#like ‘oh no I do love sci fi with lesbian romances… there just actually need to be lesbian romances’ which Gideon does not have…

[perdvivly]

Loved loved loved the long way to a small angry planet. I think this was partly driven by 1) I wanted to fuck the aliens, 2) I wanted to fuck the robot and, 3) I wanted to fuck the humans… I think Becky Chambers is just really good at writing fuckable characters tbh

[mermaidsirennikita]

ARC REVIEW: The Stars Too Fondly by Emily Hamilton

4/5. Releases 6/11/24.

Vibes: everyone is queer, pretty much, grumpy x sunshine, grieving and falling in love, BIG MYSTERY--HUGE

Heat Index: 5/10

Cleo is obsessed with space--which is what leads to her friends accidentally launching a ship towards Proxima Centauri (and it will take... seven years there and back for them to return to Earth; if they survive). But in her defense, she was just trying to find out what happened to the crew that disappeared on launch day twenty years ago! And the the dark matter engine kicked off on its own! Fortunately (?) they're quickly joined by a hologram of Billie, the ship's vanished captain. Unfortunately, she doesn't remember exactly what happened. Or what's going to happen now. Also, she seems to really dislike Cleo--or does she?

OH, this was a lot. Both in terms of genres--it's like, sci-fi with some pretty hard science, I think, knowing nothing about science, plus a bit of magic, plus romcom, plus like... a treatise on loss and loving again?--and plot. This is definitely, ultimately, a romance. And it it's really quite beautiful. Yes, there are jokes, yes there's a mystery that actually gave me a bit of the creeps (in a good way), but ultimately this is about one woman who's gone through this massive loss having her heart cracked open by someone who's sort of given up on everything that seems to matter to her and is trying to ignore that by charging into space.

It bit off a lot. Like, this is a big swing of a book, and it's not perfectly perfect. But it is really good.

Quick Takes:

--This is a textbook grumpy/sunshine book. Billie is a take-no-prisoners alpha bitch, and even in hologram form (to be clear: the hologram is fully sentient, the "real" Billie essentially uploaded her consciousness into the ship right before disappearing) she isn't afraid to boss people around. She has a hard shell, and she's not easy to get through to.

Cleo, on the other hand, is bright and curious and perhaps doesn't take life seriously enough (which is definitely in part a coping mechanism for how badly the Earth is doing... which uh, hit pretty close to home!). Billie puts her in order and forces her to face shit head on; Cleo forces Billie to be a kinder, gentler person and breaks through her walls in a way she really needs. Their love story is really touching, and if you're the type of person who loves to see a hardened person get broken down by falling in love (like me) you'll love this.

--There's so much representation in this cast of characters! The "crew" is made up of an Asian man, Abe, whose partner (also in the group) Kaleisha is a Black trans woman. You also have Rose, who's non-binary, Cleo, who's a Black lesbian, and Billie, a bi woman, making up the primary team. It's all woven in very naturally, and you get the sense that everyone cares for each other and has this sense of solidarity. Just little things, like everyone checking to see if the ship has the hormones Kaleisha needs (don't worry, it does).

I also actually really appreciated the way that Billie was implied to be a woman who primarily dated women and then had her sexuality questioned after she got engaged to a man. Her relationship with the fiance she lost, Neil, is a huge part of who she is--and it's not invalidated by her falling in love with Cleo, or vice versa. In fact, so much of Billie's arc is informed by her grief and pain. She literally ran to space to escape her grief, and it's like--you just can't. And you also can't avoid the reality of moving on, and the fear that comes with loving people you may lose. Oof.

--The mystery was so eerie? Like, the idea of an entire crew of astronauts just disappearing right when they were meant to be launched into space... can you imagine the podcasts?

Hamilton wove this in really well--you get news articles, and especially comms between members of the crew, most of them involving Billie. Which is... man. It feels so sinister, and it also feels a bit separate from the Billie you see in the active present, because this is the "disappeared" Billie, not the hologram. It was a little stomach-churning for me, because, though I knew this was a romance and therefore would have an HEA, I still felt so worried for her and worried about what she was withholding.

--My one critique would be that I do feel like the story goes on a bit long, and could have had the ending shortened a bit. You kind of have this big climactic moment, and then we have to pick up the pieces and hurry to tie up loose ends. Which couldn't be entirely avoided, given the plot of the novel, but could have been a bit tidier. Not a huge issue at all, though, and it was nice to sort of bask in Billie and Cleo's relationship at that point.

