#like he has FEELINGS hes a HUMAN BEINg which is quite a revelation for him ofc.
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wraithsoutlaws ¡ 2 months ago
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shit aint so bad.
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chastiefoul ¡ 7 months ago
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—finally giving up on your unrequited love ft. alhaitham
a/n: ouch i hurt myself writing this. wc: 1.6k words of yapping about unrequited feelings
once upon a time you were grateful for alhaitham’s indifference, the lack of anything he was being when you’re badgering him with chatters, a detailed description of your day, concerns over him, and the occasional gifts.
it seemed like a blessing once, like acceptance. the slightest open of the door, thinking you could invite yourself in and he’d embrace that fact. but as his apathy remain constant and unchanging, you’ve come to realization—an embarassing one at that.
that indifference, that should’ve been a sign for you; alhaitham will never return your feelings.
-
 a stroll a day, keeps the stressful thoughts away.
however today’s walk is just not doing it for you, once you decided to wake up from the dreamland you thought you’ve been living in. a faraway and unrealistic vision of a life where you end up together with the akademiya scribe. an exaggerated sigh escaped you at your own daydreaming. usually by now you’d be quick on your feet to visit the scribe, however the overdue revelation you had last night made you finally think twice before doing it. and only because of that now you’d realized just how much of your life was centered on the grey-haired man, which was a scary discovery, knowing just exactly how little you mattered to his.
you found an empty bench mid-walk, immediately sitting on it. you leaned back, both of your hands holding your weight as you look above. the sky was clear that day, but your mind was clearer, as if a thick fog has finally been lifted.
seriously, what have you been doing all this time? giving your all to someone who wanted none of you. alhaitham’s curt nod, his brief and short responses really should’ve been a clue as to how he felt about you. yet you kept being stubborn, and sometimes hope was human’s greatest enemy. what should have been a bare minimum gesture he did, your mind managed to twist it into something more; clinging to it like a water on a desert. when it turned out that was exactly all there was to it—a mirage.
you chuckled sadly. even remembering those pathetic displays, you couldn’t bring yourself to fully regret having this feeling towards alhaitham. those moments where you’d steal a glance at him and felt like the world was okay. you would not allow yourself to forget that as you became more selfish, wanting him to look at you and feel the same. but here you were, reluctantly learning to accept the fact that he may never does.
suddenly a shadow loomed over you, shielding you from the sunlight you didn’t realize was so bright.
a familiar blond invaded your vision. “(y/n)?” he called out unsure, not expecting you to be there. “oh hi there, kaveh,” you lightly said, as if your heavy train of thoughts hadn’t existed at all. you adjusted your sitting position, shifting yourself to the side as you spare an empty spot beside you for him to sit. kaveh swiftly took your silent offer up, making himself as comfortable as he could on the wooden bench. “i spotted you from afar and you seemed a little troubled, hopefully i was wrong?” the ever so kind kaveh spoke up, and you couldn’t help but smile. kaveh always felt like a friend more than alhaitham ever was, albeit knowing him after you got to know the scribe. you weren’t even sure if the grey-haired man would ever mention even a word about his roommate if it wasn’t for you hanging wround on his office on a peaceful lunch break when the fuming blond barged in and yell at him about a key.
as it turned out, it’s a known fact that most people became quiet irritable when it comes to being in contact with the curt and aloof scribe, since kaveh has been nothing but a good friend since the day he gave you a weird look about wanting to get close to the acting grand master.
“it’s kind of complicated to say,” you started, thinking of the words as you went on. “let’s just say i’m having a quite bittersweet moment.”
you rested your gaze on the bustling street in front of you. he nodded in reply, “i’m guessing it’s more bitter than it is sweet?” he asked genuinely as you smiled once more despite not feeling a drop of mirth. “i suppose so,” you replied curtly, not knowing what to say to his keen observation. keen and exactly correct.
it’s the kind of bitterness that lingered. a kind of flavor you’d expected, since you’re the one who put it in. still, when that sharp taste hit your tongue you couldn’t help but flinch. after all, things don’t stop affecting you even though you saw it coming from miles away. you just hoped the sweetness will get stronger overtime, overpowering as it wash down the unpleasant aftertaste.
kaveh mirrored your smile in return except his looked particularly patronizing, as if he could sense your helplessness.
“will you tell me what happened?” his voice sounded gentle, a care you’ve never heard from the man you’d give a limb to for him to say things along that line. how do you even begin to answer such a simple question? nothing happened, and that’s why it was the problem. the fact that you’re the only one who’s mulling all over this, being so conflicted to what he thought must be nothing. a pain so overwhelming that’s swirling all over your chest while his biggest inconvenient that day was probably a typo made in a document made by a lousy student.
the whole thing just sounded so... pathetic.
“nothing happened... it’s just, i have decided to finally give up on something,” you try your best to sound nonchalant despite having no bravery to look at him, scared that he didn’t look like he believed you.
“well, i might know a thing or two about it. sometimes when an architecture project is too... unreasonable,” kaveh paused, the word tasted like a sour lime on his mouth. “there’s no way but to give it up. especially if you take a step back as take the whole picture from many aspects; in my case, there are budget, location, materials, and so on. there would definitely be some regret about letting go especially an ambitious task, however i think many of my past-self would really like to give the present-me a big gratitude for not forcing it through,” he rambled on, despite having no idea what were you referring on. “even sometimes, the reward was just not worth the risk, you know?” he ended it at that, throwing the question at you.
you swallowed on nothing, but you needed that to let out a reply.
“yes, i do know.”
“yeah? does this mean in your case, whatever you were fighting for was not worth it in the end?”
oh, that’s the worst part. you knew, you knew it with your heart, body and soul that it would be so worth it if there’s an outcome, a scenario where alhaitham might return your feelings. oh it would be so worth it. you could smile, just imagining how worth it would it be.
but that was all it was. an unattainable imagination. an ending that you couldn’t allow yourself to be so cocky to reach.
kaveh waited for your respond patiently, but when the silence had gone for too long he moved his stare to you. he widened his eyes, his gaze softened.
“i don’t think you’re as okay as you made yourself to be,” he said softly, as you felt your cheeks wet by the uninvited tears, running along freely across your face. yet, you couldn’t make an effort to stop them, your heart knew more than anyone you needed that. to feel the sadness, to recognize it.
to let go of the fact that alhaitham will never return your feelings.
kaveh was just quiet as you sobbed quietly, putting a handkerchief silently at the space between you both. there is no empty consolation, no comforting words, no small pats on the back. there’s just silence, a little safe bubble for you to cry in without people coming over to you and asked why.
giving up is such a funny thing, how could doing it hurt more than to keep trying even though you received no sign of reciprocity at all? but you knew the answer of that.
when there hasn’t been a rejection, it’s in everyone’s nature to have hope. a hope that there’s a chance of obtaining something you’ve wished for. a chance that something could happen.
giving up means finality. a state of accepting an outcome you hadn’t wanted. a result you never asked for. an ending where all that’s left was what should have and what could have. a harsh reality people could only accept as it dangled the possibilities and visions of what ‘could have happened’ if you’d just kept trying right in front of your eyes.
like chasing your own shadow; a fun thing to do when you’re a child, but now it’s just a fitting metaphor, reminding you of a fool’s way who love in such a pathetic way.
-
once upon a time you were grateful for alhaitham’s indifference, the lack of anything he was being when you’re badgering him with chatters, a detailed description of your day, concerns over him, and the occasional gifts.
but now it’s definitely a curse. after all, anything that has to do with love was not indifference.
it was never, indifference.
---
the urge to write this in alhaitham pov........................ should i?
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shiny-jr ¡ 1 year ago
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outlander
Warning: Yandere. Gender-neutral reader.
Characters: Riddle Rosehearts, Leona Kingscholar, Azul Ashengrotto, Kalim Al-Asim, Vil Schoenheit, Idia Shroud, Malleus Draconia. 
Summary: In every land you travel to, there's a god with elemental powers. But why is it that in every nation you arrive to, the gods attempt to make you stay?
Note: Why has no one done a genshin x twst thing? This is more of a concept idea than anything else. I might do a series with it, or not, or just random posts. Feel free to ask about it or request stuff for it.
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This must be a dream, either that or a never-ending nightmare.
Waking up alone on a sandy beach, as if washed ashore, was disorientating. There was nothing else on the shore save for shells and the occasional crab, no debris indicating a wreck and no scattered belongings. All you had on you were the clothes on your back, which were a pair of shorts and an oversized t-shirt, your pajamas.
In the center of your palms, was a marking you had never seen before, like a freshly painted tattoo in the shape of a tiny key. As curious as the strange new markings were and you wondered how they even got there, there was a larger question looming:
How did you get here?
GRIM
There was a cat on the beach. At least, it looked like a cat. A talking feline, with gray fur and the most impossible feature of blue fire lightly simmering in his ears.
It spoke, just like a human, with a grating high-pitched voice. It was a devilish little beast, with little fangs sharper than his comebacks that he supposed were funny.
The feline pridefully announced his name: Grim.
And when you told Grim your story of how you woke up by the water's edge with no recollection of how you got here and little to your name, the creature didn't appear to care. However, when he spoke of elements being used by people and names of nations and cruel living gods you never once heard of, only then was he very vaguely intrigued. Perhaps it was amusement, as he laughed and called you stupid for not even knowing of The Seven.
That's when you heard a growl, not from behind his fangs but from his stomach. If you looked at him from the right angle, he looked quite scrawny. The poor thing was hungry, you realized.
All it took was an offering of cans of tuna found in an empty cabin nearby, and you had him in your grasp. Following you around was only temporary, he insisted, he'd go along so long as there was food. While a talking cat was not the most conventional of guides, it was better than nothing, especially since he knew basic knowledge of each nation and where the nearest sign of civilization was located.
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HEARTSLABYUL
Through the winding dark woods where mysterious creatures lurked in hollow trees and dead end paths, were meadows of flowers and peaceful grooves. However, don't let the tranquillity of nature fool you. In the distance were mountains– not actually mountains, but volcanoes and hot sprints along this land's border.
It's been said that the very millions of roses and other greenery in this land, was formed when ash rained down on dry barren earth for nearly a month. Ash from those very dormant volcanoes that were the backdrop to this perfect scenery, which came in huge black clouds thousands of years ago and blanketed the earth.
A god, an archon, the deity of law that rained hell on earth over thousands of years ago.
Long ago this land was a country of criminals ruled by a god of chaos that reveled in havoc and disorder. Among the mayhem, was a small deity of fire with mighty powers and a vision for a future he was determined to see. Riddle, is what the deity was called.
Riddle gained a number of followers to listen to his words, and he created order. A small feat compared to the many wicked still running about in a lawless land ruled by a god that valued anarchy. So, using newfound strength, the deity of fire drew forth molten lava from the mouths of the northern volcanos, burning all those in its path while the deadly plumes of smoke and ash suffocated those that remained. Atop the remains of the destroyed towns and cities, he built a new nation of order for his loyal followers.
Today, it is a thriving nation filled with flowers and greenery. However, there is one issue. The god of pyro, Riddle, is a tyrant. Every law is expected to be followed without question and without fail, beheadings have become nearly a daily occurrence with the criminals often being charged with mistakingly picking flowers on Wednesdays, drinking the wrong sort of tea post-meals, or playing croquet after five pm.
You were fortunate to be spared after your audience with the god of law, for breaking the rule: one must never bring a cat to a formal affair. Before he could burn you were you stood, you interjected, answering that your companion was no cat, so you had broken no rule.
Well, he promptly apologized for the misunderstanding and in turn, offered to make up for it by inviting you to a tea party. It would be best to except his invitation, afterall, he was the same deity that buried nearly an entire country in lava and ash, then built his kingdom atop their remains. He was a tyrant that beheaded and burned people on the daily. It was wise not to get on his bad side. Besides, he appears to have taken a fancy for you. Riddle implores that you tell him more of your world while you ignore the whispers of rebellion.
There is no leaving Heartslabyul, not without the explicit permission from the god of law. The borders with their volcanoes burn any would-be invaders, allowing passage only to merchants and travelers who have received the pyro deity's blessing. Why would Riddle ever give you his blessing to see you go?
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SAVANACLAW
Across the volcanoes and hot springs of the borders, the mountains turn green with dense jungles. Across the river lies the savanna where the world's most wondrous creatures run free. Times have been turbulent, the shaking ground was evidence of troubles with this nation's divine beings, or rather, now single divine being.
Earthquakes have always been a sign of something occurring either for a purpose or unintentionally by someone else. The harsher the quake, the greater the importance of the event. And not too long ago, a ginormous tremor shook the entire globe. Something of major importance had happened.
A god, an archon, the deity of intellect was the new sovereign after tragedy befell his elder brother.
In the past the land was under the protection of the god of strength, a mighty god worshipped by his people. This god had a young heir who was also beloved by the people. However, most forgot or completely disliked the younger brother of the god of strength, a deity of ground, Leona, who had a burning hated for his brother.
Leona amassed followers of his own in secret. It came as no surprise that the common and the wealthy adored the exalted god of strength. However, the poor detested him, because he offered no help to them, no matter how much they prayed and offered what little they had to his alter. Instead, their prayers for mercy and for a change in luck, were answered by the deity of ground. The change of luck came from the death of the former god and his son, paving the way for a new sovereign.
Today, there is uncertainty in the street. Many of the former worshippers of the god of strength believe in one thing. The god of geo, Leona, is unfit to rule. The poor and mistreated have emerged from hiding places in the shadows, filled with newfound confidence for their was finally a god that answered their prayers. However, there remains a growing tension between both factions. Followers of the new god sing his praises, while followers who mourn for his brother believe that everything is falling into disarray.
You were promptly introduced to the god of intellect by his followers that wished to spread the good word. There was something wrong, you and your companion both agreed. How could a powerful god of strength and his young heir just perish without warning? Something was amiss.
This was just a new follower, at least in his eyes. So he brushed you off, allowing you to partake in the best food and drink only his followers had the privilege of receiving. Testing your luck, you decided you would ask him if he knew of a way home. For now you filled him in, explaining your origins and recent adventures. For such a conniving and arrogant leader, he was surprisingly lax. It even appeared as if he wasn't even listening to your words, just dozing off on some pillows. Your words were at least more interesting to him than the rumors of possible unrest.
Perhaps he does know a way for you to return home, but he doesn't want to tell you. It's as simple as that. He likes the new follower, you. Besides, you're not going. There is always the option of traveling further, but why do so when the geo deity has what you need? Leona greatly loathes betrayal from his own worshippers, so you wouldn't leave Savanaclaw to see another god, would you?
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OCTAVINELLE
In the seas dwell creatures of unimaginable horrors living deep within the watery depths, across the ocean over turbulent waves there are islands of paradise. The chain of islands composed warm southern beaches and cold northern snowlands. This may be paradise, but a toll must be paid to even get near the islands.
A tax is applied to all arriving merchants wishing to trade and tourists wishing to step foot on the island. It doesn't make much sense, until you see their towns and cities bursting with trade. Business was booming, apparently. The water is clear and pristine, you could see the vibrant coral reefs and schools of fish swimming below.
A god, an archon, the deity of contracts once came from these very waters when there was no land.
Thousands of years ago there was nothing but ocean out this far away from the mainland. That is, until a deity of water appeared from the depths. He promised a new nation to traveling merchants, so long as they worshipped him. The deity introduced himself as Azul.
Azul had grown bored of the dull happenings under the sea, for he had achieved most things beneath the waves. The ocean could not satisfy his endless greed. He had his sights set on higher elevation, with the lofty goal of being just as powerful on land as he was in the ocean. He moved waves, creating tsunamis outward but revealing islands once hidden by water. The merchants took to land and fulfilled their end of the deal, worshipping him while creating a prosperous nation of deals.
In present day, hardly anyplace can compare to the thriving hub the nation has become. However, loyal followers have begun to see his greed. The god of hydro, Azul, is a charlatan. The ocean in all its vastness was not enough to satisfy his desires, it was why he took to land. For the promise of fulfilling prayers, something always must be given in turn or the worshippers must risk going on a quest. But, it is not always as it seems. One way or another, a prayer asking for something will end in the worshipper becoming in debt to him.
In exchange for an answer to the continued question of how to return home, you have nothing to offer for payment except for ideas. Home was modern, this world was not yet on par with the technology you knew. So you offer ideas of inventions, a device to capture an image in time, a mechanism like a box with wheels, a tool to contact someone miles away.
He believes you're quite bright, you think it false flattery to deceive you but you would be wrong. Your ideas are truly brilliant, and will no doubt earn him more millions and influence in other nations on the mainland! Best to take the compliment with a smile, or else this swindler may find a way to trap you in debt. Azul insists you tell him more of your home and your lucrative ideas. Here, a contract, where he shall sell your ideas as goods and you shall reap the rewards! Whatever hearsay you've heard painting him in a bad light, is defamation! Don't fall for it so easily.
Sailing away from Octavinelle would just be a fool's quest. Unless you can escape on a boat that can weather the harshest of sea storms, there is no stepping foot off the island without the risk of drowning. Don't you have more profitable ideas to share with the hydro deity? If not, just listening to your voice would make Azul content than all the gold in the world could.
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SCARABIA
Rolling sand dunes stretch as far as the eye could see, and rocky canyons border a savanna. Sandstorms fill the skies like a dark cloud, covering the dry hot land in a new layer of sand once again. Struggle through the scorching days and blistering cold nights, and there will be an oasis in the center between large flowing rivers.
Life follows the flowing waters, and an enormous oasis is planted in the center of the desert. For miles and miles along the banks, are blooming cities and towns. A great contrast to the desert outside, these settlements are overflowing with water, with the greenest gardens and greatest crops.
A god, an archon, the deity of commerce that gave life to a once barren land.
Thousands of years ago, a terrible famine struck the land. All remaining oasis had shriveled up, leading to starvation. A kind-hearted deity of earth took pity on the people. So he decided to extend a helping hand. People would call the deity Kalim.
Kalim used his abilities to create a lush environment, a vast and incredibly rich oasis out of sand in the middle of the desert. When he walked, grass and flowers sprouted from the sand. In days, he managed to create a garden of tremendous size and design, where his new followers could live in peace and luxury by the rivers. Towns and cities were developed, giving way to a grand nation where he resided in comfort and extravagance, surrounded by people that adored him.
Now there is a grand metropolis where there is just as much gold in the markets as there are flowers. The god of dendro, Kalim, is naive. For thousands of years he has been sheltered and treasured by his people. He is oblivious and clumsy, but at the same time he is not foolish. He knows of the people that have attempted to use his abilities for sinister purposes. Although, no one could guess a conniving being plotting against him, resides in his very own palace.
Exciting adventures and thrilling tales, the god of commerce loves to hear your stories of the outside world! First time foreigners are welcomed with open arms, but you are treated as a rare guest with your unique origin. This might just be the most peaceful land you had ever traveled to.
Come, partake in the celebrations! It's easy to forget that such a laidback and cheerful personality belongs to that of a deity that gave life to this region of the desert. Dance, chat, he wishes to do it all with you! The brightness of the fireworks and lively atmosphere is nearly enough to drown out the presence in the shadows you see from the corner of your eyes. A figure with a piercing gaze, watching the jolly divine being with envy in their eyes. With a power as tempting as his, there would be those wishing to snatch it. Kalim distracts you, offering more food and drink with a smile sweeter than any flower.
Why would anyone ever wish to leave this garden that was Scarabia? The outside, the desert and canyons, were harsh and unforgiving. The god of commerce did not wish to see you risk traveling and getting hurt. The dendro deity invites you to stay in the city! Surely you could be happy here with Kalim, right?
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POMEFIORE
On elevated lands, between mountains and hills, were endless forests in which travelers often vanished in or were discovered frozen. A winter wonderland, although this wasn't so delightful. It was beautiful, but a deadly kind of beautiful, where you risked being chased by mysterious beasts or becoming lost in blizzards.
The snow may be pure, it may look picturesque upon frozen lakes and lines of white trees, but looks are deceiving. This was once a serene land with a temperate climate, but it has only gotten colder and colder in more recent months until there was not a single spot of green to be seen.
A god, an archon, the deity of curses who was so bitter like the cold that he caused snow to fall all year round.
Stories have told that the land was once warm in springs and summers, only growing cold whenever the divine being was cross. They were frighteningly beautiful and terrifyingly powerful, regal as royalty but at times wrathful. Vil, is what the deity was referred to.
Vil became envious of an emerging figure, so he invoked powerful blizzards and storms. In recent generations, there have been a growing number of his people breaking off into a separate faction that worshipped a younger compassionate god of healing. Enraged by the betrayal of some followers and resentful with biting jealously, many knew that it was only a matter of time before he would snap. This frightening divine being would not accept being dethroned, he would not allow himself to be demoted in the people's hearts.
Civilization continued to thrive, even despite the never-ending snow. And yet, people cannot help but worry what may happen if the cold doesn't let up by spring. The god of cryo, Vil, was pretentious. Anyone who openly voices their distaste for him or a preference for the god of healing, can expect to be encased in ice and used as a display. No one dares to even utter the name of his rival, for fear of incurring his wrath.
Misfortune brought you before the god of curses' throne. Mistakingly his followers had believed you to be worshippers of the god of healing, which you insisted not to know of. You had simply been lost. Maybe it was your gawking at his ethereal appearance, or the compliment you murmured under your breath, but you were not frozen a punishment.
He decided to interrogate you himself, and through his stern questioning you found yourself a nervous mess as you answered honestly but blabbered far too much. Maybe this deity was amused, much like a king would find humor in a pathetic little jester. The divinity that froze nonbelievers into statues for his palace, found you quite endearing. Vil even once smiled at you when you spoke of inconsequential things, warming his heart to which the clouds carrying snow broke apart if for a moment, causing his followers to go into a frenzy fueled by hope.
When leaving Pomefiore is so much as even mentioned, all exits will be frozen shut by the god of curses. Why even venture outside the palace, when you have earned the favor of the cryo deity? Perhaps the land is warmer, but the neighboring nation is dangerous and he forbids the journey. Why would anyone leave after finally melting Vil's icy cold heart?
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IGNIHYDE
A forest of dead trees serves as an ominous welcome, or perhaps it was an omen warning incoming travelers. Slopes gave way to valleys, and along the coasts was a heavy mist that painted the vision gray. Homes and buildings, magnificent temples and crumbling feats of architecture, appeared to be floating in white clouds, but in reality they were situated on cliffsides thick with fog.
In the center of the dying forest, there are ruins of a grand temple once belonging to a god that met a tragic end. However, its remnants are closely guarded by mysterious creatures of air that cannot be touched. Legends say the temple was once a place of worship for a fledgling god related to the main god the nation worships today.
A god, an archon, the deity of innovation that has never once shown his face to the public.
Thousands of years ago, a pair of divine beings appeared. They went largely unnoticed for many years, until their brilliant inventions brought awe to those around them, attracting worshippers and diminishing the power of other local gods. The one remaining brother from this pair, is a deity known as Idia.
Idia created wondrous inventions, unintentionally forming a nation of inventors in the process. Withdrawn, dark, and silent, he is quite the unconventional god and yet he begrudgingly rules nonetheless. As reserved as he may be, he is feared among divinity. All lesser gods aiming for his spot are quickly wiped out by his inventions, without him so much as lifting a finger and using his own abilities. They're reduced to mere memories, as nothing is left of them. In times of old, it was once believed that he was a harbinger of death.
On decent days, the sun may shine on the coast, but most days there are heavy clouds and fog. The god of anemo, Idia, is an enigma. Most think him a ghost, for never appearing and for his abilities. The highest families, the most brilliant inventors, even other divine beings may request an audience, but he will never show. No one has ever seen him, all that's known is he is a figure shrouded in black robes like a grim reaper. There are others who believe there are double, because two figures have been spotted once.
You become the first to see his face purely by accident. It seemed he was just as startled of you, as you were of him. Thankfully, you were not going to be blown off the face of the planet by hurricane-level winds. No other god would help, in fact, they wished to keep you here. So you had to turn to him for assistance in finding a way home.
It was only by promising that he could pet Grim, a deal to which the feline disagreed to, did the god reluctantly hear you out. After your explanation, he scoffed as if looking at a simple equation like 2 + 2. Of course he knew the answer, but he wouldn't give out the assistance you needed. The deal was to hear you out, not help you out. He'd become quite bold in the private conversation, a sharp contrast to his previous anxious demeanor. There was no arguing against he who could slaughter gods with a snap of his fingers. Although you aren't as intolerable as other mortals, this he admits.
Departing from Ignihyde is highly unlikely, given how dense the fog is. You cannot even see the ground you're walking on. While, yes, the anemo deity hasn't assisted you, he will, eventually, probably, maybe... You're the first mortal Idia has ever asked to stay, so why would you turn your back to him?
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DIASOMNIA
A wall of impenetrable thorns stands in the way, magically opening and creating a clear-cut path through dense forbidding forests lively with critters. The thorn walls close, effectively trapping you. There was something different. It was unlike all the previous nations, the very air itself felt off. With every step deeper into these whimsical woods, it felt as if you were not alone.
