#like ending things without it begining that isnt like. A Story.

[cacaitos]

on a more hater note, regardless, that exact range of character seems irreparably unable to really escape the fantasy theyre created. for? around? whatever.

(now leaving shuzo azide for the moment) like if they refuse the guy's advances, for 'petty'/personality/logical/legal reasons, theyre still playing into the coercion rape/adjacent part of what the female characters do generally but obvs also the minors aspect. but if on the contrary or in conjunction with the former, if theyre portrayed as more sensible than they seem as the plot progresses (which on principle isnt necessarily wrong, yk theyre still young and human) then that also plays as an extension of the explicit coercion kind or the one interested on vulnerability from the get-go..

[themyscirah]

Started thinking about the Amanda Waller + Ben Turner relationship again.... fuck, I'm gonna need a minute

[are-you-fucking-with-me-rn]

dead boy detectives has, in my opinion, the best queer rep/storyline i've seen in any media today. it's the lack of labels.

at the very beginning of my own queer-discovery journey, my main sources of queer media were either love, simon(the movie, i never ended up reading the book) or the webcomic heartstopper. In stories like the former, the character already knew their identity before the story even started. And Nick's journey in heartstopper was very lead by the constant "am I gay or bi?". So, naturally, I OBSESSED over labels. I read wikis with hundreds of descriptions. I had to figure out which identity i belonged with so i could feel part of a community, right? Even when I had finally decided I was tired of this, and decided to go unlabeled, i found someone had made a flag for unlabeled and it was yet ANOTHER box. (btw, I'm not saying any of this is bad. for some people it's incredible to put a single word to your complex feelings, and really gain a sense of belonging. Media like that is fine and important.)

Dead Boy Detectives only uses the label "gay", and it is said twice within the same scene, and neither time is it used to describe a character going through any queer journey.

Edwin's story isn't a struggle of "am I gay or straight or bi?" it's "i've never felt this way before, why do i feel this way? how does this change things? what does this mean?" He is never once pushed by other characters to give a label. When Niko inquires, its about his feelings ("do you want to kiss monty/the cat king?", even saying "boys can like like boys" isnt targeted towards ONE specific identity). Charles accepts Edwin so openly, without once asking even out of curiosity a specific label. The labels are great, but i feel like it can be kinda easy to get caught up in them. Edwin's queer journey is led by feelings alone, something I've never seen done before in media, and i think this is so so important both for those just starting their own discoveries but also to normalize the whole thing.

Holy shit i wrote alot. thanks to anyone who actually reads this far😭

[reineyday]

ah, i started rambling in the tags and then hit the limit 😅🙏 but yeah just wanted to reiterate despite the things i'm questioning in the tags that i do like your take that it's tragic because it's not enough in spite of it all. it certainly lends an extra layer of sadness to the demon stories we as readers connect with the most.

something something akaza and douma are such a haunting set of characters because douma feels nothing and he's so detached from not only his own but humanity in general due to his upbringing and the way he embraces his monstrosity but feels nothing in the process makes for a very dark take on the deeply unsettling nature of faking joy and gleefulness in the face of cruelty and violence instead of even making an effort to fake a more appropriate emotion like grief or disgust vs akaza who is so emotional and so incapable of not wearing his heart on his sleeve and chases the humanity he lost but craves because even though he can't remember what it is there's a strong feeling tying him to his mortal existence and the way he tries to capture that humanity by regulating his monstrosity with a pointless moral code and him searching for humans that are on par with him in terms of strength in order to subconsciously prove to himself that it's not a waste of time to hold onto humanity and that there's purpose to be found in it even if his monstrosity tells him otherwise to then regain a smidge of his humanity in the end only by succumbing to weakness makes for an equally dark take on the tragedy of doing everything right but ultimately losing to the circumstances that pushed and pushed and pushed you until you were too far gone to find any other way out than death.

something something douma faking grief about akaza's passing for a moment before coming to the conclusion that upholding this facade of humanity is not worth it makes my heart clench.

[am-i-the-asshole-official]

Look, This is gonna be one of those things that sounds bad until you read the whole story. Please don't read the title and go to 'yta' without reading.

AITA for yelling at our friend that my brother isn't trans?

Look, My brother ISNT trans. He likes to wear kilts and sew, Which is what kind of started all of this. My brother is NOT trans, He loves being a boy (trust me, I can hear him enjoying being a boy in his room all the time. Theres no way he'd wanna chop it off(I mean this as a joke I don't actually know how the surgery works), He's told me multiple times that being told by others what he likes is 'feminine' and 'girly' upsets him because he's proud of being a boy and doesn't like being called a girl. Its not because he hates girls or thinks less of them, He just does not like being called the wrong gender which I'm sure you want to be called the correct gender too.)

Anyways lets begin. I (16F) am my little brothers (15M) best friend, Basically. We grew up together and do everything together, Including sewing. I liked it when I was younger, And eventually convinced him to try it as well. He loved it, And we love just sitting together and making random crap we usually end up selling at our yearly garage sale. (Our mom makes us sell all our unneeded crap every year, But we aren't complaining when we make like $100 for it, Mom and dad even help us figure out what we actually wanna keep (we sometimes see old things and go 'Oh I could never get rid of this' and then throw it away))

Sorry for the rambling, But you'll see why some of this is important to know.

Basically, We were getting our shit together for the garage sale, And invited over a mutual friend of ours, Who I'll call uhhh Ley (16F). Shes kind of obsessed with the LGBTQ and loves to help people 'realize' they're gay or trans or non-binary. By this I mean she'll literally bully people she 'knows' is gay or trans by always telling them they are and spreading rumors about them saying they are. The way she 'knows' these things are from gut feelings. I thought maybe she needed friends who would be honest with her and tell her gently that it needed to stop. She stopped being so bad with it and we even convinced her to admit to the rumors she started being fake. We've known her for around 3 years now, And she's stopped doing it as aggressively for 2 of those years. She still makes jabs and 'jokes' saying things like "Oh thats so girly, Are you sure you're not trans?" and "Oh thats such a boy thing to do, Are you a lesbian?", Both quotes she's said to me and my brother less than a week ago. I am straight and cis, So is my brother. We have nothing against the lgbt, We just aren't apart of it. We support the lgbtq as much as possible (with my part time job I like to donate some of my paycheck towards point of pride so people who need the surgeries or binders can get them), And are very open about supporting them.

While we were cleaning out my brothers room and finding stuff to throw into the 'sell' box (we like to do precleaning before our parents help us, It makes everything faster and less work on the people trying to help), And Ley found my brothers kilt. She did a long exaggerated gasp, Looking at my brother.

"So, How long have you been trans? Why didn't you tell me?? I knew it the whole time!"

My brother tried to explain that it was a kilt for men, And he wasn't trans, But she kept interrupting him saying crap like 'you don't have to lie I know now' and 'Its nothing to be embarrassed about, I knew ever since you started to sew'. The last straw for me was when she continued not listening to him and started to ask about how he was gonna come out as school. I yelled at her to get out, That neither of us were gay, Neither of us are trans, And neither of us are apart of any of the lgbtq. We are allies and nothing more. She tried to argue that he had a 'skirt' which OBVIOUSLY meant he was trans, I basically screamed at her that she was a stupid know it all who made everyone who wasn't apart of the lgbtq's life hell because she made sure everyone knew them as someone they arent (I know, I shouldn't of brought up 2 years in the past) and that I was tired of her trying to force everyone to be in the LGBTQ when its just not realistic. Not everyone is gay or trans, Some people are cis and straight. She started crying and left, We haven't spoken in a few days but I think I'm justified. I'm tired of living my life being told I'm something I'm not, I'm tired of seeing it happen to my brother too.

