#like for all we know he COULD be talking about a romantic relationship

[notashadowbutawave]

finally talked my wife into watching 8x06 "confessions" with me and WOW there's quite a lot going on in this breakup scene in buck's apartment (and the infamous glee scene for that matter) that I haven't seen discussed much on this website (though maybe I'm just not finding it?) like this show is always yelling the themes in your face but...

first of all I think it's somewhat intentional that Buck is being written as kind of regressing. So far in the show, he's gotten his confidence in romantic relationships by fulfilling the role with the person that he thinks he should fulfill. with Abby, Buck had just learned about serious adult romantic relationships and how they work and was trying to Be A Partner in a complete speed run. But he learned that no amount of devotion is a substitute for functionality. with Taylor, he was trying to Be A Functional Partner - and he learned that being a partner Has To involve trust, and that trust comes from somewhere else other than just our actions - it has to come from our hearts.

Tommy is the first person he's ever dated where he doesn't know what the next steps are and that's because this isn't something he has a blueprint for - being a Partner and a Functional Partner for somebody who sees right through him and sees exactly what he's trying to do, to make Tommy never leave. Abby was completely clueless (sorry I really dislike Abby) and Taylor didn't realize that an adult man could behave so badly without utter malice in his heart. Both of them kind of make the mistake of being vulnerable to Buck's charms.

Tommy is of course vulnerable to Buck's charms but Buck is more transparently himself with Tommy as well - and what Tommy sees, then, is a person who is deeply insecure and may be trending in the right direction but ultimately still thinks there's a lever he can pull to make Tommy stay and never leave him. He doesn't know that he's not done cooking yet because every new thing he learns about the world or others makes him feel brand fucking new.

So yes, the glee scene:

Josh was absolutely gagged that Tommy was Abby's ex fiance

Buck's first instinct is to see the situation from Abby's side and go into protective mode which is adorably loyal to be fair but also like ; get a grip

I actually love Josh's framing of "you care about this person and if you want a future in a queer relationship you need to learn that we don't all come to this the same way"

Did they need a cultural reference? No. Were they going to self referentially congratulate Ryan Murphy for inflicting it on the world? Yes.

And regarding the breakup itself:

What is wrong with this fandom's sense of humor that I haven't seen a gif of "I'm the himbo" ??? Like yes babe u sure are come here

Buck is really working so hard in this scene to make sure Tommy knows that he's serious. He's like... this freaked me out but I've decided I'm cool with it. She changed my life but not like you !!!

Like bless his heart, Buck thought he was really doing the right thing by telling Tommy about Abby BEFORE ASKING HIM TO MOVE IN WITH HIM. like MY CARDS ARE ON THE TABLE??? SEE??? LOVE ME FOREVER !! it's adorable and it's also cringe as fuck.

I think the real sin of the writing here is making Buck so completely clueless that this is the wrong move. Like he's kind of an idiot (Eddie Diaz's words not mine) but moving in with someone after dating them for six months in your 30s is WILD behavior and I don't think even Evan Buckley would fail to realize that this is a bit much in this moment.

But idk being in love makes one do stupid things? I did all of my messy bitch relationship shit before I turned 30 but I guess it is buck we are talking about

I completely understand why Tommy reacts the way he does in this scene and bless Lou Ferrigno Jr for acting it with such nuance, much more depth than the scene frankly deserves. What a heartbreaker. Like you see him tense up at Buck's request

"I'm not saying let's get married or engaged, even though we would have the right, thanks to the brave people who came before, including you." such an insane thing to say to your boyfriend. Whoever approved this script was trying to take me out like with a gun.

You then see the absolute grief in Tommy's eyes like oh god this kid is killing me. He's so sweet. He's so cute. He doesn't get it. I love him. He doesn't get it.

As an aside, Eddie being stalked in the juice bar by the hot priest was absolutely incredible.

I didn't hate this episode but wow the writing does suck shit, however I fully believe it makes sense for them to break up here and get back together in the future ??? because Buck DOES have some shit to figure out. Like moving in with someone is a lot of fucking intimacy REALLY fast and baby boy sometimes you NEED to pump the brakes a little ESPECIALLY when you think someone might be THE ONE and you just figured out you like guys six months ago.

I get it and yeah the writing is tragic and the inclusion of Abby in general is just unhinged and unnecessary but like I don't hate the broad strokes here. how else does the blorbo learn if not by ritual torture by the writers. Lou is too good to not have back though. My god what a treasure.

end bucktommy endgame truther transmission

[isabelawritesthings]

The last dance

Pairing: Katarina x F!reader

Synopsis: You are one of the guests at the Black Rose Ball, and your dance partner catches your eye.

Word count: 823

Warnings: Mentions of war and death, mentions of relationship breakups.

An: I know it's just a cinematic, but my heart can't stand seeing beautiful women in fiction and not writing about them 😭 I tried to make it longer but my creative block isn't helping. (In case you're confused and only know Arcane, Garen is her romantic interest in the lore of League of Legends and Jericho Swain is the one who rules Noxus, Demacia and Ionia are regions that are at war with Noxus.)

What happened in Piltover was surprising for all of Runeterra. A simple inventor becoming a kind of God? Even more so in the city of progress? Simply surprising.

Your parents were longtime members of the Black Rose, and with Mel Medarda's return, the organization needed a distraction. And just like in the times when Noxus was a monarchy ruled by an emperor, why not have a ball?

"You look beautiful.” Your mother said to you. “Do we really have to go to this ball? Are we really going to pretend that Ambessa's daughter isn't coming back to finish us all off?" Your mother looked surprised. "You better not say things like that at the ball.” Your father enters the room. "We're going to be late like this, ladies."

It was a masquerade ball, as the Black Rose always liked anonymity, but you didn't care, you wouldn't be wearing a mask that night, you thought the masks were too ugly to wear.

“Honey, do you mind if me and your father go say hi to some friends?" Your mother asked. "No, I think I'll just dance a little." You walk out onto the dance floor, and dance with the first person you see, not caring who it is under that mask. “You dance very well," said the masked person, it was a female voice. "Thank you... Are you part of the Black Rose, or are you just one of those nobles they invited?" The person behind the mask laughed. "You tell me, you're not wearing a mask after all.”

“Those are pretty ugly." You and your dance partner change positions. "I prefer you like this without the mask, you're very pretty.” You gave a small laugh. "You must be the one who's beautiful, redheads usually are." The woman looked you in the eyes. "Maybe we could talk in a more private place." You smiled. "I'd love to." The two of you walked to the garden.

In the garden, the mysterious woman takes off her mask, you weren't wrong, she was indeed beautiful. "Nice to meet you, Katarina." you smiled. "Y/N." Katarina sits on the garden bench. "Your parents are members of the Black Rose, aren't they?” You sit down next to her. "Yes, long before I was born." She gives a shy laugh. "They're all liars and murderers... You don't look like one of them.”

“And I'm not, it's just my parents who have these crazy ideologies of theirs, if I could, I'd be in Demacia or Ionia right now, but I would rule out going to Ionia, there's a very anti-Noxian sentiment there thanks to the war.” Katarina looks at the floor. "Demacia... That name brings back memories." You looked curious. "Are you from there?" Katarina looks at you. "No, I was born right here... It's just that it was there that I lived the best moment of my life, because I found love." You looked even more curious.

“Garen, his name is Garen, he was in the Demacian army, it could never work since we are also at war with Demacia, he would probably be executed for treason if anyone found out.” She looked sad. "Jericho Swain is still going to destroy this country with those stupid wars!" She looked at you again. "I still love him, but it could never work." You changed the subject. "So, what are you doing here? You don't look like a member of the Black Rose." Her eyes looked at you intently. "Let's just say I came to finish something." You thought it was strange that she was staring at you like that.

