#Drawing him in MSpaint feels so.. right | Explore Tumblr posts and blogs

heloflor · 3 years ago

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So, given that I didn’t have much time to work on fics recently because school, I’ve decided to relieve some stress by making a random representation of how I imagine Cavendish and Dakota’s house in their time-period looks like. And since I have no plans to ever describe it in detail in a fic, here it is ! Though, given how bad I am with designs, showing the house is mostly an excuse to infodump on domestic headcanons.

Regarding the last names, I didn’t make a typo for Cav. I like to imagine the two getting married way before the events of the show, with Cav taking “Dakota” as a last name, mostly because he got several siblings in-law on the Dakota side who adopted him on the spot.

And about the representation of the house : yeah it looks like shit. Since I can’t draw, I’ve decided to do something rather quick using MSPaint but yeah, not the best thing in the world. Though, if I get back to playing the Sims 3 at some point and end up making a Dwampyverse savefile, I’ll most likely try to recreate that house and could share a few pics.

I also went with a rectangular house with one floor instead of some futuristic-looking thing, mostly because I have no imagination when it comes to design. Though, you could still use the excuse that they want something more “old-timey” given their job or that they don’t have all the money of the world so they chose a simple house for the small cost. But yeah, by the end of the day, the choice is mostly because I can’t design shit.

But still one thing in my defense : looking at episodes that take place in the future like “Missing Milo” or “First Impressions”, it seems that most buildings are square-y with the roof being the weirdly-shaped part, with B.O.T.T. being one of the few exceptions. And looking at “A Christmas Peril”, the buildings are definitely more wacky but it’s 20 years later so…

I could also mention that I’m a bit unsatisfied with how empty the living-room and the bedroom ended up being but I’m drawing a total blank when trying to come up with the kind of stuff Vinnie and Balth would have that are linked to their interests. Though, maybe the excuse of them not being often at the house works ? Idk. Let’s just say I have ideas for the “basic” stuff, aka what you find in basically every single middle-class house, but draw a complete blank for anything that’s decorative. Still posting a map of the house tho because I don’t really consider it a work in progress if I simply have no idea and may never do. I’m very bad at design so bear with me on that one ! It’s not only about the house, it’s also about the fluffy headcanons !

So here’s under the cut some random info about the look of the rooms and furniture + a bunch of headcanons regarding Vinnie and Balth’s lives in this house. For each part of the house, you first have the info about how it looks first and then the headcanons.

Those headcanons are made with the idea that Vinnie and Balth are married (duh) but also, for a few, that Vinnie has three siblings + a few in-laws that he has a good relationship with.

(very long post ahead)

General :

- They bought the house in 2162, 2 years after getting married.

- It’s in the suburbs, or at least what the future version of the suburbs would look like. In other words, the presence of a backyard is debatable.

- There could be a garage for their time vehicle, so that they don’t have to go to headquarters every single day. And if not an actual garage, there’s at least some space to put it. In both cases, it would be near the bedroom’s side of the house.

- While the walls outside would have that futuristic “metallic” look, the walls inside would be a bit warmer. At the very least, the inside isn’t “future metallic white”, especially with Vinnie having photophobia.

- The intensity of the lights in every room can be adjusted. That way, Vinnie can put the dimmest light and navigate the house without his glasses. This is mostly useful for showering and midnight snacks.

- When they went house-hunting, Balth was the one who insisted that they needed a place with those kinds of lights. This is also the same kind of lights that Vinnie had in his now-former apartment.

- You know how near the end of the episode “First Impressions” you have Balth going into Mr. Block’s office ? Well, the way the door opens in that moment is how the door opens for every room of the house, perhaps excluding the main entrance (I like the idea of their front door being an “old” one, aka the “normal” doors we have today).

- Every room would have a spot that can create “tactile panels”, like some holographic tablet that can be used to change the settings of the house, for example changing the lights or the internet or even lock the doors and blinds.

- In 2175, when they were forced to leave the future, Vinnie stole a device from B.O.T.T. that made him able to create some kind of forcefield around the house that only he and Balth can remove. So, even if they’re not there anymore, the house still is theirs and can’t be sold to anyone else. And before you ask why B.O.T.T. didn’t simply send agents to bring the duo back and force them to open the shield : the forcefield works with hand-scan detection and Vinnie convinced Balth to use their left hands, the hands with the wedding rings. So if time-agents come knocking, they could try convincing the agents to let them use the bathroom first and they could wash their hands and use the soap to remove the rings. That way, the scan wouldn’t work and the agents would have no way of knowing why.

Living room :

- There’s more furniture than showed here like souvenirs from previous missions or some random stuff that belongs to them. I just don’t have enough imagination. : /

- Likewise, the corridor has a few pictures or posters, like pictures that Vinnie didn’t have the space to put in his memory room but still wanted to display. Also, I want to say that Vinnie would display pictures of his family (sibling, in-laws and nephews) but I’ll see him more as having an album for family pictures, or a framed picture on his nightstand.

- There could definitely be a carpet or two. They would either be modern ones to fit the fact that they’re from the future or vintage stuff found in some of their missions. One of the carpets would be under the coffee table. Another would be in the big-ass space between the living-room and the kitchen, or in the corridor.

- The style is a mix between old and new stuff, with also a few things related to their interests. Like, for example, the couch could have an animal pattern or something (AND BY THAT I DON’T MEAN REAL ANIMAL FUR).

- Speaking of the couch, after looking up “futuristic couch” on the internet, they would absolutely have one of those gigantic couches that have like a bed attached to them due to how big they are. Btw I have no idea which company came up with this design and I couldn’t care less. It’s just that the design looks cool and would fit a futuristic house.

- The side table is a floating square, given how we see in “A Christmas Peril” that tables in the future don’t have feet anymore (that’s one way to protect your toes).

- The floor lamp is more futuristic. It’s like a white orb attached to a lamp foot.

- The TV is attached to the wall. The remote is some kind of holographic tablet, kind of like the house settings thingy.

- This is where Balth would spend most of his mornings and evenings when they stay home. He’d just be sitting with a cup of tea, most of the time also a book, with the sun illuminating the room, just feeling comfortable and peaceful. The side table/cube was bought specifically for Balth’s tea. He would also use the lamp while reading in the late evening, either for the peace of having little to no light and solely focusing on the book or as a way for Vinnie to be in the room with the lights at the lowest setting. And speaking of Vinnie, he would sometimes join his husband on the couch, lying down with his head resting on Balth’s legs (cue Vinnie falling asleep, leading to a frustrated Balth who needs to pee but doesn’t want to wake him up).

- Since there’s a mini-table for when Balth drinks tea, the table right in front of the couch is mostly used for Vinnie to rest his legs on.

- And speaking of fluffy headcanons : movie nights. From time to time, aka minimum once a month, probably more, the couple would be in their pajamas cuddling on the couch while watching a movie, with Dennis resting in Balth’s arms.

For the movie choices, Balth would choose science-fiction, especially if there are any Professor-Time-themed movies, but also historical fiction (for some reason I tend to see Balth as having a liking for history ? I think it’s because of the way he dresses + his small rant about pirates in “Game Night” ? Idk honestly. It’s mostly a random headcanon that’s here for some weird reason). As for Vinnie, it’s mostly animal documentaries (Balth falls asleep halfway through but Vinnie doesn’t notice until after it’s over) or animated/family movies (the future equivalent of D*sney, S*ny pitcures, P*xar etc. Which are movies Balth would enjoy as well). For some weird reason I’ll also see the two of them being into mystery movies (crime-solving movies basically).

And if they sometimes decide to watch other genres, I could see Balth having a liking for some romance movies, because for some reason I like the idea of Balth being sappy. Besides, the guy is passionate when it comes to proving himself at his jobs and takes them pretty seriously in order to reach his objective. And given how he can be insecure and sometimes feels like a ball of anxiety, who’s to say he isn’t passionate when it comes to love too ? And no, I don’t mean passionate as in “making out all the time”, I mean passionate as in taking relationships seriously and making it work while also wishing to make sure his partner knows that he’s loved, even if Balth isn’t really the best at expressing his affection all the time.

On a different note, to get back to other genres : Vinnie would probably like horror movies. Because if cuddling in front of a sappy movie is great, having your husband show his love and trust for you by clinging to your arm out of fear is even better, nevermind the fact that you’re as terrified as he is.

Kitchen :

- It’s one of those kitchens with two walls of cupboards/cabinets, both on the ground and elevated. One of the cabinets is used entirely for snacks. Because Vinnie.

- The wall separating the kitchen and the living room “has a hole in it”. It’s like you have a small wall with cupboards, a hole, and a wall connected to the ceiling with a few cabinets. Basically, you look up “kitchen cupboards” and imagine that the space in-between is a hole instead of the wall (why is it so hard to explain something so simple ?).

- This would be the most futuristic-looking room of their house. Looking up at references, they’re that Pinterest post showing a room with white cabinets with round corners and what seems to be slide doors. This is pretty much how I’ll see their kitchen, except bigger, with a different wall color and with one wall not being here (see above).

- The table is floating because of course it does. The chairs don’t tho. Also the chairs are as futuristic as the rest of the room. And looking up the internet again, the chairs are shaped like chairs.

- So I put a stove but tbh I’m not sure how much these two would cook, given how in the show they’re always seen eating out (granted they don’t have a kitchen in their ‘apartment’ in Milo’s time). And given how most things seem automatized in the future, let’s just assume that the house can do most of the cooking itself with like a robot (aka plot-convenience technology) but still needs the necessary furniture and ingredients for the recipes. Also, if there’s an issue with their cooking system, they’ll probably know a few recipes and can feed themselves (Vinnie’s oldest brother Enzie would definitely teach his younger siblings a few recipes, at least enough to survive on their own. And he would be more than happy to teach his brother in-law as well).

