#like people write it on their own time and make no money off of it

[mysteriousauthor448]

What if Class of 09 Flipside was made by a Woman?

I liked Class of 09. I liked it's snappy dialogue, I liked it's social commentary of high school and women's experiences with creepy men and adulthood, I liked how it gave such a compelling main character where you know she's awful yet acknowledge that she has her reasons without justification. I like Class of 09, both the original and re-up. What I don't like though, is Class of 09: The Flipside.

Setting my personal disgust with the feet routes and the 'Palestinian slave trade' comment aside, the writing in Flipside just is completely different from the last 2. Instead of focusing on the biting social commentary of the woman experience, it instead prioritizes shock value with only some form of substance (e.g, jecka seeing nicole's suicide, jeffrey's death, the ending messages apart from the creator) And you know what else sucks? We never actually got to explore Jecka properly of who she is as a character, her relationships with her family, friends, former friends...Sure, we get doses of her life like her dad which does do what the game promised: Change how we saw the Class of 09 story before. We now understand why Jecka was terrified of the cop's yelling, not only because an powerful authority abusing his power but also experienced it before. See, this was the stuff I expected from Flipside. This was what the game should've prioritised in. Instead, it seemed like the creator would rather showcase his fetishes and spite people that don't like him or the game. From that there on, I keep thinking to myself: 'you know, this game would've been better had a woman wrote this.' But can they?

I'm a woman experienced high school before, even tried to fit the class of 09 writing style on my characters in my own personal time. Given how a lot of class of 09 fans are disappointed with the new game and I want to get into writing publically, I figure that I be the one to rewrite Class of 09 The Flipside in hopes of re-capturing the essence of the first two games alongside the game's intentions itself. Even though it's still in development, I've already outlined the routes/endings so far for you all to get a peek:

Route 1/Ending 1 - Invasion of MySpace: The foot route will be replaced by Jecka taking and making videos/pictures in order to make money after being fired from her job. Think of it like a late 2000s or early 2010s version of OnlyFans. This would help remain the social commentaries of men’s creepy behaviour to women alongside how their safety is affected. There’ll be an option of whether to go to the creepy man’s house or go home. If she goes home, she finds Nicole giving her dad a handjob with a dead expression. It ends with Jecka killing herself and implies that Nicole followed her too (not half naked though, just in regular clothes cuz I'm not a freak unlike someone)

Ending 2 - MurderSpace: If Jecka chose to go to the creepy man’s home, she gets murdered and placed like a doll in the man’s basement. 

Route 2/Ending 6 - Breaking the Wounded Heart: Jecka finds herself to work with Karen and Ari at Dominos. Overtime, they start to form a bond and Jecka herself starts to mature and finds Nicole to be unbearable. Jecka finally breaks off her friendship with Nicole and cuts forward to the future where Jecka currently lives a peaceful yet boring life, reflecting on the past with Nicole, wondering if she’s really better off without Nicole because while she’s now in a stable life without the chaos, it's the chaos that entertained her: Nicole entertained her. And now it’s all gone. But in the end, it suggests that things are much better with Nicole gone as it cuts to a phone beeping and Jecka looking down at it with a smile while Ari is by her side. Yes, this is the route where Jeckari is canon. I know this sounds too sweet for Class of 09 but I want it to still match the vibe with it being less shocking but more real in a way. Something too realistically depressing but still mundane. This is what I planned to be the saddest but best outcome of the game. The most real I should say. 

Ending 5 - Was it all worth it?: If Jecka chooses Nicole over her new friends, it ends with her and Nicole being homeless smoking drugs in an abandoned forest with Jecka reflecting on whether or not she made a good choice with Nicole before commenting on needing a Xanax to distract her from the regret and pain. 

Route 3/Ending 3 - Fuck Men!: Jecka gets into a relationship with a presumably kind-hearted gentleman. Nicole tries to warn her but Jecka won’t listen. She then is coerced by the man into doing sexual favours for his economic gain, making her become a sex trafficked victim.

Route 4/Ending 4 - Drunk Drive Delivery: Same route where Ari dies but instead the ending changed to Jecka being arrested for 6 months where the ending monologue would showcase her conflicted in anger and regret. Plus, it plays more to the idea of Jecka ‘dying at 21’ logic with being forced to work: adult party culture: that kind of thing. 

I'd be happy to hear any feedback or/and ideas for this rewrite.

[lexithwrites]

Please more sugardaddy moonwater hcs. Pls!!

this might get long sorry (but this is kinda what i wanna write next so pls give me feedback) xoxo

they met through a sugar daddy website that james showed to remus one night (he's on it and is absolutely not telling him that he's met a guy)

remus is so embarrassed at first, he was on tinder like twice and had bad dates because of it so he isn't exactly confident this will work but he does get a lot of attention

he gets messages from kinda old guys, and a few older women, that are either way too pushy with what they want in return for an 'allowance' or just kinda creepy and he almost deletes it

then he gets a message off of someone young, maybe his age, and he's gorgeous

remus is so sure its a scam, no one can look that good and be on an app like this but he messages them anyway when they say hi first, and he asks about them and the guy is regulus arcturus black (he gives his full name, he's a loser) and he's literally just looking for company and someone to spend money on, nothing in return, he doesn't need it

remus is kinda shook because like what?? how is this guy lonely he must have friends but turns out regulus just has rich friends that can buy their own things, he doesn't have anyone to spend time with other than when he goes to family events which he hates

and remus is like okay,,,,maybe drinks first and regulus sends him the location of probably the nicest bar in london and remus is close to passing out because he cannot afford this at all but he said he'd go

he wears his nicest outfit (its a brown jumper and some nice trousers and his converse, he cant afford anything else rn because his cat started a hunger strike against the food he's had for a year and remus had to upgrade, kids eh?)

regulus is already there because he is never a minute late, and checking his rolex thinking he's been stood up but remus runs in like 'hi im so sorry i missed the train hi' and regulus is in love already, just straight up his heart starts hammering in his chest because not only is remus gorgeous in a weird, dorky way but he's just...he's adorable

regulus is calm tho, think levi ackerman levels of expression, he just kinda sits there arms folded and asks remus questions about his life and what he would like as an allowance and remus is just,,,confused?

he asks why regulus wants to spend his money on him and regulus insists he's bored (he's so fucking lonely and wants someone around him to dote on) and just needs a date to events as his parents are giving him shit for being single at 26

remus is unsure but decides fuck it, james can probably throw hands if regulus tried anything, and they agree to attend some gala together for regulus' family and remus says he'll have to get new clothes and regulus then sets up a date the next day to buy him an outfit and its a lil montage of regulus giving remus clothes to try its very cute

and is remus confused and guilt ridden for this man spending money on him? yeah, duh, but also he doesn't have to pay his bills anymore, he has amazing clothes, his stress levels are so fucking low than before, and he likes regulus....he really really likes him

and regulus is getting what he wants, but also he has remus lupin as eye candy and that's an added bonus, and god remus is so adorable and nerdy and he wants to climb him like a tree

also yes remus sees james at the event and he's like what the fuck are you doing here and turns out james is with HIS sugar daddy, aka regulus' brother and its a whole ordeal

and maybe one night regulus invites remus to stay with him for the night because its too late to get the train and he doesn't really want to let remus go and maybe they drink wine and maybe they touch just to see what its like and maybe MAYBE they kiss and make out and fuck slow and deep and then AND THEN—

i might write more if people like this idk,,,,

[say-hwaet]

The Dynamic Between Arthur and the Marstons (long post )

I guess I should say there are spoilers, just in case…

After playing the story through several times, I have to say, that Arthur Morgan is one of the best characters ever written. Aside from his development, there is so much depth to him, and regardless of his honor, there is so much to unravel.

I’ve been thinking about the relationship that he has between the Marstons, meaning John, Abigail, and Jack, and it really makes sense as to how Arthur acts the way he does around them in the beginning and all the way to the end.

A lot of his behavior, I think, stems from the loss of Eliza and Isaac. It is my opinion that he himself was torn between living a full life with them and remaining loyal to his gang, and before or by the time he had made a choice, it was too late, as they were killed in a robbery. This had haunted him since and it made him extremely bitter. Later in the game, he tells Rains Fall that he realized that he didn’t get to live a bad life and have good things happen to him. I also think that he was with Eliza after Mary had broken their engagement. I can get into my support for this later, but that isn’t what this post is about.

I think that Arthur was angry with John out of jealousy. He is the “golden boy” and clearly was Dutch’s favorite at one point. Not only that but after Arthur loses his own son and lover, John and Abigail get pregnant and he takes off for a year. He abandons his family, which Arthur takes personally. Arthur had tried to do right by Eliza and Isaac and still failed. So when John has Jack and is within the circle of the gang to help and support him, he takes off. Arthur gives up a potential life with Eliza and Isaac for Loyalty to the gang and John throws it all away. When John comes back, Dutch welcomes him with open arms, and Arthur believes that he would have been held to a different standard if he had come back after being with Eliza and Isaac for a long time. And it doesn’t help that John treats Jack like crap in the beginning of RDR2.

