#like I can hide away from that

[evelynpr]

For the character ask game can I pick toga :)

I'm gonna be very honest in these, and I might disappoint, but here it is-

My first impression - I started watching BNHA around 5 years ago? It's hard for me to remember what exactly was my first impression of Toga, but back then I really didn't care for her much. Honestly, I just found it quite problematic that the only main female villain in BNHA is an overly cute school girl who fits the "cute yandere" trop to a t when the rest of the male villains look a lot more serious and scary.

My impression now - Perfectly honest- I really only started paying attention to her because of Ochako. I was, and still am, a massive Ochako fan, and when I heard that she suddenly had a massive romantic and tragic battle and narrative with Toga after leaving the fandom for 3-4 years, I was immediately deadly curious. - Even with how much I resonate with her story and character, I generally have a big ick for blood as a whole (surprising for a very loud tgck fan I know). Right now, she's my poor desperate little baby who really really needs love and therapy (affectionate). I wish we got to see more of her regular girly side, like caring for the LOV especially Magne and Twice.

Favorite thing about that character - That her entire story is a mentally ill and queer narrative. Like I said earlier, I actually have a big ick for blood and the cutesy yandere trope. But the thing that gets me about Toga is that she is the most openly bisexual/pansexual character in the series, very clearly mentally struggling, and both thrives and suffers because of her choices and circumstances. - She's such a tragic and hopeful character that represents so many weird people like me that I can't help but be attached. She makes me want to embrace my more girly and selfish side, and screams at me that I should live my life how I want to. - I can't leave out Ochako from this part. Holy shit the themes and story about their relationship makes my heart both break and soar so bad it genuinely hurts. Save people by understanding them, helping them, listening to them. Show someone you can be selfish, that they deserve love, that she deserve a chance. It's so much it punches me to a million sobbing pieces.

Least favorite thing - For the 3rd time now...not into blood. I don't like its taste, look, and the mere thought of bleeding genuinely grosses me out. - You probably think "How in the world are you attached to her then?" well its because I understand that Toga's "blood" is also a representation of her violent tendencies and love. I see it much more as a narrative device for her character and themes.

Favorite line/scene - Shocking, but I actually have not read the manga. I can't say what my favorite scene is just yet because I want to truly witness it animated, when the time comes. - If you want an answer well, from the anime so far, it probably is when she gets her quirk awakening in MVA, or when she confesses to Izuku in the final war (mostly because that scene is so damn hilarious, tragic, and important).

Favorite interaction that character has with another - ...I mean obviously it's Ochako lmao? Every interaction is a fight of ideals and love- which suddenly morphs into a way of challenging each other- then growing into understanding and loving each other. That is. Just insane. How the fuck did BNHA's writers come up with this.

A character that I wish that character would interact with more - For the sake of my Tgck Bkdk square, I really wished for her to have interacted with Bakugou at least once. Just see how one person's violence and power was praised, while the other was abandoned and shamed. How they both have a strong squishy-faced freak they're obsessed with, and also obsessed with them, even if they don't feel like they deserve it. - Oh and, definitely more LOV random shenanigans and bonding time. I wish I was able to get more into them ngl, but I never really felt that sadly. Man...

Another character from another fandom that reminds me of that character - UHHH??? I genuinely have no idea. I am drawing at a blank I am so sorry T__T This is the firsts time I have ever been interested in this kind of character??? Really sorry-

A headcanon about that character - This is kind dark so be warned - I got this idea from a fic and now I can't stop thinking about it. Toga always wanted her love to be reciprocated or understood by someone. Anyone. I feel that she was taken advantage of and abused by horrible people in her earlier days of running away...especially since she's a young teenage girl in a cute school uniform. I am so sorry...

A song that reminds of that character - I am working on a Togachako playlist! It's about both of their characters respectively and also their story and relationship, but here's the ones about Toga specifically! - Hayloft II (THIS ANIMATIC), The Red Means I Love You (obviously lol), Butcher Vanity, Hero (Charlie Puth, mostly tgck), Pink Pony Club (Chappell Roan, early Toga)

An unpopular opinion about that character - She's not the possessive type, and she's really very open to people she loves loving other people at the same time, polymarous kind. This is probably a pretty common hc already tho since she says this repeatedly? - Her most common form of love is a very impulsive/sexual/admiration/attracted kind. You could even relate this to hypersexuality (something I struggle with) where the moment you find something you're into on someone, you body and brain genuinely go kinda out of control. I project onto her my own inability to hold and control these kinds of feelings at times, but Toga is quite the manifestation of my fears.