My brother later thanked me for standing up for him, Telling me it made him really upset when she said those things. To cheer him up we watched his favorite movies and I made him his favorite dinner (mom and dad both work day jobs so we both make lunch and dinner)

And for those who are gonna say that allies are apart of the LGBTQ I strongly believe the A is for aro/ace. Being an ally isn't a gender or sexuality

(unless people identify using ally/allyself of course or whatever it is, I'm not quite sure how neos work or whatever but I love to see how creative people get with it and am happy it gives people who don't identify with any of the normalized(? Idk the correct term but yknow the man woman and nb) genders a chance to be who they actually are)

Extra info on why I think I could be the asshole: I feel like we might've been able to explain it if we got her to shut up for a minute, But she kept talking over us. I feel like I went too far by insulting her, And I feel like I might be TA because she's also autistic (so is my brother though, And I have ADHD).

Why I think I'm NTA: My brother is really quiet and doesn't really defend himself often. He doesn't really know how to stand up for himself and is 'easy' to talk over (soft spoken, Quiet talking voice and nonconfrontational) which is why I believe I had to step in in his place, And I don't believe I did anything wrong defending my brother and making her stop calling him what hes not.

Anyways. AITA for yelling at our friend that my brother isn't trans?

To see later: PINK PANTHER

What are these acronyms?

[angy-grrr]

A thought about the leaks:

It makes more sense when you think about Izuku Midoriya as an unreliable narrator who wanted to talk about a hero story.

He doesnt want us, the audience, to know about the depth of his own feelings and emotions, because this is the story of how he and the rest of the class kept reaching out their hands to those in need of help.

Something that kind of surprised me when he talked to Ochako was how he would frame it almost like "you are my hero as you have reached out your hand to me multiple times since the beginning, and I want to also be a hero to you too, so I must help you with everyone else"; he wants to be a hero from the beginning to the end, and this act of kindness for Ochako and need to let out her emotions for Himiko is framed as heroic. This is him being a hero.

Who saves the heroes? Other heroes, instead of being alone. And anyone can be a hero. This is a story about it.

Izuku has no intentions of showing off his trauma, his loneliness, his pain, outside of what's heroic; he cant even talk about romantic feelings without going back to it.

It made me feel much better, to see it that way; its not that the whole story ends with what he said, he is literally skipping all he parts that wouldn't be part of a cool hero story.

He parallels AFO after all.

I think it makes sense considering how much different Ochako's feelings and thoughts are depending on who tells the story; when we have her POV while fighting Himiko everything is personal and emotional, but when she explains her feelings to Deku she doesnt even mention anything related to how much she wanted her in her life, besides the childhood friends comment, and even brings up the uses of her quirk. Its like she is comparing herself to Deku? Like if she noticed those things about quirks instead of focusing on the emotional aspect, then maybe she could have helped her sooner. And in the final chapter, when she is mentioned, its about her heroic work, not about how much they talked, or their hangouts, or anything like that.

Izuku skips the handhold, and I want to believe its bc it wouldnt make it for the hero story. He doesnt talk about what he felt when he sacrificed himself for the first time, but we saw his anger and his uncontrolled pain. He doesnt talk about how he forgives him, but we saw how much he always wanted him in his life. He doesnt talk about Katsuki dying. but we saw how someone else had to tell him they didnt lose anyone yet and he was getting help. Control your heart. Izuku hits his chest, black whip makes a heart, and he focuses in what he knows to do: heroics. He will save, and he will fight to save.

Another reason why he wouldnt bring back his own feelings when it comes to imitating Katsuki unconsciously even if he knows others would dislike it; he wants to be selfless hero Deku, and while he does admire Katsuki and cherish his company, he knows he himself wouldnt get a pass to be rude when he isnt as brilliant as him from his perspective.

And like any hero would, he wants his friends by his side, and forever to help others. That's what he wants to represent in his hero academia, another saving hero like his All Might.

(Also apparently Horikoshi and his team were especially pressured by Shonen Jump during these months and he admits he found it rushed, so once again the capitalistic corporation is the evil to defeat. This is just my own interpretation in universe)

[theosconfessions]

Love is Embarrassing

The Final Choice- For Real

i know ive been saying this since the dawn of time but you guys. i appreciate every single one of you who have participated in scars bachelorette challenge. we've been on this since december and its so crazy to me that its over... or should i say the bc is over. the story is not. she bonded so much with all of them and she had such high romance bars with all of them by the end.but eugene won ..not only because he got her pregnant [which lmao i knew it was coming .she was def gonna get pregnant by someone.. its not a kline bc without that happening] but because he never stopping showing up for our girl. shed get home from dates and eugene was hanging out waiting to play some games with her. including the lame llama one she loves. they just have a really special connection. elia- they bonded from the jump i mean not only sexually but he was the only contestant to call her out on her bullshit. which i loved.and its what the klines need more of @fl0ptrait thank you for creating such a doll for scar to meet and fuck haha! he was always right there fighting for her xena- was a fucking CHARMER. like that girl knew how to speak to scar to make her swoon and swoon easy. i think she had the quickest romance jump from the beginning of this challenge. i think while her interest may have wained in the end of the challenge bc lets face it scar threw some curveballs she really really did want to romance the shit out of scar .. and i was here for it @bubblepopsims luxor- what can i say this guy surprised me on the first solo one on one date. partly bc scar freaked him out to begin with haha! but also because of how suave he can be. like he was calm through the whole thing but making his intentions known once he got to know her. HOWEVER this isnt the last time we're seeing luxor and he will be in the stephens continued thank you to the lovely @simvanie eugene- THIS BOY... mannnn he never gave up on her and lets face it if the baby were elias hed be like i mean thats okay. still pick me though to be your husband haha! theyre not married YET they will be but these two just mesh.and i think they always have . scar was just too blind to see if way back then.and it too this challenge to make it known to her what a catch eugene was @duusheen many cute babes to come bonus shots under the cut of their reactions.. i dont know when my next bc will be or if i will do one but man you guys made this such a great experience. the stephens continued will be picking back up as well as finnies globetrotter and his part of the stephens soon <3

[yurioyuratchka]

Hello can I request a Lawliet x reader

a girl detective who has grown up with him and watari but she stopped responding to the messages and attempts to communicate with him

Light Yagami

please

IN MY SOLITUDE.

l. lawliet x fem!reader

ꨄ︎ this isnt going to be very long, the 2nd part will be WAY longer im just trying to get atleast a bit of this out to show

ꨄ︎ content : fluff (?)

ꨄ︎ summary : fem!reader ignores Lawliets advances to try and contact her and eventually he gives up on trying. She later regrets this and makes an attempt to reach him and he lets her help on the kira investigation and eventually they make up.

ꨄ︎ side-note : im gonna be doing this in two parts because its a longer story >0<

ꨄ︎ wordcount : only 589 :3

"Watari, have you heard from her?" L asked, his voice laced of curiosity and concern as he sat cross-legged on the couch, a half-eaten plate of cake balancing precariously on his knee.

Watari, his eyes never leaving the multitude of screens in front of him, replied with a curt, "No, she hasn't been responding to my messages either." He says releasing a deep sigh.

