#like just release a bunch of 4* he has like 10 less than everyone else...

[astracora]

AND THEYRE ALL OVER 100!! After being progress locked for like. 2? Months? This is delightful.

[ladyc0312]

A Jikook Guide to RunBTS: 112-121

Yes, I'm still doing these! It's just happening more slowly than I'd like because writing for work + writing fic + trying to go to bed before midnight + so much amazing content being released that clearly must be poured over and dissected = less time to make guides. For anyone still with me, he's the next section!

Ep 112 “Dalbang School Part 1” (Ep: 5 / KM: 4)

The ones with BTS in a classroom driving Teacher Jin insane

5:58 - JM declares that he and Taehyung will pair up (by being the first to hug each other in a game), but then when Hobi blows the whistle at 6:38, JK runs over to hug JM before Tae can get to him.

6:58 - Jin asks why JM said he wanted Tae and then hugged JK. JM explains that he didn't hug him, he just found himself in JK's hug as JK cackles in the background.

7:24 - When Jin blows his whistle at the class, JK and JM mirror each other in putting a finger in one of their ears.

7:35 - Teammates JK and JM are immediately on the same page about wanting their team name to be Kim Seokjin. When they have to change it, JM quickly picks up JK's suggestion that they call their team Bang Sihyuk. These don't sound like particularly unique moments, but when you watch it, it just really strikes you how in sync the two of them are in terms of physicality, ideas, and sense of humor.

9:52 - After Jin comments that he heard JM did very well in school, JK adds that JM was the top student. When someone else asks if JM was the best or second-best, JK forcefully reiterates that he was the best student.

12:45 - When they get a question right, JK and JM clasp hands and bump their shoulders together.

13:10 - JM and JK both goof around, speaking in satoori and challenging JHope to a fight of sorts.

13:27 - When Jin repeats that they got the question right, JK and JM do exactly the same as 12:45, but seated this time.

14:22, 14:36, 15:13 - In all three of these moments, JM nearly falls over laughing at something JK did that no one else found anywhere near as funny.

23:36 - When JK says he's good at this game, JM laughs and pokes JK in the chest with a marker.

BEHIND 2:30 - JM takes a selfie of him and JK with his personal phone while they're supposed to be paying attention to Jin.

6:35 - JK cheers on JM and calls him Jimin-ssi when JM announces he's doing well on this spot-the-difference round. When Jimin modifies the brag to say he only found four, JK says "that's still quite impressive."

Ep 113 “Dalbang School Part 2” (Ep: 5 / KM: 4)

4:50 - We all know how JK is when he gets into his "focus" zone, especially in a competitive environment. But here, when JM rather rudely interrupts JK's melodica practice, JK just starts playing around with him and giggles.

7:41 - As RM & JH take their turn, jikook are whispering to each other in the back row.

11:42 - After quickly agreeing on a lunch option, jikook do a high five / handshake thing and then JM says "we think alike" and "we get along pretty well." JK responds "that's exactly it" and the on-screen captions tells us they are a "good match."

22:20 - This is where JK and JM start switching back and forth carrying each other on their backs to get under a limbo stick.

They go again at 23:35, 26:11, and 28:13.

And again at 30:22 and 32:16 and 34:30 because, even though they lost, they want to try to do it again to show that they can as a "matter of pride."

25:00 - JK points something out to JM and then pats his butt.

33:33 - JM announces they lost, and then jikook do another handshake / high five thing.

34:33 - JM does an... interesting pose for the camera where he puts his hand on a bent-over JK's back and smirks.

34:56 - Yet another handshake and JM pats JK on the back when they finally pass the limbo challenge.

BEHIND 5:55 - While examining the limbo setup, JM comments that JK is good at this. JK comes over to give a demonstration and JM watches him be silly with it and says "he's a strange kid" fondly.

6:21 - Another jikook limbo attempt - this one was cut because they did it too easily.

Ep 114 “League of Number One Part 1” (Ep: 3 / KM: 1)

The ones where BTS play games with League of Legends world champions

3:55 - After Jimin protests that he shouldn't be out, JK tells his hyung to turn around and face the back.

14:40 - JK fake-boxes JM after losing the hammer game.

18:18 - JK mimics Jimin's BWL intro.

Ep 115 “League of Number One Part 2” (Ep: 2 / KM: .5)

BEHIND

7:05 - JK comes over to check on Jimin's phone to make sure he's actually visible in the selfie the teams take.

Ep 116 “Team-Building Special Part 1” (Ep: 4 / KM: 1)

The ones with random games in that rec room-looking place that are a lot more fun than they sound

22:14 - JM and JK play around with the jump rope during breaktime.

22:26 - JM and JK play around like they're boxing with each other.

BEHIND 5:15 - JK appears to take an interest in watching JM's... back as he moves around acting out potential poses.

Ep 117 “Team-Building Special Part 1” (Ep: 4 / KM: 2)

5:30 - Despite showing pretty much everyone else touching everyone else in the pose guessing game, we don't get a single shot here or in the behind of JK feeling up Jimin. The above photo proves that it happened, though, so definitely side-eyeing the editors, here.

BEHIND 5:35 - JK keeps throwing water bottles when they're supposed to be taking a group photo. Jimin pulls him back next to him and puts an arm around his neck. JK puts an arm around Jimin's shoulders in return.

7:51 - After it's explained that JK is staying late to watch Jin do his penalty, a packed-up Jimin comes over and stands next to JK, waiting until they're done to leave.

Ep 118 “Photo Story Part 1” (Ep: 3 / KM: 3)

The ones where BTS play a Samsung-sponsored game involving getting specific pictures while a spy tries to ruin the fun

4:22 - JM appears to direct JK to go punish Tae and pats JK's back when he starts to obey. Something happens that we don't see when the angle changes - next thing we see, JM seems to be pushing JK? JM then giggles at JK pretending to beat up Tae. (After this, JK spins around like a ballerina. Not jikook-related, just adorable.)

29:51 - JK calls Jimin twice without adding "hyung."

32:28 - JM pulls JK along by the wrist. Meanwhile, J-Hope once again mixes up their names.

32:44 - Though there is now a group walking slowly together and he doesn't need to pull him along anymore, Jimin takes JK's hand again.

37:02 - There are a bunch of seats open in the room, but Jimin walks over to sit right next to JK.

BEHIND 5:40 - When JM tries to steal a post-it from JK, JK scolds him in satoori banmal. JM calls him out for not calling him with hyung and JK quickly apologizes (in a way some k-army jikookers have said is like how a married person would respond to their nagging spouse!).

6:09 - JK and JM meet up and JK tells JM he's exhausted. There's a kind of weird moment that I fully admit I may be reading too much into where JK seems to be walking right towards JM, then abruptly stops and turns, looking at the camera, before walking with Jimin in a different direction than he had been heading. Then, JM says he thinks their matching shirts are hilarious and that it's funny they're wearing them for the show.

Ep 119 “Photo Story Part 2” (Ep: 4 / KM: 3)

8:21 - "You are me, I am you" moment: Jimin does a ballet spin the same way JK did in part one.

11:18 - JK is the only one to vote for JM to be able to keep a picture in other than Jin (who has nefarious reasons for doing so).

29:40 - JM goes over to help JK see how many of his photos the spy ruined and almost falls over laughing when it becomes clear it's nearly all of them.

34:21 - JM puts his hand on JK's shaking leg to help calm him (see above photo), but JK is so irritated that it doesn't work like it usually does. Poor bunny!

35:17 - JM pulls at JK's shirt and hand, then folds over his back while trying to get him to confess that he actually lost.

38:24 - JM has a comforting hand on JK's neck when he's acting upset about losing.

38:32 - When it seems like JK is struggling to come up with an ending statement, JM helps prompt him.

BEHIND

0:55 - JK talks about how amazing it is that Jimin found so many cards.

3:51 - When JK is playing with the sequin art on the front of his shirt, JM leans over and starts rubbing on them, too.

5:11 - Jimin tells JK that, if he wins, he's going to make the loser hike Mt. Achasan. JK asks why he's looking at him when he says that and they both laugh. Jimin pats JK's chest and they laugh even harder. Jin and Tae both have "omg, these two" looks on their faces.

Ep 120 “Reply BTS Village Part 1” (Ep: 3 / KM: 2)

The ones with a real-life Mafia game inexplicably set in a 1970s village. It's... fairly difficult to follow, but the guys are into it and the outfits are great!

24:40 - Jimin breaks character and laughs when asking JK if he's the culprit.

29:40 - Caption: "The air is undeniably tense between Gamer Jeon and Chief Park." Not explicitly jikook, I just find it funny that the writers seem to be playing with some real life relationships, making sope best friends and jikook have tension that leads to banter...

BEHIND

5:34 - When Jimin is playing with the yo-yo, JK expresses concern that he's going to hurt his fingers (caption: Kook is just worrying for his hyung). Then, JK asks poutily and in banmal if he can play with the yo-yo multiple times and Jimins says no. Like, JK straight-up gives his hyung a command ("let me try that") using informal speech and no one bats an eye!

5:58 - Jimin starts singing a song about an ants. JK watches him. JK initially says to Hobi "look, he's a fool/dummy!" (in banmal again), then starts singing along. He jokes that JM doesn't know all the lyrics and Jimin says back "quiet, you."

Ep 121 “Reply BTS Village Part 2” (Ep: 3 / KM: 2)

38:48 - After having asked for it a bunch in the Behind of the previous episode, JK now has Jimin's yoyo.

non-jikook note: At the end of this one, they "time travel" to solve a mystery in Joseon-era Korea and I can't express how badly I want to see that. Please come back to that, Run!

BEHIND 0:58 - Jimin and JK play around accusing each other with exaggerated accents and formality. Jimin comes up behind JK and reaches out to touch his shoulder, but stops when Tae joins them and accuses them of plotting together.

9:05 - When JK says everyone else is so good at acting, Jimin compliments him that he was very funny towards the end.

[monstersdownthepath]

Spiritual Spotlight: Tanagaar the Aurulant Eye

Lawful Good Empyreal Lord of Night, Owls, and Watchfulness

Domains: Animal, Darkness, Good, Law Subdomains: Archon, Feather, Moon, Night

Chronicles of Righteousness, pg. 25

Obedience: Find and observe a mouse or rat from no more than 30 feet away. Continue watching the mouse, unseen, for 100 breaths. Catch the mouse and release it in an area where owls hunt. Benefit: Gain a +4 sacred bonus on saving throws against effects that would hinder your sight or hearing.

Oh my god

After all these years, after all this searching, we’ve finally found it. We’ve found an Obedience that justifies carrying around a Sack Of Rats! It’s a miracle!

Anyway, this Obedience is ironically somewhat difficult to perform if your DM is being a stickler about it. Note that you not only have to find a rat--which means if you’re using a Sack Of Rats, you have to release it and then relocate it--but you have to watch it while being unseen. While one may assume that “unseen” simply applies to the rodent in question, the linguistic gymnastics we tend to pull here at Monsters Down The Path LLC to cheese Obediences sometimes works against us, and in this case “unseen” may not simply apply to your prey, but anyone. If your DM applies this additional stipulation, I hope you’ve got a good Stealth mod! And a good excuse about your weird behavior.

While Tanagaar isn’t exactly an evil guy, he’s not especially well-known, and your weird prowling may get some raised eyebrows. The good news is that as a Lawful Good deity (and an Archon at that), the number of times you’re likely to be sent into Evil territory to subtly work among them is 0, reducing your chances of needing actual excuses about why you’re skulking around like a cat. If, for whatever reason, you want to keep your worship of the Aurulant Eye under wraps, simply being a catfolk, kobold, or goblin is a good enough excuse.

Next comes catching the vermin and releasing it in an area where owls hunt. Simple enough in almost any environment but a desolate stretch of empty desert, winter wasteland, or subterranean cavern, as owls are very widespread, to the point that this Obedience could simply say “release it into the wild.” The biggest problem is refreshing your rodent stock, an issue that goes largely unaddressed in other Sack Of Rats Obediences because those usually require the death of any small critter, and this one specifically requires rodents. Better take up rat catching as a hobby or frequent the local pet store, I guess!

The benefit is more amazing than it looks at first glance, because Monsters Down The Path LLC’s patented Linguistic Gymnastics is here to point out that any effect which could impair your sight or hearing is blocked, even if that effect is SECONDARY, such as against powerful spells like Sunburst or against afflictions like Blinding Disease. Having your senses stripped from you is always bad, even for a short time, but the fact this benefit applies to “any effect” that would “hinder” your sight or hearing means it works on everything from having dust blow in your eyes to an enemy’s Greater Shout, and it can potentially give you an edge against dozens or hundreds of other effects which tack on sensory abuse as a bonus effect, making it a fantastic bonus at all levels. It even applies to EVERY saving throw instead of just Fortitude!

Boons are gained slowly, typically achieved once you reach 12, 16, and 20 Hit Dice. Followers of the Empyreal Lords, however, can enter the Mystery Cultist Prestige Class at level 8, which grants them their Boons much quicker! Entered as early as possible, you gain the Boons at levels 10, 13, and 16 instead. Mystery Cultists MUST take the Celestial Obedience feat, NOT Deific Obedience.

Empyreal Lords do not grant the typical Evangelist/Exalted/Sentinel spread (and cannot enter those classes), instead having only one set of Boons granted to their followers regardless of their class.

Boon 1: Forest Dweller. Gain Calm Animals 3/day, Eagle Eye2/day, or Deeper Darkness 1/day.

Oh, interesting! Never seen Eagle Eye here before, and it’s actually a good spell! ... sort of. It creates a magical sensor above you, upwards to 400ft+40ft/lvl, from which you can see as though you were there and rotate your viewpoint around freely. It’s more or less to give one a birds-eye view of a battlefield, akin to someone playing an RTS with an over-the-field viewpoint to make commanding armies easier, though the birds-eye view is also very, very useful for spotting threats to a small group of people (such as the party) that they cannot see from the horizontal plane.

Also, needless to say, but having a safe way to see the surrounding terrain from several hundred feet above it can make navigating towards a destination or landmark much easier. With a 1 min/lvl duration and 2/day availability, you can be the party’s aerial lookout without ever actually leaving the ground and putting yourself in danger, and the sensor itself is invisible as well if you fear flying enemies. Eagle Eyes isn’t useful at all inside enclosed environments, and in fact cannot be used to spy into the floors above you unless you have line of effect, but if you want to peel inside, say, the Evil Wizard Tower without alerting them via the use of a familiar or similar, go crazy.

Calm Animals causes up to 2d4+CL HD worth of animals to become docile and harmless for its duration, but for it to actually work on a group of animals, they all must be roughly the same type (i.e. a pack of wolves) and cannot be further than 30ft apart. This isn’t really a problem, as using it on a bunch of angry animals usually means you’re hitting a pack of scavengers or predators you’ve angered, and its generous scaling means that it’ll be useful at all levels of the game whether you need to slow down a charging pack of raptors or just one big T. Rex--wait a T. Rex has how many hit dice? well, scratch that particular idea I guess. unless you get lucky with your 2d4 roll. Still useful. The big problem is that it’s completely useless against anything that’s not an Animal, and if an Animal suddenly receives the gift of sapience--even temporarily--the spell has no effect on them. That makes this spell useful for traveling through the wilds (or, rarely, stopping the charge of an enemy warhorse), but not for much else.

Which leaves Deeper Darkness, the spell which hammers your party just as hard as it does an enemy. Creating a 60ft sphere of absolute black can send chaos through the ranks of more or less any foe, because if the area was already low or dim light it becomes supernaturally pitch that not even darkvision can pierce it! Not even yours. Cutting off your party’s ability to see is just as crippling for them as it is your enemy, so be sure to have some method to actually take advantage of the shroud or you’ll end up swinging at empty air or, worse, swing at allies. While it’s good for making an escape, Obscuring Fog is way better, way cheaper, and doesn’t take away your magical flexibility.

Boon 2: Owl's Eye. You gain darkvision out to a range of 60 feet. If you already have darkvision, increase its range by an additional 60 feet.

Wow! Boring! But useful for more or less everyone, since not needing torches or a light source when skulking around in the dark or keeping night watch makes it less likely you’re spotted by some prowling predator or sadistic dungeon-dweller, but it’s noting spectacular or even particularly noteworthy. I appreciate that Tanagaar extends existing darkvision outwards, but it’s rare you’ll actually need more than 60 feet unless you’re actually adventuring in an open area after dark.

It’s a decent Boon, but it’s also insultingly easy to replicate with existing spells or cheap items (such as a Wand or Potion of Darkvision), making its impact a little hard to appreciate.

Boon 3: Hunter's Edge. You gain Sneak Attack +3d6. This increase to Sneak Attack damage stacks with Sneak Attack damage you may have from other sources. Whenever you deal Sneak Attack damage with a piercing weapon, you deal +2 points of damage per Sneak Attack die.

huh hey that’s pretty good

hey aren’t you supposed to be Lawful, Tanagaar? Not that I don’t appreciate a little bit of pragmatism among the forces of Good, but stabbing someone in the kidney from behind seems kinda underhanded, doesn’t it? Then again, so does summoning flocks of owls to gouge out enemy eyes or appearing before them as a terrifying phantasm to gently coerce them into surrender. Even Law knows when it needs to fight dirty, I suppose.

Not that you HAVE to, mind; with how easy it is to set up a Sneak Attack (you literally just have to be flanking), you don’t have to be particularly sneaky. Just standing across from an ally and stabbing someone in the throat when they turn away from a brief second deals +3d6 damage to them, which is already good before you take into account that, actually, it’s 3d6+6 because Tanagaar superdupercharges your Sneak Attacks with +2 damage per die! Even NOT having SA to begin with is still adding a flat +6 damage to your attacks that stacks with all your other damage modifiers, but having SA available beforehand--such as by being a Rogue, a Ninja, a Slayer, or one of the rare archetypes to hand it out--is especially viable because Hunter’s Edge stacks with ALL other sources. Have +5d6 from your class already? Now it’s 8d6+16 damage.

It’s even tastier if used on a ranged weapon, but make no mistake, it’s still pretty damn nice just at its base regardless of your build... unless you’re a Mystery Cultist, which is aimed mostly at casting and doesn’t get anything particularly martial-aligned until later levels. Classing into Mystery Cultist also means that your Sneak Attack is unlikely to be at all impressive (you may reach 6d6, but certainly not the impressive 8d6 I proposed), but the only other option is waiting for this ability to kick in at level 20, which is simply unacceptable. Aside from that, the only real problem I have with this ability is that it specifically works with piercing weapons... and since Tanagaar’s holy weapon is the kukri, you actually miss this Boon entirely if you stick only to his weapon of choice, and your god actively discouraging you from using any of their sacred aspects isn’t a good look for anyone!

You can read more about him here.

[felassan]

Dragon Age development insights from David Gaider - PART 3

This information came from DG on a recent SummerfallStudios Twitch stream where he gave developer commentary while Liam Esler continued playing DAO from where they had left off in Part 1 and Part 2. I transcribed it in case there’s anyone who can’t watch the stream (for example due to connection/tech limitations, data, time constraints, personal accessibility reasons, etc). A lot of it is centered on DAO, but there’s also insights into other parts of the franchise. Some of it is info which is known having been put out there in the past, and some of it is new. There’s a bit of overlap or repetition with topics covered in Parts 1 and 2. This post leaps from topic to topic as it’s a transcript of a conversational format. It’s under a cut due to length.

The stream can currently be watched back here. Next week LE will be streaming a different DAO playthrough with commentary from another guest. Two weeks from now LE and DG will return to continue this playthrough for another stream session like this one.