Favorite picture - I love it when a character's mask peels off. Toga genuinely angry, upset, and just not smiling is so fascinating and beautiful to me in a "It's okay my dear, show all of you, stop hiding" (Ochako might disagree with me on this tho, since she loves her smile lmao-)

[sainz100]

2024 Brazilian GP | x

[mozzzz05]

I just had an upsetting thought - what if Alison constantly visited the Ghosts and knew - when she was old and grey and had lived a life - that she was going to die, so she made sure she was in Button House for it?

Mike accepts it and understands her want to go back to the Ghosts, they’re like family, they’re always there.

But then it’s Mike’s turn to go and he decides it must happen at Button House too. He’ll see his wife again! Spend a couple of hundred years together & hey he can actually meet/talk to the ghosts now!

Only when he dies and he meets all the Ghosts, who are all excited to actually talk to him etc, he asks where Alison is, only to find that she moved on straight away.

He finally gets to see a part of his life that was so bizarre for him, so secret and hidden, part of his life where he only ever had half a story. And now he has that half but his whole world is still gone and he doesn’t know when he’ll ever see her again.

[seiwas]

sellllllll it's meeeeee. hehehehehehehehehhehe

so for ur writing exercises.... deku + light? please? pretty please?

:3c

heheh heheh hehe niku. this will be the death of me. me writing izuku for the first time 🥲 i will only do this for you </3

contains: established relationship, spoilers for the end of the manga, aged up deku but sometime in between the final outcome (he doesn't get the h*** s*** from bakugo yet), mentions of sex and scars

deku + light

izuku only sleeps with the lights off.

it isn't uncommon; many people you know can't sleep with even just a sliver of light turned on somewhere in the room. but the difference with izuku, you learn, is not that he's unable to stand the light―it's that he refuses to.

you quickly pick up on it the first few times he sleeps over.

he fidgets in bed, pretty badly, actually. the nightlight you sleep with glows a warm yellow, illuminating the side of your face and coating him in its afterglow. you chalk it up to nerves, how he pulls at his sleeves and adjusts his position constantly; he is, after all, one of the most anxious people you know.

and this relationship―it's new. heck, even you feel a little jittery with his arm wrapped around you.

the rhythmic tapping on your hip only increases pace. you don't think he realizes it, so your hand gently reaches for his, intertwining your fingers as you turn around in his arms.

he's close, nearly touching you nose-to-nose; the proximity leaves you fuzzy, a little ticklish, so you giggle, a soft "oops," as the freckles dusting his face almost glisten under the warm light.

"hi," you whisper, meeting his eyes; they stare back at you wide in surprise, "can't sleep?"

he looks almost guilty at your question, as if you’ve caught him with the one thing he's been trying to keep from you.

"just—" his voice comes out louder than intended, prompting him to chuckle nervously as he readjusts his volume, "just winding down, sorry."

you inch closer, nuzzling his nose lightly, "it's okay."

"did i wake you?" he asks, cheeks flushing pink as his eyebrows furrow in immediate concern. his expression is something caught between stifling a grin and feeling sorry.

you shake your head against the pillow you share, strands of your hair tangling with his. "just winding down," you tease, watching as his gaze turns softer, eyelids drooping heavier.

sometimes, you think, izuku holds the world in his eyes―a deep, dark green, the color of life. most times, they look at you with wonderment, bright and alive; photos from inko tell you they're the eyes of his inner child.

on nights like this one, however, they hide a depth in them weighted by what you can only assume is time, and all that has happened to him in such a short span of it.

you try your best to understand what lies beneath them, knowing full well he'll never tell you outright what truly bothers him.

"is it the light?" you bring up, some time after laying in silence.

"hm?" he clarifies.

"do you have a hard time sleeping with the nightlight?"

his eyes widen briefly once more, as if shocked that you've caught him again. these split second reactions are ones you've learned to be attentive to when it comes to izuku.