Arthur, imo, was a good father to Isaac when he was present. We can see this in how he treats Jack. In Arthur’s journal, he writes how he should have married Abigail, but due to his feelings for Mary, he didn’t. I’m not sure why after years of not hearing from Mary he would say this, but meh. Perhaps, the hope of starting over, or that she did pop in again at some point (which is how Abigail might have met her?). Anyways. I think he says he should have married her so that she would have someone to rely on and that he could be the father Jack needed. He cares about Abigail, but I don’t think it is anything beyond that. Arthur seemed to me not to be one to be with a woman without some sort of relationship, based upon how he treats women and the prostitutes in Valentine, so I don’t think he was ever with Abigail. Even so, Abigail relies on Arthur, and while he puts up a front, he gives her money for clothing and spends time with Jack. Heck, he even tells John to step up and be a dad. In some of Arthur’s conversations with John, he tells him that he can’t be two people at once. He’s speaking from experience. I think he’s subtly telling John he needs to make a choice as to what life he’s going to live. Hosea and Arthur both tell Abigail and John to leave at parts of the game.

When Jack is kidnapped, and eventually rescued, I think it is one of the most heart-wrenching missions and scenes. I can see it in Arthur’s body language that he longs for the family that he once had. He’s alone in his pain and when everyone is celebrating, Arthur doesn’t sing with the gang; there isn’t even the option to do it like it does other times. Even in my first playthrough, it seemed so sad to me. Everyone was drinking and singing, but Arthur just looked so sad.

So, it is at this point that John starts to step up, and Arthur starts to show symptoms of his illness. When he learns of his diagnosis, Arthur’s eyes open to the reality of the gang’s downfall, and he acknowledges the doubts/reservations he has about Dutch’s plans and schemes. He isn’t blindly loyal anymore. He tries to get John, Abigail, and Jack out, so that they can have the life that he had lost due to loyalty to the gang. He continually tells John to get out and that it would mean a lot to him. In his journal, after rescuing John from prison, he writes in his journal “…We’ve argued over the years, but I’ve grown to care a little for [John]. He’s less of a fool than he was, and maybe he can have the luck that has eluded me. Jack is an innocent little boy. In him, I see what I missed [meaning Isaac]. We did it.” This speaks volumes to me about how he feels about them in the end. He sacrifices himself to let John live. And though it isn’t forever, Arthur dies believing that he made it, and that matters. And hopefully, he could finally be at peace and see Eliza and Isaac again.

I could keep going, but I think I am too long-winded. I guess that helps when writing fleshed-out fanfiction stories, but not for posts. LOL

Would love to hear other thoughts or opinions, I’m always keen for a discussion.

[lightofraye]

jared's relationship (or lack thereof) with the cast frankly weirds me out. is he ever supportive of their new projects? if he couldn't attend this event, he could have at the very least helped promote it if he believes in the cause. he has time to check twitter and get upset over what some teenagers are tweeting about him but not about his own nasty longstanding stans. neither does he have time to engage positively in good causes

i thought he so badly wanted to get on The Boys but he can't make the time to fly out and meet the show's faves and chill with them. does he really believe he's above it all?

i'm starting to believe fans truly do reflect their favorites and he's coming off petty and entitled. unfortunately, his attitude towards the cast translates into his fans calling everyone else "extras" and treating jensen as an accessory

look at jensen and misha surrounded by all the lovely people they've been friends with for years, and then look at jared in the corner all by himself

i'm not saying he owes anyone anything but for someone so chronically online to be ignoring the awesome things happening and focusing on his personal online bullies leaves a bad taste in my mouth

and using him not being in California as an excuse for not being there last night.

Rob and Ruth were in Scotland and they attended via Zoom. Not sure where Mark S or Curtis were, but they also attended via Zoom and weren't at the house with the others. Laz Alonso and Valorie Curry also attended via Zoom. There were other ways to be there.

He wasn't there either because he didn't want to be or he wasn't wanted. Pick your poison.

also stop being so hypocritical, you complain about Danneel cutting of Jensen when Jared does it as well and alot more. You complain when anyone makes a jokes a to Jensen about jensen but is comletely ok when Jared does the same.

You are such a fucking asshole that noone likes

I was wondering when the anti Jared folks would come out.

Given how Rob and Rich are banking on Destiel for their podcast, small wonder Jared does anything with them. Jensen is a far patient man than I would be. And Jared seemed to get along well with Ruth during duos recently.

And Jared didn’t beg Kripke at all. Kripke begged him! And he doesn’t engage with many folks on social media anymore. He’s grown as a person, has owned up to his issues.

Not everyone has to stay friends after their work has ended.

You can keep trying to paint him a bad person, but who’s the one getting pissy on social media about politics and his role? (Misha.) Who is trying to take fans’ data and sell it? (Misha.) Who tries to post thirst traps for money? (Misha.) Who tried to leverage Destiel for politics? (Misha.) Who exaggerates and lies about stories that netted death threats against Jared? (Misha.)

Y’all know you can’t win this argument. So again: why are you trying? Go write your Destiel fantasies on your blogs and leave me and other Jared fans be.

[howyoutalktoyourgrandma]

“well i just think fanfic should-“ actually fanfiction can be anything. people write it for literally less than nothing. fanfic writers don’t owe you anything. find another fic or write ur own. hope this helps 👍

[icewindandboringhorror]

sometimes looking at like Self Help Strategies lists for the symptoms I'm having is always just like:

thing that I already do

thing I have tried 10 times

thing I already do

thing that I don't have the money to do

thing I already do

thing I've been doing since I was 10yrs old to no avail

thing that is impossible given my situation

thing that doesn't apply to me

thing that I already do

thing I have already tried

hrmm, oh wait, maybe finally- OH, yeah.. okay. thing that I already do but it was just phrased slightly differently

thing I have already done

[savrenim]

the worst bit about being Super Excited about a new original project is, like. the knowledge that. at best. people aren't going to see it for a year and a half to two years. and that it's really hard to go "hey trust me I'm going to have something so cool in like two years so please stick around now"

[cupcakesmoothie]

Something about me and mean lesbians with their cute sweet girlfriends that they're absolutely whipped for

Lesbians

[roseverdict]

it is 4 AM which means it's Desperately Claw At Hobbies In An Attempt To Make Some Form Of Money To Set Aside So I Can Go Be An Adult Instead Of The Parentals' Puppet time!

[allthingswhumpyandangsty]

why taking commissions for fanfics can KILL Archive of Our Own and fanfic culture as a whole

okay, so thing is, fanfics are allowed — as in they’re not banned — because nobody is supposed to be profiting off of copyrighted characters.

this is why popular site like Archive of Our Own is allowed to be up and running, because no one is supposed to be making money from fanfics.

the fact AO3 is allowed to be up and running, unfortunately, can and will most likely change if people start normalizing commissioning fanfics and making profit off of them.

because the second those big companies learn people are profiting off of their copyrighted characters, the target they will attack after you (in terms of legal action) is a platform like Archive of Our Own, which will likely ruin it all for everybody and every fandom.

imagine Archive of Our Own getting shut down because fanfics were banned because people were profiting off of them. (I know AO3 isn’t only about fanfics, but since it’s mostly known for fanfics, it will most likely get targeted and that will most likely mean it’ll get shut down if worst comes to worst.)

honestly. most people write fanfics in their free time for free out of passion and love they have for their favorite characters.

people read fanfics for free because that’s their source of happiness.

I’m not saying there will be no fanfics left in this world if they really are banned, because people will always find a way. but it WILL be so much harder having to sneak around and find a way to post fanfics without them getting removed at best, the authors getting sued at worst. and it WILL be harder for readers to find your works if we have to censor key words and character names in order to avoid getting caught.

it’s so much easier like this, we can freely post fanfics without having to hide and censor key words or worrying about anything.

no, I’m not making this post for the sake of those big companies. this post isn’t about “hey, don’t profit off of their characters”. it’s about “hey, don’t risk ruining fanfics culture as a whole for everybody by profiting off of them and putting a platform like Archive of Our Own in jeopardy.”

if you don’t want to live in a fandom without AO3, keep fanfics free.

