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veeranger · 5 years ago

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So you want to watch Precure!

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(Google Docs Vers & Changelog)

Maybe you follow people who like it, maybe you just love magical girls and never got into Precure, but there are over a dozen seasons and you don’t know how to jump in. Never fear, this masterpost is here to give you a rundown of Precure, and hopefully by the end you’ll have an idea of where you want to start.

What Is Precure?

Precure (short for Pretty Cure) is a Toei Animation franchise started in 2004 and has been on the air nonstop since then. It’s a magical girl franchise, y’know like sailor moon or ojamajo doremi or other such shows. The main demographic is children so you don’t have to worry about any weird “fanservice” or panty shots or anything nasty like that, it’s very G rated.

What Are The Shows About?

In a general sense, Precure is about a team of 2-6 middle school age magical girls fighting bad guys and giant monsters and saving the world on a weekly basis with pretty outfits and big flashy finishers and the power of love and friendship. Each season follows a pretty standard formula (toku fans should be pretty familiar with it for the most part), and each season is around 48-50 episodes long.

In keeping with this toku-esque formula, most seasons will feature mid season additions to the cast, in the form of new precure heroes. For the sake of not spoiling these shows, these mid season cures will not be mentioned in our plot overviews unless they appear extremely early or something like that. Just know that almost every season will feature an additional cure joining the team later in the show.

Additionally, every season has at least one movie, these days there’s usually two per season. Usually you’ll find the movies are a standalone self-contained romp, and a crossover movie with the preceding seasons, with a focus on the most recent 2-3 teams. These movies might as well exist in a continuity of their own, and have absolutely no bearing on the plot whatsoever, save for one except which I’ll mention when we get to that season.

Why Should I Watch Precure?

Because it’s good. It’s a really stellar franchise with a ton of content and genuinely engaging characters and stories. Also this isn’t your mom’s magical girl show, these girls throw punches, and kicks, and big lasers. Precure is pretty well known for being extremely hands on with its combat compared to other magical girl shows, though don’t expect the same kind of fights you’d find in kamen rider or anything. Also a main draw for a lot of people is the amount of gay subtext in, frankly, every season. While there’s only one season with an explicitly confirmed gay relationship between two cures, every season has varying levels of subtext between cures, it’s pretty cool. We won’t discuss the subtext in every season overview but trust us, it’s in there.

What Show Should I Start With?

It doesn’t actually matter which season you watch, every season is a new setting and with new characters and set in a new world (except for two sequel seasons i’ll explain later), so you’re free to watch whatever you want in any order! We’re going to spend the rest of this post talking about each season to give you, the beloved reader, a glimpse at what each season has to uniquely offer. Don’t worry, there’s no spoilers down there.

Futari Wa Precure (We Are Pretty Cure) & Futari Wa Precure Max Heart

The original precure show that aired in 2004, and even received an english dub. Misumi Nagisa is a star lacrosse player living a normal life until one day a shooting star she wishes on turns out to be a fairy that careens right into her room, or rather, smacks her right in the face. The fairy, named Mepple, explains he comes from the Garden of Light, another world that’s been taken over by the evil Dark King and his Dark Zone in order to capture the Prism Stones, a number of heart shaped crystals that, if collected, could give Dark King the power to destroy not only the Garden of Light but also the Garden of Rainbows, Earth itself. Meanwhile, Yukishiro Honoka finds a box in her grandmother’s shed containing an item just like the one that smacked Nagisa in the face, and inside is the fairy Mipple, who explains the situation to Honoka. The two fairies, seeking to be reunited, drag Nagisa and Honoka along and the four of them end up meeting up, but are attacked by an emissary of the Dark Zone. Mepple and Mipple grant the confused duo the power to transform into the warriors of legend, Precure. As Cure Black and Cure White, Nagisa and Honoka manage to fight off their attacker and protect their new fairy partners. The girls are then more or less dragged into the battle against the Dark Zone, as the only hope for both Gardens, they fulfill their duty as legendary warriors despite their hesitations and desires to go back to being normal teenagers.

Futari Wa doesn’t exactly have any major themes to speak of, it’s just your standard magical girl vs evil bad guys kind of thing, forgive it for being the first season. What it does have to offer is the relationship between Nagisa and Honoka, as well as the action in fight scenes. The girls don’t start the season as best friends, in fact they barely even know each other’s names when they’re first flung together. It takes a few episodes and a major fight between the girls for them to really start opening up to each other, but soon enough they become inseparable and support each other in everything they do. It’s clear, especially near the end, that the girls cling to each other for support and strength in the face of the increasingly overwhelming odds they face as the Dark Zone gains strength. It’s very compelling to see their relationship deepen in the early season and see how deep their bonds truly go near the end.

Futari Wa received a sequel show, Futari Wa Precure Max Heart, picking up the story where it left off in the first season’s finale. Honoka and Nagisa are still the main characters, and they’re still fighting the Dark Zone, but this time they’re joined by a mysterious girl named Hikari, who can transform into Shiny Luminous, not a precure but precure-ish. This time the girls are trying to recover the heart and soul of the Queen of the Garden of Light, before the Dark Zone can recover and destroy the queen in her weakened state. Also their precure costumes have changed slightly.

The first season (that is to say, not max heart) is currently one of the few seasons available with official english subtitles on the streaming platform Crunchyroll

Futari Wa Precure Splash Star

Hyuuga Saki (Cure Bloom), a tomboy who loves playing softball, and Mishou Mai (Cure Egret), a quiet transfer student and aspiring artist, meet each other by chance one day under the Sky Tree, where they discover two creatures from the Land of Fountains named Flappy and Choppy. The two girls transform into the legendary Precure and are tasked with restoring Princess Filia and the Seven Holy Fountains, which were sapped of their power by the evil forces of Dark Fall.

Splash Star's main theme is the appreciation of nature. The main focus is on the girls rediscovering their relationships with their town and the nature and people in it. You get to meet a whole cast of characters in their community, who have a lot of heart and charm behind their writing and the show does a good job of getting you genuinely invested in their stories.

Unfortunately the romance in Splash Star isn’t much better than Futari Wa's (sorry to any Fujimura/Kazuya fans), but the main girls themselves are so engaging that it's easy to ignore. The villains are pretty goofy, but entertaining if you can accept that the show doesn’t take itself very seriously. There are two villains in the latter half of the season that really stand out, though. Without spoiling too much, I can promise you their character arcs will tear at your heartstrings in the best way.

If you've watched Futari wa Precure, Splash Star will probably feel familiar. Although it's the first "reboot" series in the franchise with completely new characters, Toei overall played it safe and Saki and Mai in many ways still feel like "Nagisa and Honoka 2.0". Splash Star is different in enough other ways to make the show stand on its own merits, but if you watch it immediately after Futari wa you might find yourself feeling some deja vu. Personally, I think it's interesting to see what Splash Star builds on and explores when compared to Futari wa, since it has many of the same themes and character archetypes but they play out quite differently.

Yes! Precure 5 & Yes! Precure 5 GoGo!

Nozomi is a cheerful, carefree girl, but she doesn’t have a dream. One day she meets a hot guy and finds a mysterious item called the Dream Collet, capable of granting any wish once all the fairies known as Pinkies are gathered inside it, in the school library. She discovers that the hot guy is actually a tanuki from Palmier Kingdom named Coco, and that the Kingdom has been destroyed by the Nightmare. Coco’s dream is to restore his kingdom using the Dream Collet, and Nozomi decides to make it hers as well.

She’s joined by her jock friend Rin, Urara, an aspiring actress, Komachi, a writer, and the rich student council president Karen. Together they form Yes Sentai Fiveranger Yes Precure 5 and work together to prevent Nightmare from obtaining the Dream Collet before they can gather all the Pinkies. They also save Coco’s “”””””friend””””””” and fellow hot guy squirrel, Nuts, and he joins them as the second mascot/handsome love interest.

The theme of Yes is dreams and heterosexual furry romance. It pulls off the dreams part very nicely. The het furry romance is bad, mostly because Coco is Nozomi’s teacher at school and also her love interest. However, Coco and Nuts are fairly gay and if you look past the romance part they have very good dadly relationships with the rest of the team.

Yespre, like Futari Wa, received a sequel show, Yes! Precure 5 GoGo!. After the defeat of Nightmare some time ago, a new faction called Eternal rises up and starts stealing treasures from various dimensions. When Eternal targets the Rose Pact belonging to the Cure Rose Garden, the precure are called back into action to fight against Eternal, with new cure outfits, a new fairy named Syrup, and a new cure-like teammate named Milky Rose.

Fresh Precure!

Fresh is sort of the defining series for modern Precure, introducing a lot of plot and thematic elements to the franchise that would be used repeatedly later on.

A concert Momozono Love attends is attacked by a monster called a Nakewameke. When Love stands up to it, she is nearly killed, but is saved when she is chosen by a mysterious power to become Cure Peach. She is joined by Inori and Miki as Cure Pine and Cure Berry, and, together with the talking ferret from the Kingdom of Sweets, Tarte, they have to prevent Labyrinth, a grey world led by Mobius, from taking over the Parallel Worlds and transforming them into identical, machine-like dictatorships, and also figure out the secret behind the Magic Baby, Chiffon, that Tarte is entrusted with.

Fresh’s themes are happiness and nature/technology and donuts. The donuts are important. Labyrinth operates by gathering misery; the Nakewameke are created from it and their function is to create more of it and fill the Sorrow Gauge. All the girls (and the mascot) have love interests and their familial relationships are explored a lot to bring out the general stakes and emphasise what they’re fighting for.

While Fresh is very strong in characters, plot, and thematics, its lack of budget is very apparent. It looks terrible. Fortunately, it isn’t that difficult to get used to the bad animation once you get into the show, although the lack of means tends to show up at inopportune moments, like new powerups.

Heartcatch Precure!

Featuring character designs and art direction from Ojamajo Doremi’s character designer Umakoshi Yoshihiko, and written by Ojamajo Doremi and Onegai My Melody writer Yamada Takashi, Heartcatch should look and feel familiar to fans of either franchise, especially Doremi.

After having a reoccurring dream about someone called Cure Moonlight being defeated trying to defend the “Great Heart Tree”, the shy and reserved Hanasaki Tsubomi moves in with her grandmother and ends up inheriting the will of Cure Moonlight and becomes the newest precure, Cure Blossom. Finding out her grandmother used to be the legendary Cure Flower, Tsubomi vows to protect the world as a precure and learn to change herself for the better. She’s joined by her new friend and the first person she saved as a precure, Kurumi Erika, a loud girl with a big heart who means well, but doesn’t hesitate to speak her mind. Erika becomes Cure Marine and the two become Heartcatch Precure, the newest precure in the long legacy of those who have stood up to the evil Dune, a mysterious invader who destroys planets and turns them into lifeless deserts. Heartcatch Precure fights against Dune’s minions: the mask wearing Professor Sabaku, his Desert Apostles, and the mysterious Dark Precure. Along the way they meet the former Cure Moonlight, now stripped of her power, and try to help her cope with her defeat.

Heartcatch Precure’s main theme is flowers and flower language. Everyone has a “heart flower” that the Desert Apostles take and use to create their monsters every week. As an interesting result of this, the monster of the week will be the main character in the plot of the week and often their big monster form will vent about their issues which will usually lead to a resolution when the precure return them to their regular bodies. Heartcatch also has a very nice backstory and lore to it. Unlike most iterations of precure, the Heartcatch girls are not the first precure to exist in their world, there are dozens maybe hundreds of precure that came before them, fighting against Dune and his forces for hundreds of years. It adds a lot to the narrative in small ways, especially later on in the season. Also the fight scenes are extremely excellent, especially when Moonlight is involved.

Suite Precure♪

The musical paradise of Major Land falls under siege by the forces of Minor Land, led by King Mephisto. His goal is to steal the living notes of the “Melody of Happiness” and remake them into the “Melody of Sorrow”, throwing the world into a permanent depressive state. As a last resort, Queen Aphrodite scatters the notes into the human world and tasks Hummy, the cat-like fairy, and the Fairy Tones, to find the notes before the forces of Minor Lands can capture them. In the human world, Hummy meets Hojo Hibiki and Minamino Kanade, two girls who were best friends as children, but drifted apart as teenagers because of their tendency to bicker with each other. The two find themselves thrown together again by fate and transform into Cure Melody and Cure Rhythm to protect the things they hold dear. Not long after, the two rekindle their relationship and become closer than before, despite their bickering. Soon the girls run into the mysterious Cure Muse, a girl who appears to be a precure like them, but hides her face with a mask and refuses to join in their fight, claiming to be neither friend nor enemy. Melody and Rhythm battle against Minor Land and the giant Negatones they create from the notes they gather, as well as Siren, another cat-like fairy who used to be Hummy’s best friend before turning to evil and joining Minor Land.

Suite Precure’s main theme is music, and it is a very encompassing theme. Hibiki and Kanade bond over their piano practice, the town they live in celebrates music frequently and is aesthetically music themed, and their powers take the form of musical instruments. Harmony is also a large theme for the two girls. Their precure power increases as they harmonize with each other, and the early season is very much about them learning to harmonize with each other. Suite also features several extremely well done mystery arcs, about the identity of Cure Muse, and various other things that I can’t very well talk about without risking spoiling things myself. If you manage to go into Suite not knowing anything consider yourself extremely lucky and be super sure not to get spoiled. The show staff went to great lengths to hide certain things, including leaking fake cure designs, and creating a second version of the second dance ending to further mask the identity of Cure Muse until her true reveal.

Also something to note, usually precure movies have nothing to do with the plot of the show itself and can be watched whenever but the Suite movie is best enjoyed right after the arc revealing Cure Muse’s identity is concluded, it has a nice resolution to plot elements in that arc and sets the stage for the last few arcs of the show, so be sure to watch it then.

Smile Precure!

Written by Kamen Rider Kabuto head writer Yonemura Shoji, Smile Precure is the second season to feature a 5 girl team after Yes! Precure 5 Gogo!. Running late to her first day of school, resident happy-go-lucky klutz Hoshizora Miyuki runs face first into a small creature called Candy, a fairy from a place called Märchenland. The two are attacked by an anthropomorphic wolf named Wolfrun, and Miyuki transforms into Cure Happy to fight against Wolfrun and the big clown faced monster he summons called an Akanbe. After Candy explains that the legends say there are five precure, Miyuki recruits four new friends: the hot blooded Akane (Cure Sunny), shy artist Yayoi (Cure Peace), responsible older sister Nao (Cure March), and refined student council vice-president Reika (Cure Beauty). The five of them become Smile Precure and fight against Wolfrun and his allies in the Bad End Kingdom, who attempt to revive the slumbering Pierrot by trying to put the world in a “Bad End”.

