#like man that's the whole point

[puhpandas]

I’m ngl I’m still a believer greg was possessed because if he wasn’t then it’s just shitty writing atp bc why would Gregory all of sudden switch up to be a good guy? Just like “this is wrong” ahh arc? Also his personality doesn’t match in the tapes/book the same in the main game just like how Vanny and Vanessa personality’s are different. The whole new fnaf era is literally just ppl getting possessed Vanessa = Vanny and Cassie getting a helpi implant into her brain😭

the idea that Gregory was never mind controlled and is evil just because he is is so funny because like. what do you mean you think Gregory would be evil on his own with no mind control in the "getting mind controlled to be evil" story😭

[castielfucks]

theres actually no rules to transitioning and youre allowed to want contradictory things for your transition. it's fine if you only want some of the changes that come with hrt and take preventative measures for the rest (like wanting bottom growth but not body hair or vice versa). you can want to have vagina AND a dick. you can be a woman and want top surgery, or wear a packer. you can be a man and want to have a pussy. you can change your transition goals one or a million times or not have any goals at all and just take things as they come or as they feel right.

there are no rules.

[nouverx]

*proceeds to drink the whole bottle*

Yeah Alastor you're gonna be loved and appreciated wether you want it or not :)

[dkettchen]

cursed construction core hi vis bra that came to me in a dream

In the dream I saw it in the window display of a hardware/DIY/trade shop, implying it was meant to be a practical garment designed for actual female constructions workers in a Female Armour level missed-the-brief attempt at gender inclusion

The practical support from the visible underwire combined with the hi vis implying it’s not meant to be worn as an undergarment, I just-

I blame my binge-reading ND Stevenson’s gender comics talking abt masculinity and femininity incl the one abt Victoria’s Secret lingerie yesterday for this monstrosity x’D

[hiveswap]

[equill]

Sukea stuff

Extra: realization

It’s been a while

Panel 1: smile

Comic 2: Caught red handed

you’re his son

Extra: conversation

he just picking on him

Comic 3: You’re grounded.

[sforzesco]

something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.

Perseus, Daniel Ogden

Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet

[isan0rt]

I'm doing my first reread of the back half of Dunmeshi, having forgotten a lot of the details of what happened because I read it all so fast (three days for the whole manga from start to finish) and damn. This panel from chapter 54. This fucking panel.

I'm sure I'm late to the party here and someone else has already talked about this but this panel is just. This whole sequence is just such a stark illustration of who Kabru is when the chips are down. He's out of his element. His plan to get the people out of the dungeon safely failed catastrophically in a way he (naively) didn't predict, but the Canaries did, and planned ahead for in exactly the way that is the most upsetting to Kabru personally. He's being actively retraumatized at this very moment by the panic as people flee, as people get poisoned outside Pattadol's barrier.

And he still saves this man.

He doesn't know this guy! He had never seen him before in his life. Everyone else in that crowd was already too late to save. But this guy wasn't! This guy wasn't, and Kabru put his neck on the line to rescue him without hesitation. His first thought was for identifying the person still trapped so he could be rescued. He didn't think for an instant about his own safety. The instant concern is not an act! Look at his face!

He didn't have to save this man... Except that he did, because of who he is as a person. There is no innocent human life that is disposable to Kabru, despite what the red herring of his reaction to the thieves at the beginning was. This is who Kabru is.

[soyboywenzie]

aemond: my uncle is a challenge i welcome, if he dares face me—

everyone, literally everyone, team green enthusiast and haters, team black enthusiast and haters, rhaenyra stans and antis, aegon stans and antis, alicent stans and antis, daemon stans and antis, team neutrals, team ‘I like pretty people and want to fuck them all’, team ‘yall are missing the point’, helaena lovers, and AEMONDWIVES AND HATERS:

[wishchip106]

i wonder if these guys ever cared being gay was illegal when they first met

it sure didn’t stop them from being freaky af

everyone knew by just looking at them

[poorly-drawn-mdzs]

All cards on the table.

[First] Prev <–-> Next

[gloriousfckingpurpose]

i know they underutilized the frankenstein aspect in the movie but it really does feel like the creature was perfectly created for lisa regardless. from what we saw, he spent his whole life lonely; dead parents, isolating social life, failed romantic prospects, the whole shebang, but he never gets to do anything about it because he dies, suddenly and unstoppably. until he’s suddenly alive again and the whole world is different but there’s this girl who tended to his grave when nobody else would have given him that respect, who’s experiencing the same things he did who actually has the chance to get back at the people who didn’t care for her, one tiny bit of familiarity to him… of course he’s going to kill for her just to see her happy.