"no," he tries to lie, but you know better as you turn to your nightstand and reach for its switch, "you don't–"

"it was hurting my eyes," you quickly make up an excuse, tucking yourself closer under his chin as you cut off his attempt to deny it again.

finding out that the light was the problem was the easy part—

you'd begun to notice much earlier on that izuku was barely rested on the nights he'd spend at your place. it was only when your old nightlight broke that you began to notice him waking up much later than you did, groggily rousing from a deep sleep.

—what was hard, was figuring out why.

at first, you suspected it was his scars.

"s-sorry, it's not—" he'd warned you, right as your hands gripped the hem of his shirt the first time you were about to have sex, "—it's not nice."

you didn't care though; you still don't care, and you've made that abundantly clear to him since. you love izuku and all his parts―all the nicks and jaggedy pieces of skin that make up who he is.

when you eventually ask him about it, with a request that he be honest with you for once, he tells you that it is and it isn't―the reason why he exclusively sleeps with the lights off, that is.

it's an odd, comforting relationship he has with his body—that he is simultaneously grateful and sorry for how its become a canvas, both painted and marred to symbolize japan’s historic last stand.

you find out the real reason when you catch him staring at his hands.

he does it often, when he thinks you aren't looking—his fists bunched up in the same way he used to watch the power of one for all course through his fingertips; the same way he used to prepare them in battle.

there’s a faraway look in his eyes that lingers, you notice—a little wistful if anything.

“do you miss it?” you finally ask. he gives you the same shocked look he does every time, as if he’s been caught with a secret he’s been trying to hide.

he’s learned a fair bit about you now, too, though—lying to you is futile when you’ve perfected reading his truth. he stares at his fists again as you take a seat beside him, moving to give you space. you rest your head on his shoulder gently, waiting.

“sometimes,” he admits, but you know it’s an understatement.

“i think about the vestiges a lot. i miss them the most, i think,” he continues, clenching his fists tightly, “i always try to reach out to them, but i guess it doesn’t work that way.”

“i… i try to replicate the right conditions every night, but…” then he lets go, stretching his fingers out wide. the scars on the surface ripple through his skin, telling its own story.

you hum, acknowledging what he means. silence sits with the two of you as you take his hand in yours, slowly unfurling his fingers until his palm reveals itself to you. it’s rough to the touch, seasoned with hard work and all that he’s been through.

“is that why you prefer the dark?” you ask softly, after some time.

it's not often that you stay up later than izuku does. when you do though, you catch him shifting in bed, moving from side-to-side. you pretend you aren't awake, but you hear him mumble their names, dwindling in volume as he dozes off to sleep.

he stares at his palm for a moment before he admits quietly, "yeah." his brows furrow as if contemplating whether to say more, but he shakes his head, dark green strands swaying to the beat of his embarrassed chuckle, "nevermind, it's silly."

"it's not."

you intertwine your fingers, sandwiching his hand between yours. a slight sheen glosses over his eyes as he tilts his head up to look at you. he draws in a breath, before it spills over.

"it's..." he finds the words, and you squeeze his hand in comfort, "it's easier to believe it was all real when the lights are out, and that maybe it can happen again."

[sallymew4]

EVERYONE STOP WHAT YOURE DOING RIGHT FUCKING NOW

EVERYBODY SHUT UP IMMEDIATELY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[pangloss-artee]

i had an idea

[sleepire]

From the poll!! Danny's annoying B, for.. Reasons? Idk. This could also be seen as Batman's newest ward annoying him whilst on patrol but ykyk

[triglycercule]

sleep deprived dust can't recognize what's dream and what's real when he goes in and out of consciousness so i think dust is allowed to be incredibly reckless when he's awake but thinks he's in a dream. he will kill whoever passes by him (or attempt to. for him it's an instict to shoot bones anyways.) he will drink 4 bottles of alcohol just because he thinks its just a lucid dream. have incredibly loud conversations with phantom paps because he's asleep so nobody will hear him talk. or just have loud ass breakdowns because again he thinks he's asleep!!! nobody's gonna know what he gets up to in his dreams. and until someone (probably phantom paps) tells him that he's not asleep and this is reality he won't realize until he's done something really reckless

horror is seconds away from exploding dust's skull open with his magic while dust is trying to strangle him and FINALLY phantom paps tells him he's awake and dust snaps out of it. killer is walking around the house with bones sticking out of him like pins on a sewing pattern (casually too. another day in the life for him) and he just asks dust what that was about. dust just gets off of horror and shrugs his shoulders with an idk. and then walks away. this is the 6th time its happened this month

