#like i'm finishing up my thesis and that's taking a lot

[scarfacemarston]

Bucky Barnes Disabled History Reading List

Hey, y'all. I'm nervous about posting this, but it's part of my Captain America-centered history book reading lists! This topic was chosen from a poll of different history topics, and it won the vote to be posted first. If this subject doesn't interest you, my next list is LGBT+ history from the 1930s to the 1950s. I'm a historian by trade, but I work with the public to try to make history less intimidating. I worked VERY hard on this list so if you would be willing to "like", reblog or even comment, it would mean so much to me. I have 50+ books that I've read at least some of and reviewed. Note: These books all contain adult content and are graphic in nature. I put warnings where I could, but I have not been able to read all the books, so I can't give full warnings. Please be aware that some books are older and may contain language we wouldn't use today. Finally, I have tried to include library /archive links where I could, but not all of the ones I posted are accessible to everyone. I recommend Google Books for previews. I hope the pics are big enough, but I'll leave an Amazon link in case they aren't. Let's get started!

1.

Amazon description. Archive source - limited availability.

I read this book years ago. Funny enough, one of the tuberculosis books I needed for my thesis was written by Katherine Ott. She’s a respected history of medicine historian. I found her writing to be pretty approachable and unflinching. (At least, in regards to the TB book I read.) However, some of her writing in the introduction is a bit dry and I admit I zoned out once or twice. But, this is a collection of essays and it’s not just her writing. The book is about more than WWII veterans, it’s also about breast prosthetics, eye prosthetics, facial prosthetics, hip prosthetics and numerous other subjects. The first chapter is about WWII veterans and the most pertinent to Bucky, but there is still value in the other chapters.  The chapter by David Serlin about WW2 vets is a LOT easier to read, imo. Serlin talks about masculinity and self worth and I think that works bang on with Bucky because Bucky was already dealing with his sense of masculinity and self worth before he fell off the train. I have a lot to say about this chapter if anyone ever wants my analysis. I’m flipping through the pages of the book to see how it holds up and I would still recommend it.

2.

Amazon description. Archive source.

I read this book pretty recently. This book and A Queer History of the United States are both on these lists because A. They’re easy to read. B. They give a broad history of difficult topics. The book deals with physical and intellectual disabilities, with a few psychiatric disorders analyzed, too. It takes race, religion, and culture into account, so the stories are very diverse. However, the writing is very blunt, but it’s not for shock factor. It’s to gain an understanding of the writing of that time. Some of the content is a little hard to read in terms of the subject, so beware. Everyone from amputees to polio survivors to M.S. sufferers to blind and deaf people, and more, is included. This would actually work well with a pre-serum Steve's history.

3.

Amazon description. Archive source.

I actually just finished this book a few weeks ago. As the description shows, it’s a really good post-WWII book about veterans coming home from the war, the chaos, and the PTSD that was never addressed. Such a good book about something that we haven’t really studied. The book follows three men - one who survived a POW camp, one who worked in the UK airfields, and one who became a double amputee after both of his legs were amputated. Highly recommend if you’re curious how Steve - but especially Bucky - could have been like after the war ended. However, content warning for domestic abuse and alcoholism. Yes, they’re uncomfortable subjects, but it’s crucial to realize that it CAN be a big part of soldiers coming home from war, whether 200 years ago, 100 years ago, or today. Sadly, I believe there is a chance that Bucky would have suffered from alcoholism if he didn’t have a strong enough support system. I’m basing this on his unkempt appearance and drinking alone in The First Avenger. Honestly, who could blame him? He was a POW and experimented on for months, and he felt like he was being replaced. I also read about challenges like there not even being enough clothes for veterans to buy once they returned home! This was a great book. It reads like a story. Btw, upon searching for this book on archive.org, I found TONS more books about ptsd and WWII, but this list is already long enough.

4.

Amazon listing. Archive source not available. JSTOR requires account/subscription, but has it. The introduction for this book was really dry, and I was about to write it off, but then I started to read the first chapters, which were way more interesting than I thought! The book is very new and hasn’t been uploaded to archives or libraries yet. However, Google Books has a very lengthy preview of the first chapters. Again, subjects of masculinity and being a burden on society are two key themes, but each book on the list has tackled the subject differently. I was only able to read the first two chapters, which focused on early in the Selective Service, which Steve and Bucky would have both been put through. This is interesting because I believe Bucky would have had to lie to pass because he may have had some reservations about joining the military, BUT, I may be thinking too much of fanon Bucky. Steve …would have been a very interesting subject for screening. Lol This book can also be found on JSTOR, but you need to have an account or be connected to a school or library. I like what I’ve read and I’ll see if I can sail the seven seas to find the whole book. I really like it.

5.

Amazon link. Archive source.

I’m actually reading this book now. While World War I is the focus of the book, the book covers everything from the Civil War to WWI, to WWII, Vietnam, and today. I think it’s important to see how developments happen in succession. The WWI veterans are interesting because Bucky and Steve would have grown up around a lot of them, and their perspectives would have been interesting. WWII veterans are obviously related, but I think the sections about veterans today are fascinating. This would be a good book to help with a Modern AU Bucky. The book isn’t too intimidating, and acronyms and names aren’t too overwhelming, either. He’s a pretty straightforward writer who is disabled himself. He is very respectful of the subject, and I can tell how much he cares about the subject. Being a burden on society was a huge focus as well as masculinity, but the “burden” aspect was more present, from what I could tell. Again, as with the other books, there are graphic sections. I really like the way he writes, and I’m definitely interested in reading the rest of the book.

6.

Amazon source. Archive source - JSTOR requires account.

This book is a bit older and rather dry BUT it is a collection of historians writing about different subjects, so if you dislike one writer, you may prefer another. This is considered a foundational text in the history of disabled veterans. He claims to be the first historian to write about disabled veterans, but I disagree with him because there have been books for decades about veterans with PTSD, for example. As with the rest of the collection of essays, they are divided up by different subjects so you can pick and choose what you want to read. I have the book, but I haven’t read much of it. I reviewed it a bit before writing this and I have meh feelings on it. I would have to read more of it to give a fair review.

7.

Amazon link. Archive - limited availability.

I actually really like this historian. He wrote the chapter about WWII amputees in the first book, and here, he has expanded upon that subject as well as others like transgender surgery, hormone therapy, and cosmetic surgery. He definitely talks about LGBT+ history and was one of the few historians who wrote about People of Color. He’s queer himself so that was a nice surprise. Be aware that this is an older book, and some of the terms he uses are no longer politically correct. However, I personally think it was the language of the time rather than any malice. (Meaning, He NEVER used any slurs, but most people prefer the term transgender rather than transsexual, for example. Although that may be a preference, I was told it was offensive to use the word transsexual)

His writing is easy to follow in my opinion and doesn’t tie the reader down with a billion names and acronyms. I wasn’t able to read much of the book, just what GoogleBooks was able to give me as a preview. I wish I could say more about the book. I like how he included masculinity in what I read, but I wasn’t able to read more. I’d recommend it if you can find it. That's the list! Let me know if you have any questions. DEFINITELY let me know if you plan to read any of these!

[on-sinkingships]

y'all, I am so sorry that the new stranger skin chapter is taking a while. I'm going into my final semester of university, and it's going to be pretty stressful, so things may be a bit more erratic for the next few months. I love and care about this story so much, and it will get finished, but I think it's going to be a bit slow for a minute.

[kashverse]

a career day where parents come into class! Papakuna being all gruffy but baby has the proudest and biggest smile for his effort

those parent-child PE competitions for the class for the fastest duo! Papakuna would def win

making babykuna’s first science project!

Just to name a few ideas and it’s okay if you can’t or don’t!

this request dates back to feb 9th…i'm sorry for not finishing it earlier but i hope you like it <3 ☆ kunafamily lore masterlist

career day at babykuna’s school is a battlefield.

parents in stiff suits, freshly pressed uniforms, and worn-out scrubs stand in the front of the classroom, each presenting their careers to a group of tiny, fidgeting children who only care about snack time. but none command the attention of the room like ryomen sukuna. the moment he enters—six foot plus, towering, expensive watch glinting in the light like a status symbol—the energy shifts. the kids stare in awe. the parents look over with thinly veiled concern. the teacher, an older woman with soft eyes and a cardigan covered in embroidered apples, visibly hesitates before greeting him.

sukuna, of course, revels in it.

he takes a seat in one of the impossibly tiny classroom chairs, arms resting on his knees, eyes trained on the front of the room where babykuna stands proudly, ready to present her "photo-seen-thesis" project. "alright, class, today i will explain how the earth drinks the sunlight!" babykuna announces, voice clear and unwavering. "this is important because we need the sun to live, but too much sun can make you crispy like toast."

sukuna nods solemnly, as if he is learning this for the first time. she gestures to her carefully drawn diagram, a piece of poster paper covered in various labubu drawings. one is violently yellow to represent the sun, another is painted green with visible streaks of other colors from where she went outside the lines. "this is the sun." she points to the blindingly yellow labubu. "it looks scary but don’t worry. it only makes you blind if you look at it too long."

sukuna hums in agreement, his expression one of deep concentration. "makes sense. can’t argue with that."

"exactly!" babykuna continues, completely serious. "and these are the leaves. they eat the sun and then they breathe out the air we need. so really, trees are like… big air factories. that’s why we have to take care of them."

there is a brief pause. one of the kids at the front blinks. "so if i eat a leaf, will i breathe better?"

the teacher chokes on air.

"no, stupid," another kid interjects, "you have to eat a lot of them."

babykuna closes her eyes and inhales deeply through her nose. she learned patience from you. she is practicing it now. sukuna, meanwhile, is fighting for his life not to laugh.

the presentation eventually ends, and the teacher thanks babykuna for her "insightful and creative take on plant science" before calling for a short break.

sukuna is thoroughly entertained.

"that was real fuckin’ impressive, princess," he tells babykuna, crouching beside her desk. "i learned a lot."

"thank you, papa," she says, beaming. "did you like my labubus?" he eyes the yellow one. "not gonna lie, this guy looks kinda cursed."

babykuna pouts. "he’s the sun! he’s supposed to be bright!"

"he’s a biohazard," sukuna mutters, amused.

but the real highlight of the day comes after the presentations, during the PE showcase. the teacher, bless her soul, announces that parents are encouraged to participate in a duo race with their kids. "oh, we’re winnin’ this," sukuna mutters, rolling up his sleeves. "we are?!" babykuna gasps, eyes shining with excitement.

"hell yeah. you think i spent all those years runnin’ between takin’ care of you and your mom for nothin’?" he smirks, crouching down. "get on."

babykuna does not hesitate. she scrambles onto his shoulders, gripping his hair for balance, practically vibrating with anticipation as they line up at the starting line. parents are stretching, adjusting their shoes, mentally preparing themselves. sukuna just smirks.

the whistle blows.

it is an immediate massacre.

sukuna takes off like a fucking racehorse, years of fatherhood training kicking in as he sprints down the track. babykuna screeches like a banshee, the sheer volume of her battle cry sending every other parent into fight-or-flight mode.

one poor dad panics and stumbles out of the way. a mom gasps and grabs her child, moving before they can be trampled. the teacher watches in abject horror.

they do not stop. they do not slow. they cross the finish line in record time, babykuna throwing her fists into the air, grinning so hard her face might split.

"WE WIN!" she shrieks. "PAPA IS KING! KING OF THE CLASSROOM!"

sukuna, slightly winded but infinitely smug, nods in approval. “damn right we are.”

[catboybiologist]

Hey it's a life update that probably no one cared about or asked for

tl;dr: I'm likely quitting my PhD via mastering out, and leaving my program in June.

sappy, overly emotional vent/explanation:

I'm wrapping up my first quarter as an out-of-the-closet trans woman. I've had some serious conversations about where me and my work stand. This was always my intention after coming back from my summer hiatus/social transition: see how "reentry" works, and then assess from there.

For those that don't know, PhDs in the US take 5-7 years. Oftentimes, however, they either give you a master's along the way, or give you an option to quit halfway through with a master's. I'm in my 3rd year and have more than enough to use that option. I've toyed with this idea before, but it feels a bit different now. Last year, I was burned out from science, my project was failing, and I was under constant stress of boymoding and remaining in the closet. Now, I'm out and proud, and I deeply love my project and find it exciting. I fixed some things.

Unfortunately, I have a recurrent problem. Whenever something goes wrong in my life, the first thing to drop off is my ability to drive forward my own thesis project in a coherent way. What the actual problems are vary, but that motif stays the same. I could list off what's going on right now, but I think y'all can assume a bit of what a mid-20s, broke, recently transitioned trans woman in the US is going through at the moment. There's a lot of specifics, of course, but I'm not at liberty to say most of it.

So I'm looking around and realizing I have scraps of half finished projects, I've given support and help for other people's projects.... and then made little progress on my actual thesis. It's enough to pull together into a master's thesis, and maybe even another paper or two, but.... not a PhD.

And then there's the other side of it. The nicer reasons. Could I stay here, buckle down, maybe add years to my degree, and get through it? Probably. But honestly? I don't really want to put myself through that now. It used to be that academics was all I had. It was all my failures and all my successes. It's what I threw myself at, because I genuinely had nothing else going on. Since transitioning, the world seems so much more beautiful and rich, so much more complex and vast, with so much more to do in it. I've even had more negative experiences unrelated to academia, and while they've sucked, they've shown me that life is so much bigger than it was before.

To be blunt, to experience more of my life... it helps to have money, and it helps to have career stability. It's not the only factor by far, but certainly one defining moment when making this decision was trying to create a timeline and budget for transition related surgeries, and realizing that its near impossible in grad school.

Not to be dramatic, but I've also had a couple extremely jarring experiences in the past year that are reminded me that life is short. And I want at least some time to enjoy it.

My heart is honestly broken here, and I'm feeling extremely emotional about this. I love my lab, my colleagues, the environment of doing research, and my project. But I'm realizing that it might not be viable, or what makes me the happiest at the moment. I'm genuinely a bit distraught, and I've been crying a lot for the past few days. A lot of me feels like this is what I am, and this is what I'm good for. That I'm failing myself and every mentor that got me here. Some part of me knows that isn't true, some part of me can't let go of those feelings.

But, I know this doesn't mean "never". So many of the people in my program are significantly older than me, coming back later in life to get their degrees. I'm honestly almost positive that I'll come back to a PhD someday if I quit now. In my 30s or beyond, I think that I'll be able equipped to handle it much better.

So what's next?

Obviously, nothing is decided, and I'm just spitballing here. But I'm honestly shocked at how many viable options I have, in a very good way. A cursory scroll of Indeed was honestly therapeutic. As I said, I still love the academic research environment. I just need more money and stability, and would prefer to have a slightly different relationship to the work I do than a thesis project. Ideally, I would want to be a staff researcher in an institute or academic lab. That lets me keep a lot of the things I like about what I do now, while also making literally 2-3 times the money and having a more stable position.There's positions out there that maximize the contexts I'm the strongest and happiest with, while still being more steady and paying more. Hell, even if my responsibilities were identical, but I had more pay, I could probably more effectively address the personal problems I'm going through right now. I'm gonna stay in California for a lot of reasons, and I'm lucky that there's so many options within the state.

I have a bit of an oddball set of experience. I'll actually have two nonoverlapping master's if I do this. I already have a MS in bioinformatics, which was granted by a CS department. But my current program is in more "pure" molecular and cell biology. I'll have 5 years of grad school, 8.5 years of research experience if I include undergrad research, and instead of a PhD, 2 MSs. Which is kinda funny. But it think it helps represent my experience for what it is. I like to consider myself a "full stack" bioinformaticist- someone who can do both the experimental and analysis portions of experiments that produce large data. Hopefully I'll be able to put that to good use.

I have a lot of professional contacts that I'll slowly be reaching out to over the course of the next 6 months while I tie things up. I know this is a wildshot on tumblr of all places, but if anyone has any recommendations, advice, or contacts, I'm all ears- both for professional and job hunt related things, and also the emotional state I'm in right now.

Thank you to everyone that's made up this wonderful community we have online. I hope I'm not letting anyone down. I'll still be a biologist, I'll still be my trans self. I just won't be "Doctor" anytime soon.

[lovingjingyuan]

Just thinking about Yan Sunday with Layla reader…

Reader is so tired, weak and stressed all the time about her study and thesis… reader’s state could be vulnerable to him since he can grabs her so easily.

Or Cryo Vision? He just need to keep away from you, make you lose memories and lies that you are his lover.

Please, I need Sunday post with Layla reader..

Yess Ofccc! I love Layla sm she's so pretty and I relate to her a lot, but I ignore my work on purpose. But her design is so pretty when I first saw her she became my favorite immorality like Furina! I Barely sleep now because of tests and exams. Also Thank you for the request <3

Pairing: Sunday x Layla reader

Warnings: Yandere Sunday, a bit ooc, mention of drugging/spike drink, manipulation

-♡-♡-♡-♡-♡-♡-♡-♡-♡-♡-♡-♡-♡-♡-♡-♡-♡-♡-♡-♡-♡-♡-♡-♡-♡-♡-♡-♡-

The paper, assignment, and late work kept piling up on you. You can't catch a break even after completing each assignment. Your sleep schedule started getting messy which raised concern from Sunday.

Yet Sunday never liked how you pushed everything aside to focus on your academics. He secretly hated the mentions of your future that’s without his picture in there. How you'll leave the dreamscape in Penacony once you graduate and finish your studies here, yet he kept a happy smile pretending to support your goals.

Recently a big project and essay was coming soon. You need to submit your thesis and get it approved as soon as possible. Writing endless papers piling up anything to get this approved like your life depends on it.

Sunday lent you his office since the library was packed with others trying to get their thesis approved too. Sunday quietly works on his paperwork reading the new bills and policies trying to get passed. Work was keeping you both busy yet you still couldn't help but start dozing off.

Your head and eyes felt heavy falling slightly. Your tired body rested against Sunday's shoulders causing him to look up from his paperwork and towards you. He raised an eyebrow before smiling and caressing your cheeks.

The tea he offered you really seemed to take effect quickly. He couldn't help but to spike your tea before offering it to you. He couldn't stand seeing the eye bags under your eyes when you forced yourself awake even though your body was already weak enough. The way you've been ignoring him and growing distant from him to focus on your studies, he despises the fact you cared more about your academics than him.

He caressed your hand gently. He was glad you were deeply asleep knowing he was soon going to perform the last step to keep you for himself…

You woke up in a room and stretched. You felt more at ease but a sinking feeling appeared in your heart when you realized your thesis and project was due.

You scrambled, throwing the blanket off and seeing Sunday's hands stopping you and shushing you holding you in his arms.

"What's the matter? You looked at peace when sleeping?" He cooed at you brushing his hands through your strands of hair.

You stumbled over your words as you tried explaining your thesis still needed to be submitted before the due date. Sunday's face darkens slightly as he forms a wan smile

"Oh, the one you were working on? A friend of yours came in stating they were your partner for this thesis and were going to submit the thesis for you today," He held your hands in his.

Your face and heart dropped so far below. You sobbed as you scrambled hugging yourself and started ignoring his words. You were furious at Sunday even though you knew it wasn't his fault for falling for this trick. You’ve never told him what you were working on anyway.

"Oh dear, I'm sorry I didn't know," he said in his sweet tongue. Gosh, you really can't hate him but blame yourself.