Smile Precure’s main theme is fairy tales, in a general sense. The Bad End trio are based off of the big bad wolf (Wolfrun), the oni from Momotaro (Akaoni), and the witch from Snow White (Majorina), and Miyuki herself is utterly captivated by fairy tales. The secondary theme is happiness, and the happy go lucky tone of the series often turns on its head during serious arcs to deliver extremely powerful emotional moments. Smile Precure is light on plot, and most episodes are an ultra happy experience, but the show knows how to get serious when it needs to and Smile is exceedingly competent at pulling off drama when the time comes. Smile knows how to get you invested in its characters and use that to pull on your heartstrings during the big moments. The last 10 episodes of the show are the absolute pinnacle of the show’s emotional drama, and each cure gets her own episode for closure before the finale sets in and emotionally destroys you. Also you get to play rock paper scissors with Cure Peace during her roll call so that’s always fun.

Doki Doki! Precure

Doki opens with Trump Kingdom’s destruction by the Selfishness as Cure Sword looks on, helpless. Switching to our world and brighter topics, we meet Aida Mana, Student Council President of Oogai Middle School, whose dream is to become the Prime Minister of Japan. Whenever Mana sees someone in trouble, she’ll help them out, so when a monster attacks the city, Mana does the obvious and tries to stop it. And when, chosen by the fairy Charuru (Charles? Cheryle? Cherry?) to become a Precure and defend the world, she meets Cure Sword, she has to befriend her and help her restore Trump Kingdom and find her happiness.

Mana (Cure Heart) is joined by Rikka (Cure Diamond), her studious companion and supporter, and also the immeasurably powerful and rich (in that order) Alice (Cure Rosetta). Together they have to unravel the mystery of the man who gave them their transformation items, the missing princess of Trump Kingdom, the strange, evil girl called Regina, and Ai, the chaotic neutral baby who hatches out of an egg.

Dokipre’s theme is love and selflessness. It also has Deep Lore, a lot of which is established in extra-series material. The show does try to explore concepts like past cures and manages a very nice repeating pattern effect with the plot, in terms of past and future happenings. There’s a lot of foreshadowing. Compared to most Precure seasons it’s very plot-heavy and even the filler usually ends up being plot-relevant.

Happiness Charge Precure!

The 10th anniversary of Precure! The Phantom Empire is spreading across the world, and Precure are rising up all over the globe to fight them off. In Japan there are two active cures, Cure Fortune, strong and capable, and Cure Princess, scared and unsure of herself. As Cure Princess, Shirayuki Hime, struggles desperately to do her duty as precure, Cure Fortune refuses to work with her for reasons Hime doesn’t fully understand. Realizing her only hope is to find a partner to work with, Hime bumps into Aino Megumi, a super friendly girl who has a tendency to drop everything and help others any time she sees someone in need. Megumi becomes Cure Lovely, and bolstering Hime’s confidence, the two of them become Happiness Charge Precure, tasked with protecting Japan from Queen Mirage and her Phantom Empire. The two are joined by Cure Honey, and eventually Cure Fortune, and the four of them receive support from Blue, the God of Planet Earth. As the girls continue to fight and defend Japan, they are assaulted by Phantom, the ruthless Precure Hunter who has defeated and trapped countless Precure in his Precure Graveyard, and the Oresky Trio, the Phantom Empire generals who oversee the invasion of Japan.

Happiness Charge Precure’s themes are romance and happiness. There are several arcs dedicated to the budding romances of the cures, and the backstory of the show is heavily tied to romance. Happiness might as well be Megumi’s middle name, she makes it her business to spread happiness to as many people as she can, and takes every chance she can to help others. Happiness Charge is also the first season to have form changes for the precure, each cure has a small selection of forms they can change to for different big attacks, and this concept would later be expanded and used as a core concept in Maho Girls Precure. Like Heartcatch before it, Happiness Charge exists in a world where multiple precure exist, but unlike Heartcatch all those precure exist at the same time in the present day. Other precure teams make cameos every so often and the concept creates a great world in which the whole planet is being protected by teenage girls with superpowers, creating a wonderful sense of scale that really makes the big victories of Happiness Charge Precure feel even bigger.

Go! Princess Precure

The first precure series to take place at a boarding school! Years ago, a young girl named Haruno Haruka meets a very royal looking person named Kanata who gives her a Dress-Up Key, a big key shaped like a dress. A teenager now, Haruka starts attending Noble Academy, a prestigious boarding school, all the while holding tight to her dream of becoming a true princess, in a quasi-literal sense. Not long after starting the school year, Haruka meets Pafu and Aroma, two fairies from the Hope Kingdom desperate to revive the legendary precure to fight back against Dyspear and her minions who steal dreams to create their giant Zetsuborgs. Realizing what her Dress-Up Key is meant for, Haruka uses it and the Princess Perfume to become Cure Flora. Together with student council president Kaido Minami (Cure Mermaid), and Amanogawa Kirara (Cure Twinkle) a fashion model with huge aspirations, they become the new Princess Precure, tasked with learning to become true princesses along with protecting the Dress-Up Keys from Dyspear’s forces.

Go! Princess Precure’s main themes are princesses (duh) and dreams. Dreams are a driving force behind all of the cures, and most of the plot of the week characters. Dyspear steals dreams to make monsters, and the precure fight to return those dreams. Characters follow their dreams with conviction, pride, and full commitment. This is also where the princess theme intersects, since it’s Haruka’s dream to become a true princess. One should note that princess is used sort of liberally in this series, it’s not that Haruka wants to somehow become someone of noble birth or have political power, she just wants to be strong, kind, and beautiful, the traits of a true princess in Princess Precure’s own terms. Also she wants to wear pretty dresses and such but who can blame her really.

Mahou Tsukai Precure! (Maho Girls Precure!)

Quite literally putting the magic in magical girls for the first time in the franchise, Mahou Tsukai Precure was the first season to have its cures be actual magicians. Izumi Riko lives in the magical world, a world where magic is real and she attends a magical academy to hone her craft. She leaves the magical world to travel to the “non-magic” world, to search for a legendary item called the Linkle Stone Emerald. In the non-magic world she ends up catching the attention of another girl, Asahina Mirai, who sees her using magic. After trying to show off some magic and messing it up, Riko is attacked by Batty, a servant of the dark wizard Dokurokushe, who is seeking the Linkle Stone Emerald as well. As fate would have it, both Mirai and Riko carry stones that turn out to be the Linkle Stones Diamond, and the two of them use them to become Cure Miracle and Cure Magical, the legendary Mahou Tsukai Precure. Additionally, the power of the Linkle Stones grants life to Mirai’s lifelong companion, a teddy bear named Mofurun. Having discovered the world of magic and become a precure, Mirai is invited to spend time in the magical world learning magic alongside Riko, before the two, joined by Mofurun and a baby fairy named Ha, return to the non-magical world to search for the Emerald and protect it from Dokurokushe and his minions.

Mahou Tsukai Precure’s main themes are bonds and separation. It’s strengths lie in how it shows the relationship between Mirai and Riko. The show takes its time building their relationship in the first dozen or so episodes of their adventures in the magic world, highlighting their similarities and differences as they grow closer and learn to live with each other and fight as precure together. Well before the halfway mark it’s clear how strong their bond is and how deeply they care for each other, and the lengths they would go to for one another. Mahou Tsukai is an emotional ride in so many ways, every emotional moment hits its mark and the more you get attached to the characters the more the show will hit harder and harder with its moments, both sad and happy. Even side characters get satisfying and emotional conclusions to their storylines outside of the episodes they’re introduced in, it’s all wonderfully crafted.

KiraKira☆Precure A La Mode

Another return to the five cure format, Kirapre is also the second season to feature a sixth team member after Yes! Precure 5 Gogo!, as well as the second season to feature high school age precure after Heartcatch Precure. Usami Ichika is in her second year of middle school and loves sweets, especially making sweets. One day a hungry fairy named Pekorin finds her way into Ichika’s kitchen, and after being fed teaches Ichika about Kirakiraru, an energy source that exists in all sweets, and something that can be stolen and used for evil, leaving the sweets gray and tasteless. Utilizing the power of kirakraru in the shortcake she baked for her mother, Ichika becomes Cure Whip, one of the legendary patissiers, Precure. One by one other precure appear, the smart but shy Arisugawa Himari (Cure Custard), the rock band headliner Tategami Aoi (Cure Gelato), the fickle catlike Kotozume Yukari (Cure Macaron), and the responsible and helpful Kenjou Akira (Cure Chocolat). The five of them fight against the evils of Noir and those he has influenced: Julio, the mysterious masked boy who runs “experiments'' using kirakiraru, and Bibury, a mean spirited girl who uses her talking doll to steal kirakiraru and create monsters.

Kirapre’s main motifs are sweets and animals, and it has a pretty general togetherness and happiness theme going on, the standard precure stuff, mostly viewed through the lense of sweets and sweets-making. All the precure work as patissiers for one reason or another and it’s the main way the team bonds early on. The team, as well as the people of their small town, love sweets as a part of their culture and sweets maintain an important role as the emotional tie that binds most things together in the story. Overall Kirapre is a wonderful show with a great cast on both sides of the conflict, and a lot of care has been put into the show to make sure characters have their moments to interact with each other as well as have their own stories , even on a team of six every precure gets more than enough time to shine on her own. Kirapre is at it’s best when it takes two girls and puts them together for an episode, letting each unique dynamic play out in a fun and satisfying way. Kirapre is also noteworthy for the almost inarguably canonical relationship between two of the cures. It's not exactly explicit and it does leave something to be desired, since this is a Toei children's show, but there’s not really any other way to read the evolution of their relationship or their duet song, so I’m more than satisfied calling it canon.

This season is currently one of the few seasons available with official english subtitles on the streaming platform Crunchyroll

HUGtto! Precure

Precure’s 15th anniversary! This season is in many ways a celebration of all things Precure, bringing together a lot of familiar elements from past shows into one. Hugtto! is another five cure season whose main themes are destiny and future. Nono Hana (Cure Yell) is a thirteen-year-old girl whose dream is to be a "cool and stylish woman," although she worries that others see her as childish. One day, a hamster named Harryham Harry and a magical baby named Hugtan fall out of the sky into Hana's house. They're being chased from the future by an evil organization called Criasu Corporation, who are trying to use Hugtan's power to freeze time forever. Hana makes friends with two of her classmates: the responsible class representative Yakushiji Saaya (Cure Ange) and the reclusive ex-figure skater Kagayaki Homare (Cure Etoile), and together they fight Criasu while taking care of Hugtan and figuring out the many mysteries surrounding her. Expect some light sc-fi elements and an emphasis on modern technology/social media.

Hugtto! explores its themes primarily through the lenses of childcare and the workplace, giving us a look at how each girl comes to terms with the transition from childhood to adulthood. This season does a good job of letting each member of the team shine; you spend several episodes with each girl (or duo of girls) and there's a real sense of a complete character arc for all of them. The romance aspect is, unfortunately, pretty bad: there’s a return of hetero furry romance between Harry and Homare, and Hana’s love interest exhibits some really creepy behavior towards her. There’s uncomfortable age gaps in both of these relationships too so it’s a just a bit…. Yikes. Thankfully, it’s fairly easy to ignore like past seasons, but a warning for it nonetheless.

Something that makes this season stand out is its LGBT subtext; there's a TON of it even compared to the normal amount that Precure is known for. Without giving away too much, two of the cures this season are heavily coded as lesbians (though not with each other per se), and there's a subplot concerning a side character who is pretty explicitly (well, as explicit as Toei dares to be) a gender non-conforming man/nonbinary person in love with another man, and it's all very wholesome and presented in a positive light. Again, this is Toei, so don't expect anything too radical, but I have to admit I was pleasantly surprised with how Hugpre handles it.

Finally I'll just say that while Hugpre is a fantastic season on its own, I would personally recommend waiting to watch it after you've seen some other seasons (notably Futari wa). It's not required, but since Hugpre is an anniversary season, there are a few episodes (especially near the end) that will really hit different if you have an emotional connection to the franchise already. Ultimately though this is a fairly minor part of the show, so watching this season first won’t ruin it or anything like that, it’s just something to keep in mind.

Star☆Twinkle Precure

Precure… in space! Our protagonist, Hoshina Hikaru (Cure Star) loves space and cryptids, to the point of drawing her own constellations. One of her constellations is an adorable alien puffball, who warps into Hikaru’s room almost immediately after she draws it. The puffball quickly befriends Hikaru, who names her Fuwa. They are later joined by Prunce, the team dad friend/alien mascot, and Lala (Cure Milky), a humanoid alien who is an adult in her own culture. After our initial duo gets off to a bit of a rocky start, they are joined by the student council president, Kaguya Madoka (Cure Selene) and a biracial upperclassman who is considered to be the “sun” of the school, Amamiya Elena (Cure Soleil). Together, they explore the universe and befriend all sorts of aliens, while also defending them from the Notraiders, who want to rid the universe of all imagination. On top of that, the universe is dying and the cures need to find the 12 astrologically themed Star Pens to save it and the 12 Star Princesses. This series is notable for attempting to break the “monster of the week” format, instead making it a “fight of the week”.

The major themes of Star Twinkle are space, imagination, and maturity. The cures have to explore the universe to find the Star Pens, and in doing so, visit a bunch of different planets. About half the series is spent on Earth, but the world still feels developed! Honestly speaking, the theme of imagination is forgotten pretty quickly and I’d refer to it more as free will. The theme of maturity is where Star Twinkle really shines. All of the cures have had to grow up too fast in some way, and the series is partially about just allowing them to goof off. Lala is considered an adult on her planet, and this plot point is treated realistically. Well, as realistically as it can be. This is one series I’d recommend avoiding spoilers like the plague for, because part of the fun is in how the plot twists are pulled off. Also Star Twinkle is notable for featuring the first ever dark skinned precure, as Elena is half-hispanic.

Healin’ Good Precure

The currently airing Precure season, as of this writing. The Byogens seek to revive their king by inflicting viruses on Earth, the Healing Garden sends three medical interns to combat them. These interns, fairies named Rabirin, Pegitan, and Nyatoran, along with a baby fairy princess named Latte, journey to Earth to find partners to become Precure. They end up meeting Hanadera Nodoka, a kindhearted girl who was hospitalized for most of her young childhood. After Nodoka risks her life to protect Latte, Rabirin chooses her to become Cure Grace. Joined by older sister type Sawaizumi Chiyu (Cure Fontaine) and the outgoing Hiramitsu Hinata (Cure Sparkle), they form Healin’ Good Precure, and defend their friends and the Earth from the Byogen’s newest wave of attacks.

