#like I can hide away from that

[evelynpr]

For the character ask game can I pick toga :)

I'm gonna be very honest in these, and I might disappoint, but here it is-

My first impression - I started watching BNHA around 5 years ago? It's hard for me to remember what exactly was my first impression of Toga, but back then I really didn't care for her much. Honestly, I just found it quite problematic that the only main female villain in BNHA is an overly cute school girl who fits the "cute yandere" trop to a t when the rest of the male villains look a lot more serious and scary.

My impression now - Perfectly honest- I really only started paying attention to her because of Ochako. I was, and still am, a massive Ochako fan, and when I heard that she suddenly had a massive romantic and tragic battle and narrative with Toga after leaving the fandom for 3-4 years, I was immediately deadly curious. - Even with how much I resonate with her story and character, I generally have a big ick for blood as a whole (surprising for a very loud tgck fan I know). Right now, she's my poor desperate little baby who really really needs love and therapy (affectionate). I wish we got to see more of her regular girly side, like caring for the LOV especially Magne and Twice.

Favorite thing about that character - That her entire story is a mentally ill and queer narrative. Like I said earlier, I actually have a big ick for blood and the cutesy yandere trope. But the thing that gets me about Toga is that she is the most openly bisexual/pansexual character in the series, very clearly mentally struggling, and both thrives and suffers because of her choices and circumstances. - She's such a tragic and hopeful character that represents so many weird people like me that I can't help but be attached. She makes me want to embrace my more girly and selfish side, and screams at me that I should live my life how I want to. - I can't leave out Ochako from this part. Holy shit the themes and story about their relationship makes my heart both break and soar so bad it genuinely hurts. Save people by understanding them, helping them, listening to them. Show someone you can be selfish, that they deserve love, that she deserve a chance. It's so much it punches me to a million sobbing pieces.

Least favorite thing - For the 3rd time now...not into blood. I don't like its taste, look, and the mere thought of bleeding genuinely grosses me out. - You probably think "How in the world are you attached to her then?" well its because I understand that Toga's "blood" is also a representation of her violent tendencies and love. I see it much more as a narrative device for her character and themes.

Favorite line/scene - Shocking, but I actually have not read the manga. I can't say what my favorite scene is just yet because I want to truly witness it animated, when the time comes. - If you want an answer well, from the anime so far, it probably is when she gets her quirk awakening in MVA, or when she confesses to Izuku in the final war (mostly because that scene is so damn hilarious, tragic, and important).

Favorite interaction that character has with another - ...I mean obviously it's Ochako lmao? Every interaction is a fight of ideals and love- which suddenly morphs into a way of challenging each other- then growing into understanding and loving each other. That is. Just insane. How the fuck did BNHA's writers come up with this.

A character that I wish that character would interact with more - For the sake of my Tgck Bkdk square, I really wished for her to have interacted with Bakugou at least once. Just see how one person's violence and power was praised, while the other was abandoned and shamed. How they both have a strong squishy-faced freak they're obsessed with, and also obsessed with them, even if they don't feel like they deserve it. - Oh and, definitely more LOV random shenanigans and bonding time. I wish I was able to get more into them ngl, but I never really felt that sadly. Man...

Another character from another fandom that reminds me of that character - UHHH??? I genuinely have no idea. I am drawing at a blank I am so sorry T__T This is the firsts time I have ever been interested in this kind of character??? Really sorry-

A headcanon about that character - This is kind dark so be warned - I got this idea from a fic and now I can't stop thinking about it. Toga always wanted her love to be reciprocated or understood by someone. Anyone. I feel that she was taken advantage of and abused by horrible people in her earlier days of running away...especially since she's a young teenage girl in a cute school uniform. I am so sorry...

A song that reminds of that character - I am working on a Togachako playlist! It's about both of their characters respectively and also their story and relationship, but here's the ones about Toga specifically! - Hayloft II (THIS ANIMATIC), The Red Means I Love You (obviously lol), Butcher Vanity, Hero (Charlie Puth, mostly tgck), Pink Pony Club (Chappell Roan, early Toga)

An unpopular opinion about that character - She's not the possessive type, and she's really very open to people she loves loving other people at the same time, polymarous kind. This is probably a pretty common hc already tho since she says this repeatedly? - Her most common form of love is a very impulsive/sexual/admiration/attracted kind. You could even relate this to hypersexuality (something I struggle with) where the moment you find something you're into on someone, you body and brain genuinely go kinda out of control. I project onto her my own inability to hold and control these kinds of feelings at times, but Toga is quite the manifestation of my fears.

