#like i do feel bad for him

[muxas-world]

MARC +TAXES +CRIYING = real cinema

[noodles-and-tea]

also what about an inverse twins in time au where ford went back to the 60's and stan stayed in the 80's?

Oh this is super interesting

[forgettable-au]

FORGETTABLE-AU (Page 61-64)

* I-I don't think we were talking about the same thing...

[BEGINNING] [PREVIOUS] [CONTINUE]

[captain-krow-drozdov]

Danny Is An Alternate Version Of Ra's Al Ghul And Flash Already Called Dibs On Adopting Him

Danny In All His Sleep Deprived Slightly Scuffed Up From A Fight Glory Is On His Way To Clockworks Tower To Hopefully Get A Nap And Maybe Some Homework Done When A Natural Portal Opens Up In Front Of Him And Proceeds To Unceremoniously Drop Him In The DC Verse Just Outside Of Central City Before Promptly Closing Leaving A Tired Danny Behind In A Run Down Abandoned Parking Lot.

It's Times Like This When Danny Regrets Putting Off Learning How To Make His Own Portals, Cause Now He Is Very Much Stuck For The Foreseeable Future And He Has No Idea Where Or When He Is. Luckily For Him However Central City Isn't Too Far Away, Unlucky For Him However Is That Once In The City He Realizes This Isn't His Dimension. He's Pretty Sure He'd Remember Something Called The Justice League.

So What Do You Do When Supernatural Bullshit Fails You? You Fall Back On Your Mad Scientist Roots And You Make A Portal Gun. So That's Exactly What Danny Plans To Do.

Unfortunately Staying Alive And Building Questionably Safe Portal Technology Requires Money And Supplies, So He Ends Up Wandering From City To City Doing Odd Jobs/Fixing Up Busted Tech For Cash Or Unwanted Electronics For His "Operation: Get Home" Needs. This Obviously Ends In A Few Superhero Encounter Shenanigans.

Though He Always Ends Up Back Near Central City, Both On The Off Chance The Natural Portal Will Open Up Again And Because Out Of All The Superheroes That Apparently Exist In This Universe The Speedsters Are His Favorite (Red Robin Is Solidly His Second Favorite Ever Since The Gotham Vigilante Gave Him A Large Coffee Filled With Enough Caffeine To Kill A Man).

Unbeknownst To Danny However Is That Every Hero/Vigilante He Has Encountered Has Come To At Least One Of The Following Conclusions; 1. Run Away Meta Who Is In Desperate Need Of A Good Meal/Adoption Bait. 2. Possibly Red Robin/Tim Drake Clone 3. A Good Kid But Could Possibly Be A Future Rouge If Left Unsupervised. 4. Did Bats Get A New Kid And Why Is He Here?

All Flash Knows Is That He Saw The Kid First And Therefore Has Dibs. Suck It Bruce.

Fast-forward A Few Months And Danny Gets Hurt During A Rogue Attack While Trying To Help Some Civilians Get To Safety (Old Hero Habits Die Hard (Ha Die Hard) And All That Jazz) And He Nopes Out Once Everyone Is Safe And When The Paramedics Are Busy With Other People Unaware He Left A Blood Sample Behind.

One DNA Test Brought To You By Paranoid Bat Concerns Of A Possible Red Robin Clone Later And They Find Out That Dannys DNA Matches One Ra's Al Ghul.

They Now Think Danny Is An Escaped Ra's Al Ghul Clone.

Memes For The Vibes:

[heartorbit]

figure skating set right now please. thanks

[hinamie]

bunch of portraits

[puppyeared]

horrible truth bomb dropped on my head 20 min ago

[inkskinned]

there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)

i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.

i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.

and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.

HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.

now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.

my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.

i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.

by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!

keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"

similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."

the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"

if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.

the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.

godbless. when in doubt, remember that you could always start stealing their pens.

the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.

[poorly-drawn-mdzs]

Kiss Kiss Fallen Tree!

[First] Prev <–-> Next

[kayshasiemens]

Rising from the dead to share this painting and then disappear again

I have spent over 90 hours of my life on this thing because I have had the brain rot for the last 2 years of my life (almost 20 if you count when I first read the comics) and it had to express itself somehow

Hope this dramatic bitch feels appreciated

(A Dream of Morpheus, handmade egg tempera on panel, 12x18 inches...if by any chance you'll be at SDCC or Gen Con, I'll be at booth 934/936 at the first one and Art Show #13 at the second one - come see the original, maybe get a print, or just yell/cry about Sandman with me?)