“You're taking too much of a risk by meeting me in a secluded location, if I were a spy you'd be dead by now." You looked even more surprised. "I... I... It's just that I found you quite peculiar…” She stopped staring at you. "Peculiar? I've heard better compliments... You look like you're also trying to forget a love." She figured it out pretty quickly. "I fell in love with a girl recently, she was in the army, she ended up dying in Ionia." Katarina's face remained still. "I'm sorry." You looked at her. "Don't be sorry, this fate was already predictable.”

You lost track of how much time you spent talking to Katarina on that bench, the more you found out about her, the more impressed you were, like how she had been trained by generals from all over the country.

“I think you need to go now, your parents must be worried." She stood up. "Thanks for the evening, I needed a little chat before I do what I came to do." You stood up too. "You keep mentioning this duty you have to do tonight but you never say what it is." She looks at you. "Let's just say it involves shocking some people at this ball."

She kisses you on the cheek before she leaves, you blush slightly.

[theplumsoldier]

confession o'clock

summary: you ask eddie why the two of you have never tried dating

pairing: eddie diaz x f!reader

word count: 3,2k

warnings: alcohol, vulgar language, friends to lovers dynamic 18+ MDNI; unprotected sex, oral post sex (m!receiving), cum-eating, dirty talk, riding cowboi cock, creampie.

It was half past eight when you showed up at Eddie's doorstep in a flattering maroon silk dress with an equally tempting bottle of wine in your hand. His heart lurched, and he had to awkwardly scratch his stubble to hide his jaw dropping. You offered a kittenish smirk and held up the bottle, tilting your head in question.

He couldn't help but chuckle, opening the door wider, an invitation for you to unwind in the comforts of his home. “I take it the date didn't go well?”

“I don't know what you're talking about—I got a free bottle of wine,” you shrugged, wiggling your brows playfully as you stepped inside.

Eddie snickered and accepted it, closing the door behind you, and went into the kitchen as you slipped out of your heels with a grunt.

He poured two glasses and noticed the rim of lip gloss around the mouth of the flask, and an image of your lips around it drew itself in his mind. Eddie inhaled sharply, cursing himself for still thinking about you like this—at some point, he would have to get over you, right?

“So you uh—you wanna do disaster control or where’re we at?” he asked, bringing the glasses to where you sat on the couch.

You scooped your legs up under you and thanked him, running your hand through your hair and leaning your cheek against your palm. “God, no,” you snorted and took a sip of the wine, then leaned back contentedly. “I just wanna stay right here with my best friend, drink three hundred dollar wine, and watch whatever this is.”

Eddie chuckled and got settled on the other side of the couch, hanging his heavy arm over the backrest. You wanted to find comfort in it, have it around your shoulders, but you didn't want to make him uncomfortable—you just couldn't help the urge. Eddie always made you feel safe.

Although they were rare, you treasured these nights with Eddie. When you had told him about your upcoming date, he had been quick to inform you that Christopher was at a sleepover and that he was off duty so in case something went awry (as he had come to know was often the case when you cherry picked strangers from a dating app) you were welcome to come over. You had called him old-fashioned for steering clear of online dating, but it was hard to feel like he was missing out when all you seemed to get out of it was obnoxious guys wasting your time.

He was in a phase in his life where he had subconsciously decided dating wasn't for him. With all his time spent at the firehouse and with friends and family, there was little left to really do anything. He was convinced he had all he needed in his life to be happy. Not everything was in the way he would have liked, perhaps, but then again—not every wish could come true.

In the past year or so, Eddie had found himself thinking more and more about your relationship. You had somehow drilled your way so deep into his mind that he had become accustomed to you being a part of his everyday life—even if only in thought. He blamed Buck for the time he commented on how good you looked on New Year's Eve. Eddie watched you for too long and too longingly for his own answer to be nothing but a platonic agreement. Ever since then, not one day had gone by where you were not beautiful in his eyes.

So, a moment such as this one where you were spending your time with him, he really did feel like he had it all. This kind of love, if not romantic, was fulfilling enough for him to be content.

You spoke of everything and nothing, eyes on the screen but not really watching, just being in one another's company, and at some point the bottle was empty and your head was resting against Eddie's shoulder.

“Hey, Eddie?” you muttered, sleepy eyes glued to television. Eddie hummed in response, chest heaving slowly with deep breaths, fingers gently scratching at your scalp. You tilted your head to look up at him, a tired smile on your lips. “Thanks for making today a little less depressing.”

Something flashed across his face—worry, admiration—you couldn't tell before a soft smile tugged at the corners of his mouth. “Always,” he chuckled and ruffled the crown of your head, turning his drowsy eyes back to the TV.

You giggled and pushed his hand away, though you didn't loosen your grip and draped it over your frame instead, intertwining your fingers, silently admiring him, waiting for a reaction to the close proximity. He didn't seem to notice the change, chest still heaving with deep, content breaths, the remains of his grin still wearing on his features.

Hen’s words from the other night echoed from somewhere in your subconscious. 

“So you and Eddie have never gotten… You know—”

She had wriggled her eyebrows at you. 

“Down and dirty.”

“Hey, Eddie?” you said again, still watching him. He chuckled again before he returned his soft gaze to you. His eyes sparkled, and he replied with another hum. “Why were we never a thing?”

This took him by surprise. You saw it in those deep brown orbs of his before he could shield it. He didn't make any movements that suggested discomfort, though. He spoke calmly, “where's this coming from?”

You shrugged against him, returning your eyes to the screen to avoid his intense gaze. “I don't know, or—I mean… I guess, I just had this conversation with Hen, and it got me thinking—how come we never gave it a shot? I mean, we've known each other for what? Five years? And we've always had fun. We clicked right from the start, and we spend a lot of time together. Like, I know—for me it feels like one of us has always been seeing someone, but at the times where we didn't… Has it never crossed your mind? Us, I mean,” you rambled though you didn't feel as awkward as you figured you must sound. Perhaps it was the mix of wine and exhaustion, but you couldn't find it in you to be particularly embarrassed with Eddie—he made you feel too safe for such a thing. 

Eddie's shoulder heaved with your head, his chest filling with admission he had long considered equal to doomsday of your friendship. “Of course I have.”

When he didn't say anything else, you decided to press the matter. You grinned as you looked up at him. “Well, come on, Eds—humour me. Why have we never tried?”

He studied your expression for a moment before something between a snort and a scoff escaped him. “I guess it's ‘cause we're friends—and I don't want to do anything to compromise our friendship.”

You huffed, a little taken aback and shifted beside him, propping your elbow on his shoulder and resting your head in your palm. “I don't think you could ever do anything to ruin our relationship. I love having you in my life too much to let that happen.”

Eddie couldn't help the smile spreading to his eyes. “Well, then, if you've given this some thought, why are you only telling me this now? I know you're not the type of woman to wait around for the first kiss.”

You knew he was teasing you now, but there was truth to it, and the idea of you and Eddie sharing a kiss basically glued your hungry eyes to his lips. You wanted to taste them, you had for a long time. “I guess I didn't want to step on your toes either. But we're both single, and I think we know each other well enough to decide whether we stand a chance before doing something stupid. Besides, we've been drinking a bit, and it's just the two of us, so I guess it's confession o'clock.”

He nodded, chuckling. Eddie saw how you were looking at him, like you were just one wild thought away from taking what you wanted—and God, you really wanted him, didn't you? Eddie's tongue darted out to wet his lips, his hips shifting slightly. “‘N you don't think this would be a mistake?”