- I put 4 chairs at the table but honestly I could see them keep 2 at all times and put the others in the storage room, especially the times they get very busy with their job for a few weeks and don’t have the time for social life.

- At some point, Balth probably tried to convince Vinnie to have better food habits and tried to put his snacks on the higher shelves. Not only did it not work because chairs exist but also it led to Vinnie getting frustrated. So Balth dropped it. Though, he would still try to talk Vinnie into working out to stay rather healthy.

Memories room :

- Vinnie’s personal space. He basically saw the third biggest room of the house and went “mine now” and Balth had no issue letting him have it (hard to say no when Vinnie’s eyes shine like that).

- He already had a memory room in his old apartment.

- Basically, Vinnie brings back souvenirs from his missions, along with pictures he took, and put them on display. For more information, I made a post about it a while ago, so check it out if you want info on it.

And side note : I learned more about ADHD and autism later on and found out that the correct word for Vinnie’s passion for animals is a special interest, not a hyperfixation. The main difference between the two terms is how long your interest last. The reason I used “hyperfixation” in my post is because 1. I didn’t know that “special interest” was a term that existed and 2. people with ADHD kept talking about having hyperfixations and most people see Vinnie as having ADHD. So yeah, my bad for using the wrong term. And while I won’t change the current text from my post, especially with someone in the notes correcting me (I don’t want them to look like an idiot), I’ll definitely add a few words at the end of the post about it.

- This is where Vinnie spends most of his time when at home, trying to keep the room in the best condition.

- There’s a window in the room but Vinnie condemned it in case some of his souvenirs were sensitive to the sunlight.

- The room is made entirely of shelves, with like four-five rows on the same wall. The shelves are either integrated into the walls or they’re floating because future. In any cases, there’s nothing around the shelves, it’s just shelves with stuff on it.

- When you enter the room, one of the rows of shelves next to you has all the animal-related stuff he gathered before starting a relationship with Balth. The rest of the room can have a few animal-themed objects but the pictures tend to be more linked to him and Balth.

- Likewise, when you enter the room, on the shelf you’re immediately facing, there’s a miniature recreation of their wedding altar with their wedding picture in its center. The miniature is made out of the future equivalent of papier-mâché and the altar is themed around time-travel with objects from all kinds of time-periods and cultures. And for those who might ask regarding the picture : Vinnie has a black suit and carries the bouquet while Balth has a white suit. Both have a hat that’s basically Balth’s usual hat (with the Professor-Time goggles, because themed wedding) but colored like their respective suit.

Balthazar’s office :

- The room has quite a few libraries but this is mostly decorations. Basically, this room is more of an 1800th century study than anything, especially a rich/royal study. Yeah, for some reason I see Balth as having an office that’s just “rich 1800th century” aesthetic. I think it’s from the headcanon of him being a runaway prince 🤔.

- So yeah. The bookcases are vintage, the piano is your usual black piano, the armchairs are vintage and tbh Balth almost never uses them because he’d rather read in the living room, and the desk is vintage, though the stuff on the desk is futuristic. Balth is up to date with the technology he’s using to work, he just likes the older aesthetic for the rest.

- On his desk, despite literally living with the guy, Balth has a framed picture of Vinnie (again, I want the stubborn gay disaster to be sappy from time to time, with his love language being small touches and attention to details like for example being able to quickly see the kinds of foods Vinnie like the most so that when he’s in a bad mood, Balth can get him that specific food to make it better ; or learning Vinnie’s body language to know when he’s upset or bothered by something).

- Balth mostly spends his time here to make the reports on their missions or work some administration stuff when needed. When he isn’t at his desk, he’s there to play the piano.

And yes, I throw out the window that line from “Backwards to School Night” that indicates Vinnie doesn’t know about Balth playing piano but tbh I ignore or question quite a few things from this episode such as : the line indicating that Vinnie and Balth don’t live together in their time-period since Balth doesn’t know Vinnie’s weekend habits ; the line about how the ray thing age you down to 90% your current age and yet baby Vinnie seems younger than the parents despite his adult self seeming older; the fact that Melissa read a book 16 times in the span of 6 minutes ; the fact that it’s called a “age regressor ray” and not a “age regressor ray-inator” (seriously, I am the only one always expecting Vinnie to say “inator” and being disappointed when he doesn’t ?).

- The couple absolutely sing songs together with Balth playing the piano. Or at least Vinnie would sing a song in the middle of the living-room and have Balth be annoyed by it, only for Vinnie to hear Balth play the same song on the piano later and join him.

Bathroom :

- Not much to say here. It’s a bathroom. It’s futuristic-looking. The mirror is a cabinet. The tub is round. The bin comes in and out of the wall. The clothes drier also irons the clothes. The toilet is glued to the wall. The walls are dark gray or dark blue or at least a darker color so that Vinnie doesn’t have to dim the lights to the lowest level when he’s showering. There are also several little lights along with a main one so that Vinnie can light the small ones instead of getting a headache due to the brighter light. During lazy/slow days, Balth would take baths instead of showers (and Vinnie would want to join him to make out). Balth may or may not sing in the shower (Vinnie definitely does). That’s pretty much it. ¯\_(ツ)_/¯

Guest/Storage room :

- Only used as a guest room when one or several members of the Dakota family are visiting the states and end up in the Tri-State-Area. So for 90% of the time, the room is used as storage.

- Bed’s not that big and very “squary”. Might or might not be floating.

- It’s mostly random junk that they don’t know where to put and don’t want to get rid of, like some stuff they got from their missions but that Vinnie doesn’t want in his room or some old things they want to give at a garage sale or that one Professor-Time body-pillow that Balth refuses to let go of while Vinnie just wants to trash the thing. The body-pillow being in the storage room in a junkpile was their compromise on the issue. Also, whenever someone might stay in the room, Balth makes sure there’s no way they will find the body-pillow (his sister in-law Bettie would never let him live it down).

- Not much to say here either aside from that.

Master bedroom (the room in which the proportions are way bigger than the rest of the house because I have no idea what I’m doing) :

- I described the room quickly in my fic “nightmares” but yeah basically the room has several posters and pictures related to their interests, along with a bookshelf full of animal encyclopedias, time-travel facts, history books, Professor-Time fantasy books etc. There are also albums, whether it be family pictures or album of the two of them.

- Like for the living-room, there can definitely be more than what I described/pictured here. I’m just really bad at imagining the kind of stuff people would have in their bedrooms related to their interests. And speaking of which : at some point, there was the aquarium that Vinnie mentions in “Time Out”.

- Unlike the other rooms in which the windows have roller blinds (apparently that’s the english word for it ?), this one has curtains on top of it because Balth likes to open the window in the morning but he doesn’t want Vinnie to hurt his eyes. So with curtains, he can open them enough to light the room but not enough for the light to reach Vinnie’s face.

- The bed is pretty classic for a futuristic bed but with round edges and these two idiots definitely go crazy with the sheets design (animals, food, Professor-Time, past time-periods, stuff like that). Also, the bed is “open”. By that I mean that, if you look at futuristic designs, there tends to be some roof thing above the bed and linked to it. They wouldn’t have that.

- The nightstands are floating cubes.

- “Dennis’ chair” is just some random old wooden chair where Dennis stays most of the time. Balth almost never takes him during his missions and Dennis is a comfort object that Balth mostly talks to when sitting on the bed, movie nights aside. So the bear stays in the bedroom.

- The bookshelf would also be made of wood.

- The wardrobe is futuristic, with doors that can open by themselves with sensory detection. Also, unlike what that poor “drawing” shows, the wardrobe is “taller” than it is “larger”.

- The armchair is an egg chair.

- They sleep

- They spoon

- Balth is the big spoon because 1. he’s taller and 2. he grew up sleeping while embracing a teddy bear and old habits die hard.

- When Balth goes to sleep or wakes up, he can’t help but play with Vinnie’s hair and give the small man a few kisses, feeling satisfaction in seeing his husband smile or try to pull away while laughing.

- Vinnie sleeps on the side closest to the window while Balth sleeps on the side nearest to Dennis.

- Balth’s nightstand has an alarm clock that’s basically just a holographic square with numbers on it, while Vinnie has an album or some random animal trinket. Vinnie’s alarm clock is not feeling Balth’s warmth against him. But if Vinnie has to use an actual alarm, the sound would either be some old-fashioned song or an animal noise (is this starting to get too much insistence on the “animal-loving” side of him ?)

- While Balth likes to read in the living-room, Vinnies likes it better to chill in the bedroom when reading. Also, during weekends and vacation days, Balth would sometimes read in bed before sleeping (yeah for some reason I really like the idea of Balth being a reader. I think it has to do with him being old or british ??? Weird brain is weird. And besides, if Balth reads, it would most likely be science fiction related to Professor Time). Vinnie uses this time as an excuse to cuddle.

- They have themed pajamas. Balth mostly has Professor-Time stuff (clocks, Heinz or Perry’s faces etc) while Vinnie has mostly animal-themed or food-themed pajamas.

- Vinnie sometimes sleeps naked in the summer. Balth is still trying to figure out how he feels about that.

- Random headcanon regarding Dennis : while he belongs to Balth who keeps him close when in doubt in order to vent or when he wants to get comfortable somewhere, I actually like to believe that, between the two, Vinnie is the one who talks the most to Dennis, mostly because Vinnie would just enter the bedroom and casually greet the bear, or he and Balth would have a dumb argument and Vinnie would playfully tell Dennis “Can you believe that guy ?” while pointing at Balth. Just, Vinnie being Vinnie and having random one-sided conversations with the bear.

