#like physically and mentally too

[thenamessparkplug]

you have NO IDEA the fucking HORRORS this DISGUSTING MONSTER has committed

[somerandomcockroach]

*runs away at the speed of light*

[starry-bi-sky]

on a completely separate note; shizun luo binghe with a disciple shen yuan who fell into the abyss??? *thinks about LBH canonically stealing SQQ's corpse for 5 years* he'd hallucinate i think. like, like visual and audial hallucinations.

Keeps thinking he's seeing SQQ in the corner of his eyes, or wandering between the trees, amongst a group of disciples. Thinks he hears him calling for him, but its just the wind or another disciple.

Gets Xiu Ya reforged but patently fucking refuses to make a sword mound. Because his disciple Is Not Dead :))) There was No Body. He's Not Dead. And If You keep Insisting That He Is, He's Gonna Skewer You :). He's holding onto Xiu Ya so he can return his most favored disciple's sword when he returns. It's on his hip right next to Zheng Yang where it's supposed to be.

Also this motherfucker?? does not sleep btw. He has the image of SQQ, wide eyed and hysterical and standing at the mouth of the abyss burned into his fucking eyelids. Can't use the dreamscape to escape it either because he keeps trying to save him and either he does and it's an incredibly cruel trick to wake up to, or he doesn't and he gets his heart broken in several different pieces again.

There is no convincing this man that Shen Qingqiu is dead. Absolutely nothing at all. He is buried so deep in denial that moles would be jealous of how deep he is. He keeps making tea for two in the bamboo house only to remember that it's just him. SQQ's fans are hiding everywhere, little reminders of his presence. He goes to wake up SQQ on the mornings he sleeps in-- only to find the room empty.

[specsthesecond]

°❆⋆.ೃ࿔*:･°❆⋆.ೃ࿔*:･°❆⋆.ೃ࿔*:･°❆⋆.ೃ࿔*:･°

The sunlight tries in vain to pierce through the cloud covered sky as you make your way under the canopy of conifer trees. Winter will only last a few more weeks but for now you must trudge through the hardened snow on the forest ground.

You clutch your new book close to your chest, peeking again to see if the piece of paper you slipped between the pages hasn't somehow fallen out despite your tight grip. You look up from your graphite stained fingers to the stone cottage in the middle of an increasingly familiar meadow. Drawing in a breath, you adjust the bow and quiver slung over your shoulder and clamber through the pasture, watching smoke rise from the old chimney.

This time, you don't panic when you reach the door, you knock before the nerves can even seep in. He opens the door for you, eyebrows scrunched in confusion just like the first time. He looks ready for the weather outside, snow boots, axe in hand, he's even wearing his big fur coat. He clearly had other plans today but he still looks pleasantly surprised by your presence and gestures you inside.

You shake your head lightly at him, feet stuck to the stone veranda. He looks more worried than confused now as he looks down at the book in your hands, you try and not let all the determination you just had flutter away. Hands shaking more than you'd like, you slip the piece of paper out of the book and hand it to him unceremoniously. You can't will yourself to watch his reaction, it's weak but you can't seem to look away from the floor.

A shame really, because if you were watching, you'd see his face grow pink in real time as he reads in your terribly scrawled Orcish -

"Hunt with me?"

He has to read it ten times before he can believe it's real. He looks down at you and then back to the poorly drawn Orcish characters, mouth agape. He turns to the shelf next to the door and gently places the piece of paper there before turning to you. You fiddle with the book in your hands, biting your chapped lip. He rests his hand on your shoulder making you look him in the eye, when you do you're taken back by the look he gives you. It's an expression you can't describe, appreciative doesn't cut it but you wouldn't dare say affectionate.

He nods his head firmly.

Now you both sit amongst the brush, target birds nest only a few meters away. Your Orc friend sits quietly, leaning on a stump next to you, waiting for you to make the shot.

Little movements in the nest have you tensing up and pulling the string back. You wait patiently for the birdie to peak its head over the weaved twigs of the nest but you wait too long and before you know it the bird's wings flutter for takeoff. You panic and shoot the arrow before the bird can fly away but the arrow shoots just a bit too high, piercing the tree trunk as the bird takes flight in a rush of feathers.