(Part 4, Part 5, Part 6)

[wording and opinions DG’s, occasionally LE’s; paraphrased]

The Battle of Ostagar cutscene is one of the first big cutscenes that got made during production. When it was shown to the team for the first time, it was one of those moments where DG felt like “Awesome, this is a game!” Context: During the development of a game it feels more like doing a series of disconnected tasks and assets rather than working on a game, so seeing stuff come together at times like this is rad. The first time it was shown, it had temporary placeholder voiceacting.

Pathfinding is always a nightmare to do, especially in games which involve a party of NPCs. As soon as other characters are involved alongside the PC, it’s exponentially more difficult and takes up a lot more resources. The PC is the most complex thing going on visually on-screen, with so many moving pieces, and in party-based games you have four [etc] of them. So, some critique that’s made of the DA games in regards to this subject which compares it to games like The Witcher doesn’t really make sense, as The Witcher has a solo PC.

‘Weird mage hats’ didn’t really become a trademark ‘DA thing’ akin to their place of random pieces of cheese around the world until later games. For DAO, someone probably asked the artists to create “mage helmets”. Mage hats actually looked better in the concept art than they did in-game. What happened was that they were already modelled and then they didn’t have time to re-do them.

DAO was made for PC first. The plan from the get-go though was that it would be an all-platform release (PC/360/PS3). Games like these are always made for the “lowest common denominator” from among the various platforms that they’re being planned to release for. Games have to be made for the most stringent/basic of the platforms because this makes for less conversion rate. At the time of DAO’s development, the PS3 was getting weak graphically and getting old, and this was quite a limitation: “Why do we have to limit [crowds?] because of this one platform?” “Well, we just gotta”. The original models were a bit too detailed. Later on, the artists started making models that had lower polycounts that they could put in a bit more of. DA was never really focused on making environments realistic in an ambient manner (making environments less “gamey” and more lived in, like having crowded places). They could have put more emphasis there but this would have led to a resources issue. Ambience basically wasn’t a high priority. As a writer DG isn’t keen on this decision and naturally he wanted the world to look more realistic, but he noted that it’s easy for him to say this when this would be work that he didn’t have to do personally.

During DAO development, they might have just had a dev sphere originally that was called “tech design”. DG thinks this was later broken up into systems design, combat design and maybe level design. Level designers are the people that are the implementers of the plot. Narrative design is a branch of the level design spoke. System designers respond to requests from lead designers. Narrative designers and writers don’t interact with system designers much unless they have to. As an example of interaction here, system designers might come to writers and say, “Alright, so we’re doing combat, what are the sorts of things a mage can do in this world?” The writers would be like “Ok, these are the sorts of spells we imagined.” The system designers might then come back with “Ok, that fulfills 2 of the 10 things we need mages to be able to do in combat. Is it possible that mages could do [this]?” Sometimes it is, and other times it would be like “No, that’s really outside of the lore”. Still, sometimes said original-lore-breaking things would be added to the game a week later due to necessity and DG would be like “Oh ok”. This kind of stuff is an insight into how some aspects of the lore came to be or changed over time during development.

The system designers on DAO got a better idea of what could be done and what could not be done according to the lore as things went on. At first, DG had to keep telling them things like “It’s not that big a deal, but in the lore mages can’t teleport. Instant teleportation isn’t possible in the world”. The system designers needed a spell where someone could get from spot A to spot B really fast on the battlefield. DG said that that’s fine in itself, “have them turn into a cloud of bees or have a light that moves between the two places. We can use magic as a transition or as a speed thing, but what is against the lore is instant teleportation, to traverse distance like that”. At first the system designers weren’t on board with it, but they got on board with it later. 

This sort of thing doesn’t just depend on the system designers. It also depends on what the tech artists are willing to do. Sometimes a certain request made of them was too hard and they said they weren’t able to do it. Other times it was a matter of DG not communicating the request properly, or the tech artists had already done the work and so throwing out all their work to re-do it just because he didn’t communicate clearly wouldn’t have been cool. So sometimes the originally planned lore got contravened, and sometimes things other parts of the team implemented in the game became the new lore.

LE made an insightful observation at this point: You can’t think of game development as a cohesive series of decisions that everyone on the team is involved in. This simple isn’t how it works at all, especially on large complex projects. There are processes at some studios for decision-making, but most of the time, a bunch of decisions get made by system designers. Others get made by level designers, still others by narrative designers. Situations then arise where someone notices a certain decision and that that decision and another one contradict each other. This is where conflict arises and a solution has to be negotiated. This is why often in games we get elements in the end product that are dissonant, because it was discovered too late or by the time it was realized, it was too difficult to change. It’s actually a miracle that on a game of DAO’s depth and scope that all these things largely hold together. [My note: With this insight and the context below on documentation, it makes sense how BW sometimes appear to ‘forget aspects of their own lore’ or end up contradicting parts of the lore in different parts of the franchise]

Sometimes such things would be noticed in time and DG would go and say, “Can we not do that or do something else instead?” and the relevant parties would be totally accommodating and do it (depending on how much time they had or how much time it would take to remedy). Sometimes this worked out and sometimes it didn’t. For the most part, everyone wants to work together. DG couldn’t be involved in every aspect of systems design “like some kind of All-Watchful eye of lore”, so he had to rely on the people who were there knowing enough from the documentation. Not everybody reads every document however. There was so much documentation even back during DAO. DG can only imagine the sheer amount of world/lore documentation that now exists now in the run-up to DA4; he said he thinks that nobody at this point on the current team has read it all, as editor/lore-wrangler Ben Gelinas isn’t with BW anymore. Lots of legacy documentation accumulated very quickly. Sometimes, the old document would still be there. Over time it became harder for people to discern which was the most recent version of a particular document. Sometimes people didn’t update the relevant documentation after changing things. Lore documentation was particularly bad for this issue. BG wrangled all the documentation and created an internal reference wiki (essentially acting as a lorekeeper). He was constantly coming in and picking DG’s brain to clarify conflicting aspects or obtain the correct, in-date information etc (“Good on him”).

DAO was the first time DG was involved in voice-recording. Prior to that he was only on the receiving end, in that the recordings would come in and he’d review them as they did so. DAO is when BW set up their own VO department and where Caroline Livingstone came on. CL wanted DG and Mike Laidlaw to be more involved in the casting process. As a result, the writers then were to write casting scripts: like, ‘For Morrigan, can you write a 1 page script that goes through 3 big emotions? [like regular talking for a bit, then here’s a bit of heightened emotion such as anger, then here’s a part where they’re being funny if they were a comedic character] These scripts had to be kept short so that the recording that was made from it wouldn’t be more than 30-40 seconds in length.

For the initial VA sessions, DG and CL flew down to Technicolor studioin LA and they had all the major castmembers there (later on, recording sessions were done a lot more remotely; this became easier as BW’s setup got more sophisticated). The idea was that they would both be present live in-person for the first 2 or 3 sessions to help each VA find their ‘voice’, and for DG at the first session to sit down with each VA and walk them through who their character was, what DA was about, and help them figure out how their character should talk. Claudia Black was the first of these sessions and he was “a wreck” going into that one. It got easier after that however. CL gave directions into the soundproof booth and DG was present to give notes on things like pronunciation or the intentions behind some lines. He says he learned everything he now knows about VO direction from CL. The things and tricks CL can do to get a performance out of an actor are amazing. Sometimes an actor would get a bit fixated or stuck on a particular way of delivering a line. CL had atrick to help them past this; “I want you to clear your mind, and I want you to give me a version of this line that’s more yellow”. The idea is that they just had to break out of where they had been stuck in that mindset, and the thing was that it doesn’t matter what “yellow” meant, but what was important was what “yellow” meant to the actor. They could then take that new varied delivery and progress from there.

Alistair’s dialogue when the PC talks to Flemeth outside her hut was the first complex conversation DG wrote for DAO. It was the first one that had a lot of branching and fiddling to it. The hardest conversations to write are the ones with a lot of exposition, and when they do have exposition still making this interesting and natural. At this point in the game, the player has no agency, just reactivity. The devs talked a lot about this subject when they wrote the origin stories. Some of the stories allow the player to initially say no and refuse to join the Wardens, but you always end up being railroaded (the devs here ended up doing a form of the trope ‘But Thou Must!’). Do you give the player the option to say no? Is it important to allow them that option? At some point, writers have to accept that the player has some level of buy-in and is game to play. They discussed a lot where they sat on this and what is agency. “Maybe don’t worry about offering the player every possible choice, but about having reactivity.”

Loghain wasn’t okay with letting Cailan die. He didn’t sit and angst about it openly where the player could see, and once the decision had been made, it being Loghain, it was Made and Had To Be Done (he felt that it was something that had to happen). But he didn’t kill the son of the woman he’d once loved dearly as a random off-handed thing.

The Solas twist was planned from the beginning, from the DAO dev days. Such big things/broad strokes have stayed the same. However, some of the details have changed or been added along the way. They didn’t know for instance that Solas was going to be a companion; that was something they came up with when they were planning DAI. Flemeth’s true identity has never changed.

Zevran says Rinna was an elf, but WoT says she was a bastard child of a noble in line for the Antivan throne (the Antivan royal family being human). When asked if this was an oversight, DG said yes she was a bastard, but she may have been really far down the line of succession, i.e. technically in line, but would probably never have been allowed to take the throne in practise had that scenario ever actually arisen.

DA was maybe inspired a bit/some by ASOIAF. This was way before it was on TV of course. DG at the time had read the first book or so. He liked the fact that it was a fantasy setting but low-magic, and was about the people in the world and their politics rather than magic, prophecy and other high fantasy stuff.

It was only by DAI that the system designers decided that it was okay to think of banter as an “activity that players engaged in”. In previous games, the devs had inadvertently managed to ‘train’ players to immediately stop when companion banter fires so that they could hear it all (because if you do something else, it gets cut off). When the level designers put together the spaces, they accounted for what players would be doing i.e. how much time between combat. They didn’t however account for like “You’re travelling down this hall and there’s a banter for half of that space. This is an activity, so it’s okay not to put anything in there”. This is how the inadvertent training happened, when originally banters were supposed to be a thing that ran as you move around the world (as opposed to stopping and standing still). 

When asked if the Blight resulted from the creation of the Veil or pre-dates it: “I think you’ll probably have to wait on the game[s] for that answer, if it ever explains it”. He was also asked whether Arlathan is the Golden City. He won’t answer such questions naturally because they are “DeepLooooooore™~~ ♫”.

DG isn’t sure that he will play DA4 when it comes out. It’s not that PW and the team won’t do a good job, they will, it’s just that when DG plays RPGs he has an analytical mindset going on and finds it difficult to slip into the game and just enjoy. For DA4, as he was previously so involved in DA, there’ll naturally probably be an extra level of that with feeling like “What would I have done [for particular parts of the game’s design]?”. Alternatively he might instead feel like “Wow, this is awesome, here’s a game I would have made but didn’t have to do any work on!” DG stressed that it’s important to him to be fair about the work of his former colleagues - he wouldn’t want to come out and be like “I wouldn’t have made [this or that] choice”. He also noted that just because something might be a call he personally wouldn’t have implemented in the game, that doesn’t mean it’s a bad call. There are people out there where if DG intimated at all that there was an aspect of DA4 that he wasn’t keen on, he’s worried that they would pounce on it and use it as ammunition against the current team (who are his friends that he really cares about and wants to do well). He walked away from DA voluntarily and is happy his game will continue on. PW popped by in chat at this point and agreed that it’s definitely hard to play something that you used to work on.

Other assorted tidbits:

DG really opposed the part at the Battle of Ostagar where mabari are set to charge the darkspawn horde - “That’s not how you would use dogs [in war]”

There was supposed to be a cutscene where Flemeth rescues the HoF and Alistair from the top of the Tower of Ishal in her dragon-form. This was cut. DG remembered being angry about this like “nobody is gonna buy that you fall unconscious and then wake up in the hut totally rescued. [...] I guess I’m not always right”

When DG went to Beamdog there was a period where they thought about making a Baldur’s Gate 3. They put together a pitch and had a long series of discussions contemplating things like “What do we need from BG3? What do we expect it to have in order to have the BG name? What is needed and not needed to connect to from the previous games?”

DG isn’t sure who designed the DAO inventory system

PW in chat recalled a game writer from another company who was really ragging on DAI on the Christmas Day after release

Narrative designer and system designer are very different positions/roles with very different responsibilities

Simon Templeton as Loghain did all his voicework stuff in one take, which was very impressive

It would have been the marketing department that chose 30 Seconds To Mars for music. DA was really good at choosing up-and-coming acts for this that weren’t huge when they used their songs, but became huge afterwards

During work on Baldur’s Gate 2 was the most DG has ever crunched. He slept in the office a few times

“As soon as you get both Alistair and Morrigan in the party, that’s when it’s like ahh yes, this is a BioWare game”

Were Flemeth and Morrigan’s interactions with each other and the PC when Morrigan is being told to leave the Wilds and go with the Hero an act, considering that Morrigan did know about the OGB plan? No. That was The Plan, but said plan wasn’t like “Ok, she’s going to leave Right Now”

The elves and the inversion of the traditional elven trope are DG’s favorite part of the world/world-building

One of the original intentions for DAO was to make it so that the player wouldn’t need a healer in the party, or that there would be different kinds of healing, or that healing itself wouldn’t be a thing, but this just didn’t work out

The Imperial Highway used to be a really important part of the lore but it kind of got forgotten a bit

It’s kinda funny that after release some players expressed that Corinne Kempa’s accent as Leliana was “sooo fake”. It’s not fake, she’s actually a Brit that moved to France when she was young, so she has the exact type of accent that Leliana would have (Leliana was born in Orlais and is culturally Orlesian, but her mother was Fereldan and she considers herself as such)

They talked some about the need for documentation and how doing this can feel beurocratic and uncreative and how like you’re not working on a game or writing. PW in chat expressed that there was a year where they spent a lot of it working in PowerPoint and Excel, “so I feel this”

When they switched art directors to Matt Goldman, his first big complaint was about all the brown. He came to DG like “Is there a lore reason for or are you particularly in favor of the brown for story reasons?” DG was like “Uhh no” and Matt was then like “Ok good”

Console codes/commands aren’t usually stripped out of a game before release, they are usually still in the built, just disabled. The system itself is not removed but how to access said system is

BW doesn’t crunch as bad as we hear some companies do, and kind of prided itself on “not being terrible at crunch”. But BW’s “not terrible at crunch” is still crunch. We obviously don’t commend abusive family members for only abusing people on certain days of the week or whatever

Kate Mulgrew is American but she at times did the same thing a lot of the British VAs did, which was that the devs had a lot of struggle with getting them to say “darkspawn” correctly, with the emphasis in the right places. They’d say “dark SPAWN” as if it was two words with an adjective, and the stress put in the wrong place

Lack of children in DAI was a resources thing. They only had time to make a certain number of models. There was a series of meetings where they had to decide what things to cut. In the last meeting it was like ‘Here’s a bunch of things you don’t want to cut, we need to cut 4 of them’

They decided to put horned qunari back in DA2 because then they had the resources to do so. They then ended up having to explain why there were hornless qunari at the same time, and make this an in-world explanation as opposed to just ‘We didn’t have the resources, that was totally intentional’

Lots of players missed out on recruiting Leliana and/or Sten on their first playthrough and didn’t even know they existed/could be recruited. “Apparently we weren’t that great at pointing players in the right direction”

Tevinter is inspired by the Byzantine Empire (which wasn’t called that at the time incidentally, this is a name given by historians after the fact), what used to be the Roman Empire after the western part fell. This is the era Tevinter today is meant to encapsulate: decadent but clearly in decline, far away from the heyday and the heights of the former empire [source]

[Part 1]

[Part 2]

[Part 4]

[Part 5]

[Part 6]

[‘Insights into DA dev from the Gamers For Groceries stream’ transcript]

[noassallclass]

So my roommate spent all of today writing up a report for Critical Role as a company and I really don't know much about business stuff but I think it is fascinating. Read to the end for a wild ride.

"Okay here is my idea of how Critical Role is actually structured based on what public information exists:

At Geek and Sundry, “Critical Role” as an entity was essentially a partnership between all cast members. The only asset this partnership had was the intellectual property of CR and the only Revenue it took in was licensing that IP to Geek and Sundry. This is because Critical Role Partnership was adamant about maintaining ownership of the IP. This license then pays out between the partners. Percentage

ownership of Critical Role Partnership is divided based on money put in, and previous work done. I would be very surprised if Mercer did not own at least 25% but probably not more than 50%, and the others are probably more or less even. At this point, the cast members both draw a salary from geek and sundry as employees (or contractors), and collect drawings from the licensing of the IP and also royalties as actors. When Orion leaves, the others almost certainly force him to sell out his ownership portion and he probably gets royalties from Geek and Sundry (and later CRPLLC). At this point, this licensing agreement is the only transaction that the entity “Critical Role” actually conducts.

Geek and Sundry pays to produce, distribute, and market the show, and takes all profit. It also takes some aspects of creative control, but probably not that much, though this is listed as the reason to leave Geek and Sundry. At this point, Critical Role continues to license with Geek and Sundry’s parent company Legendary Digital Networks and incorporates their partnership into a Limited Liability Corporation “Critical Role Productions”.

The ownership split is probably kept mostly the same, unless someone decides to sell portions of their shares, but I don’t see why they would. The shareholders (or owners) at this point hire a bunch of employees. Some roles they hire themselves, like Willingham as CEO and Mercer as CCO, and some they hire outsiders like COO Ed Lopez, SVP of Marketing Rachel Romero, and VP of Business Development Ben Van Der Fluit. Those who take additional roles will take salaries for those roles, as well as a salary for acting and writing, and dividends from profits. It is likely that Lopez got a certain amount of shares because C-Suite Executives often do as bonuses because it’s non-taxed income until he sells it and it incentivizes maximizing profits because that would increase his dividends. The other employees probably did not receive shares, so as not to dilute the percentage ownership further.

Critical Role seemingly has no board of directors (it’s possible they have one which is not public), which only happens when there are so few shareholders that they can all convene and take votes (Usually less than 20 owners), implying they don’t use investors to raise cash, which is consistent with a desire to retain creative control. This also means that it is up to all of the shareholders to vote on decisions about the managers of the company instead of a board. That means the only way they could fire Willingham as Chief Executive Officer is if all of the shareholders convene and vote for his firing. Without a board of directors, which often has independent outsiders, this is typically seen as bad for the company’s interests, but is legal in this case because it’s a limited liability corporation and they do not trade on an exchange .

Over the next year or so, CRPLLC makes a new studio and Geek and Sundry gradually relinquishes the distribution rights to older episodes. At this point everyone who works towards the function of the production and distribution of shows is an employee of CRPLLC and not Legendary or Geek and Sundry. For the past couple of years, Critical Role has licensed various brand crossover products like Funko Pops and The Darkhorse Comics. Funko Pop pays CRPLLC for the character likenesses and keeps all profits. CRPLLC also produces its own merchandise like t shirts and that sexy calendar that they pay manufacturers to produce and CRPLLC makes the profit in that scenario. They also have advertising revenue, which is a straightforward revenue stream.

Throwing back to two paragraphs ago, if they don’t use investors to raise cash, how can they afford to embark on a new expensive project that wouldn’t pay out until the future? Well, they could take out a loan (ew interest), save more money in retained earnings forgoing development in other areas (what do you mean we can’t afford to redo our website?) OR

They could do an 11 million dollar kickstarter! This would allow them to retain ownership of both the company and the product, because kickstarter is essentially just buying really expensive merchandise! People will buy a 30 dollar mug if it also comes with the promise that if enough people do it, they’ll make a tv show. Kickstarter money is revenue, not financing and it’s actually against kickstarter’s rules to promise equity for backers. Instead, kickstarter backers assume the risk that investors take (albeit on a smaller individual scale) with none of the benefit besides knowing that they helped make something exist. Compare this to if I, Callie invested $11 million into CRPLLC.