And a little cute thing : while Vinnie really just talked to Dennis because why not, seeing the guy like the teddy bear so much would actually make Balth feel better about himself. I like to believe that grown-up men having plushies would still be seen as a ridiculous thing by most people (because toxic masculinity) and Balth got the habit of hiding Dennis when he was still trying to find the right guy for him. So seeing Vinnie have no issue whatsoever with the teddy bear and even liking him would definitely help Balth’s confidence, along with warming his heart.

- And since this post is all about headcanons : two things about phones and these two being sappy that have nothing to do with houses.

1. One day, Balth left his phone on a table and Vinnie decided to take a selfie with it because why not. After seeing that, Balth acted frustrated but ended up putting the pic as his phone background. Ever since, Balth’s phone background is a picture of Vinnie. The most recent one is from “We’re Going to the Zoo” with a picture of Vinnie holding squirrels in his arms while a third one is coming out of his pistachios-filled pants. The pic on the phone is a closeup, only showing Vinnie’s head and upper body. And for those who like angst, I’ll let you imagine how he must have felt having this as his phone background during the rogue arc.

2. Vinnie’s (numeric) phone password is 2703, aka march 27, the date of his wedding anniversary. The day is put first and the month second because Europe. Also, during busy weeks, this would be a good way for Vinnie to remember the anniversary.

(fun fact : I was trying to come up with scenarios for fics when I ended up thinking about Vinnie’s password and that number came to mind. So I just went “guess that’s their wedding date now”)

#Milo Murphy's Law #Vinnie Dakota #Balthazar Cavendish #Dakavendish #long post #VERY long post #headcanons #Flor talks #hey look I'm rambling again about random shit #I am SO. BAD. at design #but yeah #have a house #and random ideas #also have Balthazar Dakota #it sounds more and more normal when you think about it a lot #also Dennis Cavendish #or is it Dennis Cavendish-Dakota ?#now to edit the memory room post

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radarcore · 3 years ago

Text

First Meet

Dr. Woodsworth, a biologist who works at a wildlife rehabilitation center for dragons in a more modern-day, ends up getting the strange task of researching an unknown dragon that is way past the biologist's comfort levels.

Contains: Fearplay, fluff, 'trapped' tiny, like, two mentions of basically vore, dragon giant bc hell yeah L:<, non-binary tiny / giant.

mspaint is a hell to draw with man i didn even bother wit that background anyways hi yes, Orpheus (the giant) is owned by my friend, Bard! This is based on an au we had,,,,yeah >:))) Dr. Woodsworth is my character that i made like, today. Sorry if the ending was cut a bit short, i was rEALLY tryna end it.

Story under cut!

There were three people riding the railways towards Enclosure 7-B. Two well-armored guards, eyes just barely seem behind the glinting visors of their helms, tranquilizer guns tightly clenched, close to their chest. They were standing up, somehow able to keep their balance in the shaky compartment riding the railways. And then there was the scientist, a half-elf, half-pixie sitting down on the seat of the compartment. He had crossed his legs, fiddling with a bike chain fidget as he subconsciously bit his lip. Dr. Woodsworth certainly was no stranger when it came to dragons, unknown species of the (usually) winged reptilian species was his branch of work in the rehabilitation center. But most of the dragons he dealt with within that branch were fae dragons, whom Woodsworth, due to his fae roots, could understand, or rather just smaller dragons overall. But he had been told about…whatever this was. Huge…horns that curled upwards, boney claws with could most *certainly* tear him apart in seconds. He was mentally pacing, desperately trying to think of a way he’d be able to deal with such a beast. …He had been told the dragon could talk, so that brought some relief to him. …And what if he were to have to go inside the enclosure…? Woodsworth didn’t have wings, not anymore, at least…he would be as good as dead if the dragon wanted anything to do with him. The movement suddenly stopped; the compartment let out a pressured hiss. The scientist hadn’t looked up at anything else besides his fidget, but he could hear the guards’ armor shift. Letting out a shaky sigh, Dr. Woodsworth pushed himself up from where he sat, sticking the fidget into his pocket. His legs quivered under the weight. “…Here we go.”

***

As the hallway’s walls turned into glass, Dr. Woodsworth quickly pulled out his circular sunglasses, trying to still adjust his eyes to the sudden light. He didn’t bother to gaze outside, just desperately trying to keep pushing onward and hope things go well. Certainly, when it came to the…least dangerous dragons, things weren’t this technologically advanced, not built to keep whatever monstrosities could lie inside. Gigantic…monstrosities. But suddenly, the guards had stopped. “We’ll stand out here, go inside, there’s a distress button if you’re in need of us.” One of them had lightly tapped Dr. Woodsworth with their supposed tranquilizer gun. “…fuck…” Dr. Woodsworth gulped, and carried on, opening the door… It was a small square room, with four simple buttons and a lever. The middle part of the room was nothing but glass to show the *proper* enclosure inside. It was huge, coated with a thick snow with a somewhat rigid terrain. In the corner was…the dragon. A hulking beast of mostly fur, the claws were even sharper than Woodsworth imagined, the horns even larger, their neck winded like a snake’s. …A skull-like mask to cover the upper head. Dr. Woodsworth sheepishly leaned in towards the microphone that was close to the lever, trying to repeat the same words repeatedly before he pressed on the (supposed) microphone button. “…H-h-h-hello…h-h-hello…good-good-good morning? A-a-afternoon? Fuck…fuck…fuck it.” He slammed down onto the microphone button, choking out, “Good afternoon!” The beast winded their head upward, bending into an S shape as they slowly leaned towards the observatory that Dr. Woodsworth was basically stuck inside. Dr. Woodsworth hyperventilated, slowly backing up as the beast got closer, “Please…please don’t…” As if the beast could hear him now, so far from the microphone. As anyone could come for his aid. Whatever happened now. He wasn’t ready.

“Heyo!” With a soft bonk against the glass, the dragon had responded, gently fluttering their massive wings as they peered at the doctor with interest. Refusing to leave the massive dragon waiting incase of…*something horrid*, Dr. Woodsworth clicked on the button once more, leaning into the mic. “…M-my name is-is…Doctor. Doctor W-Woodsworth. I’ve…come to a-ask some questions…” “Oh, my name’s Orpheus!” Orpheus’ ear flicked, their tail faintly swaying in the distance. “Can I ask a question first though…this place is kinda weird an’ all, so like…” “…G-Go ahead…” He pulled out a clipboard and pen, preparing himself to jot down notes of his ‘interview’. “Well, first off, how long have I’ve been hibernating, *why* am I a dragon, and where’s ghost cat? He’s smaller than me, and he…*also* isn’t a dragon.” Dr. Woodsworth, his finger hovering above the microphone, *how was he supposed to answer those questions?* But there…was something interesting. They weren’t always a dragon…? …Huh…? “…You weren’t always a dragon?” “Oh no!” Orpheus raised a claws,”I was like…uh…I think shorter than you…? I dunno. But my friends called me short. Also I didn’t have these cool wings before too! And now everyone is small too, not just ghost cat! Like you! …But. Uhm…it’s really lonely in here and it’s making me nervous.” Dr. Woodsworth wrote that all down,”…W-well I-I s-suppose we-we can help you g-get adjusted…” He tried ignoring Orpheus’ comment about being lonely. As kind as the dragon seemed…he didn’t want to risk it. “Or…or…we can r-reverse it.” “Oh no! No! I don’t want to reverse this! This is super cool, …um, unless ghost cat is uhm…scared of it, but! …You haven’t answered where ghost cat is…?” As Orpheus’ ears flattened, Dr. Woodsworth’s heart sank. What was he suppose to say…? “…I don’t know.” Orpheus paused,”I…I…” The dragon slowly turned. “W-wait! I’m sure we can think of something! Uh-uh…we-we still n-need to a-ask q-questions…and…” Dr. Woodsworth put his hand to the glass before taking it away, his feelings conflicting. Fuck…what was he supposed to do? The dragon wasn’t talking, but he was coming out with no research whatsoever.

He leaned into the buttons, slammed down on the lever, maybe that could do something…? With a mechanical whir, Dr. Woodsworth was… Descending.

Dr. Woodsworth PANICKED, desperately trying the switch the level back and forth, “No! No! No! NO!” No, fuck fuck FUCK. The room shook as it stopped at a halt, the door whining open as a chill swirled into the room. He was still frantically pressing buttons. “…Huh…?” THUMP. THUMP. THUMP. Fuck…fuck…fuck…this was it. He collapsed onto his knees, clinging onto the panel. This was it. The end. Dr. Woodsworth screamed as he saw as Orpheus’ snout poked through the door. He attempted to curl into a ball, sobbing into his lab coat. “Heyo…is everything alright? I saw the square thingy going down, it’s probably really cold in here! I can warm you right up!” Dr. Woodsworth slowly turned, “Wh-“ Orpheus, using their mouth, plucked Dr. Woodsworth by the labcoat, pulling him out of the room. Dr. Wordsworth simply had gone limp, barely able to move by this point, his heart beating out of his chest as he simply accepted his fate. …Whatever that fate was. Being eat alive? Torn apart to shreds? …He didn’t know, but he accepted it to be painful. He closed his eyes, letting the darkness overtake him. …But there wasn’t any limbs slowly torn off, teeth tearing as his skin. …In fact, wherever he was, it felt soft. As he opened his eyes, he realized he had been gently pressed against the dragon’s chest, the dragon’s ‘arms’ curled around the scientist. Dr. Woodsworth caught his breath, still shaken from the recent events. He eventually let himself sink into the dragon’s fur, quivering as he sat himself right up afterwards. “…Is it less cold now…?” Orpheus turned their head slightly down, blinking as they awaited Dr. Woodsworth’s response. Dr. Woodsworth hugged his legs, he was finally able to relax, and soon as the panic was over, it had turned into annoyance. He let out a grumble, “I’m quitting this job.”