The room was filled with a heavy silence that seemed to press against the walls. The once familiar chirping of birds outside had been replaced by the distant murmur of the city, a stark reminder of the passage of time. The warm, yellow light cast by the desk lamp threw deep shadows across L's face, highlighting the dark circles that had become a permanent fixture under his eyes. He took a bite of the apple, the crunch echoing in the quiet room.

"It's been months," L murmured, his gaze drifting to the silent phone on the coffee table. The female detective, someone he had known for so long, had suddenly gone quiet. They had shared countless cases, grown up together in the complex world of crime, and yet she had just disappeared from his life without a trace. He couldn't help but feel a twinge of anger at her sudden withdrawal, especially when he knew she had the skills and insight that could help him on the most critical case of his career, the Kira investigation.

Making a quick decision to contact the female, the dark haired male decided to send her one last email that could possibly change the situation and bring the two back together.

“Hello Y/N.

I would like to request that you meet me out for lunch at CAFEEL the coffee shop located in the underground section of Shinjuku Station in Tokyo tomorrow afternoon.

I have some very important things to discuss with you and I would greatly appreciate if you came alone.

Sincerely, L.”

y/n’s pov

My computer dinged, signaling i’ve received an email. I click over to the already opened tab to see one single email, I click it and soon im met with a breif email from L. Lawliet. My eyes darted back and fourth at the email, debating if I should write him a reply or just ignore it like have all the other emails.

I let out a shaky breath, contemplating my choices, I slide my mouse over to the bold ‘REPLY’ button at the end of the email I have received and I click on it. I quickly begin typing out my answer, feeling a light wave of sudden courage.

“ Dear L. Lawliet,

I hope this message finds you well. I sincerely apologize for not responding to your previous emails over the years; I appreciate your patience. I would be more than happy to meet you for lunch at CAFEEL tomorrow afternoon. It get how important this may be for our friendship and I understand the need for a private discussion. Please let me know what time works best for you, and I'll make sure to be there.”

I release a deep breath and start to stand up and stretch, releaving my body from being sat down in my old office chair for hours. I bend down a bit to close off my tabs and turn off my monitor for the night. I set the alarm on ny alarm clock for 9am to give myself time to get ready before I see my friend whom I havent contacted in years, finally heading to bed for a much needed rest.

WHAT WILL HAPPEN NEXT? >^<

this def isnt the best i couldve done but im not unhappy with it >_< i will try to do a part two of this as soon as i can but ive been very busy recently so..

and i very much appreciate anyone who has sent me requests i promise im working on them

and please criticize this and let me know what you think . tips/advice are appreciated >_<

and @alyssa-dayne please feel free to let me know if this isnt what you meant in the request i will glady rewrite it for you >_<

[jacarandaaaas]

Mirabel Madrigal: A Character Analysis

Today I’m here to discuss all the attributes that make Mirabel Madrigal such a fantastical and magical character despite not having any magic herself. it’s all in her charm! I truly believe that Mirabel is one of the best protagonists! Shes such an endearing, sensitive, and strong character so I’m here to offer her some appreciation.

Right from the beginning of the story, one of the first things we learn about our protagonist is her mantra “make your family proud”. This phrase is Mirabel's driving motivation for the entire film and from what we can assume, her entire life. Mirabel makes it no secret that she is family orientated and she is full of pride for them, wanting to be like them and live up to the madrigal name. She introduces us to her family in a fun song praising each member. To her they are a “perfect constellation”. They are always her number one priority throughout the story as we see how she supports her sisters and encourages them to be themselves. One moment I feel truly highlights her love for her family is at the climax of the movie, whilst she consistently has shown what lengths she's willing to go to for her family this moment stood out the most to me. After her intense argument with alma casita starts to fall apart, at this moment everyone is yelling at mirabel to get out of the collapsing house but mirabel isnt thinking about herself. She's thinking about her family and getting the candle for them. What really stands out to me is Mirabel was willing to sacrifice her own life for her family, an eerie parallel to what Pedro did for them all those years ago.

Something that we learn about Mirabel immediately is that she's a go-getter, she's determined and persistent. What we also come to realize is that sometimes Mirabel doesn't realize when she's being overly persistent to the point of coming off as pushy to others. Both Julieta and Isabela point out that Mirabel has a tendency to “over do it”. We see how she wants to be useful in any way and she's taken up a variety of hobbies to prove this. Mirabel's incredibly creative doing everything from embroidery and sewing to playing the accordion. It's no secret she's talented but she always feels like she needs to do more. Upon overhearing Alma talking about the cracks Mirabel decides in that moment “I will save the miracle”. Instead of rushing in without a plan Mirabel knows Dolores would have intel due to her gift therefore she would know the most about the magic. It's also important to note that Mirabel decides to save the miracle before she even knows anything about the prophecy, she took it upon herself to do that! At breakfast when trying to get information from Dolores Mirabel decides to try complimenting her into it, showing early on how unintentionally pushy she can be. After breakfast she's no better, Mirabel is so determined to get answers that even when Luisa is working, she's pestering her. Mirabel is so overly focused on her mission that she can’t see Luisa gradually becoming more frustrated. “Luisa will you just tell me what it is!”, she’s frustrated that Luisa isn't giving her any information but she also seems hurt that Luisa doesn't trust her enough to tell her. Showing how Mirabel desperately wants a better relationship with her sisters.

Mirabel is so persistent in getting information about the magic that she causes luisa to snap at her. When climbing Bruno's tower Mirabel perseveres, as she forces herself up an unusually long flight of stairs and is exhausted by the end of it. Yet Mirabel persists because “I need to do this, for you for abuela”. She's so determined in fact to find this vision that she almost dies, twice. Mirabel doesn't care about the risks, she's aware of them but it doesn't deter her. She's willing to look at the situation about Bruno from a different angle than everyone else, questioning “what if you didn't understand what he saw?”. Mirabel's entire verse in “we don't talk about bruno” is just her pressing for the truth, she wants the whole story not just one perspective and she's driven to discover it. We've already established by now that Mirabel's persistence can be dangerous and this holds true once again as she chases Bruno through the walls and almost falls into a chasm, in pursuit of answers. Bruno tries to leave but she still pursues him, no way she's leaving without an answer or multiple answers to her many questions, she also cleverly pieces together here that it was actually Bruno who's been patching the cracks all along.

Pushy Mirabel is back in full force when she gets the idea for Bruno to have another vision to which he’s not enthusiastic about and tells her no. But Mirabel’s no quitter and her sole focus in the moment is her mission, to save the miracle. So when Bruno tells her he doesn't do visions anymore, Mirabel casually replies “but ya could!”, another instance of her being too focused on her goal that she doesn't take into consideration how Bruno would feel about this. She has no bad intentions and like with Luisa earlier Mirabel is unaware how she sounds. She tells Bruno “our family needs help and you need to get outta here” and as she realizes how broken the family truly is, she's more determined than ever to help them. Even when bruno tries to give up during the vision Mirabel encourages him to keep going to find another perspective “something we’re not seeing?” she ends up inspiring Bruno with this viewpoint. Before she goes to confront Isabela Mirabel tells Bruno “after I save the miracle I’m bringing you home” showing how that's now become part of her mission. As Isabela reveals a massive secret Mirabel instead keeps pressing for that hug she assumes will solve all their problems, once again she's so focused on her mission she isn't paying attention to Isabela’s revelation. Mirabel's determination and persistence is admirable but it's also a character flaw for her as we see she often takes it too far unintentionally.