Once upon a time, there was a dragon. No one knows how long the dragon has been alive, only that even the oldest tales say he was already ancient way back when. Valleys were shaped by his claws, the rivers from his tail, rare ore came from his fallen scales buried in the earth, the tallest mountains were but small hills to him.
A god, an archon, the deity of dreams is by far the most powerful and most ancient of all divinity in the world.
Peace was his personal preference, as he enjoyed new company which he never truly received due to his fearsome reputation. However, when other divinity sought out his destruction and his home, the deity of electricity raged. Destruction was left in his wake across the entire globe, and everyone came to know the name Malleus.
Malleus commanded thorns to be raised like walls protecting his home, and constant violent storms to ward off anyone threatening to cause trouble. For hundreds of years, no foreigner was allowed to step foot within the nation's boundaries. Anyone that tried would quickly be reduced to ash, and just a number added to the untold amount he's slayed in order to protect himself and his territory. Kind he may be to his own, but to foes he is merciless. With his black horns and piercing eyes, some refer to him as a devil incarnate.
A land unseen by outlanders, it's peaceful and magical in it's beauty. However, it seems that while your presence may be surprising, it is not a shock. You're taken by knights in gray and black, escorted away. The god of electro, Malleus, has invited you to his castle. There is astonishment and disbelief in people's eyes, a foreigner alive and well. Most like you would have been reduced to particles before they could even step foot past the thorns.
Much to your horror, or relief, once you're brought to the god of dreams, he seems delighted to have you here. It seems your presence was expected, as all he said was, "So you've finally come to see me, hm? I was beginning to grow concerned that perhaps I would have been left out of your list of destinations."
This was the last option, the only one you could turn to in finding a way home. Surely, the most ancient and powerful deity would hold the answer and assist you, since he had been so kind as to allow you inside his nation. Although as welcoming as he may be, you must remember that despite his fang-toothed smile and the twinkle in his eyes, this man– no, god, was archaic and all-powerful. He must have killed more people than you will ever know, wiped out whole armies and flattened entire nations. Malleus tilts his head at you, requesting that you recount your tale, with every minute detail.
This will be the end, there will be no escaping Diasomnia. Of course, you shall not know until later. For now, the god of dreams delights in your stories. You were the first guest he's had in thousands of years, and one of the few who did not wish to slay the legendary dragon that was the electro deity. Malleus knows what you desire, he has seen it in your dreams. However, he will not be kind and grant you what you sought. If he did, then what he desired would then vanish: you.
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freyito ¡ 6 months ago
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ɢᴏᴛᴛᴀ ʜᴀᴠᴇ ʏᴏᴜ ᴀɴʏᴛɪᴍᴇ
✭ pairing(s): calcharo x gn reader
✩ inspo: I'd Have You Anytime by George Harrison
★ summary: You decide your boyfriend is being too moody.
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✧ a/n: I WANNA SAY THANK YOU ALL FOR SUCH THE KIND WORDS AUGHHH I'VE BEEN KICKING MY FEET AND GIGGLING IT MAKES ME SO HAPPY TwT... i've got some little event cookin up for 700 followers, don't you worry...
BUT ANYWAYS i've been chipping away at wuthering waves... it's pretty fun !! kuro games also just make banger. games. so... the character designs are sooo yummmyyyy and of course i had to write a little fic for my (second) favorite... sephir-- i mean calcharo.
🗒 cw: gn reader, short n sweet, just fluff, not proofread
✎ wc: 781
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Calcharo’s not necessarily the most affectionate boyfriend, but that doesn’t mean he doesn’t love you. You are the stars that pepper the sky, the calm and wholeness of a stream running within a foggy forest, the night that beckons him into comforting arms. You are his everything. And he is, unfortunately, not the best at expressing that. But he is loyal.
He tends to hide within himself, too spun up in his own thoughts to pay more attention to the world. Not that he isn’t hyper-aware of his surroundings, he has to stay alert, after all. But he tends to stress himself out quite a bit like this, worried about the Ghost Hounds, those he had sworn to protect, and so forth. It seems the only time those worries fade away is when he’s in your arms. You’ve started to notice a slight slump in his shoulders, how his face relaxes into more of a neutral expression rather than a frown, and even how his voice sounds a tad�� lighter.
Today, he is rather moody, choosing to brood and pace around the house, worrying about menial things. The pacing is a little annoying, but every time he lets out a sigh or a frustrated grumble, you can’t help but feel your heart twist. There isn’t much you can do, you know that, and the man will always have his worries. It is human nature to worry, and perhaps Calcharo is more human than he likes to think.
He opens his mouth to protest again, perhaps question you as to why you’re so determined, but you shut him up real quick, cupping his cheek and pressing a quite tender kiss to his lips. That shuts his mind up quick, you can tell by the way his stern demeanor melts away, returning the kiss after a couple seconds.
When you break apart, his eyes have softened, and his body relaxes once more. He lets out a soft sigh as if this is what he had been waiting for all along. You aren’t quite satisfied with your work, though. It’s been too long since you’ve had time with Calcharo in general, so why not revel in it?
You press a kiss to his nose bridge first, lips lingering for a second longer before pressing another to his cheek, then his forehead, then wherever you can kiss him. He doesn’t move or complain or push you away, simply closes his eyes and lets a soft blush dust his cheeks and the tips of his ears. It’s such a rare sight to see this man blush, and the fact that he isn’t doing whatever he can to hide it from you is impressive.
You continue your torrent of kisses, leaving no span of skin unkissed, untouched. He lets out a low rumbling sound and a scoff, which is close enough to a laugh you can get it, and you don’t mind. Not one bit. He has no idea what to do with his hands for the next minute or so, placing them on your hips at first but then ghosts over your ribs. For once he feels… awkward. He’s barely used to you making advances, not that he necessarily leaves room for them. Given his reserved nature, he had done most of the leading in the relationship. You thought it would’ve been best to go at his pace, after all. But he had never felt awkward during these years with you.
You finally stop kissing him, pulling away to look down at him. He’s still blushing, hair just a little more disheveled than usual, and the possibility of a smile tugging at his lips. A rare sight indeed, you oughta pat yourself on the back for doing that to him.
“Too much?” You ask, your voice cracking with mirth as your hands settle on his shoulders.
“... Not enough.” Calcharo responds bluntly, despite the slight wavering tone in his voice.
The man finally understands what to do with his hands, wrapping his arms around your waist and pulling you down on top of him. You are practically nose-to-nose with him, and can’t help but giggle, which he responds in kind with a soft huff.
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Š freyito, 2024 | masterlist | queue | kofi | star header by roseschoices DO NOT REPOST AS YOUR OWN OR USE FOR AI/AI CHATBOTS.
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yandere-toons ¡ 1 year ago
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Matthew Patel
Romantic Headcanons – Yandere
WARNING: violence, death, implied stalking, mentions of religious concepts, toxic mindset.
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From the moment you invite Matthew into your life, he will carry that memory to his deathbed. The bond you forged that day is unbreakable and immortal for him: he will go blind to all other reasons for living, consumed with rage at your absence, and ecstatic at any sign of your favour.
Talk of other suitors sends Matthew into a frenzy from which he will not emerge until this obstacle to his happiness is laid low. Dispute over the value of certain traits leaves Matthew resentful—of himself for not being better, of the other person for possessing what he lacks, and of the universe for cursing him with such horrid luck.
When such a person speaks your name, Matthew is driven by his own insecurities to loathe them. The sound of their voice becomes like a cheese grater to his ears, a reminder of how close he is to losing his world for the second time, and from thence into a sound he will fight to the death to silence.
The look of this person, particularly when they light up at the mere mention of you and receive such a look in kind, is a ghastly thing. Matthew's takeaway is one of doubt and bad memories, of all the similarities to Ramona's waning interest that he had been too immature and inattentive to rectify. He vows not to make the same mistake twice.
Seemingly overnight, Matthew transforms from a brooding presence lurking in your shadow to a wellspring of offers to solve even the smallest of issues. He makes a habit of dropping to one knee and delivering a Pagliacci-esque soliloquy about how deep his affection runs, professing that you've become his whole world and that to lose you would leave him with nothing.
Despite your promise not to "betray" him, as Matthew so graciously puts it, he fears it would be a mistake to let his guard down. He believes you were sincere at the time, but Ramona's flippant attitude has left him anxious that you may change your tune and turn your back on him for no apparent reason.
For years, Matthew sought answers as to why she hurt him: on bad days, he blames her for playing with his emotions; on worse days, he blames himself for not trying hard enough to become someone she wanted. Now that he has another shot at human connection, this earth will burn before it slips away from him.
Matthew's actions arise from a peculiar sense of justice: he views himself as retribution sent down upon all those who have wronged you. By daring to replace him, their way of looking after you is inherently and unforgivably flawed. Someone who could, in reality, be quite decent will devolve in his mind into a parasite who takes advantage of you.
Whether they are cruel or kind-hearted, what obsesses Matthew and keeps him stewing for potentially years is the notion that they've robbed him of his one chance at happiness. So long as they keep you company, he sees his future darkening.
What should be a private affair, Matthew turns into a spectacle: he takes to the stage in his most flamboyant attire and declares war, goading his enemy to meet their doom at his hand. Everything, from the venue to the battle itself, is a power play, a performance art in which he displays his prowess for all to admire and envy.
Once he has struck the first blow, there is no version of events where Matthew shows mercy or admits defeat. The harder they fight, the prouder he is to butcher them. Their death will be a triumph, a testament to the fact that he is strong enough to win this war. Anyone who rolls over in the face of his challenge must not be truly committed to you and therefore deserves to feel his wrath for stringing you along.
Coming to over the shiny remains of his enemy, Matthew forgets his rage and revells in the thought of having the sole being who brings him happiness. Ready to pick up where he left off and confident he's earned that right, Matthew throws himself at you and proclaims how thrilled he is to be together again.
Matthew struggles to move beyond the past and to envision a future where he is alone. Having spent much of his life pursuing others, Matthew has no concept of living for himself. He stakes his survival on the volume of applause at the end of every performance, and in the home environment, his tendency to cling to petty recognition has taken root in all interactions.
This emotional hunger reveals itself in the unnecessary extremes to which Matthew proves his devotion, convinced that the obsequious nature of his company and continual sacrifices gives them meaning. He jumps at every opportunity to be near you, no exceptions, afraid that missing even one will be termed neglect and spell the ruin of his life with you.
At his best, Matthew is an unrelenting thespian who serenades you with ballads and calligraphic poetry. But at his worst, he is an unstable and violent creature full of pent-up rage, who conspires with Daemonettes to bind your soul to his, making it virtually impossible to give him up for another.
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sepublic ¡ 1 year ago
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            King really has a whole thing about being seen as a toy, a pet, for people to own and play with without his permission. An object to look nice and pretty and not much else, without any wants or needs of his own.
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         So it feels very poetic that he constantly surrounds himself with toys and plushes to command over; King’s whole Tyrant schtick isn’t just a fantasy for him, it’s a way for him to reclaim lost autonomy by exercising his own control. It’s as if King FEELS like a toy, so he commands other toys because he’s essentially one of them. And it reflects on his juvenile nature, not being taken seriously, the revelation that it’s only ever been pretend, etc.
         That makes King’s relationship with Francois very sweet, as a toy from the human world he finds, no thanks to Luz helping him. Luz is someone whose physical cuddling and affections King DOES appreciate, because by the end of the day, Luz respects King as a person and his boundaries. King wants affection actually, but he wants it on his own terms, and there’s a lot of moments where he ‘commands’ Luz and she happily obliges, defends him, etc. Luz is very thoughtful of King’s feelings, and The Intruder is a major episode in which Luz learns to be more mindful of King in general; This of course wins the approval of his father the Titan, who decides to show Luz the light glyph for her kindness.
         But anyhow, King loves Francois and treats him kindly, often as a partner and even equal. So with all I’ve said about King’s toy motif, that transitions perfectly into his dynamic with the Collector. There’s the fact that in their initial interactions, the Collector glomps onto a clearly uncomfortable King, like a child with a pet he doesn’t quite understand is a living creature (and in King’s case, not just a pet either but a person). Dana’s own art encapsulates their relationship by portraying King as a terrified plush that the Collector loves;
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         The Collector is also juvenile and loves to play pretend, and treats people like toys, which is exemplified by them transforming victims into literal toys, who are dressed up to look even prettier. But for all their issues with boundaries, the Collector seems to genuinely love and value their toys, kind of like King with Francois.
         This contrasts them with Belos, whom they believe breaks his toys out of fun; That speaks to their different desires, hence the Collector insisting they want to make friends out of others, whereas Belos finds it more simple and satisfying to just destroy his enemies. So the Collector regards his toys as, well, toys; But with a sort of loving respect that a kid who takes good care of their toys and makes sure they’re taken care of does. A projection of feelings and personality… Over the actual feelings and personality that DO exist, but alas.
         But that’s where the Collector’s relationship with King develops, because over the course of two months, they begin to respect and listen to King more, value him as a friend, etc. The Collector is more mindful of King’s boundaries, doesn’t immediately glomp onto him, actually bothers to respond to King’s criticisms. When King says the Owl Beast isn’t ready, they listen, and it’s implied the Collector has known about King visiting Eda and Lilith behind their back, but simply allowed it because friends keeping secrets is totally normal, right? And anyhow, King has been so nice, and they love King so much, they don’t want to call him out and ruin things; He can have this.
         Which leads to Francois, whom King relates to; The toy that the Collector WANTS to cuddle with. But King sets the boundaries that it’s for him (and Luz) only, and the Collector actually listens. He doesn’t touch Francois behind King’s back, and aside from a moment where he has to take it from Belos’ grasp to defend Francois, puts it right back where it belongs. He can’t have Francois, but the Collector can settle for having him BE there, so close and yet so far.
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         King is Francois; He’s a beloved toy to the Collector that he loves and appreciates, treats more special than the rest, and practically as a person, a lot of the time. But he’s willing to respect Francois’ boundaries and not play with him when he doesn’t want, just as he does with King, and his visits to his mother and aunt. The Collector obviously has a lot to learn when we check up on them two months later, and King understandably still IS frustrated, hence why he calls out the Collector after the nightmare illusions at the beginning of the series finale…
         But King can tell, as a former, unruly child himself, who was only a non-issue because he lacked the power the Collector wields; The Collector is a kid like him. Who’s also learning. Who ultimately means well. And they’ve proven to be rather receptive over these two months; Not quite there, but if you put in the effort to teach and work with them, King is certain it’ll pay off as it did with him.
         The Collector was a tyrant like King, and like King, a lot of this comes after being helpless because of others as well; The Collector was put into the care of the manipulative Archivists, and later trapped by the Titan. The only way to contact them was with a disc, an object, and their word was exploited by Bill so he could lead the Titan Trappers and finish the genocide of the Archivists. If the Grimwalkers were toys to Belos, so was the Collector, for him to hide away from everyone else, as his own, like a twisted Francois. And when he’s done with the Collector, he drops him into the pit with the rest of the discarded toys he loves to break.
         So like King, the Collector being a tyrant isn’t just the result of kids being kids, it’s also a response to their lack of agency. And tbh, kids in general lack agency, hence why they can be quite unruly troublemakers and rebels, so it makes sense that the Collector also overcompensates, like King does! But both of them learn to be more mindful of boundaries, that their own pain doesn’t justify them doing the same to others, either.
         The Collector notes that King isn’t the only person allowed to touch Francois; There’s also Luz. Luz, the kindly older sister who always listened to King and was attentive to his needs, respected him, and was often desired for physical affection. The Collector wants to BE Luz since King admires her so much, hence emulating her while playing Owl House; And Luz also recognizes their similarities, with the forgiveness she gives the Collector, being a form of forgiveness towards herself for being an ‘unruly’ child.
         And the Collector also grows, has their loss of innocence, but nevertheless matures, as Luz did. They learn about death, just as Luz learned about death when she lost her father; And the Collector technically loses the Titan that night, who was arguably a turbulent father figure who failed them, too, and laments this fact to Luz. The Collector IS Luz, and like Luz in The Intruder, who gains the approval of the Titan with a light glyph, just as the Titan apologizes for the Collector and lends his power to protect them and others…
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         The Collector mends their friendship with King and makes it real. They respect and listen to him completely now. And so they get to finally be Luz, not just in their relationship with her, but also in their relationship with King, being allowed to love Francois, even being given him for company by King. Just as Luz is allowed to be King’s friend, and he follows her regularly, even sacrificing himself for her at the end of Season 2.
        King and the Collector are toys who want toys to reverse that dynamic; But in the end, nobody can be a toy. And so they grow up and get to play with actual friends, and be friends to others.
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ford-pines-lover ¡ 9 days ago
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Delicate
Isn't it... Delicate?
Wild that we completed at the same time! Here's Delicate @chillinglyadventurous! This one is so fun :)
Tags: SFW, drinking
Stanford Pines x Reader
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This ain't for the best; my reputation’s never been worse so…
“Come on, Poindexter! This is your chance to meet the ladies!”
“Stanley, no, there’s no need for me to go find a ‘lady’ when I have everything I need right here.” Which wasn’t particularly true. Ford would have rather to have someone to share moments with. Either of the platonic or intimate kind. He had always had a sense of loneliness that had set in after coming back from the portal. Ford felt like he wasn’t needed for some big expedition anymore, so what was left? There was no ‘finding the secrets of Gravity Falls;’ there was no ‘end of the world’ anymore that needed saving. Was it time to slow down? No, of course not. He still reveled in his work, his research. But sharing it with someone could be something worthwhile. 
“I know you won’t go out by yourself, and locking yourself in the basement is sad. You don’t even have to meet a lady; you could just sit with me and drink.” Stan gives Ford a defeated look. He hadn’t had his brother in upwards of 40 years (if we don't really count the 30 minutes before the portal incident), and finally he has his chance of being Ford’s wingman. Stan leans against the doorway to Ford’s lab, where there are papers scattered about. 
Ford sighs and gets up from his desk. He doesn’t make any effort to clean up his space. Probably betting on the fact that he will be back sooner rather than later. “Fine, I’ll go with you. No promises though." Secretly, he was hoping to find someone to talk to. Hoping is the key word. 
Stan smiles and walks back up the stairs, getting ready to go out. He was planning to go to a bar, or if they were feeling ballsy, maybe a club? Doubt Ford would be up to that, though. A club is full of lights, people, and loud music. The opposite of the brother he had very narrowly convinced to come with him on this adventure. Although surprising, Stan was optimistic that Ford had agreed. 
A few minutes later, Ford emerges from the basement wearing an outfit similar to what he used to wear in college. Now, since he is 40 years older than college age, he was filling out the clothes quite nicely. It was a pair of khakis, a grey button-up, and a nice sweater vest. It made him look dapper. There was a certain confident glow to the man that is rarely ever seen. 
“Heh, you really clean up nice, don’t ya, Sixer? Tryna impress some ladies?”
“Stop it, Stanley, before I take back my agreeance.” 
Moments later, Stan drives them to the nearest bar. Nothing fancy, but it was a Friday night. There was bound to be many people there. Hopefully someone for Ford to talk to. Ramble about his life that he had lost, or perhaps learn what this new person was like. The idea of human interaction was daunting but exciting. 
They both sat down at the bar, and Stan ordered them both a rum and coke. Just something to start off the evening. It was bustling with people like Ford had imagined. There were groups of people sitting and talking, and there were people that were relatively alone as well. Stan was scanning the room for people to push Ford into talking to. 
“There!” Stan pointed at a lady that had some sort of what seemed to be a fruity drink in her hand. She looked bored, sitting on her phone. 
“Stanley, I can’t just go talk to her,” Ford side-eyed Stan with a hint of embarrassment. 
"Sure, ya can! Just a few more drinks and you’re all set!”
“I—no, I don’t need any more alcohol in my system.”
“Then what are you waiting for?”
Ford sighed and looked over. “I guess nothing." He got up and walked in your general direction.
“Don’t forget your wallet, Poindexter!” Stan shouted over the music and the chatter of the bar. 
You must like me for me.
Ford sits down across from you. He nervously smiles. “Hi, um, can I sit here with you?”
You give him a confused look, not sure what this older man, silver fox for the matter, would want sitting next to you. He seemed visibly nervous, too.“Um, yeah, sure! Of course!” You fidget with the straw of your drink as he sits down. You were curious about the man sitting by you. This was odd; not usually people decide to talk to you, let alone sit by you, especially at a bar. “I am Y/N” You reach out to shake his hand. He hesitantly took it. You noticed something odd about his hand. You decide not to say anything.
“I am Stanford Pines, but please call me Ford.” He smiles sheepishly. There was something enticing about the man in front of you. It almost seemed like he was full of stories, full of a lifetime, yet he also looked like a brand new man.
“So,” you gave him a curious look, “what’s your deal?” You knew there was something that he was hiding. Men never just come up and talk to you. Unless they want something from you.
Ford looked taken aback by the question. He was for sure not expecting that question. “Excuse me?” 
“Well, I go to this bar often, and no one ever sits by me.” You giggle. “I’ve never seen you here before, so again, what's your deal?” You lean over the table, hands clasped together, under your chin. You smirk at him. Okay, so he doesn’t seem like a creep. Probably isn’t, but you can’t be too careful.
“Well, I am just looking for…” He pauses and thinks about the answer. “Someone to talk to? Human connection perhaps?” 
You give an amused huff at his answer. “Well, I think, Mr. Stanford Pines, that I can give that to you.”
We can’t make any promises; now can we, babe? 
“Actually, it’s Doctor Stanford Pines.” He smiles proudly. There was something in his smile that was faltering, though. His confidence wasn’t sharp.
“Oh ho ho! Mr. Dr. Stanford Pines, eh? Well, for your knowledge, I am also a doctor.” You smirk at him and raise your eyebrow. He laughs and smiles.
“Yes!” He sips his drink, realizing it’s running low. “What kind of doctor are you?”
“The medical kind”
“Yeah? What field exactly?” He studies you as you look off to the side.
“I study gynecology and obstetrics.”
“That’s awesome! I personally study the anomalous beings here in Gravity Falls." He wiggles his fingers to have a “spooky” effect.
“That’s pretty cool, Mr. Dr. Stanford Pines." You give him an honest smile as you notice his now empty drink. 
But you can make me a drink.
You grab his glass and go up to the bar, asking for another drink. You assume he would want a whisky old-fashioned, so you buy him that. You buy yourself another dirty shirley. You return back to the table and hand him his drink.
“Here, I realized your drink was running low, so I bought you a new one.” 
“I—no, you didn’t have to do that.”
“Well, of course I didn't have to. I wanted to. Big difference, smart guy.”
He laughed and sipped on his new drink. “What is this?”
“A whisky old-fashioned.” 
“It’s pretty good.”
“So, what kind of anomalous things are here in this small town?” You asked sincerely. You had lived there for 6 months and hadn’t noticed any “anamolous” beings in this town. You honestly just lived here for the work. Gravity Falls hospital was hiring; it was a small town, and it was in a state with no sales tax. So hell yeah. 
His face lights up when you ask this question. He pulls out a maroon notebook (journal?) that has gold embossed into it. It looked pretty professional, yet also worn out. “You’re lucky I brought one of my old journals.” He looked to the side, almost embarrassed. “I was really hoping someone would ask about my studies.”
“Well, that’s great!” You prop your elbows back on the table to lean over to him. “I would be more than happy to listen to your tales and adventures.”
Another half an hour goes by with you two chattering away. Ford was explaining how there are things that live deep in the woods that are extraordinary, while some things can be seen while taking a walk around town. You honestly had a new curiosity for this town. This town may have been a place of convenience for a job, but now you have made a new friend. 
“Would you ever like to come mystery hunting with me sometime?” Ford asked.
“I would love to!” You beamed, excited that this guy you had just met an hour ago was already wanting to see you again. 
“Hey, Sixer, it seems you’ve hit it off with a lady." Another older man was standing at the edge of the table, giving you a smirk. “Well, it’s time to go; it’s my bedtime.”
Ford looks over to you and sighs. He scribbles on a piece of his journal, rips it out, and hands it to you. “Here’s my number in case you ever do want to come with me on an adventure.” He winks at you and leaves.
Well. You’re never going to forget about him.
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whateverisbeautiful ¡ 9 months ago
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♥️ Ranking Richonne
#1: For The Future (S9E03) 🏆🥳🎉
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This is the one. 🥹 The number 1. 🏆 My favorite Richonne scene. 😍 And it's quite fitting on TOWL eve to discuss Rick and Michonne's final irl dialogue from TWD. How lovely that Richonne's 'last' day together was this beautiful. 😭
Richonne's relationship illustrates what I've always felt true love should be like. What the characters of Rick and Michonne have is a radiant, vivid, and undeniable soulmate love. It's earned and organic, it's devoted and deep-rooted, it's heartfelt, it's fiery, it's passionately palpable, it's everything. And genuinely, this impeccable scene has it all.
So I adore this moment to infinity and beyond, especially because in this scene, we truly get to see Rick and Michonne revel in Richonne...
What's clear from my Top 5 is I tend to really appreciate scenes where Rick and Michonne talk about Rick and Michonne, and this scene is one of the best examples of that.