While he didn't particularly think this was merely tipsy ramblings, he feared being the one to drag you down a rabbit hole.

Lucky him, you knew Eddie well enough to know how hard he could be on himself, how he was probably doubting himself right now.

You moved a bit and rested your hand against his cheek, palm warm from the skin of your own, eyes flickering between his pouty lips and his brown poppy eyes. Your thumb grazed his lower lip as you leaned closer. “I think if this is a mistake, it's one I wanna make.”

Eddie's jaw clenched in your hand, nostrils flaring with a sharp inhale, and he swallowed. Smirking down on you, brow cocked and lust in his eyes. He looked so handsome like this. “What's stopping you then? You want a date first?”

A sly smirk formed as you tilted your head, challenging him. “I'd rather take that kiss first.”

Mere inches from each other, breaths mixing, lips ghosting, Eddie's hand snaked around your lower half, squeezing your hip encouragingly. “Then take it.”

Heat rushed through your body as you did exactly that. Connecting your lips in the gentlest of ways, you melted against him, completely unaware of the tension your body had amassed. The weight lifted from your shoulders and everything in the room bar the two of you ceased to exist, and a moan vibrated from your lips.

Eddie felt the hairs on the nape of his neck rise as he held you closer, pulling you onto his lap and eagerly kissing you, feeling your weight ground him to the moment. There was a constriction in his chest that loosened when your parted lips gave way to his tongue.

Your tongues danced in a battle of power, suddenly wide awake at the taste of the other. You held onto his shoulders, shifting in his lap to properly straddle him, and you gasped at the contact, having forgotten you were only layered in a thin dress and panties.

A low moan rumbled in his chest, panting as he broke the kiss, looking down between your bodies. Eddie's hand slid down your ass, palming at the supple flesh while the other cradled the back of your neck, pulling you down so that your forehead rested against his. “Fucking hell, cariño.”

A breathy giggle escaped you at his reaction. You leaned forward, pressing your bleeding heart against his, bucking slightly forward, feeling the rough imprint of his hard cock.

Hissing, Eddie's face scrunched up as if in pain, brows furrowing while he held a moan back at the friction. Large hands settled on your hips, pressing you down harder. “You're gonna be the death of me.”

“I hope not,” you grinned, guiding his hands to your thighs, prompting him to explore your body further and he did so with great enthusiasm. He caught your lips again, greedily licking into your mouth as he massaged the flesh in his calloused hands. Moaning into his mouth you ground down on him, harder this time, loving the way your best friend's cock felt between your legs. You whimpered, “f-fuck, Eddie.”

“Keep moanin’ my name, mi amor,” he encouraged breathlessly, cursing when he finally let his fingers feel the damp lace material covering your sex. “Oh—you're fucking soaked, baby. All this for me?”

“Yes, yes, Eds—” you cried, finding purchase on his shoulders as you writhed desperately in his embrace. “Please! It-it's all for you, only for you.”

He slipped his thumb under the fabric and collected your juice before bringing it to your mouth. Eddie licked the sticky mix from your lips and groaned against you.

Whimpering, you reached between your bodies, frantically trying to undo his belt. His head fell back with a groan, his cock itching for freedom. He cursed, endearingly watching your facial expression as you finally managed to pull him free, memorizing just how beautifully your face twitched as you mumbled, “you're so big.”

“You can take it,” he encouraged.

You traced your thumb over the leaking slit, glossing it around the angry head, the soft touch making him whimper as he nibbled on your neck. It felt absolutely maddening, having a man such as Eddie Diaz under you, hips involuntarily bucking upward in an attempt to chase whatever relief your hand could offer. You enjoyed having that kind of power over him. Chuckling, you pulled his head back from where it was nuzzled in the crook of your neck and ghosted your lips over the shell of his ear. “Easy, cowboy.”

Moving your panties to the side, you dragged your fingers through your wet folds before taking him in your hand. You peppered kisses along his jawline, stroking him slowly but firmly. The noise from the TV seemed to die out as you pumped his thick shaft with your slick, grinding against him, enjoying the ragged breaths he emitted.

You positioned him at your wet entrance, dragging the angry head through your folds, shuddering.

Eddie's rough hand grabbed you by the jaw, flexed fingers digging into your skin, pulling you close to his face. “No more teasing, princess,” he ordered hoarsely.

His command made you want to challenge him, but you couldn't hold back any longer. With a shaky breath, you positioned yourself and slowly slid down his length. There was a sharp pain but you expected as much. Still, you winced at the piercing sensation and found comfort in swallowing his ragged moan, distracting yourself from the sting as you took him to the hilt.

“Fuck,” Eddie croaked, his hands wrapping around your thighs, pushing deeper, forcing himself further into your sex than you thought possible. He helped turn the pain into pleasure by kissing you softly, tongue tasting yours as he rocked you back and forth in his lap. You gasped into his mouth, face twisting as your walls adjusted to him. “You feel so good around me, amor.”

You steadied yourself against his taut chest as you found your own rhythm. Enticed by your chest moving right in front of him, he freed a breast, leaving open-mouthed kisses as he massaged the skin with one hand, palming your ass with the other.

Initially, you had had no doubt being full of Eddie would feel good, but you hadn't been prepared to feel this much. His touch gave you warmth and kisses comfort, but the way he held you provided you with a sense of safety you never wanted to be rid of.

You settled into a comfortable rhythm, feeling confident riding his heavy cock with the sweet sounds he emitted. You took his hand from your ass and moved it to your belly, pressing into your flesh and moaning obscenely at the applied pressure. “Ho-holy shit, Eddie! You feel that? Hnng—you… so deep.”

Eddie let go of your nipple, but not before teasing the perked nub with his teeth, drawing a pitched whine from you. You watched you intensely through hazy eyes and furrowed brows, feeling his cock twitch as his hand pressed harder into your belly. “Oh—yer taking me so well, doll. Doin’ so good for me. Ridin’ me like you were meant to.”

If your face wasn't flustered before, it surely was now. Your best friend's praise went straight to your cunt, clenching Eddie deliciously as if trying to milk him.

Eddie pulled you down and kissed you messily, hungry for whatever you might give him, as long as it was you. His hand moved from his bulge prodding you from inside and settled between your legs, rubbing tight circles on your throbbing clit.

“Ff-fuck! Eds—” you gasped. The sudden determined attention to your neglected nub made you thwart forward, movements faltering as your high got higher. 

His hips rutted in response, fucking into you when your legs shook around him. “That's it, baby. Just let go—let it all go.”

Wanton sounds of sweaty skin slapping, panting, moaning, loving—you lost yourself in Eddie's warmth, falling apart in his lap as he fucked you through your orgasm.

Eddie's thrusts grew more urgent, continuing his ministrations to your swollen clit while chasing his own release.

You cried out, feeling your body spasm, convulsing around him as he didn't let up. Your polished nails dug into his shoulders, clawing marks forming under the hazy gaze of your glossy eyes. “E—hnng! Eddie,” you choked, teeth biting his skin. “I… I can't—”

Eddie ceased his torture only to hold your hips firmly as he practically fucked up into your slippery cunt like a ragdoll. Gasping, you felt the increased pace bringing on another orgasm as you held onto him for dear life, breathing each other's air. “Jus’ a little more, baby—” he grunted, jaw fixed in place as he watched you fall apart on him. “You're doing so good for me, amor. So, so good.”

“Plea-please, Eds,” you cried pathetically with just enough energy left to hold yourself slightly above him so that he could continue his assault on you. “Co-come in me, Eddie.”