Favorite picture - I love it when a character's mask peels off. Toga genuinely angry, upset, and just not smiling is so fascinating and beautiful to me in a "It's okay my dear, show all of you, stop hiding" (Ochako might disagree with me on this tho, since she loves her smile lmao-)

[pangloss-artee]

i had an idea

[sleepire]

From the poll!! Danny's annoying B, for.. Reasons? Idk. This could also be seen as Batman's newest ward annoying him whilst on patrol but ykyk

[triglycercule]

sleep deprived dust can't recognize what's dream and what's real when he goes in and out of consciousness so i think dust is allowed to be incredibly reckless when he's awake but thinks he's in a dream. he will kill whoever passes by him (or attempt to. for him it's an instict to shoot bones anyways.) he will drink 4 bottles of alcohol just because he thinks its just a lucid dream. have incredibly loud conversations with phantom paps because he's asleep so nobody will hear him talk. or just have loud ass breakdowns because again he thinks he's asleep!!! nobody's gonna know what he gets up to in his dreams. and until someone (probably phantom paps) tells him that he's not asleep and this is reality he won't realize until he's done something really reckless

horror is seconds away from exploding dust's skull open with his magic while dust is trying to strangle him and FINALLY phantom paps tells him he's awake and dust snaps out of it. killer is walking around the house with bones sticking out of him like pins on a sewing pattern (casually too. another day in the life for him) and he just asks dust what that was about. dust just gets off of horror and shrugs his shoulders with an idk. and then walks away. this is the 6th time its happened this month

[seaquestions]

blake lets him keep it. this is a dire lapse in judgement on his part but they're just gonna have to live with it. (ids in alts)

[drdemonprince]

Is it bad if I don't come out because the secrecy of being closeted turns me on?

people who dont come out because being closeted is hot 🤝people who aren't poly because it turns them on to cheat

[sarahreadstoomanycomics]

Just a little more practicing covering up text bubbles.

[luck-of-the-drawings]

IMAGINE. working at ur stupid uhhh job or whatever. pulling into your drive way and ready to work on some crazy project in your garage. opening the door to the most unfamiliar silence. did your wife and kid leave for something? could you imagine knocking on your kids door, hardly getting an answer, and opening it to find the splattered remains of your wife across his room your child is scared! hes hardly consolable, in a state of shock and terror. you are too, but youre the adult here. you need to take charge. you need to protect him. you need to do something. you need to do something.

[rebouks]

Previous // Next

Kaito Yoshida skips breakfast almost every day, opting instead for a swim in the Wakaba River to wake him up. It’s cool and quiet as the sun rises; a peaceful alternative to a poorly made cup of coffee.

After an early lunch, Kaito takes some time to dabble in the stock market. A job though he has, it’s mundane and pays little, meant more to keep him occupied than anything else; no, this is how he earns his living. Money makes money after all.

The lunchtime rush at Ai Mizu is predictably hectic, particularly in summer. Famous for its fresh sushi, the tiny restaurant regularly attracts tourists and locals alike, having done so for over fifty years.

He and his co-workers are cordial with one another, but Kaito has no interest in making friends. A precise and introverted woman, the head chef of Ai Mizu apparently appreciates this demeanour; even going so far as to share her personal unagi sauce recipe with him on the sly.

Although it bores him, he often tries to meditate, a favourite spot of his being beside the old canal near Ai Mizu. The local felines, of which there are too many if you ask him, usually have other ideas though, proving themselves to be rather distracting.

He’s convinced some of them are actively trying to kill him, conveniently placing themselves between his legs as he walks, or surreptitiously hopping out of nowhere right before a set of stairs. None have been successful in his demise as of yet, and Kaito has learned he ought to watch his step whilst in town.

Though Kaito’s face was as recognisable as any other resident in Wakaba’s town centre by now, people were still intrigued by the local who spoke Komorebian with ease, despite being foreign-.. judging by his accent rather than his features at least. Never impolite enough to ask questions however, Kaito was left in peace, which suited him more than they’d ever know.

Loneliness was not a foreign concept to Kaito, who had lived with its familiar dull ache throughout most of his life. Try as he might, his attempts at filling that void had never been particularly fruitful; that was, until he found adrenaline. A band aid of sorts, but fulfilling nonetheless.