This season is currently one of the few seasons available with official english subtitles on the streaming platform Crunchyroll.

Where To Watch Precure Online

Unfortunately for us, Precure isn’t really a thing in the west. There was a dub of Futari Wa back in the early 2000’s and Smile and Doki both got “adapted” into Glitter Force over on netflix (I don’t really recommend checking those out), but really Precure just doesn’t exist over here.

However, as mentioned above, there are currently three seasons avalible for streaming on crunchyroll. The original Futari Wa Precure, Kira Kira Precure A La Mode, and the current season, Healin’ Good Precure.

Beyond these isolated examples of official releases, you can really only watch precure online on streaming sites or through torrents. You can find precure pretty much on any major anime streaming site, kissanime, gogoanime, the works. You can also try your luck torrenting the seasons, i’ve found that pretty much every season has a working torrent you can find on sites like nyaa.si or the like. For more recent seasons you should have little difficulty getting torrents, and last time i checked every season was on one of the aforementioned streaming sites. What I’m saying really is there’s no single place to find precure, but it’s not impossible to find for sure.

Thanks for reading this post, I hope you decide to check out precure and I really hope you end up loving it.Thanks to my wonderful friend @meltorights for writing the sections on Yespre, Fresh, and Dokipre, to @wonderlilane for writing the sections on Splash Star and Huggto, and @cure-cosmo for writing the segment on Starpre.

If you have questions feel free to drop me an ask I’d be happy to help. I will literally go out of my way to help you if it means getting someone new into precure so please do not hesitate by any means.

#Apple Post #precure #pretty cure #magical girl #anime #toei animation

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terrainofheartfelt · 3 years ago

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I think it's pretty amazing how much the gossip girl Fandom has changed. From my experience, most of my friends admit they didn't know what they were thinking with Chair when GG was on TV. And now you see this women empowerment movement. It's nice to know I've always been right about supporting DAIR. If only you saw the Fandom when GG was popular lol.

Oh, well for starters, let’s all be glad I wasn’t in the GG fandom while the original show was airing for a lot of reasons. Back then, I was a teenager DEEP into the twilight saga. My myspace page was all about my devotion to Team Edward. I was insufferable, my parents and brother are not on tumblr (thank whatever gods exist) but shoutout to them for loving me & putting up with me at my Peak Fangirl.

But to your point on how the fandom has changed, to put it extremely simply: I think it’s because we’re ten years older now. Most of my beloved gg mutuals are in their 20s like me, and while I can only speak for myself, the distance of my beliefs between when I was a teenager and the person I am now is VAST. My ideas of self, of feminism, of love, of sex, they’ve all evolved drastically over time.

Oh god especially my ideas of sex. My sex ed in high school wasn’t even in school, it was received via my church youth group [horrifying]. Now we don’t have time to unpack ALL of that, but I remember the exercise we did for the idea “just remember you’re having sex with everyone they’ve ever had sex with” (which, sidebar, I’ve always thought is a stupid ass phrase. That’s just not accurate, but I’m getting off topic) and it wasn’t that we were taught abstinence-only, but more like, “now don’t you want to keep this number as low as possible?”

So, between twilight and my religious upbringing, I’ve internalized this idea of “the first person you have sex with should also be the last person you have sex with,” and I think I’m still grappling with undoing that idea in my brain. BUT. bringing this back to GG: this idea permeates a lot of teen soaps in the 2000s, and the romantic fatalism that goes along with that.

I’ve been watching The OC for the first time, and it’s been interesting bc it’s the show the GG showrunners did before GG, so I can kind of see the blueprint for the ideas and characterizations that were really...amped up in Gossip Girl? Like OC is a dramatic-ass show, but it feels more gritty and grounded than Gossip Girl, in which everything feels heightened and elevated and...distanced, I guess? And these two shows are really actually period pieces, they are such snapshots & products of the area in which they were created -- which, carried those views of love and sex as a throughline throughout the course of their shows. (i.e., dan & blair both end up with their respective firsts, bc it’s Destiny. Or something like that).

So, when I first watched the show (I was a freshman in college, the show had just come up on netflix streaming - I still thought I was straight, I was still Christian, I still had yet to take a gender studies course), well - for starters, I was so into the derena endgame, and chair...I wasn’t too invested, but like, it’s not like I wasn’t positive towards it. And I think a lot of that was due to these 00’s media ideas of, what’s the right word...sexual fidelity? And the belief that everyone has One Person, and if they’re ever not with that One Person then those other relationships are fake and false. And derena and chair in the show both followed and affirmed that kind of viewpoint by ending up together.

I should say here that I am not equivocating the relationship dynamics of these separate ships, I’m lumping them together to make a point, but derena =/= chair in my interpretation of the show and of the characters.

Now, I am older and hopefully a little bit wiser, and I believe that romantic love isn’t necessarily destined, but it’s something that’s built, that grows, and a person’s sexual history is not a reflection of their goodness, and that love can change and evolve and it doesn’t have to be romantic or stay romantic to be meaningful. So, when I rewatched the show in my mid-20s, dair was the ship that resonated with me the most. And it still does, which is why I’m here, writin’ fic, and answerin’ tumblr asks from you lovely people.

Also on my rewatch, I read that dan & serena grew out of each other, which is sad, but it happens, and that’s okay. And with chair, all those red flags that 00’s teen soaps gloss over (because they do them for nothing but the Drama, the lasting implications don’t matter, it’s about taking the stakes of the moment as high as possible) I really saw them, and they alarmed me in a way that didn’t alarm over-romanticizing 18-year-old me. That being said, I’m very happy in my little corner of the fandom sandbox, and I’m not looking to argue the virtues of some ships over others or change hearts and minds. I just want to write my silly little stories and maybe have my friends read them :)

I think it’s also important to mention that since GG stopped airing we’ve entered a new wave of feminism, and the MeToo movement arose, and as people of my generation have grown up, we are engaging with the media we grew up in with our evolved/evolving viewpoints, and I think that’s why there appears to be such a change within the fandom. Plus, in the grand vast scheme of history, sex positivity and gender empowerment are SUCH recent things, and in the past ten years, they’ve progressed lightning-fast. Like, remember when I said I began college and I still thought I was straight? Gay marriage was not legal where I was from then. Like, I remember the day Obergefell v. Hodges was decided, and that win was not a guaranteed one. (I was actually studying abroad in Rome at the time, so we American students were running through Italy being like “gay marriage!!!” while the Italians just watched us like “????????”)

You say you’ve always been a dair shipper, and that’s great for you! But I wasn’t. And for me, I am constantly learning and unlearning and relearning, and media (even off the rails CW teen dramas like Gossip Girl) is one of my ways of doing so. Though I will put on my Old Lady Librarian Liz hat for a second and say: if you’re still in school/university, and have the opportunity to take a gender studies course (outside the realm of the internet, bc tumblr is not the be all end all of education), I highly recommend it. I’m still no expert, and I can’t throw any verbatim Judith Butler at you, but engaging with those ideas and the history of gender studies academically gave me a framework for thinking critically that I’ve taken with me. And nothing teaches you humility like wading through Butler jargon.

Thank you so much for this ask, this really got me to think and reminisce and I enjoyed it!

#asks #anon #long post #on today's episode of liz overshares...#you may have gotten more than you bargained for with this response anon #but tbh no one has ever accused me of being shortwinded #gg meta #also for tagging purposes #anti derena #anti chair

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geshertzarmeod · 4 years ago

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Favorite Books of 2020

I wanted to put together a list! I read 74 new books this year, and I keep track of that on Goodreads - feel free to add or follow me if you want to see everything! I’m going to focus on the highlights, and the books that stuck with me personally in one way or another, in approximate order. Also, all but two of them (#5 and #7 on the honorable mention list) are queer/trans in some way. Links are to Goodreads, but if you’re looking to get the books, I suggest your library, the Libby app using your library, your local bookstore, or Bookshop.

The Faggots & Their Friends Between Revolutions by Larry Mitchell, illus. by Ned Asta (originally published 1977). I had a hard beginning of the year and was in a work environment where my queerness was just not welcomed or wanted. I read this in the middle of all of that, and it helped me so much. I took this book with me everywhere. I read it on planes. I read it on the bus, and on trains, and at shul. I showed it to friends... sometimes at shul, or professional development conferences. It healed my soul. Now I can’t find it and might get a new copy. When I reviewed it, in February, I wrote: “I think we all need this book right now, but I really needed this book right now. Wow. This book is magic, and brings back a sense of magic and beauty to my relationship with the world.” Also I bought my copy last July, in a gay bookstore on Castro St. in SF, and that in itself is just beautiful to me. (Here’s a post I made with some excerpts)

Once & Future duology, especially the sequel, Sword in the Stars, by A.R. Capetta and Cory McCarthy. Cis pansexual female King Arthur Ari Helix (she's the 42nd reincarnation and the first female one) in futuristic space with Arab ancestry (but like, from a planet where people from that area of earth migrated to because, futuristic space) works to end Future Evil Amazon.com Space Empire with her found family with a token straight cis man and token white person. Merlin is backwards-aging so he's a gay teenager with a crush and thousands of years of baggage. The book’s entire basis is found family, and it's got King Arthur in space. And the sequel hijacks the original myth and says “fuck you pop culture, it was whitewashed and straightwashed, there were queer and trans people of color and strong women there the whole time.” Which is like, my favorite thing to find in media, and a big part of why I love Xena so much. It’s like revisionist history to make it better except it’s actually probably true in ways. Anyway please read these books but also be prepared for an absolutely absurd and wild ride. Full disclosure though, I didn’t love the first book so much, it’s worth it for the sequel!

The Wicker King by K. Ancrum. This book hurt. It still hurts. But it was so good. It took me on a whole journey, and brought me to my destination just like it intended the whole time. The author’s note at the end made me cry! The sheer NEED from this book, the way the main relationship develops and shifts, and how you PERCEIVE the main relationship develops and shifts. I’m in awe of Ancrum’s writing. If you like your ships feral and needy and desperate and wanting and D/S vibes and lowkey super unhealthy but with the potential, with work, to become healthy and beautiful and right, read this book. This might be another one to check trigger warnings for though.

The Entirety of The Daevabad Trilogy by S.A. Chakraborty. I hadn’t heard of this series until this year, when a good friend recommended it to me. It filled the black hole in me left by Harry Potter. The political and mystical/fantasy world building is just *chef’s kiss* - the complexity! The morally grey, everyone’s-done-awful-things-but-some-people-are-still-trying-to-do-good tapestry! The ROMANCE oh my GOD the romance. If I’m absolutely fully invested in a heterosexual romance you know a book is good, but also this book had background (and then later less background) queer characters! And the DRAMA!!! The third book went in a direction that felt a little out of nowhere but honestly I loved the ride. I stayed up until 6am multiple times reading this series and I’d do it again.

An Unkindness of Ghosts by Rivers Solomon. I loved this book so much that it’s the only book I reviewed on my basically abandoned attempt at a book blog. This book is haunting, horrifying, disturbing, dark, but so, so good. The character's voices were so specific and clear, the relationships so clearly affected by circumstance and yet loving in the ways they could be. This is my favorite portrayal of gender maybe ever, it’s just... I don’t even have the words but I saw a post @audible-smiles made about it that’s been rattling in my head since. And, “you gender-malcontent. You otherling,” as tender pillow talk??? Be still my heart. Be ready, though, this book has all the triggers.. it’s a .

Felix Ever After by Kacen Callender. This book called me out on my perspective on love. Also, it made me cry a lot. And it has two different interesting well-written romance storylines. And a realistic coming-into-identity narrative about a Black trans demiboy. And a nuanced discussion of college plans and what one might do after college. And some big beautiful romcom moments. I wish I had it in high school. I’m so glad I have it now! (trigger warning for transphobia & outing, but the people responsible are held accountable by the end, always treated as not okay by the narrative, and the MC’s friends, and like... this is ownvoices and it’s GOOD.)

The Starless Sea by Erin Morgenstern. My Goodreads review says, “I have no idea what happened, and I loved it.” That’s not wrong, but to delve deeper, this book has an ethereal feeling that you get wrapped up in while reading. Nothing makes sense but that’s just as it should be. You’re hooked. It is so atmospheric, so meta, so fascinating. I’ve seen so many people say they interpreted this character or that part or the ending in all different ways and it all makes sense. And it’s all of this with a gay main character and romance and the central theme, the central pillar being a love of and devotion to stories. Of course I was going to love it.

Fierce Femmes and Notorious Liars: A Dangerous Trans Girl’s Confabulous Memoir by Kai Cheng Thom. “Because maybe what really matters isn’t whether something is true, or false. Maybe what matters is the story itself; what kinds of doors it opens, what kinds of dreams it brings.” This book was so good and paradigm shifting. It reminded me of #1 on this list in the way it turns real life experience and hard, tragic ones at that (in this case, of being a trans girl of color who leaves home and tries to make a life for herself in the city, with its violence), into a beautiful, haunting fable. Once upon a time.

I Wish You All the Best by Mason Deaver. I need to reread this book, as I read it during my most tranceful time of 2020 and didn’t write a review, so I forgot a lot. What I do remember is beautiful and important nonbinary representation, a really cute romance, an interesting parental and familial/sibling dynamic that was both heartbreaking and hopeful, and an on-page therapy storyline. Also Mason Deaver just left twitter but was an absolutely hilarious troll on it before leaving and I appreciate that (and they just published a Christmas novella that I have but haven’t read yet!)

The Truth Is by NoNieqa Ramos. It took a long time to trust this book but I’m so glad I did. It’s raw and real and full of grief and trauma (trigger warnings, that I remember, for grief, death (before beginning of book), and gun violence). The protagonist is flawed and gets to grow over the course of the book, and find her own place, and learn from the people around her, while they also learn to understand her and where she’s coming from. It’s got a gritty, harsh, and important portrayal of found family, messy queerness, and some breathtaking quotes. When I was 82% through this book I posted this update: “This book has addressed almost all of my initial hesitations, and managed to complicate itself beautifully.”

Anger is a Gift by Mark Oshiro. I wasn’t actually in the best mental health place to read this book when I did (didn’t quite understand what it was) but it definitely reminded me of what there is to fight against and to fight for, and broke my heart, and nudged me a bit closer to hope. The naturally diverse cast of characters was one of the best parts of this book. The romance is so sweet and tender and then so painful. This book is important and well-written but read it with caution and trigger warnings - it’s about grief and trauma and racism and police brutality, but also about love and community.