And here, have some more details - I had fun combining some favorite elements from both the comic and the show ♡

[buwheal]

Mfers when they want your personal information (I said no)

[crumb-crumblet-s-crumbington]

different POV of this comic

x

[blueskittlesart]

i take it back this shit is easy

[ceruark]

DANCE WITH THE DEVIL.

synopsis: yan! hsr men as slasher movie killers… and “love interests.” [blade, boothill, aventurine, sunday] words: 3.1k cw: yandere themes: obsession, stalking. slasher elements, gore. a/n: happy friday the 13th to all who celebrate

BLADE is already pretty much like Michael Myers from Halloween: large man, terrifying presence, unfathomable kill count, and cannot die. No matter what you do, no matter how many times you or the other survivors find a way to kill him, he keeps coming back, and with renewed vengeance every time.

The first time you’d been subjected to his knife was at a summer camp. Having gone there every summer for years growing up, you grew attached to the place and decided to pick up a role as a counselor in the summers following your high school graduation, and they passed peacefully. However, in the few months leading up to your college graduation, misfortune befell the small town where the camp was located. Someone’s grave had been dug up, and just weeks after that, people started turning up dead, their bodies littered with so many stab wounds that some were unrecognizable.

Given the ongoing investigation, the counselors and other camp staff requested that the summer camp not reopen, but the owners and even some parents insisted they stay open, and so despite your better judgment, you returned. You needed the money, and you knew how to defend yourself— if anything happened, you could keep yourself and your kids safe.

At least, that’s what you believed. When the man appears in the doorway of your cabin, his stocky figure silhouetted by the moonlight and leaving two red eyes gleaming down at you, you know there’s not a chance in hell you’re making it out of there alive.

You’d thrown yourself at him, yelling for your kids to escape through the back. He’s been merciless, sinking his knife into your flesh over and over again, but you persevered and fought back until you were sure every single one of your kids had made it a good distance away from the cabin. At some point you’d collapsed, from exhaustion and blood loss.

The doctors said it was a miracle you survived. They had your house guarded since he hadn’t been detained, but once word of his death by police gunfire got around, things calmed down significantly. You relaxed over the years, letting your guard down and believing that things could return to normal. Serial killings all over the nation popped up, but you worried not—after all, the killer you were concerned with was dead.

One of the survivors reached out to you five years after that fateful night, wishing to get together with the others who lived to get drinks and properly move on from everything. It was, of course, a set up; Blade had returned, and the man who invited you believed he’d be spared if he got the rest of the survivors together in one place.

He’d been the first one murdered that night. 

Once again, you narrowly dodged death, just barely managing to get yourself to a hospital before you received one stab wound too many. Time goes on, and no matter how many times they put a bullet through his head, he manages to come back. The list of survivors has grown, but the list of victims is now countless.

You’re in your thirties when the police reach out to the adult survivors. There’s a new survivor: a five year-old girl by the name of Yunli. Her parents had been ruthlessly slaughtered, but he hadn’t touched even a single hair on the young girl’s hair. She didn’t have any living family, and so, you agreed to take her in. 

Life is easier with Yunli in it. A bright, spunky little thing, she brings joy to your days and some semblance of a family that you’ve been too scared to seek out. It’s nice to have the sound of laughter filling your home.

That same laughter has you smiling tonight, the girl’s giggling floating down the hallway and into the kitchen, where you’re washing dishes. A quick glance at the microwave’s clock tells you it’s close to her bedtime, and she’s far more energetic than she typically would be at this time. You wipe your hands off on a dish towel and walk down the hall toward her room, wishing to find out what’s working her up at this hour and wanting to tell her to wind down before bed.

You knock lightly before turning the knob. You get the door open a crack before the sight on the other side of it leaves you frozen, horrified.

He’s in Yunli’s room, kneeling before her as she shows him the many dolls you’ve bought her. His knife is on the floor beside him, and the eyes that have haunted your dreams for years pierce into you, pinning you where you stand.

The girl seems… happier with you, than she had been with her parents. Perhaps he’ll have to be kinder to you this time.

BOOTHILL gives me Texas Chainsaw Massacre vibes in terms of how he kills and the brutality of it all, but not personality-wise. No, I actually think he’d be quite personable with that southern charm of his— so of course, no one would ever expect him to do anything unspeakable.

You and your friends are on a road trip when the car breaks down in the middle of nowhere. There’s nothing but fields of crops as far as the eye can see, and the only sign of civilization is a barn, some stables, and a few coops with two houses near them about a mile away from where you’re standing.

You all make the trek, hoping to be able to get some help from the people living there. Worst case scenario, if it’s all been abandoned, you can squat there and look for tools to help you fix the car. But to your surprise, when you knock, a kind-looking man with wild white and black hair opens the door, and after hearing about your situation, is more than happy to be of assistance.

He tows the car onto his property and takes a look at it, determining that the entire engine needs to be replaced. Given his distance from the nearest auto shop, he says he’ll leave for town Sunday afternoon and get the part on Monday morning. It’s going to be an all-day trip, so he likely won’t be back until early Tuesday morning.