If the Legend of Vox Machina completely bombs and bankrupts CRPLLC which was kickstarted: CRPLLC would have to sell off all of its assets, resolve its liabilities (pay people for work done before laying them off, pay off bank loans) and whatever is left over would be split between the owners. Do they owe you, the kickstarter backer, for not making the show? Legally no. You chose to give us that money and had to trust we would spend the money well to make a good show and we spent all our money making sure our tree leaf animation looked good and could only afford to make 2 episodes.

If the Legend of Vox Machina completely bombs and bankrupts CRPLLC and it was Calliestarted: It would still be the same, except now Callie, the person who put in a lot of money for this show, is also an owner, and at least gets a slice of that money after the debts are paid off.

If the Legend of Vox Machina is really successful and it’s kickstarted: Good job, you did it! You got a fun tv show and like a t shirt! Fun!

If the Legend of Vox Machina is really successful and it’s Calliestarted: Not only do I get my fun tv show and probably also every piece of merch that exists, I got mad paid as an owner, not just from the show itself, but as we sell more and more merchandise because I’m a part owner of the company. I then continue to make money from literally everything else the company does until I decide to sell my shares or the company goes bankrupt.

And even better news! Amazon Prime bought the streaming rights for two seasons, so now I, Callie, have even more money from that sweet sweet licensing money.

Speaking of which, it is likely that the Amazon Deal is structured as follows: Amazon pays CRPLLC to license LoVM, with the stipulation that kickstarter backers can access the first 10 episodes legally. CRPLLC pays, with Kickstarter and Amazon money, Titmouse Inc. to produce LoVM. CRPLLC makes the difference between what they paid Titmouse (variable cost, depending on ultimate cost of animating) and what Amazon paid them. Amazon makes the difference of what they paid CRPLLC and what they make at market with LoVM. Amazon is the only company that stands to profit directly from the actual product of LoVM doing well. If it does poorly, there’s the possibility it gets cancelled, meaning that CRPLLC (and maybe Titmouse if CRPLLC already commissioned the work from them) will still get paid by Amazon, but never released. It’s possible that other companies could buy the license from Amazon in this scenario. This is the risk of selling your show to another company.

CRPLLC also has one subsidiary and one associated foundation: Darrington Press LLC and The Critical Role Foundation

Darrington Press LLC is an imprint of CRPLLC created to design and produce card and board games with the Critical Role IP. DP has 3 listed employees, Ivan Van Norman as Head of Darrington Press, Darcy L. Ross as Marketing Manager, and Mercer as Creative Advisor. As a subsidiary, it is wholly owned by CRPLLC. DP pays manufacturers and contractors to design and manufacturers games and pays for its own advertising, as a separate entity from CRPLLC. DP will likely sell its products to games distributers and the Critical Role Store. If the Critical Role Store sells DP games it’s because CRPLLC bought them from DP. The relationship between DP and CPRLLC is that when DP makes a profit and pays dividends, the recipient is CPRLLC. If DP goes bankrupt and cannot pay its debts, CPRLLC is not required to pay them. CPRLLC also chooses DP’s Board of Directors, which is probably just the owners of CPRLLC. This is all very ordinary. DP has four announced games set to release in 2021, but as of yet has not released any products or made any revenue.

The Critical Role Foundation is a registered non-profit and legally distinct from CRPLLC with seemingly no employees, with Johnson as President, and 4 other Board Members: Mercer, Lopez, Romero and another person named Mark Koro, who is a figure very closely tied to critical role I will outline later. Lopez and Romero are also in a long-term relationship or perhaps marriage. It is usually considered a bad idea to have two partners on a board of directors, as a conflict of interest can arise easily. As a registered non-profit CRF’s projected breakdown of donations is 85% grants to other non-profits, 10% emergency fund allocation, and 5% admin costs (this would be where possible future employees’ salaries would come from). Board Members on non-profits traditionally don’t take salaries, but can use their role as a board member to calculate donated time as a charitable donation for tax purposes. This all seems pretty normal. It’s not stated if or how much CRPLLC itself donates to CRF, including its initial endowment, besides the donation of free advertising, as no donation matching or any other programs seem to be advertised. In terms of an initial endowment, it seems that the only money put in was immediately spent on filing fees and legal fees, meaning the initial endowment was less than $5000. As a result, CRF operates from donors and possibly is not funded at all by CRPLLC. Any money that is donated from CRPLLC’s profits to CRF would be a charitable donation and lower CRPLLC’s taxable income amount. CRF began collecting non-taxable donations in May 2019, and as of December 8, 2020 CRF has yet to publish their 2019 financial statements, so not much is publicly known of how much money is raised by CRF and if they achieved their desired breakdown.

Now to talk about Mark Koro. Koro is an executive of Governmental Affairs (some places list director and others list VP) at Qualcomm, a telecommunications technology company with an annual profit of $7.67 Billion, and is estimated to make $20 per smartphone sold. Every smartphone. Qualcomm has been sued by China, South Korea, Taiwan, the EU, and the USA for anti-competitive behaviour. Koro’s department of Governmental affairs is responsible for negotiating and bidding with governments for contracts and rights to airwave frequencies, and also lobby and develop proposals for telecommunications legislation and policy. Before this, Koro worked at the National Security Agency in their corporate relations department liaising with defence and intelligence contractors. Before this, he worked in the George H.W. Bush administration as The National Security Advance Representative. This entails preparing logistics and security for Presidential events and dispatching Secret Service Agents to respond to Presidential Threats and continued in this capacity under following administrations until 2008. Koro was also an advisor to The Deputy Director of the NSA (the second highest position in the Intelligence Agency), and was a consultant to The Lawrence Livermore National Library, which is

“self-described as a ‘premier research and development institution for science and technology applied to national security.’ Its principal responsibility is ensuring the safety, security and reliability of the nation’s nuclear weapons through the application of advanced science, engineering, and technology.”

These positions are all listed on Koro’s biography on the The United Nations website for the International Telecommunications Union Radiocommunication Sector (accessed Dec. 8, 2020). Mark Koro has no public associations with Charitable Work.

There is little online about Koro’s association with Critical Role, besides an article stating that Koro, as a fan of the show, in 2016 matched $50,000 worth of donations to 826LA. Koro’s associations with a monopolistic technology company, the NSA, Nuclear Weaponry, and multiple presidential administrations would be cause for alarm for many of CR’s fans, but if it were a purely professional relationship, it could be excused as including him for his business accumen, but Mark Koro is mutuals on twitter with all of the cast members and Brian W Foster, Britney Walloch-Key. This might seem like normal professional courtesy, but there is a lot of interaction between Koro’s account and Critical Role Employees’ personal accounts that reflect at least a close personal relationship between people that he would not interact with regularly just as a board member of a legally distinct organization."

P.S. 100% of Critical Role's Chief Officers are men in relationships with female subordinates.

[gale-gentlepenguin]

Gale Reacts: Masters of the Universe: Revelation episode 5

Spoilers below

TL:DR I was not crazy about it and if you did enjoy episode 5 and like the series. I recommend skipping this reaction/review

-So they host a little funeral for Orko. Yep, gotta milk all you can out of the character ya set up to die since his introduction. Well they gave Orko more respect than He-man. Good on Adam for being a decent human being. (I will stop being cynical about this)

-Well Preternia is cool.

-Moss man is the forest.

-Adam had the sword and he is like

-"Welp you are all stuck in heaven now."

-Andra is adorable. (Also side note. I havent really seen Andra and Teela be couple like since episode 2. Like where is the couple stuff? Evil-lyn and Teela have had more dialouge together?)

-Adam and Teela being awkward which understandable.

-And Teela is still salty. At least its fleshed out a bit more. But you would think she would be OVER this by now.

-King of Grayskull? Oh this will be cool.

-Hoverboards in Heaven!

-The tower looks cool.

-Hero is his name?

-Hero is shook by the split the sword.

-Andra making a forge.

-They competitive friends in the hunt!

-Well this is somewhat cute.

-OH S***! KING GRAYSKULL LOOKS EPIC! HE RIDES A TRICERATOPS!

-Adam chose that form? Like he could have taken his He-man form? But chose that one? Okay I am genuinely curious.

-King was the first Castle Grayskull champion. Wow okay. And the guy is now talking smack about the castle.

-I like feral sorcerer lady.

-So they made a heaven forge.

-the last bit of magic!

-Roboto is like "Yea I am not sure at all but I am gonna try." He is going to die too.

-So Teela and Adam moment.

-Adam has a point. He was dead. Not like he was like "Lol i am gonna die and make you feel bad" He was saving the Universe!

-Adam is totally gonna go back because he has unfinished business.

-Adam might not get back to paradise if he goes back.

-Mossman is a million years old. Lol

-Roboto is doing it.

-The forge scene is epic.

-Roboto gonna die.

-He did it though... and it blew up in his face.

-The sword is forged tho.

-But now Roboto is dead. And he made a roboto is afraid to die.

-Wow that is f***Ed up.

-Rip Roboto

-Adam wants to go back. Okay so now we will have Adam/He-man be a more prominent part of the show now. It took some time, but hey at least he is back now.

-Adam he is owning it up to it.

-Adam be a real one.

-What the s*** he almost died right after getting back. Okay so is that the fake out.

-And tech cultists.

-Welp Man-at-arms is here to defend. LOL

-Adam reveals he is back.

-Cringer missed him. (This was cute)

-So now they back to where he died. He about to do what they need to do.

-He be calling back the magic. Now it starting to feel like He-man again

-Sorceress is BACK BABY!

-And Grayskull looks good again.

-And... Adam got F***ING STABBED. Did, did they REALLY JUST KILL HIM TWICE?! I had this feeling like they were saying "You cant come back if you die again" But I thought no There is no way they would be stupid enough to kill him TWICE.

-So Skeletor survived by putting his essence into the staff Evil-lyn had and if she had left it all of this could have been avoided

-Evil lyn is back to being bad. Because Skeletor just came back. So much for all that development Lyn.

-Skeletor just called on the power of GREYSKULL. So can anyone do that?! Does this mean Skeletor can go to Preternia?

-Skeletor's form is... well it is something. I mean its cool. But... I dont really feel like its earned. Like I wish we had some foreshadowing or something. Like he is just like "BTW I was here the whole time just in case." Now if Adam was like pushed aside or like knocked back and Skelator took it so he could show off, that would be more He-Man like. Cause then you get the moral on WHY Adam chose this form in Preternia.

-Also Skeletor getting the power sword SHOULD be a much bigger and much more earned moment. This scene should have been like the penultimate episode before the final battle. Also him Stabbing He-man/Adam would have had way more impact if this was the first time they pulled this.

-But in all seriousness. Did they REALLY JUST KILL ADAM AGAIN!?

-They took all of that development and just... KILLED HIM AGAIN.

-Side note: if ANYONE could use the power, Why not just have he-man pass the torch to Andra or Teela. Because now Adam cant even chill in heaven. He is just a dying little flea who basically got set up to DIE AGAIN. Like the writers clearly do not like Adam.

-How am I suppose to be excited? Lol Skelator is back sure but he just killed He-man. Are they gonna do a fake out death? Have him Die but then get revived by the sorceress? Regardless its in bad fucking taste.

____________________________________________________________

2.5/10

Look, Skeletor's comeback was cool and all (He and the designs of King Greyskull are the reasons this isnt a 1 out of 10). But WOW they really did Adam dirty. I was expecting He-man in a show that is named after half his old show. Even the earlier trailers showed a bunch of him... but he only shows up in flashbacks after episode 1.

If Adam doesnt die, he will likely get heal in the nick of time and and die again later anyway. Considering how predictable the show is I can already predict that they will beat skeletor. Teela's Power that was hinted at in episode 4 will make her the new Sorceress and Andra will be revealed to be a descendant of King Greyskull thus making her the TRUE heir to Castle Greyskull an have her be the new champion or reverse of that where Teela is the new champion and Andra is the sorceress. If Adam does survive he will just be Adam at the end of the series and not He-man because whatever reason about him not actually feeling like He-man was him. But my bet is that they kill him again if he isnt already dead.

Which means that He-man just becomes She-ra. But there is already a She-Ra and it actually has She-Ra in the title. And that She-Ra actually has better writing in it because it actually cares.

Because lets face it this show was not about he-man. It was about Teela.

I know its called Masters of the Universe Revelation. But they should have called it Teela: and Everyone else dies.

But I seriously have to ask. WHO IS THIS FOR?

Its not for die hard He-Man fans because it kills off or changes all the characters they know.

It isnt for new fans because most of them would have no idea who any of these characters are. The show expects you to know them already.

It isnt for Feminists. Teela's characterization is a bad stereotype of written 'strong woman'. I made a comment that it was basically a 'Guy that tried to write a Strong woman character' but it is STUPIDLY ACCURATE at this point.

She-Ra: Princess of Power 2018 already exists and does it better.

If I had to make a bet. It feels like the writers were targeting the demographic that watched He-man and hated it, then writing a Salt fic about the characters after turning one of them into a self insert.

I hate that the writing sucks, because the animation is gorgeous, there are somethings that are really cool. In fact when they show off the ideas from the original He-Man, it looks amazing. Those flashbacks? They are the best parts of each episode.

Now I am no die hard fanboy for he-man. But I did like the 2002 show. I am actually chill with some of the changes made. Not all of them, but some. But I hate lazy and manipulative writing. Writing in a show purely for shock value.

The trailers they put out for this show were manipulative. Showing much more He-man then there was.

I wasnt expecting god tier level writing for this. This was based on a 1980's show. It didnt need amazing writing, it just needed to be good enough and show it cares about its fans. But it didnt.

Lets say we removed He-man from the equation entirely. make this its own thing. Change the names, alter a few appearances. Would that have changed my opinion.

It would make me less mad, but I would also still call it a bad show because the writing is generic at best. Its hackneyed and the characters with any appeal get killed off.

How am I supposed to be excited for this?

Do you know how angry this makes me. I WANTED to be hyped as hell for the fact that Skeletor has the power of Greyskull and is getting ready to be this super big bad for the end of the season. But I am not.

I just feel annoyed and disinterested.

Will I watch the other episodes if they get released?

I dont think I have the stomach for it. They would need to do a LOT to make me want to watch the other half.

[snkpolls]

SnK Episode 67 Poll Results (for Manga Readers)

The poll closed with 254 responses. Thank you to everyone who participated!

Please note that these are the results for the Manga Readers’ poll. If you wish to see the results for the Anime Only Watchers’ poll, click here.

--

RATE THE EPISODE 246 Responses

The response to this week’s episode remains overwhelmingly positive, with 97.6% of responses giving it a score of 3 or higher. 

This is the first episode where I have absolutely no criticisms, so im quite happy with how it turned out.

Voice acting was top tier

perfect

Emotional 

Great Job! I'm glad my favorite character's death was so emotionally misered.

Forget Attack on Titans, this episode was Attack on my Feelings ! 😭

I want to rate it a 1 because of Sasha but a 5 because of how well it was done... so 1.5

Absolutely loved it

Perfect

ASIDE FROM SASHA’S DEATH, WHICH MOMENT WAS THE MOST EMOTIONAL FOR YOU? 247 Responses

Connie’s heartfelt admission to Jean seems to have stolen the hearts of the plurality of responders (36%). That is followed by a tie of 18.2% responses noting Eren’s breakdown or EMA’S tense reunion as the most emotional moment for them. In third place is Gabi’s tragic declaration about her struggles with 11.3%. Other responses were, in order, Jean lamenting all of the deaths occurring, Gabi and Falco realizing that Zeke betrayed them, Hange scolding Eren for forcing the SC to intervene in Marley and Levi and Eren’s confrontation.

Connie telling Sasha and Jean that they're special to him made my heart hurt knowing what was going to happen mere minutes after. I honestly saw me and my two best friends through them, and it was gut wrenching seeing Connie and Jean's reactions. Even Mikasa's reaction broke me, to be honest. They all lost a huge light in their lives.

WHICH MOMENT SURPRISED YOU THE MOST? 222 Responses

So this question was meant to only go on the anime watchers poll and ended up here somehow. Thanks to the 222 who were good sports and responded anyway! :P The most shocking moments that took place in this chapter/episode was the revelation that Eren went rogue from the Survey Corps, that Zeke was collaborating with the Survey Corps, how the Survey Corps treated Eren, and that some Paradisians seemed to be turning to nationalism, in that order. 

Not sure why we're being asked as manga readers which moment shocked us the most since we already knew everything that was going to happen this week

HOW MUCH DID SASHA’S DEATH HURT YOU? 249 Responses

When it came to Sasha’s death, it would appear that it broke the hearts of the overwhelming majority of responders, with 81.1% giving it a rating of either 4 or 5 on the tragic scale. 

Broke my heart and I'm still crying over it three days later. Honestly though, it was greatly done. 

3 years later it hit me, Sasha is dead ;_;

Cried my whole soul and body. Rip sweet Sasha

I thought Sasha's death would've been more emotional.

WHOSE REACTION TO SASHA’S DEATH AFFECTED YOU THE MOST? 250 Responses

Sasha’s death elicited various reactions from the main cast. Two different responses tied at 36.4% noting Connie and Mikasa’s reactions to Sasha's death as the one affecting them the most. This was followed by Eren’s at 13.2%. The rest were, in order, Armin, Jean, Levi and Hange. 

I don’t cry at fiction much, but Sasha’s death got me more than I thought it would. I feel like seeing Armin and Mikasa’s reactions in particular is what got me.

The way they animated Armin and Mikasa bawling over Sasha's body and the inclusion of Call Your Name made it all the more emotional. I think by "Assassin's Bullet" they also meant a bullet through my heart because man did that hurt to watch. 😭🤧

WOULD YOU PISS YOUR PANTS IF LEVI WAS GLARING AT YOU WITH MURDEROUS INTENT? 248 Responses

A bit of a joke question, but we wanted to know if Levi appeared as threatening as he seemed. 80.2% seems to think so, admitting their incentive to piss their pants. In contrast, 19.8% don’t think the Captain’s such a scary guy!

THE FULL VERSION OF “ASHES ON THE FIRE” BY KOHTA YAMAMOTO (THE PREVIEW SONG) IS NOW OUT. IF YOU’VE LISTENED TO IT, WHAT DO YOU THINK? 236 Responses

“Ashes on the Fire” has been released to rave reviews, with 88.1% of responses giving it a 4 or a 5. Nobody gave it a 1, either. Yamamoto-san, thank you!

OVERALL, HOW WELL DO YOU THINK MAPPA ADAPTED THE MARLEY ARC? 251 Responses

In spite of the relatively vocal complaints about the adaptation of certain elements of the Marley Arc, it would appear that the overwhelming majority of responders seemed pleased with it, with 51.4% giving it 5 and 37.1% giving it a 4. 1s not present. 

I've been a bit bothered how Mappa follows the Manga like a slave, using the panels as scenes and not adding anything in between. Sure it works for Manga, but it feels weird to me to watch in Anime how Eren grabs Armins hand and they don't give a transition where Armin pulls him in, but just show him inside the airship next. Just little things, but bothers me a bit. Overall I'm really enjoying their choices.