The Prey of Gods by Nicky Drayden. This is a sci-fi/fantasy/specfic mashup that takes place in near-future South Africa and has world-building myths with gods and demigoddesses and a trip to the world of the dead but also a genetically altered hallucinogenic drug that turns people into giant animals and a robot uprising and a political campaign and a transgender pop star and a m/m couple and all of them are connected. It’s bonkers. Like, so, so absolutely mind-breaking weird. And I loved it.

Crier’s War and Iron Heart by Nina Varela. I absolutely LOVE LOVE LOVED the amount of folktales they told each other with queer romances as integral to those stories, especially in Iron Heart. A conversation between the two leads where Crier says she wants to read Ayla like a book, and Ayla says she’s not a book, and Crier explains all the different ways she wants to know Ayla, like a person, and wants to deserve to know her like a person, made me weak. It lives in my head rent-free.

Queen’s Shadow by E.K. Johnston @ekjohnston . I listened to this book on Libby and then immediately listened to it at least one more time, maybe twice, before my borrow time ran out. I love Padmé, and just always wish that female Star Wars characters got more focus and attention and this book gave me that!! And queer handmaidens! And the implication that Sabé is in love with Padmé and that’s just something that will always be true and she will always be devoted and also will make her own life anyway. And the Star Wars audiobooks being recorded the way they are with background sounds and music means it feels like watching a really long detailed beautiful Star Wars movie just about Padmé and her handmaidens.

Sissy: A Coming of Gender Story by Jacob Tobia. I needed to read this. The way Tobia talks about their experience of gender within the contexts of college, college leadership, and career, hit home. I kept trying to highlight several pages in a row on my kindle so I could go back and read them after it got returned to the library (sadly it didn’t work - it cuts off highlights after a certain number of characters). The way they talk about TOKENISM they way they talk about the responsibilities of the interviewer when an interviewee holds marginalized identities especially when no one else in the room does!!! Ahhhh!!!

Bonds of Brass by Emily Skrutskie. Disclaimer for this one that the author was rightfully criticized for writing a Black main character as a white author (and how the story ended up playing into some fucked up stuff that I can’t really unpack without spoiling). But also, the author has been working to move forward knowing she can’t change the past, has donated her proceeds, and this book is really good? It has all the fanfic tropes, so much delicious tension, a totally unexpected plot twist that had me immediately rereading the book. This book was super fun and also kind of just really really good Star Wars fanfiction.

How To Be a Normal Person by T.J. Klune. This book was so sweet, and cute, and hopeful, and both ridiculous and so real. I had some trouble getting used to Gus’ voice and internal monologue, but I got into it and then loved every bit after. The ace rep is something I’ve never seen like this before (and have barely read any ace books but still this was so fleshed out and well rounded and not just like, ‘they’re obsessed with swords not sex’ - looking at you, Once & Future - and leaving it there.) This all felt like a slice of life and I feel like I learned about people while reading it. Some of the moments are so, so funny, some are vaguely devastating. I have been personally victimized by TJ Klune for how he ends this book (a joke, you will know once you read it) but it also reminds me of the end of the “You Are There” episode of Xena and we all know what the answer to that question was.... and I choose to believe the answer here was similar.

You Should See Me in a Crown by Leah Johnson. I wish I had this book when I was in high school. I honestly have complicated feelings about prom and haven’t really been seeking out contemporary YA so I was hesitant to read this but it was so good and so well-written, and had a lot of depth to it. The movie (and Broadway show) “The Prom” wants what this book has.

Plain Bad Heroines by Emily M. Danforth. I never read horror books, so this was a new thing for me. I loved the feeling of this book, the way I felt fully immersed. I loved how entirely queer it was. I was interested in the characters and the relationships, even though we didn’t have a full chance to go super deep into any one person but rather saw the connections between everyone and the way the stories matched up with each other. I just wanted a bit of a more satisfying ending.

Honorable Mention: reread in 2020 but read for the first time pre-2020

Red White & Royal Blue by Casey McQuiston. I couldn’t make this post without mentioning this book. It got me through this year. I love this book so much; I think of this book all the time. This book made me want to find love for myself. You’ve all heard about it enough but if you haven’t read this book what are you DOING.

In Other Lands by Sarah Rees Brennan @sarahreesbrennan . I reread this one over and over too, both as text and as an audiobook. I went for walks when I had lost my earbuds and had Elliott screaming about an elf brothel loudly playing and got weird looks from someone walking their dog. I love this book so much. It’s just so fun, and so healing to read a book reminiscent of all the fantasies I read as a kid, but with a bi main character and a deconstruction of patriarchy and making fun of the genre a bit. Also, idiots to lovers is a great trope and it’s definitely in this book.

Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz. This book is forever so important to me. I am always drawn in by how tenderly Sáenz portrays his characters. These boys. These boys and their parents. I love them. I love them so much. This is another one where I don’t even know what to say. I have more than 30 pages in my tag for this book. I have “arda” set as a keyboard shortcut on my phone and laptop to turn into the full title. This book saved my life.

Last Night I Sang to the Monster by Benjamin Alire Sáenz. This book hurts to read - it’s a story about trauma, about working through that trauma, healing enough to be ready to hold the worst memories, healing enough to move through the pain and start to make a life. It’s about found family and love and pain and I love it. It’s cathartic. And it’s a little bit quietly queer in a beautiful way, but that’s not the focus. Look up trigger warnings (they kind of are spoilery so I won’t say them here but if you have the potential to be triggered please look them up or ask me before reading)

Ella Enchanted by Gail Carson Levine. When asked what my all time favorite book is, it’s usually this one. Gail Carson Levine has been doing live readings at 11am since the beginning of the pandemic shut down in the US, and the first book she read was Ella Enchanted. I’ve been slowly reading it to @mssarahpearl and am just so glad still that it has the ability to draw me in and calm me down and feels like home after all this time. This book is about agency. I love it.

Radio Silence by Alice Oseman @chronicintrovert . I’ve had this on my all-time-faves list since I read it a few years ago and ended up rereading it this year before sending a gift copy to a friend, so I could write little notes in it. It felt a little different reading it this time - as I get further away from being a teenager myself, the character voice this book is written in takes a little longer to get used to, but it’s so authentic and earnest and I love it. I absolutely adore this book about platonic love and found family and fandom and mental illness and abuse and ace identity and queerness and self-determination, especially around college and career choices. Ahhh. Thank you Alice Oseman!!!

Leia: Princess of Alderaan by Claudia Gray @claudiagray . I have this one on audible and reread it several times this year. I love the fleshing out of Leia’s story before the original trilogy, I love her having had a relationship before Han, and the way it would have affected her perspective. I also am intrigued by the way it analyses the choices the early rebellion had to make... I just, I love all the female focused new Star Wars content and the complexity being brought to the rebellion.

#red white and royal blue #aristotle and dante discover the secrets of the universe #osemanverse #star wars #queer books #lgbtq books #books #alice oseman #miri personal #wow this took so long but was so worth it!#long post #book recs #PS: if you've read any of these or have questions about any of these books #this is your formal invitation to talk to me about them!!!! even if i don't know you at all!#even if i don't follow you and even if you don't follow me!#my ask box is open anon is on!#original content

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magnhild · 4 years ago

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A Happy Review (kind of) of Ikenfell

Having ADHD means that I have a lot of trouble getting into new media if I’m hyperfixating on something else. As any follower of mine is no doubt aware, my current one is RWBY, and has been for a while. But with the show’s mid-volume hiatus underway, I ended up left in a void with nothing to fill it.

Two days ago, I had a friend reccomened to me a little indie RPG called Ikenfell. I’d never heard of it, but I was told it has a great number of LGBT+ characters, options to make gameplay easier, content warnings, and music composed by the great Aivi & Surasshu, who you might know as the composers of Steven Universe. This grabbed my interest, but I found myself sketpical that it could be that good, and that the representation, in particular, was largely exaggerated and probably just mild implication.

Nevertheless, I started the game the next day, intending to play for an hour or so before putting it down again, warning my friend that I was unlikely to get too invested in it.

Almost exactly 12 hours later, I found myself watching the epilogue play out with misty eyes, having finished the game and having gotten deeply pulled into it.

This game was everything it was promised to me and so much more. Between the representation, the accessibility options, and the overall charm of the game, Ikenfell ended up being laregly enjoyable and something truly special; a hidden gem in the plethora of video games released in 2020.

The game follows Maritte Hildegaard, a non-magical teenage girl, on the search for her yes-magical sister Safina, a witch attending the school of Ikenfell. A basic premise on the surface, but the story itself has a lot of neat little twists and turns that all come together for a satisfying story worthy of being animated someday. It probably won’t be, but hey, I can’t dream, right?

To begin with, I didn’t find myself too fond of the battle system, not because I found it flawed, but simply because I personally struggle with video game battles and they can also cause me a great deal of pain due to my connective tissue disorder and chronic shoulder pain. I was getting way too frustrated, even agaisnt smaller enemies, and was ready to put the game down after yet another failure agaisnt the same single boss. Tied alongside the fact you cannot see your enemy’s HP, making strategixing more difficult, I was ready to say that I wasn’t a huge fan of the game.

That is, until I found out about instant victory, an option in the settings that allows you to be given the chance to instantly skip literally any battle in the game, with no negative conequences and all of the rewards. For more avoid gamers, it might be tempting to mark this as a flaw that makes the game ‘too easy’, but is very much optional, and anyone who wants the challenge can play without it if they wish. But for disabled people like me, who also get easily stressed, it was an absolute Godsend that allowed me to focus more on the story and characters, which was what I really cared about.

On the note of characters, the representaion mentioned earlier is certianly no exxageration, with just about every named character being explicily LGBT+ in a way that I’ve never seen before in officially published media. I’m not just talking wlw and mlm characters, though there were plenty. No, the characters aren’t only diverse in sexuality, but in gender as well. Of the six playable characters, three- an entire half- of them are nonbinary. Several human nonbinary characters. And it goes even further- only one of these characters uses they/them pronouns. Why is that good? Because not all nonbinary people do. And that’s something that is severely overlooked by those with binary genders. One of them uses he/him pronouns, and the other uses ze/zir pronouns. You read that right. A main character in a video game, in media at all, that uses neopronouns. Now, I am fully aware that neopronouns have been used in media before; my own set were coined by a book, in fact. But in all of these cases that I’m aware of, they are used exclusively for non-human characters; aliens, bringing an implcation that neopronouns are nonhuman. This case, as far as I’m aware, is the first case that they are used to reflect and represent real human beings, and it is absolutely incredible. The LGBT+ representation in this game is amazing, but there is something very special and signifigant about a black, human, adult character, using neopronouns.

Even better yet is that this is all in the game completely casually, with no fanfare, no dramatic coming-out plotlines, no treatment as if it is anything but normal. Even the one instance of a character accidentally misgender another comes with a quick apology and correction with no big deal. Better yet is that terms like ‘gay’ and ‘nonbinary’ are explicitly used in-text as well, rather than avoiding the use of them as many other instances of LGBT+ characters in media do.

Aside from individual LGBT+ characters, the game also boasts five LGBT+ couples over the course of the story, though one is only sen in flashbacks and another is only mentioned between scenes. Nevertheless, it’s easy to become invested in the slight romantic aspects of the story.

SPOILERS AHEAD

One of these romances is between Ibn Oxley and Bax Twiford, and it’s the first one we see hinted at in the game. During the stoy’s climax, Bax is fatally wounded and I felt a heavy weight in the pit of my stomach, even tweeting an out-of-context ‘OH NO’ to confused and concerened followers. MLM couples in media are all-too-often doomed to fail, usually by way of having one half of the couple be killed off. I feared this would be the same case here, to the only MLM couple in the game, and resigned to it with a hevay heart.

Except, the game surprised me again, and saved Bax before he died, allowing for both characters to get their happy ending. In fact, all of the characters get at least somewhat of a happy ending, a refreshing detail for a sap like me. I was espeically pleased when I sat through the credits, praying for an epilogue that would confirm soemthing I was hoping for, being sure I wouldn’t get it, and then i got it. Every writing choice made felt like one of my own, albiet excuted better, with far more professionalism. It felt so utterly refreshing to have everything turn out the way I wanted it to.

Even decisons made outside of representaion satisified me, like Safina not being forgiven by Maritte after everything she’d done, including keeping Maritte’s entire existance from her friends. In many instances these days, it’s all-too-common for a character to do terrible things, only to be forgiven by everyone the moment they apologie, and it can be a bit frustrating if you’re someone who knows that nobody should ever feel obligated to forgive someone who hurt them, and that an apology is more than just saying ‘sorry’. It was yet another case of the story going exactly as I’d wanted it to.

END SPOILER WARNING

Ikenfell feels just like a fanfiction, and I mean that in the best possible way. Not because it’s exceedingly trope-y, or because it feels amature in any way, but because it doesn’t feel like something that was written for pleasing the (cishet and white) masses when it comes to its representation. The large majority of creators looking to publish their work will avoid going all-out with representation in fear of the classic ‘it’s not realistic’ critisism, with only fanfiction authors usually having the guts to make all of their characters LGBT+, because they’re writing for themselves and a small audience of people who enjoy the same things as them. Ikenfell has this same feel; it wasn’t created to be a huge, wildly popular, chart-topping game, it was created to be something that the people it represented could enjoy. It is the purest kind of video game, not one made for profit or attention, but simply because the creators wanted to create it. The fanfiction vibe also makes a lot of sense, considering the fact that was inspired by them- which may explain why I, laregly a fanfiction writer, agree with so much of its choices.

The game may not be everyone’s thing, but if you’re disabled, LGBT+, a POC, of even just someone who ejoys cute fantasy RPGs, I implore you to buy and play the game, because even my words can’t fully capture what an incredible game it is. There’s stuff I haven’t even mentioned, like the beuatiful music, the great visuals, and the many, many cats, so please, go and check it out for yourself.

Thank you for reading, and thank you to every single person who worked on Ikenfell for crafting such a lovely and inclusive game.

#ikenfell #essay #my writing #long post

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sometipsygnostalgic · 4 years ago

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When'd you get into Adventure Time the first time, and how'd it happen? Been thinking of giving it a watch (especially after all the good stuff that's been said of Obsidian and, admittedly, all the stuff I've seen you post and reblog), and it got me curious

This is like my favourite story, and it is the only good one I remember from being a teenager (life from back then has been super foggy since I moved out of my mum's but it is all good now):

When I was 15 I made a new friend who wanted to write a comic about Teen Titans with me as the artist, TT being my second-favourite childhood show after DBZ.

