when he says:

“I wish I knew your name.”

Shen Yuan frets. He’s been trying to manipulate the physical world, but he never got the hang of it. He’d tried drawing in sand, with water, just pushing things off shelves. And yet, nothing.

“I’m sorry, I wish—” he tries, but Luo Binghe is already talking again.

“I wonder if we ever crossed paths when you were alive.” He’s expressed this thought more than once. Shen Yuan never likes to think about how they’ve missed each other, how they’d been set up for failure from the start. “I wonder if we would have been friends.”

Shen Yuan scoffs. Of course not. Him and the protagonist? No way.

But—those cold star eyes, blindly searching for him, trying to land on him… They make him want to say, I would have liked that.

He reaches a hand out to touch Luo Binghe’s forehead. He’s taken to doing it whenever Luo Binghe broods, or makes a silly joke Shen Yuan wishes he didn’t find funny. It’s soothing.

He wishes Binghe could feel it.

When his finger touches the demon mark, it blazes. Luo Binghe gasps, that heavy gaze settling on Shen Yuan’s face.

Shen Yuan startles, and jumps away.

“No! Wait!”

Shen Yuan hesitates. Luo Binghe is looking around himself, eyes begging for even a wisp of Shen Yuan’s shadow.

He can’t deny Luo Binghe this.

He can’t deny himself this.

He reaches out again. This time, he cups Luo Binghe’s cheeks. When those eyes clear of panic and widen in awe, he whispers, softly, “Shen Yuan. My name is Shen Yuan.”

Luo Binghe looks like he’s been handed a treasure so precious he’s afraid to touch it. He hesitates, raising his hands in careful starts and stops, before taking Shen Yuan’s face in them, gently caressing the soft, cold skin of his face. His eyes dance with the haste he takes in memorising Shen Yuan’s features.

Then, he smiles. Helpless and weak and so, so precious. Shen Yuan has not seen hope so bright in Luo Binghe’s face since that fateful day on Cang Qiong Mountain.

“Hello, Shen Yuan.”

[ravenpureforever]

On one hand, Young Justice is kind of neglected by the actual superheroes that should be looking out for them in a lot of crucial ways and very much failed by the adults around them

But on the other hand Red Tornado straight up hosts a parent-teacher conference where their respective legal guardians all show up, barring Batman who’s in traffic so Nightwing fills in instead because Robin’s dad does not know he’s a vigilante which is objectively hilarious

[confessionsdiaz]

me when YET ANOTHER SHOW I LIKE GETS CANcELLED

[a-dragons-journal]

I am once again fucking begging the community to stop writing everything other than identify-as identities out of the word alterhuman and now fictionfolk too

Alterhuman does not mean everyone who identifies as nonhuman on some level (oh and maybe otherhearted people too). Please for the love of all that is good and holy stop saying that. It means anyone whose identity falls outside of society’s idea of “normal human” - anyone with an identity alternative to humanity or that’s an alternative form of humanity. It includes nonhumanity, yes, but also otherheartedness, hearthomes, archetropy, plurality, daemonism, furry lifestylers, othervague folks, constelics, and so much more. Here’s the coiner’s words to prove it.

Fictionfolk does not mean anyone who identifies as a fictional character. It means anyone with an alterhuman connection to fiction of any kind. It includes fictionkin and fictives and such, yes, but also fictional hearthomes, fictionheartedness, soulbonders, fictional vaguetypes, fictional constelics, and much more. Here’s the coiner’s words to prove it.

To collapse these words down to basically be synonymous with otherkin and fictionkin is to utterly defeat their purpose. Please stop defining us out of our own communities. Please stop erasing the existence of everyone outside of “identifies as nonhuman and/or fictional”.

EDIT: boy I wish someone had told me I accidentally used the same link twice before this hit triple digit notes LMAO. Here’s the actual fictionfolk link

[hinamie]

truth is, I used to dream about boys like you

jjk atla!au with @philosophiums

[cozylittleartblog]

i now understand how certain people felt when harpy eda was revealed 😳

prints here

[m4rs-ex3]

i am so obsessed with the fact that out of everyone, runaan is the one who is so fucking Done

i can literally hear him thinking "yeah i've gathered. the walls in this house are only so thick."

[ewwww-what]

Nobody is as excited about the preview as I am. I have paragraphs.