The show looks BETTER

I was fine with the episode. The quality of animation dropped but I understand that every scene cannot be animated on highest level. MAPPA has done a great job with the Marley arc. They shown the character development and bonds between the warriors perfectly. We had some cuts here and there but overally was okay: 8/10 for me. 

I’m so pleased that MAPPA has taken the anime. I’m still more of a fan of this particular series’ manga than anime though.

DID SASHA’S DEATH AFFECT YOU MORE WHEN YOU READ THE MANGA, OR SEEING IT ANIMATED WITH VOICES AND MUSIC? 249 Responses

As noted above, Sasha’s death seemed to be a hard hitter for most. Comparison of the adaptation vs the original allows to discern which hit the readers/watchers the hardest. Just one percent shy of a majority (49%) thought that the anime made it much more tragic. 30.9% noted that the impact was roughly similar across both mediums. On the flip side, 10.4% thought that the initial depiction of it in the manga was the hardest hitter. There were also a couple of write-ins. 

I dont remember I sped run reading the manga, kinda regretting it

I knew it for the first time in the manga, so it had a more powerful impact (I cried for a whole week. Not kidding) and the anime managed to make me cry as hard as in the manga. Though, I already was aware and grieved so it wasn't as bad

Got Spoiled :( so kinda meh, saw it coming

When the music kicked in after Connie announced she was gone, my heart broke into a million pieces. 

Let's be honest, Sasha's role was over after she killed the titan in the village and saved Kaya. After that she was just there. She got zero development, zero important moments, zero depth. Her death effected many characters and helped them to develop. Sasha's death was sad but at least brought some important changes in others. 

Not a Sasha fan so I was not really that affected but having a death in the series always feels sour

I think for me, they're both even.....mostly. There's just something about having been waiting for the chapter leaks on reddit with a bunch of other people and most of us collectively grieving at the same time. Once bigger pages of the chapter started coming out, it made me cry. I didn't even cry during serumbowl when I first read it and that had plenty for me to be even more upset about.

Honestly while reading manga I hated that Sasha’s last word was „meat”, it seemed so ridiculous. I’m happy MAPPA made it look more serious with music. Actually everyone’s reaction for Sasha’s death had more impact on me than the death itself

HOW DID YOU FEEL WHEN YOU SAW GABI KILL SASHA IN THE MANGA? AND HOW DO YOU FEEL SEEING IT AGAIN NOW, KNOWING HOW GABI’S ARC DEVELOPS? 247 Responses

Gabi is perhaps the most controversial character introduced post-time skip. Whether you’re a proud member of the Gabi Gang, proud hater of the 12 year old or just a neural party, everyone can admit that. With Sasha’s death at her hands, many seemed to offer up their opinion on the kid, back then and now. A slight plurality, 31.2%, stated that they did not hate her back when 105 first released and they don’t hate her now. 23.1% note that although they were rather upset with her back down, they are not (upset/angry) any longer. On the flipside, 25.5% state that they still hate the kid, as they did back then. Finally, some were simply neutral. Classic. 

Quite a few write-ins, as well.

I hated her in the manga but after watching the anime, I’m not happy about it but I understand why she did what she did and don’t hate her as much anymore.

I was extremely upset about it before and am still extremely upset about it now, but for different reasons. I hate her less but am not any less annoyed by her brainwashed hatred of the Paradisians, although I understand her much better and realize and empathize that she's just a kid who's been used by her country in the worst way.

Gabi Braun Must Die

Broke my heart and was upset, but understood where she was coming from (thought about her perspective only)

Sasha shoulda killed this cunt while she had the chance

It’s war, she did as she needed to.  Her arc is fantastic 

love hate relationship 

I didn't like her but not because of Sasha death (that's war consequence) and it's the same now

I really hated her with my whole heart and soul, but now that it has been all explained, that she had character development, I even like her now

I used to be angry about it but I understand why now, Gabi is just a victim of Marley’s control just like anyone else is, it’s a shame this is the results of it. She’s still at fault but I can’t hate her so much for it

I feel tired of Gabi hate. I disliked her in the manga back then but now I feel neutral towards her, because she has changed. Yet, I wish she took less screentime. 

SORRY for ranting! I don't understand the hate on Gabe. Yes, I know she killed a Paradise character which was present in series since its beginning and I understand Sasha's fans are upset Sasha is not here anymore because of her. but those people do not analyse Gabe as they should be. Every character belongs to a different side and each side is blinded by what heir belives in. It is okay to not like Gabe but I don't tolerate hate on her. I THINK THIS QUESTION SHOULD NOT HAVE BEEN INCLUDED AT ALL.

Initial hate, understanding after some thought

Understanding her situation I know I shouldn’t hate her, but I’m choosing to be petty and hate her anyway 

I liked her much more than I like her now. She was a much better character back then, her killing Sasha (a one-note comedic relief) was cool and brought some spice to the story. Now she just exists to spout themes and convenient exposition and to be an aimbot

i dislike her, even if i understand her

I dont like Gabi. Never did. It isnt because she killed Sasha tho. I just dont care for Gabi tbh BUT i can totally understand her actions and do not blame her for it after seeing the destruction and killings

I was and still am upset about Sasha's death, but from the start I blamed it more on the circumstances than Gabi.

I loved her then, I love her now and it probably wouldn’t change even if she killed my favourite characters. She’s my cinnamon roll

Gabi did nothing wrong, killing a soldier in the battlefield is not a crime.

See, I WANT to like Gabi since she's obviously changed, but knowing she killed Sasha nonetheless will ALWAYS prevent me from having any love or respect for her. She will always be my most hated character

MAPPA ADDED AN EXTENDED SCENE OF FLOCH AND OTHER SURVEY CORPS RECRUITS BEATING GABI AND FALCO. HOW DID YOU FEEL ABOUT IT? 240 Responses

MAPPA added an extra scene of Floch and Friends raining down copious amounts of gratuitous violence upon two 12 year olds (MAPPA is pro-child violence???????? Find out when 111 is adapted). 48.8% seemed to think that it was a decent addition, even if just for the SC’s characterization (or perhaps you enjoyed seeing that?). 22.5% thought it was a bit over the top to feature. Finally, 16.7% did not care. 

I didn't like it. But, it was def a believable reaction from them.

I just wish it was enough to kill her

I liked the additional characterization of Floch & co.

Great addition, it was implied in the manga so the scene fitted well. Still, it was horrifying to see how vile the scouts were to two kids

How about an option where we're glad Gabi got beaten to a pulp but not when Falco was?

ORA ORA thing, but we viewers get hurt too. 

Didn't feel bad about Gabi getting beat up, but I did feel bad seeing Falco get beat up. Poor boy didn't deserve that

A nice addition 

I thought it was a great choice to highlight the continuing violence and feelings of vengeance from both sides even more. and I thought it contrasted really well with Jean's decision not to throw the kids out of the airship.

The people glorifying this scene annoy the shit out of me

It's a good way to hint the "Yaegerist" perspective to anime onlies

MUDAMUDAMUDAMUDAMUDAMUDAMUDAMUDAMUDA

The Gold Experience memes are funny

It was an IC scene for people like Floch + I feel bad for the kids

The way they shot that scene made the recruits seem like mindless, gross-faced animals storming towards the kids to beat them up. I liked how they were dehumanised like that, considering that most faces amongst them belonged to the ones who support the rumbling. 

It hurt to see that but good scene though

Feel empathy for Gaby. Violence don't solve problems

Now THAT'S what I call fan service! Who needs big-boobed, big-ass females or shirtless guys with and when you can just have the most hated character get the tar beaten out of them xD

I can see why they did it. MAPPA's not dumb and I'm sure they anticipated a massive onslaught on hate towards Gabi specifically, so it was their way of trying to satisfy the haters. Falco didn't deserve it tho.

It was a good addition

GREAT JOB MAPPA

I hate Gabi too but that was too much beating up a child, yet it also showed how shit Floch and the others are.

Apparently some people never noticed that Gabi and Falco got beat up, probably because it happened in the background. So it was good for MAPPA to call attention to it.

I love Gabi but she had that coming. No need to hurt Falco though. :(

OVERALL, HOW WELL DO YOU FEEL MAPPA EXECUTED THE REVEAL THAT ZEKE IS A TRAITOR TO MARLEY? 240 Responses

The reveal that ZOOK has been working against Marley for years on end is one of the most important ones in the series, really. So it was important to have it be executed in a rather decent manner. The vast majority of the fandom thought that MAPPA did a fine job. 52.1% gave it a rating of 4, 27.5% gave it a 5 and 17.1% gave it a 3. The couple of the other respnders gave it a 2, with no 1s.

IN THE END, DO YOU THINK EREN’S ACTIONS IN MARLEY WERE ULTIMATELY JUSTIFIED? 242 Responses

A question to remember… Were Eren’s actions in Marley ultimately “justified”? A plurality, 44.6% seems to think so. In contrast, 24% disagree. And 31.4% still aren’t sure to this day.

SIMILARLY, DO YOU THINK THE SURVEY CORPS WAS ULTIMATELY JUSTIFIED IN TREATING EREN AS THEY DID? 244 Responses

When it comes to the SC treating Eren as they did, the division is much less pronounced however. The majority, 60.7%, think that the SC had quite the justification for treating Eren as they did. On the flip side, 19.7% think that there was such justification for behaving in such a manner towards Eren. Finally, the same amount of responses stated that still can’t be sure to this day.

NOW THAT WE’VE GOTTEN A CLEAR SHOT OF YELENA, DID MAPPA DO HER JUSTICE? 243 Responses

YELENA is here. Queen 👑. Or well, maybe not. Who am I to say? In any case, her appearance was received well. 52.7% thought MAPPA did very well and 33.7% went on to declare their love for her. Just shy of 10% noted that MAPPA could have done a little better though. 

Kinda wish her hair was like neon or something idk

Need more eps of her to decide, she didn't get much screentime and lines here. 

I don't like Yelena, but yeah I guess they did good.

In the manga she was a creepy-looking person. MAPPA made her unique, interesting and mysterious. I love her voice and her stoic, relaxed self. MAPPA did a good job.  

QUEEN!!!!!

Great adaptation but I still don't like her as a character

Don’t care about her 

don't really care

I hate her and I don't care about her.

WHICH SCENE FROM THE PREVIEW ARE YOU MOST LOOKING FORWARD TO? 247 Responses

Such a colorful chart for this one. It would appear that slightly over a quarter look most forward to seeing Crykasa at Sasha’s grace. Slightly less (21.9%) want to see Sasha enjoying Niccolo’s cuisine. In third place is the scene with Connie, Jean, Mikasa and Niccolo at Sasha’s grace. The rest are, in order from most to least, Onyankopon and Yelena teaching the Survey Corps about the Port, EMA talking at the shooting range and Hange and Armin learning about Marley’s technology.

HOW HYPED ARE YOU FOR THE UPCOMING TIMESKIP FLASHBACKS? 239 Responses

The time skip flashbacks seem to be a hit. A little over 51% are super stoked about seeing them animated. Slightly under 24% state that they’ll enjoy them, but are looking forward to other things more. In contrast, 22.6% are ready to go crazy (from a positive standpoint)! Wooo! 

Enjoying AND dreading it at the same time

I just want the centipede

Boring. The only thing what interests me is Historia teasing Mikasa about her crush on Eren. The rest is too jolly. 

I'm looking forward to see Yelena's insane self be animated. That, and more Zeke.

THE MOST RECENT LIST OF FUTURE EPISODE TITLES SHOWS THAT EPISODE 12 WILL LIKELY END AROUND CHAPTERS 109-111, LEAVING CHAPTER 112 (EMA’S ARGUMENT) FOR EPISODE 13. EPISODE 67 WAS ALMOST ENTIRELY ADAPTED FROM CHAPTER 105, PROVING THAT ADAPTING DIALOGUE-HEAVY CHAPTERS FAITHFULLY CAN EASILY REQUIRE THE FULL 20 MINUTES. WITH ONLY 16 EPISODES - AND SO MANY WHICH ARE DIALOGUE-HEAVY - DO YOU THINK THINGS WILL END OFF WITH THE INITIATION OF THE RUMBLING (CH. 122), AS HAS BEEN SPECULATED BY MUCH OF THE FANDOM? 238 Responses

The manner in which the Season will end is a mystery to even the manga readers. Where will it end? Will it have many cuts? These are the questions. 36.6% seem to think that MAPPA will somehow manage to both end it at Chapter 122 and cut as little as possible. 26.5% don't believe ending on 122 is possible. 12.2% do believe MAPPA will end the Season on 122, but only with many notable cuts. Finally, just a little under 20% are simply not sure. There were a few write-ins as well. 

I hope not, too many cuts would be required 

The is no way they're making it up to 122, at first I thought they were going to finish it off with Eren's head getting blown off in 119, but now that seems like a reach too. Now I think MAPPA is probably going to end this first half of the season with Eren and Pieck's "where is the enemy?" and the warriors arriving to Shiganshina 

I’m not sure right now so I’ll have to see for later episodes for the cut-off point, if it isn’t the Rumbling then it’ll be when Gabi shoots Eren

MOVIE

I'm conflicted. I'm sure they'll end at rumbling because it's the only reasonable point to cut it, but I feel like they're running out of episodes. Then again I'm feeling the same about the state of Manga, there's just too little chapters left to end things up well.

I don't really want to think too much about it, I just want to enjoy the anime lol

I fully expect 119 to be the end

What was the point of rushing Reiner's chapters if you are going to slow down later. Goddamn it MAPPA. 

It'll really depend on the pacing for the next couple episodes, but I'm with a bulk of the fandom that see Chapter 119 Two Brothers being the end point for The Final Season. IF they were to skip the opening and maybe the ending, I can see them transitioning from Eren's head getting blown off immediately into his transformation and the beginning of the Rumbling. But even that is quite farfetched. 

I have no idea, I'm a little worried now. Wouldn't be the first time a lot of content gets cut but if they insist on reaching ch. 122, I just don't see how you do that without butchering a lot. If that happens, it would probably lessen my enjoyment of the season.

Yeah, I think it will have a lot of cuts, but I believe that it will get there because Ymir falling in the tree was in the trailer

ADDITIONAL THOUGHTS ON THE EPISODE?

It's amazing seeing how each week, something with SnK trends! ^^

It still baffles me just how much people insist on hating Gabi, especially when her arc has shown tremendous growth in the manga. Reiner was no better than her when he was a child and continued to insist that Paradisians are devils and chose to further destroy their lives even after sleeping under the same roof as the 104th for 3 whole years and forming personal bonds with them. Yet, his actions are forgivable but Gabi's are not? Both characters have shown remorse for their former beliefs and misdeeds against Paradisians. Both realized that they were in the wrong. The characters have forgiven Gabi. Why can't y'all do the same? People who want Gabi to suffer are no better than they accuse her of being. 

Well done episode which managed to capture the emotions of sasha's death perfectly

monke

I really appreciate Gabi as a character. She has spunk and a strong character arc in which she changes and grows more than anyone in the last 30 chapters of the manga, save maybe Mikasa (ignoring how Eren, Reiner, Armin and maybe a few others changed during the timeskip). It makes me sad seeing people wishing for her to die and praising Floch and the others for kicking her.

Gabi absolutely deserves the hate she gets

I absolutely love to see the anime-onlies mass hate of GabBitch, does my heart good xD

Boring ,too much Gabi she is annoying

Time to strap in: wild ride ahead!

Gabi Braun is the WORST character, her arc was poorly written and the moment she kills Sasha solidifies her rightful place as most hated character

No development has made me stop hating Gabi. The wound of Sasha's death will ALWAYS overshadow any crocodile tears Gabi may cry.

Kudos to Jean's and Connie's voice actors. Emotions were so raw and natural.

so good! they're really nailing down the emotional beats so far!

Dialogue-heavy but still amazing! Also the music was great

I didn't felt anything when Sasha died. Even the first time, in the manga. She hasn't enough personnality for me to care. Erwin and Bertolt's death were more saddening for me. Stop hating Gabi. She was in grief and she did what Marley brainwashed her to. And Sasha killed people right in front of her, so…

1 chapter was too little to be adapted for an episode, you could tell some scenes were stretched to fit the runtime

The music they chose for the scene of Sasha passing was also the same music they used when the Survey Corps first donned their capes and Eren found out Marco was dead... man, that song is gonna hit harder than ever now

It didn’t help with the overwhelming amount of hate Gabi is getting. I hope Mappa does her justice because she’s a great character but the Anime only seem to hate her because its a “funny” “popular” thing but it really isn’t... shows who really is paying attention to the story and the people who are watching it because it’s popular and trendy 

People who are hating on Gabi do not understand the themes portrayed in AoT

Pretty solid overall. Wonderful bits of animation such as the ODM bits and the solid character acting from Sasha going down, Mikasa and Armin is distress, personal highlight being Gabi's reload animation. Good ost choices, nice addition of Samuel and Daz to foreshadow their conflict later on in the story, and great work from Connie, Gabi and Eren's VAs.

Friendly reminder that just because we hate Gabi does NOT mean we don't "understand" the story or themes. We just don't care because Gabi is a bad character.

U mad at Gabi for what she did ? Did she kill Potato girl for no reason? Imgine a kid, at least 3 years younger than the 104th, made fighting on WARS and praised for it, brainwashed by Marley that Paradisians are devils, and these devils came in her home, killing her friends and this WOMAN killed in front of her eyes two people who tried to protect her. Don't be mad at Gabi. Grieve for Sasha, okay, but stop hating Gabi. You're the worst when you do it

Hey Gabiatans: as long as you're not threatening the VA or other RL p olle, it's PERFECTLY fine to hate Gabi. Period. We don't have to like her, and it's not like we don't "understand" her just because we hate her. I "understand" a lot of Germans were forcibly coerced into joining the Nazi regime, but I don't have to pity then for any consequences that came for them.

Leviiiiiii

I was surprised that Mikasa and Armin crying over Sasha had no voice over. I thought it was still effective but I'm not sure if I prefer it. Other than that, the character animation was amazing this episode. Gabi's hands as she reloaded the rifle and Armin crying were my favorites. Overall, everything was pretty perfect and I love it when a chapter gets adapted in full with basically no cuts. One of the best episodes in the series and a proper send off for Sasha.

Wonderfully done episode! They truly did Gabi and Falco's perspectives justice. Also, seeing Eren's expressions and reactions in animated format was clarifying and super well done, too!

WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 227 Responses

Thanks again to everyone who participated! 