In the end, the due date passed and it was too late. You sobbed and sobbed as Sunday held you in his arms comforting you. You were so fragile to him. A fragile weak human who needed his and The Harmony's protection, yet mostly for you to rely on him.

As you cried you looked in his pile of trash paper to see your thesis. You pushed yourself off him and grabbed the paper pushing aside his pile of documents and scattering them all over the floor.

Fury arose yet you sat there in complete silence and confusion, "why?" You muttered weakly dropping the paper as you broke out into a sob, "Why Sunday? Why did you lie?"

Sunday wing's on his head tense up as well as his expression as his smiles slowly fade away.

"What do you mean? Your thesis? I thought you meant the project you were working on earlier," He tries to hide his guilty expression by the fact he was caught in a lie.

Before you could comment you were dragged out by the Bloodhound Family. Sunday was going to make sure you never stress over any academics again.

You open your eyes in a white room. You sat up smelling a familiar white room and bed. A hospital? You looked and saw a man. Gray hair, white angel wings on his head, a golden halo floating above his head, and a sweet angelic smile plastered on his face.

"I'm Sunday... Do you remember me, darling?" The man named Sunday introduces himself with a question. Yet even though he felt similar you couldn't break down why.

"I feel like I know you"

"That's great darling" he brushed the hair from your forehead planting a kiss on your head. "I'm your lover, not just your boyfriend."

You didn't stop him but sympathized with his feelings. Sunday was never going to let you leave this dream now. You'll never have to cry or mess up your sleep schedule and health anymore. You were just too fragile to face reality so he’ll insist the dreamscape is the only safe haven for your fragile body. This was the true dream he longed for and he will make sure you love it too. 

[roosterforme]

Adult Education Part 3 | Hangman x OC

Summary: Jake visits Jessica during her office hours again, and he's left wanting her even more than before. But when he hears that there may be more to her than meets the eye, he has to decide if his feelings are worth the potential risk.

Warnings: Fluff, angst, swearing

Length: 3500 words

Pairing: Jake "Hangman" Seresin x Female OC

This story is part of the Beer Boy and Sugar universe but can be read on its own! Adult Education masterlist

Seriously, who let Jake on my masterlist!? Banner by @mak-32

"What are you doing?"

Jake glanced up from the scientific journal which was open on the cafeteria table next to his tray of lunch. 

"What does it look like I'm doing, Bradshaw? I'm reading."

"You're reading?"

"Yeah," Jake replied, smoothing out the glossy page as he rolled his eyes. "I know you were in a fraternity and all, but I still assumed you knew what reading was."

Bradley set his tray down on the opposite side of the table. "Joke's on you. I graduated with a 3.9 GPA."

Jake just snorted as he read the caption under the photo of an F/A-18 that had been taken on the deck of the USS Harry S. Truman. "And I had a perfect 4.0."

"Damn," Bradley remarked before biting into his sandwich. 

"Yeah, I liked school," Jake muttered, turning the journal page. "I still like school."

"Is this because of my wife's coworker? Professor Reed?"

Jake met his eyes before looking back down at the notebook he'd been scribbling some questions in. It was only Wednesday. Jessica didn't have office hours until tomorrow. He was nearly finished reading the stack of journals she gave him from cover to cover, and he actually did have some questions for her. Real questions about what he read, not just whether or not he could get her phone number yet. 

"Maybe," Jake replied cautiously. He had already looked up the cost of taking one of her night classes, but he wasn't about to admit to that. "I just like how smart she is. She wrote her thesis on military aircraft propulsion."

Bradley just laughed. "This has nothing to do with how she looks? Sugar told me she's hot."

Jake bristled a bit. "She is hot." He thought back to her mini lecture and how she seemed to be the only physics professor at the school who actually knew how to teach. Then he remembered how cute she was at Chippy's, talking about her subject of study with bright eyes and a smile. 

"Yeah," Bradley said, breaking into his thoughts. "I know how you operate. Each one is hotter than the last."

Jake closed the journal and set the notebook on top of it. "Doesn't matter. She still didn't give me her number. Probably thinks I'm ridiculous." He excused himself with his tray and the journals. 

And by Thursday evening, Jake thought he was pretty ridiculous, too. What was he doing here? He was really going back to her office hours with his notes on the articles like some pathetic puppy? Like he was actually a student with an assignment to turn in? But even though she didn't give him her number, she had invited him back when she wrote her office hours down. 

When Jake started up his truck, he had every intention of turning right at the gatehouse and heading home. But he turned left toward the bay bridge instead.

--------------------------

"Dr. Reed. I need help. These problems are hard."

The actual audacity that these students had was just impressive. They came to her office hours and whined about how hard the coursework was. And they did it all the time. 

"Physics is hard, Luca," Jessica replied, loosening her grip on her pencil so she didn't snap another one. "But it would be a lot easier if you attended all my lectures."

"Aww, come on, Dr. Reed," he moaned, sliding his notebook a little closer. "I had to go surfing on Tuesday. Hey, you should come next time. I'll give you lessons if you bump my grade up just a little bit."

"Luca."

"I was kidding," he mumbled, collecting his notebook and the packet of extra practice problems she had given him to work on. "See you next week."

"Bye, Luca," she replied, opening her office door for him. And then her heart started pounding as her eyes caught on the man who was leaning against the hallway wall opposite her door.

"Bye, Professor," Luca said before he set his skateboard down and pushed off with one foot. But Jessica was too distracted by Jake Seresin to remind Luca for the hundredth time that he wasn't allowed to skate in the academic buildings. 

"Reedy," Jake said softly with a tentative smile. She was honestly shocked he was here on campus again. For the third time this week. Apparently he took her note about office hours seriously.

"Jake. I'm surprised to see you here."

He just shook his head slightly and said, "You really shouldn't be."

Her blood felt too hot in her veins as he pushed away from the wall. He was all chiseled jaw, green eyes and immaculate hair, and she was once again left wondering what the catch was. The khaki uniform was back, just like Monday night, and she wondered once again if he came here straight from work instead of stopping home. 

"I'm here for your office hours," he added, taking a step closer to her. He was big and strong and a lot taller than her. And the way she just knew Jake would let her run her fingers along his pins just like she'd done with his patches was making her ears feel warm and fuzzy.

Well, this was embarrassing. She hadn't been gone for a guy this bad in over a year. Not since Brian Conley. But she couldn't even focus on anything else right now, because she was devoting all of her energy to trying to say something intelligent to Jake. Where were all of her quips and clever remarks? She must have left them at Chippy's on Monday night, because she hadn't heard from them since. 

"Come on in," she told him, and she left the note on the small whiteboard in the hallway letting anyone else who might show up know that her office was occupied. "What can I do for you?" 

She didn't mean for that sentence to sound so suggestive, but she noted the pink flush on Jake's cheeks as she closed her door and leaned back against it. He was close but not too close, and his eyes drifted down over her uninspired pantsuit in such an appreciative way that it made her feel like she was wearing a pretty cocktail dress. Or maybe even less than that. 

"You could give me your phone number." 

She smirked at his statement and at the soft Texas drawl. She went to A&M for four years. She could tell he was a homegrown Texas boy who had somehow ended up transplanted in southern California. Maybe a little out of his element, just like her. Maybe trying to forget and move on, just like her.

When her eyes drifted to what he was holding, she asked, "Did you read the article? In Propulsion Science?"

He glanced down at the stack of journals and the notebook in his big hand, and said, "I read them all. Cover to cover. I have some notes and a few questions."

When he glanced back up and met her eyes, she cocked her head to one side. "Seriously? You read all of them?"

"Yes," he replied immediately. 

She walked past him, letting her fingers brush the back of his hand longingly. When she took her seat, he was leaning on the opposite side of her desk with both hands and looking down at her. He already asked for her phone number. Twice. It was a bold move, playing hard to get with a man as handsome as Jake. But the steady rise and fall of his chest and his softly parted lips while he gave her his full attention was addicting. 

"Take a seat," she said softly. "Show me what you have."

He groaned quietly and pulled the other chair a bit closer, and Jessica soon found herself a little warm again. While he wasn't a PhD candidate, his notes on the journal articles were thoughtful and his questions were insightful.

"This journal of physical chemistry had the most interesting article on engine mechanics, but I must admit, I was a bit lost when they talked about the implementation of fuel combustion calculations," he said, holding out his notebook for her to take. "What's your opinion, Dr. Jessica?" 

This was clearly a man who gave great consideration to his aircraft and what he did all day at work. And that was hot. He was smart, and he thought she was smart. And he wasn't afraid to acknowledge either of those things. 

When she slowly stood, she could practically feel his eyes on her body. "It's my opinion that you should read this accompanying article." She turned toward her bookshelf and couldn't help but glance back at him over her shoulder. His gaze met hers right away, and she stumbled a bit in her high heels. She had to steady herself before she reached up to the top shelf on her tiptoes. 

"Allow me," Jake said, and the soft scrape of his chair on the floor was followed by his warm body just inches behind hers. "Which one is it?"

She thought about sliding out of his way. She considered that he'd have an easier time reaching the correct journal if she wasn't also standing in front of the shelf, but she didn't move an inch. "One with a blue spine," she whispered as he reached up past her head and ran his fingers along the journals.

"One of these ones?" he asked, moving his fingers very slowly along the spines from left to right. 

"Mmhmm," she hummed as his chest pressed against the back of her shoulder. He grabbed several journals with blue spines and gently took them down from the shelf and placed them in her hands. His voice was right there next to her ear. 

"There you go, Reedy." 

His big hand brushed her waist before he stepped away from her, and she turned to face him, ready to throw the journals across the room in favor of pulling him closer again. "But they're for you," she said, sounding a little bit out of breath. 

Jake was rubbing the back of his neck now, cheeks flushed as he reached out to take them back. "Right." His voice was rough, and Jessica plopped back down into her seat with very little grace. 

She cleared her throat twice before saying, "The one on the top of the stack has a great accompanying article that you should read. And if you really want to know about the calculations, I can show you sometime."

"I'll read all of them," he replied, eyes soft on her face as she awkwardly adjusted her glasses with the backs of her fingers. 

"I do appreciate a man who reads in his spare time," she whispered. It looked like Jake was ready to jump out of the chair again, and she kind of wished he would. Because she was currently thinking about crawling across the desk and onto his lap, and letting herself touch all of his pins while she tasted his lips. 

She jumped in her chair when there was a sharp knock on the door, and suddenly Jake looked even more flustered. "Come in!" she called out, but she couldn't seem to take her eyes off Jake. 

"Dr. Reed,'' came a gratingly annoying voice from her doorway. It was Dr. Leeland, and he was looking between Jessica and Jake like something deviously untoward was going on in here. But that's what everything thought about her, she supposed. 

"Dr. Leeland, how can I help?" she asked, smiling apologetically at Jake who was now rising out of his seat. Leeland was looking at him like he was trying to place who he was, and Jessica had to hide her smile. She kind of hoped he didn't recognize the man who called him out on his incorrect math during the mini lecture. 

"Need help with my printer," he growled, and Jessica was on her feet now, walking around her desk. 

"Sure," she replied as smoothly as she could with Jake standing right next to her. "I'll be right there."

She watched Leeland shuffle back out into the hallway before she looked up at Jake. "Damn," he whispered. "I thought maybe I'd be able to talk you into another three dollar beer and some peanuts."

She bit her lip and said, "He'll have me in there for at least an hour helping him, guaranteed. So maybe another time?"

"I'll be thinking about it all weekend, Jessica."

Then she reached up and ran her index finger along his name tag, tracing S E R E S I N before tapping his lieutenant insignia gently. And he just let her do it with the softest look in his eyes. 

"Yeah. Me too."

---------------------------

On Saturday night at the Hard Deck, Jake was happy to see that Bradshaw and his wife were both there. He knew what kind of beer she liked, so he flagged down Penny at the bar and ordered one along with his own glass of bourbon. Then he sipped his drink as he walked over to her. 

Jake smirked, because she never looked quite happy to see him, but she did accept the beer when he handed it to her. "Thanks," she told him, "but you're not usually this nice to me. What's up?"

He narrowed his eyes. "I'm.... nice."

She chuckled as Rooster walked back over to her after Nat kicked his ass at pool. "You're alright, Jake, but I'm not stupid. I know what you want."

"Sugar," Rooster whined. "You got another beer but didn't grab me one, too?"

"Jake got it for me," she said, pulling the bottle further away when he reached for it. "It's a bribe, but I want to hear him admit it."

She looked at Jake again with a knowing smile, and when she pressed the bottle to her lips, he said, "Fine. It's a bribe. I want you to tell me everything you know about Jessica Reed."

Bradley rolled his eyes and kissed her cheek. "I'll be with Nat."

"So?" Jake said when they were alone again. "Will you tell me? Because that woman is driving me insane, and she won't even give me her phone number."

"Yikes. You can usually seal the deal right away," she said, glancing around the always crowded bar. "I can count like four women here who you've hooked up with."

Jake sighed and pinched the bridge of his nose before he downed the rest of his bourbon. "Please?" he asked calmly.

She was quiet as she sipped her beer. "I actually don't know her very well," she said a little cautiously. "I eat lunch with her occasionally, because everyone else seems to avoid her. Especially everyone who works in the science departments."

This was puzzling to Jake. Jessica was the most interesting woman he'd met in a long time. She was even nice to Dr. Leeland when he asked her for help. He honestly couldn't imagine anyone wanting to avoid her on purpose. "You sure she's not just a bit of a loner by nature or something?"

But she just shrugged. "Come on, Sugar," Jake begged, using the name Rooster called her. "Be sweet, and just tell me what her deal is."

She laughed and said, "I like her just fine. I have no problem with her. But whether or not there is any truth behind them, Jessica is the subject of a lot of rumors."

"Rumors?" Jake's mind was immediately swirling. Jessica with her glasses and her high heels and nerdy journals and soft smiles. "What do you mean?"

"I try not to get involved, so I don't know too much. But something definitely went down between her and the head of the chemistry department. And I heard one of the other physics professors call her a slut behind her back."

Jake's grip tightened so hard and so fast on his empty glass, he was convinced he was going to break it. "She's fucking sweet," he growled. "And a damn better teacher than anyone else in her department. And nobody should be calling anyone a slut in a professional setting."

"I don't disagree with you," she said quickly. gently touching his hand. "But you asked. So I told you."

Jake nodded and said, "You're right. I asked. Thank you."

"Sure, Jake," she said softly, turning toward her husband. "And thanks for the beer."

He watched her walk into Rooster's welcome arms. He held her with a laugh while he juggled a pool cue, and Jake felt a pang of jealousy. He never used to mind being the one who was always single, but even he could admit that it would be nice to be around someone who was smart and funny and kind. And have them want to be around you.

By late Sunday morning, Jake decided he didn't actually care about any rumors where Jessica was concerned. He liked her. He could tell she liked him. He kept replaying the way her face looked as she traced his patches and pins with her gentle fingers. 

He couldn't tell if she was playing coy or toying with him, but he would stand there all day long in her office and let her do anything she wanted to him as long as she was looking up at him with that outwardly needy expression. And he wanted to touch her back, run his hands along her hips and pull her close, but he still didn't even have her number. 

But he did still have her San Diego State faculty profile open in his phone browser, and his thumb was hovering over her email address.

----------------------------

Jessica knew Monday morning was going to be a struggle. They always were. After a weekend of going out with friends and taking a luxurious Sunday afternoon nap, facing Brian for the weekly faculty meeting was going to be hell. But she got dressed, fixed her hair and put her glasses on. She made sure she was on time. She made sure there was nothing for anyone to complain about when it came to her. 

And just like always, she was sitting off toward the back of the small auditorium alone, sipping some coffee and counting down the minutes until the clock hit 9:00 and she could go up to her office. 

"Now, for those of you who are not on a tenure track yet," Brain Conley said, turning to glance at her, "make sure you pay close attention."

He was such an ass. Just such a handsome looking fucking asshole. Everyone knew that Dr. Nguyen and Jessica were the only two that statement applied to, and this was his first year out of grad school. He was like twenty four. But Jessica looked down the row of seats and smiled at Dr. Nguyen who smiled back while he blushed. And then she listened to Brian drone on and on about excellence in education and involvement on campus. 

By the time she made it up to her office, her coffee had soured in her stomach, and she felt like crying. But she had an hour to pull herself together before she had to teach Physics 103 to a bunch of lazy sophomores. While her computer started up, she opened the newest journal that had been delivered to her mailbox on campus and smiled. Maybe there was something in here that Jake would be interested in. Not that she really expected him to keep stopping by. He would lose interest.

She skimmed the journal index, checking out the article topics as she logged into her school email account. And the newest email right up at the top was from jake.seresin. She pushed the journal aside and squealed as she opened it up, shocked that he had found a way to contact her again.

Dear Dr. Reed,

Thank you again for your excellent journal suggestions. I've read them all cover to cover, and I'm a little nervous to tell you that I think I've become a bit addicted to the subject matter. I find it fascinating to learn more about military aircrafts in general, but visiting your office hours has really piqued my interest in many other things as well. 

I hope you don't mind that I plan on returning on Tuesday night. This time I'd like to try my hand at solving some of the physics equations with you. I'll bring a sharp pencil, but I'll probably skip the skateboard. You didn't seem too keen on that one, and I just find myself wanting you to be impressed by me.

Also, Jessica, this would be a lot easier over text, but I'll play along. For now. Looking forward to your office hours (and hopefully you are, too?).

Jake

P.S.- You should have seen how long it took me to actually type up this email. Your SDSU faculty photo has been continually distracting me for days, and I think I looked at it so long that my email timed out.

She screamed in delight. Jessica clapped her hands over her mouth, pushing her chair back from her desk, kicking her feet. She stared at the screen for a few seconds before she decided how she wanted to respond, and then she just went for it.

----------------------------

Dr. Jessica, we would all be kicking out feet, too! More than meets the eye with Jessica... Thanks to @mak-32 and @beyondthesefourwalls

PART 4

@blahehblah

@sotalife

@desert-fern

@furiouspiespytaco

@rosiahills22

@daggerspare-standingby

@je-suis-prest-rachel

@callsign-joyride

@theharddeck

@captain-beskar

@withakindheartx

@roosterscockpit

@whatislovevavy

@rosesreekofoccasion

@hangmanbrainrot

@neferpatra

@sehnsuchts-trunken

@child-of-thedevil

@thedroneranger

@cherrycola27

@mygyn

@hoyaharper

@tallyovie

@gennyanydots

@callsign-magnolia

@whisperofsong

@seriouslyseresin

@double-j

@bradshawsbitch

@sugarcoated-lame

@katiebby04

@anotherr-fine-mess

@supernaturaldawning

@chassy21

@strrywmen

@tylerjones98

@captainjaspenor

@gigisimsonmars

@fanboyswhore9

@angel-w0nderland

@abaker74

@idontcare-11

@isaebellaa

@bringnattolife

@xoxabs88xox

[immaturityofthomasastruc]

Miraculous Ladybug Season 5 - An Overview

Well... that certainly was... the fifth season of Miraculous Ladybug.

While I was overall mixed on Season 4 with how much it varied in quality, I think I have a more concrete opinion of Season 5.

Yeah, this season was a real pain to review, but not for the reason you'd think. Most of the episodes were either dull or average, so there wasn't a lot for me to really talk about. Of course, when things were bad, dear lord, were they bad. This analysis is somehow longer than my Season 4 one and the ranking post. Other than real life stuff getting in the way, there's a damn good reason why this took so long to finish. I basically wrote a college thesis on this season.