[taylor-titmouse]

hey i want to talk about how you should be promoting your work as an erotic author/illustrator

i'm writing this up because the marketing aspect of my work as an erotic author/illustrator is a science to me, and also because i'm the guy who gets unreasonably annoyed when i see other creators not properly advertising their work. you presumably want to make money off your work. this post will be written under the assumption you want to make money off your work but are doing a bad job at it. it will be very confrontational. if you read this and feel attacked you're right and i am attacking you.

this is geared toward selling erotic comics/writing/books/art as products. i will probably write more than one post about this subject so if i didn't touch on something you want to know more about, comment/send me an ask and i'll keep it in mind for the next one.

i will start with my first and least specific but most important point:

DON'T GET FUCKING CUTE

hi are you paying attention. i'm gripping you by the sides of your face. do not get fucking cute with what you are trying to sell. you are not a big enough property to get cute, nobody LIKES it when big properties get cute, and you are selling porn. you have to own this. you have to be up front about this. don't be tongue in cheek, don't be all teehee i wonder what this could be~, don't be secretive. you are selling a product. you have to fucking act like it. you are an adult selling pornography to other adults. i am GRIPPING your HEAD you NEED to understand this.

and to be clear when i say 'cute' i mean coy. i don't mean cutesy, as in the aesthetic. you can be as hello kitty pastel ten emojis a post uwu as you like when you're building your audience and generating hype. but when you start trying to sell, don't be vague, don't be sarcastic, don't mislabel your work as a joke and assume everyone is on it. because they're not.

you must always assume 75% of the people seeing the thing you are advertising have no fucking idea who you are. and that includes a huge chunk of the people who already follow you. they do not know who you are or what you've been working on for two months or why they should care about it. they just got here. somebody just reposted it. they are seeing it for the first time. most people are only looking at social media for a tiny chunk of their day. they are not keeping up with you. you cannot get cute about what you are trying to sell because nobody knows what it is until you tell them.

okay are you still with me. we are going to talk about clarity now.

YOU GOTTA TELL ME WHAT IT IS

good lord the amount of times i have gone to buy somebody's comic or book and had no idea what's actually in it or what it's about. who are the characters? why should i care about them? what do they do in it? what is the premise of this thing you want me to spend $5 on? why would you not tell me? i'm shaking you again. please i have to know what i'm buying i only have so much money to spend on porn.

porn, arguably more than any other genre, relies on knowing exactly what is in it. you do not want to surprise your readers with a kink they were unaware of! and on the flip side, you do not want to miss out on your target audience! if your book contains a hot spider babe laying eggs in an elf, you have to say so. not just so people who don't want to read about eggs know it isn't for them, but so the people who are egg crazy can see that and go "oh fuck YES i love EGGS here is my $5 and an extra $2 tip for catering to me specifically". a contents/features list is as much an advertisement as it is a warning!

as for re: who the characters are and why should i care, i'm sorry but you need to learn how to write sales copy. you have to write blurbs. you have to get good at the shit that goes on the back of a book. we all hate it but we have to do it. i want to know who the characters are and what the context is. i, personally, am not interested in contemporary stories as much as fantasy and historical. please tell me what genre this porn exists in so i know if it aesthetically appeals to me. pull some books off your shelves and see how they do it. hell man go look at mine.

while you're there, note that every single book of mine has a sample of what's in it. this feels like such a no-brainer to me but again! the amount of times i have gone to buy somebody's work and they don't show me what their work looks like! you gotta give me the first page or two! just enough that i know if i like the way your writing sounds, or the way you draw your comics! i don't know you! i am not going to trust that you're good at what you do just based on a cover. the cover is to get me to this step, it is not the only step. you have to show me that you're worth spending my money on!

to put it less cynically, you want to catch my interest. you want me to go 'oh i want to see more of this', you want me to go 'ahh i want to know where this goes!' you need to get me invested and craving more. earn my $5!!!

YOU HAVE TO MAKE IT EASY TO GIVE YOU MONEY

hey go look at your bio right now. go look at your pinned post. do you have a link to your patreon there? do you have a link to your itchio/gumroad/whatever? do i have to click more than once to get to the places you want me to go to give you money? why? why are you making me click twice? have we learned nothing from every website making you click an extra time when they make some stupid UI update and how much it pisses us off? i have already given up, i have forgotten you, i am not giving you my $5 today. put your links in the easiest places to get to them.

god literally as i was writing this post i went to go find somebody's itchio to see how they described their work and it was not anywhere on their profile. grabbing you and shaking you PUT THE LINK WHERE I CAN FIND IT. don't make it hard! make it easy! i am a dickhead sitting on the toilet scrolling, saw your post, and was interested enough to read further. but you made me go to your bio to find your linktree and oops i have already gone back to my timeline to look at the boobies in the next post. stop wasting precious bio space on DNIs and put your fuckin links there!!!

this is more for the twitter people, but: just put the link in the damn post. just say the word commission. just say it's for patreon. "wuh wuh the algorithm" it is not the damn algorithm it's that everybody hates advertising and nobody wants to retweet ads. putting slashes in the words doesn't do anything and you look like a fool. i have posted so much art that says it's 'a commission for ___" and it did exactly as good as any other art despite having the word commission in it. and by doing the slashes you just made it impossible for anybody to search your account for your commission information (which should be at the VERY LEAST in a post under your pinned tweet if you're not actively posting about them being open).

okay that went on a tangent i'm going to back to the point of putting the link in the tweet. put it in the first post. not in the first reply. don't tell them to go to your bio. put it in the post people are actually going to share. it's fine to put more information in the thread but people are only ever going to share the first post. so put the link there. you have to make it easy. putting links in tweets can hurt you algorithmically, even in the replies. so you're better off having it in the post that actually gets seen and shared. i don't want to open the tweet and scroll to get to your sales page where i ASSUME you will have put all the information anyway. put it in the tweet that just got retweeted by itself onto my dash!

also you have to share it a ton of times. i repost my shit every few hours when i'm trying to push a new product. as i said before people are not 24/7 looking at their timelines. they missed it the first time. they missed it the second time. they didn't get paid yet that week but they were after the eighth time and you reminded them again so they finally bought it. that i will still get sales every time i repost a book ad weeks after release says there are always people who missed it, or who only just showed up.

abandon your pride and shill. shills pay their bills. anyone who gets annoyed about it isn't giving you money in the first place. don't worry about looking like a sell out. don't apologize for plugging your own work. post about it often, post about it in different ways. post about it. post about it. you are not going to make money if people don't know you have something to sell them. if you want to make a career out of it, you need to act like it.

I DON'T HAVE A FOURTH POINT

kisses your forehead. i'm sorry for yelling at you. i've been making and publishing and selling adult art for the past two-three years and have got myself to the point where it pays my rent, and i got there by paying attention to what does and does not work.

please do your best to make money. i want you to make money.

as i said above i plan to write more posts on this subject, such as cover design, how to actually write sales copy, and best practices with running a patreon, but if there's things you would want to hear more about leave a comment or send an ask! i will probably be less aggressive on future topics. these are just things that have grinded my gears for a grip.

[pixeljade]

The thing with the writers strike and actors strike is that. You ALL have to start realizing that the cool creative jobs they paint as "glamorous" in the media are actually ALL struggling in a big way, and basically everyone below "Huge Household Name" is actually often having to spend THEIR OWN DAY JOB MONEY to keep trying and trying to "break into" that household name status.

Like, im a cartoonist. Just starting out, but already fairly successful! My comics are sold in a handful of states, i sell out of my works, and i even have been featured as a finalist in a couple awards shows AND have pieces bought by a cartooning museum. I still barely make a couple hundred per month off it IF IM LUCKY, and spend almost as much trying to print more. Oh yes, i have to print my own comics! And working for a big comic company, they generally require you to bring some level of your own equipment. Heck, even if you make it "big" as a cartoonist...you wanna know how much you get paid if your comic that you spent months of back-breaking labor on is adapted into a marvel movie? A one-time check for $5000. Out of the BILLIONS those movies make, in perpetuity for eternity, you are given $5k. Pre-tax. Pre-agent. Pre-lawyer. (Yes we have agents and lawyers too, quite often). There's hardly any cartoonists who can afford to quit their day jobs, and even those who do are never living above the lower middle class range.

Now obviously cartooning is not the same as acting or writing, but my point is that we NEED yall to stop thinking just because you see our work as cool that we are living some dream life!!! Basically the only people who are living these dream lives you think of are CEOs of major companies and the occasional celebrity. The rest of us are just out here, struggling to survive just like you, we just happen to have a side hustle which is Kinda Cool.

[wordstome]

how c.ai works and why it's unethical

Okay, since the AI discourse is happening again, I want to make this very clear, because a few weeks ago I had to explain to a (well meaning) person in the community how AI works. I'm going to be addressing people who are maybe younger or aren't familiar with the latest type of "AI", not people who purposely devalue the work of creatives and/or are shills.

The name "Artificial Intelligence" is a bit misleading when it comes to things like AI chatbots. When you think of AI, you think of a robot, and you might think that by making a chatbot you're simply programming a robot to talk about something you want them to talk about, and it's similar to an rp partner. But with current technology, that's not how AI works. For a breakdown on how AI is programmed, CGP grey made a great video about this several years ago (he updated the title and thumbnail recently)

I HIGHLY HIGHLY recommend you watch this because CGP Grey is good at explaining, but the tl;dr for this post is this: bots are made with a metric shit-ton of data. In C.AI's case, the data is writing. Stolen writing, usually scraped fanfiction.