Your desperate pleas set something off in him, his vivid imagination making him snap his hips roughly. Drawn into a scenario where you stood round and swollen with his seed—it made him burst.

Spurts of creamy ropes of cum painted your velvet walls as he tried to grind deeper into you, arms folding around the small of your waist, holding you down on him, his face hidden in your chest.

You noticed how the distant audio from the TV seemed to seep back to you, blending over your ragged pants and heavy breathing. Looking down between you, you saw a wet stain on your silky dress and you had no doubt Eddie's pants would be off way worse.

Eddie slowly lifted his head from your chest, those brown doe-eyes no longer filled with the same raw hunger but a weary mix of satisfaction and affection. Another surge of heat flushed your cheeks, and you pressed your lips against his, as gently as the first time around. He sighed softly at the contact, something so tender about the way your lips asked for permission while your tits were pressed against him and his cock still inside you.

After a moment you shifted and reluctantly got off him, not getting far when he didn't let go of your hand. “You-you're leaving?”

You chuckled, squeezing his hand back. “Was actually just going to clean myself up,” you said and he nodded, but didn't let go. He snickered and got down on your knees, taking his half-hard cock in your hand, tilting it upward and licked him clean. Eddie shuddered, undoubtedly sensitive to the touch of your tongue lapping at your juices. You moaned around him, loving the taste; loving the feeling of his cum leaking down your thighs.

Eddie groaned your name and you let his head go with a pop. “You'll stay the night, won't you?”

You hadn't exactly thought about leaving, but the request still made your heart flutter. “I will do anything you want me to, Eds.”

[glitter-covered-bodybag]

I don't think we talk about how awful the Dubai penthouse really is. I mean look at the dining room.

HUGE table that encourages distance (especially as there's only 2 of them living here). When it's only Louis with his little bowls of blood he's gonna sit there alone with the heaps of space available at this table and no one else sat at it and be reminded that he really is alone. The bland walls with only a painting or two. The crisp and cleaners of everything. No warmth.

Then there's Louis's (supposedly) relaxation room with Armand's magnolia tree and Armand's library. A library that book-obsessed Louis cannot access. He's wholly dependent on Armand to retrieve things from it. "Please daddy Armand, may I have a book?" 😒 We literally see this when Louis asks to see the removed pages. Those belonged to Claudia, Louis's companion/sister/daughter. Why should that be something he has to ask for? Bare, grey walls like concrete. Like a prison. White stones in the zen garden the same as those Louis was buried in.

Then the bedroom. LOOK AT THIS BED. ITS MADE OF ROCKS. You CANNOT convince me this is comfortable to sleep in. The width of it meaning Louis and Armand can sleep entirely separately. The coffins, padded as they were look so much more comfortable and we know Louis likes laying in his coffin more than a bed from when he was recovering from the full body burns and asked to be put in his coffin even though the room was sun-proof and he would have been safe on the bed. Then the bars surrounding the bedroom. He's sleeping in a cell. (I've seen other people point out the similarity between the bars over the arches and the turning of Louis which is a detail I LOVE for reasons unrelated to this post. Here's a visual)

Everything is controlled through Armand's iPad. Armand controls the lighting. Armand controls the window shades. It just shows this unequal dynamic between Louis and Armand. "Armand protects my happiness"?? No, Armand is the one with the power here. You're his pet. You're his ward. Armand is an owner, a parent, almost a jailer (I'm not saying Louis can't leave or Armand is Evil, at all, just that the power dynamic is heavily tipped towards Armand as he tries to prevent a repeat of San Francisco. I wholeheartedly think he's just so overprotective that it tips into unhealthy territory). Louis doesn't do anything for himself. This is not how romantic relationships work. This is the first clue that their relationship is not what it seems, the first sign that Armand is trying to keep control of the narrative.

There is not one thing that shows me that Louis enjoys his space. Nothing to show it's lived in. It's cold and plain and boring. Compare to Daniel's apartment, a man who has had a long successful career and also lives alone.

Warm. A little messy. Lived in. An apartment of Daniel's size is hardly cheap either. But you can feel that Daniel's space is Daniel's space. The Dubai penthouse has no identity. I know this is just a modern, high-value aesthetic but there are so many other 'rich person' aesthetics that could be adopted that would be comfortable. Even keeping the clean lines. Look at these...

Still clean, still modern but warm. Everything about the penthouse is depressing to me.

[karlachismylife]

Whenever I meet people that can only identify the most basic types of relationships like "friends", "lovers", MAYBE if I'm lucky "mentor and mentee" or even "found family" (just don't get me started on the whole "if they're sworn brothers, romantic relationship between them is incest" spiel), every time I honestly am sad for them.

I can't imagine my life without being achingly in love with a witch girl from my pack, knowing she loves me back just as well as I know we will never share more than a single cheek kiss, myriads of minutes spent holding hands and countless poems I wrote and she kept. This is not friends or lovers, this is love that exists in its own way.

I can't imagine my life without sighing after a pretty Arlequin with the most beautiful eyebrows and a cheeky grin, knowing you will never be on the same level and being genuinely happy to stay like a loyal adoring dog at his feet. This is not friends or mentor and mentee, this is love that exists in its own way.

I can't imagine my life without latching onto a big brother that didn't know your name when you already sensed he's going to be your big bro in the frightening new step of your life. Knowing it won't be as special for him, but he'll be the best big brother you could ask for, after you strike a conversation by telling him a fun fact about whale songs. This is not friends or found family, this is love that exists in its own way.

I can't imagine my life without feeling like broken mirror shards laying on the asphalt of a secluded town outskirts road, soaked in someone's rain and knowing that this person you call himinn minn will forever be just that - your unreachable, elusive rainy summer sky. Even in a cold, lonely winter. Exchanging words of love and hot whispers, feverish fantasies over their portaits, talking into the void they left after disappearing - and still knowing it all was the most beautiful of loves shared mutuially. This isn't lovers, this is my sea being in love with their sky, and this love exists in its own way.

I can't imagine my life without running away from the dystopian reality of grey panel buildings and people talking to butchers, so fucking alone, cold and filled with bitter cigarette smoke, only to find myself a hundred years back, in the body of a Silver Age poet falling in love with a fellow runaway in Paris, the one that hears him when no one else does. Knowing the promise "Я все равно тебя когда-нибудь возьму — одну или вдвоем с Парижем." is just that, a promise, and it's enough. This is not friends or lovers, this is love that exists in its own way.

Yearning, devotion, solace, connection, accidents that stay with you for life, worshipping, inspiring, leading, soothing, peace, rebellion. Heart bursting with acrylic paints and calm humming of a habit.

There are so many ways people get with other people. I pity those that had only ever known the basics, but I do hope that they're happy like this.

I am happy with my collection of people that I can only ever name by their nicknames, because I can never refer to them as friends, lovers, internet acquaintances.