[seaquestions]

blake lets him keep it. this is a dire lapse in judgement on his part but they're just gonna have to live with it. (ids in alts)

[drdemonprince]

Is it bad if I don't come out because the secrecy of being closeted turns me on?

people who dont come out because being closeted is hot 🤝people who aren't poly because it turns them on to cheat

[sarahreadstoomanycomics]

Just a little more practicing covering up text bubbles.

[luck-of-the-drawings]

IMAGINE. working at ur stupid uhhh job or whatever. pulling into your drive way and ready to work on some crazy project in your garage. opening the door to the most unfamiliar silence. did your wife and kid leave for something? could you imagine knocking on your kids door, hardly getting an answer, and opening it to find the splattered remains of your wife across his room your child is scared! hes hardly consolable, in a state of shock and terror. you are too, but youre the adult here. you need to take charge. you need to protect him. you need to do something. you need to do something.

[rebouks]

Previous // Next

Kaito Yoshida skips breakfast almost every day, opting instead for a swim in the Wakaba River to wake him up. It’s cool and quiet as the sun rises; a peaceful alternative to a poorly made cup of coffee.

After an early lunch, Kaito takes some time to dabble in the stock market. A job though he has, it’s mundane and pays little, meant more to keep him occupied than anything else; no, this is how he earns his living. Money makes money after all.

The lunchtime rush at Ai Mizu is predictably hectic, particularly in summer. Famous for its fresh sushi, the tiny restaurant regularly attracts tourists and locals alike, having done so for over fifty years.

He and his co-workers are cordial with one another, but Kaito has no interest in making friends. A precise and introverted woman, the head chef of Ai Mizu apparently appreciates this demeanour; even going so far as to share her personal unagi sauce recipe with him on the sly.

Although it bores him, he often tries to meditate, a favourite spot of his being beside the old canal near Ai Mizu. The local felines, of which there are too many if you ask him, usually have other ideas though, proving themselves to be rather distracting.

He’s convinced some of them are actively trying to kill him, conveniently placing themselves between his legs as he walks, or surreptitiously hopping out of nowhere right before a set of stairs. None have been successful in his demise as of yet, and Kaito has learned he ought to watch his step whilst in town.

Though Kaito’s face was as recognisable as any other resident in Wakaba’s town centre by now, people were still intrigued by the local who spoke Komorebian with ease, despite being foreign-.. judging by his accent rather than his features at least. Never impolite enough to ask questions however, Kaito was left in peace, which suited him more than they’d ever know.

Loneliness was not a foreign concept to Kaito, who had lived with its familiar dull ache throughout most of his life. Try as he might, his attempts at filling that void had never been particularly fruitful; that was, until he found adrenaline. A band aid of sorts, but fulfilling nonetheless.

Kaito escaped to the slopes whenever he could, becoming rather fond of snowboarding especially; not that it was so easy in the beginning, mind you. But, practice makes perfect and over time, Kaito found himself quite at home with the cool wind in his face and the fresh, powdery snow gliding beneath his board.

Rock-climbing however, wasn’t quite so easy to master. Kaito still found himself struggling with various rockfaces now and then. And though he took his late father’s advice with a grain of salt these days, he held steadfast to one piece in particular. Persistence was paramount.

Never one to think of himself as tenacious or prosperous, he was almost proud of how far he’d come; prouder still of the fact that he no longer felt the need to wave his moderate success in the face of those who cared so little for him in the past. He was alone there as he is here. A solitary existence perhaps, but for the first time in his life, Wyatt felt as though he belonged somewhere. He was finally home.

[mayashesfly]

Document: The Traitor

(Or my personal take on the player in Pressure's Game Lore)

M-██████ - Codename: The Traitor, is a specifically made variant of M-████ made by Mr.█████ for the Blacksite Mission. (See document █████████ for more information)

Infected individuals by this variant are called Sleepers.

It has been modified to only find suitable Sleepers signed under the EXR-P unit. In the case of its current Sleeper dying, it will infect another EXR-P.