#g/t #giant/tiny #g/t art #g/t writing #g/t fearplay #g/t community #oc: dr woodsworth #oc: orpheus #orpheus solely goes by they/them btw!!#and dr woodsworth goes be he/him they/them #but i solely used he/him for the dr for simplicity's sake given orph's pronouns #feel free to ask ab them!!#diversity win! all the characters in this au arent cis!#unless guard is idk? BARD IS GUARD-

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rainbowbrash · 4 years ago

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lsp headcanons >:^]

- as the elemental of lumps she can "deactivate" her lumpiness temporarily and shapeshift into a humanoid form but she doesn't do it for a variety of reasons. one of the main reasons why she doesn't do it often/in public is because of her body image. as a lumpy space person in Ooo she basically spent the majority of her teenage years comparing herself to classically pretty princesses and as a result she feels her humanoid form is a far cry from what she's seen. in her normal state of self she feels like she doesn't have to confront her dysphoria and the like, so she just sticks with her lumps.

- she eventually comes to terms with her shapeshifting ability and uses it sparingly when she's around lemongrab and some of her close friends, but she never fully adapts to it. she basically uses it to dress up and try different kinds of makeup and hairstyles and that's about it.

- turtle princess isn't her only friend. she's aquainted with a lot of the other princesses/queens, but she has closer relationships with a lot of the "ugly" joke ones in the show like muscle princess and hot dog princess. the book club she attends in the library consists of her, turtle princess, muscle princess, slime princess, skeleton princess, ragdoll princess, and occasionally hot dog princess if she chooses to show up.

- the book club isn't really a book club so much as it's a gossip circle. they *do* read books together, but they also knit, draw things, exchange clothes and makeup, talk about boys etc... this is part of the reason why when lemongrab tags along with her it's a little awkward. slime princess usually brings snacks like chips and sometimes a dish of rice krispies, but if more than one of them brings snacks then typically the whole thing melts down into them eating all the snacks and playing computer games the whole time instead of discussing their book.

- lsp actually sucks at cooking from a functional sense, but she has a good palate, so most of what she makes tastes good even if it isn't pretty or set up right. a lot of her food looks like mush. lg is the opposite, and whenever they cook together she has to have him do all the assembling or else their food will fall apart on the plate.

- she was really crafty before she ran away from home. when she comes back to lumpy space to become queen she leaves with 4-5 different cases of pony beads, yarn, fabric, and various supplies to put them together. in middle school she was the type to make crazy loom bracelets and give them out to everyone in class.

- she's drawn several pictures of her and her line of boyfriends as anime couples both traditionally in school notebooks and digitally using mspaint. turtle princess has them saved to a hard drive that she keeps in a plastic baggy in her desk.

- if Ooo had anime conventions she would go, even though she has only a vague idea of what anime is and she's only thoroughly watched one or two of them. she and turtle princess would do very 90s-2000s style cringy cosplays and they would be very obnoxious about it, but they'd have a lot of fun.

- going back to the humanoid thing. one of the aspects that draws her back to it is that she finally has feet for once, and she uses her floating ability to wear the most ridiculous shoes you can imagine without breaking her ankles. like 4-5 inch platforms, spiked, tons of straps, flip flops with heels on them, the works.

- she used to be a scene kid as a 12-14 year old and only stopped dressing that way shortly before she started regularly visiting Ooo. there are pictures of her wearing mlp shirts with 5 pounds of kandi on each wrist and like 20 different clippies in her fur buried in a heap somewhere in her parents' basement.

#lsp transgender moments vs. lsp scene kid moments #mine #lsp

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squabblingwriter · 6 years ago

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Depressed! S/O & Anti

[Insert tag/Request]

The sounds of maniac giggling pulls you out of your thoughts. The plush bedsheets cushioning your immobile form from the firm mattress. There’s no telling how long you’ve been laying here, staring at the ceiling, thinking about what could have been. If you had been more involved in school, if you had accepted a different job, if you cared more for yourself. Would you feel better? Would you have more money? ... Would you have met Anti?

The speed demon met you in an Apple Store of all places. A friend had been allowing her daughter to play on your phone while you were busy cooking, and low and behold, locked you out of your phone. The worker at the store didn’t believe your story, thinking you were just trying to swindle them out of money. But, Anti, who had been lingering in the crowded store to change all of the backgrounds on the computers to a mspaint drawing of an eye, was annoyed by your arguing. He grabbed your phone out of the worker’s hands, tapped the screen a measly two times, and boom! Your phone was unlocked. At the time you had no idea how he did it, and the worker probably thought someone spiked her coffee, but it was amazing nonetheless.

A week later and you ran into him again while shopping for groceries. Anti had insisted on helping you reach items on higher shelves. Seeing as he’s taller than you (and has a nice butt) you let him do as he pleased.

The week after that you found him lingering in the lobby of your apartment building. As it turned out, he lived on the floor above you. That day led to Anti constantly visiting your apartment, to the point that you just gave him the spare key.

But that doesn’t matter now.

Glancing at the bottles of medicine on your side table, you sigh. New medicine, new effects, same feelings. You know that you should tell someone that the meds aren’t working, that the lump in your chest is making it difficult to do anything, but you just... can’t. What’s the point? You take the medicine to make you feel better for a short period of time, only to feel exactly how you feel now afterwards. You might as well skip to the end of that story.

“S/O?” Anti’s voice is distant, probably coming from the living room on the opposite end of the apartment. He’s not laughing anymore, leaving the home nearly as silent as before he arrived.

You want to answer him, to tell him you’re in the bedroom, but again there’s no point. He’ll find you eventually. He always does.

Anti’s footsteps slap against the wooden flooring of the hallway. You don’t bother wondering why he’s not wearing shoes, chances are he just doesn’t care. He doesn’t care. Does Anti care about you? You can’t imagine why. There are so many things wrong with you, some that you’re sure you’re not even aware of.

Your body.

Footsteps.

Your mind.

The creaking of the door.

Your life.

Anti looms over you with scrunched eyebrows. “What’re ya’ doin’?” The look you give him hurts. Not you, but him. Your eyes are unfocused, you’re wearing the same clothes he saw you in three days ago, you’re staring to smell a little too. Now, Anti may not be the brightest bulb, but even he can tell when something is wrong. “S/O?”

You blink your eyes in an attempt to focus. Anti is kneeling next to the bed, his dark eyes desperately searching your face for answers that you don’t have. “Hi,” you manage to say. You want to say more, but your lips are sealed shut.

”You don't look so good, doll.” He places a hand on your forehead, ”Yer not sick, are ya’?”

Turning your attention back to the ceiling, you hum in thought. ”Mhm... Yeah.” You pause. ”Really sick.”

Anti sighs. ”I told you ta’ call me if you’re not feelin’ we'll.” He stands up from his kneeling position. Not looking at him, you can hear the demon opening and closing drawers. He even enters your closet for a minute. ”Alright, then. Here’s some clothes. You take a shower while I make ya’ some soup.” His tone leaves no room for argument.

Forcing yourself up from your intention in the bed, you force your body to takes the clothes from Anti. You don't want to shower. You want Anti to go home so you can waste away in piece. Yet, as Anti guides your slow body to the bathroom and starts the shower, a small part of you is thankful for his presence. The demon even pulls out a clean towel from the cabinet below the sink. Anti pauses before he leaves the bathroom, thinking better than to leave you alone. Something in his gut forces him to stay.

Squatting down in front of you as you sit on the toilet’s lid, Anti grabs your hands. His thumbs gently rub against your palms as he looks up at you expectantly. He doesn't say anything, only watches you as he thinks about how you're acting right now. You're exceptionally quiet, and it's unlikely that you've even moved from the bed in last few days. It's as if you’re-- oh. OH.

Anti’s eyes widen in realization. Now he just feels stupid. You're sad. Really sad, like, depressed sad. Because you are depressed. Anti runs one of his hands through his hair. No wonder he didn’t feel right leaving you alone!

He swallows. “Hey...” His voice is gentle, thumb still making circles on your palm. “Why don’t I stay the weekend?” You don’t answer, only leaning your head on his shoulder. Anti runs his free hand up and down your spine. “You won’t have ta’ worry about anything. I’ll take care of you.”

You know he means it. Even at your lowest point, Anti means everything to you.

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chibitabathasloves · 2 years ago

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i agree w the notes !! i hadnt noticed the scarf stuff but it makes a lot of sense. nice catch !

sorry the brain fog is taking a bit. i love that u have a notebook for that btw. if you ever end up watching manhunter, it's an ok adaptation of the book red dragon. im kind of insane about red dragon willnibal and manhunter willnibal : i think manhunter will is VERY different from red dragon will, in bad ways, but both are kind of insane to me. i have book fandesigns but idk if its worth posting the content bc everyone is so used to NBC ? but then again i literally draw manhunter designs which are from a movie literally Two people in the fandom have seen so

i like ur interpretation of hannibals feelings for will ! i do have a bit of trouble being as optimistic about it as other people in the fandom. i kind of don't really know where the control freakism starts and where it ends w his feelings for him. you're right that he didn't choose who he loves, which i'm sure made him ABSOLUTELY FURIOUS, BECAUSE HOW DARE, but also so he can play chess with will properly instead of just making him a pawn he does have to relinquish some control... and he can't just detach himself emotionally from the situation, he's in love... but then it means he has to give up control. i love willnibal so much, i love writing it so much, it's so fucking complicated.

also i love the italian nicknames they're so cute :) i love the idea of italian nicknames in general. hope u can kick ur friends ass !! i do love the idea of will trying to connect w hannibal thru languages. italian seems like a good middle ground, lithuanian is really pushing it too far imho. remembers lovingly that mspaint comic i made w will thinking it would be a VERY good idea to practice saying "i love you" in lithuanian and chiyoh begging him to stop because it was the worst idea alive

Hello again, sorry I was at a wedding last night trying to wrangle small children that aren't mine.