You’ve got a couple days to get to know him, in the meantime. Your friends absolutely adore him, pointing out how good of a guy he is, some even pointing out how attractive he is. You scoff one night as he’s making dinner away from where you’re all sitting, as one of your friends starts a bet on if any of you will be able to sleep with him before all of this is over.

Sunday afternoon comes all too soon, though, and none of you get very far with him before he’s heading off in his truck toward the nearest town. You’re a bit shocked that he would so willingly leave a group of strangers in his house unattended, but you chalk it up to his kindness that seems to be boundless.

You should have been far more concerned.

You’re all woken up that night by the sound of a chainsaw revving, shortly followed by one of your friend’s horrible shrieking. The room devolves into panic and chaos as you watch her get torn to shreds by the very man who invited you into his home, now donning a mask of what you hope is animal skin.

You all flee in different directions, but he knows the property better than you do, and sure enough, your friends are picked off one by one until you’re the last one standing. You narrowly dodge some of the traps he’s set up and take refuge in the stables, struggling to keep yourself together as you hear your friend’s cries in the distance. 

While looking for something to defend yourself with, you find a box hidden in a pile of hay. It’s locked, but you force it open, dumping its contents on the floor. A pistol, a few handwritten letters, and pictures of a woman and a young girl. You place the pistol beside you before your curiosity takes over, causing you to slowly go through and study the pictures.

In your distracted state, you failed to notice that he’d gotten into the stables. You jump to your feet when the chainsaw revs just a few feet in front of you. You turn off the safety and raise the gun, your hand steady and your shot clear.

He’s lost so much in his life, and it’s driven him to madness. And you, you remind him of something— someone precious who he lost to illness, to the cruelty of life.

He can’t lose you again. He won’t allow you to leave.

And that’s not something you’ll realize until he’s staring at you from the barrel of a gun you believe is loaded, laughing for a reason you can’t understand.

AVENTURINE stepped right out of a Scream movie. He’s a classic Ghostface-type killer, phone calls and everything. He’s certainly got the charisma needed to make the intimidating phone calls, and I feel like he would enjoy stalking and toying around with his prey a bit before going in for the kill. 

You could probably argue that he’s not the type to want to make things messy, but I feel like in this case, he would be using this as an outlet, meaning all his kills are brutal and gory. (Creative, at times, too. The police will give him that.) There’s just something so comforting about being covered in blood, the warm liquid almost serving as a warm embrace.

For him, there aren’t any better targets than his close friend group. He knows all their darkest secrets, and has no problem using his knowledge to torment them and easily back them into a corner, too panicked to see him coming until it’s too late. These people have always been fake, anyway, and he knows they’ve always looked down on him. Can you really blame him for taking out the trash?

And then, of course, there’s you. You’re not a saint by any means— no, you’ve got your fair share of skeletons in the closet, and each secret you divulge to him because of the trust you foolishly placed in him is sweeter than any death he could imagine giving you. Maybe that’s what draws him to you so much; where everyone else wears a mask, there’s something about you that’s genuine, and it’s a side of you that you’ve entrusted to only him.

So when the killer finally shows up on your doorstep, he’s the one you turn to. As you’re on the phone with the killer, responding to his taunts in an attempt to figure out where exactly he is in your house, you’re texting Aventurine on the side and sending him what you believe is your last goodbye. 

“Do you want to be forgiven?” The disguised voice on the other line croons into your ear. “Do you think you should be?”

You’ve just pressed send on your message when a hand seizes you by the back of the neck and throws you to the ground. The impact of hitting the hardwood floor distracts you from the sound of a phone buzzing nearby. You scramble backward, attempting to get to your feet as you do, but the masked man grabs onto your foot and sinks his knife into your calf, ripping a pained screech from your throat.

He drags you back toward him before settling on top of you, his legs straddling your waist rather suggestively. He sinks his blade into you and drags it across your skin slowly, the scorching pain leaving you writhing and crying out in pain.

He flees once he hears sirens in the distance. The police find you on the floor of your living room with four stab wounds and multiple cuts. Aventurine shows up not long after them, disheveled and worried and flashing the police the text you sent him. They allow him to ride in the ambulance with you, admiring his intent to endanger himself if it meant saving you.

You’re so frazzled that you don’t even notice he showed up at your house way sooner than he should’ve, as though he was already nearby. You just blindly turn to him for comfort, clutching onto him for dear life. It’s cute.

He runs his hands through your hair soothingly, shushing you and gently rubbing your back as you sob into his shoulder. You shouldn’t worry so much, dear. He’s here now, and he’ll make sure no one else lays a finger on you ever again.

