DECEMBER
chandrama deshmukh, a teaspoon of stars / claude monet, snow scene at argenteuil, 1875 / counting crows, a long december / anna mary ‘grandma’ robertson moses, snow ball / natalie diaz, manhattan is a lenape word / laetitia de haas, birds in a winter garden / fritz ward, love letter from inside fatherhood / nate klug, advent / serhiy shyshko, saint volodymyr's hill / w. s. merwin, song of three smiles / charlotte joan sternberg, home through the pines ii / mike chasar, conches on christmas / alfred sisley, la maison sous la neige, 1878 / robert creeley, the door / claude monet, the magpie / sarah kay, winter without you
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there are many neat reptilian characteristics that one can give Cardassians. I've seen shedding scales, tails and claws, scent marking, and people making them ectothermic.
but consider:
Color changing ridges. Just for funsies. We already tend to headcanon that the ridges and spoons (chula, if you prefer) turn blue when aroused, mimicking the make up they wear in canon, but it would be a bit interesting if the ridges were Fully color changing, a la chameleons. Especially if they changed color based on emotions.
Because their culture is very focused on the Good of the State, it would probably be taboo to have your emotions plainly visible (too much risk of your colors giving away the fact that you aren't 100% content blindly serving the state). I think it would be typical to wear make up to cover up the color changing scales, or to wear paint in 'positive' colors.
Soldiers and the Obsidian Order might even find a way to chemically neutralize the color changing, either temporarily or permanently - it could be far too much of a liability, if someone got captured and interrogated.
Most non-Cardassians would be entirely unaware that this was a normal part of Cardassian physiology. Novels might have oblique references to the colors when describing emotions, but any book that spoke too clearly of them would be almost sure to get banned. Bashir would be slowly taking notes about which colors in novels seemed to correspond to which emotions, but he'd have no idea that it was because Cardassians could Literally Turn Those Colors. He'd just assume their color theory was different, and that they were Really into color metaphors for some reason.
Could be interesting to explore the cultural implications and see what kinds of new mischief happens on the station due to it.
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the specific way i find jaykyle appealing is just "if they had interacted beyond countdown this would've been one hell of a dynamic but alas, to limbo with whatever could have been with these two" but dc gave us a cover of them paralleling apollo and midnighter and then NEVER had them interact again so you know.
yeah.
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I hate (love) Director Tee!
Director Tee, who also directed I Feel You Linger in the Air, Step by Step, Something in My Room, Lovely Writer, and Hidden Agenda is all about the visual rhetoric, so I knew he'd be up to his same old shenanigans in I Saw You in My Dream, but why was this already happening in the first episode?!
Tee pulled this in I Feel You Linger in the Air with one character hidden behind a transparent barrier but looking fuzzy as if they were in a dream or stuck in a different world.
And while Ai is always lit by the light source, Yu is hidden in the darkness as his back is to the light source.
And this happens often.
So the lights flickering on the Christmas tree were a nice touch to show this 'light' dynamic between Yu and Ai.
Yu's face is also obscured in his reflections.
Since mirrors act as reflections of the truth, it's as if Tee is telling us that Yu can't face his reality or he is hiding from his truth.
Even when Ai tries to capture Yu's face for a picture, Yu blocks him.
And even when Ai does get a picture of Yu, the light source blinds out Yu's face.
Because Yu's job allows him to capture moments without being a part of them. He can create distance by shielding his face and hiding behind the camera (how very My Beautiful Man's Hiro of him).
But Tee is constantly reinforcing the removal of reality through the props as well as Ai wears a "Dream Theater" shirt when he dreams of being with Yu.
The poster in his room is a parody of a La La Land called Dream Land.
And in the psychology section of the library, Ai focused on the dream section.
And finally picked Lucid Horizons: Unveiling the Dreamscape.
But the props also connect the boys because when Ai went over to Yu's house to sleep, Yu was wearing a "Shut-Up! I'm watching the game shirt"
While Ai wore a "She said 'You switch channels again and I'm outta here'" shirt
Because the boys are already connected, and Tee visually stated that as both boys walked down the aisle in a Catholic church with Yu in black and Ai in white.
And stood in front of Ai's father (not a priest) and the altar to give offerings and receive blessings.
Basically, they look real married-shaped in front of God and all his santos.
And the poem above Ai's bed states that he would give all his body to his lover if his lover needed it, but he could never give his heart because that's where his lover lives.
So it's interesting that Yu's brother verbalizes this earlier in the show.
But it's more interesting that the woman Ai met said that his gift was special because he can see the accidents happening which she could not because if she had, she would've gotten more time with her first love, so is Ai's shirt foreshadowing that he'll only "be happy with [Yu] this summer"
Or will his dreams allow him more time to fall in love?
God, I hate Director Tee!
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