My notes have like insightful little quips and then bullshit like: "Fucking monster. Licked a newspaper." Like, ah yes. They're going to give the cannibal glue. No, no they won't. But he sure did lick that newspaper for his weird little scrapbook.

I'm not going to lie, the reason I've actually thought about watching Manhunter is cause of you. My one friend told me the movie isn't very good (I'm notoriously bad at watching bad films) but I wanted to be able to interact with your art for those things because I like your art so much. Also now that I am an unhinged Hannibal fan, he got me to watch Hannibal Rising (i think I told him I wanted my time and money back), SOTL and Red Dragon. My first thought when seeing Norton as Will was "Really? The fight club guy?" But i remember so little of the film other than 'wow, Freddie Lounds is a dick whether he has one or not' and 'hehehe exercise leash'. And then with SOTL I was like "wow, good thing all these characters appear to be the pinnacle of mental health." But they sure didn't seep into my brain. I might try watching them again. But I def want to watch Manhunter. Give me insane. I'm down for the sickness (brain rot).

Also, give me the fan designs. I'm still a partial Witcher fan, so I love seeing the book designs people come up with. I love that for people! I love that for me!

The weird thing about Hannibal's feelings is that he's so blasé about them. I think at first he saw Will, and was intrigued about the potential of being seen. But clearly it wasn't the superpower it was practically claimed to be. After all, Will looked him dead in the eyes and didn't see the creature behind the veil. But maybe Hannibal saw something else in those eyes that wouldn't settle. Like a feral animal curled into itself, eyes darting around, looking for the best and quickest exit. Unlike when he met Lass, who was hardworking and smart, he kept her because of that intelligence. Will had something, but he wasn't sure what. And I think that's why when he says he was curious about what Will would have done with Hobbs when he had placed that phone call, I believe him. Will was either going to be another of Jack's bloodhounds stolen from under his nose, or he was going to be something else. I think that Hannibal struggles with some form of depression, the surface level attachments to his creature comforts, so the boredom is stifling. Hannibal himself is so incredibly nuanced and shifts from "Will is my friend" to "Guess I have to eat him" in the same conversation. I don't think Will was ever safe from Hannibal's knife. At least not until like S3 finale. The issue with an emotion you're not used to is its volatile, and we can see that in how Hannibal talks of Will and to Will. I do think that he joined Jack in helping to groom Will to kill himself, because it would be a worthy challenge.

I know some of the Fandom elevate Will to a god-adjacent status in Hannibal's eyes. But again, I think that comes and goes. I think there are moments where Hannibal looks at Will and sees the God of Righteous Fury, and other times he sees the man who is ruining his life. Hannibal's body language and facial expressions are all very neutral (props to Mads Mikkelsen for that), so you have to watch his eyes and mouth for the smallest flickers. And they are small. Matthew Brown was a fool and a tool, but he was right about the eyes.

NBC Hannibal's past is very patchwork-y but from what I could scrape together he would have stopped speaking Lithuanian around the time he was mute, would have shifted into at least understanding or attempting to understand Russian (soviet occupied Lithuania) before he fled to France. In France he was still a mute. NBC specifically said his Uncle Robertus took him in at 16. Boarding school. So we can assume he learned French in boarding school. Japanese would have been next up, Lady Murasaki and Chiyoh would have used it to speak to each other, both so far from home, it would have helped ease the homesickness. So I do believe Hannibal would have learned Japanese. But Japanese would be tied to another heartbreak (like Lithuanian) when Murasaki sends Hannibal away after he refuses to stop stabbing people. He goes to his mother's homeland of Italy, and eventually settles in Florence, where he learns Italian and comes to grow into the man we know today. So that's why I advocated hard for Italian nicknames. And why I think that language for Hannibal is important, but also an insane field filled with landmines.

Welcome to my Hannibal TedTalk lmao

And I will kick his butt, because I want to write suburban murder husbands calling each other il mio mostro and il mio tutto, and I think we chose a German nickname for Abbie, but I don't remember it now. Had to look it up Jägerin, for huntress. Cause we're unhinged and can lmao

#sansnom #hannibal #chibi rants #its practically my dissertation now

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casualarsonist · 7 years ago

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Assassin’s Creed: Origins first impressions

Yes, once again it’s time for me to play 20 hours of a game and only be able to give a ‘first impressions’ review, because in this day and age if you’re not able to play a game like a full-time job then are you even playing at all?

I must admit though, for all their flaws as a developer and as a publisher, Ubisoft have, for the last few months at least, given me some of the most consistent gaming enjoyment that I’ve experienced in a while, and it’s due in no small part to the marked increase in quality in their recent releases. It started with Far Cry 5, which I will talk about once I’ve finished it, and continues with Assassin’s Creed: Origins, which is easily one of the top three games in the series.

However, (and we’re talking about Ubisoft here, so of course there’s a ‘however’) there’s something I want to talk about first, and that’s a little thing I call the ‘Ubisoft Enjoyment Curve’.

If the title isn’t self-explanatory enough, the UEC is a visual representation of my enjoyment when playing a Ubisoft game, and it’s a pattern that is consistent among most of their games in most of their franchises. If one were to do a shitty MSPaint drawing of it, it would look a little like this:

This particular mock-up pertains specifically to AC games, but generally speaking, the UEC tracks a boring tutorial followed by a sharp increase in enjoyment as the world opens up, followed by a plateau when one starts getting into the repetitive gameplay loop. This is followed by a sharp decrease in enjoyment as the loop gets tedious, ending on a low as the final battle underwhelms. My experiences with Ubisoft games tend to follow this exact same pattern every time because the company consistently manage to do certain specific things very well, and certain specific things very poorly. For example, no-one designs an open-world like Ubisoft. While the world of, say, The Witcher 3 is a stunning place filled with gorgeous visual detail, it’s still a collection of discrete zones that can only be travelled between via loading screens. Origins, however, is one enormous, stunning, and SEAMLESS representation of Hellenistic Egypt, and somehow it performs like a dream. When the game first offered me a mission to leave the starting village of Siwa and travel to a different city, I finished everything there was to be done because I was convinced that, like Assassin’s Creed 2, for example, I’d be transported to another self-contained city sandbox, cut off from the rest of the world. So imagine my surprise where I realised you could just ride from one end of the country to the other on horseback, and as soon as I was loaded into Alexandria, I could turn right around and walk straight back to Siwa if I wanted to. You can gaze across the deserts surrounding Giza and see the glorious lighthouse at Alexandria towering on the horizon miles in the distance, and if you want, you can make a beeline for it and rarely encounter stuttering and pop-in, with nary a loading screen at all. This technical sorcery is one of Ubi’s greatest strengths as a developer, and although, for example, Black Flag had attempted something like this in their open world, the fact remains that that world is a collection of islands, lacking even half the detail and landmass featured here. Even the most recent game before Origins - Syndicate - took place in the city of London alone. A large city, but much less a ‘world’ and more a ‘zone’. So once one slogs through the grind of the mandated Ubisoft tutorial (as if you’re not just playing practically the same game as you were ten years ago), the enjoyment spike that comes along with exploring the expanding world is dramatic.

But then, after a few hours of running round on an exotic virtual holiday, they hit you with the god-awful present-day missions. Now it’s not that I object to the meta-narrative - failing to adequately follow-up Desmond Miles’ storyline is actually one of the series’ greatest mistakes, in my opinion. The promise of that story, and in particular (SPOILERS) the stunning and fantastic anti-climax for Ezio Auditore at the end of his life’s search for the secrets of Eden, as the Ancients delivered their message through him and over hundreds of years of time to Desmond, was one of the main reasons I was so excited for the follow-up entries following Ezio’s retirement as a character. But it’s specifically because they’ve failed to give the player any reasonable incentive to care about the meta-narrative that these missions are so unbearable. I mean, there’s also next-to-nothing to do in them, but it’s unsurprising that a lack of compelling storytelling begets a lack of compelling gameplay. I genuinely think that they could have thrown that shit out entirely with this entry - I would have been more relieved than anything if they had - and while I can’t comment on how this particular story develops, there seems to be little, if anything, going on as far as I’ve played. It’s more engaging than the confusing, entirely cutscene-based meta-story of Syndicate, but still, the present-day portions of Origins that I’ve played so far take place in a tiny, relatively featureless environment that offer little more than an annoying distraction from the true wonders of the game.

After leaping back into the past, however, it isn’t long before the comfortable familiarity of the AC formula and the wonder of the game world begins to offer diminishing returns. Because once one has explored enough of the map, it becomes pretty clear that whatever changes Ubisoft have made for this entry are ultimately pretty superficial - Egypt may be beautiful to look at, but in many ways it’s like the pre-rendered backgrounds of old in that there’s little by way of interactivity here. At its core, this Assassin’s Creed game is fundamentally the same as that Assassin’s Creed game, and you’ve probably got another 50 hours ahead of you before you’ve finished with it. And while this plateau in enjoyment can hold out for 5, maybe 10 hours, eventually, always, the repetition of the gameplay and the lack of true content always gets the better of me, and rather than investing in what I’m doing, I start enjoying my time less and less. I stop listening to what the characters have to say and just perform side missions by rote, and I’ve noticed that, for all the talk of Origin’s side-missions being more developed than in other AC games, this is only superficially true, and it still falls into the old trap of cut-and-paste content. On the surface, it would like you to think that the old dog has learnt new tricks, but when you find yourself unlocking a cage and carrying a captive out of an enemy camp for the twelfth time you’ll see that Origins still embodies some of the longest-standing flaws of the series as a whole. And it’s all the more annoying because the repetition in the side content doesn’t necessarily have to be such an issue, but as always, the busywork still ends up taking up an enormous amount of your time in-game, vastly outweighing the time spent engaging in any kind of story-related content, and it saps away a lot of the life the game might otherwise have.