[thepunkmuppet]

approaching The Confession Scene and what the fuck. this is genuinely tragic like I’ve always seen it as a meme, a joke, an iconic moment in fandom history, whatever, I’m a tumblr user, but now that I’m actually here it’s just fucking SAD

season 15 as a whole is NOT bad. it’s really not. but there’s zero destiel. they rarely speak at all unless it’s plot-related, one (1) episode pairs them together, frankly season seven was ten times more focused on their friendship and that’s INSANE because cas is only in like five fucking episodes of that one. they have a mini arc midway through the season which is very gorgeous and well-done, but it then goes absolutely nowhere and nothing at all is done to make it textually romantic.

by which I mean: no episodes have dean or cas reacting personally to sam and eileen’s relationship, or any other romantic relationship they come across. we’re never shown anything even remotely romantic even in an unrequited sense (no post-realisation awkwardness, no lingering shots of cas pining from afar, etc etc). it reads like a normal season of the show, which, yeah, I think those two are pretty fucking gay regardless, but they’re always textually written as a friendship, with no explicit cues to clue the audience in that there are canon romantic feelings. and that doesn’t change here, at all.

so I guess what I’m saying is the confession scene is purely just a moment of fan service. as stunning as the speech itself is, and as well as it fits cas’s character, the writers throughout the season didn’t actually give a fuck to make destiel ROMANTIC even in a one-sided way. film is a language and as much as misha does in his acting, even from castiel’s perspective they’re still framed as a friendship within the show itself RIGHT up until he says the words I love you. they weren’t interested in actually depicting a (even one-sided) queer love story, just wanted to give fans their “okay here it is we did it guys!” moment at the end, so that way they didn’t have to actually show an explicitly romantic gay love story, they could just say some words, kill cas off and boom it’s canon! here you go people we’ve been leading on, mocking and low-key gaslighting for eleven years!

idk man it’s just so disappointing. I knew it was and I know everyone has been talking about it for years now but my GOD it’s so bad 😭 I can’t even tell you how bizzare it is to have seen destiel confession meme on here and in various fandom video essays EVERY DAY FOR FOUR PLUS YEARS and now here I am, watching it go down in real time with full context, having watched over 300 episodes of this show, invested, obsessed, and REALLY FUCKING UPSET AAAAHHH

EDIT: forgot to mention this originally. the actual concept of cas’s moment of perfect happiness killing him, while kind of stolen from buffy, is AMAZING. and the literal perfect opportunity to have a building textual confirmation of his feelings throughout the season, where he realises what that moment will be, and it ends in the tragic confession of his love. like that’s insane that’s perfect. but no it just comes out of nowhere so oh fucking well whatever I guess! they’re canon so we should all be happy! I hate this stupid bumhole show AUGH no one talk to me ever :(

[aziraphales-library]

Hi, i hope you don't get asked this too much, but could you recommend some established relationship fics? canon or au is fine, but not kid fic, if that's possible. Thank you.

Hey. We have an #established relationship tag you can check out. Here are some more to add to the collection...

Where the Cliffs Meet the Sky by springofviolets (M)

Crowley plans a meaningful, romantic anniversary trip to celebrate 1 year of being openly in a relationship with Aziraphale, but things keep going wrong! How will our hero cope? A South Downs Cottage origins story.

One Hundred Days by Lady of Prompts (G)

They should have discussed it more. Wasn’t that what humans did? Spend weeks and months talking about what sort of home they want, what sort of life, dreaming of what moving in together will be like. Making sure their dreams matched up, their expectations. They didn’t buy cottages – in the middle of a forest, no less, half a mile from the nearest village – without considering questions of…of hobbies, and use of space and…and living arrangements. They certainly didn’t take such a step without…defining their relationships. -- Aziraphale only begins to consider the implications of *moving in together* after they've already done it.

Hozier Missed A Trick When He Called It 'Real People' Instead Of 'Joe Bloggs Snogs' by indieninja92 (E)

Months after Armageddoff, Crowley and Aziraphale enjoy a cosy night in. A brief moment of anxiety about a completely invented turn of events sends them off on a rambly, giggling conversation that asks, if they were human, what kinds of humans would they be? Very silly ones, it's safe to say.

Five Times They Weren't Very Sexy and One Time They Aced It by ZehWulf (E)

“Have you ever wondered what it feels like?” Crowley asks while contemplating the dregs at the bottom of his wine glass. He’s aiming for philosophical but fears the faint wheeze at the end of the question might have given him away. “Have I ever wondered what ‘what’ feels like,” Aziraphale asks finally. “Sex,” he says, much louder than intended or reasonable. They both wince.  “Oh, have you never…?” Aziraphale asks with polite disbelief. “You have?” Crowley demands. Look, when you're largely inexperienced sex-favorable asexual ineffables, it takes a bit of practice, a lot of communication, and some bull-headed persistence to get your sex life in commendable working order. Or, five times things got (hilariously) awkward during sex, and one time after they've got it mostly figured out. A companion fic to "Scratching That Itch." (Sex acts, such as they are, tagged per chapter in chapter notes!)

a moment's silence by viperinz (T)

Crowley rubs a hand down his face, sighing. “Then you know that you shouldn’t have done that.” “It was the only choice I had. If you got smitten—” Aziraphale swallows, feeling his back throb in pain. “You would have died right where you stood. I could not allow that.” Crowley’s mouth turns into a thin line, his fury radiating through the room. “So, what? It was better if it was you rather than me that took the hit?” “Yes!” Aziraphale exclaims, sitting up in bed. He winces as his back protests the movement, but he needs Crowley to understand. “You deserve better than what I was able to ever give you, and you need to help Muriel and the Messiah. If I ceased to exist, nothing would change the outcome of stopping all of this.” “No, you don’t get to say that.” Crowley walks up to the bed. “If you think I’ll ever stand to lose you again, then you’re bloody wrong. The outcome would be different because I wouldn’t have you, you daft thing.” After everything is said and done, Aziraphale has to learn to adjust to life on Earth after seven years of being in Heaven. Luckily, Crowley is there to help him heal, and to give him the love that he feels he's lost.

we shall have the world forever for our own by quitequaintrelle (M)

Your new beginning starts here! Lying wholly within the South Downs National Park, the village of Wood’s Bottom is your destination for an idyllic retirement. This quaint hamlet is a short five miles away from the seaside resort of Brighton, with its vibrant array of shopping, culture, and leisure attractions. Boasting stunning landscape views, entirely average weather conditions, welcoming neighbours, and intimate rural charm, Wood’s Bottom is your opportunity to live the exceptionally normal and relaxing lifestyle you’ve always dreamed of. Aziraphale and Crowley have finally found their forever home after successfully ensuring there is still a “forever” to share. Surely they will integrate perfectly well amongst their new neighbours. Surely.

- Mod D

[michaelmilligan]

The Jonmartin manifesto no one asked for but needed to get out

So, I've not been in the tma fandom for long yet, having only listened to it for the first time a few months ago. But from browsing the Jonmartin (and teaholding and jmart) tag regularly, it seems to me like most jonmartin shippers fall into one of these two categories:

They would find each other in every universe; or

It's a miracle they even got together in this universe

(Obviously, that's an oversimplification, and people who express one view in one post can easily hold a different view at another time - these are fictional characters we're talking about after all, and headcanons don't need to be consistent and can even contradict each other. This is just the general vibe I got so far.)

Anyway, I wanted to add my own two cents on the topic, because while I understand where both of these views are coming from, I think neither of them is ultimately correct.

(Putting the rest under a read more - be warned that this is NOT a spoiler-free post, so if you haven't finished listening to TMA yet and you want a spoiler-free experience, you probably shouldn't read this.)

So, before we get to my own opinion, let's first look at where the two options I mentioned above come from, shall we?

"They would find each other in every universe"

Obviously, this view is highly romantic - star-crossed lovers, finding each other again and again. It is both a good foundational basis for AUs, and a ray of hope in the face of the tragedy that is the tma finale.

Of course, concerning the finale, this is a rather different take than concerning AUs (since it would mean the very same characters finding each other again in a different world, not fundamentally different characters, shaped by said other world, also finding each other). And maybe when people express this view, they mean more the finale fix-its than AUs, though I suspect that plenty of people mean both.

It's a nice, comforting thought. And don't we all need some comfort after the finale? Yes, we certainly do. (Except for the people who read only hurt without comfort and angst, I guess. You do you, and I'm glad you're having fun, but personally I do desperately need some comfort, lmao.)