The Sex:

So like. Billie is a hologram. Therefore, she can't touch or be touched. Which does put a hold on the physical sex in the novel, but doesn't stop it from being sexy and sexual. I mean, in a lot of ways I found the tension between Billie and Cleo hotter than some of the klutzy sex scenes I've read recently--and that's saying something coming from me, Little Miss Write More Sex.

That said, there is one full sex scene in the book, and it is quite hot. Won't tell you how it comes about, but you won't be dissatisfied. Neither were they.

I am not a sci-fi person. I'm not against it, but I often find it difficult to follow and a bit too cerebral for me to get emotionally involved, even when it's a sci-fi romance. This is the kind of sci-fi that works for me. It exists to serve the characters, and while the science is definitely fairly involved, it's not difficult to understand. (At least for me.)

I keep coming back to this, but I just found the emotional themes of the novel really moving in a way I didn't expect. It felt kind of heartbreaking at points. But thanks to the magic of a romance novel, it comes back to this circle of love and warmth (which really does transcend romantic love, too--the platonic bonds in this novel are great). My heart was full.

Thanks to NetGalley and Harper Voyager for providing me with a copy of this book. All thoughts and opinions are my own.

[smaller-comfort]

Would you recommend The Locked Tomb Triology or Rook and Roses more? I have both unstarted in my Audible Library.

OH BOY. I'm slightly drunk and you've basically just activated my trap card.

Okay, these are very, very different literary experiences. I highly recommend both, but for wildly different reasons. I have listened to the audio books for The Locked Tomb, but not for Mask of Mirrors/Rook & Rose, so I can't really compare them. TLT's audio book is very well done, but the narrator does mispronounce one character's name throughout the whole thing, and that drives me slightly crazy. (Nonagesimus: uses the church Latin pronunciation. EDIT: I SAID I WAS DRUNK. IT'S THE OTHER WAY AROUND. No-na-jess-i-mus. Not It's no-na-guess-i-mus.)

The Locked Tomb series is amazing, and extremely rewarding, but it's a difficult read. The prose is dense and full of obscure and sometimes baffling references. The first book is relatively accessible as a science fantasy murder mystery; the second book is actively hostile to you, the reader, and it wants you to suffer on multiple levels. You will suffer on multiple levels. You will need to reread it at least once to actually understand what's really happening. The third book is less hostile, but it's definitely not comfortable. The series is unfinished; book 4 is still being written. Rereading the books is extremely rewarding, because you will miss things the first time around.

If you've ever read Homestuck (at least through the Scratch), then I would recommend the series unreservedly. The author is kind of famously a former Big Name Fan there. It is thoroughly, pervasively queer, but it's not really romantic; you'll see it marketed as "lesbian necromancers in space" but it's fundamentally a story about love, grief, loss, and the violence of colonialism/imperialism. (I draw a lot of parallels between it and Sea of Stars/Saboverse because of those themes.) The books are more appropriately set in the Horror genre than straight sci-fi/fantasy.

(I love the worldbuilding and the treatment of necromancy/magic as a science. Delicious.)

Mask of Mirrors/Rook & Rose is just a hell of a lot of fun. It's basically set in a fantasy eastern European city that was violently colonized by fantasy Italy, and the worldbuilding is fantastic. It also deals with themes of colonialism/imperialism, and at its core is grappling with ideas of identity and diaspora.

That's the high level themes at work in Mask of Mirrors, but I tore through the whole trilogy in less than a week because the characters are delightful, the worldbuilding is extremely tasty, and it's really about a badass con artist doing badass things. There are a lot of queer characters (including a handful of explicitly trans characters, and some implicitly asexual and aromantic characters), but the main romance is het.

(Rook & Rose magic systems are half numerology/scientific principal and half tarot/intuition, and I honestly adore it.)

With the locked tomb, it's kind of a running joke in the fandom that you can get spoiled for all the major plot points and still not have any idea what the hell is going on. With Mask of Mirrors/Rook & Rose, I really, really don't want to spoil anyone because some of those plot twists were so satisfying to experience, and I would've been so upset if they'd been spoiled for me.

Rook & Rose is a completed series, and the third book does wrap everything up pretty neatly. Maybe too neatly, in some ways, but it's still delightful. The books are long, but relatively easy reads (with the caveat that my idea of an easy read is...probably slightly distorted. I read book one in a day and a half. It's 630 pages long).

So, if you're okay with cliffhangers and being emotionally devastated (but in mostly good ways), go for The Locked Tomb. TLT also has an enormous fandom. If you want something with a definitive conclusion, swashbuckling shenanigans, and only mild to moderate emotional pain, and a fandom of like 3 people, please read Rook & Rose.