[reimahowaido]

I’ll get to those Magic Crafter Dragons I sweeeear But first, fun stuff from Discord. Dunno who made the original, it was just posted on a server, but yeet I did it anyway First of all, I don’t play a lot of games. I like games and the idea of them. I enjoy people playing stuff, I love watching others play. It’s that little sibling culture. But lemme toss a word or few about all of these. Though first of all, I only own 4 of the 8 games listed and even still I’ve only played 3 of them xD R.I.P. Pokemon Cafe Mix - The game is just Super Cute. Like oh my god Aesthetics! Adorable, every pokemon looks so nice and I just want to go to the cafe and taste everything and just chill. Please. It looks so cozy and relaxing. Gameplay is fairly simple too. Sometimes things seem a bit BS but in one way or another I’ll get through every stage etc. so it’s not too bad. Most of the time relaxing, can be addicting because of how simple things are. But really I love the game and I hope one day they’ll add more of the pokemon I like xD Buizel is my current favourite <3 It’d be nice seeing Mienshao or Mienfoo for one, maybe Glameow as it doesn’t get a lot of attention. We got Gogoat, but I wouldn’t mind a Sawsbuck or Deerling Pokemon Black 2 - To keep the Pokemon trend going, this is my fave out of the mainline games. I’ve been a fan ever since the first generation, I’m older than Gen 1 at that. But yeah, we did buy games but Nintendo stuff was too expensive and so I never really got to play those growing up. Black 2 was the first game I ever bought, for myself, with my own money. It was my first game and I loved it dearly. Still do and man I’d Love to replay it, but the curse of only 1 save file is cruel. I don’t want to restart my first ever save file. Currently I have no way of transferring anything over and I even have a Shiny Gothorita there (as underwhelming as it is, it was my first ever shiny). I love these games~~ Lots of different pokemon to choose from, great story, the fact that it’s a sequel is so freaking cool and unique I Love It So Much. Of course it’d be cool to have some extra things to do in it, like cleaning my badges, contests would be cool, I loved the mining stuff in Gen 4 when I got to try it on my friend’s Platinum save file as a kid. Speaking of, Gen 4 games would probably be my favourites, if I ever had the chance of owning and playing any fully. They have soooo much to do in them! Gen 5 is good and certainly up there in faves, but bruh, Gen 4 had all sorts of extra stuff, especially Platinum, and in HG/SS you had Pokemon following you like bruh that’s Crazy and I’d love to have that for a game I own, it’s like a dream Honorable mentions to Mystery Dungeon and Gen 6′s Pokemon Y for some grand memories. Firstly Pokemon Y, the second game I ever owned I think, great fun. I played that game for hooooooooours and it’s the only Pokemon Game that I’ve both played as a Nuzlocke and actually reset to play again. Also the first gen where I actually really got into competitive stuff, breeding for natures and stuff, and I’ve caught so many shinies in Y and Omega Ruby (mostly Y, OR has 1 shiny in Pidove, while Y has Ninetales, Pachirisu, Burmy, Gligar, and perhaps some other ones I caught/hatched myself). Mystery Dungeon games get a mention for having cool stories and I like the idea of the personality test and stuff. I’ve never played or owned any of these games, but I’ve watched Marriland play a handful of the games and currently am enjoying MDB playing through the first games in the series. Also a quick bloop on Colosseum being Cool as heck, and Battle Revolution gets a shoutout for looking so freaking good, having amazing music and making me search up videos with my favourite pokemon and just looking and watching hundreds of videos just because they looked so nice

Fire Emblem has to be the 2nd series of games I’ve gotten the most into. Although I’m a fairly new fan and my experiences and knowledge are limited, I do still enjoy the series and games - both old and new - a bunch. I only own Awakening, Conquest and 3 Houses, but I’ve again watched others play the past games a bunch, so I have some knowledge and memorable moments from those games too. Now I haven’t actually gotten myself to play 3 Houses yet, I’ve seen playthroughs of the game already and know the story etc. But yeh. Still, I’d say that I’ll probably like 3 Houses more than Awakening and Conquest. Awakening is nostalgia galore for me, but it does have its things with the story and characters and stuff. It’s nice, but I dunno, I just feel 3 Houses has an edge on it in some way. Maybe it’s just... Less controversial? Less Flame Wars? Maybe? Fates games, well, we all know the big glaring thing here. The story. And some of the characters suffer from this too. I kinda do wish that the Player had a biiiit more control in how the story went and played out, like I feel you definitely could have saved Scarlet in some way still, and all that. But eh, there’s enough stuff for me to go and prefer 3 Houses over it. And yes, I like choosing the members of my team and playing however I like, so giving me the ability to class my characters however I want is going to be a mistake as I’ll just make everyone a mounted unit and get destroyed but hey! Options :2 Variety :22 Great tiiiiimes~ Also it’s Blue Lions for me, Golden Deer Second Now for the games I don’t own. I chose Radiant Dawn because the Tellius games are just so good. I love the character in them, the story is pretty solid and the worldbuilding is cool too :2 I like both of the games, and while Path of Radiance is more coherent and doesn’t give split the characters up a bunch, Radiant Dawn has More of the great characters :2 Yes I know, not all of them are as fleshed out and thought out as the first game’s characters, but yo I still love them. I love a good continuation to a story. I love a ‘hey maybe it wasn’t as Black & White as we were made to believe’ twist. Also just hella good memories from watching BigKlingy play these games. The audience memed Aran to the final levels. We did it, he did so well, Aran deserved to be there xD Radiant Dawn also brings us Nailah, who is just. Yeah, you speak to me on so many levels, I’m easily readable. But also, woman, wolf, strong, yasss~~ Also I love the idea of the Jaegan character being a Thief/Assassin. That’s just so different and cool to me after all these Horse Units. And I’m the one guy who likes Levail and would love to see more of him. Give us more of Levail, the man who almost made it to being playable. Man. Levail is probably the one reason I’d pick Radiant Dawn over Path of Radiance xD The other game I’ve watched BigKlingy play through (and that’s my only experience on that game) is Sacred Stones. Pretty solid game all in all. Story, characters, but speaking of that story, if you really think about it, it’s Hella Dark, and that’s actually kinda cool in a way. I’m not that into dark stories, but here it worked. Also watched PhoenixMaster1′s playthrough on the Echoes game. I do like the game, if i find it one day I Might buy it but I’m not like in a hurry to get it. It was cool though, different for reasons but hey~ Also, Berkut, yes. I’m one of those people who like this angry man. But come on, he was really good xD Spyro I’ve already talked about in my lengthy little thing that I’ll get to continuing eventually xD But yes, I freaking love Spyro, my childhood, still very enjoyable experience full of great memories Metroid Fusion - Oh boy here come the nostalgia~ I’ve actually never played any Metroid games myself. I got introduced to the series in the early 2010s through youtube videos. I’m fairly sure it was me looking through dozens and dozens of Top 10 videos, several of which were on ‘the scariest bosses’, either unexpectedly scary or something else. But guess what, Nightmare from Fusion was in there, and I Think the person in the video said something on not wanting to even show the final forms of Nightmare’s face because it was that horrifying to them. And honestly? The fact that they didn’t show how bad it got, mixed with my morbid curiosity and woop, here I go~ Down the Metroid rabbithole where I watched a lot of videos on people fighting Nightmare and the other bosses in the game, eventually going into watching full run-throughs of the game and enjoying my time. Game looked pretty good, soundtrack was really nice too. And so I ended up on listening to a lot of the game series’ music and getting more familiar with the other games and the lore too. Learning to know that Samus was a lady was also hella badass. Fusion started it all for me, and while Super Metroid is cool, people also just play it a loooot, especially the Speedrunners, there’s also plenty of hacks based on that game and yeah I get it the game is Good, but that makes Fusion all the more special to me~ Devil May Cry 3 - Ok so again, I’ve not played any DMC games myself. This one again though is nostalgia ocean for me~ 2010 or such, I’m on some forum, said forum has a forum game based around songs or such and someone links one from this game. I Think it was the Doppelganger battle theme, or then I just found that one and listened to it for hours among the other battle themes these games have because they’re soooo gooood~~ DMC 4 was fairly new at that time, but I remember Gredo’s and Agnus’ themes being up there in songs I listened to a lot too. My experiences and stuff on this series was fully based on the songs, images on said songs, bits and pieces of the cutscenes of these games I saw and comments I read. I didn’t get too deep into DMC back then though, but I did have a bit of knowledge here and there, even if my idea of the stories in all the games was, well, I wouldn’t call it warped, but I definitely had imagined the story going differently to how things actually went xD Still, as a few years back I returned to DMC out of that feeling of nostalgia, and discovered DMC 5 had Just been released, boi, I was In. And I watched through cutscene compilations, playthoughs and what have you on all the games (Except for DmC, boot to you ReBoot), and it was quite the hype time~ I enjoy the chracters, the story that there is around them, and just how carefree and fun stuff can be. The party sure did get crazy~ Lost Dimension - The last game I have on the list there. This might be a weird one and I get that yeah. How many have even heard of this game? I sure wouldn’t have ever known of it without BigKlingy’s playthrough of it. But that playthrough was full of memories, I should really rewatch it one day~ I may not remember an awful lot about the game, but I do keep coming back to it in one way or another. I liked the character designs, the fact that all of them were unique and had their own abilities, there was a bit of story around all of them, the traitor system had you thinking & made each run a little different... That’s some Cool Stuff! The game might be a bit obscure and seriously not known at all, but for what it was, it was great and I enjoyed it a bunch! And now for stuff that wasn’t on the list but I kinda still want to mention. Because why not~ IB - This Almost made it onto the list, but I felt a little closer of a connection to the other games on it. But IB is one of those games from the early 2010s that I also got introduced to through the wonderful world of Youtube. I have forgotten the name of the person whose playthrough in the game I watched. But I watched a ton of people play this game. It was just. So cool. The puzzles in this game were nice and the fact I myself could solve and understand them too was pretty nice to me, and for some reason I just enjoyed watching other people react to the game and try solving stuff. It also had a couple different endings so watching and seeing what the other people got was also interesting. Great memories~ Witch’s House / Ao Oni / Mad Father - And all sorts of other horror games that kinda fall under this grouping and style and stuff. Yeah, IB kinda opened a bit of a thing for me as I realized I greatly enjoyed the horror games with puzzle elements to themselves + a bit of story here and there. There’s definitely much much more than these 3, I watched soooo many of these games being played by others. Ao Oni I may have discovered through my Hetalia phase though, HetaOni, if any of you still recognize that name. Daym. Although at first I didn’t want to watch HetaOni because of the portraits. Pfffff I thought the person who made them was being mean to some of the characters, but nah, I’d later learn that those were simply just mimicing the ones from the original game. But yeah, Ao Oni had a dozen variants and things inspired by it so those kept me busy for a whiiiiiile Hades - Now here’s a cool recent game! Again, haven’t played it, but it looks cool. The story is nice, character designs are God Like (hehe), soundtrack is super cool, aesthetics and oh my god everything is voice acted oh my gooood. This game is just. So cool. And the team who did it seems really cool too and are seemingly full of nice amazing people. This is definitely some great example work on how things should be done :2 Definitely something to look up to, I love everything about them~ The only reason Hades isn’t up there is because of its recentness and my brain not managing to think of it somehow even as I struggled to come up with stuff (I was mostly trying to think of stuff I had played, so that’s one thing. I even struggled to remember DMC because my current hyperfixations are elsewhere and that’s freaking Wild considering how much I enjoy DMC) But yeah, Hades is Super Freaking Cool Crash Bandicoot - These games I did play as a kid actually, the 1st one was way too hard and the 3rd one was my favourite. I like Crash, these games were nice too and I have plenty of good memories with the game, just not enough to make it up there on my list. Yeah it sounds stupid that I’d take out a game I actually played and replace it with stuff that I didn’t, but... Hey, my list Minecraft - Watched several videos on other people pllaying this game, I know of it, I respect it, but I’ve never played it myself and stuff. It’s cool but didn’t make it on the list Animal Crossing - Riiiiiight, these games seem adorable and I wouldn’t mind owning an AC game one day. I’d probably reset continuously though to get Skye in my town/village/island, she’s my favourite xD If the recent game had cost lest I might have gotten it. 60-70€ is just, a lot of money Persona - I guess I’ll mention these too. My experiences are through Bigklingy’s videos again. 3 is a fave, 4 seems cool, 5 I don’t know a lot about but it seems nice too. I probably wouldn’t be able to play these games myself, since some fights kinda need certain things and strategies and you can’t really just pick whatever and whom ever and roll through with brute strength. I mean, I Guess you could, but that might not be as fun in the long run? Who knows, but it’s not exactly like Pokemon or Fire Emblem in those regards you know The big conclusion is that I like all sorts of different aesthetic looks, mostly probably natural with some brighter colors in it. Stories are good, I love stories! Good characters with nice designs and backstories are really nice too. Things being thought out and built nicely is great you know? A little bit of strategy, fantasy here and there. Nothing too dark and gloomy or ‘hyper realistic’ or what have you. I guess no first person shooters either, though combat is fine. Games where I can pick and choose what to use and what kinds of ‘teams’ I build and the ‘members’ I use in them is nice. I do love watching others play, but with games like Pokemon & Fire Emblem I have that drive of choosing who to use and having my own unique experience kinda gets me to buy the games.

[omegangrins]

Chibnall, Children, Choice and Consequence

Allow me to introduce a companion piece to A Treatise on the Doctor:

It's pretty simple:

Chibnall knows what he's doing and is playing a long game to show how the Doctor needs to take more responsibility.

Let me start off with my favorite examples. That's right, plural.

Every single villain 13 faces is never defeated, merely pushed away from causing them any immediate problems. Tim Shaw being the prime example.

1&10. Seriously, Tim Shaw. Her plan was to use his own bombs on him and then teleport him off the planet. Even without Ranskoor Av Kolos, the Doctor should have thought to check in on him. Especially after The Ghost Monument showed the Stenza were a greater threat than she knew. She still hasn't even checked up on WHAT THE HELL THE STENZA ARE! They sound worse than Daleks but naw, let's go rain-bathing in the upper tropics of Canstano instead.

2. Ghost Monument. We saw the END of an interuniversal race. What the fuck is the beginning that got them there? Who is Illyn and how and why did he orchestrate a super race?

3. Krasko. Sent back in time. Really, Doc? Not gonna take a look at the device and see where Ryan sent the prick so you can double check that he's not gonna cause anymore damage?

4. President Trump analog. Ooooo, you looked at him menacingly, Doc, that'll show him!! Not like he's gonna KEEP DOING ILLEGAL SHIT LIKE THIS.

5. The Pting. She literally shunted it off ship to be dealt with by someone else BUT DOESN'T GO BACK TO BE THAT SOMEONE ELSE ONCE SHE HAS HER TARDIS. That's like leaving a living nuke floating around after sweeping it under the rug while you fly off to Paris.

6. The Pakistani-Indian conflict still happens and millions still die. Not her fault but still....

7. Kerblam. Sure, Charlie's terrorism was solved but not the underlying problem that led to it. Humans still can't work because corporations like profits over people.

8. Similar to the Punjab, how you gonna solve sexism, classism and all the -isms?

9. WHY WAS THE SOLITRACT THERE IN THE FIRST PLACE??!! It's been around since before the universe. Why'd it decide to come back now? It's a whole universe trying to hug our universe to death. Maaaaaaybe we should check out why.

11. She's gets a pass on the Dalek. Fucking impossible to eradicate them.

12. The Master!!! Finally she checks up on something after the adventures... and it's horrible. With everything gone to shit in her absence. Seeing a pattern yet?

And Barton? And the Cassaven? They didn't disappear into smoke.

13. Multiple Earths being multiply fucked. Remember when I said the Doctor couldn't solve racism, classism, sexism, or any of the other -isms? Starting to look like she needs to TRY.

14. The Skithra FLY OFF after getting hit by a laser beam. That kind of thing tends to piss people off. Even if they're idiots using other's technology.

15. Jack. The Judoon. The Ruth Doctor. All things I'd start checking out if I had a time machine BUT

16. WE CAN'T cause the TARDIS emergency alert is going off and we need to hurry up and run and solve this problem before we run out of time in our TIME AND SPACE MACHINE. Leading to another problem the Doctor could help solve but won't. Plastic and over-consumption.

17. Oh yeah, let's trap two Eternals from another universe in the same place. There's NO WAY that could ever turn out bad.

18,19,20. And again. Cyberium. Pushed off Shelley onto herself and onto Ashad and onto The Master.

That's almost 20 "enemies" the Doctor still needs to deal with.

Oh, not to mention that they let UNIT go defunct because they didn't have the forethought to ask if they needed any money in their alien fighting budget. After asking for an office, a desk, and a job. Kinda funny that way, aren't they?

I hope by now you've gotten the idea that this is VERY deliberate. This is Chibnall laying down some very heavy pipe to smack the Doctor like a clothesline. There isn't a one of these situations that can't come around to bite her in the ass.

Barton, Roberts, Skithra. These are all very loose strands for a time traveller like the Doctor to get tripped up on. Chibnall's past episodes prove it. They're all about the Doctor learning how to take responsibility.

42: The Doctor almost gets Martha killed and almost gets himself killed trying to fix it.

The Hungry Earth: The Doctor (a thousand year old "adult") tells Elliot (a 10 year old kid) that "Sure it's totally fine to go get your headphones while we prepare for an approaching unknown alien force." And 11 rightfully gets his ass chewed for it by the child's mother when the kid goes missing because OF COURSE THAT'S WHAT HAPPENS, JACKASS!

Cold Blood: I could write an entire essay about the Doctor's guilt over the Silurian/Human conflicts they've witnessed, but I don't need to. Because every single Silurian centered episode written in the new era is from Chris Chibnall. And you can feel the sad knowledge of Classic Who spill through. He KNOWS how many times the Doctor has fucked up with the Silurians (about 8 times in television format. And it's rough everytime. Rough.) and he writes those episodes like an apology on behalf of the whole human race. And the Doctor. You know why people are put off by Warriors of the Deep? 5 releases a gas that melts the Silurians. And though it's cheesy, the idea and execution is still horrible.

Add to that if the Doctor hadn't stopped to check the crack, then Rory wouldn't have waited and been around to be shot then absorbed by the time crack.

Power of Three: An entire episode about how the Doctor has a problem slowing down and really taking account of the lives of their companions.

Dinosaurs on a Spaceship: The Doctor actually tries to be responsible and pick the right people for a job. For once. But gets angry when they realize it's too late and there's another bunch of Silurians they failed to save. Classic!

Like I said, if you can't see the pattern, you're not paying enough attention to your responsibilites.

Which leads me to the why.

When you fly around time and space for thousands of years, you develop a few duties of care along the way. In every situation, you're the oldest. Technically the only adult in terms of experience. You have a responsibility to act a little less rude and be a bit more aware than needing cue cards to tell you that you should be sad about things around you. And that's the purpose of 13. She's unlucky but learning. Like 12 telling himself something with his face he couldn't say out loud, 13's instincts are leading her to a new place for the Doctor: being a caring, responsible person. Not so much laughing hard or running fast, but being kind. It's the one thing they recognized as a problem in themselves when seeing 1. Being a Doctor is about being kinder than that. Just because you HAVE to saw someone's leg off, that doesn't mean you can't wait a little and comfort them before you do it.

You wanna know what gave me every faith in Chibnall showrunning Doctor Who? 13 staying for Grace's funeral.

Do you understand how unprecedented that is? This is the same person who never said Goodbye to Jo Grant as she got married and fucked off into the night. The same Doctor who said, "I don't do domestic.", did it with Rose a regeneration later, and then closed himself off to everyone but a married couple he felt guilty about who ended up birthing his wife. Have you any idea the number of funerals the Doctor should have the common decency to sit through? This many.

So for 13 to stay around for the death of a woman she has only just met and not only that, BUT call out Ryan's father for not doing the same, it shows tremendous character growth. It's taken millennia but they're still changing.

Something similar happens with Rosa and The Witchfinders. Realizing that there a lot of companions who have been in situations that are sometimes worse than aliens, but they still manage to make it through. So she needs to buck it up and persevere for everyone else.

That's where her anger comes from, and really it's one of my favorite traits on her. It reminds me of 7. Someone impossibly old and impossibly kind saying to hell with it and at least having some fun with the evils who drag us through the universe. And just like Cartmel planned for 7, 13's past will come to haunt her.

That's where children come in. Most of us are crying babies to the Doctor.

There's this thing you notice most in British shows about answering the question directly as asked. Someone says "Are you sure?", you answer "Sure". That's a direct acknowledgement that you heard the question, understood it, and processed it enough to respond in a manner directly correlating to the question asked. Yas and Graham got it and said "Sure" but Ryan missed it and said "Deffo". This is like Elliot with the headphones. The Doctor should have immediately been like, "Okay, Ryan, it's obvious that you're still dealing with the trauma of your grandmother's death and probably not processing things on a logical level. I said "Are you sure?" Not "Are you deffo?" Because we are most definitely not deffo, Ryan. Graham, you wanna help here?"