How do we know chatbots are stealing from fanfiction writers? It knows what omegaverse is [SOURCE] (it's a Wired article, put it in incognito mode if it won't let you read it), and when a Reddit user asked a chatbot to write a story about "Steve", it automatically wrote about characters named "Bucky" and "Tony" [SOURCE].

I also said this in the tags of a previous reblog, but when you're talking to C.AI bots, it's also taking your writing and using it in its algorithm: which seems fine until you realize 1. They're using your work uncredited 2. It's not staying private, they're using your work to make their service better, a service they're trying to make money off of.

"But Bucca," you might say. "Human writers work like that too. We read books and other fanfictions and that's how we come up with material for roleplay or fanfiction."

Well, what's the difference between plagiarism and original writing? The answer is that plagiarism is taking what someone else has made and simply editing it or mixing it up to look original. You didn't do any thinking yourself. C.AI doesn't "think" because it's not a brain, it takes all the fanfiction it was taught on, mixes it up with whatever topic you've given it, and generates a response like in old-timey mysteries where somebody cuts a bunch of letters out of magazines and pastes them together to write a letter.

(And might I remind you, people can't monetize their fanfiction the way C.AI is trying to monetize itself. Authors are very lax about fanfiction nowadays: we've come a long way since the Anne Rice days of terror. But this issue is cropping back up again with BookTok complaining that they can't pay someone else for bound copies of fanfiction. Don't do that either.)

Bottom line, here are the problems with using things like C.AI:

It is using material it doesn't have permission to use and doesn't credit anybody. Not only is it ethically wrong, but AI is already beginning to contend with copyright issues.

C.AI sucks at its job anyway. It's not good at basic story structure like building tension, and can't even remember things you've told it. I've also seen many instances of bots saying triggering or disgusting things that deeply upset the user. You don't get that with properly trigger tagged fanworks.

Your work and your time put into the app can be taken away from you at any moment and used to make money for someone else. I can't tell you how many times I've seen people who use AI panic about accidentally deleting a bot that they spent hours conversing with. Your time and effort is so much more stable and well-preserved if you wrote a fanfiction or roleplayed with someone and saved the chatlogs. The company that owns and runs C.AI can not only use whatever you've written as they see fit, they can take your shit away on a whim, either on purpose or by accident due to the nature of the Internet.

DON'T USE C.AI, OR AT THE VERY BARE MINIMUM DO NOT DO THE AI'S WORK FOR IT BY STEALING OTHER PEOPLES' WORK TO PUT INTO IT. Writing fanfiction is a communal labor of love. We share it with each other for free for the love of the original work and ideas we share. Not only can AI not replicate this, but it shouldn't.

(also, this goes without saying, but this entire post also applies to ai art)

[rowarn]

bizarre thought.....shadow entity!ghost..... @sgtgarricks is responsible for this!!!

i already want to write another part to this LMAOOOOOOO

part : two

when you first moved into your new house, you knew it was old and had been vacant for a looooong time. it had a bizarre history of people living there and moving out months, even weeks later. most people declined offering a reason for their quick move but others would just vaguely supply that the 'energy was dark in that house', you weren't bothered.

it was a nice, big, house and for damn cheap too. you weren't about to look a gift horse in the mouth.

your first nights in the house, you understood what they meant. there was something off about the house for sure. at random times, you would feel the hairs on the back of your neck stand up, as if alerting you to danger. when you would turn around, there was nothing there. but it would leave you with sweaty palms and a racing heart.

it wasn't until a week into your new life that the first weird thing happened. it was like something from a stereotypical horror movie. you heard a strange sound and got out of bed to investigate. when you got to your kitchen, all the cabinets and drawers were open and your kitchen chairs were placed on top of your table -- which had also been moved across the kitchen.

you tried to take some deep breaths to calm yourself as you returned everything back to normal. you went over and over in your head for some kind of explanation for the event before finally landing on the fact that this house was fucking haunted.

strange events kept happening after that. lights would turn on, your kitchen cabinets would be open, sinks and showers would turn on, doors would slam from across the house. you were losing sleep over it. every single night you'd be woken up by some strange event and you were beginning to understand why the past tenants had moved out so fast.

this was a rotten way to live.

the final straw for you was the night the activity really seemed to ramp up. whatever spirit was haunting you wanted you out now. multiple doors slammed, jolting you from your sleep -- your heart racing from how hard you had been startled from your dreams. you got to your feet and turned on your lamp only to find it wasn't working.

next, you tried the overhead light. same thing.

fuck. it had caused the power to bust.

now you were really scared.

you grabbed your phone, using the flashlight to navigate your way out of the bedroom. the floorboards creaked beneath you, considerably louder without the hum of electricity.

you were halfway down the hall when you heard it. quiet at first, but definitely there. footsteps. mimicking your own, as if echoing after you took your own steps, making sure you knew it was there.

you spun around, shining the light upon nothing. you let out a heavy breath, noticing the way the flashlight shook from how hard you were trembling.

"a-alright, ghost," you called into the empty house, too scared to feel stupid that you were talking to nothing, "i-i'll admit i'm pretty scared right now. i-i know you probably want me out of your house. this is your house, i get it. bu-but i already sunk all my damn savings into moving in here s-so i can't leave!" you swallow, a loud gulping sound that would be funny if you weren't about to piss yourself, "s-so if we could just live together for a little while longer. i-i promise i'll get out the second i have the money!"

there was nothing but tense silence. you felt like an idiot the more seconds that passed. were you trying to make a deal with a fucking ghost? a spirit of someone who probably died in this house? what kind of shit had your life become?

you peered into the inky blackness of the hallway, blinking as you try to futilely see. it takes you a moment to realize you're not just staring into the darkness of your hallway. it's something else.

pure darkness. a dark entity taking form in the blackness of the night. you want to step back, primal fear coursing through you like you never felt before. whatever fear you were feeling was primordial in nature -- as if this entity was something you were born to fear.

the darkness began to swallow up the hallway, eating away at the light your flashlight had created. the air felt heavy and oppressive, making it difficult to take in oxygen.

you swear you could feel hands on you, grabbing you and pulling at you. the longer you stared into the darkness, the more you thought you could see things. eyes. hundreds of eyes. but when you blinked, the images vanished.

then, all at once, the entity was gone and your light was shining down the hallway again unimpeded. after another second, the sound of the electricity slamming back on filled the house and you collapsed to your knees.

whatever that was, it was dangerous. you knew that now.

but it didn't hurt you. perhaps it agreed to your terms and would leave you be now?

oh how wrong you were. sure, it wasn't nearly as scary as that night but now you saw it.

around every turn.

you could see the shadow take shape from the corner of your eye but when you looked, it would be gone. you would be brushing your teeth and when you looked in the mirror, it stood behind you, making your heart leap out of your chest. when you would turn, it wasn't there.

you were no longer woken up in the night, at least. but you weren't sure if you preferred the regular haunting stuff to seeing the ghost or not. you were on the fence about which was worse.

after another scare from the ghost, you jumped so hard that you almost fell over, "alright you -- ghost! will you quit scaring me like that!?" you found yourself shrieking.

to your abject horror, you heard laughter in return.

the shadow shit was fucking laughing at you. like it was enjoying this.

it wasn't evil laughter either. it sounded like pure enjoyment.

you suppose it wasn't out of the realm of possibility for a ghost to make sounds but it didn't make it any less horrifying.

you started talking to it more after that. once you heard its voice - sort of- it became easier. the fear also dissipated in time. sure it would jump scare you from time to time to get a laugh but other than that, it became like living with a really annoying roommate.

"will you get out of my mirror!" you snapped, mouth full of toothpaste with you facemask on. its disappearance was marked with its mirthful laughter.

you also noticed as the days and weeks passed, it stopped looking like a shapeless shadow and more like a person -- a big one at least. well over 7 feet tall. if you looked for long enough, you could almost make out what you think is a skull where the face would be on a human.

one night, you're laying in bed, comfortable. there's rain pelting outside on your window and distant thunder, too nice of weather to sleep away. so you just choose to relax and listen to it.

"ghost?" you find yourself calling into the darkness, "are you there?"

its silent but you feel the air grow heavy and you know that it's arrived. it seems to have...consciousness, you realized. it reacts to you and listens to you. there's one thing that's been plaguing you that you want to ask, though you're not sure if it will answer -- if it can answer.

"you're not really a ghost are you?" you ask.

you're greeted by silence for several, long seconds before you hear it. it's deep and masculine, a whisper of an echo following its voice when it speaks as if multiple things were speaking but only one voice was amplified, "no."

it's the answer you were expecting but that didn't mean you liked it. you swallow harshly around the lump of anxiety in your throat.

"are you going to hurt me?" you ask it, dreading the answer to this one. just because it's been toying with you doesn't mean it's not still dangerous.

"no," it responds again. you can hear footsteps, the entity walking closer and closer to your bed.

you let out a relieved breath at that. though, you're not sure if you should actually believe the dark entity that lives in your house. but at this point, you've really got no choice except to take it's word for it.