So, with that said, what does the game do right?

The story begins in media res, and it does a fairly good job of catching the player up on the history of the main character - Bayek - and why he has you doing the things you’re doing. While it might initially felt like I’d skipped past interesting parts of a bigger story, I can’t help but feel like there is so much more to be revealed that I don’t know about yet, and this parallels the journey of Bayek himself, who begins the game equally ignorant as to how deep the conspiracy he has found himself embroiled in goes. For what I’ve seen, the game takes a rather hands-off approach to telling its story, as opposed to, say AC2, which leans into its historical figures and has a lot of fun with its fictionalised version of history. Origins opts instead to spend as little time as possible explaining its story via cutscenes, and throws the player into the doing rather than holding them up with the telling, and in my opinion it could have afforded to play with its history more. But again, I’m not sure how much of the story I’ve played so I can’t comment on how this changes later on.

The time period of the setting is absolutely inspired as well, and depicts Egypt when it was the point of intersection of three diverse cultures - the Greek, Egyptian, and Romans all meeting as civil war stirs between the armies of Cleopatra and her brother/husband (yeah) Ptolemy XIII. This incredible time in history lends the game an immense diversity of both architecture and people, and the player gets to experience the joy of interacting with these, and playing the lynchpin of the political machinations of some of the most fascinating figures ever to have lived.

Another area in which Origins excels over its previous games is the interaction between its various gameplay systems, and while it isn’t anywhere as detailed as say, something like Far Cry 2 in terms of emergent gameplay, it’s still a step up over previous entries. For example, I’ve seen soldiers affected by beserk darts crack open cages holding rebel prisoners, who have then gone on to cause extended chaos amongst the soldiers protecting a stronghold, leaving me free to slip in and out unnoticed. Sleep darts thrown into fires will explode in a cloud of sedative gas and knock out handfuls of people at a time. Poisoning corpses and wandering away can result in you returning to a dozen dead bodies strewn over the place as guards investigating dead comrades have carried disease back to their living counterparts. Tense battles can and will be interrupted by crocodiles or hippos racing in and devouring your enemies. Punt boats can be set on fire and sunk from under the people standing on top of them, or rammed and tipped, leaving their pilots swimming for their lives. Oil jars can be thrown into water, broken, and the spreading oil slick ignited. On multiple occasions I’ve avoided danger because the person who spotted me dropped dead on the spot with disease, or was attacked by a predator in the process of attacking me. I wish the game had gone farther with its fire mechanics, and I suppose in the grand scheme of things it feels a little half-hearted in terms of its implementation of some of these ideas, but still, it’s better than it has ever been.

Origins also has the tidiest implementation of its climbing mechanics of any AC game yet. There’s a far more definitive use of ‘press X to climb, press O to drop’ that leaves little room for you to be unsure as to whether you need to hit one or the other to scale that small ledge. The game is also much more forgiving in terms of which surface it will let you climb and where - as a result, Origins is much less a puzzle-climber than other games in the series, and it’s rare that you’ll end up getting stuck on something because the designers have simply decided that you’re not allowed to cling to that particular thing above your head. They also removed the infuriating restriction on jumping that was a particularly frustrating part of Syndicate - the one that completely stops you from leaping from ledges above a certain height - meaning that you’re free to leap to your death if you CHOOSE to, because this is 2018 and I should be able to make my characters commit suicide if I damn well want to. These movement tweaks open the way for more free-flowing experience, and allow for instinctive and reactive control by the player: if you’re chasing someone transporting resources and they disappear inside a stronghold, you don’t have to spend the next five minutes wandering around the perimeter looking for an entry point only to find that you can’t get down from the wall you just climbed - now you can just just take it in your stride and continue hunting your prey.

These small quality-of-life improvements make a big difference to the overall feeling of ‘tracking and attacking’ (trademark, me, 2018), particularly when combined with the overhauled combat. No-longer is the combat system a poor-man’s knockoff of the Arkham series; instead you have direct control over blocking, light and heavy attacks, dodging and parrying, and characters are free-moving with the ability to lock on. It’s a bit more button-mashy, but you don’t have to spend your time waiting for the enemy to attack; instead it encourages movement and pressing the initiative. You’re even able to equip up to four weapons, including two bows that operate as a stealthy and fully-featured replacement for the pistols/throwing knives that appeared in the previous games. In response to this, enemy awareness has been ramped up, meaning that even the quietest assassinations will alert any guard close enough to you, and you can and will be spotted fairly quickly if you creep without care. That said, even on hard, the game becomes easy as soon as you level up higher than the enemies around you, but you’re offered a menu option to make enemies level up with you, and for those that want the game to keep pushing them (and I’d say it’s necessary to hold off some of the tedium of the gameplay routine) I’d recommend it.

Lastly, I’d like to go into greater detail about the world design. From the gorgeous Mediterranean waters of Alexandria, through the verdant Nile Delta areas, to the desolate sands of the southern deserts, and the immense and haunting Giza pyramids, the game’s visuals are every bit the pinnacle of Ubisoft’s efforts. It can’t be overstated how amazing Origins looks, and there’s so much joy to be taken from simply standing and looking around, or touring the backstreets and bazaars and temples and cobbled carriageways. In a game like this it’s easy to get buried by the repetition and fail to see the forest for the trees, so it’s certainly a joy to snap out of that every now and then and just go for a walk and admire the level of detail on display. More than Syndicate with it’s rows and rows of similar buildings, or Black Flag and Rogue with their giant stretches of water, Origins feels like a world designed by hand and with care. Every surface and texture feels like it was placed with intention, and it gives you that very ‘Assassin’s Creed’ feeling in which you wonder just how close to the design the reality of the place actually was.

Collectively, my first impressions are skewed quite positive, although even now I’m finding myself falling prey to a fatigue common to my experience with these games. Taking the extra year for development has certainly done it some good - it’s clear that the ambition and quality in its presentation has increased with the increase in development time, and that a few fresh ideas have managed to penetrate the wall of executives that make all the decisions for this type of thing. But one shouldn’t be misled - Assassin’s Creed: Origins is still the same old Assassin’s Creed, and if there’s any core feature of the series that you despise, chances are you’re going to run into it here. That said, it still remains one of the best games they’ve made. It’s huge, detailed, gorgeous, open-ended, with visceral and bloody combat, a number of entertaining systems that interact to hilarious effect. When it works, it works really well - it’s fun. But it does suffer from the fact that the size and scale of the game means more faffing about with relatively meaningless busywork, and it’s this repetition that dulls the shine of the world around you. In some ways it feels more of a throwback to older AC games whilst still having some new ideas of its own, but when it comes down to it, it’s the latest AC game. So...get it if you like AC games, I guess? Because it’s the latest one.

#assassin's creed: origins #egypt #bayek #cleopatra #ptolemy #julius caesar #africa #europe #rome #greek #greece #ubisoft #open world #rpg #exploration #free running #aya

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septicquest · 7 years ago

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CALLING ALL ARTISTS!

Attention: This is not a Septic Quest page. Rather this is just an announcement that relates to why I have not been posting here for such a long time. idk what will happen to SQ after this and idk how far this thing is going to go. I won’t blame you if you hate me for being hesitant on the matter or if you unfollow me for such an action. But if you do want to participate in this new project of mine, I will love and appreciate the shit out of you even after I die, I swear. Please don’t hate me. Thanks.

So I’m sure ya’ll are aware of this web series thing I’m doing called “Allister & Melody” right? With all the voice acting and the original story and music and stuff? Well if you didn’t know and you’ve been wondering why I haven’t gotten to doing things like Septic Quest and Jacksepticeye, there’s your answer. It’s cuz I’ve been working on an original story with...pretty much everything I just mentioned.

If ya’ll need a little hint about what it’s gonna look like, - here’s a link to the promo. -

However, I have hit a slight dent in the road. Here’s the story.

So who here was here from the very beginning of Septic Quest? You know, like BEFORE Jack started reblogging some pages?...I see a few hands out there. Well anyway, I made a HUGE mistake when I started making this comic. What was it you ask?

I was working on it ALONE!

Which is probably the biggest mistake I’ve ever made in my life.....okay, maybe not the biggest, but it was a kick in the ass nonetheless. You see, this comic was supposed to be a really really REALLY long story. Like, it had three volumes worth of story. Don’t get me wrong, I love every moment of this story and I wish I could get it out to the world somehow someday, but right now just isn’t the time. However, it is still kinda cannon to the story I’m currently writing. (and don’t get me wrong, I’m not saying you can’t accomplish anything big on your own, it’s just really really hard on your physical and mental health if you bite off more than you can chew. Especially if you’re someone like me.)