The Things I Liked About Season 5

Let's get all the good things about this season out of the way first.

For one thing, one of my biggest complaints about Season 4 was sort of rectified, the portrayal of Adrien. While I still have problems with him (which I'll get to in a later section), they're more about his impact on the story. As for his personality and attitude, it's a big step up. There's much less complaining, he's more active in the action, and is far more intelligent. Compared to Season 4, where Cat Noir was affected by an Akuma's powers or taken out of commission in order to raise the stakes eleven times (Lies, Mr. Pigeon 72, Mega Leech, Guiltrip, Optigami, Sentibubbler, Wishmaker, Simpleman, Ephemeral, Penalteam, Risk), here, funnily enough, it only really happened five times in Season 5 (Jubilation, Illusion, Derision, Emotion, The Final Day). It's honestly amazing. There were times where I thought he was going to be taken out or get portrayed as an idiot, but that almost never happened this season. Even some of the weaker episodes this season featured Adrien in a more active role, like “Passion”, “Reunion”, “Elation”, and “Deflagration”.

Also, as much of a problem that I have with Cat Noir trying to Cataclysm his enemies, I'm glad that the show at least tries to acknowledge this by showing his worst nightmare is a world where everyone is dead because of him. It's not handled well, and it's only done just to bench him for the finale, but I'll at least give the writers credit for putting in the effort to give him more nuance. It's a hell of a lot better than what they did with Gabriel, but I'll get to him later. By extension, his relationship with Ladybug is much more tolerable. The two work together well, talk about the conflict with Monarch more often, and for the most part, feel like actual partners. Yeah, that dynamic falls apart towards the end of the season, but again, I'll give the writers an A+ for effort.

Another thing I like is that this season tries to focus more on character pieces, with episodes focusing on characters like Nathalie (Passion), Kagami (Perfection), Luka (Migration), and Zoe (Adoration). They're not handled the best, but I'm glad the show is at least trying to give the supporting characters time in the spotlight, even though they don't have their Miraculous anymore.

Speaking of, I like the idea of the Alliance rings. It's really the only time Gabriel actually takes advantage of his status as one of the most influential people in Paris to push the use of something specifically designed to help give his Akumas more power. Given how prevelant the marketing for Alliance rings is, it's easy to see his plan working in the long term.

We also had a couple decent new Akuma designs, like Safari, Bugfighter, and... uh... Yeah, I got nothing else. This is pretty much the most praise this season is going to get from me. Sure, I'll go into some other aspects I like during later sections, but other than that, this is it. Hell, even the parts I listed earlier are only mentioned for the ideas they present, not the way they're executed.

The Final Season... Of Filler

We've finally made it to Season 5, the climax of the conflict with Monarch. This is going to be epic, with all kinds of compelling stories that can be used for episodes, leading to a final product that will go down as—my God, why is this season so boring?!

Like I said earlier, this season was a lot harder to review than Season 4 was, and this was one of the biggest reasons why. As bad as that season was, I at least had stuff to talk about. Here? Almost nothing. A good chunk of the episodes I reviewed just didn't leave an impact on me. Most of them were either forgettable, mediocre, or just okay. Some of the episodes had decent ideas and a handful of good scenes, but it wasn't really enough to reach the highs of earlier seasons, including Season 4.

It's strange, because at first, it seemed like the show was learning from its mistakes during the first three episodes of this season. “Evolution”, “Multiplication”, and “Destruction” were far from perfect, but you could at least tell the show was trying something different. There was tighter continuity, clever mind games on both sides, a rare instance of nonlinear storytelling, and major changes to the status quo. They explained why Monarch can't just beat up Ladybug and Cat Noir himself, why the Rabbit and Rooster Miraculous can't be used to end the story, and why the Alliance rings were created.

When Ladybug got the Rabbit Miraculous after failing to get the other fourteen back, you would think that this would lead to an arc where Ladybug and Cat Noir gradually reclaimed the Miraculous from Monarch until the final battle, but what did we get instead in terms of plot development?

For what was supposed to be the final season, it felt like almost nothing happened. Sure, as always, the show tried to trick us into thinking stuff was happening, but several plotlines introduced this season were either abandoned or rushed through after a few episodes. The Resistance? Only relevant for five episodes, and even then, they didn't do much (Illusion, Deflagration, Confrontation, Revolution, Representation). Trying to discover how Monarch is giving the Akumas Miraculous powers? Only relevant in a single episode (Illusion). Felix having the Peacock Miraculous and being a total wild card? Only relevant for three episodes (Emotion, Pretension, Representation). The reverse Love Square? Only relevant for four episodes before it petered out (Determination, Passion, Reunion, Elation). Lila manipulating Kagami for some reason? Only relevant for two, maybe three episodes if you count that one scene in “Emotion”, and that was dropped in favor of her learning Monarch's identity offscreen (Perfection, Protection).

You'd think for a season with stakes this high, there would be bigger stories or more character drama, but we got nothing. The only real ongoing story we got was the Love Square finally happening, and trust me, I'll get to that later. There were plenty of ideas for story arcs here, but the writers pretty much ignored all of them.

Retcons! Retcons Everywhere!

This one's shorter, because it's a problem with the show in general, and I'll go into more detail about specific examples of this later on.

Miraculous Ladybug is a show that has always struggled to be consistent with its lore, worldbuilding, characters, story, and... well, a lot of things. I've talked about how often the show retcons things in order to justify whatever story they need to tell, not just for individual episodes, but story arcs too. There were so many episodes with stories that contradicted previous events or changed the motivations of certain characters on a whim.

In case you didn't keep track, here's a little highlight reel of some of the retcons this season.

Evolution: After both him and Ladybug were able to use multiple unifications last season with no problem, Monarch can't use too many of his powers without collapsing in pain. It also goes against what was established in “Kwamibuster”, the idea of using multiple Miraculous being enough to damage your sanity, where here, Monarch's body is damaged.

Multiplication: Adrien's reason for falling for Marinette was due to all the times she helped him, when it was usually the other way around in earlier seasons.

Determination: Adrien reveals he's had feelings for Marinette since the events of “The Puppeteer 2”, even though it never influenced any of their interactions between that episode and this one. It also contrasts the previous episode, where it said that Adrien was just starting to fall for Marinette for different reasons.

Derision: Chloe's bullying of Marinette had severe psychological damage that explains why she acts the way she does around Adrien... but ignores the romantic feelings Marinette has had for Luka and Cat Noir, and didn't act the same way around them, to say nothing about how she acted around Nathaniel when he had a crush on her during “The Evillustrator ”.

Intuition: The Snake Miraculous somehow makes Gabriel's Cataclysm wound worse even though the form of time travel it uses is mental, not physical.

Protection: Gabriel and Tomoe want their children to be in a relationship, yet Adrien and Kagami kept it a secret while they were dating.

Adoration: Zoe suddenly has feelings for Marinette despite showing no signs of it beforehand.

Emotion: Felix reveals he's doing everything for Adrien's safety, even though in his previous few appearances, he's done nothing but screw his cousin over by smearing his public image.

Pretension: Felix is against using a Sentimonster to defend himself and Kagami due to not wanting to force an innocent creature to follow his orders, yet he had no problem using a Sentimonster in the very last episode and in his next appearance.

Revelation: Lila has multiple secret identities she uses while pretending to be the child of several women, which had never come up at all during the last four seasons.

Representation: Kagami apparently learned Marinette was Ladybug right before she was akumatized in “Perfection”, yet Monarch didn't learn this like he did with Luka.

Do you see the problem here? Hell, I didn't even list every single retcon, or else we'd be here all day.

I don't get how a show that wants to be serialized can keep changing details like this. It's not even a case of the show replacing its writers with new ones who don't know as much as the old ones. This is mostly the same writing team for almost four seasons at this point.

Sometimes, the show will retcon stuff in order to justify stories when it doesn't need to. Remember how at the beginning of the season, Marinette was feeling guilty about her failure at the end of Season 4, and that influences her hesitance to accept Adrien's advances? The writers sure didn't, as “Derision” exists to give Marinette a whole new reason to not be comfortable around Adrien. Why the hell would you give Marinette a perfectly valid reason to not want to pursue Adrien, only to write an episode that gives her a different reason to not want to pursue Adrien? There was literally no reason to do this, especially during the last season of your first major story arc!

This season is clearly trying to be the most serialized of the bunch, yet the writers keep changing details about the story like that one Wallace and Gromit meme.

Season 5: The Show's Greatest Hits Album

Something I've noticed about this season is just how repetitive it can be. I know that sounds weird given this is a show that literally gave us the Status Quo-Yo, but please hear me out.

So many major story arcs and focus episodes are just rehashed versions of older things in this show, and not just the reused Akumas. Not only does the first half of Season 5 restate how complicated things are for Marinette's love live and how she can't love Adrien after what she did (something she gets over rather anticlimactically once Adrien confesses). Then there are other times where even plotlines established this season will get reused, and more often than not, it's worse.

In “Perfection”, Kagami is akumatized thanks to Lila's lies, and manages to break free from Monarch's influence thanks to her friends showing that they care for her. And then four episodes later, Kagami is akumatized again thanks to Lila's lies, only this time, she isn't able to break free. What... what was the point of having that emotional scene in “Perfection” if you're just going to treat her like a run of the mill Akuma a few episodes later?

And it's not just that. Big moments that happened in earlier seasons are pretty much redone but with a few changes to make it seem like they're different. Did you like seeing Adrien give up being Cat Noir in “Kuro Neko”? Well how about seeing Adrien and Marinette give up being superheroes in “The Kwamis' Choice”? Did you like seeing Chloe break off her friendship with Adrien in “Queen Banana”? How does seeing Adrien break off his friendship with Chloe in “Derision” sound?

But the worst of this has to be in the last seven episodes of the season. So much of what is essentially the culmination of five seasons' worth of story is just recycled. Let's go over why. In “Confrontation”, Marinette (and by her, I mean Sabrina with help from Marinette) manages to outsmart Chloe and Lila and put an end to their tyranny in the classroom. What are the next two episodes about? Marinette needing to outsmart Chloe and Lila, only now, they have reign over the city. This feels like something that should have been one major story, not something split up into two two-parters. Hell, you can't even say it's original to see Chloe in control, because this is also something that was done back in Season 1's “Rogercop”, only with the titular and the police following his orders for no reason instead of Chloe and her bootleg Daleks.

But hey, if an army of robots capable of using Miraculous powers, at least we can expect something even more creative for Monarch's ultimate plan, right? Yeah, Project “Perfect Alliance” is just a combination of Chloe's murder boxes and the exact same plan in “Heroes' Day”. People are brainwashed like in “Heroes' Day” and they get Miraculous powers like the robots in “Revolution”. Seriously? Nobody took a look at this and thought “Didn't we do this already?”

What's the point of making these two different evil plans when they're essentially the same thing? Why not give Chloe's robots various weapons instead of Miraculous powers if you're going to have an army of villains who have the same Miraculous powers two episodes later? Why not make it so the Miraculized are really the robots designed to help Chloe, only here, they have the ability to turn anyone wearing an Alliance ring into one of them, sort of like the Borg from Star Trek?

It's clear that after four seasons, the writing on this show has gotten incredibly stagnant if the major plotlines are just reused from earlier seasons. At best, it comes across like blatant fanservice, and at worst, it's a symptom of the writers struggling to come up with new ideas for stories. Either way, this is one of many reasons why not a lot of people are looking forward to Season 6. How can you expect interesting stories in the future when the writers keep recycling their old ones?

Felix and the Struggle With Sentimonsters or: This Is Starting to Sound Like a Bad Comic Book Plot!

Before I get into the problems with Felix this season, consider this: With Chloe (who I'll get to later), she was an example of someone who wouldn't get a redemption arc. Felix? This is the writers intentionally trying write a redemption arc. How did that turn out?

The obvious problem with Felix is mostly due to, like a lot of things in this show, poor time management. He only had three focus episodes, and in that time, the writers needed to explain his motivations, establish him as a wild card, have him realize the error of his ways, develop his relationship with Kagami, and help out Marinette. They really wanted to do a lot with Felix, yet with how rushed his arc was, I have to wonder if there was some trouble behind the scenes that prevented him from getting more focus.

It doesn't help that what little we got was confusing as all hell. I've already gone into detail about the problems with Felix's motivations not explaining his actions, but here's a list of all the problems with Felix.

If Felix wanted to get the Peacock Miraculous from the start, why didn't he try stealing that in “Felix”?

If Felix cared about Adrien, why did he spend most of his appearances mocking him and ruining his reputation by impersonating him in “Felix”, “Gabriel Agreste”, “Risk”, “Emotion”, and “Representation”?

If Felix knew who Gabriel was, why did he come up with this elaborate plan to get the Peacock Miraculous in a trade with him instead of going to Ladybug for help in “Strikeback”?

If Felix realized Gabriel was dangerous and capable of wiping him out, why did he decide to give him fifteen Miraculous in exchange for a single Miraculous without doing anything to stop him in “Strikeback”?

If Felix could easily get rid of Gabriel with a single Sentimonster like he did in “Emotion”, why didn't he immediately do that as soon as he got the Peacock Miraculous in “Strikeback”?

If Felix wanted to stop Gabriel, why did he decide to wipe out all of humanity alongside him in “Emotion”?

If Felix cared about innocent lives, why did he decide to wipe out all of humanity without showing any remorse except for when he had to get rid of Red Moon in “Emotion”?

If Felix didn't want to create any Sentimonsters just to end their lives in “Pretention”, why did he do just that in “Representation”?

If Felix knew Marinette was Ladybug, why did he choose to tell her who Gabriel was in an unnecessarily complicated way instead of telling it straight to her face in “Representation”?

If Felix really hated his abusive father, why didn't he show any hatred for Gabriel (who gave Colt the damaged Peacock Miraculous and did nothing to stop the abuse) as well during his little play in “Representation”?

If Felix cared about stopping Gabriel, why did he only decide to go to Ladybug for help when Gabriel was getting in the way of his relationship with Kagami in “Representation”?

If Felix was willing to tell Marinette about Gabriel being Monarch in “Representation”, why didn't he do anything else to help her stop Monarch in “Comformation” and “Re-Creation”?

With how many flaws his plans have, I'm surprised Felix hasn't said anything along the lines of “My pwan is gweat!”

For someone who claims to be doing a lot of things for Adrien, Felix tends to either screw over his cousin as part of his plans or forget him entirely. I don't mean he screws over Cat Noir, as his identity is one of the few things he doesn't know, but rather, how little his plans actually benefit Adrien. Putting aside his previous appearances in Seasons 3 and 4, in the span of a single episode, Felix pretended to be his cousin and smeared his public image, used a Sentimonster to wipe out all of his friends and loved ones while needing to be told by Adrien that doing so wasn't cool, and after that, he pretty much abandoned caring about Adrien.

Yeah, starting with “Pretension”, the writers once again change gears so Felix's primary goal is to help Kagami, not Adrien. It's Kagami that really helps inspire Felix's true turn to good, it's Kagami who he chooses to visit when she and Adrien are taken to London, and it's Kagami that helps him decide to tell Marinette Monarch's identity. Even though he only has three major appearances, the writers still decided to shake up his character arc for some reason. How does a team of paid writers struggle to stay consistent with any story or character arc they've written?

The worst part is that for a redemption arc, Felix shows little to no remorse for his actions. Not once does he apologize to anyone he's personally wronged, like Adrien, Marinette, or Kagami. He doesn't see anything wrong with giving Monarch more power and depriving Ladybug of almost all of her allies, and he had to be told that wiping all of humanity from existence was a bad thing. Felix has done so many terrible things in his quest for freedom, which isn't a bad idea, as it could make for an interesting discussion about whether the ends justify the means, but the show doesn't go that route. Instead, despite doing almost nothing but making things worse for Ladybug and Cat Noir, we're supposed to see Felix as a great person who just wants to have friends. Sure, having good social skills is a big part of being able to manipulate others, but let's just ignore all the people he's tricked and assume he doesn't know how to properly socialize with someone without stalking them.

It doesn't help that of all the characters this season, Felix makes the most progress in stopping Monarch. Puting aside his little genocide attempt in “Emotion”, he actually made an attempt to take Gabriel out of the equation, and later on, passed on intel about his true identity to Marinette. Think about that for a second. Marinette, despite being a hero with the ability to deduce what to do from simple clues given to her, isn't the one to figure out Monarch's identity. Instead, she has to be told who Monarch is, and is able to beat him only because Felix told her what to do. The worst part is that Felix doesn't even take part in the final battle when he has no excuse to not get involved. Remember, he doesn't have to worry about getting snapped away by Gabriel, so even though he cares so much about Adrien and Kagami, he does nothing to save either of them from their glorified solitary confinement.

Felix isn't a character. He's a glorified plot device who only shows up to advance the story instead of letting any character make progress by themselves. While Marinette and Adrien are focusing more on their love lives this season, Felix is the one actually getting things done. Because God forbid the two characters the show is named after actually do anything to stop the villain this season, am I right?

And that's not even getting into the Sentimonster stuff. Yep, to our collective horror, not only is Felix a Sentimonster, but it's also hinted that Adrien and Kagami are Sentimonsters too. I'm not sure why the writers are so hesitant to flat out say the latter two are Sentimonsters after all the obvious hints, especially when this is a show that loves to overly explain every plot detail and character trait. I don't know. Maybe they're just hedging their bets in case things don't go over well with audiences, but I can't possibly see anything bad coming from this. After all, how can you think of any uncomfortable implications stemming from the three major victims of child abuse literally being inhuman monsters who are physically unable to resist their abusers' orders?

With the Sentimonster “reveal”, Adrien and Kagami, two characters who were previously doing their best to be independent from their parents as they could at their age, are now physically incapable of even having a single negative thought about them without being ordered around while showing no resistance. Like I've mentioned before, it's a blatant retcon because it's never explained why Gabriel and Tomoe didn't do this during Seasons 2 and 3. It also gives the writers the opportunity to remove any agency Adrien and Kagami have in the plot, even though one is one of the two main characters, and the other plays a crucial role in helping another character expose the main villain's identity.

We're supposed to see Gabriel and Tomoe as wrong for ignoring their children's protests and forcing them to do things they don't want to do, but it doesn't lead to an arc where Adrien and Kagami rebel against their parents and break free from their influences. As soon as either Gabriel and Tomoe touch their respective rings, Adrien and Kagami are completely helpless, and there's no way for them to resist because of how powerful the link with their Amoks is. There's no hint that they have the potential to break free from their Amoks' influence, and the only time we saw that happen, it was a complete accident that Felix didn't even cause (Representation). Adrien and Kagami are both reduced to damsels in distress thanks to being Sentimonsters, and even though the show is trying to say they're trapped in a terrible situation, there's never a way out.

The most Adrien and Kagami do is express frustration with their situation, but most of the progress made in escaping their bad relationships is done by their respective love interests, Marinette and Felix. Yes, support systems are important, but rather than help Adrien and Kagami earn their freedom, Marinette and Felix do pretty much all of the work to save them during the latter half of this season. Hell, they couldn't even get that completely done by the time of the finale! Gabriel dropped dead and Adrien thinks he's a hero and Kagami's still living with Tomoe, only now she has her Amok ring. We're supposed to see this as a happy ending when they're both still influenced by their abusive parents, even if they don't have any physical control over them. The whole idea behind making Adrien and Kagami Sentimonsters should have been something about them, but with Gabriel and Tomoe, the writers only see them as helpless victims who can't do anything to save themselves. Sure, both of them have fought supervillains before, but we can't have them actually showing agency, can we?