An agitated sigh leaves you and you turn towards where the Orc roars out laughter. He quickly tries to muffle his laugh when he sees your pointed, deadpan expression. You point towards where your arrow is stuck in the bark of the tree and hold out your bow for him. He goes to decline the offer but you fix him with a challenging glare that says "If it's so easy then why don't you do it?" You shove the weapon in his hands and hand him an arrow as well, then take a seat on the stump.

He breathes in and positions himself on his knees, just like you were. You sit back and watch him fumble with the bow, failing to notch the arrow against the string for a while before finally aiming the thing. He makes the bow looks so small, it's like a thin stick in his hands instead of a deadly weapon. He pulls the string back and you worry for a moment that it might snap before he lets go and the arrow whizzes through the air and into the canopy of pine needles, never to be seen again.

You burst out in laughter, slapping your knee with a hand on your chest. He huffs and hands you back your bow, grabbing his axe from the stump. He aims it carefully and chucks it into the tree. It lands exactly where your arrow landed, splintering it into pieces. You're shocked to silence for a moment before letting out an impressed "Huh". He seems very proud of himself, giving you a cheeky bow, making you click your tongue and shake your head as he walks off to pull his axe from the tree.

He slumps beside you on the frosty dirt as you hastily page through your book. It's a shame you don't see how he leans his head on his hand and stares at you, not even trying to hide the admiration. When you find the word you were looking for you slap his arm hard with the book, he flinches back playfully. You point to the word "owe" in the book and look at him sternly.

He looks back with a blank stare.

You point to him accusingly, point to the Orcish word for "owe" and then point to yourself before getting an arrow out of your quill, pointing towards it and putting up two fingers.

You think he gets it, if his bashful face says anything. He rubs the back of his neck with an apologetic look. He stands up, axe in hand and nods to you with a look of determination.

Now the sun is gone as you walk alongside him, on route to your home, belly full, carrying a basket of fresh bread. You tried telling him you were only teasing, but he insisted on taking you back home and making you a meal. You were never one to turn away a meal, especially if it was his cooking. Hours went by as you sat in his living room, comparing translations in each other's books and trying, mostly in vain, to write in the others language. You didn't even notice the sun setting until you had to light a candle to see the scribbled mix of Human Common and Orcish on the white papers scattered across the table.

He offered to walk home with you and you, once again, didn't put up much of a fight. Maybe it's just the moonlight or the after-taste of his food but you can't stop stealing glances at the orc as he walks alongside you. His dark eyes reflect the warm light of the lantern so beautifully. Little flakes of snow decorate his hair, they look like stars amongst the inky black mane. You can feel his body heat more than you can feel the heat of the lantern, he's always so warm and it makes it very frustrating to be close to him. He looks over and catches you staring, you quickly avert your gaze to the snowy ground, embarrassment bubbling up again.

You come to a break in the trees and all your thoughts are slapped away. You stare fear-stricken at the massive lake in front of you. A deep chill crawls over you as it always does when you see it now, you meant to avoid it entirely, just like you've been doing since the incident but you must have been more distracted than you thought.

Frost nips at your nerves as you stare at the deceptively thin ice covering the lake and remember the cold, dark depths just beneath. Remembering how difficult it was just to breathe after being plunged into those waters, like spikes of ice piercing your lungs with every breath. You clutch your chest as your breathing quickens, ghosts of pain nudging closer.

Your sight is cut off from the lake by a dark brown furcoat. You look up at the worried face of your friend, eyebrows scrunched and frown deep. His pretty eyes are now filled with concern and it only makes the pain in your chest worse. You turn away from him, you can't look him in the eyes like this. This has happened before, when you wake up in your bed cold and crying. At least then you're alone, now you're outside, in the dark, with who is essentially your closest friend watching you break down.

If he didn't think you were weak before, he definitely does now. You let out a choked sob as your legs crumble beneath you. The orc falls with you, he lightly holds you closer, hands just brushing your shoulders. He clearly doesn't know what to do or what the boundaries are for something like this, and neither do you really.

He's right there. You can feel how damn warm he is, you just want to give in, why won't you let yourself give in? His gloved hands gently urge you to look up at him and you struggle against it but when you eventually meet his gaze, his expression punctures right through the cold panic. You expected to see pity but what you get instead is plain tender worry. He looks ready to help but he's waiting for instruction, like he'll do anything you ask him to, even in your state.

You wipe your cold, wet cheeks and push your head into his chest hard, clutching his waist under his coat in the tightest squeeze you can manage. He squeezes you back and you finally get to feel his warmth surround you again, just like that first night. His body surrounds you, like he's trying to protect you from the cold night air itself. The hug is just tight enough that it encourages you to breathe slower, you can hear and feel his heart beating in his chest and you press your face even closer to his chest to hear it better.