Is this view supported by canon though?

Cynical minds would say no, and personally I'm more inclined to agree with them, though as I've said, for me the truth lies outside of those two rigid stances (somewhere in between, I suppose).

I don't see much in canon which points to Jon and Martin falling in love under any circumstances/in any universe, especially considering their... let's say difficult relationships at the start of the show. But of course we must also take into account the specific circumstances in canon (more on that below) and interpretations vary, and I do very much enjoy AUs, so I'm certainly not trying to throw shade if you're on this side of the 'divide'.

Mostly, I think there CAN be other circumstances in which those two get together, outside the canon ones. (I'm writing a canon-divergent jonmartin fic myself, lol.) Let's get into that while we look at the other view, shall we.

"It's a miracle they even got together in this one"

Ah, the Martin-approved stance. One could say 'well, they literally said it in canon' and be done with it. However, that would require us to believe that the opinions of the characters are always true and correct, which. Lmao. We only have to listen to season 2 of tma to know that this is very much not the case.

And even if S5 Martin is not S2 Jon at the height of his paranoia, he's still very much a man shaped by his own life and experiences. I'm sure he would call himself a realist, but he honestly seems more like a pessimist to me. Which is understandable, given his life, and his association with the Lonely, which has often been (in my opinion accurately) compared to depression.

The thing is, Jon did treat Martin horribly in S1, and then he admittedly treated everyone horribly in S2. It was only in the course of S3 that their relationship got more, let's say, equal, with Jon no longer thinking Martin would be 'contributing nothing but delays'. (And then of course we have S4, which I LOVE even though it hurts me deeply. Then again, that's the whole show. And, obviously, S5 my beloved.)

So. Jon seemed to hate Martin in S1, while Martin was arguably already in love with the man. (Arguably. We do know that he acted catty to Basira in S2, so it's reasonable to assume that he started liking him at some point in S1, or even before the show started.) Then a lot of traumatic things happened, and they got together.

This means it must be the traumatic things that made them compatible, right? Just like Martin says in S5?

Well, one could see it that way. Jon certainly changed over the seasons, coming off his high horse and such. (In S5, he arguably gets back on it quite a bit, but then he IS the Eye's specialest little princess in a world that's literally ruled by it. And also he is slowly losing his grip on his own humanity. But I digress.)

And I do think that the trauma channeled a lot of those changes - the first time we see Jon being actually emotionally open (something he still struggles with over all seasons, because people don't just change fundamentally that quickly) is during Prentiss' attack on the Institute. They're in a situation where they might reasonably die (they even expect it, because they don't know that Elias is just rubbing his greedy little paws as he waits for things to get worse before he saves them with the gas).

I do think that moment could have been a big turning point for Jon and Martin, if it hadn't been immediately followed with the discovery of Gertrude's body, and Jon's subsequent descent into paranoia. Jon opened up, and also saw that Martin was rather competent during the attack, which could have led to them becoming closer, respectively having at least something like a normal work relationship.

But then Jon got paranoid and interpreted everything he saw negatively, including Martin's competence, which was twisted in his mind to 'What if he's just been pretending to be incompetent and is actually an evil agent out to kill the archivist'.

(Big sigh.)

Anyway, before I lose myself in the red string as well: Yes, Jon seems to 'mellow' over the seasons, especially with regard to Martin, at the same time that he's going through terribly traumatic events.

But does that mean that it's actually the trauma that's changing him and his relationships? Partly, certainly, but I would argue that trauma doesn't make you nicer or kinder. It might make you realise some things, but that doesn't mean that you can't realise those things in other ways.

And does it means that they couldn't have come together if they had met under different circumstances? Also not necessarily! I would even argue that the specific circumstances they met under were detrimental to Jon's first impression of Martin. And yes, this goes beyond the dog story.

So let's try and dissect their relationship from the start.

A theory of... something like nuance, or whatever

The starting situation

(Yes, I did have to use a Supernatural gif, thank you for asking. No, I will not apologise. <3)

Alright. So let's start with what we actually know about Jon and Martin's first meeting. Obviously, there's the dog story, though as far as I know that's not 'canon' because it wasn't actually in the podcast. I still like it, and think it adds another reason to Jon's behaviour, though I don't necessarily think it's necessary, because Jon already had lots of other reasons to tell himself that Martin wasn't worth his time.

1.1. Jon has issues. More at 11.

First of all, we learn throughout the podcast that Jon doesn't actually have any qualifications to lead an archive. He's probably 29 when the show starts (in 2016, going by the fandom wiki stating that he was born in 1987, which is reasonable given everything we learn about his age).

So, he's 29 and suddenly appointed, after four years of working in one department, to become the head of a completely different department. He does not have a degree that would give him credentials for leading an archive, nor are we told that he has ever even worked in an archive. For all we know, and that he knows, he is woefully underqualified. (This is also, I think, highlighted in S2 when Jon threatens to resign, only to then be baffled by Elias saying that he would be difficult to replace. Elias means something completely different than his skill set as an archivist with a lower case 'a', presumably, but then Jon doesn't know that.)

This means that Jon is in a highly stressful position, because he's trying to do a job he doesn't actually know how to do, while also trying not to let on that he doesn't know how to do it!

It doesn't help that Jon is also terribly scared of what all might be lurking in the shadows (or even in the light), as he himself admits during the Prentiss attack. He is extremely high-strung from day one, basically a wet chihuahua shaking in a slight breeze, while trying to seem like a strong bulldog.

We also know that Jon asked for two people to be his assistants: Tim and Sasha. They both worked in research, and Sasha also briefly worked in artefact storage, making them both qualified to help Jon with following up on statements. But I think more than their qualifications, Jon probably requested them because he knew and got along with them.

Imagine: Your boss tells you that he's promoting you into a position you're not qualified for and which you have no real clue how to do. Wouldn't you rather have people around you who you're already friendly with, and who are likely to cut you some slack if you're not perfect on day one? I know I would!

1.2. Elias is a little shit and I want to kill him with hammers (affectionately)

And then Elias transfers Martin.

I'm going off the dog story again, because again, I like it, and I think it does fit neatly into canon. If this story is to be believed, Elias neither asked nor did he tell Jon that he was giving him another assistant. He apparently simply told Martin 'you work at the archives now, congratulations' and then went back to his office to smile smugly to himself.

This is a VERY bad start for a working relationship, because not only does Martin come in unannounced, this also comes off as Elias not respecting Jon, or potentially even sending someone to report back to Elias (because Martin is the only one who doesn't have an established rapport with Jon).

Jon never verbalises this suspicion, so maybe this is too much interpretation on my part, but in any case it's cause for a lot of resentment on Jon's part, and since he can't exactly let it out on Elias (who is rarely there, anyway), he simply lets it out on Martin.

He finds reasons to do so, of course, insulting his work and all that. It's probably easy, especially in the beginning, because not unlike Jon, Martin doesn't have any qualifications to work in an archive! He worked at the library before, and we know that his degree is made up (which we can only assume Elias knows, considering he can know almost anything).

(I actually find the question on why Elias transferred Martin in the first place extremely interesting, and might get into that in another post. But this one is already too long, lmao.)

1.3. Martin is too nice, aka Jon has even more issues

This is mostly my personal headcanon, though I do feel it fits Jon's character - which is that he doesn't know how to deal with nice people.

Not kind people. Not friendly people. But nice people.

People who do things seemingly out of the mere goodness of their heart. Like bringing their mean boss tea when he never asked them to do that. Like being friendly even in the face of insults. Someone who constantly takes himself back in favour of other people and their opinions.