Kaito escaped to the slopes whenever he could, becoming rather fond of snowboarding especially; not that it was so easy in the beginning, mind you. But, practice makes perfect and over time, Kaito found himself quite at home with the cool wind in his face and the fresh, powdery snow gliding beneath his board.

Rock-climbing however, wasn’t quite so easy to master. Kaito still found himself struggling with various rockfaces now and then. And though he took his late father’s advice with a grain of salt these days, he held steadfast to one piece in particular. Persistence was paramount.

Never one to think of himself as tenacious or prosperous, he was almost proud of how far he’d come; prouder still of the fact that he no longer felt the need to wave his moderate success in the face of those who cared so little for him in the past. He was alone there as he is here. A solitary existence perhaps, but for the first time in his life, Wyatt felt as though he belonged somewhere. He was finally home.

[amugoffandoms]

I've been constantly thinking about the usage of "childhood games" or "childlike questions"* in umbilical and teardrop and I know so many others have analyzed the fuck out of these things but I'm driven crazy

(*i physically don't know any other way to describe it other than childlike I'm sorry xhccfj)

(Peek-a-boo)

(and honestly driving me crazy [IN A GOOD WAY] that they translated it to Marco Polo because they did this on purpose MARCO POLO ISNT REFERENCED AT ALL IN THE ORIGINAL LYRICS)

Additionally, the fact she visualized the voices/audiences with the bunny while some of the other prisoners used different things (eyes, mostly) (Side tangent: Could you make an argument about what each prisoner represents the audience as in their t2 songs? I mean, for example, Haruka and the searchlight?)

Lastly, in both of her voice dramas, she talks about forgiveness as "made-up play" and makes it seems like a game(? She says like "that's the end of round one!" Or something to that effect) whenever describing some of her reasons for murder or being cold.

it's so oddly childlike, as if yuno's self-conscious can't help but make something childlike

Which then you could say it's because she grew up too fast or that what else is there to make up from?

Yuno is a character who prides herself on knowing who she is, that she is her own being who is complicit in a murder (I wont deny her that fact. She's technically a murderer by MILGRAM's standards and she did everything on her own accord), whose job is nothing but innocent-like, and yet both of her MVs and Voice Dramas display the exact opposite. They have moments where you can perceive her as innocent.

The very fact that she's a liar is such an integral part of her character that no matter what, one of her lies are going to be shown. You'll still see her, but what of her will you see? What identity does she have behind all of her lies?

She's Yuno Kashiki. What else?

[mayashesfly]

Document: The Traitor

(Or my personal take on the player in Pressure's Game Lore)

M-██████ - Codename: The Traitor, is a specifically made variant of M-████ made by Mr.█████ for the Blacksite Mission. (See document █████████ for more information)

Infected individuals by this variant are called Sleepers.

It has been modified to only find suitable Sleepers signed under the EXR-P unit. In the case of its current Sleeper dying, it will infect another EXR-P.

It is oblivious to its change of Sleepers, viewing its next run with its new Sleeper as another life. Though it does not grasp the concept that death is permanent and not reversible, viewing its next life as a normal phenomenon.

Due to its natural inclination to seek knowledge and take everything it can, it tends to gather all loose assets and all valuable equipment it can carry.

It excretes a colorless and odorless gas that Sleepers exhale, attracting Z-V06 when concentrated in an enclosed area, like lockers.

However, Sleepers inhaling this gas for too long in an enclosed area showcases symptoms of cleithrophobia and causes the Sleeper to leave the enclosed area immediately.

The smoke Z-283-Chainsmoker emits exacerbates this symptom.

As motivation for it to kill its current Sleeper before it can reach the Crystal, Mr.█████ has made a way to give it more information about the facility and its hazards when it changes Sleepers through the usage of the Saboteur's abilities.

It's shown to be effective during the early stages. Though currently, an unfortunate side effect of this action is that it now seeks out to survive until at least room 50 in order to meet the Saboteur.

[In the case that it reaches the Crystal, it will naturally make its current Sleeper fall down to their death before they can take the Crystal.

However, in its perspective, it believes that it actually took the Crystal and had to survive more rooms before it could 'win' thanks to Mr.█████'s abilities.

Depending on how it performs in this illusion, it will either meet the Saboteur as always when it 'dies' or transfer directly to another EXR-P unit thinking that it 'won'.]

Document: █████████

M-████ - Codename: █████████, are entities found in the █████████████ capable of entering the minds of people, taking root in the victim's brain to control their entire nervous system.