Throughout all these posts I’ve expressed the sides of Rick and Michonne's relationship that I adore - when they're doting on each other, desiring each other, leading together, parenting together, relaxed and domestic, fighting the fight, being playful and flirty, being reassuring, being hopeful, happy, honest, human, wise, vulnerable, encouraging, and enchanted by the other. And pretty much all of this was captured in this scene right here.
So while I have no notes for this scene, my extra self still has a lot to gush over and praise. I mean naturally, cuz this is my goated Richonne moment. 🙌🏾😌
I just marvel at how special this ship is for only continuing to top themselves with golden scenes to the point that Richonne's last moving dialogue irl is my all-time favorite moment between them.
And if Richonne just had to be taken from me for 6 years, then this was an excellent scene to hold onto as I patiently waited for their return. (which is tomorrow, can you believe it!? 🤗) And it's also an excellent moment for Rick and Michonne to hold onto as their paths part for years and they fight with everything in them to get back to each other. 👌🏽
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The chemistry and connection between Rick and Michonne have always been so profound to me, and they’ve been operating like one for a long long time. And in this scene, you just see every single reason why they are meant for each other and how they're ready to take their oneness to new levels. 🙌🏽🎉
Also in this episode, it feels like this is the one time when Rick, Michonne, Judith, Carl, and RJ are all in some way involved as we officially know Michonne will be pregnant after this. 😭
Ok, so first we gotta talk about the great Grimes Family 2.0 sequence just before because it's attached to this #1 moment for me. The episode starts with Rick waking up in his bed with Michonne asleep, and I love any time we get to see their everyday life side.
I adore the way Rick immediately places his attention on Michonne when she sleepily tosses to the other side. And then seeing that she may be feeling a bit restless, he gently gives her a calming kiss on the shoulder. Such a sweet silent act of love for his wife. 🥰
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And I love seeing that Rick wakes up with this instant affection for her, just as Michonne does in the next ep when she wakes up and adoringly kisses him while he sleeps. 🥹
Also, this moment makes me a bit sad cuz it’s the last time Rick and Michonne will wake up together like this for years. 😢 But thank goodness they will hopefully soon have mornings together like this again. 🙌🏾
And then, after showing love to his wife, Rick hears Judith cough and goes to gently check on her as she also is sleeping in a similar position as Michonne. Seeing Rick in this house with his wife and daughter, you just know these are the two he’d do absolutely anything for. Including fighting every day for years to get back to them. 🥲
And then they gotta get my waterworks going when Rick walks down the steps and touches Carl’s handprint. Oh how I wish Carl was asleep in another room for Rick to check on. 😭 But the fact that even tho Carl is gone, Rick still finds meaningful ways to feel connected to him is beautiful and makes it feel like he really managed to have a genuine heartfelt moment with his wife, daughter, and son this morning. The truest family man. 🥰
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Then Rick takes a walk in the lush community and it’s just nice seeing him get to really take in how much life is growing around them with all the plants and food sprouting up. This is so reflective of what he and Michonne have impressively built together, and Rick deserves this satisfying peaceful moment so much.
If Richonne had managed to carve out even a semi-decent life a year and a half after the pain of losing their son and fighting a war it would have been commendable. But for them to have healed to the point where they were living a genuinely happy robust life together, speaks to the revitalizing power of their love.
Everything is fruitful and growing in their community, and I love that just like that ripe red tomato Rick finds, Rick is also ready to be fruitful and multiply. Amen. 🥳
And as if the sequence wasn’t already precious enough, Rick places the red tomato at Carl’s gravesite, and he has this quiet moment with his son which just hits my heart. It's like Rick's letting Carl know he's making his dream real just like he promised. 😭
I love that Rick is so devoted to keeping Carl’s memory and wishes alive, including Carl’s desire for Rick to build a bountiful future - specifically one where “Michonne is happy.”
I’ve always found Rick’s teary smile at Carl’s grave interesting because it makes me curious what they're implying he’s thinking. I personally feel like part of it is Rick thinking about the fact that he’s ready to grow their family and knowing Carl would want that for them too. 
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So now onto my all-time favorite Richonne scene. 🙌🏽🥳
I truly love that they give Rick and Michonne this at-home, comfortable, living their everyday life moment in bed for their final irl conversation. 😍😭
Where my #2 scene from the season 5 finale was one I really appreciated for depicting Richonne's strength amid tough times, my #1 scene here is one I appreciate so much for depicting Richonne's strength during a time of overall calm. This moment wonderfully and angelically shows how Rick and Michonne's love soars when they finally get to live the peaceful life they fought so hard for.
So I of course love all the scenes where Richonne shower each other in love during high-stakes moments of adversity. But this rewarding scene is so special to me for being a moment of Richonne getting to shower each other in love during a rare time of normalcy after everything they’ve been through. 
So Michonne is up in bed and working on the charter like the Get Things Done Grimes she is. And Rick returns to their room and the moment is just so calm and casual as they ask each other how they slept, and Michonne admits her mind won’t shut off. As we know from their canon ep, they’re very good at helping the other just turn their mind off for a bit and so Rick is def about to help her with that. 😋
I love seeing Rick take his boots off and get right back into bed cuz I know that man already had his mind made up to take today off and just be with his girls. I think about how refreshed Rick was in s9 even though so many of his OG friends were all spread out. And a big reason why he can still seem so content is because as long as he has Michonne and his daughter every day then he has everything.
Then Rick is so encouraging when he tells Michonne she’ll have the charter figured out by supper. Like the charter is a big deal to figure out, but he knows his goddess of a wife can handle it, and I love that he always has so much belief in her. 
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When Michonne smiles and says, "yeah, no," Rick is rightfully in full Michonne-stan mode as he tells her it’s good she's leading this place. I love how Rick knows and is grateful that Michonne is so capable of not just helping him lead but being a leader in her own right.
And I like that Michonne says, "with you" because it just shows how much she truly values their partnership and still only wants to lead if it’s with him. The “Me and you” way. 😊
It’s really sweet the way Rick says, "Nah, I’ve been at the bridge, here it’s you." He’s going to make sure Michonne gets credit where credit is due. And again, his reverence for her has always been so lovely to watch throughout this scene and this series. (Rick Grimes is a 'Michonner,' y'all 😋💕)
Also, it's great seeing that Rick is so comfy as he rests on the bed while letting Michonne know she’s the one whose been keeping this place safe and figuring out how to improve it. After roughing it in prison cells, the woods, and mattress-less rooms during the saviors' reign, it's great to see him get to just make himself comfortable in a warm bed with the love of his life.
And Michonne is all multi-tasking by listening to him, writing notes down, and setting a plan to take their daughter to the doctor. Like truly, Rick,...
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But he already knows that. 😊
Then I love seeing this parents moment of them talking about Judith’s cough and taking her to the doctor. Rick assures that he checked on her and it’s probably just a cough but Mama Michonne still wants to be sure so she says she's going to take her to Siddiq just in case. And Rick is immediately on board saying he’ll join them. I love this dad, y’all. 🥰
Like this is what’s important to Rick always, so even as a leader with so much on his plate, being around for his family is always the priority, even for just an unassuming doctor's visit. 
And I also love this exchange cuz It’s so clear that Rick and Michonne are equally Judith's parents and obviously have a lot of care for her that they want to take precautions even if it’s a small cough. I'll also just never get over that we went from Michonne saying, "You could've just taken the formula" to now her and Rick talking about Judith as the daughter they're raising together. 🤗
Then my uncontrollable smiling has returned when Rick tells Michonne that they’ll have to promise Judith a Family Fun Day to get her to go to the doctor. 🥰 I love that they’ve coined this term, indicating Family Fun Days are something they do often. They really are such a beautiful caring family, and their eventual family reunion that I've been trying to speak into existence since 2018 is going to be HEAVENLY. 😇
The fact that the word "fun" can even be a part of their lives now is refreshing. And I also love how much this family fun day is something Rick genuinely wants not just for Judith but for him and for Michonne too. Here for it.
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Michonne smiles when he says this and then has a realization moment as she asks, "Aren’t you headed back right away?" And Rick says, "I can take the day" and then says “We can.” That man ain’t tell a lie. Rick and Michonne deserve a day off, and I like how this is the beginning of Rick helping Michonne know that it’s okay to take a break in this scene. 😏 And once again, Rick demonstrates that when he's with Michonne...the world can wait. 😌
Rick says the last report was good and “Maggie will be there soon thanks to you.” Which again I love that every chance Rick gets he’s giving Michonne her props.
There's also something a bit sad about this because Rick is so convinced that the others can hold it down for a bit but that ends up not being the case and results in their family fun day getting cut short indefinitely.
I really feel like because Rick values Michonne’s influence and insights so highly in his own life, that’s why he felt so confident that Maggie would have become on board after a visit with Michonne - because he would have had Michonne visited him. He thinks everyone should get in formation when Michonne speaks just like he does, and Rick, sincerely...
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Always intuitive, Michonne knows that Maggie is still angry and Daryl too so she tells Rick this and he nods and then he asks, "Well you want me to go?" And I was like now Slick Rick knows the answer to that is no lol.
Michonne places her hand on his and says she wants it to work. And by reaching for his hand it shows that ultimately she of course wants him to stay with her, she just knows how much they’re needed by the others. #SelflessQueen
Also, there's just something so moving to me about the way she looks at him in this moment. Like of course Michonne is known for her only-envision-winning mentality, but here there is also a part of her that needs some reassurance that everything they're trying to do and build really can work despite all the underlying division within the communities and tf.
Needing some reassurance, her husband so sweetly gives her just that when Rick says "It will" in the most comforting tone. And I like how he positions himself to sit up and really look in her eyes as he lets her know that even if everyone isn’t all in yet they will be, “just like we did.”
I love that Rick and Michonne are always a “we”. They’re a package deal cuz they’re one. And that line just felt like a bigger statement to their own journey. How they truly went all in with each other. 
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And again the way Michonne looks at him is just heartwarming as she expresses agreement. Her love for him and belief is so visible and sincere. The way they can both always resonantly reach and reassure each other when they speak is perfection.
I love that she then says okay and touches his face, and I also was like sis, you know if you touch him like that this scene is gonna escalate lol. 😋
Then we get to one of my many favorite parts of my favorite scene when Rick looks at Michonne with such genuine abundant love in his eyes and tells her, "Thank you." 🥹
The way Rick always tells her thank you since season 3. 😭 I love the way he adores, praises, and reveres Michonne. Like, for Rick, it is always doting over Michonne hours. 
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Michonne asks, "For what?" which just reminded me of when Rick asks her "For what?" when Michonne said she never thanked him in the s3 finale.
And then the way Rick takes a breath and smiles at Michonne on this bed after she asks this - it literally makes me want to shed a tear. It’s just a beyond beautiful wordless moment that really feels like Michonne taking his breath away as he’s overcome with love for her. And that might sound dramatic but hey...
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Rick has been in awe of her since literally day one at that fence, and to see seasons later, after getting to know her in the deepest sense, he still has that awe of Michonne but amplified. It's great. And Rick just looks so unabashedly mesmerized by her in this moment which is heartwarming.
Like when she asks 'for what?,' you can tell Rick is just marveling about how incredible she is and how the list of reasons to thank her is miles long.
And this is not really Rick and Michonne's newlywed stage anymore, y'all. This is their married for a while, been through hell and back together after losing our son stage, and Rick still looks at Michonne like she hung the moon and the stars. 😭
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And then Rick takes the scene to new heights of heartwarming when he says exactly what he's thanking her for, stating “For everything you’ve done. For everything you’re doing. For you.” Absolutely perfect. 😍😭😍😭
And it's so fitting cuz Michonne really has done so much of value, past, present, and for the future. But the best of the best is Rick saying “for you” because he’s not just grateful for what she does but who she is. And she is someone exceptional. 
I adore that in their final one-on-one irl scene Rick is outright thanking Michone for existing and for the lovely gift that she is and has always been in his life. Honestly, Rick's romantic heart needs to be studied because the things he says to and about Michonne are just everything and more. 🥹
Another thing that makes this scene and ep so special is Rick and Michonne don’t know this is their last day together. So for them, this is just another day. And I love it for showing how all this beautiful love and adoration they’re letting out is not because they’re trying to make their final day count - this is just how they are with each other on the regular.
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And I love that we get to see Michonne’s reaction to receiving this genuine love and appreciation from her husband as he gives her her flowers. Michonne deserves every bit of this love. 🙌🏾💐
I am so excited that Michonne will get to have this type of love back in her life when she finally reunites with the man who adores her. 🤗 I firmly believe Rick’s awe of Michonne will only be heightened when he gets to learn how resilient she’s been in his absence for herself, their children, and their community. She’s had to be so strong for so many, and I love that she’ll finally be back in the arms of the one whom she can be most soft and taken care of with.
And the same goes for Rick. After being a man desperately looking and longing for his family while so alone for years - I am elated that he’ll be back with the woman who most makes him feel loved, sane, seen, and home. 
When Rick and Michonne see each other again you know this is about to be a direct quote from both their minds...
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Also, something that’s so sweet about the love story crafted for Rick and Michonne is that adoring each other comes so effortlessly to them. They don’t have to constantly remind or force themselves to be attentive and expressive to each other, it’s the most natural thing in the world for them to love this person in front of them out loud.
So yes it’s an active daily choice to love, but I appreciate that it also feels so aligned with how Rick and Michonne want to naturally operate - head over heels in the most grown, grounded, yet grand way. 🥰
Then, after saying something so authentic, accurate, and beautiful by thanking her for pretty much everything, the two share a sweet kiss. And their every kiss is so special to me. Like it’s always passionate no matter what. And just the way he looks at her after 😭 heart-melting. They're irresistible to each other and always have been. 😍
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I especially love that Michonne then leans in and kisses him again as her own thank you for his kind words. Those magnets within them mean we’re always gonna see more than one kiss. 😋
And then she slides her hand down his neck and chest and once again I was like - now sis, you know things are about to escalate if you do that. 🤭
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And sure enough…😋
Rick starts closing the books and moving them away as he invitingly says, "Why don’t you take a break?" 😏 I love it. It’s cute that Michonne is instantly tickled by this too. She knows what’s up. And she knows she’s down. ijs. 😋
But first she asks, "You want me to stop working?" and she knows good and well the answer is yes - but I love that Rick has always been a little extra when it comes to Michonne so he doesn’t only say yes. Instead, he takes the pencil out of her hand and flicks it away as he says, "yeah" in a way that will never fail to have me smiling and kicking my feet cuz like...
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And Michonne was undeniably amused already, but she got especially tickled when he tossed the pencil. That man always has her smitten. 😊
I adore seeing this playful side of them and this reminder that Rick and Michonne are husband and wife and also best friends who could always make each other laugh. 
Even more, I love how Rick fully believes Michonne can do any and everything…but he also knows she shouldn’t have to, especially not all the time. Which is why I appreciate his consistent thing of wanting to give them a chance to have a break and time to themselves.
It's sweet too how, without even fully seeing his face, you can still see from Rick's profile that he has this genuine proud smile upon seeing he made his wife laugh. Her joy is truly one of his favorite things. 🥹
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Rick smiling at her here reminds me of how happy he was to have made Michonne smile when he came home with mints to give her in their canon ep seasons ago. #TheirLoveNeverFades
I adore that from season 3 saying "Good, cuz I see things" to this moment in season 9, Richonne stayed flirty with each other, both when strangers and when married. 🥰
And then Michonne teases as she asks Rick, "You want me to stop creating the foundations of a new civilization?"...The questions are just foreplay at this point because they both know what's about to happen rn lol. She and Rick both know that what he wants is in the first three words of her question. 😋
I love the way Michonne talks to him and looks at him and the way Rick can’t help but touch her and study her while she speaks, knowing this is the woman he is so ready to have another child with.
Somehow in this moment, Rick seems to be intently listening to her while also distracted by her all at the same dang time. 🤭
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So Michonne is all cutely smiling at him while waiting for his answer... and then Rick gives an unforgettable answer.
(also the way even Rick and Michonne's movement is in sync in this scene is just 👩🏽‍🍳💋. they're magnets fr)
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Rick looks right at Michonne and then says, “I can think of another way to build for the future” and it’s just ahhhhhh. The best. 😭 What a great way to reveal that Rick wants to have a baby with Michonne.
The scene organically transitions from like playful causal morning vibes to a huge serious declaration of love and development for their family and I'm too here for it. ����
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Rick wanting this baby is a huge deal, especially just a year and a half after losing Carl. And him being at this stage has everything to do with his belief in Michonne and him together and knowing he's with the love of his life who has in so many ways healed him with her one-of-a-kind presence.
He's seen the way he and Michonne work so well together in any role - parents, partners, lovers, leaders - and Rick has always known that the two of them can do anything, from reordering the world to raising a growing family.
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So then Rick passionately kisses her after he says this - but like this is a giant statement and Michonne knows what he’s implying is a big deal, so she has this curious look at him. And then I absolutely adore this next moment of them transitioning to a more intimate position.
The way Rick is ready for her to do this little maneuver always felt like a nice little suggestion that they’ve done this often. And it’s just so sensual and romantic. 😍 But I also love this shift for showing how Michonne goes right out of work mode and wants to be so fully present and focused on him as she confirms that Rick is really saying what she thinks he’s saying. Their consistent ability to be present with each other deserves another shoutout cuz it's gold. 👏🏽👏🏽
Also, the way Rick just stays with his eyes glued to her as he holds her and the way Michonne tenderly holds his face in her hands. They knew they were gonna have little Richonner hearts everywhere doing front flips with this movement alone. And I ain't mad at it. 😋
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Michonne looks right in Rick's eyes as she says a hopeful, "Yeah?" Then Rick says such a certain, "Yeah" that lets you know having a kid with Michonne isn’t some out-of-nowhere idea that just hit him but something he’s thought about and is sure about. Rick is always sure when it comes to him and her. 👌🏽
And you just know Rick loves their future baby already too, especially because the baby will be part of the woman he's madly in love with.
Michonne smiles and softly says, "okay" and then I love the way Rick eagerly pulls her in closer to him. 😊🧲
Then the last line of the scene is Michonne so sweetly repeating Rick's words back, as they so often do throughout their relationship, as she says, "For The Future." 🥹 
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Perfect. x1000.
What a fitting final line and final scene to conclude Richonne's last private exchange like this. Especially for two reasons.
One; thinking about the long-term future used to not be a luxury they had at the start of the apocalypse so it shows how far they've come. Two; Rick and Michonne were two people who, even before they met each other, fought to believe in the future even when others around them (and at times their own past partners) didn't. But in finding each other, Rick and Michonne found the one who could fight to live like them, believe in the future like them, and hold onto hope like them - And now here they are in love and getting to feel so hopeful about their future together. 😭
It’s great that such a major decision like having another kid is one Rick and Michonne were both so quickly on the same page about. They both are ready for this. Both want their splendid love to take form in a new life being brought into the world. 🥹
And again it’s such a testament to their powerful relationship and the way they were able to help build each other back up after losing Carl to the point that they could be healed enough to want another kid. I'll never get over it.
Then I adore this shot of Rick looking up at Michonne with the two bathed in light. It feels so reflective of how highly Rick's always viewed her and how Michonne's been the light in his life. She's his future. And he's hers. 🥰
The scene concludes with Rick and Michonne sharing their last irl passionate kiss as things finally escalate, and they savor each other as they do best. And this whole scene and final moment is just so beautiful it makes my heart hurt. Richonne is stunning and their love is a work of art. 🙌🏾
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'Epic love story' really is the best way to describe Richonne, and I love love love that Rick and Michonne always enjoy reveling in Richonne. We have that in common. 😋
I just so appreciate that before he left the show, it was made crystal clear that what Rick wanted for his future was to bring life into this world with Michonne, the ultimate and unequivocal love of his life. 👏🏽 And he’s going to learn that even apart, that dream was still achieved. The Get Things Done Grimes got it done. The baby Rick loved before he even was made, lives. Oh I CANNOT wait for Rick to learn about and meet RJ!!! 🥳😭
Knowing Rick and Michonne's individual journeys, it genuinely moves me that two people who went through so much and lost so much but continued to fight for the people they love got personally rewarded with this gorgeous and deep love that’s just for them. And they didn’t shy away from the love that was there, rather they valiantly and completely embraced it and it’s truly what they deserve. They both deserve to be loved this wholly.
I know this is my undeniable #1 scene because each time I watch it, it warms my whole soul and I get fully enwrapped in it - just mesmerized and overjoyed from start to finish. Watching this #1 scene, during every single part I'm just like...
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And Rick and Michonne Grimes bathed in bright sunlight and sharing a passionate kiss while acknowledging they want their future and their love to now take shape in the form of a child is just such a fitting final private exchange between them on TWD and so very special. They're a shining light to each other, to the franchise, and to me, y'all. ☀️
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When I say Richonne is everything it’s not just a phrase. They literally have everything going for them and are everything to each other. And every scene from my 30th to this #1 moment masterfully illustrates their resplendent love.
This season 9 scene feels like a love letter to Richonne and it's my all-time favorite for capturing everything I adore about Rick and Michonne’s relationship all in one. Tens across the board. 
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I look at this whole scene and whenever I see it I just think - This is Richonne. For me, this scene is their definition. ♥️👌🏽
Richonne is truly love incarnate, and this beautiful top-tier moment captured that flawlessly. 👑🤍😌
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destinationtrekk ¡ 1 month ago
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young wesker who gets drunk and giggly with reader. at first he had been so... cold, so expressionless and absolutely cluelessly bone-dry on how to go about doing anything but a daylight two-step move-his-arms-a-little to the dance music blaring from somewhere, but that's okay, reader can show him.
and he enjoys it... and he's laughing, and his face is flushed, and the scent of vodka is deep on his tongue, and he has severely miscalculated his drink, but that's okay, because reader keeps him safe and happy and distracted the entire time.
at the end, as he begins to sober up, they can't seem to get out of him where he's supposed to go to now (perhaps he is trying to revel in it, this one normalcy, just one event he took on to learn how to behave like everyone else and got taught more about himself and his own interests than he'd ever planned, a snapshot of a life he could have lived if only--) so they take him back to their house and snuggle him up in a blanket burrito on the couch, making him drink water, take an advil, a tylenol.
and as he gets back to himself and they smoke a cig, talking about life as he gets rather quiet and inward again (for he cannot share, he has nothing positive or appropriate to), they do something unexpected and yet wholly welcome, a gift to close out the night: they give him a quick, brief and fleeting shotgun kiss, hand warm on his cheek, before they send him off for a nap, telling him to stay the night so he'll be well and sober the next day to depart. free breakfast if he's still around by then, otherwise, they take no offense.
he has no way of telling them the truth of this fragile matter. he has no way of divulging his life, which would undoubtedly ruin whatever scrapbook memory he is currently creating, and certainly no way to hold onto this awfully pleasant being who he can, apparently, trust in his total ineptitude with heavy inebriance. and he can't keep seeing them again after this. and his view on how ruthless and manipulative human beings are when faced with vulnerability has been shaken to its' core, and he can't say it, and he wants to, but...
instead he asks them to stay a little while he falls asleep (just one final, little test, he muses to himself), and they oblige. he's laid on the couch, head in their lap, his (admittedly not quite so soft after all the gel has hardened) hair being carded through by soft, ever-eager, sleepy fingers. he will never get a moment like this again and he pushes himself to take it in, revel in every second that passes, commit to absolute memory (no matter what he had earlier in the day) every detail of this sightly, sweetly saint's face.
he ends up falling asleep feeling cherished. he will remember this day forever. years to come he will still have tabs on this person, and their life will still be unexpectedly, oddly lucky.
maybe one day he'll find it in him to thank them properly, face-to-face...
nshtn can i say i love you? because i love you and every time you come in my inbox i get so excited
first and foremost i don't think he even would dance at a party. he very much is the kind of guy to find a spot and linger there with a group he's only half listening to. once he meets you though his night gets much much more interesting
he's never really had chances to drink, except maybe whiskey or something expensive with Spencer during their talks about Umbrella and the future, so when you start handing him all kinds of seltzers and mixed drinks and straight shots of vodka, he is very overwhelmed
he can't show it though! so he dutifully takes most of what you hand him, a few drinks are two sweet for him, and he is very quickly wasted tbh. you're so nice though, and you drag him in the middle of everyone dancing and show him a few easy things and soon enough he's bouncing around with everyone else
every time he starts to think about what's going to happen tomorrow you're immediately there to distract him. it's almost like you can read his mind - you know just the right things to say and how to push people out of the way and he just thinks you're perfect under the flashing lights
finally when it's time to go home, he knows for a fact he can't show up at his place looking messed up as he is - what if Spencer or Birkin or some nameless Umbrella employee saw him and ratted him out? so he takes your offer to go to your house gracefully as he can this drunk
he knows now that you're a party expert, you immediately make him drink water and wash his face and take preemptive tylenol for the hangover. your fleeting kiss and warm hands on his sweaty skin are so sweet he can't bear to think about it longer than he has to. he knows he should leave before you wake up tomorrow and forget this wonderful night ever happened (he'll never forget you, not even on his deathbed)
you give him every courtesy and kindness you can offer and he decides to take just one more, one last sweet touch to take with him into the night. you smile sleepily and open your arms for him to fall into - the blanket covering his shoulders is a little too hot and you both smell like beer and liquor and sweat but your lap is so soft, it makes the ache in his back and shoulders from carrying the world lessen a bit, and your fingers in his hair send him into a beautiful and silent sleep
the next morning it physically pains him to untangle from your body on the couch. he stands and watches you for a moment, his heart clenching and pounding in his chest, until he forces himself out the door before you can feel his absence.
when he meets you again, what feels like a thousand years later, his heart pounds just the same. you recognize him, his twisted dark smirk and deep eyes, and when you smile and say his name he's suddenly twenty-something all over again and dizzy and drunk in your arms - he never wants to leave you again
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cupids-chamber ¡ 2 years ago
Text
— I'M GONNA LOVE YOU, RIGHT TILL' YOU HATE ME GENDER NEUTRAL READER 
IMAGINE: Yandere!Twst cast, dreaming of the MC, before they ended up Twst, and even though they searched for them, they couldn't quite find them... now that they've found them.. they can't seem to let you go.. how would they feel when they've learned that there are more competitors for your love.