I'm going to get into other ways Adrien and Kagami's characters were butchered this season, but for now, let's get into all the uncomfortable things this plotline implies. Now before I go any further, just remember that I am far from an expert on abuse or child psychology, so please take what I say with a heavy grain of salt. If there is anyone reading this who is a victim of abuse or knows someone who was, please don't be afraid to speak your mind about my analysis or correct me if I get any details wrong.

I get that making Adrien, Kagami, and Felix Sentimonsters was probably done so it'd be a way to explain the concept of child abuse to younger audiences, specifically to show how helpless the situation can be for victims, but the problem is how the allegory is handled. It wants to show how cruel the idea of child abuse is, but it doesn't want to outright vilify abusers like Gabriel or Tomoe. They usually try to sugarcoat it by saying that the two have good reasons for doing what they do, but that's a common problem with abusers. Abusive parents almost always believe that they're doing the right thing while their children think that they're just being punished for their own good, and the season ultimately takes that stance by the end.

The show is clearly trying to use the Sentimonster concept to tell a story about abuse, but I have no idea what exactly it's trying to say about it. “Child abuse is bad”? Okay, then why aren't you going to condemn the abusive parents for being abusive parents? And no, brief mentions of abusive parents who we never actually see onscreen don't count (Derision, Pretension, Representation). “Help out abused children”? Big talk coming from the season that only has two people actually fight to help the victims of child abuse, while treating another victim of child abuse as getting her just desserts (Revolution). “Parents have good reasons to do what they do”? Yeah, that normally applies to stopping your kid from getting a tattoo, not forcing them to whatever they want against their will.

The thing about writing abuse is that you need to acknowledge just how unhealthy it is, and do whatever it takes to take them out of the toxic environment. Here, nobody ever tries to remove Adrien from the toxic environment or tell him that what his father is doing isn't right. Sure, Felix tries to take Kagami away from her abusive mother, but that was only for like an hour at most, and then he just let her go back to her mother. Adrien doesn't even get that luxury. Hell, he isn't even allowed to know just how terrible his father was because he's just a sensitive baby according to the show. Portraying abuse victims as too emotionally fragile to know the truth is a pretty bad idea because, like I mentioned before, a big problem that abuse victims go through is that they're conditioned to see their treatment as normal at best, or see it as their fault at worst.

Like so many other serious topics discussed in this show, the writers clearly want to tell a story about abuse, but they're too afraid to actually take a proper stance on it, so they kept trying to play it safe in an attempt to not get backlash from audiences. Of course, because of that, they ended up portraying victims of child abuse as soulless husks who have almost no free will of their own, while ending the season by having them still under the influence of their abusive parents, even the dead one. Real bang-up job, there, writers. It says a lot when a Spider-Man PSA from almost 35 years ago did a better job tackling child abuse than you did.

And finally, let's talk about how this season's treatment of Sentimonsters indirectly influences our perception of them across the past two seasons. Even though the Sentimonsters created have shown almost no individuality from Seasons 2 to 4, only now are we supposed to see them as sentient beings, with Felix himself even taking offense at the idea at being called a Sentimonster. Never mind the fact that Felix never actually comes up with a proper alternative, so he just comes across as whiny when we're supposed to see him as a champion of the Sentimonsters.

In regards to the narrative the show decided it now wants to tell about Sentimonsters, I have two questions.

First, why should I care about Sentimonsters if the previous two seasons have portrayed them as nothing but soulless killing machines? If you're going to write a plot twist that changes the way we see Sentimonsters, you need to explain why we were wrong to only assume they're dangerous, especially since Argos' first Sentimonster literally wiped out all of humanity. For comparison, Ultraman Z did a similar plotline by having the main character realize that several of the monsters he killed as the titular hero weren't intentionally trying to harm humanity, so it caused him to doubt himself as a hero before he vowed to start finding non-violent ways to stop monsters if he could, while viewing the act of killing monsters that couldn't be reasoned with as a necessary evil. This show has no such arc and just expects us to ignore all the damage the Sentimonsters have caused since the end of Season 2.

Second, what about the Sentimonsters whose lives have been snuffed out by Mayura, Shadowmoth, and even Ladybug? The writers want us to sympathize with Sentimonsters and believe they get a bad rap? That's fine, but even if we did, what about the ones who were already wiped out of existence? Are we just not going to talk about them? Why should we only value the lives of Felix, Adrien, and Kagami and not any of the other Sentimonsters created in previous episodes? What, because they're not main characters, their lives don't matter?

All in all, everything about the Sentimonster was either poorly thought out or too preachy to take seriously, and Felix is emblematic of those problems with how he and the Sentimonsters are written. Oh right, I forgot Felix had a sidekick too, Kimberly—I mean, Kagami.

Kagami Never Hesitates to Be a Complete Idiot

If you read my overview of Season 4, I sang high praises for how Alya was written. Season 4 managed to take a character I had previously disliked and turn her into one of my favorite characters in the show. Now, with that being said, I want you to imagine the opposite of that happening to a different character, and you have my feelings on Kagami this season.

It's weird how, after she had made it through the past three seasons with her character somewhat intact, the writers decided to give her even more prominence by involving her in two separate arcs this season... and only made her nothing more than a damsel in distress who constantly needed to be saved in both of them. I'm not saying that Kagami should be able to beat the crap out of Monarch with her bare hands, but my point is that Kagami just lost so much agency this season.

When she wasn't being manipulated by Lila (Perfection, Protection), she was playing second fiddle to Felix and acting like he didn't hand over almost every Miraculous in Ladybug's possession to Monarch (Pretension, Representation). It's really strange, considering a defining character trait of hers is her hating liars like Marinette does, since it's why she dumped Adrien, yet here, she gets tangled up in the schemes of two different liars, Lila and Felix. I can at least get Lila (as dumb as her episodes are), since she's supposed to be seen as this master manipulator, but she just brushes all of Felix's crimes aside because he “doesn't know how to express himself”. Because even though she's always been loyal to Ladybug, she has no problem working with one of the only two people to betray her trust. But she loves Felix, so that makes it all okay.

What made Alya's arc last season work was that even though she was primarily Marinette's confidant, we also got episodes showing her struggling to balance her own desires with what needed to be done for the greater good (Optigami, Sentibubbler, Hack-San, Rocketear). She had to step up and become more than just one of the many temp heroes Ladybug called on, someone trustworthy enough to temporarily use the Ladybug Miraculous. Yes, she made bad calls, but when things went south because of her bad decisions, she normally took responsibility for her actions and vowed to do better. With Kagami, we don't get any internal conflict like that at all. She just blindly goes along with whatever Lila and Felix say, and even when bad things happen as a result, she never even thinks to call out either of them other than rarely saying something along the lines of “Hey, not cool.” (Protection, Pretension).

Kagami just doesn't get to do anything on her own terms this season. Her entire arc revolves around following Lila and Felix around like a lost puppy. And just remember, we're seriously supposed to act like Kagami is trustworthy enough to see that her defending Felix from Ladybug is enough to prove that he's a good person deep down... when this same season showed her easily falling for Lila's lies and getting akumatized twice as a result. It's like believing Dr. Nick can perform a life-saving kidney transplant after seeing him botch an open-heart surgery.

Even Kagami figuring out Marinette is Ladybug, something that should be a big deal like with Alya and Luka learning last season, is something we learn through a flashback and is, you guessed it, is only relevant to one of Felix's plans. And yeah, reveal your friend's secret to someone who someone who betrayed her. What could possibly go wrong? Again, when Alya screwed up, she was at least able to admit it to Marinette's face. Kagami never tells Marinette that she knows, and never faces consequences for throwing her lot in with Felix. What's her excuse, that she has too much love in her heart for Felix?

Speaking of which, let's talk about the biggest problem I have with Kagami this season, the way her relationship with Felix is handled. Let me make one thing clear: my problem isn't with people who ship the two together. Much like with the Love Square, my problem is how the show handles this romance. The two had almost no episodes together, and from what little we saw of them interacting, Kagami didn't like him, and for obvious reasons. But then “Pretension” came. Not only did Felix develop feelings for Kagami offscreen, all it took for Kagami to fall for Felix was a single conversation where he showed basic human decency. Yeah, Marinette fell for Adrien for similar reasons, but at least she and him took a while to actually get together. These two shared a handful of conversations, and now they're just made for each other.

The problem with this is that the relationship basically reduces Kagami to Felix's girlfriend and sidekick. All of her major appearances post-“Emotion” were in relation to Felix. She only helps him because of their relationship, and their relationship was the whole reason why Kagami convinced Felix to do what he should have done from the start, tell Ladybug who Monarch was... even though Astruc said this kind of relationship was toxic when discussing Lukloe.

You see, the difference between Lukloe and Feligami is (MAKE UP EXPLANATION LATER AND DON'T ACCIDENTALLY LEAVE THIS SPOT BLANK). And that's why we shouldn't see this as blatant hypocrisy on Astruc's part.

While it's par for the course, given how almost every female character in this show is connected to a male character in some way, the way Kagami is written this season is still part of a bigger problem. Kagami is not everyone's favorite character and not one people fiercely discuss as much as Marinette, Adrien, or even Chloe, but it's still baffling that out of all the characters in this season, Kagami would arguably sustain the most damage out of the entire cast. Given that this is the same season as Nino becoming the braindead leader of the Resistance, Chloe's brief stint as a tyrannical mayor, Nathalie choosing to do nothing about Gabriel until she was about to die, the baffling reveal of who Lila supposedly is (again, more on these later), or... really, a lot of things with both Marinette and Adrien, this is actually saying a lot. If you want to look at it at a particular angle, Kagami's actually a direct victim of practically all of the biggest problems in this season and I've had to mention her a lot more in this analysis than I anticipated. Then again, I suppose that's me showing more care to Kagami as a character than the writers did.

The Story of The Resistance (In Name Only)

I've already gone on about how underdeveloped most of the temp heroes are, so you can imagine the season where they try to help Ladybug without superpowers doesn't really change my opinion of them.

Remember how in episodes like Season 1's “Antibug”, Season 2's “The Dark Owl”, and even this season's “Jubilation” made it clear that trying to be a superhero without a Miraculous or proper training was essentially suicide? You know, how it was better to leave things to the actual superheroes? Well the writers sure didn't, as now we get to see a bunch of idiots try to take on supervillains with paintball guns and whatever they can throw at them. I'm pretty sure the writers put more effort into all the codenames themed after condiments than actually coming up with creative ways to fight Akumas. Because we all know how hilarious (citation needed) the flower codename gag from “Gigantitan” was, so let's do something like that, but for multiple episodes this season.

I'm just going to be blunt here when I say the Resistance this season sucked. Putting aside the fact that the writers couldn't come up with a less generic name or a name that wasn't already taken by the Ox Miraculous' power, this subplot was just so pointless. You have a team of former heroes who want to find a way to help Ladybug and Cat Noir stop Monarch, and rather than do things like pass intel along or find ways to stop people from getting akumatized, they decide to try taking them on themselves with their most powerful weapons being paintball guns. Congratulations, you now have all the equipment you need to take on Bart Simpson in a fight. Sure, they try to pass on intel to Ladybug and Cat Noir in their first episode, “Illusion”, but Nino's plan was so stupid, they ended up helping Monarch in the long term by letting his civilian identity into their team. Oh, I'm sorry, did you forget how Gabriel and Lila were inducted into the Resistance at the end of “Illusion”? It's okay, the writers did too.

And the idea of them passing on intel could have worked, as it would give Marinette a support system to help solve problems she can't figure out on her own, following up on her character arc from Season 4 where she learns to put her trust in people, but like a lot of things this season, the writers got bored halfway through and decided to change up this plotline. Now, they're prepared to fight anyone who gets akumatized. How many Akumas did the Resistance manage to stop completely on their own? One, and it was offscreen (Deflagration).

Trying to make the Resistance seem competent and effective comes at the price of making the villains look like idiots who can't handle a few teenagers without superpowers. Monarbug, someone who managed to unify with the Ladybug Miraculous, lost it thanks to the Resistance dogpiling him. Then, later on, they managed to stop Nightormentor, an akumatized Gabriel, by just throwing stuff at him. Do you have any idea how lame this makes Monarch look? It's like that scene from Robocop 3 where that kid somehow managed to make ED-209 as loyal as a puppy in a matter of seconds. It's not cool to see it happen. It diminishes the threat the formerly menacing villain posed.

The show loves to play up the Resistance as this amazing underground organization Nino is so proud of, but it doesn't work because you can count the number of times they've actually helped out on one hand, and even then, that's being that word Chloe doesn't know the meaning of (Deflagration, Revolution, Representation). Even then, they still fall for Lila's lies which, like Kagami, doesn't help establish any of them as trustworthy. The whole Resistance subplot is basically an excuse to make it seem like the former temp heroes aren't just sitting around, which again, isn't a bad idea, but nothing comes of it. We don't get to see any of them worry that they can't do anything without their Miraculous, we don't see where or when Nino got the idea to form the Resistance, and we don't even get any scenes where the worry about the captured Kwamis. The show just has them all operate under the same goal and makes it seem like they're making a difference when they barely do anything. None of them really feel like characters, and it shows this season.

Nino, despite labeling himself as the brave leader of the Resistance, is anything but. He constantly brags about how effective he is, but not only does he let anyone into his top secret organization without even thinking if they can really be trusted, all of his genius plans amount to, you guessed it, throwing stuff at the brainwashed people with superpowers. He's also so confident that he was awesome as Carapace when all he did was occasionally help Ladybug out with his Shelter, and then whines about not being chosen by Tikki and Plagg when Scarabella and Kitty Noire temporarily take over (Illusion, Deflagration). He's also so poor at gathering intel that not only did he fall for Gabriel's ruse and act like he figured out how the Akumas have Miraculous powers, he didn't even know his best friend was going to London until he got on the plane (Representation). I wasn't kidding when I said Nino was such a terrible leader, he makes Zapp Brannigan look competent by comparison.

And remember when Alya was a major character? Neither does the show! Out of the entire season, she was really only relevant to the plot when she became Scarabella for a few days, and even then, she didn't think that maybe she should take off the Alliance ring that monitors her every move if she's going to be a full-time hero again (Transmission, Deflagration). There is absolutely no follow-up to anything that happened to her in Season 4. She doesn't regret blowing her cover, she doesn't worry over not being able to help Ladybug as Rena Rouge, she doesn't worry about the safety of Trixx, she doesn't even consider the fact that she's not used to going back to full-time hero work after half a season of being undercover as Rena Furtive. At best, the whole thing with Alya exposing her cover to Nino last season gets played off for the sake of a cheap joke (Illusion).

Then there's Zoe. Like Season 4, I can definitely say that out of all the supporting characters, she was certainly one of them. They clearly try to give her these big moments in an attempt to endear her to the audience, like her brief stint as Kitty Noire or her coming out to Marinette, but because of how nonexistent her character development has been, these don't feel earned. I can't buy her friendship with Marinette or anyone else because of how little she appears. Hell, she was specifically introduced to act as a good counterpart to Chloe, and she did nothing to really contribute to her ultimate downfall other than sharing a single conversation during “Revolution”. That's how little the writers care about her, they don't even have her interact with the character she was designed to replace. I take back what I said about her being a Mary Sue way back in my “Sole Crusher” review, because at least those types of characters get plenty of focus in the narrative. All I can really say about Zoe after two seasons is that at least she's more interesting than Socqueline, a character so boring, this is the only time I'm going to mention her in this entire analysis.

And that's it for the Resistance. Only three side characters are actually worth talking about this season. That is how pointless of a group they are.

Chloe’s Arc That, in Case You Forgot, Was Totally Planned From the Start

I really don't know what else to say here. Remember, this entire blog was started because of how upset I was by Astruc's response to criticism of the Season 3 finale, specifically how Chloe's “damnation arc” was claimed to have planned out from the start.

For the sake of argument, let's go over this arc and just what happened with this character over the past eight years. In Season 1, Chloe started out as a standard high school mean girl who used her father's influence to get whatever she wanted, but wasn't that much of a threat compared to Hawkmoth and the Akumas. In Season 2, we got to see a different side to her that started a character arc, showing she was capable of changing and becoming a hero in her own right. In Season 3, while it seemed like Chloe was changing for the better, the finale had her betray Ladybug and go back to being the same mean girl she was before. In Season 4, we were introduced to Chloe's never before seen half-sister, Zoe, who only existed to replace Chloe as the user of the Bee Miraculous, and even though the very same episode where Zoe first got the Bee Miraculous hinted that there was still a chance of Chloe changing, the rest of the season acts like she's always been a menace to society with no redeeming qualities. In Season 5, Chloe was portrayed as a heartless monster who is worse than the main villain of the entire show, is simultaneously smart and cunning enough to bully Marinette in a way that would leave lasting mental scars for a year and also too incompetent to take seriously, and even though the season has made a big deal about how terrible child abuse is, her being sent off to live with her verbally abusive mother is seen as a perfectly suitable punishment for her.

I don't know what's worse, the fact that none of the writers had second thoughts about this character's “arc”, or the fact that Astruc probably thinks he made an antagonist as complex as Lady Macbeth. I also love how, despite all this supposed planning, not once do we get any explanation as to just why Chloe hates Marinette so much other than the fact that one's a rich person and the other is the main character in a cartoon.

Chloe's character was already going in a downward spiral in Season 4, but with Season 5, it feels like the writers just abandoned all attempts to be subtle and were determined to stop people from liking her. Like, it's amazing just how much time was spent hammering the point home. She got more focus as a villain than Lila and even Gabriel. We had about eight episodes this season that featured her in a major antagonistic role: “Determination”, “Deflagration”, “Derision”, “Adoration”, “Revelation”, “Confrontation”, “Collusion”, and “Revolution”. Almost a third of this season is dedicated to showing how evil Chloe is, as if she's somehow worse than people like Gabriel or Tomoe. And that's not even counting episodes where she got a line or two to remind the audience of how bad she is, like “Multiplication”, “Passion”, and “Reunion”.

The weird thing is that even though this was supposed to be the season where Chloe was at her worst, it still seemed like the writers couldn't make up their minds on what they wanted to do with her. For example, let's take a look at her relationship with Monarch. In “Multiplication”, she believed that Ladybug and Cat Noir should just give Monarch what he wants, implying she's still on his side. Then, in “Determination”, she blamed not having the Bee Miraculous on why Monarch was able to win, implying she wants to stop Monarch. And then in “Deflagration”, it's hinted that she once again willingly accepted an Akuma out of a desire to get revenge, implying that she's still on good terms with Monarch. Finally, in “Revolution”, she initially wanted to arrest Monarch when he arrived in her office, and had to be convinced to work with him again. Seriously, this is almost two seasons after she started working with Monarch in the first place. How the hell are the writers not sure if she's working with the villain or not?!

Of course, that's the least of my problems with Chloe this season. One such problem that it seems like the writers specifically went out of their way to ruin the few positive relationships Chloe had just so her fans would have less ground to stand on. Her friendship with Adrien? He finally decided to write her off as irredeemable just as he learned just how miserable she made Marinette (and only Marinette) at the end of “Derision”. Her friendship with Sabrina, as one-sided as it is? She doesn't even see Sabrina as a friend anymore, specifically referring to her as an underling starting with “Adoration”, and then Sabrina turns against her after she finds one specific scheme to be going too far. The sympathy Ms. Bustier had for Chloe, even though it wasn't relevant to her character after “Zombizou”? Chloe basically ignores any attempt made to reach out to her, and we're supposed to act like her wanting to help Chloe get a decent education because it's her job as a teacher is the stupidest idea in the world. Chloe's relationship with her own father? This season decided to make Andre out to be a man mentally broken by the bad treatment he gets from his daughter and totally not a corrupt politician, and outright disowns her in favor of adopting someone who isn't even his biological daughter.