"what's your name?" you find yourself asking it.

"ghost," it responds quickly.

you laugh at that, "no, you're real name."

"ghost," it insist, "you gave me a name."

a lightbulb goes off over your head.

"is that why you're being so nice to me?" you ask, not sure if 'nice' is the appropriate word to use.

"i wanted a name," it answers, "you gave me one."

"a name in exchange for living in this house," you muse, deciding to roll over in bed, "alright then. goodnight, ghost."

"rest well," it responds before vanishing, freeing the room from that oppressive feeling.

you close your eyes and will yourself to fall asleep, briefly wondering where ghost even came from and what exactly it was.

this is unedited i wrote it in a fury of inspiration i hope u enjoyed it regardless of how WEIRD this was LMFAOOOOOOOOOO

[creatingblackcharacters]

“Romance Will Not Solve Racism”- Interracial/Biracial/Blended Black and White Relationships and Families

I broke this lesson on white/Black interracial relationships and identity off from my multicultural lesson because this is one that demands its own talk. People think that the existence of interracial relationships, biracial children, and blended families means that we are “moving forward as a society”. While admittedly it’s no longer illegal- and the fight that went into it for the right was very important- it doesn’t mean that the world is “getting past racism”. Far from it, if I’m being very direct.

Tokenism

“It’s a given that they’re not racist, they’re in a relationship with a Black person.”

Some of the most antiblack racist people I’ve ever had the displeasure of witnessing are the ones that think they ‘could never be racist’ because they draw “Black” characters, reblog “Black” posts, or “enjoy” Black characters. What I need you all to understand, going into your creation, is the proximity to Blackness does not mean antiracism. In reality, they are usually just tokenizing Black characters and people.

Tokenism: “the practice of making only a perfunctory or symbolic effort to do a particular thing, especially by recruiting a small number of people from underrepresented groups in order to give the appearance of sexual or racial equality and equity within a specific societal system (workforce, school, university, movie, tv-show etc.)”

In other words, the token Black friend/partner/child/favorite character is the person that white people will point to, to suggest that they are not racist because there is someone Black that they can stand to be around. They value them as pawns, not as people.

This can and often does apply in these scenarios. A white partner that might be nice to their Black partner may switch up one day if said Black partner doesn’t act the way they want (‘you’re not like other Black people’), revealing a side they hadn’t before. Many white spouses have rejected their spouses’ Black biracial children or treated them less in comparison to their own white children. It has been noted that white foster families will adopt Black children for the money (because they’re ‘cheaper’) or performance value, since people don’t adopt Black children as much (one family even murdered all of them in a murder-suicide).

Meanwhile, the whole time, they ‘seemed so nice!’ Racism can come from ‘nice’ people. So moving forward this is something we need to keep in mind. If anything, you need to be even more aware of this when writing, as these characters supposedly have a close relationship.

“What are you mixed with?”- Colorism

It’s also not coincidence that many of the acceptable, “beautiful” Black biracial people are the Zendayas of the world. Light skin, looser textured hair. These are the Black biracial people that are brought to the forefront, but they are not representative of every Black biracial person!

Now, this is one of my biggest pet peeves, both in character design and in life, so say it with me:

BEING BIRACIAL DOES NOT AUTOMATICALLY MEAN LIGHT SKINNED, AND BEING LIGHT SKINNED DOES NOT AUTOMATICALLY MEAN BIRACIAL!

I want to bite everyone that thinks this lmao. People will see lighter-skinned Black people and ask “what are you mixed with?” It infuriates me, the idea that we are somehow more beautiful for that proximity to whiteness. The idea that being Black alone is not enough to be beautiful, there must be something else in you that makes it that way.

(I’ve also known some unattractive light skinned and mixed people so… It’s just not true.)

This belief easily permeates society, and that includes artists and writers who want a specific look for their characters. Every mixed child is NOT going to be light skinned!!! LET IT GO!!! “I want my character to have long, thinner textured hair, but I want her to have a natural ‘tan’ (their brown skin) so by being mixed, I can have that! How beautiful!” No. It’s very racist. If your goal is to obtain Eurocentric beauty standards for your character, but to ‘claim diversity and benefits’ in their Blackness, that is very much racist. Y’all gotta catch yourselves on that one!

"Passing"

I want to reiterate a point, that you’ve likely walked past many a Black biracial person and just assumed they were Black. Blackness is not just a skin color, but a measure of social standing as well. We have been socialized to think of Blackness as less than, so once someone has been perceived as Black, someone’s perspective will be affected by antiblackness, regardless of their complete background.

But, when it comes to being biracial with whiteness, there’s also the concept of “passing”, where you might have assumed they were white!

Now, this is a controversial, and U.S. American-centric, view that I’m about to express. People will disagree with me, and that’s fine. Colorism does offer privilege to light skin. But I am of the opinion that if you have to ‘pass’ as white, you are not White. White people don’t have to pass. They just are. No matter what other marginality they are, that whiteness is the one thing they can lean on. If you can have that whiteness and the privilege that comes with it revoked by sheer awareness of the Blackness in your genetics, you are not White, because white people can never have that happen to them. So you might be able to get away with whiteness, as long as no one knows!

It’s why things like the One Drop Rule, the Paper Bag and Pencil Test, and terms like quadroons, octoroons, creoles, mulattos and such exist.

Strong dependence on the Mammy stereotype in this movie aside, one of the main plot lines of Imitation of Life is a Black woman, Annie, and her mixed daughter Sarah Jane. Sarah Jane is beautiful, but most importantly she can pass as white (the actress is Jewish). But Sarah Jane struggles with the reality that her society treats her better when she’s ‘white’ but will immediately and violently turn their back on her when she’s revealed to be half-Black. She hides and rejects her Blackness to protect herself from the pain, but rejecting her Blackness means rejecting her beloved mother, and everything she’d done for her. Annie dies of illness and heartbreak, having accepted that this is the choice she’s made.

(also, Trouble of the World by Mahalia Jackson is one of my favorites)

Fetishization vs Reality of Black biracial children

Again: people like to place a lot on the existence of Black biracial babies. They think the existence of a Black biracial child means that race simply isn’t a factor. They’ll seek the ‘beauty’ of mixed children, plus the performance points of ‘non-racism’ because they exist. Imagine your own parent- whom you’re supposed to love and trust- treating you as violently as the world outside; treating you like those puppies people get at Christmas where it was fun as a concept but ready to toss by Easter because they’re no longer titillating. Black biracial children are not toys, and they are not symbols: they are human beings!

If you plan on writing a white parent to a Black child (biracial or not) that is a GOOD parent, then they need to be aware of their child’s specific needs! There are still things that will apply to your Black child character that are different from a white one that your white parent character needs to know. Otherwise, your Black and Black biracial viewers will notice that this kid would not realistically be safe, healthy, or happy.

This includes learning to do their hair, or where to take them to get it done; recognizing when some conversations just aren’t ones they can have on their own, when they are treating their Black child like their life experience and day to day needs are that of a white child’s. I recognize that every story isn’t going to center racism, but if your story does want to acknowledge it, this also includes learning how to catch when their child is being discriminated against by their own white family members (just because THEY as a parent are okay, doesn’t mean their families are), in school or in other social spaces. That child might be in danger, but if their white parent does not recognize that, they will not protect them!

Antiblack racism from white parents has been spoken about often amongst Black children. Children of color in general adopted by white parents can speak on it. The rapper Logic has rapped often about his white mother calling him slurs. You can tell when a Black biracial child’s hair is not being done properly because their white parent does not care to learn, and is trying to physically force whiteness upon them via assimilation. It can actually be incredibly damaging for a Black biracial child to have a white parent that does not know how to take care of a child that will face the world far differently than them.

This can include feeling excluded from certain parts of your identity, just because you aren’t “enough”. One example multiculturally is the pressure to assimilate. For example, some Latino families not teaching their children Spanish, or Kenyan families not teaching their culture, to assimilate in (white) American culture.

Very often, white people no longer in a relationship with their Black partner will isolate their Black biracial child from their Black family, thus cutting off access to half of their heritage. Thus, many Black biracial kids find themselves confused about that line. Ideally, their parents will be healthy enough to have those conversations and strengthen their self-identity, regardless of their relationship with one another.

So when you’re writing your character, they should not be telling them that ‘we don’t see race’, or any other things that imply that the Blackness within them is somehow shameful or doesn’t need to be acknowledged.

How to actually treat a Black partner

Any Black person (with any self-respect, let me clarify) will not want to be with someone that’s racist. This doesn’t mean that their white partner will be perfect immediately, but they should still come in with some decency.

I personally do not find it romantic teaching someone how to treat me like a human being. I’m passionate about these topics and education on them, but there’s still a distance between you and I, reader. You are a person I don’t know, that could either learn from what I teach (which is good!) or decide to… Well, stay racist, and be treated as such 🤣 But I would never give my heart to someone that I’m unsure of. It’s far safer to be with someone that has already done much of the work on their own, or at least has put the effort in and will continue to do so.