A/N: I'm gonna call this the dreaming of you au! I have some plans for it.. I had to split this in part, because of tumblr's fucking word limit.
SAVANACLAW / HEARTSLABYUL / DIASOMNIA / OCTAVINELLE / SCARABIA + IGNIHYDE / POMEFIORE
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He couldn’t recall when the dreams had first started, it was quite suffocating.. Looking back, he was tired of the same dream over and over again, yet it changed.. Slowly, he watched you growing up along with him, it was as if his dreams mirrored your own life.. And at one point, he believed that these vivid dreams held some meaning, there had to be a reason why he’d keep seeing the same person over and over again… At one point, he even started to believe that you were his.. Someone meant for him.. And as he grew older, he couldn’t help but search for you, wanting to validate his thoughts and imagination, which has gotten rather out of hand over the past few years. 
He didn’t even consider that others would have taken interest in you as well, ‘did they see you in their dreams as well?’.. The thought would have driven him wild, had he not been patient thus far, he might have truly lost himself then and there.. However, if he had waited this long, then it wouldn’t have been difficult to wait a bit longer.. After all.. He knew you a lot better than you know yourself.. He just needs you to realize.. That you’re his.. and he is yours…
YANDERE!MALLEUS, The first meeting he had with you, felt like another dream.. He couldn’t help but wish that it was a reality, but he quickly came upon the realization that you could see him, and that this was in fact, not an intricate dream.. Whether it was a blessing or a curse that you were here, he couldn’t help but let his enthusiasm slip through his composure and create cracks in his behaviorisms. He gazed at you in a soft endearing manor, that was sure to waver one’s heart, he knows you much better than you had expected, you couldn’t help but find it odd, that he could just tell how you felt, and conclude what certain mannerisms had meant, how you would fiddle around when you were anxious or growing impatient.. You should’ve been concerned.. But Tsunotarou was your dearest friend.. And of course a dear friend would know of your feelings.. wouldn’t he..?
YANDERE!LILIA, Lilia didn’t have something so unexpected happen to him in quite the while, he had seen someone in his dreams, upon his move to NRC, maybe it was the change in climate getting to his head, or his age finally catching up to him.. Well if that was the case, he surely would have realized sooner. His dreams consisted of someone, a human.. And overtime, as year one passed and year two slowly approached, Lilia had started harboring and developing a sort of interest in this little human.. One who was not of this world, but much far away in fact.. He couldn’t help but grow more and more intrigued by that revelation.. He didn’t plan on doing much, despite being more than capable of doing so, he was captivated by you.. Yet he knew better than acting upon desire towards you.. Until of course he saw you here at NRC.. if you were so near.. Why should he stop himself.. He had no reason too.. and he didn’t intend to either. 
YANDERE!SILVER, Silver had always been one to dream of a sweet and caring relationship, when it came to the aspect of love, even during childhood, not having much of a couple that he saw growing up, he didn’t quite have a label or definition on how someone should love, and he doubted getting his fathers advice would help, so when he had seen you in his dreams, he paid no mind.. He had given you a charming dream even, “Mrs. Fairy” it was rather odd calling you a miss, while you were most likely his age or younger at the time.. He never really interacted with you, finding it more or less peaceful watching you from afar, you were majestic.. and amazing.. He analyzed everything you did, with great fervor, he couldn’t tell as a child, but as he grew.. He knew that he had fallen for you.. The aspect of love in a foreign sense felt ever so foreign to him, yet he couldn’t help himself from falling for someone as charming as you.. So it was to no dismay that he had fallen for you.. Someone as charming as you deserved only the very best.. And when Silver first laid eyes on you in person, he felt as if he had fallen for you all over again, mumbling under his breath about how all the more amazing you were in person, he could’ve sworn he saw an angel, but once he had come to realize, others were hindering in his perfect romance, he had decided to take on a different approach, after all.. This was his fairy tale to tell and create. 
YANDERE!SEBEK, Sebek didn’t know how or why he was dreaming of you, to be quite honest it ticked him off more than causing him any sort of pleasure or comfort, yet over time.. He found himself falling for you.. It wasn’t explainable, in fact he couldn’t recall how he had fallen for such a lowlife such as yourself.. Sebek felt awful for loving you, yet he wanted to keep you his at the very same time.. But you were a fragment of his imagination no less, he’d feed himself these useless words of comfort, thinking they’d hinder his thought process and undo the threads of love that so tirelessly binds him to you, he despised you and yet wanted you, this human.. From a dream no less! Too look at him.. Only him.. And yet.. you.. you.. never did. He had hoped and prayed that by entering school, he’d busy himself enough to forget about you and your ever so disturbing existence.. If you ever did truly exist.. Yet his hopes were in vain when he saw you.. With another.. well that wouldn’t do.. no this wasn’t what he wanted.. nor would he tolerate such disrespect from an insolent human such as yourself! 
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Š cupids-chamber, do not repost, plagiarize, translate, or adapt my work without prior permission and or confirmation.
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wri0thesley ¡ 2 years ago
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the perfect date - mahito x reader (3.8k)
there are a couple of drawbacks to being with a curse, romantically speaking. mahito, though, would like to remind you . . . there are also some benefits.
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cw: not sfw. reader is afab, but no gendered pronouns are used. mahito's transformative powers are used (tongue, shifting genital size). oral (reader receiving), edging. the softest mahito i can possibly write, but there's still . . . an edge to him! pet names including 'cutie' and 'darling'.
this was a commissioned work.
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Nights like this, you can almost forget that what you and Mahito have isn’t normal.
Mahito sits beside you on your sofa, his body curled about you like a cat. Arms wrapped about your waist, head lolling against your shoulder, so close that you can see every stitch that decorates his body, smell his peculiar springtime-and-sweet-rot scent every time you breathe in. It is not an entirely unpleasant scent - and it’s one that you relax into, that makes you feel like you’re at home. 
The television is blaring some choice of movie that Mahito had picked out from your collection - he’s always fascinated by your tastes, prodding and poking you to explain why you have this one, what do you like about it, won’t you sit and watch it with him--? 
You, of course, are helpless to resist doing anything the curse asks of you. 
Tonight’s choice is a romantic thriller. There’s some plot about a secret document and an FBI agent and star-crossed lovers on the wrong sides of a dispute; but you’ve reached your own favourite part of the movie by now. The two lovers are taking a stroll through a beachside amusement park - one of those tacky things that’s all painted striped sidings and romantic carnival games. One of the lovers wins a small stuffed animal in a shooting game booth, only for their partner to win the jackpot, a huge and luridly pastel bunny clasped between them. They share a pink cotton candy in the shape of a heart, ride a Tunnel of Love, share a kiss at the very top of a ferris wheel--
And quite against your will, quite unexpectedly, as you watch this show of romantic affection - your heart gives a sickening lurch in your chest. 
You have always wanted that, too. 
You have watched this movie plenty of times and imagined yourself on this date; fluttering your lashes demurely at the attendant at the Tunnel of Love, revelling in the fond glances of passers-by as you and your beloved take a photograph of you with the giant bear or rabbit or panda they won for you. You have daydreamed about romance and dates and showing off your beau to everyone you meet--
And though you are not lonely, for nobody who had Mahito as a paramour could ever feel that way . . . there is a soft little empty ache inside of you that reminds you that what you have is not quite the fairytale of your dreams. 
“Hey,” Mahito’s voice is pouty as he shifts against you, silken silver hair brushing your arm. He gives you a poke that just manages to avoid being painful. “You’re not paying attention. What are you thinking about?”
You start guiltily and look at him. Curious bicoloured eyes stare up at you; he doesn’t look angry. He seems more amused. Your little mortal foibles are a source of endless fascination for him. 
“I was watching the movie,” you say to him, which isn’t entirely true. And then you say; “I was thinking about going on dates.”
And that one is entirely true. 
There are problems with the romantic relationship you share with Mahito. Some of them are more obvious than others; at his very core, he is not really human, and you do not know how much he feels human emotions. He has an intense fondness and affection for you, yes - but you know, too, that he is capable of great hatred in the name of his boundless curiosity and the purposes which formed him. Whenever he tells you about his experiments, though, and you show a brief flare of disquiet . . . Mahito giggles and pokes your cheeks and bestows cool kisses all over your face, decrying passionately;
“Not you, cutie. Not ever you. You’re my favourite!”
That should bother you more, you think - and yet, as you watch this romance unfold on screen and these two actors play-act at the perfect date . . . you find that the thing that makes you ache most about being with Mahito is not what he might do, not what he has done, not even the things he tells you he’s going to do to mortals who do not have as much of his favour and adoration as you do . . . but that you will never get this brand of hokey romance. 
It’s rare enough that you have the ability to see him - if you were to take him to a funfair like this one, you would surely just look like one person wandering around, all alone. How sad you would seem on the Tunnel of Love, on a single boat with no lover to share it with - nobody would give you admiring looks or whisper behind their hands what a cute couple you and Mahito make. 
And it is not just the date. 
There will never be pictures all over your house of Mahito and you. You’re not even sure he would show up in the photographs, if you tried to take them. There will be no wedding, no holidays, no official moving in day (Mahito does live with you, but that was rather more like a cat choosing its owner, making itself at home with no formal invitation). You will never be able to introduce him to your friends and family, nor even talk about him to them, lest they want to meet him and then discover the truth of what he is (that is, if they could even see him). 
You have known all of this in the back of your mind. You’ve pushed it back watching gory horror movies and fantasy and science fiction, giving Mahito copies of your favourite books to read - but suddenly now, faced with this movie and the simplicity of ‘going on a date with somebody you care about’ . . . it has all come crashing to the forefront, and you feel an empty ache of something you will never truly have. 
“I’ll go on a date with you!” Mahito chirps it easily. Helplessly, you flutter your hands around, trying to grasp for the right words. “Mmm, I could take you to the place I used to live? Ah, or the movie theatre? We might have to try a late-night showing, but . . .”
“That’s not it,” you say, and you realise in frustration that your voice cracks. Mahito stiffens at the emotion in your voice - and then moves, getting onto his knees, gathering the long lithe limbs of his body together so that he can take your chin in his hand and force you to look at him. “I just . . . it’s all so romantic, you know? A-and we . . . we won’t get anything like that--”
His face is quizzical; eyes wide, one eyebrow cocked, mouth pursed in thought. He’s beautiful even like that - the stitches that bisect his face serving to give him a kind of inhuman beauty that makes your heart drum against your ribcage. 
“And I want to!” You continue, suddenly worried that he’ll take your frustration at the situation as frustration about him. “I want to show you off! I want to make my friends jealous and d-do all those normal couple things--”
Realisation dawns over his face. 
“Oh,” he says. And then, this time, a smile splitting his face like the cat that has gotten the cream; “Oh. Darling. Oh.”
You squirm under his gaze, your face heating up; and a familiar feeling low in your stomach and between your thighs that Mahito’s pleased purr has drawn out. 
Before you can breathe, Mahito has manoeuvred you into the exact position he wants you in - and you are laid out on your own couch with the curse atop of you, straddling your waist. One hand reaches down to cup your cheek, his thumb pressing into the soft skin there. He lowers his face until it’s so close you can see your own reflection in his eyes. 
“Cutie,” he breathes, the word full of intent. “You’re right in that I can’t give you that kind of thing . . . But don’t you think human romance can be so boring? So predictable?” He rolls the words around in his mouth, savouring them, his mouth turning up at the corners in a smile that’s almost lascivious. “Do you need me to remind you of all of the benefits of having something like me as a lover?” 
Your pulse rabbits, and you know that Mahito can surely sense how it quickens - can probably smell the way your desire has spiked in the air, can certainly see how your eyes have gone dark and wide, the way that your breath escapes your parted lips. 
He leans down and kisses you, hard; his mouth cool against yours, his teeth automatically nipping at your bottom lip. Your own mouth falls open in a silent surrender, and Mahito’s tongue greedily brushes over your own. That spot just behind your front teeth, on the roof of your mouth . . . and you realise with a start that Mahito’s tongue isn’t quite human.
He pulls back with a satisfied grin, humming low in the back of his throat - and you see a flash of that inhuman tongue he has crafted, longer and thicker than any mortal tongue has ever been. 
“What kind of things do you think I could do with this?” He asks you, letting it loll out a little. The expression should by rights look silly; but on Mahito it looks dangerous and horribly attractive all at once. You feel your cheeks go hot, your body squirm beneath him. “Aww! You’re too shy to tell me?”
He laughs, and like liquid, he slides himself off of you and onto his knees on the floor. Strong, long fingers tug at your body, moving you like a doll, until you are sitting in front of him and he is between your legs, your back against the sofa cushions. Seeing Mahito’s curious eyes peering at you from there, you know exactly what kind of thing he has in mind, and your stomach twists in pleasurable anticipation. 
“Let’s get these off of you,” he says, tugging at your clothes. “So impractical! You should just not bother with clothes when we’re alone.” 
Your bottoms and underwear slip easily from your hips and thighs - ignored and tossed aside by Mahito, who has a one-track mind when he has something he has set his sights on. And what he has currently set his sights on is what lies between your legs. He nudges his cheek against your thigh, an impatient order for you to spread - and who are you to deny him?
“Oh!” He exclaims in glee, as you shyly part them and he sees your sex, glistening wet for him. “Mmm, you’re excited for this too?” That too-big tongue is peeking out from between his lips, and as you look at it the tip changes just a little; becomes somewhat more bulbous, more like the head of a cock-- “Don’t be getting all nervous on me, now!” 
You let out a soft noise of surprise as Mahito dives between your legs with no more fanfare than that. 
Mahito does all things with enthusiasm, whether you’re prepared for them or not; and you are not prepared for the way one of your thighs is easily slung over his muscular shoulder, or the peculiar feeling of the tongue he has transfigured as it laps down your heated core in one long, quick movement. Mahito moans in pleasure at the way your thighs tense, the taste of you spilling over his lips - pauses after his lick to whisper;
“I could eat you alive, you taste so sweet--”
And then turns back to the task at hand with gleeful abandon. 
Your fingers find purchase on the edge of the sofa cushion, your other hand going almost automatically to tangle in Mahito’s silky silvery locks. He doesn’t seem to care about how they tug on his hair a bit; instead, he merely moans into your sex and redoubles his efforts. 
Messily, he laps and licks at you - that inhuman tongue covers more of your folds than should be possible, almost as if he wants to make good on the promise to eat you alive. Every so often, you feel the dangerous brush of teeth against your most sensitive parts; but Mahito doesn’t let it be any more than a hint, the slightest graze. He’s far too busy drinking you in like you’re the most delicious thing he’s ever tasted. 
It’s more rigid than a human tongue should be, too; when it teases at your entrance, drawing circles around it, your hips jerk up towards it in surprise from how much it feels like a finger or something even bigger. Mahito lets out a huff of laughter, thrusts it in just a few scant centimetres - and pulls back, leaving your channel aching and tingling with desire to be filled with something for far longer than he let you.
He moves his attentions to your clit instead; toying with the bud, rolling it with his tongue, flickering the tip against the swollen little bud until you are tugging harder at his hair, whining softly, beads of sweat rolling down your forehead. He never gives quite enough pressure to let you come. Instead, the way he’s playing with you has little bubbles of arousal coursing through your veins, letting you teeter on the very edge, your climax almost almost in view--
Before he pulls back, lavishes wet kisses on your thighs instead, leaving you trembling on the edge of an orgasm that he isn’t yet ready to let you fall head-first into. 
“M-Mahito . . .” You manage to whine out, though you feel breathless and light-headed. “D-don’t tease me--” 
He stops and looks up at you from between your legs; you’re struck by how beautiful he is, even with your own slick making his mouth and chin shiny. His eyes are lit bright, lips smiling, silver hair all ruffled. There’s something inhuman in him, yes - but like this, it’s a beautiful inhumanity, like an angel. A smirk curls his mouth.
“But you’re so cute when I do!”
He ducks his head down again, his tongue back to its incessant working over of your sex. Your body thrums with tension that has not been allowed to come to a head; you whimper out your desire to be allowed more, but Mahito does not seem to care. You’re clearly just too cute to him utterly at his mercy; trembling and sweating and hoping that he’ll take a little pity on you. 
He alternates between fucking shallowly into you with his inhuman tongue (not deep enough, never deep enough), and playing with your clit. Circling it, suckling on it, treating your spread thighs like a dessert buffet to be sampled and toyed with. You want him to eat his fill. The longer he spends edging you, teasing you, not letting you come . . . The hazier you begin to feel. 
Your breath comes in short sharp little gasps, your chest heaving. You think you must be on fire. 
“M-Mahito . . . ‘hito . . .” You’re practically hiccuping out the words. Your voice is a slurred mess of a thing. “Need to . . . Please . . . ‘m sorry, you’re . . .”
His mouth separates from you. A lewd gossamer strand of your arousal clings to the corner of his mouth, connecting your sex and his lips. 
“Poor thing,” he coos. “You really need it, don’t you? You need me to give you what you want?”
He lets the question stretch in the air until you can get your tongue around the question. 
“Yes,” you manage to moan out, your voice soft and small and pathetic. “Mahito . . . please make me come--”
His teeth glint bright in the light of the living room, and then he is diligently bent between your legs again, and his lips fasten around the pearl of your clit. 
This time, he doesn’t pull back as the wave crests the shore. This time, Mahito keeps his mouth around it; keeps sucking and licking, keeps flicking the tip of his tongue over it, until the tide crashes over you and you think that you might black out from the sheer force of the pleasure finally being allowed to reach its zenith. 
You’re crackling. Floating on air. A slick gush of more of your arousal paints Mahito’s face, your toes curling, your mouth slack and wide open, as the orgasm does not so much ‘wash’ over you as it drowns you, fills every one of your senses with nothing but its inescapable warmth and comfort and rapture.
Mahito’s eyes look up at you from between your legs, drinking in the way that your satisfaction changes the taut lines of your face and body. He mouths something that you don’t hear, because of the roar of contentment that drowns out everything but the pools of heat that are supposed to be your body. 
(If you didn’t know better, you’d almost say . . . that the shape of his lips almost seemed like he murmured ‘perfect’).
He stands and you are boneless to do anything but watch him, dazed from the release he’s finally allowed you to feel. He shrugs off his shirt without a care in the world, pushing his sweatpants down - he wears no underwear, and you watch as his body moves and ripples and suddenly between his toned thighs where there once was nothing, is a cock standing hard to attention with pearly beads of precome gathering on the head.
“Not too big?” He coos at you, as he curls his hands beneath your knees and moves your position so that you’re entirely at his mercy once more, hard cock nudging between the lips of your sex. You look up at him, panting. You can’t make any noises other than a whine, canting your hips forward in a motion that is clearly meant to read ‘get on with it and fuck me’. He laughs. “Alright, cutie! We’ll see what you can take when I’m inside of you, hmm?” 
Your body is entirely willing as Mahito thrusts and his cock sinks as deep into you as it can go, his pelvis rubbing against your swollen clit as he bottoms out. He lets out a groan of satisfaction deep and low that whispers pleasurably down your spine. The position you’re in doesn’t quite let you cling to Mahito, so instead you grip the cushions and prepare to be fucked. 
Not that you have any complaints about that. 
Mahito doesn’t take his time with this, either; he immediately slides into a rhythm that, had you not been wet from the way he’d lavished you with his tongue and dreamy from your orgasm, would almost be painful. Instead, it veers on almost-too-much-but-not-quite - Mahito’s hips sliding backwards and forwards, the shaft of his cock sliding in and out with a delicious wet friction that makes goosebumps rise over your bare skin. 
You don’t realise it until you hear it, but you’re moaning with every thrust.
“Oh, you like this?” Mahito murmurs, smiling down at you. There’s a wicked glint in his eyes. “Mm . . . I think this might be better if I was a little thicker, don’t you?”
You feel the way his cock shifts inside of you - the way that the slick tunnel of your sex constricts around the thing inside of it, thicker than it was before, bigger. You can hear your heart beating in your ears. It’s even too much for Mahito - his pace stutters, his eyes rolling back into his head and a guttural groan of pleasure falling from his lips. 
“I--I wouldn’t need to make you tighter,” he says, his voice dreamy. “You fit like a glove--”
You lose sense of time for a while after that. 
There is only the sensation of Mahito inside of you, your heart beating in your chest, Mahito’s breath and yours intermingling. The way that his cock flexes inside of you, expanding by the tiniest of increments until you feel so full you could burst, deeper and wider and more than you’ve ever taken before. Mahito whispers soft praise to you, telling you how good you feel, how well you’re taking him . . .
And making you shudder and shake, filling you up, rubbing himself against you. You moan and whine and pant and thrust your hips - skin slapping against skin, the hot tight knot of pleasure inside of you threatening to unravel with every slight movement. 
“You’re going to come again for me,” Mahito says to you, when you feel stretched to the very limit - when he is barely fucking into you any more, because he’s filled you up so well that the pleasure comes from the feel of him and not from the movement. “Aren’t you? Aren’t you?” A hand drops your knee; slips between your legs to roughly draw jagged circles over your clit.
Your moan seems to hover in the air, a shimmering moment - this one final movement is too much. You see stars as the knot breaks and heat flows through your body like the blood in your veins, your fingers and toes tingling, your sex pulsing about Mahito’s cock.
It’s too much for him too. With a cry of your name, Mahito’s hips stutter once, twice, and then the cock inside of you pulses in tandem with your body and you feel something thick and cool coat your insides, ropes of Mahito’s release claiming your body as his (as if he needed to)--
While you’re still half-delirious with the aftershocks of your release, he changes his cock just enough to slide out of you. His come and your own wetness have probably left a stain on the sofa, but you cannot bring yourself to care right there and then.
And neither can he.
Mahito sighs in pleasure, collapsing on top of you in a way that somehow manages to be elegant. Your breath comes in soft pants, between your thighs still aching a little from the way Mahito had played with size and shape inside of you, stretching you out. He’s like a cat once more with the way he immediately makes your hapless body his home, curling his head upon your shoulders and his arms around you, slotting himself into your lap. 
“Don’t you think that’s so much more pleasurable than anything a normal lover could do?” He asks you, a little smug. He nuzzles his face against you affectionately, always tactile, always wanting to touch you, always fascinated and adoring. 
“. . . Yes,” you admit to him, breathlessly. Your throat still feels a touch dry from the pleasured noises that Mahito had wrung from you. “You’re better than any human could ever be.”
Mahito laughs wild and bright, his eyes flashing in the light. He reaches up and pulls you into another messy kiss; hand wrapping around the back of your neck, tongues and teeth clashing, claiming ownership of you and giving you parts of himself in one fell swoop. 
“You’re better than any other human will ever be,” he tells you, perfectly sincerely. “The only one I could ever - will ever - want. And I want you forever.” 
You do not know if Mahito is really capable of love, in the way that you love him. A creature made from human’s hatred will perhaps never know love in that sense of the word. But for Mahito--
That is simply how he would say ‘I love you’, in his own peculiar way. 
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getthembees ¡ 3 months ago
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I'm thinking thoughts about The Winged Lion and his relationship with Mithrun, which feels very out of the ordinary compared to other victims of the demon. Namely, it feels like TWL's actions towards Mithrun are a lot more personal than they are with other characters.
It's established that TWL doesn't revel in killing humans, he only eats desires and will go along with whatever role humanity thrusts upon him if it means he is eating people's desires.
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He loves humans, even, the same way someone might love steak, but he nonetheless becomes distraught at the thoughtless destruction brought upon them when a human wishes to destroy the world. He is actively interested in continuing humanity for the sake of filling his belly.
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He is driven by his hunger, he's not quite 'evil,' he's just top of the food chain and has a penchant for gorging himself (especially after the initial mass destruction he commits above). He harms at the will of humans, and after he eats someone's desires he doesn't destroy their bodies at all, just leaves them on the floor in a sort of stasis that could be considered a sort of 'death.' (as we see with Thistle, and the first humans he eats at the dinner table).
So, why does he hurt Mithrun?