I'm being sarcastic for points sake but you understand the idea. The Doctor knows better and has a responsibility as such. She should've really sat down with Ryan and Graham and seen if there was a better way to process their grief.

Because I'm fairly certain that "Deffo" is gonna lead to Ryan's death and Graham's cancer resurging as time cancer (I don't know what time cancer is. I just know it's bad.)

And that is gonna piss Yas off. Which will give you all that character you think she's missing (she isn't. Her character is in her subtleties and silences.). That's WHY her character is a police officer (like how does no else see that the man who wrote Broadchurch wrote an inspector character companion?) Imagine you're Yaz and you see the Doctor flying around in a big, magic box that says POLICE. As a fellow officer, you're gonna expect some basic safety protocols.

Like do a background check on everyone flying in the TARDIS to know whether they're stable enough (mentally, physically, emotionally) for time and space travel. It's no picnic. These people are going to go through hell. A little vetting and planning like Time Heist or Dinosaurs on a Spaceship goes a long way.

Secondly, full fucking disclosure.

"Oh. I can't die because I change my body. Oh. I have arch enemies that will try to kill and torture us any chance they get. Oh. My home planet is full of the biggest assholes in the universe and I'm including my arch enemies."

Third, police like to do this thing called "check-ups" where they go back to the scene of the crime in order to see if there is any more information that can be gleaned which you might not notice when you are busy running around trying not to be killed... Like, the Doctor has the perfect machine to do this with, but nope. Adventure done, run to the next place!!

These are all things you'd expect any reasonable person to do and say when taking others flying off into time and space and "helping". Even if they are an idiot passing through and learning. Especially when you consider the Doctor is vastly older and more experienced than everyone they encounter. They SHOULD know better. And they've got the lifespan to slow down. It's not like they need to be in a hurry because they're going to die at any moment like humans. The Doctor could easily stay for tea and it would be less than a drop in their lifespan.

Now, as usually is the case when I make these theories, I have a parts 1,2,3,4 and 6. There's allways this 5th piece I miss but I manage to get at the end.

But the 6th piece is the Timeless Child. The Doctor isn't a Time Lord anymore. They're not beholden to those people and ideas anymore. Even moreso, those people basically raped her childhood for their own gain so it's not like you'd really listen to them and their "policy of non-intervention".

I'm sensing a coming Trial of a Time Lord season (even believing these two seasons are the opening statement and preliminary evidence of the trial itself) wherein the Doctor finally gets the turnaround 6 deserved. A Trial of the Time Lords, if you will.

"In all my travels through time and space I have battled against evil, against power-mad conspirators. I should have stayed here! The oldest civilization: decadent, degenerate and rotten to the core! Power mad conspirators? Daleks, Sontarans, Cybermen — they're still in the nursery compared to us! Ten million years of absolute power: that's what it takes to be really corrupt!"

This is what it's all coming down to. Chibnall's takedown of the Time Lords. And The Master is going to play the most crucial role of all.

They're going to be revealed as an Ux alongside the Doctor and show how the only constants they have in this universe are each other and it's about damn time they work together and tell these high collars to eat Schitt while they explore every star and planet they can find.

Come on, the episode is called The Timeless "Children". If it was just the Doctor it'd be called "The Timeless Child". The Master says as much with the misdirect line, "built on the lie of the Timeless Child." since we see two kids playing in that flashback.

"Since always. Since the Cloister Wars, since the night he stole the moon and the president's wife, since he was a little girl. One of those was a lie, can you guess which one?"

Now we know which one was a lie, we know the Master HAS known the Doctor since they were a little girl. THAT little girl...

But this is all just speculation. It's not like Chris Chibnall could have been thinking about this for the past 40 years and was given a blank slate to do whatever he wanted for five years on his favorite TV show. If y'all want to think he took those reigns and is choosing to make things worse...

Well then you don't know much about responsibility.

I'll let the man himself tell you about it.

"Very early in my career,” says Chibnall, “someone told me that you learn more from a failure than you do from a success. And then I lived out that phrase for a year in Los Angeles. I learned that I would not work that way again or be put in that situation again.” The essential lesson was: “You either have to be in total control of a show or working with people who share your vision and will work with you to achieve it. Also, never work with 13 executive producers.

“Camelot was the classic case of too many cooks. It wasn’t a harmonious set-up and I think that does manifest itself on screen.

“I had a fantastic cast but you have to be free to tell the story you want to tell in the way that you want to tell it. What ended up on screen was not what I wanted and so it is a blemish on my CV.”

Credit to @thirteenthdoc

“You immortals - so entitled, so spoiled. You never clear up after yourselves and you always leave stuff lying around.” - Thirteenth Doctor in Can You Hear Me?

[prettycottonmouthlamia]

Percival Analysis

big tittum hours

Percival

Max HP: 12,112

Max ATK: 9,168 (Effective ATK: 9,626)

Star Absorption: 89

Star Generation: 12%

NP Charge ATK: 0.64%

NP Charge DEF: 4%

Attribute: Earth

Alignments: Lawful Good

Traits: Brynhildr's Beloved, Humanoid, Male, Riding, Round Table Knight, Servant, Weak to Enuma Elish

QAABB

Quick = 3 hits, Arts = 2 hits, Buster = 3 hits, Extra = 5 hits

Quick: 1.92%, Arts: 1.28%, Extra: 3.20%

Protection from the Holy Grail A

Increases own Arts performance for 3 turns. (20 -> 30%)

Charges own NP gauge. (10 -> 20%)

Increases party's NP damage for 3 turns. (10 -> 20%)

8 -> 6 turn cooldown

Guardian Knight (Holy Lance) B+

500% Chance to draw attention of all enemies to self by 300% for 3 turns.

Increases own NP generation rate when taking attacks for 3 turns. (30 -> 50%)

7 -> 5 turn cooldown

Light of Salvation B

Grants one ally Invincibility for 1 turn.

Recovers their HP. (1000 -> 2000)

8 -> 6 turn cooldown

Magic Resistance B++

Increases own debuff resistance by 18.5%.

Riding C+

Increases own Quick performance by 7%.

Longinus Count Zero

AoE Arts

4 hits

Grants self Ignore Invincibility for 1 turn.

Increases own NP damage for 1 turn. (20 -> 40%, OC)

Deals damage to all enemies. (450 -> 750%)

Recovers one ally with the lowest HP relative to their max HP by 3000.

Holy Lance Longinus

When equipped on Percival, increase party's Arts performance and NP damage by 10%.

Primary Role: Farmer, Looper, Taunter, Solo

Secondary Role: Defensive Support

Situational Role: N/A

Another Knight of the Round Table has made his way to F/GO, much to the applause of basically everyone it seems. Betwixt a Servant with massive tits is a kit that honestly rather bland and straightforward, but also good enough to make Percival a good choice for your AoE Arts lancer. Whether he's your best one will depend on your pool, but he doesn't arrive a wash-up.

First we start off with his fundamentals. Like basically every other AoE Arts servant released in the history of ever, his NP gain is bad for his hit counts. His Arts cards are pretty embarrassing, his Quick card is largely worthless, and his Extra ranks at "decent". His AQA chain will generate about 25% of his NP gauge, which isn't too terrible but his NP gen problems will become apparent once you don't have his ideal chains. His star generation is a little kinder to him thanks to his decent hit counts, and both his BBQ and QBB chains can generate around 15 stars each. It's not amazing, but it might make a crit happen when it counts.

His 1st skill is a pretty good skill overall, providing a nice Arts and NP damage steroid while also giving a small but welcome NP charge. The increase in Arts performance will push his AQA chain to about 28%, which is expected because of his mediocre Arts cards. The two steroids together will result in a nice 56% damage bonus to his NP as well, which is a strong start. The cooldown is the expected eight to six turns, but that's probably fair all things considered. The charge allows Percival to instant NP with a K-Scope and gives the ability to fix a looping turn (Spoiler alert he loops), which is always nice.

His 2nd skill is a variation of Georgios' Guardian Knight...and personally I find it to be a lot weaker. It's the same 3-turn taunt which is incredible, now on top of a Lancer further increasing the amount of easily accessible 3-turn taunts to different classes, and also increases his defensive NP gen by 50%. Don't get me wrong, this skill can high roll pretty hard and grant him a lot of extra NP a turn against an enemy with high hit counts, but against enemies that are on the lower end you'd want the Def buff way more than the defensive NP gain, and you might want it more anyways since Percival doesn't pack any soft defensive buffs. It's also at a bit of a weird mismatch with his kit, since he's meant to be in farming comps where this doesn't really matter. But in the future, it might be a good skill in a Nerofest exhibition quest or in a challenge quest of some kind, so I won't be too hard on it.

His 3rd skill is a targetable Invul with an okay heal attached to it, which is always pretty welcome. This skill not only has a lot of versatility in being able to keep others alive, it's also a hard defensive skill for Percival as well as a way to guarantee another turn of protection. It's a good skill and solid support, although not positioned the best in terms of his kit.

His NP is where things get...well a little interesting. An AoE NP that pierces invul is always nice, and the extra NP damage buff is appreciated as well, putting him at 40% total usually. His damage sits on average a little under 20k, which is not bad for an unupgraded NP. He also has a heal attached to his NP, but with a catch: it will always heal the, relatively, most damaged party member. Thanks to his taunt, that will usually be him and it's his main source of sustain, but be careful in team situations where his heal might accidentally go to someone else.

So let's get to the boring part and talk about looping. With his 1st skill active, an NPAA chain will generate about 56% of his NP gauge if he hits 3 enemies, 46% if he hits 2, and 36% if he hits only one enemy. This isn't counting overkill either so it can be even higher. It's worth noting that he will need at least two turns on average in between each NP in order to use it again on his own, which could be a problem...

If not for Castoria! A DCS set-up will result in Percival generating about 73% on average, without overkill, on 3 enemies. One might be tempted to despair there, but overkill makes a big difference in looping and this usually means that Percival can 3-turn fairly easily with just an MC boost to his Arts or NP gen for the second wave on average, with the ability to coast on refund with enough overkill. You can also pop his 1st skill to help with the ranges, since the extra 30% Arts bonus makes the base number jump to 84% and helps with his damage a lot more. All in all, his ability to loop is pretty secured, although not 100% painless.

Grails: Grails are okay for Percival, since increasing his attack will naturally increase his NP damage, making overkill easier and loops easier and more consistent. It's not really needed but you'll still likely notice the difference.

Support: Listen he's an AoE Arts servant, he was practically made to work with Servants like Castoria and Tamamo. His synergy with Tamamo is particularly note while, being able to boost his damage as well as grant heals and reduce the cooldowns on his taunts. He'll also work in very defensive teams as a Taunter with damage output, in addition to his targetable invul for emergencies.

Command Code: Percival can have some pretty solid solo potential with the Good Wife CC, increasing the heal on his NP to 4500 or potentially 6000 if timed right, which makes it a good option, as well as CCs to boost his NP damage and his NP gen. He can also use other CCs that remove buffs if you want to focus on him as a secondary DPS in another team.

Craft Essences: K-Scope gives him the ability to instantly NP, The Black Grail gives him massive NP damage while Royal Icing and Sign of Smiling Face give him less damage but more NP consistency, so on and so forth. If you're lacking a Castoria yourself, any 50% CE can be a good option, with notable shout outs for Painting Summer and Vessel of Desires as the best overall options.

Competition: There are 3 other Arts AoE lancers in the game that can compare to Percival: Fionn, Melt, and Vritra (sorry Elice). To be fair to all of them though, they're all good Arts loopers and all can be used really easily with the right gameplan. However, Percival has a notable benefit in having the highest overall refund to all of them with all buffs up. However, this probably only puts him above Fionn in terms of pure viability. Melt still has a 60% NP charge which is incredible, as well as being one of the only loopers to produce a ton of crit stars, and Vritra not only has higher stats overall, but NP regen and anti-Divine bonus damage. It's best to consider what you need to farm the node in question. He's probably the least finicky of the bunch to get looping. In terms of damage, here is the average damage of all 4 lancers at NP1:

Fionn: 96,691

Melt: 93,224

Vritra (non-Divine): 111,968

Percival: 99,627

All in all, he fits right in as a very competent looper and Arts DPS with the rest of the gang.

Pros:

-Solid steroids give him good NP damage

-NP charge is good on a looper, though a bit weak

-3 turn taunts are always very powerful

-Targetable invul and heal give him good versatility

-Pierce invul on NP will ensure damage most of the time

-Very good refund for an Arts Lancer, makes him easy to loop

-NP has another heal to stack on his S3

Cons:

-Most of his kit is pointless if he's only used for looping

-NP gain is slow when not used in looping comps

-Relies on heals to deal with damage while taunting, which can be problematic with high damage opponents

-Heal may not go to Percival which can be dangerous

Overall Opinions:

Percival did not immediately interest me like the other Lancer on his banner, but he's a good example of an "Ol' Reliable" kind of Servant: everything in his kit is stuff we've seen before, but it's all good and he rounds out being a pretty strong Servant. Good looping, good team support, solid healing capabilities, and good enough damage gives him a strong overall performance, despite the occasional hiccups in his kit and intended role.

He's good y'all.

[douchebagbrainwaves]

STARTUPS AND WIRED

There is rarely a single brilliant hack that ensures success: I learnt never to bet on any one feature or deal or anything to bring you success. When we cook one up we're not always 100% sure which kind it is. The Web may not be. Some believe only business people can do this with YC itself. The floors are constantly being swept clean of any loose objects that might later get stuck in something. The really juicy new approaches are not the ones that matter anyway. Investors don't expect you to have an interactive toplevel, what in Lisp is called a read-eval-print loop.

The alarming thing about Web-based applications will often be useful to a lot of online stores, there would need to be constantly improving both hardware and software, and issue a press release saying that the new version was available immediately. Admissions to PhD programs in the hard sciences are fairly honest, for example. He said VCs told him this almost never happened. Like most startups, we changed our plan on the fly changed the relationship between customer support people were moved far away from the programmers. It's the same with other high-beta vocations, like being an actor or a novelist.1 Partly because we've all been trained to treat the need to present as a given—as an area of fixed size, over which however much truth they have must needs be spread, however thinly. Bootstrapping sounds great in principle, but this apparently verdant territory is one from which few startups emerge alive. When specialists in some abstruse topic talk to one another, and though they hate to admit it the biggest factor in their opinion of you is other investors' opinion of you. Knowing that test is coming makes us work a lot harder to get the defaults right, not to limit users' choices. Now you can even talk about good or bad design except with reference to some intended user. I can sense that.2 I don't know of anyone I've met.

How can this be? Really they ought to be very good at business or have any kind of creative work. And they're astoundingly successful. The Detroit News. In fact, it may not be the first time, with misgivings.3 The eminent, on the other hand, are weighed down by their eminence.4 And what I discovered was that business was no great mystery. Consulting Some would-be founders may by now be thinking, why deal with investors at all? Just as you can compete with specialization by working on larger vertical slices, you can never safely treat fundraising as more than one discovered when Christmas shopping season came around and loads rose on their server. Once a company shifts over into the model where everyone drives home to the suburbs for dinner, however late, you've lost something extraordinarily valuable.

Y Combinator and most of my time writing essays lately.5 It was only then I realized he hadn't said very much. Actually, there are projects that stretch them. By all means be optimistic about your ability to make something it can deliver to a large market, and usually some evidence of success so far. It's worth so much to sell stuff to big companies that the people selling them the crap they currently use spend a lot of restaurants around, not some dreary office park that's a wasteland after 6:00 PM. At Viaweb our whole site was like a bunch of people is the worst kind. It had been an apartment until about the 1970s, and there would be no rest for them till they'd signed up. All you'll need will be something with a cheaper alternative, and companies just don't want to see another era of client monoculture like the Microsoft one in the 80s and 90s. We can learn more about someone in the first place.6 If you try writing Web-based software will be less stressful. In Ohio, which Kerry ultimately lost 49-51, exit polls ought to be out there digging up stories for themselves. Be able to downshift into consulting if appropriate.

You wouldn't use vague, grandiose marketing-speak among yourselves. Focus on the ones that matter anyway. If they hadn't been, painting as a medium wouldn't have the prestige that it does. These are not early numbers. C: Perl, Python, and even have bad service, and people will keep coming. But angel investors like big successes too. If someone had launched a new, spam-free mail service, users would have flocked to it.

Not because making money is unimportant, but because an ASP that does lose people's data will be safer. In a startup, things seem great one moment and hopeless the next. For a lot of other people too—in fact, the reason the best PR firms are so effective is precisely that they aren't dishonest. You can shift into a different mode of working. Maybe they can, companies like to do but can't.7 Fortunately, I can fix the biggest danger right here. It was not until Hotmail was launched a year later that people started to get it. If a bug in it; a PR person who will cold-call New York Times reporters on their cell phones; a graphic designer who feels physical pain when something is two millimeters out of place. I wish I could say that force was more often used for good than ill, but I'm not sure. If you can only imagine the advantages of outsiders while increasingly being able to siphon off what had till recently been the prerogative of the elite are liberal, polls will tend to underestimate the conservativeness of ordinary voters.8

This was apparently too marginal even for Apple's PR people.9 These were the biggest. Give hackers an inch and they'll take you a mile. Be flexible. When did Google take the lead? But if you were using the software for them. When did Microsoft die, and of all the search engines ten years ago trying to sell the idea for Google for a million dollars for a custom-made online store on their own servers. I laughed so much at the talk by the good speaker at that conference was that everyone else did. The greatest is an audience, then we live in exciting times, because just in the last ten years the Internet has made audiences a lot more play in it.

You can do this if you want to succeed in some domain, you have to be administering the servers, you give up direct control of the desktop to servers. A few steps down from the top you're basically talking to bankers who've picked up a few new vocabulary words from reading Wired.10 There is a role for ideas of course. And that's who they should have been choosing all along. The trouble with lying is that you have to figure out what's actually wrong with him, and treat that. Lots of small companies flourished, and did it by making cool things. As Fred Brooks pointed out in The Mythical Man-Month, adding people to a project tends to slow it down.11 Every audience is an incipient mob, and a lot of compound bugs.

Notes

Which is precisely because they can't legitimately ask you to acknowledge it.

A great programmer might invent things an ordinary one?

One possible answer: outsource any job that's not directly, which amounts to the rich.

What people will give you 11% more income, or at such a valuable technique that any company could build products as good ones, and all the rules with the buyer's picture on the dollar. By this I mean forum in the Sunday paper. 1% a week for 4 years.

Whereas the activation energy required to switch. If Bush had been with us he would have. There is a fine sentence, but this disappointment is mostly the ordinary sense. 1323-82.

And for those interested in investing but doesn't want to live. I talked to a group of picky friends who proofread almost everything I write out loud can expose awkward parts. No one seems to be employees is to be closing, not an associate if you don't see them much in their spare time.

Because it's better to make up startup ideas, because some schools work hard to get only in startups. But you can't mess with the Supreme Court's 1982 decision in Edgar v.

Which helps explain why there are no misunderstandings. If you like the Segway and Google Wave. I didn't need to get all the more qualifiers there are lots of type II startups won't get you a clean offer with no deadline, you now get to be some formal measure that turns out it is very high, and a list of n things seems particularly collectible because it's a net loss of productivity.

If he's bad at it. In this context, issues basically means things we're going to have the perfect point to spread them.

A Plan for Spam I used thresholds of. Google's site.