Black viewers do not want to spend time watching a white person realizing they’re a human. Partners are supposed to be a space of respite and security. How can you be safe and comfortable if someone’s always throwing microaggressions at you (unintentional or not), refusing to or incapable of understanding your perspective when it counts, only understands your experience on a surface level, or is determined to ‘make it not matter’… and then call it love?

Like if a white character is giggly because ‘omg they’re listening to “Black” music they’ve never heard before’ or ‘eating “Black” food’ because of their Black partner, that’s… god I’d close the book immediately. We’re not a different species. That’s not romantic, it’s just weird. You can have a new experience without treating it like your white character is going to the zoo and reading the exhibits.

Your white characters should be learning and applying constantly- consent to touch hair and body, learning what not to say or when it’s not their space to speak on a topic, learning about how the world treats their partner so that they can understand. This includes their own friends and family- why would a Black partner want to be with someone that doesn’t defend them from racist family members?

Your white character may not always get it right, and that’s fine*. But one thing I’ve discussed in a prior ask is that the bar for knowing if your relationship with a white person is a safe one (at least, at that moment) is if you can correct them. If you can tell your white person that they have done something wrong, something racist, or that there’s something they should know to continue this relationship, and they react well? Okay. That’s an opportunity for writing character AND relationship growth!

*There’s levels to this; obviously there’s some things you can’t (or shouldn’t) come back from

Depicting this may be hard for someone that… that hasn’t had that conversation. I have been able to write that sort of scene. But if you’ve never had that conversation, you won’t know how it goes. I have to be honest with you… This is where it would be good to have Black friends that feel comfortable enough to have these conversations with you. I mean, you shouldn’t go make friends just because you want to use them for creation. That would be disrespectful. But if this is something that you want to write, I would highly suggest that you grow familiar with microaggressions and acts of antiblack racism, so that you can understand WHY they are a problem. Can’t really apologize and “not do something again” if you don’t know what that something is.

Fetishization of Black Partners

The Jezebel and the BBC stereotypes come into play often via the idea that a Black partner is something wildly exotic and can be used for sexual experimentation. ‘Wanting to know about big Black dick’ or ‘if all Black girls squirt’ is objectifying. You can write us in your sex scenes- many of us do enjoy sex and can even be kinky! But watch that you’re being respectful, from your descriptions to your dialogue. We’re not raging sex beasts and sex toys for your fantasies. We deserve care and our needs met as well.

There’s also this thing where white girls will date a Black man to ‘spite daddy', and when they’re done rebelling, that Black man is left in the dust, maybe even accused as an aggressor to excuse her ‘leaving’ her own (he manipulated her, tempted her away from the right path). We may side eye you if you have a white character ‘fake dating’ a Black person or ‘friends with benefits’- not because these tropes are racist, but often can be written that way if you’re not paying attention.

One controversial example is that of Rege Jean-Page’s character in Bridgerton. There’s a scene where his love interest essentially forces him to come inside her during sex. Now, there are people do enjoy consensual-noncon. The issue is that 1) some Black viewers who watched felt disturbed at the imagery of a Black man being forced to breed, especially given that historical context, and that it wasn’t treated as seriously, and 2) this scene if he had been the one forcing her would never have been received as well, especially with a Black male lead- it would not have been received as ‘spicy CNC’.

Interracial relationships- specifically with a white woman and a Black man- may also be looked upon with worry by Black family members. There is a history of Black men (and their surrounding Black community) being lynched for ‘defiling white women’. It’s not unusual for us to worry that we will not be safe in a white partner’s homes or lives, and will be asked to leave our information, who we’re with, and what part of town we’re in or going to. Get Out was a fantastic example of this; of how the only reason Chris escaped was because a friend of his knew where he was and came to get him. Otherwise, he would have been body snatched. So your ‘fake dating’ interracial AU might seem silly and fun to you, but a Black reader might look at it and go ‘wow, I would never put myself in this situation or deal with this sort of treatment without extra planning’.

As a side: the gigantic Black/Brown man in chains and a tiny white man holding those chains as symbolism for BDSM or 'possession'… Yeah that’s usually just racist beast and slavery imagery recycled. Please. I beg. I’ve almost never seen the opposite in fan art, and we all know why. There’s got to be something else we can use.

Black Parent, White Child

This is one that I almost never see talked about! Partially because our society deems any child of a Black person also Black, but there are blended families where there will be an existing child- and that child might be white! But we don’t see white kids adopted by Black families as much as we do the reverse, and there’s a reason for that!

There’s a difference in the dynamic! White parents with Black children are often seen as ‘saving’ them. I was once friends with a nice, older white (also racist, as it turned out) neighbor of mine, and people would often look at me like I was some poor, piteous negro child when we went to the store. But if my 50+ year old father were to walk around with a preteen white girl, people would react far more defensively.

Think about this: toddlers have tantrums, right? The world is ending in a heartbeat, that’s just where they are mentally. You’re ready to leave the store, they aren’t: boom. Tantrum.

A white toddler falling out into a tantrum and getting hauled off by a Black parent could very well get that parent arrested or killed if someone, misunderstanding due to their pre-existing biases, calls the cops for ‘kidnapping’. And that white toddler might not know that, but that’s the amount of power that they hold over that Black stepparent as a BABY.

There was a Black Twitter thread that discussed what Black people would do if a crying white child came up to them and looked lost, and part of the discussion was that people were genuinely afraid to be seen with this child, because someone might assume that THEY made the kid cry, and it would get them hurt. Has nothing to do with not liking white kids, but the fact that we live in a world with a literal hair trigger on us- the last thing we need is to be seen as a threat to a white child.

Viewers will be affected by this bias as well. White parental characters to Black child characters will be given more grace and understanding versus the opposite.

A good example (of parental figures/mentors) is from Across the Spiderverse, with Peter and Miles vs Jessica and Gwen. Both mentors were a part of the Spider Society, both were in the wrong about how they treated Miles (damn near the whole Society did, which is another message on how we treat Black and Brown kids there!), and with how they treated their respective mentees. But Peter is treated with far more grace, despite his actions symbolizing that disappointment that Black kids often experience from white adult mentors that we’re supposed to trust, than Jessica Drew, who treated Gwen like the business mentor she was. Jessica was not motherly (remember that Mammy stereotype?) to Gwen because it wasn’t her job to be. But people were furious at her not ‘treating Gwen better’, for ‘putting her own child in danger’ and ‘not considering how Miguel would react’. But they were not as angry at, or offered more potential forgiveness, to Peter, who failed at the very same things with Miles.

Writing a Black Parent

Okay, so yes, there is ‘Black parenting’. To be honest, you’re not going to be able (and shouldn’t attempt) to write that, because it is a very specific experience that you’ll only know if you were brought up in it. Bringing up Jessica Drew again, another perspective to consider is that people thought she was a ‘bad mentor’, but as far as how my Black childhood went, she was quite gentle and firm.

Black parents are still humans, and parenting is still parenting. Be normal about it. All you need to do is keep in mind that we’re offering all of these characters and their relationship dynamics the understanding and writing they deserve.

If you’re writing a healthy relationship, there needs to be a sense of trust and respect between everyone involved, and that can reveal itself even in small interactions. If you’re writing a complex or negative parental relationship, that’s fine, but you’ll have to avoid certain overarching stereotypes of Black parenting styles (The ‘ghetto welfare queen with six kids’, the ‘absent thuggish father’, the ‘overaggressive woman that beats her kids’, the ‘Strong Black Mother who don’t need no man’). Make sure they’re a complex or bad parent because they suck, not because they’re what you think of when you think of Black parents.

Conclusion

There’s no free passes from antiblack racism just because you’re close to Black people; there’s no ‘invite to the cookout’ just because you don’t say slurs. This applies to your writing as well. It is not a given that your white character is in the clear just because they have a Black partner, children, or friends. If anything, they’ll need to be putting in extra work to maintain that intimacy. These are different forms of love, but all love takes effort, and it certainly won’t hold if they’re not being considerate of their loved one’s identity. By incorporating this level of thought into your writing- however subtly- it will show your Black viewers that you as the writer are aware, that you actually thought about us in these more intimate settings. Because as you and your white characters need to know, it’s the thought that counts, but the action that delivers!

[maximoff-pan]

the ultimate deception | benedict bridgerton (part one)

summary: you are a well known artist who paints under a pseudonym. What happens when Lady Whistledown comes to know of your identity? How will your relationship with Benedict evolve?

pairing: benedict bridgerton x fem!(artist)reader

word count: 4k

warning(s): poor writing and dialogue (sue me, I'm rusty lol), very unedited so if there are mistakes, I apologize, misogyny, penelope aka Lady Whistledown's biggest defender

a/n: this is definitely going to be more than one part, but I wanted to post something after so many months. Let me know how you like it (or don't like it haha)...comments and feedback are much appreciated <3

• • • • • •

“I wish I possessed merely an ounce of your talent.” 