One of Mirabel's most noticeable traits is her optimistic outlook. She's full of energy as she dances through the town singing about her family and whilst we know she's insecure, her enthusiasm towards her family and home is completely genuine. Mirabel is a true extrovert as we see how much she loves interacting with her community and wanting to help in any way she can. We see how she's always trying to see the bright side. Mirabel is optimistic and bright but even she has her limits and can't be optimistic all the time, as her song tells us she's truly not fine. However despite all her pain she still chooses to be optimistic, to be loving and to be hopeful.

Arguably the two scenes I believe emphasize her optimistic nature the most are when she helps Bruno through the vision and the final song of the movie. During the vision Bruno is deflated, he doesn't believe in the idea and Mirabel simply offers him some words of encouragement “you can do this”, she's already showing Bruno that she has faith in him, something Bruno isn't used to. When he fails to see anything other than what was shown in his last vision Mirabel begs him to keep trying, she's always looking for a brightside and she ends up finding it. As for the final scene, when returning from the river Casita is still a pile of rubble in front of them, Mirabel however sees this as an opportunity. To rebuild casita with better, stronger foundations and a chance for the family to build stronger foundations too, “look at this home we need a new foundation”. Mirabel really grows into herself as she leads the rebuilding efforts with her persistence and optimism, inspiring the whole family to view things from a different perspective.

An underrated trait for Mirabel is her humor. No seriously she's hilarious! humor is shown continuously to be one of her coping mechanisms along with her optimism. Whilst she is funny Mirabel is also incredibly snarky particularly towards her older sister Isabela, she can come off as slightly judgemental at times, very teenage of her. Her jealousy peeks through during the opening song, but towards the end of it when she runs into Mariano she not so subtly disses Isabela (as Isabela is walking by) “between you and me she's kinda a primadonna”. Unlike the better disguised insults at the beginning mirabel is not even trying to hide her disdain towards isabela this time. This continues directly after the song as she goes back to casita, Isabela gracefully descends on her vines and Mirabel’s expression is hilariously unimpressed. When Isabela notices her she tells her to stop trying so hard, we see Mirabel actually seems upset by that comment but as soon as Isabela looks back at her she masks that sadness as she bites back “actually Isa this is called helping and i'm not in the way you are”. We also see her mock Isabela as previously mentioned, unable to hide her disdain towards her. Mirabel's humor as a coping mechanism is emphasized when she's climbing Bruno's tower, giving us a half assed reprise of “the family madrigal” and of course one of her most iconic lines “BRUNO YOUR ROOM IS THE WORST!!”. Mirabel is also incredibly petty, my favorite example of this is not only her rolling her eyes during Isabela’s solo verse of “we don't talk about bruno” but also how Isabela tells her during that “hey sis I want not a sound out of you” and Mirabel who was silent until this point starts singing immediately out of spite.

She's also slightly judgemental when she first encounters resident wall man Bruno Madrigal. She's weirded out by him and her face does not hide this, “how long have you been back here?” with that concerned tone also didn't help her case. Although in this case who could blame her for that reaction? It's not everyday you find your estranged uncle in the walls of your house. Mirabel is not thrilled when the vision reveals she has to hug Isabela, so much so that she begins ranting about how she hates her and gives us a line nothing short of pure gold. “She's the one with flowers coming outta her-'' Bruno had to remind her to keep it pg! Even when mirabel is meant to apologize to Isa she can’t resist making a snarky comment about her older sister “I’m sorry that your life is soooo great!” this ends up spawning an argument between the two in which Mirabel unceremoniously yells out “some of us have bigger problems YOU SELFISH ENTITLED PRINCESS!” which is quite a humorous moment but also really shows Mirabel’s jealousy towards Isabela. As Isabela admits a very huge secret Mirabel’s reaction is one of complete sarcasm “that is a very serious confession” despite empathy being Mirabel’s strongest trait somehow her hatred for isabela overpowers it.

Mirabel as a person is incredibly selfless, this is both good and bad in her case. Whilst caring about others so much is admirable like how mentioned previously Mirabel can go too far, putting her life on the line multiple times! In one movie! One of the first examples of her selflessness is shown during Antonios gift ceremony. Antonio is incredibly nervous and calls out to her saying “I need you”, it's already a hard night for mirabel in general as people have been reminding her “last gift ceremony was a bummer”. However despite already finding it hard she knows Antonio needs her and she walks him to his door taking a deep breath, pushing through her own traumatic memories to support her favorite cousin. This scene is incredibly admirable to me as it takes a lot of courage to force yourself to relive the worst night of your life for the sake of supporting someone else. Here it's an example of mirabels selflessness being a positive trait and not a dangerous one.

Hey you know what's a great combination with being selfless? Being reckless!! Unfortunately for mirabel we can also add stubborn to the mix. Which makes for an ultra combination of self sacrificing nature and putting her life in danger! Brunos room is a scene that truly highlights these traits, especially recklessness. Mirabel throws herself across a giant chasm using rope from the fencing around her and whilst her resourcefulness is impressive it's still incredibly risky. Which ties into her selflessness! Mirabel has very little regard for her own safety and is willing to die in that vision cave if it means she helps the family. Almost suffocating to death in sand just while trying to get the vision shards. Mirabel also throws herself across a chasm twice, the second time isn't as dangerous but initially it looks very dangerous. Mirabel knows it's dangerous and still recklessly persists. Once again revealing how little regard she has for her own safety.

Arguably the biggest case of Mirabel's selflessness is when she tries to save the candle as the house is crumbling around her. This was also her most reckless act of the whole movie as she ignores everyone yelling at her to save herself, she covers the candle and not her head when the debris is crashing down on her. Really highlighting just how little she cares about what happened to her in that moment, valuing a candle over her own life. As selfless as Mirabel is, there are also times she like anyone else, can be selfish. Mirabel herself is aware of this as she says to herself, “for you, for abuela… maybe a little for me” she sounds almost embarrassed by the fact part of her motivation for saving the miracle is proving herself, even if it's only a tiny part. Other moments she can come off as selfish is when she's pestering Luisa about the magic and being dismissive, as well as when she dismisses Isabelas revelation in favor of getting a miracle saving hug. Whilst technically Mirabel isn't being selfish here as she's doing everything for saving the miracle, to others she seems selfish. Another trait Mirabel has is stubbornness and this is really highlighted when Isabela is around. Possibly Mirabel's most stubborn moment of the entire movie, is when Isabela asks her to apologize. Even though Mirabel knows that doing this will help her save the miracle she can't bring herself to give a sincere apology.

I think something that is less talked about than it should be is Mirabel's guilt and tendency to blame herself. A scene that I feel truly highlights her guilt is when Bruno tells her that he left to protect her. Mirabels responds to this saying “you left to protect me?” and she almost sounds in disbelief at this realization. The look on her face here is also one of deep concern, whilst she appreciates that he would sacrifice so much for it also reinforces a thought that had always been on her mind. That she was the cause of all this, that Bruno left due to her own failure, whilst we know this is untrue I strongly feel Mirabel believes this. After all, Bruno did disappear the same night as her gift ceremony. She feels guilty that Bruno left because of her even if he tells her it was for good reason.

A smaller example of Mirabels tendency to blame herself is when she tells Bruno “I ruined her proposal”, whilst mirabel had part in ruining it she was also trying to prevent disaster and ultimately she played the smallest role in ruining Isas night, yet Mirabel still believes it was entirely her fault. The biggest moment for Mirabel's guilt is right after Casita falls, the candle goes out after Mirabel almost gives her life to save it. Believing it's entirely her fault she runs off when nobody is watching.