People like Martin is appearing to be. Appearing, because Martin isn't actually like that. He does have his opinions, and he could probably grumble up a storm in S1 about Jon, but Jon is his BOSS, and so he plays.

Martin also IS genuinely a nice person most of the time (when he's not on a revenge rampage, making his boyfriend murder people). He doesn't have to do nice things for Jon like bring him tea in S2. But he does. Because that's Martin's way of trying to reach out, to show other people that he means no harm (and that he can be useful).

(I also think that Jon's snappish behaviour, where Martin never quite knows what will set the man off, might remind him off his mum, but again I digress. :))

But I think Jon doesn't know how to deal with that, because even when he's not in the height of paranoia, he still suspects that people who are THAT nice (especially when they have no reason to be nice because he's being an arsehole to them) have a secret agenda. This is playing into what I said under 2 (the part that might be too much interpretation on my side lol), because if Jon suspects that Martin is reporting back to Elias, or is at least someone who would not be friendly if he found out that Jon doesn't know what he's doing, then he can't allow himself to relax around him, and he certainly can't allow himself to be lulled into false security (as Jon would think) around him.

Tl;dr on this point: I think Jon is wary of Martin's niceness because he thinks he might be fishing for gossip/anything he can use against Jon. And even if he isn't, Jon thinks he would be likely to use anything he learns against Jon, because they weren't friends to begin with, and Jon's behaviour has made them anything but that.

(We have to remember that this is the guy who says in S2 that he knows what it's like to 'lack the respect of one's peers', aka the kid who got bullied by at least one older kid, and likely had no or very few friends - plus he believes in the supernatural, which doesn't exactly lend itself well to getting academic respect.)

1.4. They were fucked from the start, your honour

Basically what the meme says, but yeah. The they were put in practically guaranteed that Jon would be wary of Martin, and that Martin would be trying extra hard to make friends with him, which in turn would make Jon even more wary/hostile.

And Elias made it worse, either knowingly or by negligence (not telling Jon about transferring Martin).

If we add the whole dog story to it... they were fucked. I do actually wonder if, assuming we take the dog story as canon, Elias actually somehow managed to set that up. Or whether he was at least cackling (sorry, smiling ever so silently, but smugly) in his office as it happened, or whenever he ended up knowing that it happened.

2. Yes, we've had one starting point, but what about second starting point?

As we have established above, the starting situation for Jon and Martin was... not ideal. So, would they have gotten together easily given a different starting point, like in a cute coffee shop AU?

Eh.

It's true that the specific situation they were in made it a lot harder for them to actually communicate and see each other as they are than it had to be. That doesn't mean that a different situation would have made it easy, though.

Their personalities still make it hard, though, as even without the added stress of a new job, Jon is still a little chihuahua shaking in the corner, who tries to make up for it by barking at everyone, and Martin is still the guy trying to approach him with treats and getting his hand bitten.

There are certainly specific situation that could make it easier, especially if Jon isn't scared as hell, and has maybe already learned that not everyone who does something nice for him wants to just pull on his strings. (Yes, I do think that the thing that makes Martin, according to Annabelle, suited for the Web, is the thing that put Jon on edge at the beginning. I don't know if this was intended at all, but it makes me cackle.)

The beauty of fanfic is that we can do whatever the hell we want. But I think the most fun thing an AU author can do is think 'What would have to happen, in this specific scenario, for these two to get over themselves and get together?'

Excursion: Martin, my beloved depressed blorbo who I am certainly not projecting on, haha

Because it IS both of them who need to get over themselves. Of course Jon's issues are the most obvious, and I've certainly expanded on them enough. But Martin also has a problem, and it's that he's constantly hiding his true feelings and opinions, especially anger and fear.

That makes sense, perhaps, in a workplace, though considering he's dealing with a walking, talking worm hive and a stalker boss... Let's just say it probably would have helped Tim, too, if Martin hadn't been so desperate to make everyone be friends again.

Because Martin is always TRYING to make everything better for everyone, but he's actually not helping anyone. Being nice to Jon and bringing him tea doesn't help battle his paranoia. And trying to tell Tim not to be so angry at Jon, and can't they all be friends, doesn't actually help Tim with his anger.

All Martin is essentially doing is making himself small and saying 'let's get along, pretty please' every now and then. I don't know if it would have helped if he had expressed his own fears and anger, and maybe Jon would have misconstrued that as well, too deep in his paranoia already. But at least Tim might have realised that he was not alone in all this. (His biggest problem, as he says in S2, is that he feels that no one has his back, which I think at least partly results from no one expressing the same anger, aka no one validating his feelings.)

Anyway! (Jon voice) Excursion ends.

3. (To the melody of 'What shall we do with the drunken sailor') What shall we do with these total idiots?

So, how ARE these two going to get together, if they're so woefully unequipped to deal with each other?

Well, first we need to give Martin a good helping of self-confidence. Then we need to kind of give Jon the same, since his problem ALSO is that he's unsure of himself, he just tries to make other people small to cover it up, instead of making himself small. (And isn't that a funny thing to do for someone who we know was bullied. To become a bully himself. Oh, the snake, biting its own tail...)

The easy answer is, of course: You can come up with your own version, get creative. <3

The more complex answer is: A lot of stuff, probably. Jon and Martin will certainly need time to get to know each other, and of course it depends on what situation you put them in to start. But there will be misunderstandings, and there will be hurt feelings, and I am going to soak it up all like a particularly slowburn-greedy sponge.

I feel like there are probably five million ways to get them together, and some might be cute and fluffy (if they go to therapy first, I guess, lol) and many will be full of tears. <3 (Jon voice) And I want to see them all on my desk by Friday! So get to it!

In all seriousness though, yeah, I think there's not one right way for them to get together (though canon did it well imo). But it's also a little more complex than we might give it credit to (very much including me).

4. So what now?

I don't know. I'm not your dad. Write a fic. Draw a picture. Put down your own thoughts on the matter. Or take a shower and clean up your room, young Padawan!

(Though actually, if you've read this post from start to finish in one session, what you should probably do is get up and stretch and get some water.)

And above all! And this is imperative.

Have a good day. <3

[biblicalhorror]

Haven't wwdits posted in awhile but I just wanna say it would be. so funny if nandermo wasn't made canon in the final season. after all of That.

[thanatologie]

anyone that says emmrich never actually faces his fear isn't actually paying attention. hear me out, okay, i've talked before (so many times) about how i think for emmrich his fear of death is less actual thanaphobia and more...his fear of being alone. of living alone, of spending eternity alone - especially in a culture and a society that places emphasis on lovers being buried together; he's terrified of it. and a romanced emmrich is so terrified of his relationship with rook - and how he feels - that he's willing to try to end it on the eve of a battle one or both of them might not come back from, because he's worried it might not be the big damn love story he's been aching for his whole goddamn life.

and guess what! rook doesn't come back.

he spends almost a month making that damn dagger - and like the rest of the crew - trying to find rook to pull them out of the fade prison because he's lost them. he's lost them right after realizing his fear's gotten the better of him and he's staring down the barrel of eternity without them. he was already trying to backpedal the whole thing before solas pulled his switcheroo and you know rook telling him they'll talk about it at home was like...a constant refrain in his head that whole almost month they were lost.