Eventually, your breathing and heart beat evens out with his, only letting out the occasional hiccup. Even then, he doesn't loosen his protective hold until you shift to stand up. He helps you up and you meet his gaze, his dirt coloured eyes hold something you can't place. His hand shifts up from your arm to your cheek to warm the puffy skin. You don't think when you take his hand in yours and hold it against your cheek, even through the leather of his glove you can feel his body heat.

You close your eyes and savour his touch for a minute before turning around and pulling on his arm. You hold onto his hand for the rest of the walk home, only letting go when you reach your front door. You both try and decipher the others gaze for longer than you should've until you wrap your arms around his shoulders in another embrace. He reciprocates, hands winding around your back, breathing into your shoulder. You whisper, "Be safe" into his ear and retreat from the hug, missing his warmth the second it leaves you. If he knows what it means, he doesn't show it.

You watch him leave from the front door, basket of bread in hand. When he turns to give you a little wave goodbye, you return it with a smile. You only step inside when he's out of site, lamp light disappearing amongst the trees.

°❆⋆.ೃ࿔*:･°❆⋆.ೃ࿔*:･°❆⋆.ೃ࿔*:･°❆⋆.ೃ࿔*:･°

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[alicornze7]

Silly guys goin' on silly adventures:]

@rorydrawsandwrites's puppeteer au but the only difference is that jax gives consent

My contribution to this wonderful au has been long overdue:')

Rambling in tags ehe (cw: ribbun:p)

Well maybe it's not the only difference

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[shaadowmilkcookie]

One of Shadow Milk’s many prop replicas of himself, left behind. Even though the eyes are forever staring straight into the distance… Oddly enough, you still feel like you’re being watched.

But surely, though, it won’t hurt to take it home and touch up the colours, right? :)

[naamahdarling]

You know what? You know what I think?

I think that if we lived as we were meant to, in larger intimate ("extended family") groups and with more shared labor and time to do it (UBI NOW) people like me would not feel so useless and burdensome because there would be people around to help and to do what neurodivergent people can't while making valuable space for the neurodivergent to do what they ARE good at.

The way we live right now, all right, the way we live right now forces units of two adults to be able to do EVERYTHING or PAY to have someone come do it for them. I have to do the housework. I have to do it! But I am having to do a million different things and most of them I am not good at. I suck at them.

I wouldn't feel like shit, okay, if I had more than one other person around who was not a child and who could do the things I can't, like do the yard and cook and do repairs and basic maintenance; and someone else to split everything else that I like but is too much for me. It would free me to do what I am good at and enjoy. Cleaning, as in the sink and toilet, the windows, the blinds. Taking out trash. Folding, hanging, and sorting laundry.

But because all the shit I can do often relies on other shit being done first, and I can't do or have trouble doing those things, the shit I can do often can't be done. And even the shit I can do, I can't do ALL of it. So I can't keep up, and things get very bad.

We aren't meant to live like this. We are not meant to live like this.

That thought hurts so much because being able to flee the birth family is integral to survival for so many people. I'm so afraid that living in larger family groups would create more opportunities for, say, queer kids to be isolated, rejected, bullied, and abused. But if we gave people enough money to survive, and stopped considering children the property of their parents with no system in place to help them escape bad situations except a system that is often just as bad, just different.

I'm aware that communes and collectives aren't all that successful and are kind of a joke. I don't mean that. I mean a fundamental shift to multigenerational families where taking in "strays" (which my family did) is also normalized so people escaping abuse into existing households was accepted, with these families centered in maybe a couple of different larger residences so not everyone has to buy and maintain their own fucking washing machine and vacuum cleaner, and so people can benefit from large group meals that yield leftovers, and so child and elder care can also be centralized.

Then disabled people and the neurodivergent and sick and injured people, and pregnant people, and grieving people, would not have to either labor through all those stressors or consign themselves to living off an unlivable pittance or being put under legal guardianship.

I'm not saying anything new. People live like this in other parts of the world and maybe it sucks and I am wrong. But I'm just really mad right now because I can either do laundry or clean the sink but not both, and I really think we could improve society somewhat by making it so I did not have to choose one without sacrificing the other.