Mirabel's rock bottom moment is when she's by the river crying, feeling like she's ruined everything and doesn’t know what to do other than to let out all of her bottled emotions. It's important to note that whilst there’s many points she comes close to crying, this is the only time we actually see her let the tears fall. When Alma discovers her Mirabel's reaction is to apologize, “I'm sorry I didn't wanna hurt us, I just wanted to be something I'm not”, again placing all of the blame on herself when the entire family is at fault for casitas collapse. I find this reaction interesting as during the climax Mirabel blames Alma in her anger but when her attempts to save the miracle fail she believes it’s her and her only to blame. This is also incredibly sad as it just shows how riddled by insecurity Mirabel is.

Throughout this story Mirabel is a person ruled by her insecurities, she lacks self esteem and confidence in general. However she's great at faking it and a prime example of this is the opening song, “the family madrigal”. A fun, upbeat tune but the entire song happens because of Mirabel's insecurity. As the children are asking her questions about her gift Mirabel responds with “I can't just talk about myself” and deflects into talking about her family instead. Her love for her family is entirely genuine but she puts on a facade to hide her own insecurities from everyone else, overcompensating to make up for what she lacks. Hidden in the lyrics of the song are her real feelings of worthlessness and jealousy, this especially shows in lines that refer to her two older sisters. When telling the kids about Isabela she sings “grows a flower the town goes wild'', there's a clear sarcastic tone to her voice. This instantly introduces us to Mirabel's envy of her oldest sister and the strained relationship between the two. Her envy is strongest when she sings “she's the perfect golden child” with such longing, illustrating how she actually seems to admire her sister as well as resent her. When she's describing both sisters she sings “the beauty and the brawn do no wrong” implying that she unlike them does do wrong. As the kids pester her more and more her insecurities only grow stronger and she's desperately trying to avoid the question, “I never meant this to get autobiographical”. She stays true to her word and successfully avoids talking about herself for the entire song. At the end she's so desperate to get out of the situation and hide the fact she has no gift that she sings “my family's amazing and i'm in my family so”, trying to convince herself more than anyone else that she's amazing by association.

There's little instances where her insecurity comes out such as when Osvaldo points out multiple times how un-special she is, he turns away for a brief moment and mirabel's painfully strained smile drops before she slips back into her act effortlessly. She also tries to act like this insecurity doesn’t affect her, a great example is when Alma tells her to step aside and nods in response but her expression is pained. Mirabel is hiding her problems from everyone else, even lying to herself. We see just how deep her insecurities go as Alma only tells her to step aside from the decorations but Mirabel interprets this as to stay away for the whole night, so when the whole family is out in the crowd she hides behind the curtain. When Alma tells Antonio that he got “a gift just as special as you” it forces Mirabel to remember when those very same words were said to her, and her smile fades away, her insecurities coming out. Most obviously, her insecurities are on full display during her solo number, “waiting on a miracle”, if you’re interested in more about that song I have a waiting on a miracle analysis !

The song starts with Mirabel pushing down her feelings as usual telling herself she's fine and she shouldn't be upset because the night isn't about her. In the song Mirabel refers to her pain as “unspoken” and “invisible”, displaying how she's not only been lying to everyone around her feelings but also to herself. When Mirabel tries to explain the cracks, Julieta doesn't seem to believe her and Mirabel believes it's because she “might not be super strong like Luisa or effortlessly perfect like senorita perfecta Isabela”. Whilst she's coming from a place of envy she's also speaking from insecurity here, believing that the only reason she isn't being taken seriously is because of her lack of a gift. When Julieta still doesn't believe her Mirabel appears to be hurt by this refusing to open up to her mother. Until she meets Bruno, Mirabel has actively been repressing all her insecurities and focusing solely on her mission. However when she realizes how similar she and Bruno really are, she's comfortable enough to fully open up about her insecurities for the first time. She admits her greatest fear and gets emotional about it, proving just how repressed those feelings are. When it's revealed in the vision she has to hug Isabela Mirabel starts ranting about how Isa hates her and seems like she has no faith in herself that she's able to do this.

One moment that truly highlights her insecurity is when Alma blames her for everything and she finally admits in front of the family that she feels she will “never be good enough for you”. A sharp contrast to Mirabel's denial at the beginning of the movie. In this moment, Mirabel has the courage to stand up not only for herself but for the entire family. Whilst we seen in previous scenes she can defend herself “I’m not doing anything! It’s Bruno’s vision”, here she fully commits to calling alma out in front of everyone. Whilst it’s painful for Mirabel to do, we see her come to the realization that this conversation is necessary. “He loves this family, I love this family we all LOVE this family!”. After this argument Mirabel is heartbroken and so insecure to the point of running to risk her own life just to prove something, anything to her abuela. Her character arc comes full circle at the ending of “all of you” when she looks at the doorknob and finally acknowledges herself for who she is, no longer a person controlled by her insecurities but one who's willing to challenge them.

Empathy & emotional intelligence are what I believe to be Mirabel's biggest strengths as a character. They’re often traits I see people try to argue make her weak, but I heavily disagree, I believe these traits are what make Mirabel such a resilient character. One of my favorite scenes in the whole movie is one where Mirabel's empathy truly shines, when she finds Antonio under her bed. This scene happening so early in the movie yet being so intimate and gentle instantly made me love Mirabel as a character. Her demeanor in this scene is so warm and loving. She knows Antonio is nervous about turning out like her yet she pushes her own feelings aside to support him, “you're gonna open that door and it's gonna be the coolest ever I know it”. This also showcases another strong trait of Mirabels, her emotional intelligence. She's able to gauge that Antonio is scared and needs comfort and she's willing to offer that to him. Antonio is still doubtful, questioning if it doesn't work and once again Mirabel reassures him, referring to the scenario as “impossible”. It's a very cute scene that sets up Mirabel and Antonios relationship. Mirabel's empathy shines here as there were many moments she could have made this about herself but she chooses not to. Other instances of Mirabel's recurring empathy are when she hugs Luisa offering her comfort ,some of her interactions with Bruno as well as when she empathizes with Isabela during their song. During “what else can I do”, Mirabel is able to admit she was wrong about her sister saying she barely knew her but Isa “changed” her mind, realizing that she finally understands Isabelas perspective.

A key scene for me that demonstrates both Mirabel's empathy and emotional intelligence is the “dos oruguitas” scene. After Alma shares her tragic past with Mirabel, despite Mirabel being upset, her reaction to Alma's story is an empathetic one. She tells her abuela “I can finally see” showcasing how similar to isabela, Mirabel finally sees her grandmother's perspective. Her emotional intelligence shines here as upon realizing the truth behind Alma's actions, she changes the words she spat so venomously during their argument. Stating that they were saved because of Alma and given a miracle because of her, she also tells her abuela that “nothing could ever be broken that we can't fix together” highlighting Mirabel’s growth and emotional maturity over the course of the film. Once again, as mentioned in the scene with Antonio, Mirabel had every opportunity to make this moment about her own suffering but she instead acknowledges Alma's feelings and offers her a chance to rebuild their relationship. Perhaps even the chance for forgiveness in the future.

These traits display for me what makes Mirabel such a well rounded and memorable character. Despite her flaws I adore how mirabel has always had her family's best interest at heart. She learns and grows a lot throughout this story and to me her flaws are what make her more interesting to follow and her flaws dont take away from her many positive traits. She's not a perfect protagonist, she's just a good person trying to help her family any way she can. She’s unapologetically loving and empathetic and willing to do anything for her family. To quote Stephanie Beatriz herself: “ I think one of the greatest things about this story is that she dares herself to go on that journey. I think that is so special because its telling an audience many of them impressionable young people, that by daring yourself to believe in yourself, you could possibly become the hero of your own story.”