I started bingewatching Teen Titans because I now had a computer and was able to do so. I learnt about the voice actors.

Starfire was played by Hynden Walch. I learnt that Hynden's latest role was Princess Bubblegum on Adventure Time. I checked it out on wikipedia. It seemed kind of cartoony for me.

One thing that caught my eye is when the wikipedia page said PB "may have had a past relationship" with Marceline, the vampire girl with the really pretty hair. I was confused by this, and rationalised it to myself as they must have had a history as friends or enemies. It didn't say what kind of relationship and I thought there was no chance of it meaning "romantic".

For the time being, I didn't look into AT further.

A couple months pass. After several months of tension, I get a text while in school telling me that my dad was breaking up with his fiance, and I would need to move back into my mother's place immediately. This was smack bang when I was about to start my GCSE exams - the timing couldn't be worse. My mother's house is a shit hive and I went between having a tiny box room to myself or sharing a messy bedroom with my sister and mother. There were no standards for hygeine and there wasn't a stable supply of food.

I decide to finish my binge watch of Teen Titans. I spend all day doing this every day. I rewatched it once I was done. It was what I did to cope.

At the same time, my Teen Titans comic friend confides in me. She tells me she thinks she might be a lesbian, and she is scared her parents will reject her. I sympathise deeply. At the time, I was waist deep in the closet to the point I couldnt accept certain things about myself either, but having a friend come out to me made me reconsider LGBT matters.

I looked on deviantart and saw some art for "RaeStar". I thought it was wrong to ship them (I shipped RobStar hardcore) but, well, the art was so cute. Their interactions were healthy and sweet. It was nice. This became my low key first gay ship.

Then, I start bingeing RebelTaxi's Teen Titans video reviews.

Once I am dry on Teen Titans content, I see RebelTaxi did a review on Fionna and Cake, and on Ryan North's Issue #2 of the Adventure Time comic.

The first video, Fionna and Cake, was appealing to me. The show had an amazing art style, and a decent sense of humor. I loved that they did something for the fans, making a genderbent fanfic episode based on popular fan characters. It was unprecedented and very post modern.

....But it was the SECOND video that made me take a very sudden interest in the show.

RebelTaxi was referring to a scene with PB and Marcy in the bottom of the Lich's bag. There is a joke where Marcy turns into a tentacle monster. RebelTaxi always makes hentai jokes when tentacle monsters are involved, but he interpreted this scene as referencing the characters' "lesbian undertones".

...Wait, WHAT? Hynden Walch's character and the pretty vampire have Lesbian Undertones?!?! Haven't I heard this somewhere before?!?!

A quick google search of "Adventure Time Lesbian Undertones" later, I discover the Mathematical! Controversy - how an episode with some incredible songwriting seemed to imply they had been girlfriends in the past who have residual feelings for each other. A podcast had been made by the producers fangirling about this possibility, but it was taken down, and the director fired. Nobody had outright said the subtext was not there, but they said they didn't want the podcast to sound like word of god. There had been a lot of upset in the gay community over this. Oh, by the way, there's a gay community of cartoon fans who really ship PB/Marcy.

With a combination of everything, from how my friend had just come out to me and was struggling with homophobia, to how I was a Hynden Walch fan, to how the show had already impressed me with what little I'd seen, I became IMMEDIATELY invested in finding out as much as possible about these potential LGBT characters and their relationship.

So I checked out a ton of Adventure Time videos on youtube. I checked the vids that had Marceline's backstory in, vids with funny moments from PB and all the other characters, I checked Deviantart for fanart where I made my first engagements with the fandom's gay community, I checked the Wiki talk pages to get ALL of the discourse. It changed who I was basically overnight.

I decided Adventure Time was a fun show with clever writing, and absolutely worth my attention. During the break for exams, I binge watched it all day, and then I would cram for my GCSEs between midnight and 3am on the day of the exam. I was addicted!

When I caught up, Goliad aired. This was the first ep to come out with me being in the fandom.

At the time, even though Hynden had drawn me to the show, Marceline was the character I was most invested in. She had the amazing backstory and music and character design. PB was fun, but there was relatively nothing to her character.

Oh boy, that ALL CHANGED with Goliad! People were intensely debating what the episode was saying about her. Is she a good person, a bad person? Why was she so troubled in the episode's opening, and why was Goliad corrupted?

Discourse only escalated with Princess Cookie. The top post on the wikia was "Is Princess Bubblegum evil?"

Thinking about her character was so interesting for me. These two episodes made me realise PB was a character with her own internal battles, who was struggling with the responsibility to do what was right for her people vs what is the Right Thing, with her own psychological wellbeing caught in the middle. My interpretation of Goliad was that PB was a naturally neutral person who had decided to be good, whereas Goliad had been corrupted by Jake's anger, and this contrasted with Finn who was a pure good person. The Princess Cookie episode reinforced my ideas, because she was doing something that was neither objectively good or bad but was a result of her own morality, and it went against Jake's morality. The idea of the "good guys" having such different values was so engaging, and they managed to come around at the end, with baby-snaps being submitted to rehabilitation.

Princess Cookie was also the first episode where PB was shown to be an adult while a currently adult character was a child. Either candy people age quickly, or - more likely - Pb is keeping her age a mystery. After thinking about this, I opened up a page on the wiki forums saying "Is Princess Bubblegum Old?"

This is what sealed my position in the fandom. I became a well known regular of the community after that, on Wikia and then Tumblr. It was my first fandom. So many good memories of theories, debates, analysis and fanart, the satisfaction of my theories being confirmed in season 5 onwards.

The most important thing to me, about engaging with the AT community, was how those initial interactions around the LGBT content were the groundwork for me being comfortable coming out of the closet. If it wasn’t for that, if it wasn’t for speaking specifically to Thisfreemind and Illeity about how gay relationships are perfectly fine and healthy for kids to see, and no less clean than straight relationships, I might be a person with far more conservative views today, and I might have fallen out with several of my closeted friends over internalized homophobia.

I would have also probably failed high school. My grades improved drastically over the next year, because my online community life had made me happier. It was comfort and stability during a difficult couple of years.

#adventure time #atimers #bubbline

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arceneades · 4 years ago

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Why I Love She-Ra (2018)

I watched She-Ra after my YouTube feed had been inundated with She-Ra for a couple of years. I just sort of wanted to know what it was all about. People were talking. I was curious.

I think the first time I felt like crying was during the theme song the first time I saw it.

“We’re Gonna Win In The End!”

This was a queer show. I knew that. And... well, I grew up in the 1980s. And people, we are winning. We are winning this fucking fight with the forces of fucking darkness, some of which were in my own mind and heart, and it has been a long god damn slog but we are winning.

In the late 1990s and early 2000s, I worked for a company that published a phone book (yes, a printed book, with phone numbers in it that you could call. It was a different time, okay?) that was targeted to the gay community. Specifically, it was a yellow page directory with advertisements for restaurants, and florists, and plumbers, and towing services, and any other business that you could think of that were paying money to let gay customers know that they would be treated like fucking human beings by that business.

That book doubled in size every year for 4 years. Because we were winning.

It took decades to go from the Defense of (straight) Marriage Act to nationwide acknowledgement of marriage rights. But we got there. Because we are winning. And I care about this fight.

So, yeah. I’m in. Let’s go. We’re gonna win in the end.

The feels did not stop. I cried during “Promise”. Well, I mean, of course I did, I’m not an inhuman monster. I cried during the battle of Bright Moon. I cried for Catra when Shadow Weaver left her, when she hurt her friends, when her pain and rage tore the world apart. She just kept breaking my heart. I wanted her to make just one good decision.

She did, of course, and I cried about that too. I knew what was coming with “Corridors” but it killed me anyway, Adora’s “no, no, no” just bruised my soul.

And “Save the Cat”? Adora’s righteous fury and the power of her love for Catra... again. Tears.

Maybe it was just 2020. Maybe my emotions were just close to the surface. I don’t know. I HURT for those kids. I wanted them to be okay. I still want them to be okay.

But I also felt seen. Seen in a way that... was different.

I was a middle aged, cis-gendered, straight white male. And this show was hitting me, and hitting me hard, and I didn’t know why. I was invested in this love story. I was invested in the war. I knew they were the same thing.

Not unusual, I suppose. I’m a Jane Austen fan. I like love stories. I like it when main characters get together. I’ve read Pride & Prejudice more than twice. But I don’t feel seen when I do.

Part of it was Catra. We all probably have some Catra in us. I might have more than most. It’s taken a long time to get some of my more extreme behaviors under control, although my rage and trauma tends to direct inward, not outward.

Part of it was Adora. I love characters that reflect fierce protectiveness, a part of us that wants to stand between the universe and the people we love and say “No, You can’t hurt them. You can’t have them. They. Are. Mine.”

But hey, you know, Tony Stark has that vibe in “Avengers: Endgame” and even dies to protect what he loves and while that speaks to me, I don’t feel... seen.

Tony Stark is played by Robert Downey Jr, an actor I grew up watching. Avengers is essentially built for me to watch. Literally, I am the target market, me and the kids I’m going to bring to the theater. I don’t feel seen. Marketed to, maybe. But not seen.

Which led me to wonder why a love story about two lesbians who are too young to drink, set in a world where it is not only okay to be a teenage lesbian but it isn’t even worth commenting on, meant so very much to me.

And thinking about that reminded me of something. Which is that when I was super into Second Life, a decade or so ago, I always used a female avatar. Always.

And it felt right. Perfectly right. And I had a lot of conversations with trans people who were also using female avatars because it helped them get along with their dysphoria. A feeling I don’t have. Of course.

I mean, sure. I prefer playing female avatars in games. That’s totally a cis-het thing to do, right? You know the joke, “If I’m going to be staring at an ass, it might as well be a nice ass.”

Okay, so maybe, just maybe, I did sort of decide that I wasn’t a man during that time. I wasn’t sleeping. I was depressed. I hated my job. Totally understandable. My friends straightened me out, shamed me out of that. Maybe that wasn’t the nicest way they could have approached that but I got shamed out of it, didn’t I? If I were actually trans, that wouldn’t happen. Right?

And I like being male. Well, I like the privileges that come with being male. I like having the upper body strength, and I find other men to be sufficiently terrifying that I wouldn’t want to... take off the armor. Not around them.

Yes, maybe, just maybe, I would prefer to have sex as a woman, given the option. That doesn’t make me trans, it just means that I really feel at home around lesbians and want to be a part of their world. Totally normal cis-het feelings there. It’s not like I would actually transform into a woman if I had a magic wand. I mean, not permanently. Not all the time. Just, you know, sometimes. When I wanted to take the armor off. Just when it felt safe.

Totally. Normal. Cis-Het. Feelings.

I mean, obviously I don’t want to be a woman. I don’t want to carry breasts around, for one thing. Looks uncomfortable. I like having just muscle up there instead, thank you very much. And I’m super comfortable with short hair and a beard. It’s a good look for me. I wouldn’t want to look different. I’m happy with my hormone mix. So, there you go. I’m a boy.

So why don’t I want to be one?

This argument has been raging in my skull forever. Am I a boy? I’m not a girl. I like being able to grow a beard. I’m as Dad a Dad as any Dad on the face of the planet. I don’t want breasts. But... I sort of do want hips.

When I first started questioning my gender, as far as I knew, there were two options. And neither of them fit. Because what I am is non-binary. A fact I would not know if Noelle had not made SPOP, and I don’t know how I can possibly thank her enough for that.

And according to the kids on the enby lesbians server, I’m a non-binary lesbian, which explains the fact that I’m on my fifth Subaru, but doesn’t explain why I don’t currently share my life with a mixed breed Labrador.

I am queer. I felt seen watching She-Ra because I was seen. On Etheria, everyone would use my pronouns. On Etheria, my friends would have helped me through my gender crisis. On Etheria, even in a war, we love and accept each other for who we are. We see each other.

We’re not on Etheria. But I believe we’ll get there.

We’re gonna win in the end.

#spop fandom #gender #queer is beautiful #nonbinary #she ra and the princesses of power #she-ra

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amphtaminedreams · 4 years ago

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Farewell to Spooky Season, AHS Style: Lookbook no.12

Hi to anyone reading,

Happy belated Halloween!

I capitalise it because if I'm gonna recognise any day as sacred, it’s the spookiest one of the year! Halloween 2020 obviously hasn’t been as exciting as usual, parties and club nights being banned has meant there’s been far less opportunities to dress up, but I still managed to get out for the night before they announced the upcoming second lockdown and do a couple of spooky movie nights (and carve a pumpkin!)!

I originally intended for this lookbook to be last minute halloween costume inspo but I was lazy and didn’t manage to get it out on time-a lot of these looks minus the makeup and maybe an accessory or two could work on any day or night out so I thought I’d go ahead and post it now anyway. Celebrating the fashion moments of American Horror Story is something I’ve wanted to do for a while; it’s probably not the first show you’d think of for sartorial inspiration but Mr. Ryan Murphy has fucking fantastic taste in stylists and the first five seasons of AHS in particular, which I’ll be focussing on in this post, have given us SO many amazing looks. The man may be guilty of many things-subjecting us to the character of Will Schuester, trying to turn Richard Ramirez into a thirst trap, embarrassing everyone who raved about how good Scream Queens was when he wrote season 2-but costume related laziness is not one of them. We see more consistency in a Ryan Murphy character’s wardrobe than we do in their story arcs and I respect that because honestly, as much as I love joining in when it comes to ripping into his ability to cohesively bring an AHS season to a close when it airs, I’d probably be the same; if you put Lady Gaga in front of me and told me to write her lines I’d probably end up getting overly invested in what her character was going to be wearing in the scene too.

So! Enough Ryan Murphy bashing from me! I’ll get on with it! Starting with 3 season 1 inspired looks:

Murder House: Elizabeth Short, Tate Langdon and Violet Harmon

-striped jumper from caitlinlark on Depop, kick flare jeans from ellagray-

When it comes to reflecting on season 1 of American Horror Story, all I can say do is thank the internet overlords that Tumblr has moved on from the romanticising school shooters and wearing normal people scare me tops phase to instead collectively taking the piss out of the “GO AWAY, TATE!”, “YOU’RE ALL THAT I WANTTT! YOU’RE ALL THAT I HAVEEE!” exchange.