[scourgeofmyownbrain]

I have noticed things about this Bumblebee design, and I can't stay silent about it anymore. (If I do not speak my mind now, I fear I may explode, so please bear with my unhinged screaming, this is good for my health.)

I have compiled my thoughts into a post because I want to spread my insanity like a plague. There are things about this YELLOW MOTHER FUCKER that I can not let go un-acknowledged anymore, THE WORLD WILL KNOW OF YOUR SINS AND I WILL BE THE ONE TO REVEAL THEM

Did you notice anything off or weird about Bumblebee in TFP? Did you? Did you notice? Anything?

BECAUSE I DID

BOY FUCKING DID I

TO begin, this fucker has no eye lids. No, I am not kidding, he never blinks. Ever. Entire show. Not one flutter of a wayward eyelid. Those eyebrows do SO MUCH heavy lifting. There are three other characters (Soundwave, Shockwave, and the Vehicons) that also do not blink, but they have either one big eye and no face or a full face mask, NOT TWO COMPLETELY NORMAL EYES THAT JUST DON’T BLINK

Second, his battle "mask." There are maybe like, 3 instances of a battle mask in the entire show: Optimus, Wheeljack, Bumblebee, and I think that's it. And Bumblebee's is the only one that looks like that, that barely-cover-the-mouth thing it's doing.

Why do his upper arms look so disproportionate to his lower arms? They look too small, the wheel looks like it’s most of the structure and, once again, no one else’s looks like this. Look at his horrific shoulders. What kind of unloving god would make this? (also im like 80% sure his left shoulder is clipping on his body just to accommodate this shot fUCKing hoRriFiC CHoicEs gENTlemen leTs KeeP fUCKINg doing iT)

Exhaust Pipes. I shant say more.

Yes, his insignia is fucking tiny and on his pelvis. Do with that what you will. no one else's is like this why-

Mothers and Fuckers I give you the BANE of My Existence, TFP BUMBLEBEE’S HOLLOW KNEES. Look at those fuckers I can thread a stick right through it. These stupid fucking triangles have been haunting me for YEARS, and, just like his eyes, NO OTHER CHARACTER HAS KNEES LIKE THIS!! I feel nothing but rage looking at this, I hate his knees with a fucking passion I am going to commit 8 felonies

Why do his knee spikes stick out so far? Why. Several other characters have similar spikes, why are Bee’s so far out. The Knees...are probably making it look worse than it is.

HIS FEET ARE TOO BIG FOR HIS LEGS WHY ARE THEY SO MUCH BIGGER! They look like clown shoes, why are they so enormous, they look so disproportionate to the rest of his body. It’s so suddenly too, his feet just abruptly explode out.

Bumblebee has no ankles. All of my emotions have shut off. Everyone else has an their joint is closer to their heel, more in the middle of their foot. Bee’s joint is too far away from his heel, more at the front of his foot. Why iS HIS HEEL SO MUCH BIGGER THAN THE REST OF HIS FOOT!! WHY ARE HIS FEET SO GODDAMN WIDE??

Let's look at a couple other bots to make my point. I'll stick to ones around Bee's size. Wheeljack and Knockout are both 21 feet tall, same as Bee. Knockout has similar wheel placement in his feet and Wheeljack has similar wheel placement in his shoulders.

would you look at that they look fucking n o r m a l. look at their NORMAL KNEES and NORMAL ARMS and NORMAL SIZED FEET THEY DON'T LOOK LIKE CLOWN SHOES HELD ON BY FUCKING STRING

I am having a conniption he is the only one that looks like this.

Would you like some very, very cursed knowledge? Yes, you would: TFP Bumblebee and RID2015 Bumblebee CANONICALLY LOOK IDENTICAL. Like, if you were in the ALC Universe, looking at two photos of him from both the time of TFP and RID15, you would not be able to tell them apart. How do I know this?

LET ME TELL YOU. So, in the episode “History Lessons”, Bumblebee takes his team to the ruins of the Nevada Autobot base, Autobot Outpost Omega One, which we all know was destroyed at the end of TFP Season 2, and they find an old recording from Before the base was destroyed. This recording is of Bumblebee in the base before it was destroyed, and his model is the same as his RID15 one. (see FUCKING above)

You’re probably asking yourself, “But why does that matter, it’s just the show’s different art styles and they needed to make sure we recognized Bee in the recording,” Why? Let me list the ways:

Bumblebee has spontaneously grown fingers in RID15. He only had 4 on each hand in TFP, but in RID15 he Suddenly just had 5. They did the exact same thing with Bulkhead, so I’m not just going crazy.