Benedict’s gaze seems to be wholly absorbing your latest painting, a depiction of the botanical wonders of London’s Royal Kew Gardens. 

You puff out a breath, blowing on the feathery end of one of your writing quills. In your haste, it had gotten loose, tickling your face irritatingly. Tucking it back behind your ear, you wave him off. “You have much more talent than you give yourself credit for.” You admit through squinted eyes, scanning your work. “You simply lack conviction. And you worry far too much about what others think of you.”

Benedict smiles, receiving your words as the highest of praise. He reaches out to take a better look at the piece of art before him. “You flatter me.” He mumbles in awe. “But I suppose there’s a chance you could be right.”

Chuckling at his words, you grin knowingly. You’re right. It’s more than a chance…you just are. He knows it too. 

You both continue to steadily eye the painting, you out of critical evaluation of your work, and him in sheer admiration of it. 

Benedict’s favourite part remains the beautifully bloomed magnolias that are scattered across the canvas. He’d been sure to tell you numerous times of their elegance while you’d been working on it, eagerly awaiting the finished product. As you’ve come to realize, Benedict loves watching you work. It’s one of the prices you’ve had to pay for his allowance of your workstation being at Bridgerton House, if you could even call it that.  

You are grateful, truly. You wouldn’t be able to make your own living without his kindness. And you certainly wouldn’t be able to keep to yourself in the way you prefer to. 

“When will Augustus Leighton be displaying his latest work of perfection?” Benedict’s question reminds you of your fate as an artist. 

Augustus Leighton is the pseudonym you paint under. Using his name, you have become a well known artist among the ton, even going so far as to have a painting hung at Buckingham Palace. It’s difficult, you must admit, pretending to be someone else. But it’s a necessary evil.

Painting as a woman would get you nowhere. Especially as a woman with no money (particularly at the time you began), no status, and no husband. 

Your mother is a seamstress with little to her name and your father was a servant to Violet and Edmund Bridgerton, before his heart became too weak. He passed away when you were thirteen, only a few years after the Bridgerton children had lost their own father. You’d grown up with little money, but Violet had been kind to both you and your mother, seeing how close you’d become with her children. 

You were raised alongside them, Benedict and Eloise becoming your closest of friends. At three and twenty, there are five years between you and the two siblings in either direction, with Eloise being freshly eighteen, and Benedict having turned twenty eight. To this day, they remain two of only three people who know of your true identity, outside of Penelope Featherington. 

You hadn’t exactly meant for Eloise or Penelope to find out about it, but once they had, it became comforting to have more than just Benedict to speak to about your predicament. Especially considering, although Benedict has been wonderfully supportive, he could never understand the struggle a woman must endure in a male dominated world.  

“Likely never. This one is a gift for Lady Danbury.” You answer Benedict’s inquiry after a bout of silence. “She’s spoken about her love of these gardens quite regularly, so I thought, why not have Mr. Leighton recreate it for her?” 

“How will you get it to her?” He questions. 

A smile pulls at the corners of your lips. “I have my ways, lest you worry about it.”

• ж • ж • ж • ж •

The next few days are interesting to say the least. You’d somehow managed to get the painting delivered to Lady Danbury, and as far as Violet had been willing to speak of her latest visit with the formidable aforementioned woman, you have been made aware that she adores it. 

You’d also heard more about it from Benedict, who’d mentioned something about her being at a loss for words, an ultimate shock to both him and his mother. They’d never seen her look so bewildered. 

According to Eloise, Lady Danbury had been surprised to receive such a gift, especially of something so near and dear to her heart. She’d said it reminded her of her time with the Queen, telling the young Bridgerton woman about the months just after her husband had passed, when a new independent lifestyle began to bloom for her. 

The painting itself reminded her that women like her could be free, and one day, they would be. That sort of metaphorical mindset had definitely appealed to Eloise’s sense of social justice. She’d been more than excited to tell you about the older woman’s reaction to your art, claiming it to be a wonderful revelation. 

Today though, as you sit in the Bridgerton’s common living room, the opposite representation of said female autonomy rests in your hands. The paper feels rough against your skin as you pass it to Eloise who’s propped excitedly to the left of you. You’ve never been a fan of Lady Whistledown’s gossip column, although you can admire her unabashed confidence. But despite her strong will as an author, which could be seen as an inherently empowering trait, you are of the impression that she goes about it in an entirely backward way. 

Women don’t need to put each other down to build themselves up. It accomplishes nothing, consequently acting as a source of nourishment for the patriarchy you find yourself trapped in. 

“You’re not going to read it?” Eloise asks as she takes the pamphlet from you. 

“I never do.” Is your instant reply. 

Penelope perks up at the mention of the column, eyes trained curiously on you. If you had known better, you’d say she was a little too interested. 

But at this moment you shrug it off, listening with no suspicion as she asks a simple, “Why?”

You don’t have the hindsight to understand why your stomach turns at her question, but you respond anyway. “I tend to think of Lady Whistledown as a poison.” It’s the first time you’ve voiced such an opinion. 

Penelope and Eloise turn to you in surprise. “Come again?” Penelope’s soft voice cuts through. 

“She is a poison.” You repeat before explaining yourself. “Do not get me wrong, I hold admiration for her bravado, but her words, the things she writes, they cause nothing but pain and conflict for those she chooses to sink her teeth into.”

“But she’s an independent woman.” Eloise interjects. “One who is doing more than any of us could dream of. She is making a name for herself!”

You try to think about your next words carefully, but your mouth makes quick work of a reply. “A name which she hides behind, casting stones through the guise and safety of anonymity.” 

Penelope lets out a scoff from beside you. She’s always been one to defend the infamous gossip columnist. “At least she does not hide herself behind the mask of a man.” That feels like a shot. “The people know full well of her gender, despite her true identity remaining a secret.”

You hear the implication on her tongue. The same cannot be said for you. 

And she’s not wrong. You do hide yourself behind the mask of a man. You’d never once denied that.

You sigh. “I know you must think of me as a hypocrite.” 

Eloise agrees hesitantly. “Only a little.” She admits. “It’s just that you do the same as Mr. Leighton.”

You soften at her honesty. Truthfully, you understand where she’s coming from, but you can’t help the urge you feel to defend yourself.

“I disguise myself as Augutus because I know that no artist or art critic alike will take me seriously as I am. I want to share my work with the world, that is simply all I want. It’s all I have ever wanted.”

“Does that not make you a coward?” Penelope inquires, although it feels less like a question and more like an opinion. This is what she believes. And she's entitled to that. 

“Perhaps.” You nod in acknowledgment. “But it has also made me uniquely successful. And I take great pride knowing that my work is highly regarded, in spite of the fact that I have to be someone else to succeed.” 

“Does that ever bother you?” Eloise persists. “Knowing that no one will know you for the work you have done?”

Before you can respond, Penelope chimes in with a query of her own. “Does it ever make you feel guilty, lying as you do?” This feels like a challenge. 

You turn to Eloise, answering her first. “No, I feel quite unbothered. I like the privacy it provides me.” Your gaze flicks between the two girls, a fire in your eyes as you speak. 

You answer Penelope’s question next. “Guilt is one of the last feelings to cross my mind.” You feel content with it. “Because of Augustus, I have my own money, my own independence. I do not need a man to survive or to be happy. I have choices. And that's a facet of my life I never dreamed could have existed. If there is anything more empowering for a woman than that, I cannot think of it.”

Eloise listens to your words carefully, absorbing them, reveling in them. She hadn’t thought of it like that, but you’re right. Independence is a sign of true equality. And you have that. Not because of the name you hide behind, but because you’d used the insecurities of men to your advantage. You’d played the game and won. 

“I suppose I have been quite short sighted.” There’s much less arrogance in her tone. Eloise sounds humbled. “You’ve given me a new perspective to think about.”

Penelope does not enjoy the direction this conversation has headed. “Surely you cannot think yourself above someone such as Lady Whistledown.”

Your face scrunches in thought. “Above?” You stipulate. “I do not think myself above anyone, gender aside. But I do think I have a much higher sense of self respect than she does.”

“And how could that possibly be?” Penelope has to bite her tongue. She wants to say more, defend herself more. But she cannot. 

Eloise cuts in. “Lady Whistledown has the utmost confidence in herself. I dare say more than all the women in London combined. As much as I have come to see your side, I cannot agree with that.”

“One’s high level of confidence is of little concern here.” You deliver. “Often, in matters regarding the human condition, such as these, it can act as a detriment.” Your eyes narrow as you speak. “Self respect and self confidence can coincide, but they are not the same.”

Eloise laughs out of confusion. She’s not used to being this clueless. “I don’t understand.” She says.

“Ah,” you decide to stop tiptoeing around the subject. “I merely think that no self-respecting woman would use the pain and suffering of other women, or any other person for that matter, for their own profit and entertainment.” 