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From the framing of the shot the destruction of Mithrun's eye seems like a symptom of the pinning, TWL is careless and focused only on devouring his prey, so he pins Mithrun in such a way that obviously is not ideal for his well-being. But that doesn't explain why TWL would tear his ears off? There seems to be no rhyme or reason for this violence, and it's only with Mithrun. He is bizarrely exceptionally cruel only to Mithrun.
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I know Mithrun believes this to be the demon seeing his inner vanity and sense of superiority and was therefore punishing him for these reasons. But this also just, doesn't seem like something TWL could or would care about. If he's a creature that lives only to eat he doesn't need to teach this random elf he trapped a lesson, he just needs to cultivate his desires and eat them.
But...if this isn't just Mithrun's perspective and is actually true (and the Adventurer's Bible is a sort of 'word of god'/world-building clarification) then... why? Why did TWL choose to do this to Mithrun and only Mithrun?
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It's even when they meet again, too! TWL is very mocking towards Mithrun in a way that seems personal.
I don't actually have an answer for this, and unless I've forgotten/missed something it feels like a very targeted act of cruelty towards Mithrun that is not usually part of the lions MO. Would love to hear what other people think.
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harmonysanreads ¡ 2 years ago
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When something (or someone) is stealing your attention.
characters: al haitham, kamisato ayato, raiden shogun (ei), scaramouche (wanderer)
cw(s): general yandere themes, dark themes, mentions of captivity, mention of gaslighting (once)
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──⚝ al haitham
Probably doesn't even notice and if he does, sees no reason to get worked up over it.
Al Haitham practices control over his emotions — more so, the less rational ones, through assessment of the given situation. Sometimes, you can almost see apparitions of the cogs turning and twisting in his irises. So, when he sees your insistence on ignoring his existence, he merely sits down somewhere close and resumes where he left off on his own book. It's you who is concerned from his lack of acknowledgement, stealing glances to see him having his merry time. After all, those light novels can only occupy your attention for so long and after re-reading the same text for who-knows-how-many times, you'll be forced to come to him (yet again another disadvantage of being held captive). He'll have his revenge then.
──⚝ kamisato ayato
His time is precious, more so the time he gets to spend with you, so, not a chance.
Somewhere in his corpse of a heart, there is guilt for the position he has put you in. His pride wouldn't let him admit that though, it claws its way out and blends in some of his actions. Ayato loves you too much to ignore the obvious forlorn look etched on your visage for any longer, your eyes are loud in the demand for freedom and it's been proven that not even an estate full of servants and people are enough to satiate your loneliness. So, when he gifted you the caged canary, he thought he'd finally see you smile again. Instead, it bites back at him and steals the last scraps of your attention. Ayato is displeased, to say the least and he makes it quite clear. If you still insist on being ignorant although, he'd have to resort to crueller methods. Fear not, he wouldn't allow a scratch to appear on you but, he cannot quite say that for your bird friend. After all, he's not ignorant of your attachment towards it or, of the resemblance in situation it has to you. Let this be a warning.
──⚝ raiden shogun (ei)
She's not jealous. Pssh, only a child could get jealous over something like this. You're merely interacting with her pet. A teasing pet who whispers suggestive comments in your ears every three seconds and — is she touching you now?
Gaslights herself for as long as possible because Celestia forbid should she succumb to this feeling of jealousy, in front of this menace of a kitsune moreover, she'll not hear the end of it. In her pursuit of an unchanging eternity, she has triumphed over the trifling mortal emotions. So then, why is it that all of her carefully constructed euthymia crumbles when it comes to you? Without doubt, you're an impediment to that perfect eternity, a weakness and yet, she fails to let you go, refuses to let you go. The mischievous kitsune utilizes it to her fullest entertainment, revelling in both your flustered reactions and Ei's crumbling ataraxia. If Yae Miko does manage to snap the last straw (which she does), Ei will quickly rush her out of her realm to cackle over the victory somewhere else. Then, it's up to you to smother the blow.
(You'll be surprised at how soon she melts.)
──⚝ scaramouche (wanderer)
Depending on which time of his life you manage to win over his non-existent heart, the reaction varies.
Kabukimono does not even feel it at first. Though, as his admiration and observation of the humans deepens, he eventually manages to make out some semblance of the unpleasant feeling. He'll never blame you though. It's... uncomfortable for him as he's new to it but compared to his future selves, Kabukimono is far more forgiving.
Kunikuzushi, newly familiarized with the cruelty and ugliness of the world is not so soft. He's constantly on the edge, questioning your loyalty and anticipating a betrayal. You'll have to put in a lot of sweet talking and loving caresses for him to strengthen his trust in you. Once you've gained it whole, you'll have to be even more careful. I'd advise not adding to his number of betrayals.
The Balladeer's perception of the world is twisted, he simultaneously doesn't want to trust you and is ready to give you the highest position of his heart (whether you like it or not). He's much, much more expressive and violent than Kabukimono but narrows it down to you lesser than Kunikuzushi (that does not mean you're off the hook entirely though). If it's an item that has you ignore him then poof! It's gone, now pay attention to him. If it's a person...then, they're also gone :).
Wanderer (after regaining his memories) is levels above the pettiness of his previous selves, so much so, that he ascends to a whole new degree of it. Rest assured, you won't be on the receiving end of the creative ways in which he deals with the sources, just be prepared to deal with one clingy menace.
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veritas-scribblings ¡ 5 months ago
Text
card - @bartylusmicrofic - words: 555 [explicit / NSFW]
Barty has a fascination with Regulus’s hair, which is a black-brown and silky-soft, falling in loose curls, so perfect for running his fingers through. He has a fascination with Regulus’s eyes, which are an icy silver-grey, like mercury with the slightest hints of blue. He has a fascination with Regulus’s lips, which are soft and smooth, perfect for kissing and biting and sucking on. He has a fascination with Regulus’s tongue, which is razor sharp and delivers cuts and blows and severs lesser folk at the knees. Cripples them.
So, Barty kisses Regulus’s lips, nipping gently. Slides his tongue over Regulus’s, revelling at the taste and the feel. And he pushes Regulus to his knees so he can stare down into Regulus’s silver-grey eyes and he can comfortably run his fingers through Regulus’s silky-soft hair. And tuck the loose curls behind Regulus’s ears so he can look up at Barty, his view unobstructed, and appreciate how much Barty loves everything about how they are together.
Really, there is no part of Regulus that Barty does not love with every iota of his being. Regulus should be studied, catalogued, so he will forever be immortalised after he is long gone and Barty is long gone. So they might model every future incarnation of human after the perfect being that Regulus is.
Or maybe, maybe, Barty is too selfish for that. Too possessive. Maybe Barty should be the only one to know Regulus—he is the only one to know Regulus and feel Regulus and experience Regulus in such an intimate way—and maybe this knowledge, this experience, should die with Barty. 
Barty wraps his fingers around himself, works his fist up and down his length a few times before he guides his cock to Regulus’s soft-and-smooth-and-perfect-for-kissing lips and he slides inside. And—fuck. Just fuck. 
Barty has no words. He has no thought. He is only feeling and sensation and desire and lovelovelove. 
With a deep sigh, he tries to stay still to let Regulus adjust to the weight and the size and the length of him. Focuses on the feel of Regulus’s warm mouth and the way Regulus’s beautiful perfect-for-sucking-on lips look wrapped around him.
Regulus replies with a groan, the vibrations resonating through Barty, and takes him in deep until the head of Barty’s cock bumps against the back of his throat.
Shuddering, Barty exhales unevenly, not quite a sigh, not quite a moan. He leans back as Regulus swallows around him, tongue pressed against the underside of Barty’s cock. ‘Reg,’ he breathes, running his fingers through Regulus’s hair, trying desperately not to pull because Regulus hates that. 'Reg.'
Regulus pulls off until just the tip of Barty’s cock is between his lips, and then slides back down, sucking hard. And Sweet Salazar, Barty loves this. The warmth. The steady pressure. The knowledge that he might leave a little piece of himself inside Regulus so they might merge their being into one, become BartyRegulus and RegulusBarty.
He cards his fingers through Regulus’s hair again, cradling the back of his head to guide him in closer. Rocking his hips just a little because he can never help himself.
And he thinks, the satisfaction and pleasure huge and alive in his chest, that he is the only one who knows Regulus like this. The only one who has been inside Regulus like this.
And yes, the knowledge should definitely die with him. There will be no other Regulus’s in the world. He will not allow Regulus to be studied and catalogued and immortalised. He will not allow him to be known and experienced. Not by anyone other than himself.
He will keep Regulus entirely to his selfish, selfish self.
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batsplat ¡ 6 months ago
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do you have any more thoughts on sete&vale rivalry? ps. love your blog!
I ALWAYS have more thoughts about the sete/valentino rivalry and if there is one person on this website who wants to read them then let's fucking go. so my issue is that when I looked at this ask the first time I thought I could maybe give like. a few thoughts. just some casual fun takes. the problem is I've been doing that anyway in my other posts, but there's really only so much point in doing that if I'm not providing any context on events that are by this point two decades old. so. time for some actual context
this isn't going to be exhaustive by any stretch of the imagination. what I'm covering here is two/three incredibly interesting years of motogp that deserve to be experienced and studied in their entirety, but alas I am but one poster on one microblogging website. so this is very much going to be the whistle-stop tour of explaining feuds, before a little bit of analysis to cap things off. (would like to state for the record that I called it 'whistle-stop' when this post was a lot shorter than it is now, but I'm leaving this paragraph in because it'll get funnier the longer you scroll. it's still not exhaustive but it's a lot more exhaustive than I thought it'd be when I wrote those sentences)
this rivalry began in an odd, uncertain period of valentino's career, at a time when valentino had essentially won motogp. he had just concluded his 2002 season and sealed his second premier class title in the process, with his results that year consisting of eleven wins, four second places and a single retirement. it was more or less as good as it gets, crushingly dominant, the undisputed lord and master of all he surveyed etc etc etc. and yet it was also a time where he was ill at ease with his role within the sport and was struggling with motivation, so much so that he increasingly found himself no longer taking joy in his racing. he ended up being so disillusioned with the existing state of affairs that he decided to make a radical move to redefine himself, to control his own destiny, to take the step from a great to a legend
which is all very abstract, in a way, removed from the realities of racing or indeed competition. this was a time in which no other rider could come close to matching valentino as a competitor and everyone basically knew as much. it adds an odd flavour to the challenges an athlete faces, where the success is such that it warps everyone's understanding of what success even looks like (not helped by how the last dominant athlete in the sport, mick doohan, also had a silly good track record in his prime). you could say, if you want, that 2002 is all about sowing, all about vale having so much success that it's started to feel a bit too easy, where he was just coasting on a wave of his own brilliance. 2003? well, now we've gotten to the reaping stage, where he's suffering under the expectations he himself has created, and all this winning is maybe already getting kind of boring
the first task in sports is not to be better than everyone else - it is to win. being better helps, but it has never been strictly necessary. there was no serious question at any point during his rivalry with gibernau who the better rider was between the pair of them. perhaps even more importantly, there was no question who the stronger between the two of them should be. over the years, valentino would have to deal with more than his fair share of young talent who proved they could match him in ability, the riders who had already long been marked for greatness and had the potential to be valentino's successors to the throne. gibernau was not that man - he was older, he was less accomplished, he was a revelation rather than anointed. it's one thing to be challenged by an alien, quite the other to be beaten by a bog standard human. especially if the bar for what constitutes being 'beaten' is set pretty low - never mind full seasons, should you even be losing individual races to this new challenger?
the rivalry between valentino and sete is not one of two equals, neither in ability nor in how their success was measured. but it became one that spawned a close title fight, courtesy of valentino unexpectedly wrestling the yamaha into title contention against his former employers at the first time of asking. valentino's main pressures in those years did not come because of any other rider, including sete - they stemmed from external forces such as honda or the press, from his internal struggles, and eventually were self-imposed in his decision to take a step into the unknown and join yamaha. the shape that this rivalry took reflected the disparity between the pair of them at every stage. valentino's biggest enemy during those years only ever could have been himself - so could sete exert himself upon this narrative at all? was he only relevant as long as valentino let him be? has he been so conclusively beaten that he has allowed valentino to erase him from his story entirely?
the first task in sports isn't to be better than everyone else... but it usually isn't quite this low down on the order of priorities. when 'being better than everyone else' is taken as read, then where does the narrative tension come from? usually, this is the kind of issue that commercial stakeholders and broadcasters and journalists and fans care about - not the dominant athlete of the time. but valentino is a storyteller and he does care. he can't handle stagnation. he can't handle being bored. he needs something to fight for and someone to fight and he needs all of it to happen on his own terms. the rivalry between valentino and sete becomes about everything except who the better rider is - and they happen to be perfectly suited characters for a rivalry such as this. for something that feels a little removed from the typical pressures of competition, of simply doing all you can to win, to beat the other guy, in whatever way you can, to rack up one victory after the other... but what we're primarily talking about here isn't numbers, it's theatre. it's show. and it's about two men who are particularly in tune with the artifice of it all, who are particularly concerned with how the world perceives them. valentino always knows where the camera is, always knows to play to it - and sete knows where it is too, which is what valentino uses to unsettle him to the point of despair
so, that's the set-up. let's bring in the context. what I'll cover here is mostly limited to what transpires during the years in which the rivalry is at its most prominent, aka 2003-05-ish, and mostly stays away from its legacy or repercussions. the first bit covers sete's emergence as valentino's rival, then how he becomes honda's best hope of stopping valentino, then the controversy that ruined their relationship, and finally how sete falls apart. after that, I'll give some of my thoughts about the rivalry and how it functions as a narrative. but again, there's a lot that's being left out here - like the bits of my notes that are just a tally of every misfortune that befalls sete gibernau post-qatar 2004. remember, kids: curses are a nasty nasty business and should be wielded with care
becoming the challenger
sete's rise to becoming a legitimate title contender was in some ways as unlikely as the manner of his downfall. born in december of 1972, so six-and-a-bit years older than valentino, his grandfather was a titan in the motorcycling industry and he grew up both affluent and surrounded by bikes. he's unusually well-educated for a rider, proficient in languages even by paddock standards - and, like valentino, a bit of an aberration from the mould of the stereotypical nineties bike racer. the reputation he had was for being a bit too vain, a bit too metropolitan, too self-absorbed to be suited to the rough-and-tumble of elite motorcycle racing
by the time he signed with the gresini honda team in 2003, his track record was very far from that of a title contender. after various wildcards in the mid-nineties, he'd finally managed to get a permanent seat first in 250cc and then in 500cc. eventually racing for repsol honda and taking doohan's bike when he was injured badly enough to force his retirement, sete's initial promise remained largely unfulfilled and he was dropped by honda after the 2000 season. he joined suzuki, who were struggling immensely in the aftermath of their title courtesy of kenny roberts jr. sete did get his first premier class win in valencia in 2001 in mixed conditions - a rare race that year valentino did not win after making a conservative tyre choice at a track he's in any case always been dreadful at. in 2002, suzuki was still struggling, though the wet conditions in estoril gave sete a chance for an early duel with valentino until he crashed. valentino said afterwards he felt sorry for sete (in a nice way not a condescending way)
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^sete's first ever win came in valencia far far ahead of valentino in a lowly eleventh place. incidentally, it was there that a year prior vale's late charge to an increasingly plausible rookie 500cc title came unstuck. it's fair to say it's not exactly his favourite circuit on the calendar, which some might call a sign of good taste
and then, the move to gresini honda in 2003 - to which he also brought his sponsor telefonica, who became the team's title sponsor for the next few years. as I'm sure fans of the current era are able to appreciate, while it might have been a step from a factory to a satellite squad it was a very obvious competitive upgrade. he may not have had the newest spec of honda, unlike his teammate, but he was still satisfied with his machinery and his new team
sete and valentino had already had a good relationship at this point, a friendship that extended beyond paddock walls. they'd get drunk together after races, party together on ibiza over the summer holidays - and of course there's the story of sete giving valentino advice upon his transition to 500cc. previously, valentino's most notable rivals had come from other factories, whether kenny roberts jr on the suzuki or max biaggi on the yamaha. but honda had poached biaggi for the 2003 season and - after a brief blip in 2000 -were establishing themselves once again as the overwhelmingly dominant force of the sport, boasting an embarrassment of riches both in the engineering department and in their formidable host of riders. they were the undisputed kings of motogp and were comfortable in knowing that their bikes were so good that the riders were far from essential, all easy enough to replace if they had to be. all of which meant valentino knew going into that year that his most significant challenges were likely to come from within his own house, though he would hardly have expected sete to lead the charge
but then, a tragedy in the very first race of 2003 changed things. in suzuka, gresini honda rider daijiro kato crashed and hit one of the walls, later succumbing to his injuries. kato had been a 250cc champion and was widely tipped as a future premier class champion, japan's best hope for a first in that category. even though gibernau and kato had only been teammates for a short time, sete had immediately felt welcomed within the team and had worked together closely with kato over winter testing, including helping him out in the wet conditions in which kato had long struggled
the brutality of racing is such that two weeks later, the grid were to line up again at welkom. and it was there that gibernau secured an unlikely, fantastical win from pole position holding off valentino along the way. he dedicated his victory to his fallen teammate - who he said had been with him when he was riding. he wore kato's #74 on his leathers for the rest of his career. whether rightly or wrongly, paddock consensus was that the events had transformed gibernau, had made him into someone who took his racing more seriously, had made him finally commit all his mind and body and soul to riding, to fighting, to winning
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^pointing up to the sky at welkom 2003. the number 74 is prominently placed on his upper chest to the right
it also had another effect. kato's death sparked controversy due to the layout of the suzuka track, the decision of the officials not to halt the race, and the rescue workers who had failed to follow proper medical procedure in moving him. both sete and valentino reportedly said they would not race there again, and it did end up being the last year grand prix motorcycle racing came to that track. it also prompted conversations about what could be done to better protect riders - and sete was one of the main figures behind the idea that riders themselves should have more of a say in safety standards. this led to the establishment of the safety commission, which back then included fewer riders but both valentino and especially sete involved themselves in
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^sete at a safety commission meeting
did the tragedy really transform sete's fortunes as a racer? perhaps, though the switch to honda and a team he grew so fond of surely would have helped in any case. still, the contrast in his results and how he went about achieving them is stark; we'll never know for certain, but it's understandable why it's such a popular interpretation. another factor, too - despite some initial resistance, sete ended up inheriting kato's factory-spec machinery and was now riding the same bike as the other primary contenders of that season. the first half of his 2003 quickly cemented his new status within the factory, winning again in le mans, and then in assen. by the time they reached the halfway point of the season after donington park, sete was in second place in the standings, just clear of biaggi and only 34 points behind valentino
which is where we get back to valentino and ask ourselves what the hell that man thought he was playing at. did he really believe that it was all right to sit on a mere 34-point lead halfway through the season? was valentino, at the tender age of twenty four, already washed? was he finished? was this the beginning of the end? had he already peaked? did he just not have it in him any more?
obviously the answer to all of those things is 'no' and also 'what?' - but these were questions that many, most notably in the italian press, were in all seriousness asking anyone who would listen. now, valentino had theoretically just won in donington, except en route he had overtaken under a yellow flag and was controversially stripped of that victory after the fact. which meant that - you may want to hold onto something here - valentino had gone for a whole three races without winning. that's right. three races. granted, he'd already secured three victories that season and had been on the podium every single race, but the pressure was beginning to mount on valentino to deliver. it wasn't just the three race losing streak, but also the emergence of sete as a serious rival and how he had gotten the better of valentino - first at welkom by holding him off, then at le mans by beating him on the very last lap. valentino had also separately fucked up in a duel against capirossi for the victory in catalunya (funnily enough not one of the valentino duels there everyone remembers), eventually making a big enough mistake he had to spend the rest of the race recovering to second. honda had expectations, the italian press had standards, and the sheer dominance of his 2002 campaign meant that even the slightest dips in form translated into criticism of valentino and speculation on the state of his mettle or lack thereof. and things were about to get even worse
last race before the summer break and they're headed to the sachsenring - and here we were provided with a classic valentino performance right until the very moment where it wasn't. when sete caught up with him, valentino let him go ahead to study him from behind and crack him at the very end. he made his move on the penultimate corner of the race and successfully got ahead - but made a mistake in picking a very tight line into the final corner and lost too much speed, allowing sete to beat him to the line by a mere 0.06s. the general perception was that this had been a winnable race, and that it had been lost, more than anything else, out of arrogance. he could have attacked earlier - and if he didn't, then at the very least he should have been smarter about the final corner. he had allowed sete to beat him in a straight fight for the third time that year, who was now on four wins that season to valentino's three. all this meant that valentino's winless streak had been extended to four. that's right. you heard me. valentino rossi, the man they call the goat, had the audacity to go a whole. four. races. without. winning. the italian press had a field day and were calling for blood, and who could blame them?
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^sete gibernau posing for a photo with a washed-up loser
luckily, valentino had the summer break to go off and clear his head and think about what he'd done. it was a good chance to get away from the constant scrutiny and criticism that had come during a year in which he'd already been feeling discontent with honda from the very beginning. the perception was that valentino had had it too easy and was resting on his laurels, no longer taking racing seriously enough, coasting on past successes that he was finding it hard to replicate - never mind his 29-point lead in the championship standings. so valentino ends up doing what is sensible in that situation. has a hot girl crisis. goes to ibiza. gets his hair dyed red. rocks up at the paddock for brno with his cool new hair as a bit of a throwback - he's still that guy who knows to have fun, he won't let any of this get to him, he's not going to take any of this too seriously
here's a more in-depth post on brno 2003 including, of course, his celebrations. to summarise - he won a tight thriller of a race and this time beat sete to the line, just about. then he celebrated by having a bunch of his fans dress up as convicts and donning his own cap and ball and chain - a 'prisoner of his own success', if you will. another step was taken that weekend on the road that would eventually lead him to abandoning honda and signing with yamaha. and here he is in his autobiography talking about his disillusionment with honda. he's not the first athlete to feel unhappy within his team, not the first dominant sportsperson to struggle to find motivation. still, when you consider how long his career ended up lasting, there's something remarkable to how quickly it threatened to turn joyless to him. if he were one of those athletes who just needed to win to be happy, he would have been fine within honda
but that's what valentino's all about, isn't it. within honda, under the ferocious glare of the italian press, he felt trapped. he felt imprisoned. he felt burdened by the expectations that his own victories had placed on his shoulders. it isn't enough for him simply to win. not if the winning isn't happening on his own terms. not if it's just another way in which honda can show off how superior their bike is. just another means for the italian press to ramp up pressure on him in the future. if valentino doesn't win, then well, it'll be gibernau. it'll be biaggi. who cares? valentino isn't essential to honda's success - the bike is. and vale decided he could no longer accept that. he returned to his roots in brno with the haircut and the celebrations and the candlelight meetings with yamaha that demonstrated his determination to forge his own path. winning is a part of him; when he wins he uses it to express himself, to define both who he is and who he is not - which is where, of course, the rivals enter the picture. valentino delineates his self against the other as much as anyone does, expressing his identity both as a racer and as a person by drawing the line between himself and his enemy and making a spectacle of what separates them. you can only win when you beat someone else, and valentino has always understood that the vanquished is very nearly as big a part of the show as the vanquisher
but here, the relationship between valentino and sete was at the very least outwardly still warm. they were both as gracious in defeat as they were in victory - helped along by the awareness that whatever the frothing italian press might pretend, valentino was unlikely to lose that year's title. still, were tensions beginning to creep in, given how valentino retrospectively speaks in his autobiography about how both biaggi and gibernau complained he had superior machinery? how about when rumours began to fly about valentino's impending move to yamaha and sete supposedly said valentino won't have so much to laugh about the next year? or the glee valentino read on sete's face at the thought of valentino's departure from honda? another point, on the ibiza trips - it's unclear when and how many times they happened, but one source suggests they had stopped in 2003. on the other hand, the brno 2003 race commentary makes multiple references to how they'd been partying together on ibiza during the summer break (which you'd have to say is pretty remarkable in itself after a race like sachsenring), and I'm inclined to trust the race commentary on this one. so maybe it's 2004 the trips tail off... at what point then did the relationship between the two of them begin to transform from friends to true rivals, however genial to begin with? how wary had valentino already grown of sete by the end of 2003?