[gxldencity]

for the ask meme 💜 4, 9, 18, 20!

4. What sections of a bookstore do you browse?

Fantasy tbh! Sometimes romance but u can find me looking at books at the Sf/f section

9. when do you tend to read the most?

alfksfks I'd like to say at night after I've done most of my important things to do but I love LOVE reading on transit. (Best part about not having a car)

18. do you like historical books? which time period?

see this is kinda a hard question? bc I don't really like historical fiction that's just set in that time period but i love retellings (rip I know sorry lmao but I promise u there are GOOD gOOD ones that actually understand the text it's trying to retell) and I also love historical fantasy? Where it's set in a fantasy version of a historical place in our world but as fantasy

I mean one of the novels I'm toying around with is a fantasy story inspired by the philippine revolution and also....a noli me tangere retelling but that one is contemporary (starring maria clara and ibarra is a butch lesbian lmao who goes by cris)

20. what are things you look for in a book?

not YA

God it's honestly easier to answer this as like what are the ingredients that would make me love LOVE a book and that depends on the genre tbh! And also easier to answer this as like...what am I NOT looking for in a book.

So for SF/F

- I'm not the biggest fan of worldbuilding where they basically hold your hand through it. Like...im trying to live in the world, make me live in the world. I especially dislike it when one of the POV characters is clearly the vehicle for that kind of exposition.

- more and more I'm seeing sf/f authors who just........do not take any stance about the oppressive world they created. It's especially jarring when it's on the fucking cover of the book and in the author blurbs that oh this book is filled with anti capitalist critique and oh this is so so critical of the military then u read the book and it's filled so so much with "both sides have been harmed by the system so why can't we just get along 🥺" ok pussies, I get it ur a villainfucker but you can still destroy the oppressive system in ur own goddamn novel and have ur MC and ur villain turned anti hero fuck. You decided it. This is not a fanfic.

- like I just think a lot of authors don't fundamentally understand fantasy and sci fi beyond "ooohh magic" and "oooh space" and like maybe if ur writing a romance crossover maybe you could get away with having fantasy and sci-fi as mostly set dressings but when I pick up a book in the ADULT sf/f section, I'm expecting a critical lens towards things in the book ok

Romance

- I need the LI to not be an asshole, like maybe they could be an asshole but they improve but it is surprising how many LIs there are where they're just...not a good person? And people find that hot ig but I am actually...trying to ROOT for this person. You gotta make me like them.

- Third act break-ups are frankly annoying but they are everywhere to the point of being a staple. So romance books that have a third act conflict that isn't a break up are ALWAYS more interesting to me

- I also tend to prefer romance books that aren't starring cishet white people :) but I also am in a romance book club so I don't really get to decide that all the time (I mean thank god for libraries bc I prefer reading physical books :) ). The reason being is that I could literally just turn on the TV and boom bland cishet white people romance

[ellasadventuresinfandoms]

Okay, back in May @isolatedphenomenon asked me if I had an les mis fic recs and I went "oh boy do I !" and then promptly fucked off and disappeared from tumblr for like 6 months...

Anyway on the off chance people are interested, here is my vastly too long list of  my favourite les mis fanfic (that I'm almost 100% sure I'll have accidentally missed some of my favourites off of...)

The vast majority of these are main pairing Enjolras/Grantaire, so I've put those first, divided into multi-chaptered and then one-shots. Below that will be other pairings!

Multi-chaptered

• Witch Boy Series : magic AU, starting with Grantaire solving Enjolras' curse - this is just Incredible world building which gets better as it goes on - my favourite is the Babet interlude

• World Ain't Ready : you know how fandoms tend to have a fic that is just associated with it ? in my experience, for les mis this is it - and well deserved ! High school, fake dating AU with some of the most engaging writing

• BE : Enjolras is dragged back into theatre production, helping Eponine put on a production of Hamlet - really love the characterisation in this, and this is really one of those modern AUs that actually feels like real life - really good writing

• After the End : the definitive apocalypse AU in my eyes - les amis are an underground resistance to the dystopian government - really wonderful characterisation of Grantaire and the amis

• You never have to wonder; you never have to ask. : I tend to find fic by scrolling through bookmarks of a pairing, which means I often see repeats; this is a fic that if I see I just re-read cause I know I'll enjoy it - the amis sparked a failed rebellion, and now 18 months later Grantaire ends up staying at Enjolras' after returning to Paris for Marius and Cosette's wedding

• Your Heart on Your Skin : Soulmate AU with flower tattoos marking important emotions and events - wonderful concept and world building 