It already felt like Season 4 exaggerated Chloe's negative traits, but now, the show doesn't want anyone to like her in-universe, as if showing basic human decency to her in the first place was off the table. Remember, in “Revelation”, Marinette's speech to Adrien was basically copied and pasted from one of Astruc's tweets, as if this was meant to address anyone who still liked the idea of Chloe changing for the better.

And trust me, I'll get to the characters who actually got redeemed later.

For now, let's talk about the main issue I have with her portrayal: The writers want her to be seen as a threat... but they don't want her to actually be a threat. Almost all of Chloe's appearances this season had her acting as a pawn to either Gabriel or Lila. This season also started to use dumb blonde jokes in order to show how incompetent she is, like having her struggle to understand the concept of the word “generous”, making her out as an idiot. The whole point of the “irredeemable villain” archetype is that the character is usually so big of a threat, there is absolutely no way of talking them down, so they need to be stopped through the use of force. Chloe is far from a threat, which is why all this talk about her being a monster falls flat.

At the end of the day, Chloe is easily at the bottom of the hierarchy of the villains on this show. She has no Miraculous like Gabriel, she has no advanced technology like Tomoe, and she's nowhere near as cunning as Lila is. The problem is that the show wants the audience to see Chloe as if she's the worst of them all. Fine, she may have the most obnoxious personality and least amount of redeeming qualities by the writers' standards, but this is a superhero show. You don't just rank villains on how mean they are, but also by how much of a threat they are to the hero. The moments where we're supposed to take Chloe seriously, the show keeps reminding us that she's only getting as far as she has because she's being used by other villains. It makes the moments where the heroes triumph over her ring hollow.

I'm not even joking here when I say that out of the show's entire rogues' gallery, Chloe is literally the only one who actually gets punished. Sabrina was able to wash their hands of her association with the bully, Andre was more than happy to give up his position as mayor and kidnap Zoe, Tomoe was never even exposed, Lila only faced a minor setback when she was exposed, Nathalie was healed by the wish, and even though he died, Gabriel died a martyr who never actually answered to any of his crimes. But Chloe? As fucked up as it was, she was the only one who received some form of punishment for everything she did. Congratulations, Ladybug and Cat Noir! After five seasons, you finally managed to defeat the Ringo Starr of your rogue's gallery, and all it took was unlocking the full power of your Miraculous.

I was initially angry at the show for just throwing away a character arc and mocking anyone who was interested in it, but now, I'm angry at the show for a different reason. Even if we were to assume that everything about Chloe was planned from the start, that she was supposed to be a fallen hero turned enemy, the show did nothing with it. If you're going to make Chloe a full-blown villain, then go nuts with the idea! Have her dedicate her life to beating Ladybug out of hatred, maybe even through a suit of armor like Princess Morbucks. Instead, this is the writing equivalent of intentionally setting your house on fire, but deciding you don't need the insurance money.

I'm actually going to say something that might sound blasphemous, especially coming from someone who has spent a lot of time talking about Chloe's character assassination, but I'm just going to admit it: I think Chloe should have been the next Hawkmoth, not Lila.

Yes, that's probably what you're thinking, but I'm serious. Think about it. Between her and Lila, who has the closer connection to Marinette as an enemy? Who has a more fleshed out reason to hate Marinette? Who got more focus as a villain this season? Who has more resources at her disposal? Essentially, the show put so much effort into making Chloe out to be Marinette's most personal enemy, that it makes no sense for them to not just go all the way and make her the next big bad. The writers already go on and on about how irredeemable she is, so why not make her an actual threat for a change?

But no. Instead, let's just keep her as comic relief who somehow gets more screentime than almost every other villain this season. That's a good way to tell our story, right?

Now You See That Evil Will Always Triumph Because Good Is Dumb... And So Is Evil, Apparently

This section should be relatively easy for me to get through, since not much has really changed with the villains since Season 4. They're all still idiots even though the show wants us to see them as a threat to the equally idiotic heroes.

Let's start with our only newcomer to the show's rogues' gallery, and definitely the weakest, Tomoe. I'll give the show a lot of credit with the foreshadowing for Tomoe here. Unlike other plotlines where the show bashes you over the head with obvious hints like with the Sentimonster stuff, the hints leading to the reveal of Tomoe being in leagues with Gabriel are far more subtle. They spend a lot of time in Seasons 3 and 4 discussing things offscreen (probably about some version of the Alliance rings), and both of Tomoe's akumatizations happen offscreen as well (since their conversation would give away their alliance). It's handled pretty well... which is more than I can say for Tomoe as a villain.

Tomoe is just such a confusing character, both conceptually and the way she was used this season. She's meant to be Gabriel's new confidant after Nathalie decided to stop being a villain while still mooching off him, but she pretty much does the same things Nathalie does, including the constant nagging about how inefficient he is. She even serves the same role Nathalie served in earlier episodes as Gabriel's technical advisor. Tomoe is basically a second Nathalie, with the only differences being that she's blind and that she wants Kagami to be with Adrien. Of course, this makes no sense because, like I mentioned in the retcon section, Adrien and Kagami tried to keep their relationship secret before their breakup. How could Tomoe not notice this? What is she, blind—oh right...

There's also the issue I have with the way Tomoe's nationality and disability is portrayed here, and how it really highlights how terrible this show is with representation (not to be confused with the episode of the same name). Like with my Sentimonster section, if there's anyone reading this who is disabled or a person of color, and you'd like to say anything about this part or how this show's representation is handled, feel free to voice your opinion or correct me if I get anything wrong.

With Tomoe, it feels like the writers slapped on every Japanese stereotype you could think of and called it a day, because we've seen all of these before. She's dressed in very traditional Japanese attire, is named after a famous Japanese warrior, uses a kendo shinai as a cane instead of a walking stick, is a strict parent to her child who expects the best from her, makes references to Japanese culture like samurai (Pretension) and taiko drums (Protection), is a technological genius, forces her child into an arranged marriage, and uses Japanese honorifics while talking with Gabriel even when they're not speaking Japanese. I'm not saying Japanese people can't talk about their culture at all, but when you're writing a character who happens to be a person of color, you need to do more than make references to their heritage.

With Tomoe, almost everything she says is referencing her heritage, which makes it come across like the writers cared more about her being Japanese than anything else. Because somehow, the writers were worried kids wouldn't pick up on the fact that she's Japanese... when she's wearing something that makes her look like she just stepped off the set of an Akira Kurosawa movie.

But hey, at least they say Tomoe is Japanese. I don't think there's a single indication that she's blind. At most, they give her the stereotypical superpower every blind person in superhero media seems to have, enhanced hearing. Of course, while characters like Daredevil and Toph Beifong have in-universe explanations for how they're able to “see” without their eyes (Daredevil's enhanced senses came from the same chemicals that blinded him in the first place, while Toph learned an advanced Earthbending technique that gave her the ability to sense others through vibrations in the earth), Tomoe just has them because the writers thought it would be cool. I know it might seem strange to say this after I talked about how too much focus was given to Tomoe's Japanese heritage, but you'd think more would be done with her being blind, and how it would factor into her motivation to create a better world through technology or her ideology about self-discipline. Instead, she acts like every other character on this show, to the point where all three times she was akumatized, she got her sight back.

The main problem with Tomoe is how other than her heritage and disability, she has almost no personality other than being a strict mother to Kagami (something that is also a negative Asian stereotype) and her vague ideology about suppressing her emotions. She's basically a female Gabriel, and because she's a woman in this show, lacks any depth or redeeming qualities. There just wasn't enough time to really develop Tomoe as a character in the same season she was revealed to be a villain. Sure, they try to hint at her having history with Gabriel, but that never goes anywhere, and we never even learn just why she's working with him in the first place other than some vague desire to make the world more technologically advanced in spite of also being a traditionalist who loves honoring old beliefs. Just remember, Chloe got eight focus episodes as a villain this season, yet Tomoe only got one.

Now for Lila, the most competent of the villains... by comparison. The show clearly wants her to be seen as a master manipulator in the same vein as David Xanatos from Gargoyles, but how they show it is just poorly executed. Sure, sometimes she would get ahead in clever ways during episodes like “Illusion” and “Revelation”, but other than that, a good chunk of her plans rely on contrivances that we're supposed to see as part of her plan when she would have no idea if it would actually happen or not. In fact, let's go over all the things Lila did during her last five episodes of the season and see how her master plan played out.

Step 1: Revelation – Convince Ms. Bustier to hold another election for class representative, lie your ass off to get the position while making it seem like you rejected an Akuma, and win the election.

Step 2: Confrontation – Tamper with confidential school documents while hoping your enemy doesn't plan anything to stop you, and if your plan falls through, abandon your identity entirely and hope nobody ever tries to look for you.

Step 3: Collusion – Convince your pawn to record a conversation between the mayor and the man you somehow know is Monarch and then after the conversation leads to an Akuma forcing him out of office, tell your pawn to accept an offer from Monarch's civilian identity that you somehow knew he'd make, leading to your pawn becoming the new mayor by force who everyone is too stupid to even think of opposing.

Step 4: Revolution – Tell your pawn to take an offer from the same supervillain she's willingly worked with before, watch her go mad with power and assume that Ladybug and Cat Noir will defeat her, and then in the chaos from her defeat, assume that one of Monarch's associates will randomly leave her computer behind for you to use.

Step 5: Re-Creation – Develop an immunity to magical nightmare dust, hack into the heavily-guarded mansion you know where Monarch lives while the city is being swarmed with supersoldiers, hope you don't run into Monarch or any heroes trying to stop him on the way there, take the hole created by a Cataclysm you know would be there, assume that Monarch will lose, and seize his Miraculous from the ruins of his lair that you somehow know how to navigate after surviving all of reality being rebooted.

General Patton, eat your heart out. I think we all know who the real tactical genius is here.

Seriously, how the hell did she even know half of the stuff involving Gabriel and Tomoe would happen? Yeah, she had Tomoe's laptop after the events of “Revolution”, but she didn't see how their final fight would play out. You could also argue that we technically never saw her go into Monarch's lair during the final battle (all we got was a shot of her looking down into the hole Bug Noire created with her Cataclysm), but why didn't she go down if she disguised herself to infiltrate Monarch's lair? Was she just scoping out the area? Was her entire plan just to steal Monarch's Miraculous? There were so many ways this could have blown up in her face, so let's go over all of them, shall we?

What if Ms. Bustier didn't agree to hold a reelection for class representative?

What if Marinette won the reelection anyway?

What if Lila wasn't able to escape during the chaos caused by Monarch's Megakuma targeting Mr. Damocles?

What if the school managed to contact one of Lila's moms and tell her about what her “daughter” did?

What if Chloe wasn't able to record the full conversation between Gabriel and Andre?

What if Andre agreed to use the police robots without any manipulation?

What if Miss Sans-Culotte wasn't able to get Andre to resign?

What if Andre did resign, but managed to appoint a interim mayor until the next election?

What if Chloe didn't accept Gabriel's offer?

What if Chloe didn't accept Monarch's offer?

What if Chloe managed to arrest Monarch with her robots and got all of the Miraculous herself?

What if the French military was sent to stop Chloe's abuse of power?

What if Ladybug and Cat Noir weren't able to stop Chloe and lost their Miraculous to Monarch?

What if Chloe double-crossed both Lila and Monarch and managed to get Ladybug and Cat Noir's Miraculous herself?

What if Tomoe didn't carelessly leave her laptop behind during the final battle with Chloe and her robots?

What if Tomoe realized she lost her laptop and sent someone to track it down?

What if Tomoe installed a kill switch on her laptop to make sure nobody would be able to do anything with it in the event it got stolen

What if Ladybug didn't learn Monarch's identity?

What if Lila fell victim to Nightormentor's nightmare dust?

What if Lila was attacked by some of the Miraculized before she could make it to the Agreste Mansion?

What if Gabriel caught Lila while she was attempting to sneak in?

What if Ladybug caught Lila while she was attempting to sneak in?

What if Nathalie caught Lila while she was attempting to sneak in?

What if the Gorilla caught Lila while she was attempting to sneak in?

What if some of the Miraculized caught Lila while she was attempting to sneak in?

What if Lila got caught in the crossfire during the final battle between Bug Noire and Monarch?

What if Bug Noire didn't Cataclysm the floor and beat Monarch at the entrance of the mansion?

What if Bug Noire wasn't able to defeat Monarch?

What if Ladybug managed to find the Butterfly Miraculous before she did?

What if Ladybug caught her while she was trying to find the Butterfly Miraculous?

Do you see why I only think Lila is the most competent villain by comparison? A good chunk of Lila's “plan” amounted to her waltzing over and reaping the benefits from every coincidence she's around to see. And she's supposed to be this criminal mastermind who thought this all out from the beginning?

Lila's planning makes about as much sense as her motivation. Why does she hate Marinette and Ladybug? They both called her out on her lies back in Season 1 and 3 respectively (Volpina, Chameleon). That's it. This is enough for Lila to want to become a supervillain and terrorize Paris. I get that the idea is to contrast with the more noble goal Gabriel had as a supervillain, but you need to give more of an explanation if you want the audience to care about Lila becoming the next Hawkmoth.

At the very least, if the writers wanted to build intrigue about Lila, have this be the season where she first appears. Build her up as this mysterious new girl who wins over Gabriel's trust, only she has an agenda of her own. By having most of her appearances be this season, it's more obvious that she has a bigger role to play, and would eventually become the next Hawkmoth. Instead, it seems like the writers put a bunch of names on a dartboard, Lila's name was the closest to the first dart they threw, and that's how they decided who Ladybug's next arch-enemy would be. And once again, Lila hasn't even touched a Miraculous in five seasons, yet we're supposed to believe that with the help of that vague glowing light she saw as soon as the first put on the Butterfly Miraculous, she'll be able to take on eighteen superheroes who have plenty of experience fighting Akumas?

Speaking of, let's get into the final main villain, Gabriel. Compared to the others, he had a pretty decent start. He felt a lot smarter than he usually did, like how he used his influence to market the Alliance rings in order to boost his Akumas' powers, or once again trick Ladybug and Cat Noir into thinking he isn't Monarch. He even managed to outsmart Scarabella and Kitty Noire by using the Alliance rings to learn their identities, and almost got their Miraculous as a result. For the most part, Gabriel was a pretty clever villain who capitalized on every screwup the heroes made, and actually came across as a threat... that is, until “Protection”.

Starting with “Protection”, Gabriel decided that even though he has only a few weeks to live at best, he needs to focus more on meddling in his son's love life instead of getting Ladybug and Cat Noir's Miraculous in order to save his wife. It comes across like he cares more about stopping Marinette than he does stopping Ladybug in the latter half of the season. Hell, Gabriel doesn't even set up any plans for what would happen to Adrien if he died despite once again claiming to be doing everything for his family. Also, for some reason, he really wants Adrien and Kagami to stay together and become a couple for reasons that I can only assume is because of some kind of social commentary on the rich. Is Gabriel trying to start a eugenics program? Is this how Khan was born?

The abrupt detour Gabriel's motivations take is connected to one of the bigger problems with this season: How Gabriel's Cataclysm wound is handled. We're supposed to sympathize with Gabriel and how his days are numbered thanks to what happened, all while he's desperate to achieve his goal... when not only did Gabriel Cataclysm himself at the beginning of the season, he almost never brings up his wound until the writers want to add unnecessary drama to the story. At most, he'll either flinch in pain a little because of the wound (Elation, Perfection, Intuition, Protection, Emotion, Confrontation), or show his purple hand to show how serious it's gotten while saying he doesn't have much time left (Passion, Pretension, Revelation, Collusion, Conformation). At least, we're supposed to see it as serious, as the injury never really gets in the way of his plans.

Rather than a painful injury that's slowly killing him, the show treats Gabriel's injury with the seriousness of a sprained ankle. Yeah, it's painful, but nothing serious. Aside from one episode (Intuition), we don't see Gabriel struggle that much with his deteriorating health or how it gets in the way of his plans. Compare this to how Nathalie's condition has been portrayed. As Season 3 progressed, Nathalie got weaker to the point of forcing Gabriel to abort his second outing as Scarletmoth (Ladybug), she became so sick, she had to be benched as Mayura by the end of Season 3, and needed cybernetic crutches just to help her walk during Seasons 4 and 5. While I criticized her sudden wrinkled appearance by the events of “Representation”, the show still made it clear that Nathalie was struggling to go about her everyday life over the course of the last three seasons. As for Gabriel, whose condition is supposedly more serious to the point where not even the Ladybug Miraculous can heal it? At most, it's less something influencing his belief that he has nothing left to lose, and more a mild injury at best.

Another problem I have with Gabriel is the same one I have with Tomoe and Lila: The lack of a proper backstory. Yes, we know the basics of it (his wife is comatose and/or dead, so he became a supervillain to get Ladybug and Cat Noir's Miraculous and save her), but we know nothing about his life before that. Thanks to “Revelation”, the most we get is that before he became a fashion designer who took an interest in discovering the Miraculous, he used to work in fast food like Skeet from Jimmy Neutron. Hell, the two even have similar haircuts.

Whether Gabriel knows the difference between salt and sodium chloride is still up for debate.

The show wants to say that Gabriel used to be different, but we don't get to see that side to him. If you want to say Gabriel used to be nicer, then give us a flashback to show how much Emilie's death affected him. That way, it would also give the scene in the finale where he breaks down have more weight to it, as it would show him letting down his emotional defenses.

Also, why was Gabriel so interested in the Miraculous in the first place if he found the Butterfly and Peacock Miraculous before Emilie got sick? The show establishes that Gabriel went exploring with Emilie and Nathalie, but why? What were they looking for? How did this lead to them getting into fashion? How did Gabriel and Emilie get so rich if Amelie inherited the Graham de Vanily fortune? This was the season that was supposed to wrap up the storyline regarding the Agreste family drama, yet we still know so little about them or how Gabriel and Emilie even met.

Finally, let's get to the Akumas. The season makes a huge deal about how dangerous Gabriel is now that he has almost every other Miraculous at his disposal, how hard the battle against him will become. How do the Akumas reflect that idea? Very poorly. Twelve of the season's Akumas were reused models (Ikari Gozen in “Multiplication”, Darker Owl in “Jubilation”, the Collector in “Illusion”, Glaciator in “Elation”, Sole Destroyer in “Deflagration”, Dark Humor in “Derision”, Riposte Prime in “Protection”, Vanisher in “Adoration”, Matagi Gozen in “Pretension”, Hoaxer in “Revelation”, Reflekta in “Confrontation”, and Nightormentor in “Representation”), and only ten of them were original (Manipula in “Determination”, Safari in Passion, Kikou in “Transmission”, Ryukomori in “Perfection”, Gold Record in “Migration”, Bugfighter in “Intuition”, Miss Sans-Culotte in “Collusion”, Queen Mayor in “Revolution”, King of Plastic in “Action”, and the Miraculized in “The Final Day”). I've also gone over this several times, but despite the main gimmick being that the Akumas have Miraculous powers now, the show never really explains why Monarch can't just give them those kind of powers himself, especially when he could easily recreate Miraculous powers as far back as Season 1 (Copycat, Antibug, Volpina).