[ofoceansandtombsanew]

Real Talk: Ace Didn't Need to Ask For Help, It's On Garp

i always hate when i see comments about how ace was an idiot or ace should have just asked garp for help because, no? like dawg wtf do you mean?

the one thing we have been told repeatedly across the manga and anime is that ace could have lived his entire life being perfect and he still would have ended up on that podium

he could have become a marine, a police officer, a teacher, a chef and all of that would have been reduced to nothing the moment his parentage was discovered

yes, ace became a pirate of his own volition, but sengoku never mentioned his piracy

he never mentioned all the criminal activity ace did as the captain of the spade pirates or even later as the second division leader of the whitebeard pirates

you know what sengoku did bring up though the moment he got on that damn podium? ace's parentage

he mentions nothing that gained ace his bounty to begin with when he gets that den den mushi in his hand. why?

because it doesn't matter that ace is a pirate. what matters is that they are eradicating the last gol d roger's bloodline

bear in mind that they were killing pregnant women and young children who could have even had the slightest possibility of being roger's lover or kin

akainu deadass says that he doesn't care if every other pirate at marineford escapes as long as ace and luffy died and he would ensure their deaths personally. and for what? not their piracy. none of their crimes. not even for ensuring that the truth that certain countries and lands that were actually saved by pirates instead of the marines never got out

but because their fathers were gol d roger and monkey d dragon respectively

solely because of that, he deemed neither of them deserved to live

and as far as garp goes - i love garp as much as the next person but garp has never done anything for ace to trust him enough to ask for help even if he felt he deserved to ask

garp's negligent parenting coupled with the abusive words ace grew up hearing led ace to believe he didn't even deserve to be born. when he even asks garp if his being born was a good thing, garp can't even tell him 'yes'. he just says 'time will tell'. my brother in the blue seas, that is an elementary schooler questioning his right to exist

ace is defeated by blackbeard in episode 325 (chapters 434-441), luffy hears about his execution being set in episode 416 (chapter 522) and then finally ace is killed in episode 483 (chapter 574). that is 158 episodes and 140 chapters total and in that time what ace receives from garp are conversations that boil down to

"you did this to yourself"

"i just wanted you to become a fine marine"

"i don't have sympathy for criminals but i do have sympathy for family"

and garp actively preventing those who wish to save ace from reaching him. yes after akainu strikes ace, garp does react viscerally with instinct to protect his grandson, but that's too little too damn late at that point

garp having his moral dilemmas mean nothing when, however long ace spent in impel down, he isn't trying to help him

garp having his 'wishing things had been different' thoughts mean nothing when garp is preventing people from saving his grandson

there's a reason garp lets dadan beat and berate him when they reunite in windmill village and it's because he knows she's right

over the course of 20 years, garp has consistently chosen work over ace and luffy. as much as i love dadan and co, bandits are not a good choice to have raise your grandkids and then be the surprised pikachu meme when neither of them wish to become marines

garp's inability to see past the system he disdains yet clings onto actively shoots him in the foot

prevents him from seeing that ace is right when he says he never could have become a marine

luffy could have never become a marine. i do hear arguments saying that luffy might have had a fair chance considering garp is biologically his grandfather but i say that's truly up in the air considering how, even with that knowledge, akainu still wants to put luffy on a poster

but that's all to say, asking why ace never asked garp for help is ridiculous

the fuck would ace look like asking the man who has done nothing but

unintentionally fostered ace's resentment towards luffy in their early childhood

told ace it was his own fault he landed where he did

falcon punched marco halfway across marineford

for help?

and that's not even mentioning the fact that up until that point, ace didn't believe he deserved to live. he didn't think he had the right to exist. the only thing that kept him going up until that point was hoping he'd find an answer that justified his being born and his love for luffy and sabo. ace tells luffy in his dying breaths if it weren't for the two of them, he would have gave up on living a long time ago

yes, garp loves ace and luffy

he loves them both dearly but he is also incapable of putting them before work, before his ideals of justice. these two truths can coexist at the same time. garp's stubborn to a fault and his moral dilemma resulted in both inaction and the prevention of ace's escape

so to say that marineford would have gone differently if ace had asked is seriously undermining the character work. because in reality, it's up in the air on whether or not that would have done anything. ace asking garp for help could have gone either way and that's the beauty of the gray area regarding garp's actions during the summit war

and yes, i can get why it's frustrating that ace turned around to fight akainu when he could have just left and got it back in a blood a different time

but aside from ace having a temper about specific topics, we do get an answer as to why he couldn't bring himself to runaway when we finally are able to dive into his past with luffy and sabo:

he doesn't want to run away from any situation because ace is deathly afraid of losing something if running away ends up being the bad call

and in that moment, luffy was behind him

even if akainu hadn't talked down whitebeard, ace would have inevitably turned back around because he wouldn't have been able to shake his fear of losing something or someone he cared about

as long as there is something precious for him to potentially lose, ace will never run

he was doomed from the start

his being the son of gol d roger doomed him from the start

and that's what makes ace so tragic

[stil-lindigo]

Context: Israel “allowed” aid in the forms of flour bags to be airdropped into Gaza, waited for hundreds to congregate, and then opened fire into the crowd of desperate, starving Palestinians. 150 Palestinians were killed. Hundreds more wounded. This is being called “The Flourbag Massacre”.

source

Meanwhile, over on the other side…