In terms of fashion *moments*, whilst season 1 doesn’t stand out as much as the seasons that come after, Violet and Tate’s wardrobes did give birth to a bit of a 90s grunge renaissance with their oversized knits and faded jeans and layering of textures. It did also give us good costumes in the form of Alexandra Breckenridge’s Moira O’Hara and Mena Suvari’s portrayal of the Black Dahlia, Elizabeth Short; unfortunately, I didn’t have a slutty maid costume lying around so I did the best I could at giving the outfit Elizabeth wears when she makes that fateful visit to the Murder House a modern, more party appropriate update.

In terms of season rankings, Murder House isn’t my favourite. It starts off really great but lulls a bit towards the end and I could never get behind Violet and Tate as a couple because you know, one of them is a school shooter who sexually assaults the other’s mum, and that’s a hurdle that I think most couples might struggle to get over irl. That being said, it was the season that started it all and showcased some of the most innovative writing and directing on TV, and it opened up a spot for horror on primetime television which as far as I know was kind of unheard of before then. Back when I first watched it, I had no idea what to expect not only because I’d never seen horror in a serial format but also because it seemed to be able to get away with the kind of storylines you’d expect network executives to fire people over. It introduced us to Jessica Lange and Sarah Paulson and Evan Peters and Denis O’Hare who would go on to make the show what it is today and more importantly, through Jessica’s glorious portrayal of Constance Langdon, provide us with an endlessly versatile meme format for this trying time.

Asylum: ‘60s Lana Winters, ‘70s Lana Winters, and Sister Mary Eunice McKee

-afghan coat from louisemarcella on Depop, red AA skater dress from julietramage, pink gingham co-ord from zshamim-

I think we can all agree: Asylum would’ve been a perfect series of television if it wasn’t for the completely unnecessary alien storyline. Like, I get that they fit in with the whole good vs. evil theme as a kind of non-biblical alternative to the idea of a higher, all-powerful being but there was already so much going on that it just wasn’t needed. Aside from that, I think the general consensus amongst watchers of the show is that Asylum has the best writing of any season and I think I’d tend to agree. It’s not my favourite because it’s too depressing to rewatch but if we’re talking the first time round, this is the series that had me hooked. Lana Winters?

Iconic.

Sister Mary Eunice? Iconic. The Name Game? Iconic. Remember when you couldn’t go a day on Facebook without seeing that one photo of Naomi Grossman as Pepper used as the go to “what I really look like” photo in one of those “expectation vs. reality” style posts on your newsfeed? Those were simpler times.

Because this season was mostly situated within the hospital, we didn’t get that many proper outfits but when we did, they were stunning; if I had to state my absolute favourite AHS character of the entire show I’d probably go with Lana Winters and the part her wardrobe played in her characterisation would 100% play a part in that. The late 60s/early 70s was such a wonderful period for fashion and through her character we get to see both of those explored a little. Of course there’s also *that* Sister Mary Eunice scene with the red slip dress and suspenders too which yes, could be a perfect halloween costume, but I also strongly believe should be a perfectly acceptable outfit for any day of the year.

Coven: Misty Day, Madison Montgomery, and Zoe Benson

-chiffon dress from rags_to_riches on Depop, pinstripe corset from hanpiercey, and tennis skirt from mollie_morton-

I hate to be a basic bitch but I have to say it: Coven is my favourite season of American Horror Story. Once you get over the complete waste of Evan Peters’ acting capabilities that resulted from the *choice* to have him play Kyle, the unnecessary rehash of the Evan/Taissa pairing from season 1 in what I can only assume was an attempt to capitalise on the popularity of the questionable Tate/Violet relationship, and the subsequent sacrifice of any interesting character arc we could’ve foreseen for Zoe Benson beyond her obsessing over a resurrected, non-verbal frat boy, it’s a perfect season. A supreme (heh) balance of horror, humour, and character drama, as well as the stunning aesthetics and forever quotable dialogue, make it my go-to season if I’m ever considering a rewatch. And if you disagree, let me jog your memory with the most mainstream (not to get all “normal people scare me” and suggest AHS is not a mainstream show, I literally just mean in the sense that even those who have never watched the show will have seen this) reaction GIF set any FX show has even spawned:

Buzzfeed employees had a field day, Emma Roberts enthusiasts (I mean me) finally saw her cemented as the pop culture icon Scream Queens has since showed us she deserves to be (because not enough people have seen Unfabulous, Nancy Drew or Scream 4) and the gays everywhere rejoiced at the year’s worth of meme fodder they’d been provided with. It was Madison Montgomery’s world and we were truly just living in it.

And the fashion! I mean, Stevie Nicks meets 21st century teenage witches! Come on!

Freakshow: Dandy Mott, Maggie Esmerelda and Elsa Mars

-olive green satin skirt from morganogle on Depop, headscarf from tonijordan, platform sandals from elliefewt, PVC skirt from bethpin_, corset top from sadieflinter, beret from house_of_erotique, flame detail platform boots from mad_rags_vintage-

When people talk about the declining quality of AHS, they usually point to Freakshow as the beginning of the end, but I have to completely disagree. I wasn’t a fan the first time round but on rewatch it’s probably the most emotional season of them all; no, there aren’t as many “horrifying” moments as in other seasons and Elsa is probably Jessica’s worst performance (which is still an incredible one by anybody else’s standards), however it makes up for it with the most sympathetic bunch of characters yet, and on the flip side, also one of the most amusingly depraved with Finn Wittrock’s Dandy Mott. Fans usually argue that the season went downhill once *SPOILER* Twisty the Clown was killed off but for me, he really primarily served as the catalyst for the far more interesting devolution of Dandy, who, imo, is the show’s strongest villain to date, rivalled only by Bloody Face. Then there was the episode Orphans too which made me cry buckets, the sole AHS episode to do so.

We got a lot of great fashion content in this season too: the theatrical opulence of Elsa Mars’ wardrobe, “Maggie”’s nomadic fortune teller costumes, and all those twee suits we saw Finn Wittrock in. Highly underrated if you ask me. It seems an odd choice for me to use Elsa’s Dominatrix look as an inspiration for one of my looks here when we have that Life on Mars performance outfit and all the extravagant robes Jessica got to waltz around in for reference buuuut I didn’t really have anything to do the vibrancy of either of those justice so I went with the black leather option which is much more me. Am I saying I moonlight as a dominatrix? Maybe. Lol, no. I wish. It’s not for lack of trying. WHERE ARE ALL THE GENUINE TWITTER PAYPIGS AT!? Your girl wants to insult creepy men and get some new clothes out of it xoxo

Hotel: Hypodermic Sally, Liz Taylor, and The Countess

-silk white bralet from xlibby_maix on Depop-

Hotel is another season that I liked a lottttt more upon rewatch, once I knew I was okay to tune out the (completely predictable and utterly nonsensical) Ten Commandments Killer storyline that so much of the season initially seems to hinge on. I love Chloë Sevigny but the fact that her and Wes Bentley’s wooden John and Alex Lowe are positioned as the protagonists at the expense of the far more interesting Liz Taylor, James March and Hypodermic Sally really does a disservice to what is an otherwise great season upon initial viewing.

The visuals this season are magnificent and I think if I had to pick one character’s wardrobe to steal from the entire cast of AHS characters, it would be The Countess (a toss up between her and Misty Day tbh, so I kinda just settle for low-key channelling both). No fucking idea where I'd wear any of her clothes to but I’d make it work. Liz Taylor and Hypodermic Sally have some amazing looks too-there’s just honestly so much to choose from; that being said, this post wouldn’t be complete without a specific ode to the vampire goddess Elizabeth Bathory, who is everything I want to be in life minus the murderous qualities:

Everything. EVER-Y-THING. LOOK AT HER!

Lady Gaga is really a fucking goddess isn’t she. And people were claiming before they’d even seen it that she couldn’t act? A patriarchal society doesn’t like women that can do it all. Just saying.

Anyways!

That’s it for now! I hope you enjoyed the post if you did read til the end! Sorry I couldn’t get this out before Halloween, I was typing and Picmonkey-ing madly from 2 in the afternoon on the 31st but I taking fucking forever to get ready and had to abandon all hope of getting it out on the day by 4PM. I’ve got so much content planned and it sucks because a couple of them are lookbooks which now feel completely redundant given we’re heading into a second lockdown, but maybe I should just do it anyway? The grunge inspired moodboard I just did seemed to get a good reception too so I’ve got some more of them planned.

As always, hope everyone is keeping well, and feel free to inbox me with any suggestions, queries or even just to say hi if you need someone to talk to! I check here quite a lot so I should see it. Lots of love to everyone in this time!

Lauren x

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thattimdrakeguy · 4 years ago

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New 52 TEEN TITANS #3 Read Along - The fact this got made is still shocking.

It’s been a while since I done one of these. It’s probably been since last year or so. This isn’t so much of a formal review where I try my best to explain why something doesn’t work, with tons of back references, or interviews, and contexts, and such. I might do some of that, but I’m mostly just writing this along the same time I continue to read it.

I’ve already done the first two issues, and if I can I’ll link them in the post somewhere.

Basically, this series gets about everything wrong about the returning Core Four for this reboot. They made Cassie the tomboy a “girly” thief, Conner the punky flirt a creepy emotionally numb stalker, Tim the insecure dork a super genius that blew up part of a freaking skyscraper, and Bart the teen with an attention span problem into an arrogant jerkwad loudmouth.

With the origins later given in the series, the boys are revealed to not reaally be the characters we knew at all in a more literal sense. This Conner is a clone of an alternate version of Jon, not Clark and Lex. This Tim Drake, is literally only Tim Drake in name only, as that’s the name this teen got in witness protection. And this Bart Allen, isn’t even related to Barry.

So these are versions of the characters that are them in literally name only, bar Cassie (sadly). Although, they’d later retconned Tim’s origin back (which doesn’t make sense). But what else can I compare them to but the originals?

A really common criticism of this series, and one that’s pretty dang valid in my opinion. Is just how unlikable everyone is-- or at least the Core Four, because I feel like we can all be honest and say that most people just read this for the Core Four, and sometimes Bunker. (Like Bart’s condescending here. Like “I’m Kid Flash, girl.” Maybe I’m just reading it too 1940s, but it comes off as really dickish.)

I mean seriously, how many people do you know talk abut Skitter? The original characters that Lobdell came up with are really hit and miss for me, mostly miss. Because I find Skitter so forgettable, that even though I’ve read the first few issues of this series just for entertainment value, I still forget she exists. She could’ve been so much more interesting, but he just doesn’t give her much.

To me, a good character has a personality that you can notice, grab onto, and have lots of unique stories with, that simply work, not even because it causes a great drama, but just because the perspective the character will have in any situation depending on the circumstance will be interesting.

Which is one of the reasons why I find Tim an interesting character, because his perspective is one that’s very interactive with any given circumstances but will still work for me. An insecure, super hero fanboy, that’s doing his best to be brave, but is secretly scared, with the cleverness to do things, but the anxiety that he can’t. Which the circumstances they give him, like having to make sure he proves he should be Robin, having parents at home, not feeling like he’s good enough, constantly seeing others better them him. It’ll just make him an interesting perspective to read from that won’t get too repetitive in any way that interferes with the enjoyment, because there’s a lot of levels you can take his harsh feelings, or things to interact with, that it won’t always be predictable what’s going to happen with him, and you want to read to see more.

With this series and quite a bunch of other original characters made, they have soap opera writing. Which works with fleshed out characters like the iconic 80s incarnation of the Teen Titans, but when the new characters don’t have a well-formed personality that you can really grab onto and gain constant interest and intrigue from, you just have a lame duck.

When your main character’s traits are “I’m angsty and sad”. No one is going to be able to invest themselves with that. They need to be more third dimensional and genuine to make them a character you want to pick up each issue for.

This series even with the old characters fails at that, by making them into absolute butchered heaps of rotted rump rather than their full personalities.

At least the art is pretty creative early on in it’s second page, I will give it that.

Then there’s Bunker--

--who I really want to like, but just can’t find myself enjoying.

A lot of these characters I’m unfamiliar with I want to like. They’re minority characters with very interesting concepts, but writing so flat that it ruins any chance of paying attention to them. A common curse when it comes to POC and a bad writer like Lobdell.

But Bunker actually has a personality, but the reason why I can’t find myself attaching myself to him is because he feels like an uncomfortable stereotype character. An outdated one that you’d see in the 80s or 90s to either seem inclusive or use as a joke rather than a true deal character.

Bunker is a flamboyant, religious, fashion involved, gay, Latino. Something that feels like you’d really bet he wouldn’t be if he wasn’t gay or Latino, because it’s just all based in stereotypes. Like if the pages weren’t colored, and you didn’t have the context he was gay, you’d probably still guess what he’s supposed to be just because of how much they involve stereotypes with him.

However, despite the stereotypes, he is the one most people can remember from this series beyond the core four, because he at least has a personality, and they actually try to build up a unique mystery to him, that would make you want to continue to know them.

And there is something about his confidence and religious beliefs, and determination that does feel very genuine, and makes you actually like him despite the stereotypes.

You want to know what makes you able to tell he’s a better made character than the other relatively new, to straight up new characters? You can actually talk about him, and have a lot more to say about them then his backstory, two personality traits, and angst. Even if his personality seems limited at first, they still write it in a way that’s genuine enough that you can get more out of it, a lot like what I was describing with Tim earlier.

He still feels like a character that you could write a solo about, and with a good enough writer and personal life, would actually make for a very rereadable series, because you just enjoy seeing him on his journey, because it won’t always be the same exact things. He has loyal personality traits about him, but depending on his circumstances, it won’t be the same side of him you’re seeing, and it won’t feel contrived. He has potential to become a true third dimensional character, and not one that just feels like he looks like one, but isn’t really.

But that depends on where the writing goes with him-- and I can’t remember where it goes. But take away the dated stereotypes and there’s actual good potential with Bunker. Making your character feel like another decade’s minority caricature is kind of a turn off when it comes to feeling comfortable reading them.

Which is why some don’t tend to like him.

There’s not a lot to say about this quick page of Cassie, besides the fact they make her come across as apathetic and nuts. She’s also mildly sexualized given it looks like she’s posing for a fashion shoot and not just closing a door, which feels pretty typical of the team that made this book.

And because of Lobdell’s bizarre writing and tone changes, I don’t know if this is supposed to be taken as serious or comedy, because of how abrupt it is, and how a fight broke out right after and we find out the old guy is Tim somehow convincing someone he isn’t like-- 15? I think he’d be either 14 or 15, not because that’s how Lobdell intended him to be, because I believe in a now lost interview he said Tim was “probably” 16 or 17. However, they didn’t settle on Tim’s age till Damian was near thirteen, meaning Tim would’ve been either fourteen or fifteen here, depending if Damian was eleven as I remember, or ten at the start of the New 52.