Most of the Miraculous powers didn't actually feel like upgrades and just excuses to recycle Akumas on the basis of acting like they have new powers when it's almost always just giving them the same old powers. Either that, or with the new Akumas, they'll just make it so their only powers are related to their Miraculous powers, like Safari getting all of her gear thanks to the Goat Miraculous' Genesis, Kikou and Ryukomori's only abilities being related to their respective Miraculous powers, or Queen Mayor getting the power to control robots with multiple Miraculous powers. There were exceptions like Manipula getting the Ox Miraculous' Resistance as an added precaution, or Vanisher mixing her stealth with the Dog Miraculous' Fetch, but they were few and far between.

Overall, almost every villain this season was just so underwhelming. While the Akumas were once again mostly reused character models, we learned almost nothing about the villains other than the fact that they're idiots. Oh, I'm sorry. I forgot the fact that by the show's logic, almost all of the villains aren't really villains. Let's talk about how the show handles redemption arcs now.

The Redemption Misconception or: The Power of Love Always So Strong?

While younger readers might not understand this, there was once a time on the internet where one of the most debated shows was Steven Universe, and mainly for one reason: How it handled the topic of redemption. Pretty much every major antagonist had changed their ways by the end of the show, including Lapis Lazuli, Peridot, the Cluster, Bismuth, Spinel, Jasper, and even the Diamonds. While the quality of each of these redemption arcs varies from character to character, as is the moral status of each character, there's one thing I can say about how the show got the moral about redemption across: It was consistent. Aside from one or two characters like Eyeball or Aquamarine (who were more ignorant than anything else), there was never a case about someone being physically incapable of changing their ways, which tied into the overall theme of how important compassion is. With the way Miraculous Ladybug handles its redemption arcs, I unfortunately can't say it does it the same way Steven Universe does.

Pretty much every major villain, antagonist, or associate in the show gets a redemption of some kind. This includes Nathalie, Felix, Sabrina, Andre, and even Gabriel, while Chloe, Lila, and Tomoe are all viewed as beyond saving. The problem is rather than actually acknowledge the things any of them did as wrong before they start to change their ways, pretty much every “redemption” in this show amounts to downplaying their crimes. If the writers don't retcon the story so characters like Nathalie, Sabrina, and Andre were forced to help a greater threat instead of being willing accomplices, they'll retcon the story so characters like Felix and Gabriel were perfectly justified in their actions due to having a tragic backstory. Yes, while the point of a redemption arc is to have a former antagonist realize the error of their ways and turn a new leaf, it doesn't mean that the character who goes through this arc was never bad in the first place.

Like a lot of problems with this show, this is obviously contradicted by the way it handles Chloe. Any argument made on why every villain who was redeemed this season was stated to not apply to Chloe for some reason.

“Felix is a victim of child abuse and has a lot of emotional baggage!” Funny, because I remember in “Derision”, Mylene made a point about Chloe having a deadbeat parent not being enough to justify her actions, so by that logic, Felix shouldn't be getting away with anything.

“Sabrina and Andre were being forced to go along with Chloe's evil plans, so it's not their fault!” Chloe was also a pawn in Gabriel and Lila's schemes, yet we're still supposed to see her as evil. “But she still went along with Lila's plan!” By that logic, so did Sabrina and Andre, since they still listened to Chloe for a while instead of distancing themselves from her far earlier than they did.

“Gabriel and Nathalie are doing everything they can to help Adrien while they're both in poor health! Chloe didn't actually care about Adrien!” Sure, it's clear that (according to the retcons in Season 4), Chloe only cared about Adrien as a meal ticket, you can't say Gabriel and Nathalie care about Adrien either, since one is an abusive parent and the other did nothing to actually stop the abuse. Also, why should I feel bad for either of them when they routinely endanger lives and are only on death's door because of their own terrible choices?

I'm not saying that the show doesn't make decent points about why Chloe can't be redeemed. The issue is that these rules are never applied to anyone else who does get redeemed. The show tries to use characters like Chloe and Lila as a cautionary tale about how easy it is for your kindness to be taken advantage of, yet we never get any examples of compassion being a key factor in any major redemption this season.

Pretty much every villain who changes their ways only does so out of self-interest. Nathalie was fed up with Gabriel's constant failures and her own declining health, Felix only cared about doing things that would benefit himself like hooking up with Kagami, Andre was more than happy to resign even though he was forced to do so by an Akuma, Sabrina chose to stop helping Chloe after one particular plan goes too far (without actually apologizing for all the times she still went along with Chloe's schemes, no less), and Gabriel only stopped trying to hurt people once he got exactly what he wanted and died a martyr.

For a show with the lyrics “The power of love always so strong!”, why do we never actually see the power of love in action? And it's not just them. Whenever a character shows some form of compassion for an enemy, it's usually met with a dismissive attitude or fails miserably, and if it's not that, it's all lie to trick someone else.

In “Illusion”, Gabriel's plan to throw off suspicion that he's Monarch involves pretending to let Ladybug and Cat Noir get through to him.

In “Derision”, Rose pointed out Chloe's relationship with her mother as an excuse for why she's so mean, only for Mylene to argue against that despite being in a different boat than Chloe is.

In “Revelation”, Lila kept lying about having a caring attitude and believing that anyone can change, which was obviously meant to mock anyone who had that kind of viewpoint.

In “Collusion”, Ms. Bustier tries to reach out to Chloe after everything she's done, only to lose her job as a result.

In “Re-Creation”, the whole reason Bug Noire manages to beat Monarch was by putting him in a situation that would take advantage of his compassion for his wife, and later on, Gabriel manages to get the upper hand by taking advantage of Marinette's own compassion for him.

For a magical girl show, these writers are really terrible at teaching the lesson about showing kindness to your enemies, because more often than not, it's just violence that solves everything. Just ask the citizens of Paris in “Revolution”.

It doesn't help that the morality in this show isn't a complicated spectrum that weighs every action a character does and allows for other stances besides good or evil. Instead, it's like a light switch with two settings: “So good, you volunteer at the local children's hospital” and “So bad, you voluntarily send children to the hospital”. Characters in this show are either good or bad, and there's no room for in-between. Even when characters supposedly do change their ways, the show goes out of its way to claim that this is what they've always been like, which completely undermines the idea of what a redemption arc sets out to accomplish.

The thing is that I've actually seen examples of “Character X was only doing bad things as part of their plan!” and “Character X was only forced to do bad things for the villain!” done with one character, and it was a very recent example too. In the recently concluded Ohsama Sentai King-Ohger, one of the major villains was a tyrant named Racules, who took advantage of several monster attacks to secure more power for his kingdom, but later on, it's revealed he had a reason to do so. Long story short, Racules was the latest in a long line of rulers who was essentially blackmailed into carrying out a war by an immortal being from space named Dagded. However, Racules had a plan to secretly find a way to kill Dadged, and it involved playing along by pretending to be a heartless tyrant. By playing up his persona of a villain, not only did Racules drive his brother Gira (who was revealed to be an immortal creation of Dadged) to gain the weapons necessary to fight Dadged, Dagded trusted Racules so much, he decided to give him the power to kill an immortal. Guess who Racules chooses to kill as soon as he gets that ability.

While the reveal that Racules was good all along happened very late into the series, it worked far better than any redemption in this entire show for one reason: Racules isn't let off the hook for what he did. Everyone, Racules included, acknowledges that he did terrible things for years, and as soon as the situation is resolved, Racules is imprisoned for his crimes. Racules even admits to going mad with power at one point before he focused on his goal again, and he doesn't complain while he's in prison.

We never get any moments like this with the other redeemed characters. Nobody ever acknowledges that they went too far. They do one or two good things, and therefore, they're perfectly okay in Marinette's eyes.

Like a lot of topics it covers, this show wants to have its cake and eat it too when it comes to redemption. It wants to show characters changing their ways, but it doesn't want to actually hold those characters accountable for their actions. It wants to explain that not everyone can be redeemed, but it doesn't want to explain what causes people to want to redeem themselves. It wants to have an idealistic view of solving problems with compassion, yet it goes out of its way to mock those with that same ideology while claiming that violence is the only answer.

Maybe if Astruc spent less time arguing with people on Twitter over the concept of redemption, he and his team could have put more effort into fleshing out the all of the half-baked redemption arcs this season.

Adrienette Is Finally Canon! The Love Square? What’s That?

Well, it finally happened. After seven years, five months, fourteen days, 115 episodes and three specials since the show originally premiered in France on October 19th, 2015, Marinette and Adrien have finally gotten together for real. No cop-outs, no reset button, no misunderstandings, this is real. Credit where credit is due, the writers could have easily kept stalling and wait until the very end of the season for Marinette and Adrien to get together and called it a day, but they gave us over half a season of them in an actual relationship. Unfortunately, this also meant the writers had to rush the development of the relationship in order for Adrienette to become official in the first place.

Like a lot of stuff in the first half of this season, the writers pretty much speedran through the plotlines building up to Marinette and Adrien getting together. During the course of a mere eight episodes, we got a plotline about Marinette feeling guilty for letting her feelings for Adrien make her screw up, a plotline where Adrien realizes he has feelings for Marinette, a plotline where Marinette falls in love with Cat Noir, a plotline where Adrien stops having feelings for Ladybug, and finally, a plotline where Marinette stops having feelings for Cat Noir. These are all plotlines that we should have gotten over the course of the past four seasons, but instead, the writers are just cramming them all into less than a dozen episodes.

Considering how this was meant to be the final season originally, you can tell the writers realized they actually had to actually resolve the “Will they or won't they?” plotline instead of just padding things out like they normally do. But that's the problem. This was something fans, shippers, and general audiences were told to look forward to for years. Keep in mind, one of the biggest arguments you could make for just why the writers waited until Season 5 for Marinette and Adrien to officially get together was because they had something HUGE planned. This is a big deal for the show, something you can't take too lightly. If Astruc and the other writers were so intent on hyping up Adrienette for over four seasons to the point of showing two alternate timelines where they get together to tide viewers over, they needed to make sure they had a payoff so incredible, so satisfying, that their audiences would see it as more than worth the wait.

Just how was the big moment where Marinette and Adrien officially got together this season after so many years of buildup?

To be perfectly honest with you, I had absolutely no goddamn idea that the end of “Transmission” was meant to signify them finally starting a relationship. It just felt like the writers were doing the same thing about them being friends with a hint of something more on the horizon, but then the opening of “Deflagration” made it clear that here was major progress made in their relationship, though Marinette denied it due to her own anxiety, and by “Perfection”, it's confirmed that the two are dating. I just... really? This is how the two finally get together? It just... happens? No big dramatic confession? No romantic first date building up to this? Not even a kiss? The two talk for a few minutes, watch an Akuma fight, and now they're an item. Are you kidding me? Sure, most of the big moments in their relationship are saved for after they get together, but there's the problem: the writers half-ass the moment where Marinette and Adrien get together! It's more or less an afterthought in a two-parter involving a battle with Monarch where nothing was really accomplished.

You'd think for all the uncertainty Marinette felt over her feelings for Adrien this season, them getting together would be seen as a big moment, but it just doesn't for some reason. While you could argue it's a lesson in your fear of confessing being harder than the act itself, not much attention is given to Marinette growing closer with Adrien, because, for some reason, the writers decided to hold off the love confession and the first kiss for far later in the season (Pretension, Revolution). That's right, even after Marinette and Adrien finally get together, the show still needs to find a way to draw out the development of Adrienette.

I don't get it. Why couldn't the confession and kiss be what cements Adrienette, so more focus could be given to other plots? You can't say the “Will they or won't they?” stuff is the only draw to Adrienette, because there are plenty of plots you could write now that Marinette and Adrien are together. You could have an episode where Marinette invites Adrien over to breakfast with her parents in a follow-up to “Weredad”. You could have an episode where Marinette and Adrien try to go out on a perfect first date, only to struggle to balance their superhero lives getting in the way. You could have an episode where both Marinette and Adrien worry they're not good enough for each other, only for them to realize they love each other for who they really are. You could have an episode where Marinette and Adrien finally get closure on their former relationships with Luka and Kagami respectively. There were plenty of options for stories here, yet rather than do literally anything like that, not only did the writers drag out Marinette and Adrien's first kiss, they had the main villain take a break from trying to get the Miraculous to focus on breaking up the two.

As I mentioned earlier, we get a new arc all about Gabriel trying to break up Marinette and Adrien so Adrien can start dating Kagami again. Now I know what you're probably thinking: “IOTA, wasn't it implied that while Adrien and Kagami were dating, they were keeping their relationship a secret from their parents? Why are their parents suddenly obsessed with them getting together?” Well, you see, the answer to that is... that I have no answer because this makes no sense and is yet another excuse for a story arc that is somehow relevant to the overall plot. It's because of Gabriel's irrational hatred of Adrienette that Adrien is sent to London, and as a result, is absent from the final battle.

The sad thing is that I honestly thought Marinette and Adrien had some cute moments as a couple this season and had some believable chemistry. It's nothing groundbreaking, and there are plenty of flaws that I'll get to later, but for all intents and purposes, they still made a decent couple. It's just too bad that everyone else won't shut up about how amazing they are together. When their friends aren't trying to set up these cinematic scenarios for Marinette and Adrien that keep failing (Perfection, Protection,), they're gushing over how amazing of a couple the two are (Transmission, Deflagration, Revelation). At best, it comes across as the writers saying “How do you do, fellow shippers?”, and at worst, it comes across as the writers taking a victory lap while treating Adrienette as the greatest thing since sliced bread.

Adrienette just dominated the latter half of this season, and it really got in the way of the overall story regarding the conflict with Monarch. What's that? You're saying I forgot something, like the other three sides of the Love Square. Ah, good eye, my friend.

SO DID THE FUCKING SHOW.

For the thing that got a lot of people interested in the show in the first place, the rest of the Love Square is criminally underutilized this season. Marinette randomly develops feelings for Cat Noir for a handful of episodes, Cat Noir randomly moves on from Ladybug, and I don't think we even got a single Ladrien scene this season. It really felt like the writers realized this was meant to be the last season, so not only did they have to get Marinette and Adrien together as quickly as they could, they also had to acknowledge the other sides of the Love Square. Of course, they did that without actually doing an identity reveal.

There are theories that the reveal was going to happen this season with how much Marinette and Adrien only talked about each other and not their superhero partners (implying they both knew who the other was), but the writers changed it at the last minute because they got renewed for more seasons. I suppose it makes in a meta sense, but what about the in-universe explanation? What's stopping Ladybug and Cat Noir from learning each other's identities when literally every other hero in Paris can get their Miraculous back, even the ones who had their identities discovered? Were the writers so uncertain if people would still watch the show if there wasn't any mystery in Marinette and Adrien's relationship? What exactly is there left to explore with the Love Square when Adrienette is canon, while Ladynoir, Marichat, and Ladrien are all dead in the water?

Like a lot of things this season, the handling of the Love Square started off strong and gradually petered out to the point where I just don't care anymore. I started this season assuming the reveal would actually happen, but of course, the writers just won't let this subplot die already.

Adrien Who?

While I don't really have a lot of bad things to say about Adrien compared to last season, this is unfortunately part of the bigger problem with how he was handled this season.

Like I said earlier, it seemed like the writers actually learned from their mistakes last seasons with how Adrien was written during the earlier episodes last season. He stopped whining about how he was totally important and started pulling his weight in battle. He was very active in fighting Akumas and actually felt like an equal to Ladybug. Yeah, Ladybug still called the shots, but the two stopped bickering over stupid things and had more conversations about other things. It didn't matter if they were more casual chats about their lives (Perfection) or discussions on the enemy's plans (Intuition, Revolution).

The problem, like a lot of things this season now that I think about it, comes in the second half. Remember how last season made a big deal about how wrong it was to leave Adrien out of the loop with so many secrets? Once again, the writers seemed to have forgotten this major story arc that they wrote themselves. Now, not only does Gabriel crack down on his horrific treatment of Adrien through his ring, not only does Adrien's character regress to being nothing more than Marinette's trophy boyfriend, by the end of the season, Adrien is literally reduced to a damsel in distress who needs to be saved, instead of, you know, A SUPERHERO. And remember, the writers were very proud of how this was planned for almost a decade, all because they got to supposedly subvert fairy tale tropes.

I feel like this whole “Save Adrien” plotline could have worked if Adrien wasn't already a superhero, and was just a civilian Marinette knew. Yeah, it would still be using an overdone trope, but at least if that happened, Adrien would have an excuse to not be able to fight back as opposed to the several he made during the finale. Instead, for the majority of the season's second half, Adrien takes a backseat to a major story arc revolving around his family and isn't even given proper closure by the end.

“But IOTA!” You might say. “The show's called Miraculous Ladybug, not Miraculous Cat Noir! Of course Ladybug has to save the day! She's the main character!” That may be true, voice in my head, but here's the thing: If Adrien wasn't going to be part of the final battle, why wasn't this about Marinette's family? Why not make Monarch Tom or Sabine trying to bring back their spouse? Marinette is the main character, yes, but so much of the backstory in this show is connected to Adrien's family. The show tries to connect Marinette to this through her relationship with Adrien, but with how often she and Gabriel fight over what's best for him, Adrien kind of just sits around, not protesting against his father in the slightest. I'm not saying Adrien should be the main character. I'm saying that Marinette should be tied more into the story if you were going to base a lot of the drama on her perspective during the final battle. It's almost like making it so Adrien physically can't rebel against his father was a stupid way to keep him out of the conflict.

Why the hell couldn't we have gotten a scene where Adrien's connection to Gabriel was broken? There were plenty of options the writers could have used. You could have had Nathalie steal the other ring back from Gabriel to give to Adrien, have Argos use the Peacock Miraculous' powers to override Gabriel's commands, or have Adrien unlock a new form of Cataclysm that severs the bond with his Amok. And that's not even getting into the excuses the show made for why he can't get involved, because God forbid one of the two main characters in the show's title get to take part in the final battle.

In fact, I'm pretty sure this is why Felix was introduced, to do the things Adrien should be doing. Felix is the one who has a vendetta against Gabriel, a deeper connection with Kagami, knowledge that he's a Sentimonster, and an overall influence in the plot. The writers are so obsessed with coddling Adrien that they created an entirely different character to fill in a role for him, and Felix wasn't even in the final battle. And just remember, Adrien was originally created to replace Felix in the story, so Felix taking over Adrien's role as the character who helps advance the plot makes even less sense.

Even if the final battle is meant to be over Adrien, it comes across less like Marinette and Gabriel are fighting over his freedom and more who gets to control him. Gabriel doesn't use his wish to free Adrien from the shackles of the rings. He just gives Marinette the rings and hopes she won't do the same kind of things he did with the rings. Nothing changed over Adrien's treatment except who gets the keys.

It'd be one thing if Adrien at least chose Marinette over his father, but Adrien isn't even allowed to know the full story on anything, not even the Sentimonster stuff. Okay, putting aside the fact that Adrien has lots of friends and family to help him cope with this, maybe I can buy not telling him about Gabriel. Not telling him he's a Sentimonster is something I can't excuse. This is like not wanting to tell someone they have diabetes and hoping they know how to use their own insulin while they're downing Pepsi after Pepsi. It's not just a matter of hurting Adrien's feelings. His fucking life depends on those rings. He should obviously know to keep them safe and not trade them for magic beans or something stupid like that.