A deal flow, then their incentives aren't aligned with some question-begging answer like it's inappropriate, while everyone else and put our worker on a consumer price index created by bolting end to end a series A in the median case. Possible exception: It's hard to say that it makes people dumber.

[clarenecessities]

so shit’s fucked

here is a timeline

09/03/2019.

two people in a 70 person server discuss the SU movie in the general chat channel, using spoiler tags because it had just recently been released. this lasts five posts.

09/07/2019.

alyson comes into the general chat channel and says man, isn’t it a bummer that SU is n*zi apologia and racist and actively harmful?

Donnie says yes, it’s harmful, but drop the n*zi comment because RS is jewish (alyson does not, then or the other two times donnie asks, despite donnie being jewish himself). He later says he doesn’t care about SU at all

Synth says it’s understandable that people would drop the show because of poor handling or the racism issues, but agrees that n*zi is too far when there’s genuine propaganda out there

Beta says yes, the writers could have handled things better, but reducing the message of the show to “n*zi good” is a deliberate misinterpretation

A fourth person comes in briefly to say they also don’t care about SU and that this should probably be in the discourse channel.

About halfway through the conversation, after his second request to stop calling SU apologia was met with a sourceless insistence that other jewish people criticized it (though alyson did not specify whether they used the term n*zi apologia), Donnie told her she was taking this very personally, which Alyson met with “Am I? I said a thing, said it was unpopular, and left it. and then got swarmed?”

At this point she held ~46% of the conversation.

She then abruptly left, saying, “like. Hooooboy, there's so much assuming and passion and defensiveness going on here, so I guess I'll leave since I've seen this all before and know for a fact that no one is going to let it rest.“

She held 41% of the final conversation. Everyone who weighed in was either explicitly open to criticizing SU or completely indifferent, and were simply asking her not to refer to the work of a Jewish nb woman as n*zi apologia.

09/10/2019

Alyson writes a post. The introduction is more or less “if you uncritically like SU, unfollow me” and goes on to say she underestimated how few people in the neopets fandom recognize its harmfulness. She says she’d been thinking about leaving the Neolodge discord for a while, but her mind was made up on the 3rd when she saw "a lot of hype and support" (5 posts), four full days before she posted in the general chat. She says she "was swarmed by questions asked by people who didn't want to hear [her] answers." (there were two questions asked of her: “did you just kind of want to get mad at us for enjoying steven universe?” and “were you venting?")

She says that SU is her “litmus test” of sorts, implying--possibly by accident--that she was then testing the Neolodge by dangling some SU-discoursey bait. 

The post was tagged #the problem isn’t liking a thing and #it's denying anyone from not-liking it for very valid reasons

Except the problem was demonstrated to be specifically that she was asked not to use a particular term to describe that not-like

7 months later, 4/16/2019

There is a Neolodge board on our own neopets.gov. Alyson shows up and is polite & sociable until more people that she recognizes filter in. She neomails hollis to broach the subject of what had happened in september, saying “from what i remember it was mostly synth who was very reactionary and aggressively posting at me because i criticised steven universe“ which, if you’ll review the logs, is both not about synth, who only posted twice (probably an honest mistake), but also grossly mischaracterizes the nature of the incident. Over the next day or so she and Hollis discuss the nature of the lodge and what transpired in September. Hollis emphasizes that the Neolodge has never been a place for bigots or their sympathizers, and Alyson goes radio silent.

4/24/2019

Alyson writes a new post. It tells a different narrative than we see play out in the logs. Her summary of events is as follows:

So, when wondering on the chat if anyone else was critical of the franchise, instead the chat suddenly sped up and i was swarmed by a bunch of anti-criticism fans who almost immediately -instead of reading my beginning attempts to elaborate on where i was coming from- posted over and over again that rebecca sugar is a marginalized voice and as such, immune to criticism, and how dare I insinuate a jewish woman of writing nazi apologia.

To reiterate, she began a discussion. Every person who responded was either openly critical of SU or indifferent. They were not suggesting RS is immune to criticism because she’s marginalized; they were in fact largely agreeing with the criticisms that Alyson raised, but asking her to be more conscious of the impact her choice of terms could have (and in fact was having).

I (a neurodivergent, mentally ill, pansexual aromantic woman, aka also a marginalized voice) was talked over and treated as if i ate babies. Obviously, I left the neolodge discord after that.

Again, she held 41% of the conversation--and by her own admission had already been planning to leave the Neolodge, and had thrown down this final ‘litmus test’ despite not wanting to engage with the results.

Now, obviously marginalization isn’t a contest. There’s no “I have more problems” or “I have worse problems” that will ever get us anywhere constructive. As I said in my own reply to her post, this was not a matter of RS being untouchable because she’s marginalized, but of Alyson’s behavior when asked not to draw the comparison between RS’s work and literal N*zi apologia.

Hollis refused to read and think about what i had said and the information i linked to, despite apparently going back in the discord chat and viewing the whole mess, where i had also laid out information to back up my observations.  Instead, my voice talked over, my words and concerns discarded, I was treated as if I had committed some heinous act, and if i had changed as a person then maybe they might let me back in to the neolodge.

Now being privy to the entire conversation, I can assure anyone reading this that Hollis read & thought about everything Alyson said very seriously. We had an in-depth and nuanced discussion, and ultimately realized that this was not simply a matter of whether or not SU is a poorly handled cartoon or full-on apologia. It was a matter of Alyson’s unwillingness to engage in a discussion she herself began, her repeated refusals to respect the comfort and wishes of our Jewish members, and her later misconstruals of the conversation as a ‘bombardment’.

Alyson insists she did not call RS a n*zi, and that critiquing the show is not equivalent to doing so, but unfortunately ended that thought with this:

Words mean things: look up apologia.

Now, I’ve already pointed this out, but apologia means “a formal written defense of one’s opinions or conduct.” Thus, every time Alyson has insisted SU is actual, literal N*zi apologia, she means that a Jewish nonbinary woman conceived of and executed an explicit defense of fascism, n*zis, the H*locaust, regardless of how involved she was or wasn’t in the production of the show itself.

Personally, I choose to believe that Alyson herself is unaware of the definition, and instead meant that SU makes excuses for fascism, or alludes to n*zis, or much gentler (if still harmful) language. I choose to believe that she’s conflating it with an apology, and simply didn’t follow her own advice.

The Neolodge is home to actual children/minors/underage people and most of the people in the incident were younger than 21. That is children.  I was getting annoyed at young non-adults. 

This is blatantly false. The Neolodge has always been a minor-free space, and there’s been discussion of upping the minimum age to 20. That Alyson herself is 30 may have skewed her perception, but as you can see in our response to this angry anon, we have always been concerned with the protection of minors & the promotion of a safe, comfortable atmosphere.

Alyson goes on to say that she had liked & trusted Hollis, and this came with no prior warning--presumably because Hollis had been polite and even friendly when she came to our board, and they hadn’t interacted much over the previous months since her exit from the discord.

So if you’re like me, and don’t put up with bullshit, and refuse to lie down and let bigotry get further footholds into western culture and be lauded for it, consider staying away from the neolodge and users like hollis and synthaphone

I still don’t quite understand how we got here, tbh. People standing up against a stark refusal to respect someone’s comfort as a Jewish person has somehow been skewed to mean they’re the bigots, and “western culture” is in danger, specifically from this gay nb & their nefarious lesbian pal, who spoke the least of anyone in the conversation.

I can’t speak to what’s going through her head right now. I don’t even know if she read the replies enough to know she was spreading misinformation about the Lodge’s age restrictions, let alone her (hopefully accidentally) drawing an obliquely antisemetic portrait of RS. I’m not even mad at her at the moment so much as confused. I genuinely don’t understand her rationale or what she thinks would motivate us to do the things she says we’ve done. I don’t think she’s a bad person, or even that her actions would be unfair if the situation were what she’s purported it to be.

But the fact of the matter is, it isn’t. She tried to start a fight seven months ago and has been hanging onto it since, convinced that she was in the right, never considering the express opinions of the people she claimed were so passionate about the show she so loathes. She’s attempting to drag Hollis’s name through the mud because they were kind enough to give her a chance to explain her side of things & she squandered it by instead parroting the talking points of the video we had all watched back in September, when she originally posted it.

She’s throwing Synth in for good measure, because they’re the only person she could be bothered to identify.

It’s not a true account of events, she made no effort to have a good-faith conversation at any point (particularly about her own behavior), and frankly it’s unfair. It’s easy to dump snippets of DMs and announce that you’re blocking anyone who disagrees with you, sure--it can even be good for you. But in this case it’s more of what we saw all those months ago in the discord, when she tried to stir the pot and left after scarcely 30 posts had gone by; it’s cowardice. It’s a way to frame the narrative in such a way that she can maintain her illusion of moral superiority, secure in the knowledge that everyone who has criticized her or her behavior is a bigot and and writes n*zi "apologia” apologia.

She’s isolating herself from the community one group at a time, and I still don’t know why, because she won’t talk to me about it. She won’t talk to any of us about anything that isn’t SU, and I don’t care about SU. I care about her & her motivations, and I’m starting to accept I’m never going to truly know either.

[into-control]

submission:

How Camila and Shawn Mendes’ PR started and when it will end.

I. Before SM3; II. When SM3 was released; III SM3 + Senorita IICHY

I. Before Shawn Mendes started to promote SM3

We all know that the one’s behind their PR is Shawn’s team, so I gather some things so we can guess when they’ll break up.

There were only a few women that were linked to Shawn Mendes before 2017. If you search his romantic life on Google, you’ll see a bunch of crazy articles linking him to Chloe Moretz, Taylor Swift and Camila Cabello.  

He already had released two albums about love. While promoting SM3 he confessed that his first albums weren’t that personal and because of that he wanted to release one that would be so confidential that everyone would be able to know about who he is singing.

  While they were producing/ thinking about the concept about of SM3, they thought about Shawn doing some stunt with a girl, so at least one of his songs could be linked to another woman besides Camila (I don’t know if they, at some point, thought about put the two of them together rather than just let them do some stunt as friends and support each other on SM so both of their fandoms could be a little happy about it. My opinion: neither of them wanted to do a PR together, they were always denning rumors and saying that they were like brothers)

For some reason the person they chose to do stunt with Shawn was Hailey and it was so fucking terrible that no one remembered her when he released SM3. And she ended up marrying Justin which made he look like a joke. Although both of them kept saying that they were just friends. After SM3, Shawn confessed that they had some kinda weird relationship where they couldn’t even label.

Long story short: at age 17, Shawn Mendes had one relationship that he didn’t acknowledge as one (Lauren Arendse) and was seen in public with one woman: Hailey.

  II. After SM3 was released.

When Shawn started promoting his new single and album, he gave some interesting interviews that I want to point out:  

May 23 – Shawn Mendes opens up about dating | How to be a Man | British GQ

1. After being asked about his date life, although he had written a lot of love songs, Shawn admits that he never had been in love – his songs about love were result of his great imagination. In this interview also gave us this “I’ve been close to it but I don’t think I truly felt love and I never felt heartbreak so for me I’m just waiting for a heart break so I can write a really awesome album”  

March 23 – Shawn Mendes Talks Lost in Japan, In My Blood & Camila Cabello/ Shawn Mendes Reveals The First Thing He Notices About A Woman

I’ll only mention this one because I saw one interview where you can see that Shawn has to mention Camila in his interview just for the buzz. Zach wanted to know to who Shawn had showed In My Blood and the first person that came into his mind was John Mayer then he mentioned Camila.

When Lulu & Lala asked him the same question, before he could even answer, Lulu & Lala were already telling him that the reason he was being asked about it was because of Camila. What was his answer? Camila! He didn’t even mentioned John Mayer. Poor John. (This works for both of them, they always have to mention each other in interviews)  

So that’s what Shawn was talking about when he was promoting his singles and album: never being in love, anxiety, how personal his album was going to be, what kinda music he wanted to give to his fans and John Mayer and John and Mayer (he really loves this guy).

III. When Shawn’s team started to think about his charts, sales, gay rumors and his first PR.

Some events that I think lead Shawn to his first PR and other interesting stuff that it should be pointed out.

After he released his album, neither of his hits get into the Top 10. In My Blood: peaked at #11. Lost In Japan: peaked at #48. Youth: peaked at #65.

I listened to his self-titled album so I could get an idea about what they were trying to do with his image/music. I’m not gonna lie, when it comes to vocals, some of his songs are very impressed. I didn’t listen to his other albums I only know the ones who made everyone think about picking a gun and shot in their heads because it was so fucking bad. In his new album, in terms of vocals, he really tried to stay out of his comfort zone. Lyrics? So fucking bad and generic. He said that none of his songs were linked and you can see why he said that since they’re nothing but impersonal. Personal album? Well, he lied. The only song you can link to someone is Why; and it was intentional. After all, he has to be linked to a woman even if they keep telling that they’re like brothers. Remember Hailey? I don’t know if he tried to make people think that one of his songs were about her, if he did, well, that didn’t work out. Besides Why, Because I Had You and When You’re Ready are being linked to Camila. If you read the lyrics, you’re gonna laugh because it doesn’t make any sense. SM3 is another album about a romantic guy who’s always trying to get the girl or that is not ready to get the girl. SM4? Probably an album with sexual content, more drink references, less lonely boy in love.  

For the moment we have: 13 generic songs – one of them being wrote especially to Camila as a response to After All These Years; His singles not getting into the Top 10. (his sales for the tour were also not going well but I don’t want to search for this so fuck it) November came and with that Shawn’s article on Billboard.

“In the back of my heart, I feel like I need to go be seen with someone -- like a girl -- in public, to prove to people that I’m not gay,” he explained. “Even though in my heart I know that it’s not a bad thing. There’s still a piece of me that thinks that. And I hate that side of me.” [Gay panic] 4 December Shawn Mendes Talks Stadium Show and BTS Collab Update

In this interview he talks about words that he hates so much that he’ll never put in his songs: “I’ll probably never say “Moonlight” I’ll never say dancing in the moonlight” (of course he didn’t write their PR Song)  I’m lazy and I don’t want to look up to dates to know exactly when gave interview to Billboard and to Kiss 92.5, but my opinion on this: Shawn Mendes didn’t tried for 8-10 month to make Camila get on board so they could record Senorita. It was Camila’s song. The whole thing “Shawn tried convince me for months and I was like should I?” it just to fit their narrative. He was in love, he wanted her and thought perhaps if she and I record another song together we can spend time and she’ll fall in love with me the same way I did when we recorded INWYDLS. He didn’t have a song; he only had the I think you should be my beard; I’m fucking everything up.

Why I think that? Well, I don’t think Camila’s team is that dumb. Until march, they were publishing articles about how much in love Camila was. She was traveling with him, leaking songs about him (First Man) and all these boring straight stuffs. When Shawn started to persuading Camila to be his beard? My best guess: december-april. When she said yes, they come up with the idea of a song and it worked. Camila already had a gay song that she wouldn’t be able to release, she could give it to someone else. Hell, since Shawn wanted her to be his beard and they needed to sale their relationship and love story, they needed to make it more real. How Camila would fall in love with Shawn when he was touring and she was working on her new album and traveling with dickhead? No one would believe it. Everyone needed to see how did happen. Shawn needed a beard, Camila didn’t like her beard, she had a gay song, well that could work out.  Their PR didn’t happen because of the song it was the other way around. They needed to spend some time together so Camila would realize that she always loved him even though she thought him as her brother. That’s why I think that it didn’t took 10 months to convince Camila to be his beard. It was more like four months (december-april).

 III-A. When Camila accept to be his beard

May 3 Shawn releases another generical song. But this one is not like the other ones (Besides being the beginning of their PR) this one had only one purpose: start the buzz and make everyone ask to who is this song to? Is he talking about Camila? (I mean, if he isn’t talking about Camila then who else would be? He’s always around men)

If I Can’t Have You peaked at #2. His first song, since his last album, who got into Top10! Jun 21 Senorita and later on Shawn got his first #1.   I was going to mention every stunt they did between Jul-Dec, but I don’t want to see all of that shit again. But you can look it up and you’ll see: Shawn was on tour? Stunt. Shawn was in U.S? Take Camila to wherever he is. Camila is going to releases her songs September 6? Hell no, she’ll be in Toronto performing with Shawn Mendes. Is he across the world where no one remember he exists? Make her walk around the streets facetiming him and wearing wannabe Camren bracelets. She released an album? Well, Shawn’s on tour so bring him up in every single interview. Let them ask her about him. Is she getting hate on internet because of him? Who cares?! Well, now he’s Mexico and we don’t care if Camila wants to be a little MIA, she needs to be there. Make her fly to Mexico so we could at least take some photos of them together. His tour ended? Well, now he needs to rest his image a little bit. We’ll let their stunt be a little low key, they only need to be seen together on important events so people won’t forget that he is straight and is dating a woman. III-B

Until march, Camila was on cloud 9 dating Ew. She was happy. Giving us some lyric, teasing us with her second album. She tweed about Living Proof, Dream of You, Easy and in April she was at studio recording with Finneas.   When Camila accept to be Shawn’s beard? April. She was already working on her album. It can’t be before this because Camila and Matthew were so fucking in love. Then Shawn released his boring song and a few weeks later Camila warned, may 24: it’s the calm before the storm. Love you guys. And she did that again June 18: *looks put together* *going thru internal shit storm*

Camila told in one of her interviews that Shawn came up with the song and she wasn’t sure about it. In October 21 Charli XCX said: “We were on tour with Taylor together at the time so we were talking about it a little bit," she continued. "She wanted to do it with Shawn and they were talking about it, like it was just everyone having a long conversation about it. Obviously, both of them write as well so they kind of wanted to write on the song and make it more their own."” Shawn wanted them to do a PR, Camila wasn’t sure about it, in some way he convinced her that would help them both out. Camila surely didn’t want to release an album that would be linked to that dickhead. Well, she would be able to release more personal songs about her private relationship and would be with a friend that she enjoyed to spend her time with.  I don’t think that her mistake was accept be his beard, I think she needed to think about how it would be under a contract that wasn’t being manage by her team. Release gay songs and stay away from thar moron came with a price. Camila didn’t need to be in a very public relationship. She was okay. Her first album went so fucking well. She didn’t need to. Shawn was the one who needed to make everyone believe he is straight. He needs to do this if he wants to make a different album not only in vocals, but one being exactly what he wanted: a break up album, personal. That’s why they were very public. If you think more about it, Camila is his first girlfriend.

When I think their relationship will end? April-May. Unless Camila wants to extend their contract, perhaps she could be in more control of how they would do their stunt. But I don’t think she wants to, she already released the album, everyone knows that is about “Shawn”, he being linked to her songs didn’t not go well. And Shawn wants to release SM4 this year since he has been worked on it since last year.

[ectodog]

it’s the 4th anniversary of the premier of vld which of course means i have assembled a rough timeline for my descent into voltron special interest hell. it goes something like this:

- june 10 2016: vld season 1 premiers. i am none the wiser

- january 20 2017: season 2 comes out. this fact is irrelevant to me

- august 4 2017: season 3 happens. still not entirely sure what a “voltron” even is

- mid-august 2017: one of my friends cosplays keith. that’s cool. who’s keith?