(which raises a good point with the mortal vs lich path in this respect, because a mortal emmrich was ready to tear open the fade to get rook back, imagine how many lines a lich emmrich might cross, especially given his line about never letting them be parted in this or any other world again. i have thoughts about how emmrich doesn't come back wrong from that, no, but he definitely comes back changed, he's...off. i've seen speculation that lich emmrich isn't emmrich - which i don't buy - or isn't entirely emmrich - which is a little more interesting and there may be some truth to the latter, or it could be he thinks he's indestructible at that point and gets really reckless and less measured but that is another argument for another time.)

and basically the point i'm leading up to here is...you can complain all you want that he never uses the l word before the final battle, but even with harding pointing out he's gotten a little spacey and distracted and mopey with a relationship on the burner, and all the other pet names he uses so damn liberally (dearest, darling, flame of my heart), he's still holding a lot of stuff back. he's still holding himself back, quite a bit, until that moment when he finally (finally) tells rook he loves them. he never calls rook my love until after the fade prison in the mortal path, and it's just the once, as far as i can actually remember. and it's because of all of that shit above.

(lich emmrich does it earlier, because that this may be my last chance to say it comes a hell of a lot sooner, and he uses my love liberally after that point.)

this is intentional on his part. this man has skirted around using the word love so much ("very fond of you" my ass) that rook totally has the option to call him out on it and it's like a record scratch.

he's, i think, terrified of loving something that can die? and he's terrified of being alone. and ultimately a romanced mortal emmrich has to face both of those things, one after the other, between manfred and the fade prison. and i think, going forward, it's not going to be completely gone - in fact for a hot minute after everything it's probably exacerbated to a large degree and he's probably extra...like that for a while - but it makes him confront those things head on in...very blunt ways. here's a reminder of what losing someone you love deeply to death feels like. here's what losing someone you've given your heart to for safekeeping feels like. it's kind of disingenuous to claim his fears are left untouched, when he's given a one-two knock out punch and is left having to deal with the fallout of that.

eta: and none of this actually touches on the fact that it's him that tells rook to grab the dagger before they go poof, so he's siting with that constant weight on his chest, too, but we'll dig into that at a later time because it's cold and my fingers are starting to get stiff.

[widevibratobitch]

Ok, drop your favourite characters and ships from the Three Musketeers, queen. <3

the answer is pretty simple actually <3

Aramis is my babygirl, my murder kitten, my favourite little princess, my rotten soldier, my sweet cheese... truly one of the characters of all time. to me. and he ages like fine wine - the older, the more cruel and ruthless and cunning and evil he gets, the better.

im a die-hard Athos/Aramis truther 🙏 i also adore the whole thing Aramis and Madame de Chevreuse have going on, especially their fucked up little divorce in the last book, it's insane and i'm obsessed with it. I do also think Aramis and d'Artagnan are long overdue for some quality hatesex sesh! and none of these are mutually exclusive, the opposite actually. basically i live for and breathe the entire d'Artagnan/Athos/Aramis/Marie drama. it's everything to me <333

[theoreticalli]

I put 30 tags on that dear evan hansen post. for the love of god don't click to expand the tags I'm so fucking sorry I just hate that awful fucking show so fucking much. oh fuck I've done it again in the tags here oh god

[callixton]

wow i think if i rewatched company rn i would have some sort of breakdown

[puppmeo]

Have you ever been assumed to be romantically attracted to someone and even just the thought of that makes you want to throw up . Anybody

[cerberin]

twitter goes too hard sometimes

[babycharmander]

(BOOK OF BILL SPOILERS)

I just finished reading The Book of Bill and I am kindof losing my mind over some of this stuff.

I had wondered if Alex Hirsch might make Bill sympathetic in some way and oh boy I was not expecting him to do it so successfully (and without cheapening Bill's character).

So, we learn that Bill was born into a 2D world... as a mutant who can see into the third dimension. He claims he was absolutely loved by all, but when talking about his powers, he mentions under Pyrokinesis:

"Cipher, Cipher, he's insane / Starting fires with his brain." The kids in grade school could be so cruel. But where are they now, huh? WHERE ARE THEY NOW?

So probably not quite as liked as he was letting on. To add to that, there's the silly straw page, which looks like silly nonsense until you decipher some of the codes:

"EYE DOCTOR OF A DIFFERENT KIND / WHO WANTS TO MAKE HIS PATIENTS BLIND" "THE DOCTOR SAYS / THREE SIPS A DAY / WILL MAKE THE VISIONS / GO AWAY"

I wasn't sure what this meant until I saw someone point out... he was seeing a third dimension that no one else could see. His parents probably took him to the eye doctor to try to "fix" him. Which, speaking of his eye doctor, the coded message in the section about human eyeballs says something interesting:

"MY OPTOMETRIST NEVER SAW IT COMING"

It could be a joke given beforehand he's talking about dissecting a human eye, but given the previous hints of medical abuse, I wouldn't put it past him that he tried to get revenge on his eye doctor.

Oh yeah and the whole thing about him setting his entire dimension on fire? Yeah it turns out it was entirely a mistake (he just wanted everyone to understand the third dimension he was seeing so they could be free of only two dimensions), he was so traumatized by it he blacks out when trying to recall it. He deeply, deeply regrets it, and...

"What? Your ENTIRE home dimension? destroyed? How? By what?" Bill looked distant, more distant than I'd ever seen him. "By a monster."

He sees himself as a monster.

And yet, he's not some innocent, misunderstood being. He still revels in causing pain and chaos. He's terrible in general, but becomes incredibly abusive toward Ford.

"YOU'RE MY PROPERTY. DON'T FORGET IT. The hillbilly abandoned you, your father won't want you returning without millions, you have no friends, and if you died out here in the snow, who would even miss you?"

Which... speaking of him and Ford...

Yes, yes, I know people ship them. But like, whether you see their relationship as romantic or platonic (I see it as the latter), there's some interesting parallels to be made here.

Both Bill and Ford are mutants who were mocked for their being different. (Bill was not physically a mutant, as far as we know, but more in the sense of him having vision stronger than that of everyone else in his dimension, and also having special powers. And he does describe himself as a mutant.) Both became social outcasts, separated from their families but still haunted by them (Ford seeing commercials of Stan on TV and running across old photos of him and his brother, Bill being haunted by his family in some form). Neither could return home for one reason or another. Both more powerful than their peers (Ford intellectually, Bill in terms of actual powers). Both of them isolated and alone. (Yes, Bill does have the Henchmaniacs, but they seem like shallow friends, and only really seem to follow him out of a desire to have a place to party.)

Ford was not aware of most of this, aside from knowing that Bill could not go home because his dimension was destroyed. But Bill absolutely saw himself in Ford. There was no other person he tried to use whom he felt a stronger connection to.

And he actually seems to care about Ford--he actually gave him a birthday present, and when Ford didn't like it, he decided to get drunk and party with him instead to make up for it.

And then when Ford realizes what Bill's plan actually is and refuses to go along with it, and fights back no matter what Bill does, Bill completely breaks down.

After living for trillions of years, he met someone who was like him, and that person rejected him.

He goes berserk, wreaking havoc, being caught by the dimensional authority that he's been taunting for most of his life.

And then after dying and being cast out of hell for being too annoying, he winds up faced with the Axolotl, who sends him to therapy, where he continues to break down further, sending out the book in a desperate attempt to find someone, anyone who will help him break loose and wreak havoc once again.

"You have no friends, and if you died ... who would even miss you?"

I don't know, Bill. Who would even miss you?

In short,

[ID: The front and back of one of Bill's Valentines cards. On the front is a black void with Bill Cipher lying down without his hat, gazing blankly upwards, with the text "I DON'T WANT TO DIE ALONE" above him. On the back is a simple white "TO/FROM" in red, with a red outline illustration of Bill spontaneously growing a mouth and eating a realistic, bloody heart. /end ID]