But the biggest problem with Adrien this season is how it goes against everything the show has said about him and his relationship with Marinette/Ladybug the last four seasons, and especially Season 4.

For the past four seasons, the show has loved to say that no matter what happens, Ladybug and Cat Noir will always be here for the other, even against the world. Put aside how unlikable Adrien was last season, that was the ultimate lesson, about the two reaffirming their bond. And yet, here we are in the Season 5 finale, when literally the entire world is against Ladybug and Cat Noir, and Cat Noir is nowhere to be seen.

One of the main reasons why Adrien jumped at the chance to be a superhero was the freedom it gave him from his restrictive lifestyle, and how it led to him making more friends at school. And that very same story ends with Adrien admitting it's a good thing for him to stay inside and never acknowledge the fact that his father was kind of a dick. Remember, this was planned in advance for YEARS, and absolutely nobody thought it contradicted one of the most important aspects of Adrien's character: his desire for freedom. Now the same person who would demand to not be kept in the dark about so many things (Lady Wifi, Syren, Lies, Sentibubbler, Rocketear, Risk) is now sitting around like a coward while everyone else saves the world instead.

I still think Adrien was at his worst in Season 4, with how much of an whiny and insufferable idiot he could be, but Adrien in Season 5 is a close second. Yes, I wanted him to stop acting out and demanding that the world cater to his every whim, but I also wanted him to prove he was as valuable as he says. The first half of this season seemed to understand this kind of criticism and reminded the audience that Cat Noir was still useful, but when the actual story kicked in, the writers were so determined to keep the secret identity bullshit going, Adrien somehow got less focus as a hero than the Resistance, a group of temp heroes who actually lost their Miraculous. And consider the fact that this season wrapped up the drama with the Agreste family, so for all we know, Adrien will get even less screentime next season.

If Adrien is supposed to be an invaluable ally to Ladybug, then why doesn't the writing accurately reflect it?

The Problem With the Biggest Idiot of Season 5: Moronette, “Of Course I Know What I’m Doing!” Royal-Pain, AKA, Ladydumb

You know, it's funny. I kept defending Marinette when the writing kept making her out to be a terrible hero last season while Adrien got by without a single criticism, to the point where I considered Adrien to be the worst part of the entire season. Oh, how the tables have turned with dear old Marinette, as the season that chose not to criticize every single action she took is when she's arguably at her worst.

You have to wonder if the writers finally realized how much crap they put Marinette through over the last few seasons by having her always forcing her to learn some contrived lesson and were like, “Oh yeah, she's supposed to be someone the audience is supposed to root for.” Unfortunately, they went way too far in the other direction with how they handled Marinette.

The way Marinette was written this season felt eerily similar to what happened with Adrien last season. Suddenly, her personal drama is of the utmost importance (Determination, Passion, Reunion, Elation, The Kwamis' Choice, Perfection, Migration, Derision, Adoration, Pretension, Representation), she's making incredibly stupid decisions in battle (Evolution, Destruction, Determination, Pretension), she becomes the moral compass of the show who lectures others on what to do (Revelation, Confrontation, Collusion, Revolution), and she's never really called out for her actions by the other characters despite how often she makes things worse.

So much of the first half of this season is the exact same crap over and over again. Marinette complains about how hard things are for her and her conflicting feelings for Adrien. I wouldn't really mind something like this if it wasn't for two things.

First, there's no real arc involved with this. Marinette keeps complaining about her love life, and she never really learns anything from it. She doesn't even get to confess to Adrien and show her growing as a character. Adrien confesses to her, and bam, the two are a couple now. Glad to see all the discussions about Marinette's anxiety was completely pointless since she doesn't get to be the one to really confront her inner demons. Well, there was one time in “Derision”, and we all know how well that turned out, right?

Second, more often than not, it seems like Marinette is prioritizing her personal life over the situation with Monarch. You know, the guy who has access to fourteen different Miraculous? After you only managed to get one back? I'd understand if we got this kind of arc in the earlier seasons, but by doing this, you're undermining the current threat Monarch poses. She's even willing to give up being a superhero if it means being with Adrien. That is how important her love life is to her. She's willing to let Tikki force the responsibility onto someone else if it means she can be happy. Of course, this isn't too surprising, as Astruc once said that the show is supposed to focus primarily on romance, not superhero action.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.

Just like with Adrien last season, the show seems to care more about Marinette's personal issues at the expense of other characters. Do you want to know how many episodes this season focused on Marinette's love life in some way? EIGHTEEN (Multiplication, Jubilation, Determination, Passion, Reunion, Elation, Transmission, Deflagration, Perfection, Derision, Protection, Adoration, Emotion, Pretension, Revolution, Representation, Conformation, Re-Creation). Literally two-thirds of the season includes Love Square drama. Even if you want to be generous and count both two-parters as single episodes, that's still more than half the season. This is yet another problem with waiting until what was originally supposed to be the last season to resolve your plot. You need to force all of this development through almost every episode until people get tired of it.

Because of this, Marinette basically took over the narrative of Season 5. Almost every major conflict revolved around her, even the stuff with Adrien. Rather than make a story about Marinette and Adrien working together to break free from Gabriel's influence, Marinette is the one who has to do the heavy lifting and save Adrien herself. I've already talked about this with Adrien, but it bears repeating, as this is same issue I had with Season 4. Just like how Adrien got more focus during a story arc that should have been about Marinette last season, Marinette is now getting more focus during a story arc that should have been about Adrien, to the point where Marinette gets to use Adrien's Miraculous during the final battle with Monarch.

I'd at least be somewhat forgiving towards the shift in focus if Marinette actually got to do anything to advance the plot herself. Because of how often the show focuses on Marinette's love life, very little time is dedicated to showing Ladybug making an effort to actually stop Monarch. The closest we got was in “Illusion”, and that was a plan spearheaded by Nino. Like I said earlier, Felix does more to advance the plot out of any character, even Marinette, THE ONE THE SHOW IS NAMED AFTER!

We have three separate episodes where Ladybug has Monarch at her mercy, but she decides to talk about how she's totally won and that Monarch can't get away at all, and then Monarch gets away in a matter of seconds. I just... this is “SHOOT THEM WITH THE DEHYDRATION GUN!” levels of stupid here! The only reason Monarch gets as far as he does is because Ladybug can't just grab any the Miraculous he has all over his body.

We're seriously supposed to see Marinette as an amazing hero when she keeps screwing up every opportunity she gets to stop Monarch. In the span of one season, Marinette went along with being forced to retire because she got a chance to date Adrien (The Kwamis' Choice), chose not to form a temporary alliance with an Akuma even if it meant possibly getting the Peacock Miraculous back and stopping a potential threat (Pretension), had absolutely no plan to stop Lila until someone else came forward with information on what she was doing (Confrontation), decided to let another Akuma force the mayor out of office (Collusion), and failed to stop Gabriel because she got tricked again and was completely helpless as the entire universe was recreated before she took credit for defeating Monarch afterwards in the new reality and then decided to honor the insane supervillain's wishes and keep her boyfriend completely in the dark about the truth even though she learned not to keep secrets from others (The Final Day) and MY GOD, I HATE THIS SEASON SO MUCH.

When Marinette isn't making terrible decisions, she's lecturing others on how to act around their enemies, and when I say “how to act”, I mean “refuse to give them even the slightest bit of respect after doing the bare minimum to help them try and change”. Marinette really lets her own personal biases toward Chloe and Lila get to her this season with how the latter half of the season had her tell others not to even consider trusting them because of how easy it is for them to take advantage of kindness. You know, something you'd hear someone like Superman or Spider-Man teach kids about.

In fact, here's a little game any aspiring writer can play when writing superhero characters: If you can't imagine someone as noble as Superman saying something like this...

Marinette: But sometimes, the good we think we see in some people is just a reflection of our own, and we end up being fooled by our own kindness.

Unless your intent is for them to be flawed or in the wrong instead of a complete paragon of virtue, you need to go through your drafts.

And just like Adrien, even though Marinette keeps screwing up, she's never held accountable for her actions. She's never allowed to be wrong, and is almost always the one who gets to lecture people, mainly towards the end of the season. A good example of how poorly written Marinette is this season is when she whines about Ms Bustier not punishing Chloe enough when not only does she fail to understand that Chloe is still being punished, but she did absolutely nothing to bring Chloe's cheating to her teacher's attention when as class representative, it's her job. I don't care how stupid that idea sounds, that's what the show goes with, and it makes Marinette's inaction come across as very irresponsible.

But then again, neglecting her duties at school is nothing compared to acting like Marinette didn't fail to save all of reality while not showing the least bit of remorse for it. I'm just saying, when even Ben 10: Omniverse of all shows does this kind of story better, you know you've screwed up. Again, we're supposed to see it like Marinette won because the universe is in one piece, when, once again, SHE FAILED! Like I said, she failed at pretty much everything she set out to do this season and didn't stop Monarch outside of warding off his Akumas. This is seriously how the show was supposed to end, with Marinette failing to save the universe and the audience just needing to accept it. Well, in case it wasn't obvious on my front, I don't. Hell, forget Ben 10: Omniverse. Even Star vs. the Forces of Evil had the main character save the day, even if it meant potentially screwing over countless lives by destroying all magic in the world. Marinette? “Well, everyone I know and love is technically dead and the madman I spent five seasons trying to stop gets to die a martyr, but everything looks like I saved the day, so that technically means I didsave the day! Man, I'm a great hero. Good thing the other characters basically exist to remind the audience of how amazing I am.”

If there's one thing to take away from everything that's happened, it's that this was the season where Marinette has arguably become one of the biggest examples of a show failing to make the audience like their main character. There was much time dedicated to rationalizing and trying to justify the worst possible decisions she could've made and acting like she's still an amazing hero. Stuff like this only serves to further validate the criticisms people have had for her as a character ever since Season 5. And remember, this is coming from someone who went out of their way to defend Marinette last season. In an attempt to show her at her most heroic and virtuous, Season 5 pretty much cemented Marinette as a terrible main character, a terrible superhero, and a terrible role model for children.

Eight Years for This?

I'm going to be perfectly honest with you guys. This season just broke me, and there was a good reason why this analysis took so long to write.

While there were a number of outside factors that made it hard for me to get the time to write (work, the holidays, family gatherings, etc), there were still times where I either didn't have a lot of material to work with, or I just couldn't find the motivation to work on the reviews. I guess throughout all these years, I figured that after all this buildup between the Love Square and Adrien's relationship with his father, there would at least be something I could find this season that would allow me to say this was worth the wait. Unfortunately, it was just disappointment after disappointment this season, with a universally hated finale to boot.

To me, this was the season that burned away the remaining goodwill I had for the show, because there's just no salvaging it at this point. The writers pretty much butchered every single character in some way, excused the main villain's actions for a sorry excuse for a heroic sacrifice, and literally reset the universe so all of the characters we've come to know for almost a decade technically don't exist anymore. Even the cliffhanger for Season 6 really excites me, because why should I care about a character we still know nothing about becoming the main villain? Why should I care at all when the writers have made it clear they don't care either? They don't care about writing character development, they don't care about writing consistent lore for their world, they don't care about approaching serious subjects with the delicacy they deserve and they certainly don't care about telling a consistent story.

Season 5 of Miraculous Ladybug was a failure in every conceivable definition of the word. It failed to deliver a satisfying conclusion to any of the stories that had been set up for years, and if this was how the main story ended, I don't really have a lot to look forward to when Season 6 premieres.

[uthseikoashx-goingmyway]

HELP FOR MY MASTER’S THESIS: Hannibal fics recs?

hello everyone! :)

for my master’s degree in literature, i study artistic representation in fanfiction, especially in Hannibal (TV) fanfiction. my corpus features every fic published on AO3 that fall under the following tags: “Museum”, “Art”, “Painting”, “Religious Imagery & Symbolism”, from 2013 to june 2024. the aim is to find enough passages to build an interesting corpus of works to compare these texts. 

BUT, obviously, there are a lot of artistic depiction in fanfictions that are not tagged and thus not in my corpus yet. this is where and why i am calling for help. do you know any fic in which some artistic reference impacted you? 

i am searching in the Hannibal (TV) fandom but it may be of any rating, finished or not, etc etc. 

IF you know a piece of fic that is NOT Hannibal-related but would be very interesting to work on (a classic in the fandom? a particulary well-crafted piece? a perfect representation of what appears when you mix fanfiction and art?), i’ll take it, as it may be something worth comparing to my main corpus.

it has NOT to be in english and it can be a translation! EVERY LANGUAGE is good to go! plus encore qu’aux autres, je m’adresse à VOUS, fellow francophones :)

it may be a few lines, whole paragraphs, or an entire fic about it, as long as it references either what we consider artistic (vague remarks on painting, tableaus, sculpture… even in a non-artistic context — treating Hannibal’s tableaus as painting, or Will being described like a Antique sculpture counts — i'm taking these examples as i know it exists in the fandom) or a specific work (a painting in particular : descriptions, etc). 

i am especially curious about works featuring these passages that aren’t tagged with the previous tags; but honestly, i would gladly appreciate some recommendations tagged “Religious Imagery & Symbolism” or something i already mentionned, as it may help me to navigate the hundred of fics i currently have downloaded on my computer (lmao). 

feel free to mention AO3 locked fics as well as fics that are not on AO3 (that would be very much helpful). 

and, of course, you can refer to your own work!

to sum it up: have you any recs of Hannibal (TV) fics recs that include a moment about art / paintings / something treated as art even though it is traditionally not considered as such / etc?

thank you in advance, especially to those who answer and/or share this — and most of all, thanks to everyone who contributes to the fandom by writing, creating and reading <3

[otrtbs]

writer interview game ✨

thank you for tagging me linds!! <3 @inevitablestars

how many works do you have on ao3? 5 on my otrtbs account (+1 unpublished one) and 6 on my otrtbs_shorts account (where all my one shots and short stories went!!)

what's your total ao3 word count? 580,654

your top 5 stories by kudos? Art Heist, Baby! Tender Curiosities, Baby! Winterlude Angel of Death You and Me

do you respond to comments? i try!!!! i really try!!! ahb! gets unmanageable i fear but if you get there early enough on new chapters that i post on new stories, i really try to get to them!!

what's the fic you've written with the angstiest ending? uhm. i guess art heist, baby! but tbh i feel like i could go angstier... maybe that'll be a writing goal for the new year...

do you write crossovers? no! haven't yet. but i was just talking to some friends today about something so cursed ....that could be my magnum opus if i wasn't a coward

have you ever received hate on a fic? no, never!!! everyone is really nice and respectful and can keep it peaceful and fun :))) !1!1!1!1! (<- girl who is manifesting for the future <- my fic has been eviscerated on goodreads and reddit and tiktok and twitter and in my tumblr asks and on ao3 i wouldn't be surprised if people are adding it to their linkedin atp)

do you write smut? very poorly and briefly and not really el oh el

have you ever had a fic stolen? not plagiarized, no!!! thank god!! but stolen and sold....well, yes i fear.

have you ever had a fic translated? yes! so many wonderful sexy versions of art heist, baby! out there for people to enjoy !! angel of death has been translated too!!

have you ever co-written a fic before? no, because collabing scares me. in the sense that i would be worried that i wasn't writing to my co-authors expectations and also ... if they don't directly align to My Vision i will also throw up. so. i don't think co-writing is in the cards for me

what's your all-time favorite ship? JEGULUS <3 jegulus. my forever girls <3

what's a wip that you want to finish but don't think you ever will? when i say i have...a master timeline full of every event that happened to bellatrix, andromeda, narcissa, sirius, and regulus.... detailing their time at school, what classes they take, key life events...just for me to use to write a massive canon-compliant fic of their lives.... i have put in HOURS and HOURS of work into that wip but i don't think it'll ever be done and/or see the light of day

what are your writing strengths? i really love writing detailed, descriptive interior scenes. it's one of my favorite things to do! i see every interior scene in my fic like a little still-life painting and i want the reader to be able to visualize the same still-life im seeing in my head in their head!!

what are your writing weaknesses? commas </3 grammar in general... like sorry 2 ur honor. but who fucking cares? do you get the vibes? are the vibes there? that's all i care about.

what are your thoughts on writing dialogue in other languages in a fic? i love it!! i've learned a lot of fun phrases from it !!

what's a fandom/ship you haven't written for yet but want to? im gonna write moonchaser (jamus, wolfbucks? idfk) !!!!!! when my james/remus thesis drops i swear !!!!!!!!

what's your favorite fic you've ever written? Winterlude!!! Winterlude is my favorite child, she's beautiful, she's gorgeous, she's fun, minimal angst, happy endings, regulus is hot as fuck in it, i want to go to there so bad. winterlude !!!!!

okay, i'm no pressure tagging @rabidlittlestrawberry @whorerific @pretentiouswreckingball @twisted-tales-told @residentrookie 💕

[comicaurora]

What are your thoughts on guardians vol.3? (If you have watched it) I went into it, expecting it went to the garbage like the rest of the mcu, but I was pleasantly surprised by its creativity, trope subversion, and how it wrapped up the previously unresolved arks of its characters.

That's what I've heard!

The thing is, Guardians 3 could be the most transcendent work of cinema ever made, and I'd probably still feel little to no motivation to watch it at this point. It's not Guardians's fault - it's just suffering from the same problem that superhero comics have been struggling with for decades: no matter how good an individual arc or run is, absolutely nothing good lasts or matters in the long term, and the stories are shaped in such a way that "the long term" is the only thing anyone gets to build towards.

Whenever I complain about the MCU I get a handful of people loudly complaining about my complaining, with the general thesis that if I don't like it I shouldn't watch it or talk about it - if I'm not having fun, just stop engaging with it. And the thing is, I have. I am intellectually interested in why this massive franchise is fumbling the bag so hard, which is why I still check in on it sometimes, but I've long since stopped turning to the MCU for uncritical entertainment. And even the good movies or shows with a lot of interesting ideas - good character arcs, fun concepts, interesting planting for future payoff - don't draw me in anymore, because they're hooked into a massive moneymaking machine that will scrap and squander anything if they think it'll make them more in the quarter. It doesn't matter how good the writing is, because the writers are not allowed to tell a complete, finished story, and they have no control over what happens to their characters outside of their own script.

Captain America's arc was set up from literally minute one to answer one burning question at the core of his character: does a world without a war still need Captain America? After that incredibly basic tee-up at the end of First Avenger, half a dozen movies failed to come up with a reason to say "yes," and now Steve is retired for good after getting fumbled through four different storylines that couldn't even pretend that they needed him (the unused Chekhov's Phone from the end of Civil War still haunts me). The foundational arc of his entire character never happened because nobody bothered to keep track of it past a single movie.

Taika did something interesting with Thor in Ragnarok - take away Mjolnir, force him to recognize what it means to be the god of thunder, give him a very Odin-y missing eye - and the very next movie undid all of it. Just kidding, never mind, here's an eye and a new weapon and also his old weapon again, and in one more movie we're even gonna give him his hair back, probably as an apology for all the completely unironic fatphobia we're gonna slather him in for two and a half hours. I'm not even surprised Love And Thunder was such an overblown mess that barely took itself seriously - why would Taika bother trying to give Thor another arc when the powers that be will just roll it back in six months anyway?