Eloise’s smile drops. “Oh.” Again, she hadn’t thought of it that way. But what resonates with her most is that you’re not wrong. 

“Is that what you truly think of Lady Whistledown?” Penelope’s voice is calm and collected for the first time this afternoon. It almost scares you. 

“Yes.” You say, before voicing, “However, I mean no offense to either of you. I know how much you girls adore her column. I just want more for you than what she does. A life of gossip is dangerous, and you deserve so much more.”

If you had known you’d been talking to Lady Whistledown herself, maybe you would have kept those opinions to yourself. But little did you know how much your life was about to change, how dangerously you’d walked the line, and how much vengeance rests in Penelope Featherington’s soul.

Future note to self, do not play with fire if one does not wish to get burnt.  

• ж • ж • ж • ж •

“(Y/n), I think you need to see this.” Benedict holds up the newest edition of London’s famous gossip column. 

Your heart sinks at the look in his eyes. I’m sorry they seem to say. 

You haven’t even read it and you already know it’s bad. Handing it to you, Benedict looks hesitant, almost in preparation of what's to come. As you take it from him, you glance down at the ink on the paper, her handwriting etched in your brain. 

You swallow the lump in your throat as you begin to read:

Dearest Gentle Reader,

It has come to this author’s attention that a certain individual is playing an unforgivable game of deception within the world of classical art that this ton so highly regards. This artisan has gone to great lengths to keep their true identity from you, painting under a well recognized pseudonym. 

By now you may have guessed, this artist is a woman. One who has tricked you and lied to you by passing her work off as that of a man’s. What a horrid crime it is to keep such a secret from you, and a desperate one, I must admit. A woman so foul as to seek such attention for her art, far too greedy to be content with the life so many of the wonderful women of the ton lead. Instead, she parades around disguising herself so she can live a life she feels entitled to. 

This author asks you to consider the arrogance of it all. But the question remains, as I am sure you are desperate to uncover: who is the serpent who remains among us?

And so it is with great sorrow that I announce the once beloved Augustus Leighton is a fraud. A man never seen in the public setting, has given us a reason why. He is a woman.

And her name, ladies and gentleman of London, is (Y/n) (L/n). 

As I am sure you, gentle reader, are shocked at this revelation, I will take a moment to address the woman this particular entry concerns.

May I remind you Miss (L/n), I have ears and eyes everywhere. Or did you forget? It would do you a world of good to remember that the next time you think about besmirching me. And, as I write this, I must say, this warning goes for all. Heed it, live by it, breathe by it. I am not a woman you want to cross. 

Yours truly,

Lady Whistledown

Panic crawls through your body. You want to cry, scream, maybe even simply die from the anxiety you’re feeling. 

“What am I going to do?” 

Your voice cracks, it sounds like glass breaking. Shattered, ragged, and tired, and Benedict can do nothing but hold you. 

Again, as your body shakes and caves into the pressure you think, what am I going to do?

• ж • ж • ж • ж •

The moment Eloise enters the room with Anthony at her side, your mind is sent ablaze. Only three people had known about Augustus. Only three people could have possibly let it slip, and you know for a fact it wasn’t Benedict.

As much as you want to believe Eloise would never do something like that to you, you can’t help but feel like she might have offhandedly mentioned it to someone. Her mouth had always worked much faster than her brain.  

Benedict’s gaze meets yours in understanding. He hopes his sister hasn’t done this; he’ll be furious if she has. 

You’re about to say something when a certain eldest Bridgerton catches you off guard. Anthony smiles when he sees you, eyes twinkling uncharacteristically so. 

“I had no idea you could paint like that.” He says. “I must admit, I’m quite proud of you.”

You blink rapidly in confusion. Proud? In all the years you’ve known Anthony, he’s never told you he’s proud of you. 

“So you’ve read the column then?” Your head hangs in shame. Everyone in London has probably read it by now. 

“Everyone has.” Eloise pipes in timidly, confirming your suspicions. 

She’s nervous, understandably so, fingers fiddling with the hem of her dress. You assume when you finally catch her gaze that she’ll avert it quickly, but instead, she holds it well. 

We need to talk. 

Benedict, reading the room perfectly, coughs in apprehension. “Brother, how about we let these ladies be for a moment? I’m certain they have some things to discuss.”

“Of course.” Anthony nods with a smile, not before reminding you how proud he is of you.

If anything good can come of this, it might just be that. 

Once alone, Eloise is eager to assure you of her innocence. “I spoke to no one.” She promises. “Blood be forgotten, you’re my sister (Y/n). I would never betray you like that.”

The look on her face is one of pure panic; she needs you to believe her. And despite everything, you do. It almost makes you feel guilty that you questioned her. 

“It’s alright.” You assure her. “I know you wouldn’t.”

But that only leaves one person…

“I think Penelope is Lady Whistledown.” You're taken aback by Eloise’s words, like a stab to the chest. Twisting the knife in further, she corrects, “I know she is.”

Moments of silence pass before you can collect your thoughts. “How long have you known?”

This is where Eloise loses her composure. Pure shame is etched upon her features. “I caught her a few weeks ago.”

A few weeks. A few weeks… A FEW WEEKS?

“Oh.” Your murmur is dejected and weak.

Eloise had known you’d been slandering Lady Whistledown in front of Lady Whistledown, and she’d done nothing to stop you, except defend her best friend’s honour. No wonder she’d been so reluctant to agree with you. 

“I wanted to say something.” Eloise stammers. “But I couldn’t. Penelope doesn’t know that I know.”

You inhale a staggered breath of air, face falling to your palms. “I’ve been such a fool. How could I have been so stupid?”

“You have not.” The girl beside you opposes before continuing, “Trust me, I am furious with Penelope. The things she’s done and said about me, about the people I care about, I’m not sure I can forgive her for it.”

You scoff lightly. Trust her? How are you supposed to do that?

Sure, Eloise has certainly been burned by Lady Whistledown before, but she’s always had her name to fall back on. “You have no idea what it’s like, Eloise.”

“I’m sorry.” She slumps in apology, shrinking in on herself. Eloise likes to think she can understand where you’re coming from. She’s a woman, same as you, one who has the same struggles against the patriarchy, and yet, hers are much different.  

“Don’t.” You dismiss her apology in frustration. It feels harsh but necessary. “You always speak about feminism and the difficulties of being a woman. How it is impossible for you to hold title and rank, or to be recognized for your accomplishments. But you are a Bridgerton Eloise, and that comes with more privilege, more title, more rank, and more acknowledgment in society than you seem to understand.”

Eloise’s brow furrows. “More often than not, that name is a burden, something you could not possibly grasp.”

“And I should not have to.” Your lips pull into a thin line. This isn’t a competition, but you feel it necessary to defend your point wholly. “I am the daughter of a servant and a seamstress. I have no money, no control, and no future if I am not to marry. Since the day I was born, I belonged to someone else. You talk of struggle, but you have no idea what it truly means.”

Eloise doesn’t like what you’re implying. “You think I live a life of luxury? That I am a stranger to the adversities life has to offer? I can assure you, I know much more about the struggles of which you speak. My mother has prepared me for the purpose of my future; finding a husband is imperative.”

“You plan to remain unmarried, correct?” You ask her seriously.

“With every fiber in my being.” Is her scathing reply. And it only serves to prove your point. But you can see her side of things too. 

“El, you defy your mother with your distaste for society. And while I applaud your determination to fight for equality, your fault remains in your failure to recognize the entitlement that has been bestowed upon you simply by having that choice. Unlike so many women, you can choose to live your life as a spinster. For you, those options exist. For me, I have not one choice besides finding a well suited, at best, middle class husband, because that is all I am suited for.”

In this moment, her heart shatters for you. Is that really what you think of yourself? “You cannot possibly mean that.” 

“It’s how it has to be.” You affirm. 

“It’s not.” She disagrees. “There’s so much more for you than a husband.”

Both your defenses are down, walls have collapsed, and you’re starting to get through to each other. She’s starting to grasp the gravity of what this means for you. Your career is more than likely over, as is the steady source of income you’d managed to build. Except where before you’d had less than no money to your name, you now had a healthy dowry (that you’d earned no less) to find a more comfortable suitor. 

Eloise sees it now. What Penelope has done is monumentally life changing. 

However, as emotional as this circumstance is, you still feel the need to reach out. She’s your sister after all. 

“Eloise,” your eyes search hers. They tread in a sea of empathy. “I never meant to imply you have lived a life without misfortunes. I’m not trying to diminish your hurt. But I thought if you heard my side, you might come to understand mine.”

She softens at your admission, having gotten carried away in defending herself. Nodding, she smiles gently. “I do.” She says. “And while you may not bear the Bridgerton surname, you do have us. Every Bridgerton will stand behind you, always.”

Against every fibre in your being, you believe her. Somehow you’ll always have this little family of yours, somehow you hope you’ll be okay…