Why am I telling ya’ll all of this? Well....honestly I’m not really sure myself. idk if I’ll continue the story as a comic or if I’m going to hand if off to someone else anytime soon. My mind is actually focused on Allister & Melody at the moment. So if ya’ll really followed Septic Quest specifically for the Jacksepticeye story, this is pretty much goodbye for another long while. And ya’ll can stop reading at this point and go off on your day. Thanks for listening. ^^

...Still here? Oh cool, hopefully that means you care. Thanks! Although I’ll warn you a second time, from this point on it’s all an announcement about Al & Mel and how I need help on it.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

STILL HERE!? Man, you’re persistent...I like that in you. ^^

Alright fine, no more nonsense. I NEED HELP! I’m on a hunt for awesome artists and/or animators for my thing. I’m hosting an audition for artists to join my rank to make this story come alive! ....uh..speaking of story, maybe I should explain that first before I go any further, shouldn’t I? ^^’

Ya’ll remember Allister, right? He was that tall guy dressed in black in the SQ comic? Leader of Tutopia? Right, that guy. Well that’s him right in the middle of the pic there, and this is him AFTER Septic Quest.

The story is he’s stuck on Earth for unknown reasons (to the audience that is) and is forced to live on Earth with humans and limited powers. Along the way, he meets a young little girl named Melody (the little cutie blond dressed in green) who is strangely an angel almost just like him! Except this little girl is being hunted down by an organization called the Child Protection Agency (CPA) where they take care of lost kids in the streets. Lately, they’ve had their eyes on her because of the powers she has. Allister, being the only one who has actual knowledge of her powers, sees it upon himself to take care of Melody and keep her from any humans who may want to take advantage of her. Along the way, he meets some strange new friends as well as old enemies, and shenanigans ensue thus creating an opportunity for a little show to create!

So there ya go, that’s the synopsis of what’s going on. Now for info on the show itself. Like you saw in the promo (if you clicked it, if not, here it is again), it’s going to have original everything: original voice acting, original score, original animation. But it’s not FULLY animated since that would take WAAAAY too long for just one animator. This is where I need help. I made the mistake of not asking for help when I first created Septic Quest, and so I don’t intend on making that same mistake here. If any of ya’ll are interested in being part of this project along side me as an animator/artist (and/or if you’ve got nothing better to do), this is an opportunity for you!

However, this IS an audition. You are going to have to live up to my standards of art in order to be on this team. You won’t necessarily need to learn how to animate. You’ll mostly need to know how to draw some....complicated poses. All of the art is gonna be done like you see in the promo. I figured that was just the easiest way of doing this. Also, this is all voluntary work, so unfortunately you won’t get paid....I probably just lost a bunch of you just saying that.

~~~~~~~~~~~~~~~

So here’s what you’ll need!

1. Pen Pad/tablet (or whatever you wanna call it) 2. Any GOOD art program you own, like Photoshop, Flash, SAI, ect. Stuff like MSPaint or sketchbook drawings won’t due. If you draw on a mobile device, I’ll have to look at it and approve it cuz that’s always up in the air. 3. A way of exporting files/images to me. A lot of this pics I’m going to want in PNG format, but JPEGs are also fine in some cases. 4. A Skype or Discord to keep in contact with me just to make things easier. If you’re one of those younger kids who have parents who don’t trust you on the internet (you know who you are) then PM me via however you can, weather it’s through this blog or my main blog, my twitter, my DA, my email (if you can find that one), or anywhere else I guess. But preferably, I would like to have you on Skype or Discord.

~~~~~~~~~~~~~~~

If you have these things and you’re STILL interested in helping out, well then here’s how you’ll audition.

The way you’re going to be animating this is I will either give you a shot or a character or even a whole scene to animate depending on where your skills lie. You are first going to give me 3-5 pics of your best art as well as a pic or two of whatever character you want to animate (choose however many you want from the pic above). If you can draw that character well, then I’ll add you to the team. If not, don’t feel bad. I’ve got a special place for ones who try ;)

After that, there’s gonna be more info about how I’m going to separate ya’ll into drawing what. There’s gonna be deadlines for these things, so be prepared for that world of pain. In fact, the deadline for your auditions will be sometime after I get back from Bronycon (August 11-13) where I’ll be part of a panel featuring a sneak peak of the first episode all drawn by me. You can submit your auditions through tumblr submissions cuz idk how to work other internet things that involve submitting things. Submit them with your contact name and who you want to draw. It can be as many characters as you want.

~~~~~~~~~~~~

Okay, just a brief review of auditions cuz I know I’m gonna get questions later:

1. 3-5 pics of your best art. 2. One or two pics of whatever Al & Mel character you wanna animate (can be as many characters as you like. *refer to the pic up top*). 3. No MSPaint or sketchbook picture taken images. Only good digital art. 4. Have a Skype or Discord for contact purposes. 5. Submit to my tumblr @luximus with your pics along with your contact name. 6. Deadline is August 19. I’ll give several heads ups along the way.

If you have any more questions, ask me on my main blog. DO NOT ask in the Septic Quest blogs cuz these are unrelated to SQ. If you do, I won’t be able to answer them for you, so you have been warned. (watch as it happens anyway -_-)

~~~~~~~~~~~~

aaaaand I think that’s about it. Don’t be afraid to submit your stuff early. The earlier, the better! Thanks for listening, happy drawing! ^^

#not a page #announcement #Al & Mel #spread the word!!!

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schpiedehl · 7 years ago

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An open letter to Hamilton (etc) fan artists, Re:whitewashing

Hello. Time for another ill-constructed rant on probably already well-tread ground. Specifically whitewashing in fan art (even more specifically Hamilton art though this could be applied to any fandom) and when it is ok. lol jk it’s never ok. PLEASE NOTE: I am an (amateur) artist. I am not ragging on artists because I “don’t understand how hard making art is,” “how hard artists work,” or what have you. These are legitimate problems of representation in fanart (that I have witnessed firsthand) and this is my earnest attempt to elucidate these issues. Feel free to interact with this post as you see fit. I am always free for debate if you disagree, would like clarification, or have anything to add.

+Look out for those embedded hyperlinks for more content

Preface: I am a member of far too many fb Hamilton groups. Sometimes people post their art, apparently forgetting that when you post things online you open yourself to critique. Hilarity ensues.

I often see Hamilton characters (generally portrayed as original Broadway cast members - Lin-Manuel Miranda, Okieriete Onaodowan, Anthony Ramos, etc.) who have been horrifically whitewashed - complete with lightened skin, bizarrely red or light brown hair, lightened eyes, and so forth. The most common defenses for this misstep, from both artists and fans, are personal style and apparent inability to approximate accurate skin tone (“I tried but skin color is hard”). Here’s why both of those excuses are utter bullshit.

1. Personal Style:

A lot of things in life are open to interpretation and all art is inherently interpretive. But the racial and cultural identity of a real life person is not one of these interpretive things. [PAUSE: before anyone says that this is precisely what Hamilton is doing with its casting, don’t.] First of all, I get it, personal style is important to art. Some people trend toward realism while others prefer more abbreviated, abstracted, and/or cartoony styles and part of that is selecting stylized color palettes, interpreting color in new and inventive ways, and playing with light, value, line, form, etc. This is NOT what I am talking about. It is entirely possible to honor a person’s background using relative or approximated shading/tone/coloration and to create beautiful art in the process [example: Chris Vision’s color series]. This little rant is specifically directed at people who "attempt" to depict Hamilton (etc) actors/characters using realistic/semi-realistic color palettes (as in, how they appear irl, accounting for abstraction, drawing style, etc) but fall short when it comes to depicting the actors, particularly in regards to racial background. You can find excellent examples of what I mean at Calling Out Whitewashed Hamilton Art and I’m positive you can find far too many examples in this and many other fandoms simply by scrolling through the tags on Tumblr and Instagram. So without further ado, lightening a person/character’s skin in fanart is racist. There’s really no ifs, ands, or buts about it. Foremost, the practice of editing a person of color to appear more European (skin, hair, eyes, even facial features) intentionally erases the cultural, racial, and ethnic background of the person in question. This is incredibly disrespectful to the actors who portray these characters and works to undermine what Hamilton as a whole is trying to build. If Hamilton is trying to reclaim American history for People of Color, stripping the racial, ethnic, and cultural backgrounds from the actors represents a rejection of conceit and, perhaps, even a form of appropriation. It is as though “fans” are saying that they want the art that is made by and for POC while simultaneously rejecting the distinctly racialized aspects of that art. When artists depict Lin!Hamilton as white, they are rejecting the Nuyorican background which Lin brings to the character in both writing and performance and projecting faux whiteness upon the character. In doing so, whether consciously or not, they are rejecting the actor’s race as well. Lin is beloved because of the art that he makes which allows many fans to look past his racial and cultural identity rather than accept it as an intrinsic aspect of both the man and his art. Moreover, the ubiquity of this whitewashed art also reveals a lot about what “fans” find visually appealing and acceptable - e.g., the Eurocentric standard of beauty. Whitewashing in art represents not only a rejection of POC’s culture but, obviously, their physical attributes as well. Dark skin is lightened and or whitened, hair is often straightened and/or lightened to a light brown or red hue (with the exception of Laurens, whose features, hair in particular, are often feminized as a form a queer fetishization but that is a rant for another day), and features are changed to appear more European. Often, depictions of characters are changed so much it is nearly impossible to tell that the art is based on any particular actor. In addition to being, again, extremely disrespectful to the actors, this further perpetuates the extremely harmful notion that beauty only exists in European features and sends a direct message to POC fans that their appearance is neither beautiful not accepted by the fanbase of a piece of media that was made by other POC specifically to appeal to them. This seems especially true of dark skinned black individuals who are often completely stripped of the melanin in fan art, further driving home notions of ingrained cultural colorism and anti-blackness. With Hamilton in particular, it is fine to “change” a character’s race if and only if you are depicting a character as a different actor. For instance, while Lin!Hamilton is Latino, Michael!Hamilton is a black man and depicting Hamilton as such, while uncommon among fan communities, is better than fine [*the lack of art of dark skinned actors is another point of contention. Not only are dark skinned actors frequently whitewashed, many are ignored altogether]. Depicting Michael!Hamilton as light skinned or white, however, is obviously not fine. Having established that lightening a character’s skin or depicting them with more European features is inherently racist, the claim that whitewashing is a stylistic choice is invalid. If you make the “stylistic choice” to depict a POC as white, you are racist. End of story. And if you want to do better but find yourself wanting to draw Lin!Hamilton as white, remember that this guy existed and just draw him instead. It’s not that hard. 2. Technical Difficulties:

One of the most unfortunately common excuses for whitewashing in fanart seems to be that, for some reason or another, artists have difficulty accurately approximating actors’ skin color so they presumedly just make something up, This results in Lin!Hamilton and Phillipa!Eliza looking a bit like Snow White, Oak!Mulligan looking a little tan, and so forth. As an artist, I understand that approximating realistic skintones can be rather hard, especially with traditional mediums, but it is glaringly obvious when artists don’t put in any effort. With traditional mediums such as paint, markers, or color pencils, artists can blend to create the colors which accurately (or as accurately as possible given the limitations of certain mediums like watercolors) approximate actors’ skin tones. If the colors dry lighter than intended, the artist generally layer and blend more to achieve a better approximation. If they then scan their image, they can use a photo editor to fix or correct any mistakes. It might not be the easiest to find good matches (speaking from experience, there aren’t a ton of good warm brown toned markers and thus a lot of blending is sometimes required) but, as previously stated, it’s generally easy to tell when someone at least tried to get close to a correct skin tone. With digital art, it’s even easier. Fact: Nearly all art programs have a nifty eyedropper tool which can be used to pull color swatches directly from a reference picture. Even MSpaint has this function. By pulling multiple swatches from a variety of reference images (to account for different lighting conditions), an artist can build a relatively accurate gradiented palette for skin tone. It’s really that simple! And if an artist notices that the color isn’t quite right, it’s nothing a few tweaks to hue and saturation can’t fix! If my tone seemed a bit sarcastic/passive aggressive in that last paragraph, it’s because it totally was. I see this excuse so much more often than I see any other excuse for whitewashed fan art and it is incredibly frustrating but also, as an (extraordinarily mediocre) artist myself, it rings incredibly inaccurate, especially for digital art. I completely understand that it sometimes takes a lot of time to get used to a medium but when an artist’s color palette is literally limitless, there is absolutely no reason (aside from personal, possibly subconscious/implicit but no less real, biases) for an actor/character to be depicted as white/light skinned when they are not. As previously discussed, that is disrespectful and harmful, and really only serves to make the artist (and those that support work) look like a jackass. And look, if you find yourself making whitewashed art, it’s not as though it is impossible to change. When someone criticizes your whitewash-y art, don’t get defensive. Don’t claim that it’s your style or that you don’t know how to color POC. It looks and sounds really fucking ridiculous. Instead, evaluate your art and place it into a cultural context. Take it as an opportunity to improve. And maybe also take the opportunity to learn a little about yourself and your biases. This wasn’t meant to be a call out post and I’d like to end this on a positive note so here are a few wonderful Hamilton fan artists who are worth a look: terror-in-a-dream zzzoehsu linmanwhydididothis mikiprice thegentlehoneybee dorothywonderland maeng

#hamilton #lin-manuel miranda #fanart #fan art #whitewashing #racism #longpost #rant #daveed diggs #Okieriete Onaodowan #phillipa soo #alexander hamilton #anthony ramos #lams #discourse #Renee Elise Goldsberry #john laurens #michael luwoye #jasmine cephas jones

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brotherlysuggestion · 4 years ago

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Day 3: Introduce Yourselves

Mod Static:

Hi! You all know me by now, I’m the main mod of this blog, and the host of the system. My actual name is Vincent, I’m 20, I’m gay and trans, my pronouns are he/him, and I’m married! I’m a certified veterinary assistant, and I’m currently pursuing a degree in mortuary sciences to become a funeral director and embalmer! I also have a huge passion for art! What else, um... Oh! Apart from DID I have CPTSD, DPD, AVPD, GAD, a panic disorder, severe depression, Psychosis, and I’m autistic! All of these have been professionally diagnosed except for DPD and DID. Oh, and apart from mental health, physically I have both TMJ and CFS (also both recognized by healthcare professionals that I have seen). I will see a professional to confirm DPD and DID when I have the means to, though!

Hey, people call me X. I don’t actually have a name, but they got around to calling me “X” like how some people will sign checks if they don’t wanna sign their name, yanno? I don’t know what else to say. I like platforming or skill based video games and manga/anime, specifically of the horror variety. I’ve been around the longest; basically as long as Vince. I kinda think of us as twins, like two halves of the same piece. We’re the same age, both trans men, both 20. I also view myself as married to Vince’s husband. I don’t got much else.

Bitcoin:

HEY!!!!!! I’m Bitcoin and my passion is being annoying as hell!! I’m a trans dude and I’m like? Maybe 17-19? I feel like I slide around a little but I’m not super worried about it so? I really like pixel art and mspaint art! I like to draw anthros/furry stuff since I think the shapes are fun to mess around with :o) I like nightcore music and techno and glitchhop whatever is fast and upbeat! I have a lot of interests that are harmless but considered cringey and I enjoy being The Cringe One tbh! I don’t mind being judged or ribbed on for it. Oh yeah and uh I like old gameboy and sega games and I think old school mario is pretty pog :o) I’d like to be married to our husband but I’m a little shy because he’s really pretty so I maybe like the term boyfriend for now even if the body is married married for realsies!!! SHOUTOUT TO OUR BAE FOR TEACHING ME HOW TO CHANGE TEXT COLOR LMAO THIS SLAPS

Cayenne:

I’m Cayenne. He/him. I’m 22.

I’m not that interesting. I like rock and punk music, especially shitty “dad rock” or whatever. I think ska has a cool name but I don’t know what the fuck that genre actually is. Our husband is obviously my husband too.

Gem:

Hiya! I’m Gem, I’m 26, and I’m the cute one 😘 I I use she/her and they/them usually, but I can be he/him if ya want me to be ❤️ I’d like to call Vincey’s husband mine, but I dunno how he feels about that!

Mod Static:

(To avoid confusion I’ll say it here; this alter’s name is “I”, pronounced like “eye”. We stylize it as a lowercase “i” in order to differentiate between a reference towards ourself vs a reference to the alter himself).

i didn’t feel like introducing himself right now, but I’ll say a little about him! None of us are super sure of his age, but he physically looks maybe 30-40 years old? He’s... super uptight and religious (no idea what he worships? His aesthetic is very Catholic Priest though?). He/him pronouns. He’s very fond of my husband, but it’s not super clear the exact nature of it?? Gem seems to know the most about him, and she showed up in my system at the same time as him. I’ve been mad ever since they showed up because I realized eventually that if you say their names together (Gem and i) quickly and with a drawl, it’s a pun on “Gemini”. Don’t know if this means anything or not.

Ali:

I’m Ali. I’m older than X and younger than i. He/him or it/its pronouns for me. I’m the newest addition to the system as I’ve only been here for a month or two. That’s it for me for now.

Toybox:

Hey! My full name is Toybox, T for short. You guys can use he/him for me. I’m 32. I can’t really name many specific interests; I like dark colors and I like being around kids and taking care of ‘em if that counts as an interest. I’m kinda everyone’s dad, or cool uncle, or eldest brother, or whatever. I like horror and action, but I’m also a big sappy romantic, too. I don’t know what else to say for now, but I’ll be back!

Henry:

Name’s Henry, obviously from the fact that this message was preceded with fuckin...“Henry”. He/him. I shuffle a little from 17 to more towards 19. I like cars. I like building or fixing stuff. I like rock and metal music mostly, but rap or punk and other stuff is cool too. I kinda merged with an old mod from this blog who was called Mod Bandage a while ago and I’m still trying to figure out if I should take over his old mod tag or make a new one for when I want to contribute.

Toybox:

Candy is the one little in our system. If you don’t know what that means, a little is an alter that is frozen in time as a child psychologically. Even if the body is an adult, we feel the same about sharing information on system littles online as we feel about sharing information on real physical children online; you need to be very, very careful because even small things could be used against them. For this reason we will share precious little about Candy and his interests.

I will say that Candy is 5 year old boy, and he is an incredibly sweet soul. I spend a bulk of my time either with him or with Vincent, and I feel incredibly lucky to be able to do so. He likes to color a lot, especially for me and for Vincent’s husband.

We decided to take part in Multiplicity May!! All posts will be tagged with “Multiplicity May” and “not a suggestion”, so the tag should be easy to filter if you’d like to! I’ll also put it under a readmore so that this doesn’t get too unreasonably long.

Day 1) Discovery.

Mod Static:

I discovered that I was part of a system somewhere around the age of 14 or 15? So it’s been... a good 5 years ago now, I guess, wow. Time flies. The cause of the discovery for me wasn’t very interesting or pleasant; a time of huge upheaval, and we just literally couldn’t function without me knowing that we were a system. It took me years still to really know what that meant itself though beyond the idea of “there’s other personalities in my head”, though.

For most of the others, they knew that they were part of a system pretty quickly. I have one alter who has pretty much always been here as long as I remember. Some of them didn’t know that there were others, and they thought that they were the only other alter in the system apart from me, but it was a pretty fast turnaround. I was definitely the one in the dark for the longest.

#mod static #not a suggestion #multiplicity may #did #profanity tw #ask to tag #Sorry that this is so long!! everyone wanted to get things just right

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