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^age old tradition. sete buddy that kid is going to ruin you
in any case, the remainder of valentino's season was close to flawless, winning five of the six remaining races. in sepang, having already decided he was going to sign with yamaha come what may, he sealed the title with a dominant win over sete - and brought back the convict celebrations, except this time he had a big novelty key to open the big novelty lock, presumably to signify how he could finally escape. which is charmingly on the nose, yes, but there's something enjoyable about an athlete who is so very committed to making the subtext text. how better to conclude his time with honda, who he had grown so very disillusioned with? tell them how you really feel and all that
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^after vale has sealed the title at sepang. sete gives him a nice little kiss before assaulting him with champagne on the podium
or - not quite to a conclusion, not yet. after all, there were still two more races to go in 2003. in phillip island, he secured one of the more spectacular victories of his career when he once again fell foul of the 'could you please stop overtaking under yellow flags' thing - but this time, was informed of the situation and his ten second time penalty during rather than after the race. furious at the penalty, he flew off, setting a blistering pace that not only gave him the requisite ten second margin over his closest challenger capirossi, but eventually meant he crossed the line fifteen seconds ahead of his countryman. he had a point to prove that day, and proved it. he might have been on the best bike, yes - but he was laughably better than anyone else riding it, and the world still hadn't seen yet all that he was capable of
then came the last race of the season and the announcement honda and valentino would be holding a press conference together afterwards, widely expected to be announcing a split that for much of the year the paddock refused to believe might actually happen. one more ride on the honda that valentino must say farewell to and will dearly miss - that unfortunately took place at valencia, an ugly bore of a track that valentino has always been awful at, the only one on the calendar he had not yet conquered. but he needed to say goodbye to his beloved bike (decked in an austin powers-themed special livery) in style, and he went on to win the race before telling the world that him and honda were parting ways. time to go to yamaha and prove the haters and losers wrong - including one sete gibernau
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^honda or yamaha, friendship can survive anything <3 quite like valentino's unorthodox spraying technique in the photo on the right - sete was admirably determined to drench vale at welkom
honda's next champion?
the thing about 2004, right, is that the dominant rider in motogp had very nicely taken himself out of the picture for at least a year to try and turn that useless pile of junk into title-contending machinery. maybe rossi would start turning things around in the second half of the year and snatch an occasional win. maybe he'd put together a title charge in 2005, though that was by no means guaranteed - it was entirely plausible that his failure would be as complete as it would be spectacular. what this meant for everyone else was that they'd basically been given a freebie. a clear run at the title, as long as they could beat all the other non-rossi challengers. for a number of blokes at honda, this was the big year. biaggi, gibernau, anyone else who was feeling brave - this was the time. and honda, right, were going all in on this. rossi had the audacity, the nerve, the sheer disrespect to turn his back on them and imagine he could win without them. every rider dreamt of being decked in their colours, and valentino had walked away. they were going to throw all the considerable money and resources at their disposal behind a small army of riders, tasked not only with beating rossi but humiliating him
this is all a bit of an exaggeration, but not too much of one. as then-yamaha rider and then-valentino friend marco melandri put it in 2003, "if valentino did come to yamaha at least he would be able to give them direction with development, but he would not have a chance of winning". the best-placed yamaha rider in the 2003 championship standings had been carlos checa in seventh, and all yamaha riders combined had achieved a grand total of one podium finish that whole year. generally speaking, however, once this kind of idle speculation of 'oh imagine if he moved' actually becomes reality, the conversation does shift accordingly, and so the initial consensus of 'surely he can't win on a yamaha' of much of 2003 was already beginning to crack by the time they actually arrived at welkom. and the relationship with honda really did end on a pretty sour note, not least because valentino's former employers refused to let vale test the yamaha before his contract expired at the end of 2003 - which is generally a pretty decent barometer of whether a rider and team are parting on good terms. as valentino put it: "their attitude pissed me off. it will cost me four races, but I always knew things would be like that". in the end, obviously he was still able to make good use of the pre-season testing he did have and he was not cost "four races" - and at the very latest people had to reassess their outlook on the season when he hit the track at welkom. if anything, his immediate pace that weekend was distinctly un-valentino-like - who needs to already be fast on a friday? - and he led every session and qualified on pole. and then, he went and achieved what still remains possibly the greatest victory of his career after a thrilling battle with old foe biaggi right to the very end. sete was a very distant third
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^sete drenching vale at welkom. I am once again going to do 2004 prop and let you know that some of the best races are available free online: welkom, mugello, catalunya, assen and qatar are all on youtube (they should upload phillip island but ah well ed.: for some reason phillip island has been uploaded to facebook)
of course, valentino did not have it all his own way that year. of course, sete was not suddenly replaced by biaggi as vale's prime challenger. but yes, sete will have had to readjust his expectations of valentino's season the same as everyone else. after welkom, the conversation shifted definitively from 'surely not' to 'could he really...?' - and all other contenders were informed in no uncertain terms that they were not to be granted a rossi-free season. that being said, of course this still very much looked like sete's best chance. of course this wasn't going to be as straightforward as valentino's past titles. perhaps, even, welkom had provided a somewhat illusory picture of what the competitive landscape actually looked like that season. perhaps people had been too hasty to hand the title to valentino again after welkom. a wet weather specialist, sete secured victory in a rainy jerez, while valentino struggled to get his yamaha to work in the wet and finished fourth - his first time off the podium in twenty four races. at le mans, another race in tricky conditions, sete won once again and extended his championship lead while valentino took another fourth place. the spectacle of welkom might have been a flash in the pan; it might be time to reassess the kinds of results valentino could achieve on a regular basis with that machinery
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^left: valentino having fun in the wet of jerez; right: valentino's wood-themed helmet for mugello, because if you finish fourth you get a wooden medal
what followed was a pivotal stretch of three races that turned valentino's 2004 title bid from a dream to something that felt increasingly plausible, even likely. all three of these races were extremely closely fought. all three of them are very enjoyable to watch. all three of them are freely available on youtube dot com. first, they headed to mugello, a big one for both sete and valentino. valentino had won the last two races at mugello and it was the race that was more important to him than any other - so if you're sete, where better to stamp your authority on the season? the race ended up having a little bit of everything: a ferocious multi-rider scrap, a duel between the two main title contenders, a red flag and a restart due to the worsening meteorological situation that resulted in another multi-rider scrap. valentino had to make full use of his skills as well as his composure to go out and in essence win two entirely different races. after the second start he fell back as far as seventh as he figured out the grip conditions, taking his time to fuck around before eventually fucking off (or as much as you can fuck off when you only have two and a half laps left). still, sete managed to salvage a second place result and limited the points damage
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^2004 is as close to a perfect season as you can get, but there is one major factor that holds it back: the colour schemes of the title contenders. extremely similar combinations of blue with a little yellow from guys who aren't even in the same factory, let alone teammates - and jorge was always way easier to distinguish from valentino than this mess. what makes this extra stupid is that valentino's actual teammate that year, carlos checa, had a RED livery and RED leathers so. okay. great job guys. anyway, cracking race, split into two halves (or well. four fifths and a fifth). apparently, sete overtook valentino at some point under a yellow flag - or, at least, valentino says he did, which is something he remembers just in time for that year's sepang press conference
so a home victory secured and a hat trick of mugello wins - time to head back to sete land and fight it out in catalunya. top five valentino catalunya duel for sure, a pretty crowded category. sete had led every single session going into the race, but in the end he came out second best in a fight that went on until the very last lap. no longer was valentino willing to let sete get the better of him in head-to-head combat, and the victory was even sweeter coming as it did on sete's home turf - and indeed valentino would establish a bit of a tradition of beating spaniards at that track. the tide was turning and increasingly it did look like valentino might actually achieve the impossible
"One hundred and five thousand screaming Spaniards roar on their hero Sete Gibernau. He's something of an unexpected hero really. After so many years in grand prix, he lived in the shadow of Alex Criville. Criville's retired, Gibernau is on the Honda, and Gibernau is leading the world championship."
^excerpt from the catalunya 2004 commentary
and then, the next race: time for assen
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^still friendly and chatting before the first real trial their relationship faces. by the by, the commentary for this race references a cartoon proposing that all that valentino needs to do to keep sete behind him is to attach a mirror to the back of his bike - because sete would be too busy posing. which gives you a general sense of the tone people used to discuss sete with
coming into this race, sete had gotten two consecutive second places to valentino. his championship lead had shrunk to five points. valentino had already gotten the yamaha into race-winning shape sooner than anyone had expected, and now it increasingly looked like he might be able to achieve the week-to-week results that won championships. it also did not help that sete's defeats had come in direct duels with valentino - in the early days of that rivalry, this exact type of duel had been how sete had announced himself as a serious threat. if it came down to another direct fight between the two of them, sete badly wanted to get a win over his rival, not just for points but for pride. and valentino, conversely, wanted to press home the advantage, to bite harder when his opponent was already bleeding. if you will
this turned into a bit of a three-way tussle between those two and barros, but then barros crashed out and it was just the two of them - going into the very last lap with sete ahead. valentino, who was having to risk far more on the yamaha than he ever did on the honda, made a lunge up the inside of turn 12 and almost binned it in the following corner. nearly losing the front resulted in contact with sete, where sete's front wheel hit the rear of vale's bike and damaged the front mudguard - and in the end sete backed off just a touch, allowing vale to cross the line with almost half a second in hand
valentino was enthusiastic in his celebrations, shall we say, whereas sete... well. sete did not look thrilled. gone were the usual parc fermĂŠ exchanges, no more hugs or friendly handshakes or kisses. sete suffered his way through the podium celebrations as the wettest of wet blankets, popping the champagne for about half a second and staying rooted in place while valentino carried on doing his thing. the natural assumption would be that sete was furious not just at losing but at the manner in which the pass for the victory was executed, out of control and in a way that could have easily resulted in a crash for both of them. valentino certainly assumed as much, saying that sete was "for sure a little bit angry" (clip here, also includes sete's statement). but when it was sete's turn to speak... he just said he was frustrated at losing, as anyone would be in his situation. which, well, doesn't quite fit in with his reaction, and also doesn't entirely match up with other statements he made at the time. there are two more sets of quotes from the protagonists of the race, though I can't determine with absolute certainty in which order these things were said. here's the first (article dated day of the race):
Gibernau lost vital time in that clash and was not able to challenge on the remainder of the lap but Rossi insists he did not deliberately block the Telefonica Movistar Honda rider. "I came into the bend a little too quickly and I slightly lost control of the front of my Yamaha, which explains why I touched him, but it wasn't intentional," he said. Gibernau did not use the incident as an excuse for his defeat. "To be overtaken in the final meters after dominating the race, it's obviously gutting," said the Spaniard. "I was angry about the way he overtook me. His manoeuvre really was risky. He said he didn't do it on purpose, but it doesn't take away my disappointment."
and here's the second (article dated the day after the race):
"I made a mistake and had to brake early or I would have crashed," said Rossi, explaining why he slowed so suddenly in front of the Spaniard. "I did not even feel Sete touch me. He was very angry, but I explained what happened." For his part, and after having chance to cool down, Gibernau appeared to accept that the contact hadn't been deliberate. "I had a good chance right until the end but we touched on the last lap - Valentino explained that he almost fell and, if that's the case, then there's nothing for me to say," shrugged Sete. "These things happen in racing. We had a good battle in another great race."
if that indeed is the order in which their statements were delivered, this whole episode feels like an interesting exercise in passive aggressive feuding - sete could have of course simply gone up to valentino, supposedly his friend, and asked for an explanation, or stated his objections openly when asked about them in the presser. instead, it seems to have been valentino who offered his explanations after sete had denied even having any issue with the overtake, with sete contradicting himself later by saying he had been angry. even then, sete said it didn't "take away my disappointment", which suggests not all was forgiven. from parc fermĂŠ to the podium to the press conference, he'd used every part of his body with full effect to express his displeasure with the notable exception of his mouth. this incident hasn't really been brought up by either party since, but as far as the eye test goes the relationship sure seemed like it was pretty strained by this. with the benefit of hindsight, it stands out as a turning point in their rivalry, the first time the veneer of the gracious loser was well and truly discarded and a sour note was added to the relationship. this was also the race where the championship lead was taken away from gibernau on countback, which incidentally was the last time an independent rider led the world championship standings until... uh... *squints at notes* argentina 2018
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^already post-assen - but no reason not to be civil, right? what's a little last lap assen controversy between friends. scholars will note that this is the race after which valentino engaged in some unsavoury parc fermĂŠ activities with sete's then-teammate colin edwards
for the sake of brevity, the next part of the season is mostly going to be skipped over, but to give you the sparknotes version: sete's results grew more inconsistent, and valentino gained more of an advantage, despite still having to over-ride the bike in a way that helped cause his dnf in rio (his first dnf since brno 2002 and his first non-mechanical dnf since mugello 2001). apart from a brief period where biaggi seemed like he was going to reinsert himself in the title fight, plus a sete win in brno, for the most part the tide had clearly turned in valentino's favour and that yamaha title was looking more and more like a certainty. so let's pick up the narrative at the next major flashpoint between the pair of them, at motogp's first visit to qatar
I've already written up a post that gives more information on that race and the specifics of the controversy, so I'll forgo another detailed summary of events here. the basic facts we have at our disposal are that valentino's team, whether to his knowledge or not, rubbered up his spot of the grid, and he was then penalised for it. he worked his way up from the back of the grid before crashing out of fourth place. sete won, reducing the gap separating the two riders at the top of the standings to a mere fourteen points with three rounds to go. valentino was furious at sete, at honda, at the stewards, at pretty much everyone. here are some of his remarks:
"Gibernau's victory is not real. They stole the match from us with the shameful farce of the penalty. A truly incredible situation occurred. Everyone cleans the starting 'box'. Is there a written rule? In Rio we all went to wash the track, which was dirty. The same thing happened here. In F1 the cars skid, the asphalt is cleaned with the motorbikes. After Friday's practice [before the Saturday race] we saw Biaggi's mechanics cleaning the track and we thought it was a good idea. We cleaned the track and Honda screwed up. The others have to attach themselves to something. Gibernau and his chief suspension mechanic didn't hesitate to snitch like kids. Something ridiculous. I didn't expect to get to this point. In the race I gave a lot in the early stages, after two corners I was eighth and after four laps I was already in fourth position. I spent a lot and relaxed for a moment. Unfortunately I went wide and couldn't find the curb anymore. I made a mistake, but I wouldn't have made such a mistake if I had started from the front. I hope to make up for it in Malaysia, fortunately I didn't get hurt in the crash. It went well for the finger, when I saw the blood I was scared. But the finger didn't explode."
^some of these websites have a habit of collating a bunch of different answers into one paragraph of remarks but personally I am choosing to believe he did actually deliver this as a single monologue
valentino also said he had been looking for an excuse not to speak to sete, called him a child, saying sete had essentially stabbed him in the back. and of course, so the legend goes, he infamously vowed that sete would never win another race again
who snitched?
everything up until now has been more or less just summarising events as they happened - but now we enter considerably murkier waters. we do not definitively know one way or another what happened in qatar, who said what, who was responsible for what. let's get the less important mystery out of the way first: did valentino really curse sete?
no, not in the sense of 'did valentino rossi really perform black magic' - more the question of if he ever really said it. a lot of journalists who are otherwise at least mildly reputable seem to take it as read, but also a lot of journalists are motivated to believe he said it because it makes for a fantastic story. when did he say it? to whom? one source talks about it being at the press conference of the following race, which I know for a fact is not the case. here's a source that is one of the ones to have swayed me more to the side of 'yeah maybe he did say it':
Rossi then did an interview with Italian TV. He’d hurt his little finger, really mashed it up, in the crash. And he famously said “I will make sure Gibernau will never win another race because of this”. We’ve all got a soft spot for Valentino, and I can remember thinking ‘oh God, I wouldn’t have said that if I were you. I really wouldn’t have said that…’
I know this is objectively not a lot to go on, but at least it's a commentator/journalist who was there at the time, claiming they remember finding out about it, giving a little detail about to whom it supposedly was said ('italian tv') and having an immediate response to it that they are also remembering. obviously, this too could be bogus. but, well, at the end of the day I'm with the journalists here: I too want it to be true because it is indeed a fantastic story. there has also been the suggestion, again poorly sourced, that valentino has denied saying this - or, and this genuinely would be my favourite option of them all, that he said he only meant it for that year. hate it when I place a curse on someone and it accidentally lasts too long
now that I've done my due diligence, here's the good bit: beyond a certain point, it does not matter whether valentino actually said it or not. what mattered is that everyone thought he said it - and, crucially, as 2005 wore on, it became ever more part of the discourse. it was part of the reporting of races: could gibernau finally break the curse? it was discussed extensively in the commentary: we're back in qatar, do curses have an expiration date of a year or not? there is no way that within the claustrophobic world of the motogp paddock sete would have been been able to avoid it, let alone be unaware of it entirely. (incidentally, the fact that this is the case and I've not been able to find a better source of valentino denying it makes me again feel like he did actually say it - though I suppose it'd also be pretty funny if he hadn't said it but was like. actually this is working out quite nicely for me.) assuming for a moment that valentino is not capable of literally cursing people, the 'real effect' the curse can have is only in tormenting its victim through the mere knowledge of its supposed existence
but we're getting ahead of ourselves here. whether the curse existed or not, it could only have the effect it had if valentino fulfilled its initial promise - by denying sete another win that season while securing the title for himself. so let's just quickly recap where we're at: three rounds to go, fourteen points between the two contenders. valentino went back to italy to try and fix the fucked up finger and presumably to cool off a bit. the motogp media did what it does best and spent the entire week hyping up the drama. and there was, of course, another mystery everyone was still trying to get to the bottom of: was sete really involved in valentino's penalty?
let's first tack on another question: does it even matter? of course, the truth has never been established with 100% certainty either way, and all it does is give the two parties a reason to blow up a friendship that was already getting a little bit strained. either way, the relationship between them was ruined; either way, valentino crushed sete. not just that - whether it really happened or not is one thing, but I feel just a touch more confident in asserting that valentino believed it happened, just from my extreme vibes-based analysis of how genuinely furious he seemed and how he was still referring to sete's dirty games a whole eleven years later. which, of course, doesn't in itself really tell us one way or another what actually happened. valentino can convince himself of all manner of things. if anything, his track record as well as how ruthlessly he exploited the situation to his own advantage count against believing his version of events. and, at the end of the day, only one of valentino and sete can speak to sete's involvement in the protest that caused the penalty with complete certainty. it's not valentino
and in a way, it doesn't really matter. sete is unsettled either way - because even if he did have some hand in the penalty, this is the kind of low level petty snitching athletes and their teams constantly engage in. I cannot imagine he would have thought valentino would react as he did. quite honestly, I'm not sure sete could have conceived of a rival reacting like that to anything. if sete was responsible, then valentino still managed to escalate to a level of hostility sete would never have been able to match, let alone be comfortable with. obviously, it would not be in his interest to retroactively admit any involvement in the matter, not least because he saw how valentino responded to the mere assumption of sete's guilt. it does, however, still matter in evaluating sete's assertions that the relationship between them changed more or less from one day to the next (which *gestures at the above wall of text* I'm not entirely convinced by), and in judging whether this is a feud that's entirely built on the back of valentino's delusions. was sete really completely unaware and, a separate question - was it an unreasonable assumption from valentino that he was involved? if both of those questions are answered in the affirmative, then you do have to say what follows must have been absolutely bonkers from sete's perspective. I mean, it's kind of bonkers anyway, but. y'know. even more so
the problem with actually evaluating the claims are that basically every source about it frames the whole thing differently and often in contradictory ways, to the point where even valentino's actual allegation has been shrouded in the mists of time. different journalists and commentators and authors after the fact have confidently asserted that either hrc or sete's gresini team lodged the protest - some seem to take it as read that sete did indeed have some kind of role in it, and there is no indication whether they have some kind of privileged information that backs this up or whether this is simply valentino's influence making itself felt. hrc is obviously a likely suspect, given they canonically hate valentino and are praying for his downfall and have invested a whole lot already to bring it about. then again, gresini are the ones who are actually in this championship battle - and, of course, there's the distinct possibility that all parts of honda were involved in this together. other figures that have been brought up are gresini team principal fausto gresini who it has been claimed was personally involved in making the protest - this from the stuart barker biography, which treats it essentially as established fact. the barker biography also says that yamaha was not found to be breaking any specific rules, but race direction said it was against the 'spirit' of the sport, which... okay, I'd also be pretty annoyed to be penalised for that, especially at that stage of the season. while it is of course possible that sete was not involved in his own team's actions, it does seem a little less likely that he would not have at the very least been informed. to add another twist, one version of the story that has cropped up more than once is that valentino's allegation was that sete and his crew chief juan martinez went to hrc to get them to go to race direction. also, it may be that ducati protested both valentino and biaggi (who was definitely breaking the rules). which, good on them
unfortunately this is pretty inconclusive stuff and at a certain point it feels like you have nothing better than gut feeling to rely on to choose which narrative is more convincing to you. which is annoying! where's the substantial evidence! nowhere, it appears, not that I've been able to find it - but there is one more tangible source that I haven't brought up until now. you see, dorna, in their infinite commitment to the bit, have been kind enough to make the thursday press conference at the very next race one of the very few of that era that they have uploaded in its entirety. I am talking, of course, of the pre-event press conference at sepang
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^posing for a friendly post-presser photo <3 two guys just chillin' having fun having a laff
if you are an aficionado of awkward and tense and kind of awful press conferences, then you will have an excellent time with this one. I've uploaded pretty much all of the relevant bits that I'll link to as I go; they're not obligatory watching to understand the rest of the post as I will be covering them here anyway, but they sure are interesting (and funny, which is really the most important thing)
first, let's set the scene: four blokes sitting at a table. the seat at its centre sits empty. the championship leader has not yet arrived when the press conference starts, removing the opportunity for one of the most sacred rituals that preempts any motogp press conference: the vibe check. a lot has happened and a lot has been said since the relevant parties last saw each other face to face and it is unclear where the vibes will be at when the reunion happens. will they acknowledge each other? make eye contact? shake hands? speak to each other? the journalists have not had a chance to find out. and one of the two involved parties has not either
after some softball questions relevant to 'racing' and 'points' in 'motogp' and its 'title fight', the moderator finally gets to the bit everyone's actually here for: the drama [1]. at this point, sete dates both the presser and himself by saying he's been trying to block everything out with his "mp3", before expressing his sympathy for valentino and saying he doesn't hold any of valentino's words spoken in the heat of the moment against him. at some point, he delivers a couple of lines that possess the kind of concentrated narrative juice you get a sugar high from, saying "we all know valentino. I know how he really is, he's a good guy". just as he finishes answering the question, his eyes flick over to the side - and the camera pans over to valentino entering the room with a slight smirk and of course his big ass sunglasses still very much adorning his face
nicky hayden sits to valentino's left and is interviewed before valentino is - while valentino does not acknowledge sete, who is sitting to his right. when he is questioned [2], valentino initially sounds like he is intending to turn the page on the whole affair and if anything doesn't particularly want to comment any further on what has happened. he also manages to deliver a truly classic motogp rider line, saying "I have a hole in the finger, but I think it is not a big problem for ride this weekend". right! but already here, it becomes swiftly clear that he is still furious at what happened and aggrieved by the penalty. he caps things off with a nice line saying that at least he wasn't actually slower than 'gibernau' in qatar, before turning around and shaking hayden's hand and chatting to him
it immediately becomes clear that all the questions from the floor are going to be about the same thing [3], and sete looks miserably uncomfortable while valentino just comes across as incredibly surly, his smile at times taking on a mildly murderous quality. one journalist fires off an all time classic presser question with "in qatar you say you were searching for an excuse to not talk any more with sete" and again valentino side steps, half-making it sound like he's willing to move on - while sete continues to strike a conciliatory note, continues to stress how it was all just the heat of the moment. but a follow-up question to valentino gives the journalists and sete the clearest indication that this, in fact, is really happening. valentino says this is not in the past, that he'd already said what he thinks last week and is standing by it. sete looks over at him - with disbelief, with incredulity, with the air of a man who really can't quite believe the turn this has taken
if there had been any lingering doubt at how unfairly treated valentino feels, he dispels it in his answer about stewarding decisions [4]. at the end of his exchange with the reporter about it, he brings up an incident where sete overtook under a yellow flag in mugello - which, quite honestly, I had not known about and I haven't found any reference to, so maybe nobody did spot it at the time if it indeed happened. remember, valentino had gone through not one but two bad run-ins with the yellow flag situation the year before, costing him a win at donington and making him ride at his limit to reclaim the win at phillip island. did he speak about this mugello situation at the time, or has he really just carried it around with him silently for months? a professional grudge-carrier, you have to say, a true master at the art. at the next question, valentino continues putting space between himself and sete [5], saying they have been rivals for a long time and that "it's the same condition" (i.e. situation). the friendship isn't just gone, it's so gone it might as well have never existed. if you really want to read more into this than the short response deserves, you could argue he's saying the facade has been lifted, that the true nature of the rivalry has been revealed at last
and now, we get to the critical part: sete is invited to explain himself and tell the press whether he had any involvement in the penalty or not [6]. he's clearly put a lot of thought into this in the past week and decided what he should focus on is that he wanted all the grid slots to be cleaned in the interest of safety. interestingly, he says "they" blocked him from doing that, but it's unclear whether he means gresini or someone else within honda. (presumably honda couldn't have known valentino's team would fuck about with a scooter, and remember camel honda rider biaggi also got a penalty so probably not some kind of company-wide internal memo.) (I mean I guess it'd also be funny if there had been a company-wide internal memo but nobody had thought to send it to biaggi.) sete's argument is basically that he'd be a hypocrite if he'd helped lodge a protest after he himself wanted the grid slots cleaned up - but given that valentino is quite literally calling him a backstabbing bastard, I imagine he wouldn't consider adding the hypocrite tag a bridge too far. the safety commission element of it all is kind of interesting, given as we've established valentino will likely have attended too. if sete raised this at the meeting and valentino did end up discussing it with his team, did vale end up feeling suckered into making a bad choice? probably not, just a thought
anyway, back to gibernau's response. as the journalist who asked the initial question notes, this is all a lot of waffling without a clear, firm denial (I'm paraphrasing) - and a clear, firm denial would generally be a good way to go about these things. in his next answer, sete again fails to just keep things simple, though again he denies any personal involvement. and then, the journalist asks sete to account for his team, including the fact that apparently one of sete's mechanics gave evidence to race direction... and sete says he can only speak for himself
so there we have it. that's the best singular piece of actual evidence I've got for sete's involvement, and at least comes close to confirming that somebody in gresini was involved in the protest, however tangentially. obviously, this in no way confirms sete was himself involved. at least it does give valentino an ever so slightly more reasonable basis of suspicion, though obviously it all just raises more questions like 'why was a gresini mechanic even giving evidence and what about'. that bit is then of course immediately followed by an exchange that's as good a confirmation as we're going to get that it was hrc not gresini who made the protest. so. yeah. I've got nothing. we don't know. draw your own conclusions. the presser ends with another question for good measure about the relationship between the two riders. sete first tells them, more or less, that it's none of their business before sharing a nice laugh with valentino about how valentino is never going to talk to him again
cursed
the thing about that press conference is that it's all well and good and fun to use it to try and piece together what really happened at qatar, but there are more interesting things to say about it. it is in that press conference that valentino well and truly begun the process of breaking sete, and he did so completely deliberately. it's quite the little show featuring two guys who are entirely aware that they are surrounded by cameras and reporters and are reacting accordingly. sete is committed to being dignified, to being unflappable, to being magnanimous: whatever valentino said, he will forgive him. he is happy to move on. but as the press conference progresses, he is slowly made to realise that his opponent is the one who is not ready to forgive and is not ready to play nice - not even for the cameras. especially not in front of the cameras
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^his poor pinkie finger :(
sete must have felt on top of the world after qatar. he had clawed back 25 points. a championship that had already seemed lost suddenly felt like it might be in his grasp once again. valentino could complain and whine and be furious for italian television, but surely this is the kind of thing that blows over. for too long, sete is under the mistaken impression that they will move on from this. for too long in that presser, sete is playing at respectability while valentino has already progressed to open hostility. it's unnerving, of course it is, to suddenly be completely cold-shouldered and ignored by a man you had thought you were on reasonably good terms with a week ago. it's unnerving for it all to happen in front of cameras, when for so long you have been striving to present a cordial, friendly, civilised image of a rivalry. him and valentino don't do all that nasty business, not like valentino and biaggi. sete's better than that and valentino has grown up a bit - this is one of those ideal rivalries people are always going on about, the ones that are ferocious on-track but respectful and even warm off it. and so, despite everything valentino had said to the press over the past week, he still manages to completely blindside sete in the moment. he still manages to leave him unsettled, and even disoriented
and so we get to the race itself, pivotal for sete and his championship hopes. to still have a chance at clinching the title, he really needs to be fighting at the sharp end of all three of the remaining races. alas, it is not to be. valentino is reinvigorated after the humiliation of qatar and coasts through the weekend on a wave of irreverent indignation - telling reporters after qualifying on pole that this result had been important "especially since it means we know which part of the grid to clean tonight". he thrives in the chaos and the frenzied speculation and the seething tension - whereas sete is nowhere to be found all weekend. valentino wins with a comfortable margin while sete finishes a lowly seventh place. a healthy thirty point lead in the championship has been restored. now, then, in victory valentino has been provided with the opportunity to really twist in the knife. sete comes up alongside him on the cooldown lap, clearly wanting to shake hands - and valentino completely ignores him, does not as much as glance in his direction. then, he stops for one of those whimsical planned celebrations that he's ever so fond of, and he cleans his grid slot with a helpfully provided broom. as valentino says afterwards, "this time I wanted to destroy the morale of everybody". and if that wasn't enough, he adds in the post-race press conference "for me, sete did the best race of the season. he has given me a lot of points, which is like a big present. I am really grateful". charming as ever
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^he also came up with his own cleaning crew founded with his trusty crew chief jerry burgess, 'la rapida', and had shirts mocked up - to 'eliminate dirt from motogp'. so nice to have a supportive crew chief, isn't it? from valentino after the race: "I've been working with jeremy for four years, together we've seen all sorts of things and when I arrived here I saw him with an incredible face, disgusted, saddened. he and the team said we had to react and so we did". and as jb put it, "valentino is the sort of rider I wouldn't want to get angry. he can take you apart on the track". the text on the shirt: "we clear out rats. we disinfect, clear drains and clean starting grids. we also do night jobs - all done in six seconds [aka the qualifying penalty he'd received]"
two races to go, and it's match point rossi. he finishes first or second at phillip island and the championship is his for certain - if he doesn't do so and sete wins the race, it's hello title decider. there is barely any doubt left in people's minds, then, about who the 2004 champion will be... but it's not a done deal. in the very worst case scenario, valentino enters the final round with a slender six point advantage. he's not safe yet. he's not safe yet on the very first lap, which, it has to be said, is a lot of fun. vale gets a better start than sete does from pole, but sete overtakes him around the outside and vale is quickly pushed to third - then fourth, at which point he runs off track and makes a risky excursion into the dirt. at the very next corner, he makes a downhill overtake on two ducatis at once, and sets about hunting down sete who has built up an advantage of over a second
so, in fittingly dramatic fashion, the race comes down to a duel between the two of them, valentino stalking sete around the track lap after lap. if valentino holds his ground, the championship is his - but sete takes the win and can go into the next season with new confidence and self-belief and hope for something better. valentino does not just want to avenge the injustice of qatar; this is an investment for the future. a way of telling sete that he has not just lost this season but that he will always lose, when fighting valentino. there is a promise to be kept, after all - whether it was only supposed to apply to that season or not, valentino refuses to let sete win another race. they exchange overtakes but sete is still just about in the lead when they enter the final lap. it is here that valentino makes his move, not once but twice to make it stick. his riding in that last lap isn't egregiously reckless but certainly not risk-free, and could have ended with him in the gravel and the championship still undecided in valencia. but he's not and it isn't - and just like his first premier class title (a comparison valentino himself makes in his autobiography), his first title with yamaha is sealed on the last lap of phillip island. his championship-winning shirt is uncharacteristically stark, reading simply 'che spettacolo' ('what a spectacle/show') - and he's not wrong. this has been a show, it's been a miracle, and in the end it's been theatre. he's sealed the title in style while also getting his revenge. it's winning in the most satisfying manner you can win anything: by beating somebody you loathe. celebrations are nice, but isn't there just something special about seeing the person you despise look so wholly miserable?