[tenderjock]

I’m with you, my love The lights shining through on you Yes, I’m with you, my love It’s the morning and just we two

[starlitcrows]

i'd've liked to change your fate and keep you forever, fell dragon.

[darqx]

Aren't you tired of being nice?

[insomaniacat]

orv spoilers

tbh I'm so happy there is no explicit romance in orv (minus the brief stuff that happens with jhw and lhs) and because of that I feel like I've been able to appreciate kdj in such a profound way as a character

like sure i like joongdok and yoohankim but to me at least kdj has this level of asexuality to him that I don't usually associate him with anyone that romantically. And their relationships are still as complex and has such a great depth that they are like THE foundest of families and I can return to the kim dokja company at the end of the day as all of them being my comfort characters. you know that saying like 'i love you so much i'd make the world burn for you'? it's meant to be this dramatic line about how much you love someone (romantically), but kdj's company fully encapsulates this in a platonic way that just isn't cringey or anything like that

they are all so platonic but they love each other to such an unconditional way that they ALL decide to relive through all the scenarios again in the hope of finding kim dokja again. and later, they all help to write and spread a story - stories, the thing the reader loves - again, in hopes of bringing kdj back home. they aren't sure if it'll work, but it is through this love they all have that they don't give up and put their hope in this seemingly impossible method

and this is also what makes them fundamentally different from kdj. unlike kim dokja in the apocalypse, they do not have any sort of proof their methods will work. kdj has twsa - the novel he grew up reading, the novel he fantasized living in, the novel that he's spent 13 years following, learning every nook and cranny and probably even planning out his own way to survive the apocalypse from this lengthy novel. he has some sort of assurance his methods will work, with the amount of time hsy put into describing the settings (remember that twsa was not popular and one of the complaints was that tls123 put too much emphasis on the settings that deterred people from reading it, when really, that too was a way to ensure kdj survived the apocalypse later on). he has had time to reassure himself and plan for it, and probably had yjh case test them all

but kdj's company had no assurance - they did not grow up with a book that confirmed their methods of bringing kdj back would work. they did not have any 'third plans', no 'ressurections', no 'restarts', that kdj had in the apocalypse. all they had was their own hope - something kdj didn't have when he was fifteen sitting in that hospital bed after that failed suicide attempt, feeling like the whole world was against him. Until he searched up those three words on his phone. Those three words that were probably 'Ways of Survival'.

And then he found his hope in twsa. he found his hope in yjh, the protagonist made just for him. he found hope in the story that he believed in for the next thirteen years. the story that got him through high school, the CSATs, the military. his hope was in this tangible book that carried him through the apocalypse.

kdj's company had none of that. they only had their hope in kim dokja - the man they survived the scenarios with. they could only put their hope in their memories of surviving with the man that saved them, even though there was no evidence he lived in their world anymore. they had to put their hope in the fact that they remembered he existed, even though they had to acknowledge that they didn't know everything about him.

sing shong touches upon this idea a lot throughout orv - does something really exist if no one knows about it? or, in a more modern saying, did a fallen tree in a forest really fall if no one heard it? what proves the existence of something? what proves that something truly happened? sing shong seems to make it pretty clear that the existence of something can be represented metaphorically like a 'story', and stories need a 'reader', some sort of spectator that witnesses it, for the 'story' to exist.

for kim dokja, his final sacrifice, where he split into infinite little pieces scattered across the universe, was to ensure that everything existed. that open ending, as tragic as it was, was meant to be comforting. that his sacrifice was supposed to be so existences like you and me, are real. no matter how lonely we may feel throughout our lives, a metaphorical 'kim dokja' is looking at our own stories, spectating our own stories, even living our own lives himself.

and what i hate to say sometimes is that kim dokja is not really a character - he is an idea. he is an idea of some being affirming our lives, that it's real, that what we do from day to day, even something as simple as getting up in the mornings and brushing your teeth, or thumbing through a store catalog, matters. and this is why kim dokja sacrificed himself. for all the stories that may have not 'existed' if no one was watching it.

and it's out of love. this tragic, terrible love for the world, that eats away at yourself until you are nothing. but at least you exist.