Bumblebee’s transformation sequence has drastically changed. In TFP he transformed face down head forward, and in RID15 he transforms face up head back. This is significant, and can’t be explained as artistic interpretation, because in TFP season 2 episode 4, Bumblebee drives through a ground bridge after Megatron, transforms then launches himself forward, diving to snatch the spark extractor from Megatron’s hand. You can’t do that if you’re leading with your feet. And It is very obvious that Bee transforms face up in RID15, his feet are the front of the car. I would show you pictures but I am not combing through the shows to find any more images I am so done someone please save me-

"The shows have very different art styles, maybe Bumblebee has just changed how he looks." I hear you say, and Yes. That is something that can happen in canon, Starscream “reformatted himself to his old body type,” which is actually true; his RID15 form looks a lot more like his WF/FOC form, and Soundwave shows up in his TFP form when he’s fresh out of the shadow zone, then he changes his form. We have direct confirmation that characters can change their forms. So there shouldn’t be any problems with Bumblebee’s design, correct?

YOU WOULD THINK, but because the video bee is identical to rid15 bee, but it's supposed to be tfp bee, this makes TFP Bee and RID15 Bee CANONICALLY IDENTICAL. Plus Bee's Rescue Bots Cameos are Identical as well, and one is from TFP time and the other is RID15 time.

The LOGICAL implication is that if TFP Bee and RID15 Bee are identical, then RID15 Bee actually doesn’t have eyelids and does not blink. fucking pains me in places that should not be able to feel pain.

Can you see why I'm insane now?

[shsl-analyzer-guy]

got a totally random rush of Emotions about Chihiro's gender so hi let's talk about how the entire account of Chihiro 'totally being a cis dude guys' is told by Monokuma, the guy that later goes on to fake a suicide note and falsify an entire class trial just to be pissy. Ah yes top 10 most reliable narrators ever of all time, yes, yes, very convincing

Not to mention in the exact same fucking motive he's very obviously purposefully warping the truth and lying to the cast's faces?? Within the 'embarrassing memories' motive Mondo's is a warped version of the truth. "Mondo killed his own brother" but he didn't, and just about everyone is able to grasp that one. He indirectly led to the accident, but Daiya made his own choices. So wouldn't the same logic apply to Chihiro's motive? "He dresses like a girl but actually is a boy" sounds like you're actively warping her own life experience to send her into Despair.... which is Monokuma's primary character motive.... crazy how that works........

And now, a compilation of every line Chihiro delivers in her own backstory, without the narrative padding from Monokuma explaining to you why this is totally her hating being a woman and wanting to be a man

"Now nobody will be able to say anything about 'even though you're a boy'..."

"I'm... weak... Weak, weak, weak, weak, weak, weak, weak, weak...!"

"Now's my chance..."

"I'm going to get stronger... and accept who I am..."

"Strong enough so that when someone says 'even though you're a boy' it'll be okay. I'll get better!"

"Maybe talking to Mondo about it will help give me some courage..."

So yeah, once you pull out the unreliable narrator. You get like, 6 lines total. 1/3 of which specify that she IS AFRAID of people saying "even though you're a boy". Now, call me crazy, but if we're genuinely arguing that Chihiro is a cisgendered man, why the hell would she say the equivalent of "I need to accept being a boy. Gee, I sure hope no one calls me a boy while I do so!" That's. That's inherently contradictory. More than anything, looking at Chihiro's lines as the most reliable source of Chihiro's thoughts about herself, it starts to look less and less like a man who wants to rise above being gnc and be a true manly man, and more like someone who's about to get fucking outed and mocked by Monokuma and trying to do damage control, steeling herself to be called a man and strengthening her mind and body to prepare for said outing.

Earlier in chapter 2, Chihiro is already thinking of starting to try working out, but is too afraid to enter the lockers because she's well-aware she can only enter the boys' locker rooms. The inference that Makoto comes to is that Chihiro is an individual trapped in a killing game that couldn't defend herself verbally in the library the morning prior, and is visibly the physically weakest in the class. Ergo, perhaps she wants to be able to defend herself better? Well, neither of those facts that lead to said inference magically change after the discovery of her dick, so perchance, the reason she wanted to get stronger was still so she could defend herself both verbally and physically?? The ONLY reason you'd have to come to the conclusion she wants to reconnect with her assigned sex is because she is being actively threatened into it by Monokuma's motive, or if you take Monokuma's story at his word, that he'd speak respectfully of the dead. Just like he did with every other character in that game, right?