And here’s some more out of character Tim, because New 52 is what you get when you skim through Red Robin without any context, and being edgy is still really popular with the teenage demographic at the time.

This is a Tim that blew up a building, is an incel towards Cassie, and is overall an arrogant prick.

How Lobdell thought anyone thought any of a good idea is beyond me, but I figure he’s just not self-aware enough to realize that he just made one of the most unlikable protagonists I’ve ever seen, and absolutely bastardized who was once a mega-fan-favorite.

Although, this is pretty cute and in-character. It’s something that definitely fits in with a classic Tim comic, but down let this make you think Lobdell knows how to write Tim, because he makes it really obvious all the time that he doesn’t really.

And that’s basically everything relevant that happens in this issue-- not a lot when you actually read it, and not just me spouting off the proverbial mouth as I try my best to mentally process this freaking comic.

Conner doesn’t even show up, most likely because he was the only one with a solo, that Lobdell was also writing (you can probably guess accurately what the quality of that was too).

A lot of it is just more of the same, and it’s tedious, although it’s tedious nature is not so much on Lobdell, as he’s said in interviews before that it was editorial or a publisher (I can’t remember to be honest) that made him not have them previously know each other. So he had to work from that.

Which goes to show just how much DC knows how their characters and teams work, given the reason why Young Justice worked so well was because Tim, Conner, and Bart, already had stories where they duo’d up, and teamed up before they were even official. Which allowed them to have a preconceived friendship, they could build dynamics that were naturally built off of their unique personalities, which made everything feel natural and good to go when they did have an official team comic.

Here you have a Tim, that’s supposed to be very much a rookie of only one year, acting like he’s the greatest protégé talent ever, searching out for metahumans and coincidentally running into them, just to make some kind of story that would explain them being together for a team.

I’m not saying they have to redo the duo stuff again, because I’m pretty sure most readers already know their dynamics, and as for new readers, it doesn’t take a lot of time to say “We’re just good friends that like hanging out” does it? They have issue zeroes for each comic for a reason, they could’ve easily had a nice summary there if they wanted.

New 52′s obsession with trying to fit everything they can in, but have everyone still be relatively new, made everything a mess.

Like isn’t it weird that Superman only started being a super hero FOUR YEARS before Tim was? Doesn’t that sound entirely too squeezed in?

Then because they messed with the characters so much it works less for old readers as well. Like they have Tim, only a year in, acting like all the out of character elements of Red Robin, with an origin that’s a Bizarro styled mirror of his original one, with nothing that made him the popular character he used to be.

Same for the others.

New 52 is partially scary, because it shows just how little they know about what made them work.

I’m not against reboots in comics as a concept, they do need some modernization, and clean-ups every now and again, but you have to keep what works in there, or else the reboot will be a total failure. And paint-jobs and fan service like Rebirth aren’t gonna work either, when the heart of it all is still just so bad.

All this is a lot easier to say in hindsight, but DC Comics really has to work towards remembering their mistakes if they actually want to get better again. They’re doing a bit better at it, as forced and contrived as it can be sometimes. So they are getting somewhere.

But this is only the start of a Didio-less era. Looking like good things are coming, and little presents that truly make it seem true, is something that’s only going to last for a little bit. They have to still do the work, and learn what worked for their characters in the first place, and reremember who they all are.

Otherwise sales will just get worse again.

But I’m genuinely hoping they’ll at least begin to learn from mistakes. No one gets a win otherwise.

Oh, and he’s the entirety of the fight advertised on the cover. “Red Robin vs. Bunker”.

They stop fighting right after this.

It’s the comic book equivalent of clickbait if I’ve ever seen it in my entire life.

#Tim Drake #Robin #Red Robin #Bart Allen #Kid Flash #Cassie Sandsmark #Wonder Girl #New 52 #Teen Titans #DC Comics #Only tagging them because odds are those are the only tags people will check

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lizziestudieshistory · 5 years ago

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Books of 2020 - March

Enforced isolation made me read a lot... Here are the 10 books I read!

The Way of Kings - Brandon Sanderson (The Stormlight Archive #1) We all know I adore this series - I reread it every year after all. This time I read it to annotate the text and do a proper deep-dive into the world Sanderson is creating in preparation for Rythmn of War coming out later this year.

The Binding - Bridget Collins I still don’t know how I feel about Collins’ book. It’s a historical fiction novel with a subtle hint of magical realism through the concept of Binding - using some form of magic (I’m not entirely sure how) to turn real memories into books. This concept is what made me and my uni friends buddy read this novel in the first place; it sounds fascinating, especially to bookish people like we us! However, this book is not really about book binding - it’s a love story between Emmett Farmer and Lucian Darnay.

If I’m honest the part two, which covered the original courtship of Lucian and Emmett, was the most interesting section of the novel. I thought their relationship was a bit cringey (as befits teenagers) and incredibly sweet. The romance made the novel. But it wasn’t the book we signed up for. I was expecting a book about the secrets about Binding - maybe a bit of a thriller/mystery but with beautiful writing and an ethereal setting? I was definitely expecting more information about Binding. Instead we got a angsty romance, endless cutting and gluing of endpapers for books and ONE scene of Emmett book binding that didn’t tell us what the process actually is.

For what the book actually is, which is an angsty gay romance in a very subtly magical alternate ‘Victorian’ society, it’s a decent book. If I’d known this I probably would have read it and considered it a lovely cutesy read. However, it’s not the book I was sold and it left me disappointed. I’d recommend giving it a shot, but it’s not a book I would necessarily read again...

The Scarlet Pimpernel - Baroness Orcsy This was a ridiculous, over the top, and melodramatic classic adventure story. I had so much fun reading this! The Scarlet Pimpernel is a mysterious English aristocrat who, with his band of devoted fellow gentlement, travels to France during the height of the Revolution to rescue innocent French nobles from the guillotine. However, the French are at their wits end and Chauvelin blackmails the ‘cleverest woman in Europe’, darling of English society, and French wife of Sir Percy Blakeney, Lady Marguerite Blakeney, to find out the indentity of the Scarlet Pimpernel.

From there we go on a wonderfully melodramatic romp through 18th century England and France, and watch as Marguerite tries to save the Scarlet Pimpernel. It’s a silly, over the top, novel in a similar style to The Three Musketeers and The Count of Monte Cristo. I’d highly recommend it as an entry into classic literature - or just as a ridiculous fun story!

Reticence - Gail Carriger (The Custard Protocol #4) My last full length parasolverse novel was A LOT of fun. I adored Percy and Arsenic’s slightly cringey but incredibly sweet romance bloom, alongisde the exploration of the supernatural in Carriger’s version of 1890′s Japan. The Custard Protocol was my least favourite of Carriger’s three main series (plotwise at least) but Reticence was a beautiful homage to the entire parasolverse! I adored the cameos (or just the entire wedding scene, let’s face it!), silly humour, and Percy’s happy ending.

My small niggle with this novel was the plot. As with the rest of the Custard Protocol novels I felt the plot wasn’t spectacular. It was a bit thin on the ground, particularly in the first half... This series is about character, and I love all the characters, but I wanted a little bit more from all of the novels. I wanted to see a bit more of each country (and spend a little bit less time on the Spotted Custard whilst travelling through the grey...) Nevertheless, I think Reticence was the strongest of the four Custard novels and I really loved it. Carriger’s world is my comfort blanket, it makes me smile, and I adore the world she’s created - and for that I will be forever grateful to Miss Gail!

Poison or Protect - Gail Carriger (Delightfully Deadly Novellas #1) This novella was a lot darker than I was expecting from Carriger. The plot and on-screen action was just a silly and entertaining as I was expecting (Preshea goes to a house party to prevent the assassination of the Duke of Snodgrove, and stop his daughter marrying a gold digger, whilst falling in love with a dashing Scottish captain.) However, Preshea’s backstory was much darker than we usually see in the parasolverse, the only comparable one I can think of off the top of my head is Rodrigo’s abuse from the Templars! She suffered through years of abuse and neglect at the hands of her father and husbands, leaving her damaged and shying away from all relationships.

The actual romance in Poison or Protect left me a little but underwhelmed. Gavin was actually what I was expecting from Connal Maccon in the Parasol Protectorate, and I’m much more on board with his ‘gentle-giant’ style romance with Preshea. I’m personally not a huge fan of the stereotypical kilt-wearing, enormous Scottish bloke... Just not my thing...but good for Preshea if she likes that! I just wasn’t that invested.

Personally, I would have loved Preshea’s book to revolve a bit more on her relationships with women, not romantically (she has never read as bi or a lesbian) but platonically. In the Finishing School Preshea held herself aloof from the girls around her, never really having a proper friend or friendship group. Instead she was like a vampire queen surrounded by her hive - beautiful, deadly, and set above everyone around her. Preshea herself comments on it in the book! Because of this I would’ve really loved the novella to focus on Preshea learning to be friends with other women, not see them as enemies or competition, and maybe getting her man on the side. We did get this growth as a sub-plot with Lady Flo and Mis Pagril, but I think it was more important for Preshea with her Finishing School background and the abuse she suffered to find herself with other women before jumping into bed with husband number 5...

The Wilful Princess and the Piebald Prince - Robin Hobb (Realm of the Elderlings) This was a fun little novella that expanded the backstory of the Six Duchies and explained why the Witted and Wit magic are so feared in the Farseer and Tawny Man Trilogies. It’s not Hobb’s finest work, but it did flesh out the history of the Six Duchies a little bit more. The story isn’t incredibly important to the main series but I’d highly recommend for fans of Hobb’s Realm of the Elderlings and it’s best to read the tale either before of after the Tawny Man Trilogy.

Madame Bovary - Gustave Flaubert A disappointing classic. Madame Bovary is supposed to be selacious and scandelous. I found it tedious and irritating. Emma Bovary was one of the most uncompelling heroines I’ve read outside of Dickens - she was a selfish snob, with no redeeming characteristics for the reader to latch onto. She’s adored by her husband, but bored in her marraige because Charles is only a middle class, mediocre doctor... She is manipulated by the men around her (both lovers and the guy who lends her money, I can’t remember his name) but is also incredibly stupid in her decisions, particularly around money and her last fateful decision at the end of the book.

The language (both French and my English translation) was dry, and the pacing was off. Important parts of the novel went by in a whirl, but then there were long stretches where almost nothing happens. I’ve read similar novels that were much better with similar themes, plotlines, and much more interesting characters. I am glad I’ve read it but Madame Bovary is not a book I would read again, nor would I recommend it unless you want to cross it off your list of classics.

Winter’s Heart, Crossroads of Twilight, and Knife of Dreams - Robert Jordan (Wheel of Time #9, 10, 11) This post is incredibly long and I’ve spoken about this series at length already so I don’t really have any new criticisms to rasise. However I am slowly making my way through the rest of the Wheel of Time and I’ve now reached the end of the books solely written by Robert Jordan himself. Winter’s Heart and Crossroads of Twilight really were the height of the slump, however, I did manage to read through them both quite quickly with the amount of time I have at the moment. Both books were quite slow but had hugely important moments in them for the entire series.

Knife of Dreams was a return to form for Jordan before he died and we got the resolution to several tedious plotlines that had been running through the last few books (Perrin and Faile, Mat in Ebudar, Egwene travelling to the White Tower.) Personally, I loved Elayne’s struggle to claim the Lion Throne, however, this is one of the plotlines people tend to dislike and it had a particularly satisfying conclusion at the end of KoD. I’m incredibly excited to the series conclusion that I can see coming and I can’t wait to jump into the installments written by Brandon Sanderson in April!

Currently Reading

I’m still working through Fellowship and the Companion... It’s fallen by the wayside slightly but I am still working through it.

A Tale of Two Cities - Charles Dickens This is my buddy read book for March/April, but it’s also a reread for me (as we know from my turbulent relationship with this book from 2019) We have just finished Book 2 Chapter 5.

The Priory of the Orange Tree - Samantha Shannon I’m not a huge fan of this book so far, however, I don’t hate it. I think the plot and world building is quite shallow (circa. 200 pages in anway), and the writing makes me feel like I’m watching the characters through a glass screen. Hopefully it will pick up a bit, but at the moment I think it’s overrated. (I don’t think it’s helping I’ve been reading a lot of brilliant epic fantasy at the moment...)

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arharmon · 6 years ago

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Life Is Strange 2.3 Review

I never really been interested in playing the Life Is Strange games but ever since the reveal of the Season 2 I was totally invested in the universe. I played the first season, BTS and the DLC and fell in love. Now that I’m playing the second season I can easily say it’s the best one to be added to the universe so far.

Anyways this is my hot take on this episode.

Mainly I wanted to talk about the romance within the episode since it’s a really big topic people are talking about. The ships and romance have started some controversy within the fandom which is understandable, to say the least.

The episode starts off with a flashback before the incident that caused Sean and Daniel to flee their home and we see some brotherly dispute between to the boys and after a talk between Sean and his dad the brother’s make up. We then skip back into present time and If you ask me it really foreshadows how this episode is going to play out.

Seeing Hannah topless gave me a bit of a shocker because of I never expected the writers to go this far however the video game had already given us so much in previous episodes so seeing someone naked should have been inevitable.

Sean is in a very troubling and even some would say traumatic time in his life that he is sure to remember. The plot of the game and the character's goal (Sean’s goal) to protect his brother and get him to safety in Mexico. It’s clear to see that journey has very much changed Daniel which is easy to notice throughout the entire episode. Daniel constantly acts out and cold towards Sean simply because Sean prefers to hang out with kids his own age instead of Daniel. To be honest Daniel’s behavior is understandable but not tolerated. His behavior is the reason for the many unfortunate things that happen later on in the episode.

To put in blatantly, Daniel wasn’t really my favorite in this episode. Like I really enjoyed seeing him on screen in episode two and many of his outburst was determinant based on the players' choices, so not really Daniel’s fault and the ones that were (like him being upset with his grandparents about his mother) is totally valid.

I was hoping that in this episode Daniel would become more mature and realize the very dangerous situation that their in and him fucking up could really mess things up for them at the farm. Which he totally ignores and acts more like a brat and fucks shit up for everyone.

To be honest I saw it coming and I am surprised they even lasted as long as they did. Anyway, enough about Daniel and more about Sean. My favorite.

Sean went through I lot this episode and one of those things being is his love life. Now I read a lot of stuff on Tumblr about the romance options and people having mixed feelings about things and the main reason why I’m writing this is that I wanted to share mine. While some say the romance wasn’t needed in the game, I would totally disagree.

I think the romance was a must in this game.