[sad-scarred-sassy]

I read this post by @acourtofthought talking about the selective feminism of elriels who say they are better because they want “what Elain wants”.

This is such a toxic thing to do in fandom, and it is funny how it doesn’t even make sense for them.

I commented that the whole “Elain wants Azriel” is a very bad argument for elriel. In a full fledged, compelling story, what a protagonist think they want at the start isnt what ends up happening…

Feyre wanted freedom to paint while caring for her dad at the start of ACOTAR.

Feyre wanted to marry Tamlin at the start of ACOMAF.

Nesta wanted to continue drinking alone and having sex with strangers at the beginning of ACOSF.

Elain wants to kiss Azriel in the beginning of her story.

As you can see the pattern is against it. This is not just an SJM pattern, its a literary pattern.

The story needs to teach the main characters something, they get a HEA but not in the way they planned. Why would Elain’s story start with her wanting Az and end with her getting Az? thats just a secondary plot line. Where is her lesson? Her character growth? Her struggle to face what she has to?

Elriels really try to shame fans of Elucien with supposed moral high ground. If we are talking morality, then instead of focusing on what Elain wants as a character, we should be focusing on which characters actually treats her with respect as an individual with thoughts, wishes, desires and flaws. In which case, that is Lucien.

He has not tried to push this bond on her, has respected her space, has empathized with her struggle, he understands she doesn’t want a bond, he’s the only character to give her credit for her actions. He canonically thought about her wellbeing and her health. I can go on but you get the gist.

In the other hand Azriel has canonically gone against her wish to help, treating her like everyone else treats her, he admitted to only thinking about fantasies he has with her and not much else, he has diminished her as “the third” sister in his conversation with Rhysand discussing her. Again I can go on.

We are all tired of this ship war, and everyone is entitled to ship whoever they want, but one thing I hate is the moral high ground they want to push and gaslight people into believing. When I was an actual new fan I remember doubting my beliefs because of these false elriel takes. So if you are a new elucien fan trying to simply exist without people criticizing your morality I wanna let you know you are good, you are not a bad person, let’s have fun shipping the most adorable characters in this series together!!

[irohsteaa]

is it me or I think there is some misogyny within the monster fandom..i mean people treat Eva and Vera as the worst people in the wolrd when I can think of much worser characters,and they boil down Nina to "a nice girl" and ignore all her complexities,symbolism and narrative importance and say "she isnt that well developed and not important to plot"

Misogyny certainly plays a role here, it's esp. evident with how the fandom treats Eva (esp. before she grew as a character; and even after she grows, it's mostly about "she stopped harassing Tenma" and her relationship with Martin, while the more important thing here (imo)—how she started to take care of herself and stopped defining herself through the men in her life—is underdiscussed).

But I think it'd be reductive to say that the way the audience sees the women in Monster is only a result of misogyny; I think a crucial aspect here is the way the female characters are written and how they're treated by the male cast.

I think it's one of the many traps laid by Urasawa, traps that are very easy to fall into (which is perfectly understandable with a complex work filled with so many characters). I also fell into them: my first reaction to Eva was "oh, here we go again, female characters written by dudes" (yeah, Monster taught me to stop yapping about shit without 1) finishing it 2) looking at it carefully, because the devil is the details).

So what exactly are the traps built of?

Cliches

Subtle characterization and/or an apparent lack of information that shows in, for example, the namelessness or very little time on screen.

The fact that a large part of the story is the lack of a story.

Ad 1. I think a big part of Monster is the way it plays with cliches (and it does so boldly; it isn't afraid to introduce us to the most overused cliches and turn them into little storytelling gems), so of course there're also many female character cliches: the love interests, the damsels in distress, the naive & clueless woman, etc.

And when you don't pay attention, it's easy to think that these cliches are everything that can be told about these characters. When we stop here, we miss so many details that reveal the more complex character behind these cliches.

Ad 2. I think Nina is a perfect example of how the subtle characterization can leave many people thinking that she's underdeveloped, irrelevant to the plot, and just an addition to Tenma and Johan.

We also don't have access to her direct point of view, but I don't think it's necessary here and I think we don't have access to it for a very good reason; women are still seen mainly as caregivers, as people who serve others, and are socialized to be nice from a very young age. This can lead to ignoring one's own needs and, in consequence, losing yourself.

And Nina is a character who fits into this role perfectly; she's often shown serving others, bringing kindness where it's needed, being a beam of hope, etc. She's also very often overshadowed by her brother; she's referred to by other characters as "Johan's sister", as if this was the most important information about her.

Heck, Johan even takes away from her the monster title; the reasons behind it are, of course, ambiguous, but it doesn't change the fact that it was her who was kidnapped to the Red Rose Mansion and it was her whose memories were taken away.

And she's clearly upset when Johan tells her that it is his story to tell.

One of my favorite examples of her subtle characterization is the fact that in the beginning of the story, she wants to be a public prosecutor, and by the end, she wants to be a lawyer. It seems like a small change, but it tells a lot about how much her worldview changed.

When it comes to the namelessness and the little time on screen, a good example of it would be Věra. Please keep in mind that we only learn about her possible name in Another Monster; why do I say it's only possible? Because the only source of this name is one person interviewed by Weber, and the person identified Věra via a sketch. I wouldn't call this the most reliable source.

But let's get back to the main topic; what's the reason behind both the lack of a name and the little time on screen? It's Bonaparta.

Bonaparta doesn't let us see much of her, he doesn't let us learn her real name. But even when we see so little of her, we can still see someone compelling and complex, we see a wide range of emotions, we see her determination, we see who she could be if it wasn't for her circumstances, we see her deep guilt and fragility by the end of the story, we see someone who Bonaparta initially dismissed ("you are a funny woman" etc.) only to end up obsessed with her.

But since it's only a matter of a few panels and she's mainly discussed by other characters as the mother of the twins, it's easy for the audience to a) see her as a bad mother, b) think she's unfairly treated by the manga.

I don't think she's treated unfairly by the manga, I think she's one of the most important characters in Monster and it isn't merely because she's the mother of the twins, it's because we can see so much of her in other Monster characters: in the nameless, the dismissed, the robbed of a better future, the reduced to a certain role, all the characters we simply do not know a thing about their minds and that quite possibly, behind the awful clichés, there were in them gardens and twilights, and palace gates.

(I tried to stop myself from babbling about Lolita, but it's not my fault the quote fits so well here.)

Ad 3. I mentioned the lack of the story partially in Ad 2., but there are so many other examples: the little girl who lives with Hugo Bernhardt, Richard Braun's daughter and wife, Lunge's daughter and wife (the difference between how Richard sees his family vs. how Lunge sees his family is shown in the narration as well), Martin's mother and girlfriend etc.

Thanks for the ask! ‎(^人^)

[redrum-alice]

Some HCs about the FreaKey couple even though I dont play the game...please dont kill me for this lolololol...

A.B.A gets jealous of other couples (she stalked them in public spaces from afar) who are more lovey dovey than her and Paracelsus. So to "spice" things up, she reads dating and romance tips on a (stolen) teen magazine that suggests those shoddy dating ideas and boasting to others that they're the end game (Paracelsus and others feels awkward as she says this).