I hear Rocket Raccoon has a fantastic arc in this movie. That's great, and demonstrates that he's being written by a writer that deeply cares about him. But he's part of the MCU, and the MCU doesn't let anything end, so if current patterns hold, Rocket is going to continue to serve as quippy plushie-bait for the next dozen movies and none of that depth is going to come through in the long term. Hell, since they're making Kang noises for the Next Big Threat and Kang's entire gimmick is rewriting timelines, literally none of this is guaranteed to matter. By next year, it might not have even happened anymore.

The MCU has successfully shaped itself into a paradigm where the bright spots of good writing are overridden and lost as soon as the writers room turns over, and that makes it really hard for me to muster up the enthusiasm to watch even a really good movie that's locked into the exact same grist mill as everything else. I'm glad people liked it, I hope it gets to stay good this time - I just have no desire to watch it.

[blueskittlesart]

Hi, I’m a huge fan of your art and I wanted to know a little bit about your comics. About how long does it take you to make one, and how do you stay efficient about it? Also, how do you decide which parts are black, which are white, and which are gray? And are any parts of the process particularly difficult? I think it’s really beautiful how you can get so much across in your comics without crowding too much in each panel, like in manga for example. Also how most of them are entirely black and white. I’m asking all of this because I have a story I’ve written, and I want to turn it into a comic, which I’ve done before. But I’ve always become discouraged when I overshoot and make it way too detailed from the beginning and not be able to get that same amount of quality with more complicated panels. Thanks if you answer this.

HIIII. so the time that it takes to do like one page of comic varies for me depending on the level of finish i put into it, but i'd say not counting the scriptwriting or layout, the actual art for one page usually takes between 1-2 hours to finish. any more than that is too much for me, personally, but one of the things i've learned at art school is that i work INSANELY abnormally fast, so that kind of pace might not be sustainable for you. (i'm currently doing 5 pages a week for my thesis which is the kind of pace that kills people. it might kill me. we'll see.)

my best advice for b/w/g placement is to have an idea of what you want your finished panel/page to look like BEFORE you start drawing it. if you're just drawing the lineart and then filling in the black and gray after the fact, it's going to be much more difficult and you're going to run into problems like tangents and legibility issues with your color placement. especially when working with a limited palette, knowing roughly where each color will go before even beginning the project helps a lot. I'd also suggest trying to limit your use of gray to like, 3 tones max. I usually only use 1 or 2 if i use gray at all. this helps keep things in high-contrast and therefore more legible. Line weight is also especially important when you're only doing black and white, because it helps create depth and ground us in space when there's no color to do so. in general, don't be afraid to go for big blocks of black, but try to think about where and why you're using them!

As for your comment about overshooting, my advice is to ration. we joke sometimes about how manga artists will use a much more simplified style up until like, a big climactic scene and then suddenly lock in, but that's a genuinely useful tactic sometimes. You don't necessarily need a background in every panel if the background isn't the focus of a scene, and that leaves more energy for you to go all out when you DO need a big fancy establishing shot or some complex perspective or whatever. obviously you shouldn't just be totally phoning it in on less complex panels, but don't try to kill yourself over the less important details. focus on what's most important to get your point across in whatever situation you're working with!

[crosscut-drifter]

Picked up DA: Origins again the other day, because clearly that's the thing to do when I have approximately a gajillion other games to play that I haven't already completed twice over lol. Just finished the Ostagar sequence tonight and two thoughts:

a) Those 1000+ hours of BG3 (and BG1, and other isometric crpgs) in the literal years since I last played DAO (2022 - early 2023) have totally had an effect on just... how I physically play games. I always used to play DAO from over the shoulder view, basically navigating by WASD. Point-and-click or group-select movement was reserved for rare tac-cam moments. That has very much flipped.

b) Man, DAO's opening prologue+prelude sequence just fucking slaps, doesn't it? It is so tight, so compelling, so well done. I'm playing a Cousland this time around, but I've played all the origins and they all do a fantastic job of just shoving you right into the world and story. And then Ostagar... it really is so damn solid. Does a bang-up job of introducing you to a bunch of different things - companions, more of the world, laying down hooks for several major plot threads, takes you through both an open map exploration section (Korcari Wilds) and a dungeon (Tower of Ishal) which hits both the major types of levels you'll play...

And I'm not the greatest at identifying Themes and so on, but there's moments in the prelude where like... it does feel like the story of Origins is kinda making some of its thesis statements, in a way. Different bits jump out at me every time I play it. This time, it was Ser Jory backing away from the Joining, back up against the wall, sword raised defensively, stammering out in despair:

"There is no glory in this!"

Before Duncan grimly guts him.

It just really... yeah. A lot of DAO's story is kind of about that. About glory, and the lack thereof. And it's stating it here, outright. This isn't a story about glory. There is no glory here. There are secrets protected by murder - in this world, it's fantastical secrets of taboo magics, dramatized and exaggerated, but of course, the same thing happens in our world, too. And often against the backdrop of war.

In this same section we get introduced to the fairy-tale king figure of Cailan, literally golden and shining, starry-eyed and proclaiming his romantic desires for glory and triumph while everyone around him looks on. In another story, we can tell right away, he'd be a hero. He'd be, maybe, proven right - ultimately, if not immediately. Another story might lean into his romanticizing. (Not, admittedly, a common trend at the time DAO released.)

And then he dies. Gruesomely, violently. Ignobly. Because all around Cailan, DAO highlights the cruel absurdities of war, the despair, the casual violence. While at the same time - that battle scene? The beats of archers - hounds - for Ferelden!? I get chills, every time. They are, undoubtedly, doing the right thing. They are betrayed. In the setting, those who fall at Ostagar alongside King Cailan become martyrs, of a sort... the "glorious" dead.

But I do think, it does feel, like part of the statement that the whole prologue makes is truly summed up by Jory's line, punctuated by the battle's loss and the golden king's death:

There is no glory in this.

Hell, you know what this makes me think of? The whole sequence from the Joining scene to your MC being ambushed on the tower roof?

If in some smothering dreams you too could pace [...] And watch the white eyes writhing in his face, [...] If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, [...] My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori.

[lkblackham]

'Sup.

It's

🫥 WIP Wednesday ✨

Varric was sitting in that hard-ass chair in total darkness for *hours*. Totally worth it.

This page, btw, is actually from that webtoon/insightful anti-capitalist article I keep mentioning but have not published. Yet. I have a LOT of fan service I still need to refine.

I will say I am *particularly* excited about this panel, though:

*conspiratorial smoulder*

But that's for tomorrow. Here, today, I have like a bajillion things I've been working on that I want to share.

Should I space these out in different posts and not dump them all in one go because they just overwhelm readers and this is not how you do a WIP post?

Sure, I could do that.

.....

Anyway, here's Bel and (?) Emmrich in this sappy comic that's been on the back burner for a while but I really wanna finish:

.... what? That's just how his skull helmet looks. I KNOW HOW TO DRAW SKULLS. I just need like twelve reference images and an Ativan.

This is going to be really cute, though, if I do say so myself. Drawing these lil Volkarin Family Headcanon comics has actually been really, genuinely therapeutic for me. With every chubby baby face and proud papa Emmrich I draw, I regain one brain cell.

And then I promptly lose that brain cell with *this* nonsense:

The story here is that, in my DA:TV headcanon, the team do little sparring matches in the courtyard at the Lighthouse. Emmrich asks to spar Atash (my Qunari Mage Rook) and things get... weirdly steamy.

Whether or not I ever finish this depends on how many cute baby comics I draw to balance out the shameless soft-core smut. And also my thesis, I guess. I keep forgetting about that thing. I wonder how it's doing.

Speaking of how one is doing, I'm going to end this with a really EXCITING announcement:

THAT'S RIGHT, I was diagnosed this past week! FINALLY, at the age of 32 and barely able to leave the house, doctors gave a darn and sent me off for tests for which I have been BEGGING throughout the last decade.

I am not joking, though, this is actually an IMMENSE relief and cause for celebration. I've known I have some kind of weird horrible gut thing going on since I started getting really sick all the time at the age of 20. Since then, doctors have put me off by:

Suggesting I "eat healthier"

Suggesting it might just be period cramps

Suggesting it might just be mild allergies

Suggesting it might just be anxiety

Suggesting it might just be hormones

Suggesting that I was too fat to have celiac disease when I brought it up (I gained a LOT of weight during the 2020 lockdown in the UK)

Suggesting that I'm just old (at age 30) and this is 'normal for that age'.

You might notice that ALL of these were suggestions and not, you know, actual declarative diagnoses or even an attempt to reach one. I've had good doctors, don't get me wrong, but holy crap it really sucks to be a woman in any healthcare system.

I consider this part of my WIP Wednesday because this diagnosis was the result of a years-long effort to figure out what was really wrong with me and dammit it deserves recognition SOMEWHERE (besides my medical records).

To anyone struggling with a mystery chronic illness: I love you so much. You have my deepest, sincerest empathy. I know it doesn't help, but it can't hurt to know there's one stranger on the internet rooting for you.

Thanks for taking the time to read. I really appreciate it. Kisses, *mwah*.

[hedonistbyheart]

I finished the hymn to Dionysus. (Beware spoilers)

It's been a while since a book settled into me and added to my mental tapestry. The Watchmaker series did that, but her other books didn't really. This one did.

I stand by my take about the pacing; Phaidros' relationship to Helios is summarised a bit too much for how much space it takes up in his heart and the narration in general. I'm guessing Pulley didn't want to have Phaidros' two love interests fight in the reader's mind by focusing too much on showing what he and Helios built as adults, but it does make Phaidros' devotion ring a little hollow, because we don't get to experience it close up for very long.

I love everything else. Pulley is always great at characters, but with Phaidros I think she managed what I don't think she did with Missouri Kite; a character who is unmistakably ruthless and quite broken, but also loyal and gentle sometimes. She went too far for me, with Kite, but Phaidros strikes a balance that keeps me from despising him.

I love Dionysus the most. He is very much like Wuxi from Lord Seventh: a strange witch in black, veiled and dangerous, who has pet snakes and jaguars and controls nature, but he's also very much his own thing. It's just easy to see why he would be my favourite. He echos Mori a lot too, in mannerisms and type and I can't help but wonder if there are tiny pulleyverse threads there?

I love the blind agender/non binary prophet as well and I think they're in the actual myths somewhere.

That's another thing that works incredibly well in this book: it keeps recalling the Greek myths, both directly as recent history or a spoken reference, like persephone or Troy, but also as woven into what's happening in the story: the minotaur isn't spoken of directly, but it is referenced in the events.

Plato's allegory of the cave is something Phaidros constantly uses as a mental framework, but he exists before Plato so it's not referenced like that. I could tie it to linguistic relativity if I wanted and since I wrote about that in my literal master's thesis, you can imagine how I'm fucking buzzing, lol.

Other than that it's a beautiful love story, it has those inscrutable immortals I so love to read about and it is full of so so much beautiful prose, but you'll always get that with Natasha Pulley.

[aihoshiino]

Hi there! This is from an ask from quite a while ago. I sent it before but I think Tumblr ate it once again.

"Honestly Ai's relationship with like, sex and intimacy and sex in the context of a loving relationship being healing and reclaiming for her is one of those things I have so much fun writing in the context of RP and stuff but if I continued rambling about it here I would go on all day lol and this post is already so long. IN ANOTHER ASK, PERHAPS ……."

I would like to hear your thoughts and ramblings about this please 人´∀｀)

THANK YOU FOR YOUR PATIENCE ANON… I've been sitting on this ask for so long and I've had so many half finished responses to it written up kgjhhsfkg This is just one of those topics where I have so much to say every time I tried to start I got overwhelmed and didn't know where to start… BUT WE'RE SO BACK…!!!

(Also, this is basically part 2/a follow up to this post if anyone wants/needs some extra context)

Honestly Ai's relationship to sex and the role it plays in her character arc is one of the most fascinating parts of Oshi no Ko to me and I'm always really surprised that it basically never comes up in fandom discussions surrounding her? Part of that is just folks wanting to talk about/speculate more on the characters who are alive and present in the series (or have ship wars about them) but even when people DO go back and talk about her it tends to be kind of surface level or just, the worst takes you've ever seen in your life (if I never have to see another Secretly Evil Ai theory it will be too soon) but like… the sex stuff is also pretty surface level! That friction between Ai of B-Komachi's assumed obligate virginal purity and the reality of Ai Hoshino as a person who has had and desires sex basically IS the entire premise of the series. It's the core conflict around which so much of everything else revolves - it's the reason the twins have to keep quiet on their connection to her and moreover, it's the reason she dies. But honestly given how this fandom gets about sex sometimes maybe that's a blessing in disguise lol

It is SO refreshing to have a lead heroine like Ai, though - like I said, the reality of her as a person who has had Probably A Lot Of Sex is pretty much the premise of the series and at no point does the narrative ever take on a shaming tone towards her. Hell, the explicitly stated thesis of the story is that it's everyone who has a problem with this who should be ashamed. Gotanda literally says it himself - Ai's tragedy is the fault of the people who refused to accept her as the hurting, broken, dirty and impure person that the real her was.

In fact, the series is shockingly respectful of Ai and her body in general. This is very much a "the bar is in hell" moment but I'm so used to anime taking every opportunity it can get for lowbrow cumbrained fanservice that the series just being, like, normal about Ai was a breath of fresh fucking air. It's so easy to imagine an infinitely worse version of the series that uses Aqua's access to her body (as both Gorou and Aqua) to frame and leer at her in some really repulsive ways, but it literally never happens. It's one of those things the first chapter/episode does that earns it a lot of goodwill in the long run which it does honestly need lol. The initial premise of the series asks a lot of the viewer, especially given that Mushoku Tensei exists and very much does use the protagonist's plausibly deniable access to the bodies of women and girls around him for some truly putrid and degrading shit. BUT BACK TO MY ACTUAL POINT…

That pointed absence of shaming in the narrative is why it stands out to me so strongly when Ai does direct this kind of shaming language towards herself. Ai engages in a lot of negative self-talk in general because of how utterly pants her self-esteem is, but it's never quite as pointed as in these circumstances. Her death scene is honestly the best and most heartbreaking example of it - the anime trims a few slivers from it to the benefit of the scene as a whole imo, but it does retain the most important line:

But there's another part from slightly earlier on that didn't make it into the anime that equally breaks my heart:

All that Ai refutes of Ryosuke's words is his conclusion that she never cared about her fans. In other words, when Ryosuke slings slutshaming misogyny at her, Ai agrees with him.

And like… why wouldn't she? Society at large already has very strong opinions about women who have and enjoy sex and Ai is an idol - that's purity culture on Berserk Eclipse Difficulty. To make matters worse, Ai's entire life has been defined by her being denied the right to control her own body or being blamed for the way other people respond to it. Not only was Ayumi physically and emotionally abusive towards her for basically her whole life, but she also victim blamed her when her stepfather turned out to have a inappropriate interest in her. Even when she was literally a child, she was not allowed to simply exist without being subjected to other people's gaze and objectification.

It's also worth noting that the abuse Ai grew up experiencing - Ayumi's violence and neglect and living with the possibility of sexual assault at her stepfather's hands - are all things that can contribute to hypersexuality in puberty or at the very least, being prematurely sexually active and/or partaking in risky sexual behaviour and I think all of these are true for Ai as well, to varying degrees. My read has always been that the twins' father was not her first or only sexual partner (though he was her last) and I think this is something the work itself supports as well - Akane identifies Ai as having behavioral issues typical of someone who began having sex during puberty (and she does specifically say 'puberty' in Japanese, not just 'as a teen') but that this behaviour mostly tapered off by the time she was 15 and credits it by inference to Kamiki. So obviously, if the 'unbalanced behaviour' as the result of sex predates her meeting Kamiki… you know?

I also just personally find that a more compelling read of Ai for a variety of reasons - and it just sort of makes sense to me, to imagine her as this girl desperately trying to figure out how to love people, wanting to connect with people but not knowing how to do it, someone defined by the ways she contorts herself to respond to the dirty desires of the people around her… idk, it just feels Correct to me in light of everything to assume that she went through a few boyfriends before Kamiki, all relationships that went very fast, escalated to intimacy at light speed then just sort of fell apart after. And we know from what Ayumi admitted - and from some of the things Ai has said - that Ayumi absolutely was slutshaming and victim blaming Ai when she was in her care. So much of what Ayumi did to her forms the foundation of the present day Ai's self-loathing and self-image issues, so I imagine she felt a lot of prebaked guilt and shame when she did actually start having sex, especially at a young age and outside the bounds of a what society regards as an acceptable circumstance for a girl to be having sex. So add idol culture on top of all that, and…

I don't think Ai's relationship with sex is necessarily the main issue she struggles with but it does feed off and into a lot of the other things that cause her pain and being able to untangle that would represent an earthshattering breakthrough for her. This is why it's so important that Oshi no Ko never ones tries to debunk or disprove Ai's assertion that she is 'impure' or 'dirty' and why I do not think a positive character arc for her could never come from someone trying to convince her that she isn't. Because that doesn't actually disprove anything - it still frames purity and virginity as a state of grace that can be fallen from and reinforces Ai's view of herself that she only has value, that she only deserves to be treated with respect so long as she's still 'pure'. Even if you could convince her that she's 'pure', she would inevitably be stained again and hate herself all the more for it. The only way out is to break out of this method of thinking altogether, to realize that 'purity' and 'impurity' don't mean anything - and more importantly, that even though she is dirty, impure and all the rest of it, she is still capable and deserving of loving others and being loved in return.

To quote something I've said before on this topic: "Love, for Ai, is a person seeing her most wretched and unacceptable self, her self hate and avoidance and everything about her she thinks is filthy and wrong, and actively choosing to accept her as she is, warts and all. […] There's this very strong underlying current in Ai's arc of self-directed shame and self-hate in relation to her sexuality that fuels perception of herself as 'dirty' and 'impure' - all because she is a person who wants and enjoys sex. I really enjoy getting to have Ai work through that specific hangup with a partner who loves her - not from the angle of 'of course you're not dirty' but 'even if you are, I want you anyway'."

So much of what hurts Ai is other people refusing to accept 'Ai Hoshino' and even being actively repelled and repulsed by her, choosing instead to believe so fervently in the inhumanly perfect 'Ai of B-Komachi' that they convince themselves the real Ai is just a trick of the light. Sex is basically the ultimate refutation to that - it's someone saying they actively choose the dirty, broken real thing which is what Ai has desperately been searching for her entire life. It's also the inverse of the plastic. sanitized intimacy Ai sells as an idol - rather that pretty lies of love, it's dirty, physical intimacy, something she can do as much for herself as the person with her, something that can only ever be hers as Ai Hoshino because it's antithetical to everything Ai of B-Komachi is.

what i'm saying is: can this girl PLEASE get some good dick. i don't know how much of anything it would fix but it would make her calm down at least a little.

ALL JOKING ASIDE……. thank you again for your patience anon and i'm sorry this was so rambly lKNDKSCXSNDS. like i said up top, this is a topic i have a lot of thoughts on and i wanted to get them all out into this post. i hope this was interesting to read…!

[anhedonicworm]

Hey there, Love your builds. I love how they look so modern and fresh at the same time. I'm curious when Capp Manor is gonna appear. Can't wait to see when you create next :) Keeps up the great work

Hi, thank you so much for the lovely comment!! I've been a little swamped with my MA thesis but I'll be able to go back to the game in a few days to finish the Veronaville lots. I'm done with the shell and some of the exterior for Capp Manor but it is a very large build so it'll probably take me a little while to finish. Here's what it's looking like for now :)