Also, it's worth noting that in the actual conversation-turned-spiral between Chihiro and Mondo before Chihiro's death, neither Chihiro nor Mondo actually talk about Chihiro's gender, only her strength and desire to destroy her weakness. Yes, Mondo is using he/him in the voiceover, but the entire class is atp, and again. Using that as genuine evidence falls flat because we see in that very same scene that Mondo WAS NOT completely present for that conversation. He saw Chihiro's willpower and spiraled, conflating Chihiro with his brother and lashing out in a ptsd-induced blackout.

Also also, if you're gonna argue Chihiro has no reason to need to get physically stronger unless it's to be more masculine, A) Sakura exists in the same game, and B) please god look up any statistics on the amount of violence trans teens receive. That alone is a perfectly reasonable justification for a trans woman to want to be able to defend herself, especially when locked in a place where you cannot escape your potential aggressors.

TLDR Chihiro is legitimately more believable as a trans woman, and every intervention attempting to explain otherwise comes from a character defined by his love of twisting the truth for the sake of causing suffering. Hi hello does anyone hear me

[shadyhouse]

if anyone is able to help me out i'd appreciate it, im still broke as hell. this month has been really difficult for me. i worked a total of 5 days all month and my bank account is in the negatives again after paying bills and getting some living essentials. i dont know how im going to pay my rent like this. i applied to a financial relief fund from a local trans advocacy group but it's going to be a few weeks until anything comes from that. if you have literally anything to spare it would help me out a lot 😭🙏 i feel bad ive been asking for help so often and i know everyone is struggling, im working on getting my life back in order but everything fucking sucks and is difficult right now :( even just spreading this is a huge help

pp: paypal.me/bewearrr vnm: tobias_leviathan

thank you 💕💕

[luciawithoutj]

Made this for that Discord art challenge.

[pigeonedlilac]

[again saying these are fictitious despite how obvious just in case happyele comes down with an iron fist 🤛]

- Bleeding Ink ♡ Letters From the Heart

By request, StarPro idols are being recruited for the next round of the dating sim Love★Star. Due to the conflicting schedule of a required appearance at a ball, Yuzuru declines the offer, but the game’s director suddenly rewrites the plot…

HAPPY BIRTHDAY TO MIDORI TAKAMINE!!!!!!!!!!

I find myself here again :) I have so much respect for enstars artists.. what they pump out 3+ times a week takes me 5 whole months . My gofd ! I really hope you guys like these 2 🙏 personally they don’t leave my head!

[kindaasrikal]

Can we all consider the thought of how Zane might be physically older than all the other ninja, but mentally speaking he’s also just a teenage little shi

He’d be the middle child of the lot and you can’t deny me of this. He is NOT mentally 50 do you see that guy

He’s that one weird sibling you always have to teach stuff too despite them having more potential than you and you’re just stuck with it.

Zane is not mentally older than Cole, or even Kai of were being honest here. Everyone is aware of this fact and none of them have the heart to break it to him that no one considers him the oldest. Ancient nindroid or not.

[dykedvonte]

Honestly I see Jimmy's refusal to put Curly out of his misery less about his weird feelings of envy or his delusions but the fact Curly is all but stated to be a shield to Jimmy from his actions and people seeing the worst in him.

The only characters that Jimmy really interacts with one on one before the crash are Curly and Anya, two individuals he has wildly different relationships with. It's likely that Curly really did most of the talking between them as the pilots and the rest of the crew as staff. They didn't know of Jimmy's more reprehensible behaviors cause they never really had the chance to and Jimmy is subconsciously aware. If they had disliked him more than Anya would have told Swansea earlier or even Daisuke when things got really bad.

It's why he takes the immediate opportunity to blame Curly; He's the shield. He's saved Jimmy's ass more times than he can count and more times than Jimmy would ever admit. Even when he can't really do it anymore, he mentally shields himself from his own faults by putting Curly between them. Letting Curly die puts too much on him because he doesn't know how to function without a safety net.

In the end Curly only lives because Jimmy needs the idea that Curly will inevitably make things better to stay alive, meaning Curly has to live, no matter how much it pains him to do so.

[singlecelledbutch]

he's a broken man