- october 17 2017: season 4 arrives. that’s fine i guess

- march 2 2018: season 5 has entered the building. i am vaguely aware that i have known people who watched it at some point. the fandom is apparently “terrifying” but i survived homestuck, so i scoff at the concept and go on with my life

- june 15 2018: season 6 drops. i see a bunch of cool gifs and pretty fanart. coupled with the hype i have absorbed from the lead up to it, i wonder if i should give the show a watch

- june 16 2018: i start watching vld. two (four) episodes in and i love it. i can already tell i’m a hunk kinnie, and this brings me no end of joy

- june 28 2018: within two weeks, i have caught up entirely. i am thriving in the post-s6 hype

- july 20 2018: at sdcc, the Big Reveal happens. shiro is gay. he is a disabled main character of of colour in a wildly popular show for kids, and he is kind and brave and the pinnacle of masculinity, and he is gay. no matter your shipping opinions, this is incredible news and it’s hard to Not ride the high, so why bother trying? they show a trailer and announce the release date for season 7, and within hours a bunch of booted recordings of s7e1 are floating around online

- july 23 2018: my interest level has gotten to the point where i need to make a separate twitter for it, so i do. (fun fact: as of today, less than 2 years later, said twitter has over 7300 posts on it. my main, 4x that old, has ~30k)

- august 10 2018: season 7 is online at 1am my time. im selling at an artist alley all weekend, starting the following morning. i binge half the season anyway before passing out, and completely avoid the internet until i can watch the rest later that day

- october 5 2018: at nycc, the trailer for s8 and release date are revealed. i immediately book the announced day off work because i know i will want to watch the entire thing at once the second it’s out

- mid-october 2018: “leaks” of s8 start appearing online. pretty much no one in the fandom believes them, because no one Likes them. they seem ridiculous. people start making “leakverse” fanworks to feed some of the finale anticipation into, including me. no one really thinks they’re plausible at all

- december 14 2018: season 8 airs. i post a quick but heartfelt fanart before gearing up for 1am. it starts, and i cry. the first time they form voltron, i cry some more. things keep happening, and i keep getting tears on my screen, and i have to pause and start it over and over, but i live tweet the whole thing anyway. the leaks were... real. i come out of it unsure how i feel, exactly, but i am exhausted from the marathon and so immediately pass out

- the same day, after some sleep: im upset and confused as to why the finale season was so hollow. i see im not alone. it’s a rough week, feeling like something i love so deeply let me down so much. i realize it’s only been 6 months since i got into it - but, clinging to a deep sense of betrayal, i cry some more anyway

- the immediate aftermath: there are petitions and accusations of censorship and conspiracies about where the “real” s8 is. it’s hard not to get caught up in, or at least dragged down by, the lack of hype. no one who worked on the show says anything for days, weeks, months. fix it fanwork starts cropping up, and i surround myself in them. none of the excitement from before is there, not the same way it was. i start a new and highly ambitious piece of art out of spite. it’s left unfinished

- january 2 2019: lion forge releases the third volume of vld comics. no one really cares. i certainly don’t

- the intermediate aftermath: it becomes clearer by the day that the season was, simply put, a failure and a flop. no one liked it. kids cried over it and parents had no idea how to explain it to them. the fandom and community dim for a while, but i keep immersing myself in the trove of fanwork that already existed, and i start trying again to make some of my own

- may 29 2019: lion forge comics announces that they are not renewing their license to make more vld comics. that, coupled with the abysmally rated final season, seems to be the nail in the coffin for this iteration of the ip. there won’t be anything else official for vld. somehow, this sparks a renewed interest in me. despite everything, im more dedicated than ever before to preserve and proliferate my good experiences. i know this won’t be a blip in my history as a fan, so i’m determined to be happy with it, as best i can be

- the rest: is, as they say, history. as of now, i have something like 20 fanworks of my own in progress for vld. my ao3 bookmarks number in the 100s, and my to-read list is at over 250. ive made a concerted effort to be more active and engaged in the fandom, because it came so close to fizzling out, for me and maybe for everyone, but it’s brought me so much goodness that i cant and Won’t let that happen, not without a fight

it’s been just under 2 years since i decided to watch voltron on a whim. and it has honestly become a central part of my interests and identity in that time - but for the majority of it, it’s been because of fandom and fanworks, and that’s maybe what made it stick so well to begin with: the creative, varied, amazing parts of it that no network mandate could have offered on its own

this started as a way to catalog my journey into and through vld but honestly it kind of became a love letter to the fandom (at least, my corner of it). that’s what’s made these last years so special - what’s made them simultaneously fly by and feel like a solid constant. a dedicated, talented fan base who are capable of so much more than the constraints of the source material

it’s amazing to look back on, and incredible to keep looking forward to. we’ve all been told - “go, be great”

we have been, and continue to be. like the stars, and like my love for vld, it’s inevitable

so thank you all for the years of “great”. 🖤

[mayiotome]

XOXO Droplets [Free to Play/ ext. ver:$19.99]

My Rating: 💗💗💗💗 ▪️

itch.io game page

Producer: GBPatch 

Release Date: Aug 31, 2017  (Updated: Mar 20, 2020)

Languages: English

Genre(s): Stat Management, Romance, Slice of Life,  

Download size: 279 MB (W/L) 261 MB (M)

Content Warnings: Swearing but it’s censored anyways.

Advertised length: not listed in hours but the completed game is 320,00 words while the free version is 130,00+

My Play Length: a few (3-4) hours to complete all routes (using cheats after the first one and skipping all seen lines). 

Steam Key: YES

Achievements: YES

Demo Available: Technically there’s a free version that’s about half the game.

(There is also a horror version of this game I’ll be reviewing in the future.)

Description/Features from game page:

“The story begins when our nameable protagonist finally transfers into the boarding school of her dreams at the start of her junior year in high school. It would be perfect if it wasn't for that little catch attached to her enrollment: her parents will only let her keep attending the school for her remaining two years if she doesn't make everyone  there hate her by shunning them, like she always does.

Do your best to show just enough interest in the other losers around to appease the folks while still having time to chase after all the attractive guys in the MC's afterschool group, which just so happens to be a group for chronically unfriendable people.

★★★★★★★

No, seriously folks. When we say the protagonist and main love interests are a big ol' jerk squad it's not a mistake and it's not an understatement.”

Default Game

3 distinct jerky main boyfriend options: Everett Gray, Nate Lawson, and Shiloh Fields

6 side characters who'll be your buddies and 6 minor clique boyfriend options, each with a bonus effect that makes the game easier

Partial Voice acting for every significant character by a talented cast

The option to break up with your bf and start dating someone else, if you feel like it

A variety of methods to manage your Reputation with the unimportant students

Part-time jobs, stores to visit, useful items, optional mini-games, an in-game phone to call a guy up and arrange a date at one of several different locations

Over 130,00 words. Hundreds of different events, including a collage-style ending system where you get events for every goal you achieved during the game

Cheat codes for those who don't give a f*ck about gameplay and just wanna see the events

Paid Extended Addition

3 more main jerk boyfriend options: Bae Pyoun, Jeremy King, and Pran Taylor

2 sweet but not-terribly-bright side boyfriend options: Kam Sung and Adrian Wulu

Yet 1 more boyfriend option in the flirtations party boy Lucas Kaiser (New Addition!)

4 Extra Date Events for Everett, Nate, and Shiloh

The ability to unlock all 4 CGs and 12 outfits for Everett, Nate, and Shiloh, rather than just 3 and 10

The ability to unlock all 4 CGs and 12 outfits for Everett, Nate, and Shiloh, rather than just 3 and 10

50 more Random Events, 45 more Text Chats, 24 more Part-Time Work Events

320,000 words in total

An accessory system that lets you decorate the main character with a variety of pieces, plus small events where characters comment on the accessories you wear

The option to change the background of your cellphone to one of 12 different options

Even better cheat codes

My Review:

This game is half stat manager, you have to “work” to get money, choose where you sit at lunch to raise your popularity with different cliques, etc. 

The story isn’t all that long if you use cheats but if you do use cheats you can’t get certain achievements.

The free version only lets you date 3 out of the main 6 guys (The paid extra version gives you those 3 + 3 others that are more side characters but they have their own scenes too, though not many).

It’s not too long or that story rich compared to other games I’ve played. The gameplay isn’t too hard or difficult to figure out.

You can pick the first and last name of the protag but not her looks.

Story/Writing

The story isn’t that long or complex, you have an ultimate end date. Extra scenes take place at the jobs you do every few times you do them. Each job is connected to a character (and school clique) with a few scenes. There are 1-3 date scenes per date location per guy. On certain (calendar) dates certain events happen, depending on who you’re dating certain dialogue will change but it’s not too big of a change (maybe like 3-5 extra or changed lines). 

Most of the game is just slight dialogue changes depending on who you want to romance/who you’re dating and a few original scenes per character.

Characters

So yeah, they’re not lying when they say that the characters are jerks. Kinda loveable jerks after a while but yeah, none of the guys actually want to date the protag but she kinda just says “Hey we’re dating now” or “Hey we’re going on a date tomorrow” and they just go with it albeit reluctantly but she grows on them for the most part.

There are 3 side characters you can date too, for achievements and I think 6 others for smaller perks for the game but no actual game-play involving them and it takes a long time to be able to actually date them as you need to meet certain requirements.

The 3 side characters are only with the paid version but they don’t go to the school the protag goes to so there’s less scenes of them really.

Visuals

The style of the stat raising menu/Weekend Planner is cute, the CGs are drawn in a cute drawing style and the rest are classic looking backgrounds that match the character styles.

The protag has a little portrait in the bottom corner where her facial expression change. With the paid version you can buy her accessories and they show up on her in game (some also trigger random events for each guy, 2 per guy as there are 2 versions for each of those items).

Sound

It is semi-voiced meaning there’s sigh sounds, growls of annoyance, a few lines here and there are voiced, they each have a set of “catchphrases” like the protag will go “Boo” when she is unhappy or a little laugh sound, Nate saying “this is absurd” when he’s annoyed or “You can’t be serious!” Sometimes they say the first or first few words of a sentence.

Stat Raising (Gameplay)

It’s not too hard to keep the stats (clique popularity) even/balanced so you don’t fail the game. It’s easy to earn money via the jobs, if you have a set guy you want then keep doing the job associated with him (where he also works) to raise his stat with you, get scenes at that location and earn more money the more you progress that job. (There’s no mini game for the jobs just occasional scenes.)

Using cheats the stat gameplay goes by fairly quickly and with no possibility of failing. You can get through each route quicker this way but there’s no way to skip the actual weekend planner part (which is good because you can go on dates or the store still.)

My strategy is to use a cheat to raise clique levels to the max, to get money, and buy a bunch of taffy (which skips the weekday choice pages and lets you quickly get to new story events.) that way I can just skip over the mostly tedious parts of the gameplay.

Worth the Price?: In my opinion, yes. You get a lot more content, unlock the other 3 guys, outfits, cheats more, date options, etc. (See above) and clearly time and effort went into this game. There’s no bugs, the VA is decent however limited. I’m sure some people might thing it’s a bit expensive but you have to remember you’re supporting a creator and not some big game cooperation.

Conclusion aka TL;DR

It’s not your traditional guys quickly fall for the protag story as none of the guys actually want to date her when they start dating. All the characters are jerks (So much so that they’re all in a club cause no one else wants them in theirs) but they do grow on you after a while. There’s no way to really skip the stat raising part of the game but it’s also not that hard to keep everything balanced and there’s always cheat codes.

I ended up getting the extra version (meaning paying for the rest of the game) because I wanted to romance Jeremy and Pran (Green and white haired ones).

My Rating:

Story: 7/10 (would score higher if the routes were more different.)

Characters: 9/10 (They’re jerks but they’re meant to be. This isn’t really a game where the characters will compliment yours and make you feel all warm and fuzzy inside but they’re well done.

Visuals: 10/10

Sound: 10/10

Gameplay: 9/10 (sometimes you just wanna skip all the stat stuff and just read the story. there are cheats in that case but you still need to actually click through the weekend stuff and keep skipping days until you get to the next event day). You can’t simply roll back on the mouse wheel to change a choice or rehear a line, it’ll bring up the log page where you can click any line that has sound to hear it or read what was said.)

Overall - 💗💗💗💗 ▪️

[purplesurveys]

883

1. What kind of textures do you enjoy most in your food? Crunchy, crispy, soft, hard, grainy, slimy, etc? I love chewing on any meal that involves rice. Born and raised with it, can’t feel full without it. I’ll give a special mention to slimy too, because I love seafood.

2. Do you keep up any seasonal decorations outside of their season? No. My mom removes our Christmas decor by late January, which is when Christmas season ends here. We don’t decorate for other holidays.

3. Can you remember the most awkward situation you've ever been in? What happened? Ugh god. Any time I’m left alone with Gab’s dad is bound to be awkward because he’s very quiet and stoic and I tend to be a vibrant, cheery people-pleaser and nothing I do will muster more than two words out of him...but our most awkward moment has to be when I was at their place and he had to leave to run some errands. I stood up and walked over to give him a hug, but for some reason the floor was slippery and I started to do the world’s clumsiest and longest stumble. As an instinct, I held on to his arm and shirt so that I wouldn’t fall flat on my face. It was terrible and nothing I could’ve done or said would’ve saved that situation. EUGH I’m wincing right now lmao

4. Can you remember the most scary situation you've ever been in? What happened? [trigger warning] Would have to be the time when my grandfather got too drunk off his ass that he physically assaulted one of my cousins, then a toddler. My aunt (cousin’s mom) is a little on the delicate and petite side and couldn’t do anything to confront my grandpa, who went on his rage for like 10, 15 minutes. Certainly felt like forever. Nothing has traumatized me more and that’s saying a lot, considering it’s been 13 years and I’ve been through tons of shitty situations.

5. Do you do anything unusual to help you concentrate? It’s not very weird but I did install an extension on my browser that would let me list certain sites (usually social media) I’d want blocked whenever I have work. I suppose not everyone has that kind of program so it kinda counts as unusual.

6. Do you ever wonder what your parents were like as children/teenagers? With my dad, yes. My mom tells me enough stories. I know her family hit a rough patch when she was a teenager and they had to sell a bunch of their stuff, including a grand piano. She went from living a comfortable life to having to skip meals in college because she only had enough money for her daily commute.

7. Do you think suicide is ever "okay?" Groan, this is so triggering. I’m not elaborating on this, soz.

8. Would you rather a close family member/close friend/significant other die of suicide or murder? Why is this? “>> I think having to deal with a murder investigation would be terribly messy and intrusive, and would add more trauma on top of what I’m already dealing with.” < All of this. You don’t always get closure with murders, too. And I would hate that.

9. In your opinion, what is the worst thing someone could ever do? Raping an infant is definitely up there for me.

10. In your opinion, what is the best thing someone could ever do? Be a positive change or impact in someone’s life. Idk, I’m easy to please.

11. Do you think about any fellow xangans outside of xanga? I’ll change the context of this question to Tumblr so I can answer it. And yes I do, sometimes. Not in a creepy way or anything; it usually happens when I encounter something in real life that I know another survey-taker likes.

12. What military installation is the closest to you? Fort Bonifacio.

13. Do you still open your windows during winter? We don’t get winter but yeah, December is the best time to leave the windows open throughout the night. It’s also a great time to be able to save on electricity haha

14. How cold is too cold? How hot is too hot? I’ve lived in a tropical country all my life so I’m a big-ass wimp when it comes to the cold, even though I love it more. I start shivering at around 23ºC. Too hot is anything reaching the 40s.

15. Would you rather lose both legs or both arms? Why? Legs. I use my hands a lot more, so it would be slightly more difficult if I suddenly had to move about without them.

16. If you committed a crime that landed you in prison for the rest of your life, but were given the option to receive the death sentence instead, which would you choose? Why? Death. I get to have the infamous ~last meal~. Lol in all seriousness though, I’d pick it because it would be a quick release for me, I guess. It’s a big reason why I’m not a fan of death penalty...it’s too easy an escape for criminals who deserve a lot worse.

17. Is there any specific album you can listen to in its entirety and enjoy every single song? After Laughter - Paramore

18. Would you rather be a famous movie star, television star, or musician? I don’t have talents that would make me succeed in any of these fields...I guess it’d be fun to be a movie star though.

19. If you are not religious, have you ever eaten dinner with a group of people that were and said grace before eating? How was this for you? If you are religious and say grace before dinner, have you ever eaten dinner with a group of people that weren't and didn't say grace before eating? How was this for you? Yes. I’m from a Catholic family, so we pray before every meal. I do a sign of the cross but barely, just so my mom sees I move my hands when we start the prayer; but I haven’t recited grace since I told myself I was going to be atheist.

20. Do you think an evil Santa or an evil Easter Bunny would make a better villain in a horror movie? I’d go with Evil Santa mostly because I have no attachment to the Easter Bunny whatsoever, and because it’d be hilarious to see a man with reindeer be mean.

21. Did you ever think any fictional story-book character was creepy as a child? Do you still think any of them are creepy? Yes. That girl who wears a ribbon around her neck still gives me the fucking creeps.

22. Would you rather wear nothing but white or nothing but black? Is there any color you'd actually want to wear head-to-toe? Black. I’ve done that many times, so it wouldn’t feel weird.

23. What physical/mental health problems run in your family? Do you have any of the same problems? I’m almost certain there are underlying issues on my mom’s side but seeing as none of us have ever gotten ourselves checked (and most of them don’t believe in mental health problems anyway) I doubt I’ll ever find out what exactly’s wrong.

24. What is your mental and physical health like right now? They are both doing surprisingly well considering how long I’ve had to stay home and how much everything has turned upside down. I’ve only had two bad breakdown in four months and I’ve since recovered from that nasty fever I got, so I can’t complain.

25. If you found a suitcase (with no information about the owner) with a million dollars inside of it , would you turn it into the police or keep it? Be honest. ;] “>> See, a million dollars is an exorbitant sum. There is no way I could just casually make off with a missing million and not suffer repercussions. It's just too much goddamn money, and in this particular scenario, it's highly likely that it's a trap of some sort (whether set for me, or set for someone else and my dumb ass just happened to stumble across it). I'm not dumb enough to try it.

Neither would I necessarily want to turn it in, because that might cause me to get involved in something I didn't want or need to be involved in. The most logical course of action for me would be to leave it the fuck alone.” < Yeup.

26. Would you rather gaze at the stars or clouds? Stars. The fact that they’re so much farther away makes them more fascinating to me.

27. Are they any foods you used to enjoy but no longer like? Are there any foods you used to dislike but now enjoy? There’s a certain brand of frozen sisig that I used to looooove and would have multiple servings of every time I had it. But I had it one too many times and now I can’t even stand the smell of it. On the other hand, I hated chicken curry as a kid, but I can’t get enough of it now.

28. Do you feel much older or younger than you are? Why? Neither. I just feel 22.

29. Did you get along with kids that were older or younger than you? I mostly got along with kids of the same age. I found younger kids too rowdy and being around older kids always felt intimidating.

30. Do you know any magic tricks? Nopes.

31. How much would life suck for you if you had a wheat allergy? A lot.

32. Are you able to watch gory scenes in movies? Why or why not? For sure. I always want to see how far FX artists can go; and if used correctly, gory scenes can be super integral to the movie. Midsommar is a really good example.

33. Do you constantly check the time? Does time seem to move quickly or slowly for you? Not anymore. I used to check it a lot while I was still in school. Sigh, I miss that life so much. Anyway, time definitely felt slower during the first few weeks of the lockdown, but now that I’m used to it days just fly by. I can hardly believe we’re nearly in the middle of July. So much of this year has been wasted. It’s miserable.

34. Would you rather live in a nice house in a bad location, or a less-than-nice house in a great location? I’m taking the great location. I don’t know if I can last living in a shady area, no matter how beautiful my house is.

35. Have you ever been a witness to a horrible crime? What happened? Domestic violence is the worst thing I can think of. I enumerated one of them in one of the earlier questions, but I witnessed several other cases as a kid.