sete puts on a brave face, determined to be above valentino's pettiness. he goes over, shakes valentino's hand. valentino accepts. of course he does - he's won. sete was a few corners away from denying valentino's curse before it had ever really sunk its claws in. would it have changed things, if he could simply have regained a little confidence and found his bearings again after the psychological onslaught of the sepang weekend? maybe, maybe not. of course, looking at valentino's 2005 season, you have to say valentino was almost certainly operating on a level no version of sete would have been able to match. but there's still a lot of room between 'fighting for a championship' and 'becoming a shell of the rider you once were' - and if things had gone a little differently, you do also have to say that a championship as open as 2006 was could have represented opportunity for all manner of rider. if only he'd been able to cauterise the wound in phillip island, rather than letting valentino dig his teeth in even further
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^at least capirossi's having a good time :D
the championship sealed and there's but one round to go. once again the paddock must regrettably visit a track that some critics have described as 'drab' and 'soulless' and 'the enemy of good racing', and one at which valentino has only won once before. but the way to tease out a special performance from valentino is generally to give him a point to prove, add in a little spite to get the fires spitting, and he wins at the circuit for the second (and last) time of his career. in front of the spanish fans too, which must have felt particularly satisfying - and the race itself isn't all too bad in the first half (the way valentino gets past gibernau/biaggi is quite funny). home hero sete takes fourth, and that's a wrap on the 2004 championship
there's something deceptively comfortable about the final numbers: 304 points to 257. 47 points. no problem. but sports isn't just numbers; it's the story those numbers tell. valentino was furious in qatar and he made a mistake and he ended up in a position where things don't have to go all that differently for him to lose the title. the momentum was on the side of his enemy, whose confidence and morale had been given a much-needed boost. the genius of the entire sepang weekend, from the press conference to his jibes in interviews to his dominance performance-wise to the cold shoulder to the pointed celebrations, was that they all worked together to stop that momentum cold
maybe it didn't make much of a difference - valentino was always in the stronger position given he both had a points advantage and was the faster man. but faster men have lost championships before. ignore raw pace and performance edge and all of that: valentino wrested control of the intangibles - momentum, self-belief, all of those abstract things that defy rational analysis - and brought them firmly back onto his side. sete spent the entire weekend off balance, unsettled, forced to discuss things that made him uncomfortable, engulfed in a media storm he was ill-suited to coping with. all the while, valentino relished it and used it to spur himself on. by the time sete had regrouped in phillip island and was far cooler - if still respectful - towards valentino, it was already too late
in the interest of eventually finishing this post, we're not going to cover sete's downfall in that much depth. but there is still one last critical blow that valentino has to inflict to truly bring an end to the gibernau experiment. the very first race of 2005 was one that valentino particularly wanted to win - not just to inform his competitors that this year would be more of the same, but also because they were once again on sete's home soil. time for jerez
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^new year, new sete! this time he's going to show that italian upstart what's what
as ever, the media had done its best to hype up this new season. sete would be getting full support from the factory (which, yes, feels like maybe they should have considered providing a touch earlier) and he made it clear he was ready for the challenges ahead, ready to get revenge and all that. the spanish had grown fonder of their unexpected challenger too, and showed up in full force to support their man in the opening race. of course, a lot of people quietly agreed that realistically speaking, the competitive picture was looking pretty ominous. 2004 should have been the season in which valentino got the yamaha project up and running, setting up a title challenge in 2005. but he was ahead of schedule and surely the yamaha would only get stronger. still, you never know, right? that's why we line up on sunday etc etc
valentino stole pole position from sete right at the end of qualifying, but crashed in warm-up and ended up using his second bike, which is never ideal. the start was already feisty from both parties, and for a while valentino was relegated back to third. but sooner rather than later, he assumed his familiar position sitting right on sete's rear tyre, showing sete his wheel here and there just to remind him where he was. remember the whole sachsenring debacle after which valentino told himself that he wasn't going to leave it that late again? well, he was actually nice and sensible here, and made a move with two laps to go, successfully passing sete for the lead
which should have been the end of it. nice and clinical, a lovely relatively stress-free culmination of a whole race's work where valentino had diligently studied his opponent's strengths and weaknesses and had formulated his plan accordingly. job done, another win on the board to start the season. except then valentino decided to make things interesting again on the very last lap by out-braking himself on the back straight and running it wide into turn 6, allowing sete back through. there's a slightly frenetic energy with which valentino immediately hops back onto sete's rear wheel, already a touch of desperation about his lunge on the inside of turn 11 where he briefly goes past - but he's in too hot and sete's back in front
what all this means is that valentino really only has one opportunity left at turn 13 and barely any time to conceive of it. there's no planning or calculation or strategy here. valentino has one option to attack if he wants to win this race. it's a dive that is instinctive rather than planned - the only calculation here is that he would rather crash them both out than let sete win the race. back then (and a bit ironic from a modern point of view), valentino's infamous dangled leg was seen as evidence that he was out of control, doing anything he could to get the bike stopped while going for a gap that wasn't really there to be gone for. they make contact, valentino manages to get the bike turned and sete goes off into the gravel, but can get the bike back on track to finish second. valentino does a wheelie over the line. sete makes a thumbs down gesture
the spanish fans decide pretty quickly whose side they're taking in this. there's booing, whistling as valentino completes his victory lap, going full ham as he pumps his fists and claps at them and does a thumbs up and waves and puts his hand on his hip and all the rest of it as they scream at him. parc fermĂŠ is tense, the eye of the storm in the midst of the deafening roars of the crowd, with sete giving vale a couple of long looks as he gets off the bike. it's all big drama, everyone consulting their teams, talks of appeals to race direction, valentino grimly satisfied while sete is aggrieved, furious - stretching out his arm, clutching it, shaking his head while shaking teammate melandri's hand. he approaches valentino, says a few words to him as he walks past - valentino is not particularly interested in engaging in conversation. the crowd demands valentino's disqualification, and also call him a son of a whore. they're also obviously still booing. and whistling. lots of noise
on their way to the podium, sete is making tortured progress, pausing for a moment in the stairwell to clutch at his arm. at this point, valentino takes a moment to take the piss out of his rival, turning to the camera with a big smile and gesturing at sete. eventually they make it to the podium and vale laps up the displeasure of the spanish crowd. valentino smirks while sete goes for a sort of pained dignity, thanking the spanish crowd for their support, claiming the moral victory and all that. the italian anthem is almost inaudible
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^sete always tried to go for a kind of stoically disapproving vibe, helped along this time by his pain in the shoulder. unfortunately for him, he does just come across as thoroughly defeated. which he was
the problem that sete faces here is that, while valentino is obviously more accustomed to a rather friendlier reception, it's also not like he particularly minds the spaniards giving him a hard time. valentino has claimed his fourth victory in succession, and has done so by once again denying sete on the very last lap. he has sent a message that this new season will be exactly the same as the last and that he remains exactly as determined to make sete's life miserable. while he does seem to think sete is playing up the shoulder injury, in general sete's solemn grimaces are like catnip to him. just before the anthem, he reaches out to shake first melandri's hand and then sete's - and sete hesitates, before extending his arm to the fullest extent to shake valentino's hand with about as little proximity as is physically possible. it's good sportsmanship, but it does also as good as tell valentino he's not going to kick up too big a fuss. in a way, whatever choice he made would have played into valentino's hands. even though this time sete may have directly confronted valentino, he's still not prepared to escalate things beyond that... and valentino knows it
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^one of the classic rancid vibes podiums. the hands on hips at the ceaseless spanish booing is a nice touch
this choice to avoid further escalation is one sete continues to abide by in the press conference, echoing the assen presser from the year before beat for beat. again, valentino comments that it was a great battle, that sete is surely angry but, essentially, it is what it is ("this is the racing"). again, sete congratulates valentino for the win, but refrains from complaining about valentino's actions during the race. he has since said that he talked to race direction about it and was incredibly disillusioned about their choice not to penalise valentino - but again, not a whisper of it to the media with valentino sitting next to him
the one thing he did say was that he hoped he'd be fit to race in estoril because of his shoulder. remember the whole clutching at his arm routine where valentino (and the commentators) were kinda taking the mickey out of sete's comically pained expressions? well, um, turns out he did have a lot of pre-existing shoulder problems, and indeed that was the bit of his body that caused him considerable problems for the rest of his motogp career:
Gibernau dislocated his collarbone when he crashed out of the lead of the 2002 Portuguese Grand Prix on a Suzuki GSV-R, suffered a left shoulder tendon injury during his last turn clash with Valentino Rossi at Jerez 2005, then damaged the same shoulder further when he fell in practice for the following Estoril round. At the 2006 Catalan Grand Prix, Gibernau broke his left collarbone after spectacularly tangling with Ducati team-mate Loris Capirossi at the start of the race. Gibernau required a further operation shortly after when the titanium plate inserted to help his collarbone heal was found to have weakened. The new plate was in turn damaged when Gibernau hit Casey Stoner's fallen Honda in the penultimate round of the season, again at Estoril, marking the end of Gibernau's factory Ducati - and, it seemed - MotoGP career. Before making his 2009 MotoGP comeback, Gibernau had the metal plate removed from his collarbone, only to suffer shoulder ligament damage during training - forcing him to miss the final pre-season test.
well, anyway, after the controversy has had two weeks to continue on full steam, valentino does strike a somewhat more contrite note in the estoril pre-event press conference. he says he hadn't been aware of the whole shoulder situation and that sete had been unlucky given it had been a light touch in a slow corner... but having rewatched the footage he can see how, yes, maybe the contact could have hurt sete. these things happen, right? and at the end of the day, it doesn't really matter for valentino, because the controversy blows over. what remains is the blow (psychological rather than physical) he dealt sete. what remains is that he won and sete lost, again, and sete has still failed to win since qatar
"And I really think that as long as he wins this race, even if he only takes five points back off Valentino Rossi, he will be happy with that, because it's all about getting back to winning ways. He hasn't won since Qatar last October. He's got to take a victory, just to get his season back on course. Valentino Rossi is going to take a lot of stopping, and really all he can do is try and win this race in front of his home crowd." [...] "That race in Qatar, and the problems they had in that race with Valentino Rossi crashing out after having to start from the back of the grid was really when all the problems started, didn't it, for Sete Gibernau. [...] But really that's where his problems started, both on and off the track for Sete Gibernau after that race victory in Qatar. I really can't believe he would've believed that was going to happen. He was so, so pleased to win that race." [...] "This is a big big thirteen laps for Sete Gibernau, isn't it. If he can hold off Valentino Rossi, psychologically, it would be a very very big victory for him."
^excerpts from the catalunya 2005 commentary, the sixth round of the season. valentino had said in the presser after the preceding race that he expected biaggi and melandri to be his main rivals that season. sete leads for almost the entire race before valentino makes his race-winning overtake with three laps to go and smashes the previous circuit record on that lap
what remains is one failure after another. an important thing to stress when we talk about a 'curse' is that sete gibernau did not suddenly stop being a frontrunner after qatar 2004. he qualified on pole five times in 2005 (same as valentino, funnily enough - his average grid position was actually better than vale's, 2.82 v 4.12). even so, things go from bad to worse for sete. often valentino does his own dirty work in stopping sete when he's getting a bit too close to that elusive victory, winning a close duel in catalunya, pressuring sete into a mistake at the sachsenring, that kind of thing. often, he does not even have to. sometimes he took himself out, like crashing out of the lead in the wet conditions he was once so very skilled at in estoril (not helping his injured shoulder) or in donington park, where valentino went on to deliver perhaps the finest wet weather performance of his career to take the win
"I don't think anyone can be to blame for crashing out in these conditions, can they. [...] It really is at that stage of the season for Sete Gibernau where it's all or nothing, really just got to try and win races. We're now twelve races since his last victory at Qatar. Valentino Rossi promised after that race that Gibernau would never win another race and well it seems to be coming true so far."
^excerpt from the donington park 2005 commentary, the ninth race of the season, where sete crashed out of the lead in horrendous wet conditions
valentino's favoured way of winning races played into his hands here. pressure, pressure, pressure - preferably exerted from right behind his victim, with the knowledge that valentino is waiting and studying and ready to pounce on any mistake. even if you don't make any, he'll probably get you anyway. the effect of these defeats becomes nicely cumulative, where even the knowledge that valentino will be coming (even if he isn't there yet), that eventually he will try and pass you (even if he hasn't done so yet), is enough to make his opponents self-destruct before he even has to lift a finger. what he does to sete is the most extreme version of how that tactic typically works, by slowly eating away at sete's confidence and composure and self-belief until the eventual error feels increasingly inevitable. valentino knows it is coming, sete knows it is coming, and they both play their parts accordingly
"But Rossi straight after Gibernau, now he'll start those pressure games. Pressure is on Sete Gibernau. He has not won a race for a year; the last race win was here. And the man he doesn't speak to, he doesn't speak back to him either, Valentino Rossi, behind him, and Rossi will start exerting the pressure Rossi-style as we know." [...] "A year ago, wasn't it, it doesn't seem that long ago, doesn't it, that Sete Gibernau was so delighted to win the race here. And Valentino Rossi really left in a strop, didn't he. But there we are, Sete Gibernau - but we've seen it before, and Rossi seems so have this ability to faze him, out at the front, put pressure on him." [...] "Well, Nick, you said at the start of this race that Valentino Rossi has plenty of motivation to win this race here. He wants to take ten wins for Yamaha, it would be the first Yamaha rider ever to do that in the premier class. He wants to end a drought almost in his terms, certainly since he became a Yamaha rider - he's never gone three races without winning a race before, but that could happen today if Gibernau holds this out. And of course the one thing he really wants to stop is Sete Gibernau from winning a race one year on from the day that Rossi said he would never win another one for the rest of his career." "How long does a g-'s curse take, I mean, is it just a year, the g-'s curse and then does it come off? Because if it is then he's just about right, isn't he? [...] Perhaps the curse is gone; perhaps this is just what Sete Gibernau needed."
^excerpts from the qatar 2005 commentary, the fourteenth round of the season. sete looked like he was making a break for it ahead of valentino and then melandri. six laps to go melandri almost causes valentino to crash and costs valentino over a second, but it doesn't matter. this time it's melandri who has the honours of coaxing a mistake out of sete, who goes off into the gravel as melandri passes him. valentino overtakes melandri for the victory
sometimes, he did just seem cursed in the truest sense of the word. his bike running out of fuel on the last lap while he's still fighting valentino for the victory. mechanical dnf's. other riders barging him out of the way before valentino even has the chance to. he switched manufacturers for 2006, getting a spot on the ducati factory team: his last race with honda was ended by an engine failure and his first race with ducati was ended by an electronics failure. a freak boot protector malfunction that left his foot bleeding halfway through the race. a nasty crash in catalunya, followed by his ambulance crashing into a bus fifty metres in front of the hospital entrance. in the end, it was probably the injury caused by casey stoner bringing him down in estoril that pushed him definitively into retiring - after he was dropped by ducati in favour of casey. so it goes
obviously, valentino cannot be held responsible for anything in that last paragraph. you can't mind game your opponent into having their engine blow up, at least I don't think you can. the stuff before that is fair game. what valentino did in jerez essentially stopped the title fight before it could even get started. it was ruthlessly effective in removing sete as a significant player at the top of the sport. sure, it's always hard to attribute a competitive decline such as this one to any single factor. but if ever there was a time to maybe just blame one person...
sete more often than not has kept his silence about the rivalry. in 2005, he generally did not go much further than saying that the whole thing was one-sided and started by valentino, see this (from one of oxley's books):
But don't ask me about him as a person, I'll only speak about him from a professional point of view, that's about it. I don't know why he's got a problem with me because I've never had a problem with him. I've always had a lot of respect for everyone on the grid, I just wish everyone shared that respect, because once you lose respect you lose everything.
on a similar topic, at some point he has also spoken about the qatar controversy again, saying the following:
He blamed me but it was nothing I did. Of course I didn't report him - I didn't even see what happened. I'd had a very good relationship with Valentino for many years but after that it just came around.
in 2009, at the time of sete's ultimately short-lived motogp comeback, he went along with the slight farce of a reconciliation, shaking valentino's hand and talking to him with cameras watching - the season after valentino had regained his crown in '08. but it is fair to say not all is forgotten. at times, he has done his best to draw a line under jerez and continues to refrain from criticising valentino publicly, like this from 2017:
The Catalan avoids criticizing the Italian for any controversial maneuver, such as that of Jerez 2005. "At the time I was living, based on my values, principles and education, I tried to do things as well as I knew how. And I am very proud of what I did ." Sete explains what it means to battle Vale. "We did very nice things fighting against a phenomenon, he may be the best in the history of motorcycling. I am proud to have fought face to face with a guy who is a phenomenon," he explains.