The genre of the game is Adventure/Slice of Life with a bit of Fantasy or Paranormal. But most importantly it’s Teen Fiction. I think most people forget that Sean is only a 16-year-old boy. A teenage surrounded by other teenagers pumped with hormones and testosterone. Not to mention drugs and alcohol.

Honestly, the Cassidy x Sean romance was clearly going to happen and anyone could have known if they paid attention to their first interaction back in the previous episode. However, I never expected us to get a romance with Finn. I applaud DontNod for making both of their MCs Bisexual to give the player a choice of who they wish to romance.

Now I want to talk about both Cassidy’s and Finn’s romance routes separately.

First up, Cassidy. Now don’t get me wrong, I love my girl Cas. I think she’s a badass just look at her. However, the game developers really pushed a Cassidy romance. I mean it seems like she’s all over Sean every second. I mean their very first interaction was flirtatious. I feel the players that went with the Cassidy route got to experience the full-on romance bundle. The went skinny dipping which was a sweet call back to the first season, AND THEN THEY FUCKING HAD SEX!!!!!! Like what? I was not expecting that to happen?!?!

Now everyone had mixed feelings about this scene and some people even saying it was wrong because “sean was pushing himself to do things he didn’t really want to do just out of fear that he won’t get to experience” which I don’t understand how you could get that idea from that scene, but it’s false. Like I said, in the beginning, I knew we were going to get more nudity in this episode and thought that lake scene was enough... but then Sean lost his virginity.

Though I was shocked I was also happy the scene was included, because like I said before, Sean is 16. His whole life was just flipped on its ass and he finally felt as though he got somewhat of a new family that actually cares about him and his brother. And no one can say that’s not true. Look at the way they all interacted with one another during the campfire scene. It was easy to see they were a family.

Sean losing his virginity was pretty sweat. He did feel embarrassed when it was over (as every teenage boy would feel after his first time) which was expected and valid. Cassidy reassuring him was also sweet.

In conclusion, I really like the Cassidy romance and I don’t think it was forced or that came out of nowhere.

Now let's talk about Finn... oh boy Finn.

I have mixed feelings about this route. Like everyone else.

One reoccurring thing that I see people talking about was that Finn’s feelings for Sean weren’t ideal and that he simply manipulated Sean with a kiss to make him go along with the plan. Every time I see that I ask myself; “were these guys even playing the game? did they see what I saw?” I mean anyone could see that Finn genuinely cares for Sean and Daniel. Take a look at all the flirting he does with Sean and tries to play it off as jokes and how he is willing to stand up for Sean and Daniel by literally taking a punch for Sean.

I can see why it looks kind of shady that the only way you could kiss him if you go along with his plan, I can certainly see this as Finn being manipulative (then again it was completely unnecessary since Sean had already agreed to go along with the plan). I think this is just bad writing on the developers part. Also, I wouldn’t say that Sean becoming gay came out of nowhere because that is not true. When you decide to stay and get a haircut you’ll eventually end up talking about sexuality and stuff. And it’s clear to see after that that Finn may have a thing for Sean.

I don’t find Finn manipulating Sean by kissing him, I just see Finn confessing his feelings and wanting Sean and Daniel to stay with them. Not to mention it’s not like Finn asked to kiss Sean. Yeah, he basically takes the opportunity to confess his feelings to him but the player is given two chances to reject Finn love and still go along with the plan. It wasn’t Finn being manipulative he just saw an opportunity in a moment of happiness and made his move. He also is actively trying to have Sean stay with the group and him by getting the money from Merril.

Speaking of which I want to talk about Finn’s plan. I think the whole situation was morally ambiguous. And I actually agree with it.

Now hear me out.

Back in episode one and two, we got a first glance of the bullshit Daniel and Sean had to go through on the road. Sean basically got kidnapped by some racist asshole, they had to sleep outside in the woods for a time and then moved to some old cabin that wasn’t any better (not to mention it was in the middle of winter). Also, don’t forget that Daniel got sick and Mushroom was killed by a puma (which could have easily been one of the boys if the mushroom wasn’t there). The point I’m trying to make here is that it’s clear to see that being on the road alone was dangerous for them. Who knows what would’ve happened to Daniel if the didn’t make to their grandparents' house, or before that if they didn’t find Brody who gave them money (and good advice to Sean) for them to stay in a motel for the night.

So basically Sean and Daniel had help, and without that help, they would have never made it this far. The thing I’m trying to get at here is that them taking that money would have helped them in the long run. I think Finn tries to explain that to Sean and when he offers for Sean to stay with them after the heist it made me feel even more confident in the plan and the aftermath knowing that if it did go well they would all be together still. Safety in numbers and all that. Also, it proves further that Finn does care about Sean and Daniel.

Honestly, the reason why I agreed to Finn’s plan is that I knew even if I constantly disagreed with it Daniel was going to go through it anyway. So I knew it would be best if I was there with them and that way Cassidy wouldn’t be there to get hurt or injured.

It kind of bothered me that no matter how much you successfully managed to execute the plan you still get caught... but whatever.

What people need to realize is that romance in this episode was a must and wasn’t just a “forced fling” but something completely more that impacted the characters completely. No one's forgetting about the many other important things about the game like family bonds, mourning lost, racism, exploitation, illegal drug trade/use and countless other important themes. But as a writer of Teen Fiction myself people need to understand that though it shouldn’t be centered upon; sexuality and romantic bonds are very important and were crucial in this story.

For me, this episode was an 8.5/10 it would have been a 9/10 it wasn’t the obvious glitches that were going on during my gameplay. I was trying to ignore it but completely lost it after Cassidy’s beer bottle was oddly floating in mid-air during the campfire scene.

Sorry for the long post, but I had to get my point across and give my honest opinion. I’m going to be making another post about my predictions and wants for the next episode.

Thanks for reading!

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silverbastardgoldenfool · 5 years ago

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Realm of the Elderlings Ask Meme Thing

Created by @hermitknut and brought back by @elderling-magic

Thanks @blackandwhitemotley for tagging me :) this is gonna be unnecessarily long because I’m a messy bitch with too many feelings and not enough brain cells

Favourite RotE Book: God it’s impossible to choose properly so let’s just go with the one that always gives me flashbacks when I see it on my bookshelf: Golden Fool

Why: I was already deeply obsessed at this point and had laughed, cried and panicked countless times throughout the series BUT Golden Fool stands out because of the Fitz/Fool confrontation which all but gave me a panic attack. Sure, I’ve been overly invested in book characters my whole life but the fact I was like physically fuckin sweating just because these guys were having a verbal fight, which had nothing to do with the actual plot, is fuckin wild my dude. Also despite my distress I was thrilled in a way because I never expected Robin to address the homoerotic tension in the actual text - and I was even more impressed that she makes the Fool the winner in this fight. You feel for him (ouch!!!!!!!!) but he gets the last word and the whole time you’re on his side and wishing Fitz would just keep his goddamn mouth shut (unless he’s gonna use it to kiss the Fool). She makes you empathise with the Fool without compromising his dignity, without making him a pathetic pining gay stereotype. He is hurt, he is human, but Fitz is the fool in this exchange (forgive the unintentional pun). It’s crazy how this one scene defines this whole huge book for me but it overwhelmingly does. Man it fucked me up.

Top Three Favourite Characters: I’m excluding Fitz, the Fool and Nighteyes cos that’s just a given honestly and there are too many incredible characters to choose from. Also I’m going to choose three characters I think are exceptional on a technical level since that’s the easiest way for me to pick a few out.

1. Burrich - Forever fascinating to me because I disagree with him probably more often than not AND YET I love him so much. It’s seriously like I have the same relationship with him that Fitz does - and/or the same relationship many of us have with father figures. That weird thing where you can fundamentally disagree on some pretty important stuff, and he makes a lot of mistakes and probably irrevocably fucked you up in a lot of ways but you can’t help but love him because you know he’s not doing anything from a place of malice or pettiness or selfishness. He simply knows what he believes and is righteous to a fault. He’s always doing his best - whatever that looks like to him. There are so many things he says or does that make me amazed that I don’t hate him. I think in another series he is the kind of character I would hate. The fact that Robin makes me love him - and conflicted about that love - is a marvel.

2. Malta - I won’t harp on about this too much because we all know the deal. Malta’s early POVs were a tween nightmare. I had to skim them because they were so viscerally irritating. I guess it’s a huge testament to the writing that it really did feel like you were stuck in a tween girl’s head; the problem is that is the worst hell imaginable. It’s an even greater testament to the writing that, through some of the most masterful character development I have ever witnessed, you actually end up loving this girl.

3. Kennit - He’s such a monster that I hate actually saying he’s one of my favourite characters but it’s true. Especially from a writing perspective; it’s fucking witchcraft how Robin has you judging everyone around Kennit for falling for his charms even while you are in some way charmed by him. He’s intelligent, charismatic, enigmatic. You know he’s not a good person yet you enjoy spending time with him, you’re kind of rooting for him just because he’s interesting and you want to see what he’s going to do next. You even know - the narration straight up tells you - that most of his successes are down to pure dumb luck yet we still kind of buy into this persona of his. Absolutely brilliant writing. Not to mention his backstory, which is so tragic and compelling, and manages to explain his actions without excusing them. Without a doubt one of my top five favourite villains of all time.

Top Three Least Favourite Characters: Okay so again going for the writing angle; characters I just felt weren’t handled all that well on a technical level. Keep in mind that this is suuuuuper subjective. Also I can only think of two.

1. Molly - I’ve seen a lot of people assume that people who dislike her feel that way because she “gets in the way” of Fitz/Fool but that’s not true for me. I’ll try and keep this shortish because I have way too many feelings about this topic lol. Having read the whole series I wouldn’t change anything, but for a long time I really felt like the story would have been better if she wasn’t in it, or especially if she had not come back after Assassin’s Quest. Maybe that’s harsh, but I honestly just generally dislike the whole “first love, last love” trope (and in my personal experience have found it v toxic). I never found her character particularly engaging, but by the end of Farseer I had made my peace with her role in Fitz’s story; the way I saw it, she represented the life Fitz wanted but could never have. Of course you could argue then that it makes sense for Fitz to get her back once he is allowed to have a window of normal life - and that would be true EXCEPT the whole reason I saw her as a symbol and not a real love interest was because their relationship was TERRIBLE. It was seriously toxic and literally based on lies. I really felt what would have been healthy for Fitz at the end of Tawny Man would have been to find peace in realising that Molly was his past, not his future, and that what they’d had was teenage lust and not the stuff of soulmates. I don’t like the implication that Fitz was right to idealise this tumultuous, dishonest, immature relationship he had as a teenager all these years. Honestly this is why I was FURIOUS when I finished Fool’s Fate lol, even though I knew this wasn’t the ultimate ending. Now that I know where Robin went with this and that Fitz wasn’t really fulfilled in his life with Molly I don’t mind it as much but I still don’t love it. There was never enough of an honest, genuine, selfless connection established between the two of them for it to feel like anything other than an unhealthy fixation that Fitz projected all his unattainable fantasies onto. He never seemed to see Molly as a fully realised person which made it hard for me to do so. Also seriously, if I had been pining after my high school fling for the last ten years everyone would agree that the best thing for me would be to move on, not get back together with them. I’m not saying Fitz didn’t deserve his little bracket of peaceful years, but it just didn’t have to be with Molly. Sometimes not getting what you thought you wanted is the happy ending - I guess it’s just really jarring in a series that’s generally so subversive to get a standard fantasy trope like this. I really truly was shocked when Fitz got his feelings back from the stone dragon and his realisation was not “Molly is kind of just a girl I used to know a long time ago and our paths have long since diverged” but “yes no actually that girl I haven’t talked to in over a decade is my soulmate” like, wig in the worst way. ALSO SHE WAS FUCKING HIS DAD ALL THAT TIME. SHE BORE HIS DAD CHILDREN. HIS DAD HAD TO DIE SO THEY COULD BE TOGETHER. BRUH. Seriously it did feel like Burrich was sacrificed solely so these two little shits could get back together, and again, that was so infuriating and so not like these books. This and Burrich not being canonically in love w Chivalry are the only two points I actually get riled up about from a writing/critical perspective lol, every other flaw and quirk in this series I will absolutely pardon but for some reason these just get to me dude.

2. Starling - Promise this one is simpler lol. I always found Starling quite irritating “as a person” but didn’t mind her as a character. What I didn’t love was the way her lifestyle (promiscuity, independence, nomadic etc.) was kind of justified when it didn’t need to be, with the typical explanation that she’s only like this because she can’t have kids. It just felt really unnecessary, and it was even worse when she did get pregnant and basically just became a completely different person. But I’m generally touchy when it comes to female characters and fertility/pregnancy storylines as I just feel like they’re rarely done well. And I just really don’t like it when infertility is implied as a justification for character traits (usually traditionally male traits) that don’t need justifying.

Favourite Ship (of the floating kind): Paragon of course, we love a problematic fave.

Top Three Favourite Ships (of the people kind): Fitz/Fool, Sedric/Carson, Althea/Brashen (the only heteros whomst deserve rights)

Would you rather be Witted or Skilled: Honestly wouldn’t want either but if I had to choose I guess the Wit? I’d much rather be inside an animal’s head than another human’s no thanks bb

If you were Witted, what animal would you bond with?: If I’m still living in my current situation in this hypothetical then I guess a house cat. If I really get to go wild then I am absolutely bonding with a big cat, like a tiger or a panther IMAGINE THE SNUGGLES.

Would you rather live in the Outislands, the Mountain Kingdom, the Six Duchies, Bingtown, the Rain Wilds, Kelsingra, Jamaillia, the Pirate Isles, or Fool’s Homeland?: Dude I am so bad at visualising locations so idk lol, I guess queer utopia Kelsingra although obviously it has its drawbacks.

How were you introduced to the books? My mum had been telling me for years that if I liked A Song of Ice and Fire I would like Realm of the Elderlings. I was putting it off because there are so many books and I also knew how much she loved them so I was worried I wouldn’t like them and she’d be let down. But I eventually got so close to rereading ASOIAF (which I swore I wouldn’t do til Winds of Winter is released) that I decided to finally give RotE a go in its stead.

Share a quote you love: I don’t have a book on me rn but that part in Fool’s Errand when Fitz is talking about how the Fool has wandered into the place he’s been living for years and immediately, effortlessly made it a home is TENDERNESS BEYOND COMPARE ARE YOU KIDDING.

Tagging: if you see this and haven’t done it yet, consider yourself tagged!

Take the thing, copy and paste it into your own post, tag it “elderlings” and then tag as many people as you can that you know in the fandom.

#rote #Realm of the Elderlings #robin hobb

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