However, it is incapable of feeling the pain its infected individual experiences, leading their victim to be more susceptible to injury without being able properly treating it since it lacks proper self-preservation instincts.

Infected individuals lose autonomy on their own body, making them incapable of moving or talking. They remain conscious and self-aware even if infected severely, only retaining their capability to have their own thoughts and mind.

Dissections of the infected individuals showcases signs of brain damage left behind from a bright metallic-like substance, almost akin to mercury. Though most individuals have survived and recovered after being infected and released.

Transmission of unmodified M-████ is unpredictable as it is not traceable through any physical means. Though observations from known infected subjects showcase that key individuals in an infected subject's life can be more susceptible to being infected by M-████ as well.

One thing that is known about M-████ is that it has a natural inclination for seeking knowledge and taking everything it can, sometimes to the expense of the individual it has infected.

If someone you know suddenly developed an interest in exploration and/or asking invasive questions regardless of your closeness with the individual, contact ███████████████ immediately.

(Note: These documents are not affiliated with nor created by Urbanshade)

[carefulfears]

we've both talked about how scully isn't jealous fire. what differences do you see between protective scully vs jealous scully?

yeah to me the main difference is that one is more external and the other internal. she gets very emotional when she’s jealous. in episodes like alpha (literally sitting that woman down and going “i’m watching you.” cracks me tf up. Dana nobody is taking your man.) and war of the coprophages, it’s kind of angry. it’s louder, but still something very vulnerable and true to her (hater-ism). in episodes like the end, it’s heartbreak. that’s one of the very few episodes where i think she was purely jealous, and sad. she usually understands what’s going on and i think she knew as soon as she heard him call diana by her first name that something was going to change. i think it hurt her feelings, that specific display of connection, usually reserved for her.

when she’s jealous she retreats. she watches quietly. she cries alone in her car. she needs a moment to herself.

it’s when she’s protective that you can’t shake her for anything. one of my favorite images in fire is her standing in the doorway while mulder and phoebe meet with the arson specialist. i didn’t even notice she was there the first time i saw it. she wasn’t invited. she’s just keeping watch. later, she’s standing in the hallway. after that, she’s in his hotel room, and doesn’t leave when phoebe comes in. says “are you okay?” the moment they’re alone.

people write off her behavior in this one as being “jealous” because she has a lil crush and there’s another woman there, but i honestly find that dismissive. sometimes people discuss scully through such a wide lens, not taking into account who she is. she’s really surprised throughout the time that phoebe was there. it’s that soft edge that still shocks to cruelty, that she never really loses. it’s what shocks in the pilot when the doctor hits mulder twice. what shocks in the following episode when the government agents punch him on the side of the road. (look at you you’ve radicalized scully). it’s what makes her wary of jerry lamana, even before he stole mulder’s work.

but phoebe is so cruel, and so personal, and has so much history. it’s not jealousy that makes scully linger in doorways. it’s not jealousy that spawns that folie a deux. no one else understands. no one else can be trusted. (which i do kind of think started in fire, i’ve said before). she isn’t jealous that he startles when he hears this woman’s voice.

and i know that’s a lot on phoebe as an example, but it doesn’t stop. she doesn’t stop keeping watch. she doesn’t stop shocking to cruelty. she’ll get loud. she’ll make plans. she’ll surprise herself. and it doesn’t come with jealousy’s mortifying intimacy.

(don’t have much else to say but i found this from an old post of mine and wanted to share: “scully has that kind of protectiveness towards him that you have towards a child that hasn't been touched by the world yet. it's very 'the world is at least half terrible, though i keep this from my children.’ 'good bones' by maggie smith. scully in the beginning is like......there is something here that should have broken by now. and she wants to watch him be able to walk into every room with the most hopeful answer and a hand out to every stranger.”)

she shares him with the world only reluctantly, Etc etc

[wikitpowers]

imagine jessa find out that ty loves their son because of the way ty says kit’s name: like his heart is breaking into pieces, his voice full of longing, his eyes yearning for the boy who left him three years ago 💔

[stop-breaking-my-heart-dragonage]

my greatest achievement in DA2 is maxing out Carver's friendship

and all it took was begrudgingly kissing a little templar ass in act 1 because Carver didn't want to plan a prison break if my Hawke got his ass arrested for being stupid.

[toddtakefive]

thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.

the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)

there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.

[bakaramia]

Vox no matter what the ppl on twitter do to you you will always be the overcompensating insecure tsundere baby I saw and fell in love with the first time I watched Hazbin.