(obviously, you can read this as valentino not following whatever values, principles or education he might have possessed.) at other times, he's been a little more openly critical. in 2020, he still did not criticise valentino as much as he did the response to the overtake, which he felt set a bad precedent and has contributed to the normalisation of a more aggressive style of racing in the years since:
I don't know how many times we've talked about that corner, but the more time goes by the more I understand after that, things change. Many people were seeing that move, and from that moment on it opened the door for it to happen many more times. At the end of the race, both of us did what we thought was best for the championship, and my opinion can be whatever. But since then things have changed in MotoGP and racing is understood, which I don't agree [with].
he also adds this:
When asked if race direction would have looked into that incident had it happened today, Gibernau responded: "To tell you the truth, no. I don't think so. "I've got different thoughts on that side, which are mine, and like I said I don't need to be right or wrong. Everyone has his own thoughts, and if I put myself now in a situation where I was watching a race and I saw what happened there [at Jerez] where two guys risking their own lives touched each other in a difficult last corner, and I was looking at it with my son who would like to become a road racer, and everyone would give the victory to a guy that has touched another one, I wouldn't be wanting that to happen. "I don't want anyone to get hurt. It's one of my priorities and it's how I understand sport and racing. MotoGP is already so dangerous that in my opinion we should all put together our know how to avoid these type of situations. Is it difficult to do? Yes. Is it impossible to do? I don't think so. It's responsibility to whoever is in charge of the championship and to put the rules where we need to stay away from this type of situation because, like I say, we're risking more than just a crash."
and even more recently, in 2023, he's spoken about the jerez race being the source of his disillusionment:
If I'm telling the truth, Jerez 2005 made me lose my enthusiasm for being in the races. I tried to maintain it until the beginning of 2006, with Ducati, and when we could have won, a mechanic left a gear screw unadjusted and the gear lever fell off. That day, in Jerez 2005, I mentally retired. Valentino went inside and took me out. They didn't penalize him. It's my personal opinion, everyone will have their own opinion and it must be respected, but I think that this is not a contact sport.
also in 2023, in a separate interview, he said this:
But he didn't get a punishment or anything, and then I started to lose my faith in the sport. [...] I couldn't understand how, y'know this was not a contact sport, I couldn't understand... things happen in the championship and things had been going on inside and everything and I just lost my - started to lose my illusion in the racing.
which is later in the same interview followed by this (which is partly about his woes in 2006 - he also talked about the moment with the gear screw, but I think pinpoints that rather than jerez as the day he mentally retired):
I had done such a big effort to put myself to a position to where, I was fighting against my own demons, I was fighting against the championship, I thought no one's helping here. I was fighting against one of the top guys in the history of racing, which was Valentino, and I just thought, but, Valentino doesn't even need to do what he's doing to win, and no one is saying nothing. There was many things there and I just couldn't understand... I'm fighting against everything, you know, and I was expecting the championship to just be a little more neutral on that side, just to say, if someone does something wrong you've got to say, in my opinion, it's not a contact sport; it's already dangerous enough to being able to say you can hit someone and say, wow, that was a great move. [...] Everyone is brave on a MotoGP bike. Moto3, Moto2, MotoGP, from the first guy to the last guy, you cannot pinpoint on TV and say how brave this guy was by hitting another guy. Because if I'm a dad watching that I would not want my son to be in a championship like this. Because it's not bravery, it's not about hitting another guy - if you want to do that, go boxing. [...] And from a guy like Valentino, which is, a superstar, why accept that? I think it was wrong, in my opinion, he didn't need to do that. Since then, many things have been happening because of that movement. Because kids saw that and said that's the way to do it. And then Marquez is doing it to this guy, and the other guy is doing it to the other guy, and you get killed in racing. It's already dangerous. We should stay away from that. That's why I never understood - it got to a point where I just - oh man. It's nothing to do with me here any more, you know, and I just left racing and I retired.
for the most part, then, sete is still quite contained in his criticisms of valentino, focusing on the jerez incident and not really delving into what happened the year prior to that. he mainly questions why valentino even felt the need to do what he did to sete, and suggests valentino set a bad example to others - especially kids watching, especially future riders. his criticisms also concern motogp as a sport, those who set the rules and those who regulate them, in not doing anything to stamp down on this kind of racing. he says he felt like he lacked support from the entirety of the sport and eventually decided that he'd had enough
I haven't added this block of text just because I enjoy transcribing large portions of three hour long podcast interviews that didn't really need to be three hours long (apparently the most tried and tested method of getting riders to share their more candid thoughts about anything) - but because this, uh, average-length tumblr post wouldn't really feel complete without it. it's all very well and good to talk about how sete was mentally 'broken' by what valentino did to him. you can have whatever opinion you want about the thoughts sete expresses here on riding standards and acceptable levels of aggression. you can also maybe doubt whether it really was just 'disillusionment' with race direction's approach to valentino's jerez pass that caused his competitive decline - obviously, three hour confessional podcast interview or not, this is a narrative he's still chosen for a reason and it sells himself and his career in a certain way. but - but - especially given the exact circumstances in which his rise to title challenger status occurred and how heavily he involved himself in the safety commission... well, at the very least I'm not going to leave it out. should he have made his complaints publicly known at the time, if this is something he felt so strongly about? is this level of criticism warranted by that specific jerez move? it's tough, because from the modern perspective of course I too have gotten used to a kind of racing where that level of contact is fairly normalised - which two riders this century have played a disproportionate role in bringing about. on the one hand, valentino is right in his defence that relatively speaking, this is far from the fastest or hardest contact out there. on the other hand, it's a move that was made with the knowledge it would result in contact. and in doing so, he injured sete, because that's what can happen even as a result of relatively 'light' touches. make up your own mind! it's not an easy topic to address, and I most certainly wouldn't be able to do it justice here. let's wrap this up
of delusion and despair
valentino has always been intensely aware of the power of narratives and takes care in how he tells his own story. the most literal version in which anyone can tell their own story is, obviously, by publishing an autobiography - which he did in 2005, covering everything up until his first title with yamaha at the end of 2004. it is not presented in chronological order and is instead organised in a far more loose thematic manner, with valentino not feeling any compulsion to give all parts of his life anywhere close to equal attention. still, when you read it, certain omissions do jump out at you - and the exclusion of gibernau is perhaps the most remarkable. you could say it's because he doesn't want to speak ill of his rivals, but he has no problem going into a fair bit of detail about his feud with biaggi. you could say it's because the gibernau rivalry was still going on at time of writing, but the same is more or less true about biaggi who placed third in the 2004 championship. there is not a single paragraph in his autobiography devoted to the relationship with gibernau. every mention of him is just that: a mention. a name thrown in without care when discussing something else entirely. you are told vale passed gibernau to win the 2004 championship - but if you read the autobiography without any other knowledge of valentino, you'd be forgiven for not realising gibernau had been his title rival at all
yes, within the grand context of his career, biaggi does have to be seen as a more significant rival... but this narrative was still being written in late 2004, at a time in which valentino had committed himself to destroying sete. maybe valentino doesn't want to comment on controversies that are still bubbling along, but the sheer extent of the erasure feels far more deliberate than that. this is somebody who had been valentino's friend for years, enough so that they spent time with each other outside of work, went on holidays together, blokes who for all intents and purposes truly liked each other's company. somebody who had been his closest rival for two years, who had pushed him closer than anyone else had in his title runs, who he had experienced some of his greatest career defeats and victories against. according to the narrative presented by the autobiography, he might as well be just any other rider. it's worse than fury, worse than loathing: it's disinterest
(it has to be said, quite possibly the funniest omission is when he's talking about how "angry and disappointed" he was after qatar because of, and I quote, "honda having lodged an appeal". ... anyone else you thought was involved, valentino? .....?)
which is quite the punishment to enact. one reason why this rivalry is so tricky to analyse is, yes, it's one that's quite old by now, but also because we are drawing from a far smaller sample size of valentino comments - almost all of which were provided at the time - when you compare it to any of his other major rivalries. sure, he still talks about jerez 2005, when he's asked about it - though it might as well just have been another fun race, another dramatic victory, another controversial overtake, rather than anything that had any greater significance. (of course, there is also a clip of him forgetting about the race entirely when thinking about last corner overtakes in the premier class with sete in the room - which you can read into if you so choose.) he's talked plenty over the years about his first yamaha title in 2004, but not about the man he beat to secure it. this was his closest title battle of the ones he won (just pipping 2009), but he might as well have won it against a faceless amalgamation of the honda corporation rather than an actual living breathing rival. it's as if that title battle started and ended in welkom, where it was biaggi not gibernau who valentino had to best. even though publicly the two of them set aside their feud in 2009 and valentino even said then that they could be friends again, this feels like lip service more than anything else. in 2015 at jerez, valentino was questioned about the parallels to his relationship with a certain other rival, who was friendly with valentino at the time but had crashed out while battling vale in the previous race. valentino in response acknowledged his past good friendship with sete, but said it was different: after qatar his relationship with sete had gotten worse as a result of how sete had "played a dirty game". if he had not changed his mind about sete's character eleven years after the fact, why would he have reevaluated in the years since?
it is fair to say that gibernau was the least talented of valentino's major rivals, the least substantial figure in terms of his accomplishments in grand prix racing. biaggi is a four time 250cc champion; nobody needs to be reminded of the achievements of stoner, lorenzo or marquez. sete is the rival who wasn't even supposed to exist; he was catapulted into the position essentially overnight by tragedy. and yet, even acknowledging that, it feels like he is under-discussed in the canon of valentino feuds given the sheer quality of their on-track output (let's face it, there are more great vale/sete battles than there are for say vale/casey) and the high drama of their closest title fight. yes, you can say that's because it is one of the older and less well-remembered rivalries, because it is not quite as dramatic and significant as the biaggi feud... but still, it's quite the disparity. given the power valentino holds in writing the stories within the sport, how can you not conclude that he has played a helping hand in this erasure? being ignored is a far greater indignity than being despised - and after 2004 valentino has barely even offered sete the honour of his hatred
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^sete tried to breathe new life into his motogp career by switching to ducati, but his campaign was derailed by injuries. it was probably scant consolation in his miserable 2006 season, but valentino himself was pretty cursed that year. their last on-track battle came at phillip island, in the series' first bike swap race while valentino was fighting tooth and nail to save his doomed title defence. it's admittedly one of like twenty things that happen in that race, but it is quite funny how sete really came back to life just in time to make valentino's life harder when he really didn't need him to. valentino overtook sete on the final corner of the race for the final podium spot
of course, it is a hell of a lot easier to erase a rivalry when you win it so conclusively. in truth, as an opponent, valentino got the measure of sete fairly quickly. he never lost another direct duel against sete after sachsenring 2003, having essentially vowed as much to himself even when they were nominally still on good terms. the 2004 championship was as close as it was because of valentino's unequivocally inferior machinery and the somewhat less consistent results he achieved as a consequence - but even there, when they fought directly for the win in mugello, catalunya, assen and phillip island, each time valentino came out on top. (you can argue about brno '04 - I'd say it doesn't really count since sete ended up running away with the race with a massive tyre advantage.) still, you don't have to be winning all your direct duels with your opponents to be winning the championship - and at the end of the day, sete did come tantalisingly close to a title, or at the very least forcing a title decider. whatever it is that differentiates 'very good riders' from 'champions' is what sete is lacking. he has something in him... a self consciousness, a self awareness even, that is lethal to professional athletes. he was stuck trying to manage the image of his rivalry with valentino, when valentino was moving in for the kill. valentino too is heavily aware of image, is heavily invested in how he tells his own story - but more often than not, he manages to use it as a weapon to spur himself onwards to further success. when valentino did so once again in late 2004, sete stumbled
it is not novel to suggest that valentino needs enemies to motivate himself. plenty of people within the sport have said it, including his fellow riders. that's what's always worth remembering about the 'mind games' - sure, it's great if he unnerves his opponents, but often it is about providing himself with someone to hate though there are exceptions to this, which I have a lot of thoughts about relating to one casey stoner. valentino needs to have a reason to do what he does; it's not enough to win for the sake of winning if there's no story. in 2003, he had more or less won motogp and was finding it harder and harder to motivate himself, admitting repeatedly that he was losing his joy and passion for racing. yes, this was one of the main factors that led to the move to yamaha: to give himself a reason to keep going. but it was also just the right moment for another rival to emerge from nowhere and give valentino somebody new to focus his attentions on. when you read the limited autobiography mentions of sete and his interactions with valentino in 2003, it seems hard not to conclude valentino was already feeling a little less kindly towards sete by the end of that year. the relationship did not survive contact with a true title fight, where valentino found himself pushed closer to the limit than he ever had before. the moment he was in real danger, he blew up the relationship and walked away with literal full points for the remainder of the season. at the very next race to start off the new season, he made sure sete would never be a threat to him again
it's natural to conclude from all of this that the feud was built entirely on the back of valentino's delusions, of valentino inventing a concrete reason to despise sete that was based on his mental list of sete's past transgressions, imagined or otherwise. and maybe it was. did sete really snitch? did valentino really think he did? what was it that convinced valentino of sete's guilt? and even if sete was involved, was this really a proportionate response? this is where a lack of evidence and both parties' reticence to discuss the incident in the years since works against us. but - looking beyond the specifics of what happened in qatar, it does feel likely that the relationship would have deteriorated beyond what we saw in assen anyway. that's what a close title fight tends to do to the people involved. isn't it?
sete makes for a suitable foil to valentino because he too intensely concerns himself with how he is perceived. when vale takes on sete, one pretty boy to another, they are both a little too aware of the artifice of what they are doing, a little too concerned with the optics, the image, the spectacle. rivals, friends, enemies - how far apart are any of those things, really? can we be friends if you desperately covet what I have? if you take pleasure at the thought of my downfall? is this oft-touted ideal of a 'respectful' rivalry inevitably nothing but a facade for the ugly reality that lies beneath? 2004 is what happens when their relationship is actually tested - because now they are finally fighting for something real and they both know it. this is what happens in assen, when valentino decides he needs to win at any cost, when sete realises they are not playing the game by the same rules. sete had been performing graciousness and valentino calls him on his bluff
the best rivalries transform both parties; neither side should be allowed to emerge unchanged from the battle they share. sete entered valentino's life as a competitor at a time when everything was a little too easy and as a result a little too hard for valentino. at a time when valentino felt dissatisfied, underappreciated, judged harshly from all sides and pinned down by the weight of the world's glares. the blows sete inflicted on valentino were primarily symbolic, hurting valentino's pride and reputation rather than his title bid in 2003, which was never under any realistic threat. when valentino was at his lowest that season, he responded by bringing the joy back, reverting to type, with a new haircut and an ironic gag of a celebration and a daring victory to boot. in 2004, however, valentino changed. he had to - he was on a worse bike than his opponents that he was wrestling towards a title it had no right to be winning that year. he didn't have the kind of margin for error any more that he could afford in his honda years, no more foolishness like at the sachsenring. so he became a little tougher and a little meaner and a lot more aggressive in his racing. he shed some of the insouciance that both him and sete have at times been accused of and got down to the serious business of winning. not joylessly - after all there are few things more enjoyable than crushing the enemy. still, it's fine to be a clown prince in your downtime, not when you're barging title rivals aside in assen
it is here, then, at assen, that sete makes a critical, fatal mistake. because sete is torn in two: he wants to be the gracious rival, but he also thinks what valentino did is wrong and wants to communicate as much to the world. maybe it's because it clashes with sete's understanding of racing, maybe it's simply because sete is bitter that he lost - who's to say. except sete can't bring himself to actually say any of this. he chooses the worst possible strategy against valentino: silent disapproval and annoyance and frustration, played up for the television cameras, but without offering a single word of actual complaint until later, when valentino had already offered his explanations and half-apologies. so what valentino takes away from this is twofold. for one, he comes to believe that sete has a problem with his racing and cannot graciously accept his defeat, entirely failing to match valentino's magnanimity on the (rare) occasions when he loses. but unfortunately for sete, what valentino also learns is that - when it comes down to it - sete will not stand up for himself. valentino knows he can do this again
in sepang sete attempts to take the high ground once more, to allow valentino his transgressions and foibles and temper, to be calm in the face of vale's fury, to be the better man. in australia sete pulls himself together to shake hands with valentino, to be respectful of his rival's accomplishments and graceful in defeat, to be the better man. in jerez sete is beyond angry, furious enough to actually approach valentino in parc fermĂŠ and say a few words to him, but he still shakes valentino's hand on the podium and refuses to complain directly about him in the press conference - because he is determined to be the better man. does he think he can shame valentino into being different from what he is? if so, it is an unfortunate miscalculation. you cannot claim a moral victory against somebody who does not give a shit
for valentino, at least half the joy of racing has always been about beating the opposition. a new rival is presented to him out of nowhere - and out of him valentino fashions himself an enemy. sete was one of the first people to offer valentino advice when vale entered the premier class, but this was not the last thing valentino learned from him. because what valentino did to gibernau was different than what he did to biaggi. this was not just trying to get a rise out of a bloke he disliked every time he got half a chance. this was not valentino slowly chipping away at his victim's patience and self-control and sanity. what valentino does to gibernau is far more sudden and far more targeted and gets a far more immediate effect. he emerges from qatar weakened and on the back foot and within eight days flips the situation so that he is once again the one in command. sete, who had very much exerted himself in presenting the relationship in a certain way to the world, who wanted so badly for this to be a certain kind of rivalry, ever so respectful - well, valentino found out just where to hurt him. he did it with his sudden public coldness towards sete, with carefully chosen remarks to the press to make clear that nothing had been forgiven, with the jibes and the taunts at each and every stage of his victory. he married the off-track theatre with on-track strategy as well as pure performance, directly disrupting and disturbing sete whenever necessary - the kind of combination he would later find so useful in fending off first casey then lorenzo. it's no coincidence that his three most famous career overtakes are ones that are also so significant in how they affected valentino's fortunes in the aftermath of his victory. laguna 2008 and catalunya 2009 represent complete shifts in momentum within their respective seasons that his rivals never quite recovered from. jerez 2005 ends the title battle at the very first race. and it's not just sete's season that didn't recover - it's his career
of course, it's easier to mess with someone when you have the measure of them in performance. that's always something to keep in mind when talking about mental resilience: it's easier to bounce back from your rival being an asshole to you if you're just really, really good at what you do. valentino always understood himself that any 'mind games' had to be backed up by on-track performance; he's openly stated that all of his off-track "work" on his opponents only gets results if it's paired with being strong on the bike. and he himself lost his cool in qatar - but it helped that he knew he had what it took to bounce back. this was never a rivalry of equals; there was never any question between the two of them who the better rider was. all that being said: it's a really good rivalry! guys, there's some really great races. sete was a serious challenger and he did pose a serious threat to valentino, which you can tell because otherwise valentino never would have needed to do any of this. he made valentino grow as a rider and... do you make someone 'grow as a person' if you make them better at psychological warfare? yes, I think so. actually
valentino became a more accomplished rider for having experienced the sachsenring debacle, and he became a more accomplished rider as a result of the qatar fiasco. he motivated himself to become better because he wanted to defeat sete so badly, and isn't there something compelling about that? valentino was willing to take risks at phillip island that could have resulted in a title decider, was willing to make himself extremely unpopular with the spanish crowd at jerez (not something he has typically had much experience with) - all because he needed to crush sete, to destroy him so completely he could erase him entirely. at the end of the day, there's a bunch of reasons why this rivalry doesn't get the attention it deserve. one of them, however, is that valentino seems to be pretty happy with this state of affairs, and has spent the better part of two decades deeply disinterested in paying sete his dues. don't let him have his way
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osleeplessflowero ¡ 7 months ago
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✨~📖Fairytale Series📖~✨
Previous Part 💙 First Part ❤️ the show must go on. ;) so here's another oneshot! oh, do i love enemies to lovers.. it's mostly nightmare focused but there'll be more oneshots with this plotline so the others will get more time to shine later!
Stars twinkle overhead in the night sky. The church's bells ring in unison as you walk down a long hallway, adjusting your crown so it doesn't slip with an irritated look.
Today was..a stressful one, to say the least.
As a ruler, you take pride in hosting various beautiful parties for the people of your kingdom. Nobility, working class, peasants..anyone may attend, which has led to quite a lot of gossip..gossip that sometimes caught the attention of the wrong crowds.
This morning, you'd received word that a ruler from a neighboring kingdom would be attending your event today..one you had planned to avoid all contact with, having known the terrible rumors about him..and having met him before. A monster who overtook his kingdom by force..cruel to his subjects. Corrupt. You'd rather not associate with someone like that..but it seems you have no choice.
Walking into the ballroom, you put on your best performed smile, walking over to a throne that had been placed down and thanking your staff for moving it for you, sitting down on a high balcony so you can oversee everyone below.
"May the festivities commence!" You call out, hearing cheers from those below and letting out a contented sigh. At least you can embrace their enjoyment until a certain someone arrives..
The band plays their best songs with smiles, the various groups of humans and monsters alike dancing together on the ballroom floor..a bright, brilliant chandelier shines above them all.
This is all you've ever truly wanted..peace among your kingdom. People being able to get along and coexist without fail..your parents had never seen your vision when they were still here, but now? Well..you've proven them wrong. Peace is the right answer..true bliss.
..That is interrupted when the entrance doors slam open. The crowd gasps. You stand, putting your hands on the railing in front of you.
"What is the meaning of this?" You ask, eyes darting around.
Gasps move around the room like wildfire. Everyone turns to the entrance, wondering who could be causing such a ruckus.
Two skeletons enter the ballroom, standing side by side. One with a large grin on his face, the other's shrouded in the shadow of his hood.
"ladies and gentlefolk! wow, is this a beautiful party! really outdid yourself up there, your majesty!"
"and now..we are proud to announce.." The hooded one strains a word there as the two of them hold their arms to the door.
"the arrival of his majesty!" They say together.
An uncomfortable aura fills the room..a chill goes down your spine as a faint green light is seen visible burning in the darkness of the entranceway.
A king steps out, a calm but sly grin on his face. His body is stained with some sort of substance..his attire a dark shade of green to match his single bright eyelight. He leans a cane on the floor, standing between the two as another guard stands behind him..almost as if he doesn't want to be associated.
"king nightmare!"
You feel your grip on the railing tighten. First he has the audacity to show up uninvited and now he feels the need to interrupt the party with an introduction? How self centered can you be?
His grin stretches a bit as he looks up at you. He's revelling in your anger. He can definitely feel it..
"Oh my, isn't that.. the rumored 'King of Negativity'? What's he doing here?" The party members gossip. "I heard he took over his kingdom by banishing his brother somewhere so he would have complete control..how cruel." "I hear he feeds off of the negativity of others..like a leech."
"Your majesty.." He looks up at you, holding out a hand. "Lovely party you're having. I must send my compliments to your decorators..even if it is much too bright for my tastes."
"King Nightmare..what a pleasure. Seems you decided to attend after all." Your smile is strained as you make your way over to the staircase on your left to go down and greet him.
"How could I miss something like this? A party held in one of the most notoriously peaceful kingdoms around..I simply had to see it for myself."
You clear your throat. "Everyone, please continue indulging in the festivities!"
People murmur amongst themselves before the band catches the hint, playing their music again and allowing them to dance and mingle once more.
"Why are you here?" You ask, blunt now that everyone's eyes have been turned away. "There has to be a reason. I heavily doubt you came here for a bit of fun. That's not your thing."
"Such an observant little ruler.." "Do not patronize me."
He snaps his fingers, getting the attention of the others. "Boys, go do something. I'm dismissing you for the evening."
"hell yeah! c'mon dusty, let's go get some drinks." The more energetic skeleton drags the tired one away, the much taller and..honestly more threatening skeleton in the back moving to lean on one of the walls to keep watch.
"What are you planning? You're nowhere near the type to indulge in festivities." "Am I not allowed to visit a potential business partner?" "I have no interest in doing business with You." You glare at him, earning a chuckle as he makes his cane disappear. He holds out his hand to you, making you raise a brow in confusion.
People begin to notice, glancing over curiously and beginning to gossip.
"This is a party..won't you do me the honor of a dance, Your Majesty?"
"With..little respect due, your grace, I would rather my soul shatter in front of all these people." "That could be arranged." His eyelight glows menacingly, but you refuse to back down.
"You'd like that, wouldn't you?" You scoff, turning away before he grabs your hand, pulling you over to him. You feel your heart skip a beat as you look up into his eye, shocked.
"You know nothing of what I want, my dear. But for now, we may as well put our true wants aside and enjoy the evening. Isn't that what you'd prefer?"
You look around, everyone's eyes on the two of you. Damn it.
You strain a new smile. "Fine. You want a dance? Let's dance."
His signature smirk you'd love to punch off of his face in front of the hundreds attending slides its way back onto his face as the song changes. The two of you move in sync, despite the occasional intentional slips you pull that he unfortunately knows just how to correct. Every move, he knows how to match it. How the hell does he do that? It's annoying..
You go to say something when he spins you out away from himself quickly, grabbing something midair before pulling you back against him. You raise a brow in confusion before he shows you the dagger he'd just caught.
"Seems even in a peaceful land there's someone who'd want you dead. How ironic." "..I'm not going to thank you for that." "Thanks isn't something I'm looking for."
Killer leans on one of the tables, raising his browbones at some ladies that pass by who giggle in reply, earning a smack on the head from Dust.
"focus, we've gotta make sure nightmare isn't harmed here."
"oh, c'mon, dusty! he can handle himself just fine- pluuus we're dismissed, don't you wanna have a little fun? maybe meet someone new?"
"i don't have time to waste on things like that. i'm sure horror feels the same way, right horror?"
"don't talk to me."
Killer turns to the two of you. "you know..their majesty's pretty mysterious..they've caught my interest."
"you have no chance of catching the eye of a ruler, killer."
"i bet i could! i'd just have to have an opportunity..whenever nightmare gets tired of..looking at them like that."
"hmm." There's a pause. "..i guess they do seem pretty interesting.."
"see!" Killer replies, earning a shrug from Dust.
Soon enough other dancers on the floor move around you both in circles, leaving you in the center where everyone can watch your glares at one another.
"I truly do loathe you, your majesty." "What a wonderful thing to say, your grace." He grins at you as the music begins to fade out, before spinning you and dipping you as everyone gasps.
"You have such a way with words."
You shiver at his whisper, feeling heat rise to your face as the glare in your eyes intensifies. If people weren't watching, you'd smack him right here.
He raises you back up, looking from your eyes to your lips briefly before letting you go. "Wonderful dancing skills, your majesty. I'm sure you had a lovely teacher. Maybe work on those slips, though."
"You little.."
He waves you off as he walks away. You walk gracefully into another room, before immediately running over to one of the sofas and screaming into a pillow. Oooh, you're gonna counter him one day if it's the last thing you do!
"so, boss, how'd it go?"
"I'll be coming back here very soon. I'm assuming you'll be joining me?"
"of course! wouldn't miss it for the world." Killer lets out a chuckle.
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