You don’t realize your grave mistake until you’re standing in Jade’s basement, her brutalized body at your feet and a metal pipe in your hands. You can defend yourself all you like, but it’s far too easy for the masked killer to evade your swings and land his blade in your shoulder, your stomach, your thigh. All places that won’t kill you, of course.

When you finally collapse to your knees, sobbing hysterically and succumbing to your fate, the killer unexpectedly drops to his knees beside you. He wraps his arms around you and presses his chest to your back, trapping you in his hold. You shudder as he runs his blade along your face and neck, smearing your own blood across your soft skin.

“It’s okay,” he coos, and the familiar voice makes you freeze. “I’m here. I’ve got you.”

The mocking laughter that follows makes your heart drop, and the rest of your hope vanishes.

SUNDAY is definitely involved in some Children of the Corn type of shit. Some supernatural slasher stuff where there’s a cult behind everything, and he’s at the head of it all.

Ena is not a kind god. Countless generations of Oaks have tried various methods of worship and offerings, but none work quite as well as the human sacrifice. This is something Mr. Wood had taught him from a very young age, explaining to Sunday their history as he methodically cut up whichever poor soul had wandered into their humble, hidden town that week.

As head of the Family, he’s exemplary. No one has ever wielded a blade quite like he has, his hand always steady and unflinching. His blessed hands bring prosperity to the land that has never been seen before, Ena’s favor raining down on him and his people. He is as revered as their god at this point, and there is nothing his people would not do for him.

The road trip you make every year to your parent’s house for Thanksgiving was a long one, and a sudden downpour along the way has you rolling to a stop in the nearest town. You plan to just take shelter at a restaurant and grab a bite to eat while you’re there, then fill up on gas and be on your merry way once everything clears up. 

Everyone is so kind, though. The locals in the restaurant make conversation with you, asking about your life and cooing at you once you explain that you’re on your way to visit your family. You spend most of your time talking to the people at the table next to you, a man and his sister, and you get so lost in conversation that you haven’t even realized night has fallen. You pay your bill and are ready to head out when the man stops you.

“You should stay the night at one of the inns,” he advises, a delicate hand placed on your shoulder. “There are still storm clouds, and it could start pouring again at any moment. It would be unfortunate to have to travel through that, especially at night.”

You check the forecast, and to your dismay, he’s right. With his help, you check into a hotel across the street, and you thank him for his assistance before you turn in for the night.

Your peaceful sleep is soon disrupted by a rag being held over your mouth and nose, startling you awake. At this point, you’ve already breathed in the chloroform, and you barely have time to register the formless figures around your bed dressed in shades of white and navy blue before you pass out.

You wake up in an underground cellar, stone walls encasing you in cold nothingness. There are four other people in the room with you, also bound and gagged and staring back at you with wide-eyed terror. There are screams of pain echoing down the stairs from somewhere above you all, the sound of synchronized chanting doing little to mask it.

It’s not difficult to guess what fate awaits you.

Young children dressed in extremely formal clothing bring you all food and water. They’re sweet to you all, terribly so. You’re not sure how long you’re down there, but the time you have left is counted down with each person that is taken out of the room. There are new people brought into the cellar, but once the original four you were with are gone, you know your time has come.

The next time the shapeless people in robes descend the steps, they reach for you. You’re injected with some kind of sedative before you even have the chance to lash out at them, and the blindfold they place over your eyes seems pointless, since you black out, anyways.

When you wake, your arms and legs are bound to some kind of marble slab that you’ve been laid on. You’ve been stripped, and your skin is covered in some kind of oil. It’s cold, and the vulnerability of being exposed just makes your situation all the worse.

Your breath hitches and your pitiful, muffled cries for help stop when you feel something sharp prick your skin. Sunday lightly applies pressure to the knife in his hand, carving beautiful patterns along the surface of your skin. With his free hand, he traces a gloved finger over the beads of blood the blade leaves behind, his touch so devout it’s downright sinful. The sight of you brings him pause, the knife stopping all too suddenly.

It is the first time he has hesitated during a ritual.

Perhaps… you’re not meant to be sacrificed. No, surely something as divine as you is meant for much more than that. Perhaps Ena has lured you here just for him, a reward for his unwavering faith, steady leadership, and all he has done for their people.

“As the highest among us,” Mr. Wood had said the day he named Sunday the new head of the Family, “you have first pick at reaping Ena’s blessings.”

Ena is not a kind god. But perhaps, just this once, they would allow him to be selfish.

[mroddmod]

little scrapped comic bc it felt a bit ooc to me in hindsight

[technically-human]

Confessional... things get complicated when you're a ghost.

@i-am-as-normal-as-you-are asked for, and this is a literal quote, "R!Edwin going to a confessional (full angst)" so yeah... full angst indeed.