After their arcade mode story, Paracelsus begins to feel guilt about having to manipulate A.B.A to wield him as a blood thirsty weapon. He knew A.B.A doesn't have hate in her heart, and saw how loving she actually is without her possessive traits. One example is when she polishes his brass parts after battle. She also tries to prop him in a comfortable position when at rest because she feels bad that he isnt mobile like she is.

Paracelsus admits, although not in a romantic way (sadly), that A.B.A is beautiful in her own way despite the uncanny nature of her origin. He says this in the most vague and bleakest way possible, yet A.B.A hyperventilated when she hears this.

Because of Paracelsus' statement on her beauty, she doesn't mind not fitting in with humans because his encouragement is all what she needed.

Let's say that A.B.A is considered attractive in their universe, minus the eye bags and the unkempt look- if someone ever compliments her in the slightest (grim extent is someone cat calls her) by a stranger, she would feel like she betrayed her husband for catching someone's eye. Mixture of frustration, shame, timidness, and anger would flow into her that she ultimately resorts to violence as a solution to the incomprehensible feeling. Paracelsus on the other hand would probs feel disgusted at the stranger's rude behavior, justifying his wife's violent outburst (ah yes, toxicity)

If another girl/woman compliments her though, she would be confused and scared as to why they would do such and not go after her husband. Because of her timid nature, she isn't used to hear positive things from others up until Elphelt (lol)

A.B.A's favorite color is blue, probs because she read somewhere or thought it's the calmest color. Blue in nature (partaining to animals) is usually rare, so it could also signify that she's drawn to things that are unique. (Or I could be wrong. I'm probably am--)

Speaking of the color blue, A.B.A attempted to dye her hair blue, but because of her vivacious red hair before, it resulted into greenish color (I know some fans theorize that her hair oxidized bc of her unusual body composition, but I wanna lean on the fact that she tries to fit in the outside world).

Paracelsus inspired her into liking color blue when he was talking about his past travels (at the risk of making A.B.A envy his previou's wielders ofc)

A.B.A was born with impeccable knowledge, thus explains why she speaks in such an authoritative manner. However since she lived in isolation for the first 10 years of her life, she does not know how humans speak in modern day. Paracelsus told her stories and spoke about philosophies only demons have access to.

Regarding small humans (as A.B.A likes to call the children), she wondered what it was like to grow up from a helpless being to a capable one, often lamenting that she hadn't had a literal childhood like a normal being. To cheer her up, Paracelsus suggested that their next date is at the park where there are swings and see-saws. Up to you how that's gonna work out lol

P.S., pls be gentle with me, Im new to the fandom and ship--

[forgotten-retrouvaille]

@pretty-isnt-pretty-enough [sheva] to JILL VALENTINE .

WEREWOLF STARTER PROMPTS

❝ what big teeth you have… ❞

If Sheva was the girl who ventured into the woods , armed with only a basket of bread and a cape the colour of her blood, then Jill was the wolf along the less-trodden road , the being of fur and teeth at the end of it .

When the other had told her of her favourite story , neither had expected it to become their reality . Neither of them had expected to take on the characters themselves , and neither could have fathomed something like this .

It had already been a good few months since they had found out , come to terms with it - they had found their own ways to help each other . They both had changed in one way or another - Jill was a prime example of that .

Canines like knives , sharp and so glaringly different from the rest of her teeth , back molars shifted into something that could rend flesh from bone easier than anything else . Her eyes seemed to bare a much wilder sense to it - if someone had looked closely these past few weeks , they might have noticed it shift to something that resembled an actual wolf's - not quite , but it was uncanny . She seemed to carry herself with an unnatural awareness , Jill's senses were far sharper than they were supposed to be , and it had taken weeks for her to slowly acclimitaze to noticing every small thing that would have otherwise not bothered her in the slightest . Those were even without mentioning the things that happened when the light left the earth , when she had barely begun to try and see if she could turn it into something she could do voluntarily . She still feared it , but was slowly beginning to try and see it as something that wasn't inherently a curse .

Jill's teeth made themselves evident in her soft smile , a light amused breath escaping her at Sheva's words . She recognized the words from the book of fairytales the other agent had left on her desk a while ago , and knew that was likely the source.

"Think they're starting to grow on me ."

[beeisntevenhere]

☆Hii so it's April 4th and ofc I have to do something for my fav characters birthday :) So this might suck horribly because it's very rushed but atleast then i tried !

☆Happy birthday King!

☆Warnings!! None dw

★・・・・・・★

As always english isnt my first language so if you see any spelling errors I'm sorry !

★・・・・・・★

How Shigaraki would spend his birthday with the reader ♡♡ (Headcannons)

| Shigaraki x GN!Reader |

SFW !

Since he was raised by AFO Shigaraki has never really celebrated his birthday because AFO doesn't give much importance to that stuff

And even before that when he was still a kid his parents didn't care much for his birthday (mostly his dad)

His sister was the only one that really did something for him by sitting down with him with a little cupcake she managed to get and one singular candle that he could blow

It definitely wasn't something huge but it's one of the few things he stills looks back fondly on

Anyways,since creating the league of villains he has barely had time to even remember his birthday much less care about it

You whoever, do care about his birthday

So on a random night when you're both cuddling in bed you question him about it

"My birthday? I don't see how that's something of interest"

He's definitely a little stubborn because his birthday is something he basically left in the past along with the life of Tenko Shimura

In the end he still tells you anyways because if he were to tell anyone you would be the best option being the closest one to his heart

Now aware of this information you'll never let him spend another birthday without at least a small celebration

The first time his birthday comes after he tells you, you buy (or steal) him a little gift

A videogame he has been talking about, a new release he still hasn't has managed to get his hands on

You carefully place it next to his other games with a little present bow on top and a handwritten note

"Happy birthday! I thought you might like this :)"

When he comes home and sees it his heart beats so fast he doesn't know how to even begin to process it

I mean how could he? How do you, someone so precious, care that much about him? Going as far as lending your heart to him? A monster

(if he cries the first time he plays the video game and it immediately becomes one of his favorites no one will question it)

That same day he decides to take you out somewhere to spend the rest of it together

You're over the moon with that factand happy he enjoyed the gift,and he's over the moon that your so happy

You two go get ice cream,go to the arcade and go check out some shops around the mall

When the evening hits and the sky begins to darken you take a walk around the park and just generally enjoy eachothers company

Finally when you get back to the base you order take out pizza and play videogames with him (especially the new one you got)

You both end of falling asleep all cuddled up together just happy to have eachother

Thinking about the fact that this was the best birthday he has ever had only makes him hold you tighter

You do so much for him and he appreciates every second of it

Obviously when your birthday comes he'll show that appreciation by spoiling you rotten

But that's a story for another day!

A/N:I had alot of fun writing that lol I really like shigaraki that's why he's my fav mha character,he's really fascinating

☆As usual request are open! As of today (April 4th) so if you want to request you can :D And if you don't know the rules you can find them here! REQUEST RULES!