• Impatient to Be Free : Daughters of Bilitis AU - if that doesn't make you excited I don't know what else to say to convince you (aside from saying the author is a simply wonderful writer)

• You Dance Dreams : Okay. Not to be over dramatic, but this fic did genuinely qualitatively change my life, in that it was the first thing that got me looking up contemporary ballet and now that's like one of my favourite things and big hobby So. Also its really great writing; music/creative arts school les amis with Grantaire choreohraphing the ballet for Combeferre's opera, with a heavy emphasis on Grantaire realising he really never actually got over Enjolras

• philia : this one is an absolute classic to me, but not given nearly enough recognition - one of the more realistic college AUs ever written, and the writing of Grantaire is so good because it hits the perfect balance of sympathy and annoyance about his behaviour (that's a genuine compliment) 

• Coffee Hooligans : fucking tragedy this never got properly finished, Enjolras leads the amis as social justice vigilantes and tries to hide the criminal bits of his life from R

• Fighting the Hurricane : Pacific Rim AU that's less an AU and more just placing the les mis characters in the Pacific Rim universe. Really good and riveting read, also super interesting depiction of Grantaire

• Weaving Olden Dances : Fairy AU - Grantaire "claims" Enjolras to prevent his execution - really good writing, love Grantaires characterisation 

• Paris Burning : canon era (sort of) where cities have a physical being - Grantaire is Paris and becomes entangled in Enjolras' revolution - oh the world building is truly *chefs kiss*

• Euphoria is You For Me : Enjolras and Grantaire keep meet cuting in a wonderfully written Brooklyn - feels like a love letter to Brooklyn at times, and I really like the characterisation of Grantaire 

• so please just fall in love with me this christmas : Enjolras works for the environmental company Grantaire volunteers at, and keeps getting secret gifts at Christmas - I sound a little like a broken record but the Grantaire characterisation is very good

• You Are the Moon : Wild West esque Space AU - Grantaire has to call on the amis to help rescue Valjean and Cosette, despite Grantaire leaving the amis 6 months before. On re-reading the Enjolras characterisation feels a little rushed, but overall fantastic story telling and the Grantaire arc is a Delight 

• Pandemos : Enjolras is aphrodite, and seeks peace from all his suitors in R/Hephestus' cave

• Pining for You : Hallmark christmas romance - Grantaire returns home to work on his father's tree farm, and Enjolras is the lawyer helping prevent the farm being sold - cute as shit imo

• Once We're Kings : Fantasy AU - a country hosts a ball to marry Prince Enjolras and the rival country sends Grantaire as a fuck you - one of the best ways of doing Enjolras as a prince in a fantasy and just really nicely written

• Never Bitter and All Delicious : Fairy Godmother AU - yes really, yes its genuinely a very good read

• On One Condition : Fantasy AU - Enjolras is a bored knight who finally goes to check out the local dragon, which turns out to be Grantaire - I really like how they capture Enjolras' stubborn nature and it's such a well written soft growth of love between them

• That's How Easy Love Can Be : Les Amis work at a primary school; and its secret santa time! very fun portrayal of Enjolras

• The Lark and Her Lieutenants : re write of canon where Cosette is the leader of the revolution - just *chefs kiss*

• If You Tickle Us, Do We Not Laugh : Grantaire is Enjolras' secret android - really good at writing a relationship that's incredibly loving but just keeps being antagonistic and coming off wrong 

One Shots

• True Colours : AU where you leave colours on the people important to you - Enjolras and Grantaire falling for each other is so soft and gently written its lovely, this is genuinely one of my favourites

• Keep It Kind, Keep It Good, Keep It Right : this one is so good to me, because it builds off my pet hatred of everyone assuming Enjolras doesn't care about (or at least actively show he cares about) his friends

• blooming : very soft post-dystopian utopia that has just a really wonderful sense of hope and light to me

• and the wall leaned away (or: The Pros and Cons of Tilling) : perfectly realised characterizations of the amis, Grantaire needs a date to her final year art exhibition - deals with anxiety over protest in a way that actually hits for me

• not just one of the crowd : R helps run a leftist bakery and bike repair shop - very cute characterisation, and I think more les mis fanfic should link to anarchist essays

• Lovesickness : Enjolras is an idiot and thinks he's sick rather than having a crush - the writing of Joly and Combeferre in this is some of my favourite depictions of these two

• If there's a rocket, tie me to it : absolutely heartbreaking sci-fi AU about the amis as doomed mecha pilots

• Where I Fall is Where I Land : Enjolras is a Roman commander as Rome's power is leaving England, and then meets the pict Grantaire (+ fun soulmark stuff !)