It is oblivious to its change of Sleepers, viewing its next run with its new Sleeper as another life. Though it does not grasp the concept that death is permanent and not reversible, viewing its next life as a normal phenomenon.

Due to its natural inclination to seek knowledge and take everything it can, it tends to gather all loose assets and all valuable equipment it can carry.

It excretes a colorless and odorless gas that Sleepers exhale, attracting Z-V06 when concentrated in an enclosed area, like lockers.

However, Sleepers inhaling this gas for too long in an enclosed area showcases symptoms of cleithrophobia and causes the Sleeper to leave the enclosed area immediately.

The smoke Z-283-Chainsmoker emits exacerbates this symptom.

As motivation for it to kill its current Sleeper before it can reach the Crystal, Mr.█████ has made a way to give it more information about the facility and its hazards when it changes Sleepers through the usage of the Saboteur's abilities.

It's shown to be effective during the early stages. Though currently, an unfortunate side effect of this action is that it now seeks out to survive until at least room 50 in order to meet the Saboteur.

[In the case that it reaches the Crystal, it will naturally make its current Sleeper fall down to their death before they can take the Crystal.

However, in its perspective, it believes that it actually took the Crystal and had to survive more rooms before it could 'win' thanks to Mr.█████'s abilities.

Depending on how it performs in this illusion, it will either meet the Saboteur as always when it 'dies' or transfer directly to another EXR-P unit thinking that it 'won'.]

Document: █████████

M-████ - Codename: █████████, are entities found in the █████████████ capable of entering the minds of people, taking root in the victim's brain to control their entire nervous system.

However, it is incapable of feeling the pain its infected individual experiences, leading their victim to be more susceptible to injury without being able properly treating it since it lacks proper self-preservation instincts.

Infected individuals lose autonomy on their own body, making them incapable of moving or talking. They remain conscious and self-aware even if infected severely, only retaining their capability to have their own thoughts and mind.

Dissections of the infected individuals showcases signs of brain damage left behind from a bright metallic-like substance, almost akin to mercury. Though most individuals have survived and recovered after being infected and released.

Transmission of unmodified M-████ is unpredictable as it is not traceable through any physical means. Though observations from known infected subjects showcase that key individuals in an infected subject's life can be more susceptible to being infected by M-████ as well.

One thing that is known about M-████ is that it has a natural inclination for seeking knowledge and taking everything it can, sometimes to the expense of the individual it has infected.

If someone you know suddenly developed an interest in exploration and/or asking invasive questions regardless of your closeness with the individual, contact ███████████████ immediately.

(Note: These documents are not affiliated with nor created by Urbanshade)

[amugoffandoms]

I've been constantly thinking about the usage of "childhood games" or "childlike questions"* in umbilical and teardrop and I know so many others have analyzed the fuck out of these things but I'm driven crazy

(*i physically don't know any other way to describe it other than childlike I'm sorry xhccfj)

(Peek-a-boo)

(and honestly driving me crazy [IN A GOOD WAY] that they translated it to Marco Polo because they did this on purpose MARCO POLO ISNT REFERENCED AT ALL IN THE ORIGINAL LYRICS)

Additionally, the fact she visualized the voices/audiences with the bunny while some of the other prisoners used different things (eyes, mostly) (Side tangent: Could you make an argument about what each prisoner represents the audience as in their t2 songs? I mean, for example, Haruka and the searchlight?)

Lastly, in both of her voice dramas, she talks about forgiveness as "made-up play" and makes it seems like a game(? She says like "that's the end of round one!" Or something to that effect) whenever describing some of her reasons for murder or being cold.

it's so oddly childlike, as if yuno's self-conscious can't help but make something childlike

Which then you could say it's because she grew up too fast or that what else is there to make up from?

Yuno is a character who prides herself on knowing who she is, that she is her own being who is complicit in a murder (I wont deny her that fact. She's technically a murderer by MILGRAM's standards and she did everything on her own accord), whose job is nothing but innocent-like, and yet both of her MVs and Voice Dramas display the exact opposite. They have moments where you can perceive her as innocent.

The very fact that she's a liar is such an integral part of her character that no matter what, one of her lies are going to be shown. You'll still see her, but what of her will you see? What identity does she have behind all of her lies?

She's Yuno Kashiki. What else?