☆If you see any typos or find anything triggering that I forgot to correct or tag pls dm me so I can change it

-Bee⭐️

[kaleidoscopic-quiddity]

that being said, my actual biggest issue w/ the bnha ending is Deku being a quirkless hero with an armoured All Might-esque supersuit.

now heres the thing, I don't hate Deku ending the story as quirkless. I, like loads of other people, assumed from fairly early on assumed that bnha would end either with Deku going back to being quirkless or, if not that, back to not having any of the OFA vestiges' quirks and just having that 'base' OFA super strength/speed, with which he could still continue being a pro hero

the thing is, I had always assumed that if bnha did go down the 'Deku loses OFA entirely and goes back to being quirkless' route then as a result of that, the whole 'this is the story of how I became the greatest hero' thing from the beginning of the story would take on a new light. the reveal would be that we, the audience, already saw Deku become the greatest hero over the course of the 2 wars and defeating AFO/Shigaraki, and/or that he would become the 'greatest hero' but not the kind hero that the audience assumed, instead working as a quirkless teacher/villain outreach worker/quirk analyist/hero assiant/etc.

and that would be pretty poignant endind would it not? a re-emphasising of this idea that its not just the pros who are heroes, but that everybody in society who 'reaches out' and works to make the world a better place is a hero too, regardless of how 'strong' they may or may not be, that it was never truly about having a powerful quirk and being a pro superhero, but by stopping those who want to do harm, and saving people, that's what truly made Deku the greatest hero

and like bnha's finale did kinda do that a bit with Deku being a heroics teacher at UA for eight years but then it, in my opinion, ruined that by having Deku become a quirkless-with-a-supersuit pro hero.

the thing is, if Deku couldve been a quirkless pro hero this whole time, then there was no reason for All Might to even give him OFA, and for the story as a whole, to happen. and I'm sure some people will counter that point by saying like 'oh but the suit cost LOADS of money' or 'but they were only able to make the suit after analysing the data from All Might's fight with AFO', but to me that just further proves why Deku getting a supersuit so he can be a quirkless pro hero is dumb.

All Might is the no.1 hero in Japan and is globally renowned, if he wanted to secure the funding to make Deku some kind of supersuit he couldve done that right when he met Deku as a quirkless middle schooler, but he didn't. in fact, when explicitly asked by Deku if he could become a hero, even without a quirk, All Might told him that being a quirkless pro hero was impossible. he didn't say that to be cruel or because he's fantasy-ableist or whatever, he said that because he genuinely believed it to be the truth, and he was right.

the fact that support items are not replacements for quirks and actual hero-ing skill/talent is established fairly early on. All Might mentions, some time around the sports festival if I remember correctly, that he's seen heroes who are overly reliant on their support items become useless/a liability once those items break. its a nice and tidy in-universe justification for why every hero isnt walking around with robot armour and ray guns and what have you. and okay, sure, bnha's finale is set eight years in the future, it could be reasonable to assume that in that time, plus with all the funding provided by class 1-a and All Might, that the support industry has really developed and Deku's supersuit is some absolute top of the line technology.

even then, there's still a glaring issue. we saw the exact scenario All Might described play out, WITH All Might. his supersuit was technological marvel, it let him get some genuine damage in on the most powerful villain ever, but ultimately it broke, and without it All Might was unable to fight, and became a liability that had to be rescued. and I'm not saying that to trash on All Might or anything, that is literally just how that quirkless-hero-with-a-supersuit scenario worked out for him.

and okay, sure, you could argue that Deku's supersuit, developed in the eight years since the war, using the data from that fight, and likely with even more money put into it, is a lot better than All Might's supersuit was, and also that it took AFO to wreck All Might's supersuit and its unlikely that there'll ever be a villain that powerful ever again so Deku doesn't have to worry about his own suit in the same way. and sure, you could even argue that non-quirkless pro heroes still have times when they're unable to use their quirks for one reason or another, and just have to rely on their own strength/skills/etc the same way Deku would if his supersuit broke or malfunctioned

but even with all that, my problem is is that it was established, multiple times, why it wasnt a viable option for Deku to just be a quirkless pro hero who used support items, and if the narrative wants to roll that back and go, no, wait, it is actually a totally viable option, then it just begs the question of why don't all pro heroes have supersuits, why is Deku the first quirkless person to become a pro hero in this way, and why, if this was an option, did the story even have to bother with Deku inhereting OFA and learning to make it his own power?

i get what they're going for here, having Deku be a quirkless pro hero with a supersuit is trying to play into the whole 'it was never the power, but rather who midoriya izuku is as a person, that makes him a great hero' but if you ask me its just such a cheap and deus ex machina-y way of doing it???

i genuinely think Deku either being quirkless and instead working in some other way that helps people and/or helps pro heroes help people OR keeping OFA (minus the vestiges' quirks) and going on to a pro hero, and in either scenario, having a moment with All Might and/or Bakugou where they emphasise to him that he is, and always was, a hero, regardless of a quirk, would just be infinitely more narratively coherent and satisfying

the bnha ending isnt terrible, and im certainly not saying people can't like it or trying to drag them if they do, but i am say that me, personally, i dont like it all that much, AND i think its bad writing

[thefruitbin]

something i like about the blue eye samurai is that they let mizu be a woman. And i know thats ironic since shes had to instead be a man, or let ppl assume shes a man so she could be safe or taken seriously. If anything they dont let her actually choose. idk if that makes any sense, but when i didnt know anything about this show i immediately expected the protagonist to be a man. Usually men play those roles, or whatever. So when i heard her voice in the trailer, i got excited! I hoped that she would be a woman, bcuz i rarely see women who dont look perfect, who arent wearing like skin tight suits or whatever portrayed this way. For me personally i always end up wanting a woman to be in the “mans shoes” or whagever the fuck. I wish i could articulate myself better. Like fuck they actually let a woman look badass as fuck, shes treated with respect in portraying her skills (by the story), and she isnt like the epitome of beauty (for social standards or whatever, to me she’s absolutely frickin gorgeous)

They actually let her exist outside of this lens of what woman should look like or act like. I know its been done before or whatever, but fuck it i barely see woman depicted in this same lens as a man and not make some joke about it. Shes not degraded to a sex object, her appearance isnt perfect or the beauty standard, she gets to be a killer and skilled swordsman in the same light as taigen. It felt rlly great.

I personally struggle with my gender identity, i feel somehow someway im not woman enough. So seeing mizu sort of go through not fitting this sort of standard, having this idea of being a man forced upon her, its all so complicated and interesting and relatable. Maybe that says something about me, maybe it doesnt. But im so excited to see where they take mizu and her gender. Akemi feels like such a foil against mizu. She fits the beauty standard, shes observed as a woman and has her own power. She’s unfortunately the luckiest a woman could be in the story, her being married and such was better than being sold. But still powerless at the same time. It makes sense why mizu was dismissive of akemi at the beginning, to her it looked like akemi was just a brat, but even akemi struggles with not being taken seriously. Mizu on the other hand doesnt fit the standard, being mixed, seen less than human for not fitting the standard, not being “woman” enough (the whole husband thing where her actually being better than him immediately made her husband like dismissing of her and possibly ratting on her as well) the whole constant thing of her “mom” telling her she doesnt have good looks, it often felt like mizu was fighting against not only being mixed and “not pure”, but also fighting against what a woman could exist as..”not pure”. She could not just plainly exist.

Gender stuff is so damn complicated and its something ive struggled with. Ive tried exploring the idea that maybe im trans, maybe im a man or nonbinary. But it felt so relieving to see mizu as a character. Something that stuck out to me was when she was talking to her ex husband. He asked “u wanted to be a man?” And she said something along the lines of “i had to be one” and it felt sort of vindicating in the sense that damn idk.. like me and my siblings have struggled with our genders and whats expected of us, especially within our culture. Ive had conversations with my sister like about how sometimes we do wish we were men. To be taken seriously, to easily do things without feeling so judged. Maybe cis people dont do that, maybe they do, its okay.

I just love mizu, and im so excited to explore this story.