• You Started Foreign to Me : Enjolras moves to america and R is the overnight grocery clerk who helps her learn Spanish - cute fluffy lesbians with a wonderfully written driven Enjolras

• Love Is Touching Souls : very cute soulmate AU - and one I really love for really truly considering the implications of soul marks and creating historical lore around it

• Ten Years : R is a musician, and it non-linearly charts his relationship to Enj from high school to 10 years later

• put up with me then I'll make you see : Grantaire lives above Enjolras, and its christmas - I find it to have a very fun interpretation of pining Enjolras

• A Cat Called Trash Can : this was one of the first les mis fics I ever read (yes I know it says it was published in 2020, but I think it has to be a re-upload or something?) and it does still have a special place in my heart - Grantaire rescues a cat, but Enjolras is the only one with an apartment free to look after it 

• Still I'm Begging to Be Free : inception AU where les amis have to rescue a sleeping R from his own brain

•I'm in it for You : cw: illness, cancer - R has cancer and is being a martyr about telling his friends so Enjolras drives him back from chemo

• walls come tumbling down : sky high au - a very good high school AU with the perfect level of campy superhero powers

• This brave new world's not like yesterday : Enjolras needs a job, so ends up working in a bowling alley with Grantaire and bonding

Enjolras/Grantaire/Combeferre

• In Defiance of All Geometry : les amis are a student co-op house, Enjolras and Combeferre are pining friends and Grantaire is the newbie

• Still the Same : this is very good writing and very compelling - if you can get over the (imo) plot hole of Enjolras working for the FBI. R was an art thief Enj put away and is briefly helping the FBI out, and Combeferre is Enjolras' husband

• To Kingdom Come : cw: war and PTSD from that, Enjolras and Combeferre are part of a group of refugees that have crossed into a more fantasy land, and Grantaire is a lone traveller from that land that attempts to help - that was a shit summary of this very emotional, wonderfully written fic about war and love in all forms

• Gonna need (a spark to ignite) : I always love a twist on a classic trope, and this is a very fun take on the soulmate AU - Enjolras loses feeling in his soul mark as a child, falls in love with Grantaire and then his soulmate, Combeferre, turns up

Eponine/Cosette

• Pretty Girls Don't Know the Things That I Know : simply stunning writing - perfect example of soft writing about a harsh world

• she knows her way around : Eponine and Cosette bond, ostensibly so Eponine can find out about her for Marius, and their interactions are so playful and realistic, its wonderful

• always find me floating on oceans : Cosette stows away on Eponine's pirate ship - I do always have a soft spot for eposette fics (not just cause I ship it) because they truly characterise Cosette in a really considered and interesting way

• There's No Making Love : I'm putting this under eposette even though there is some significant enjolras/grantaire content, because the Cosette characterisation is so fun and cute

• round and round again : this fic really beautifully translates Cosette's bad childhood and then isolated teenage years, and the impact that would have on her as an adult into a modern AU

• Underwater Thunderheards : this is based off the book The Scorpio Races, and is just a really nice short fic  about longing

• How To Change The World Without Taking Power : Marius has a crush on Cosette and she's tried being polite and subtle in turning him down, so just ends up fake dating Eponine instead

• blood red fruit and poison's kiss : Snow White AU - Cosette as Snow White

• The Winters Cannot Fade Her : Snow White Au 2.0 - Eponine as Snow White - this was written as a pair to the one above which is just so cute to me

• marriage à la mode : Cosette and Eponine run a bridal shop together and it's very cute !

• Temporary Hold : I personally find this a really fun and very unique take on Cosette - with exams coming up she decides she needs to get laid on the reg and so hits up Eponine to act as if they're already long term girlfriends

Combeferre/Courfeyrac

• better than you had it : fake dating but kick it up an emotional notch - Courf and Ferre pretend to still be together after breaking up for a family event

• take flight, come near : nice and cute low fantasy, where Combeferre runs a dragon sanctuary and Courf finds an injured dragon

Rare Pairs

• The Future's Owned by You and Me : cute Enjolras/Feuilly with actual radical politics and real life organising difficulties and wins

• First Dates and Other Dangers : Combeferre and Grantaire agree to go on a blind date and it's awkward until it isn't - just cute !

• after midnight : Combeferre has insomnia and meets Grantaire in various all night fast food chains

• as you are : Bahorel and Jehan getting ready together

• Almost Romantic : Jehan works at a museum, and takes Combeferre on a little tour

• Understudy : Jehan/Combeferre, with Combeferre's insecurities regarding being seen as second best to Enjolras

• Here There Be Dragons : Courf/Enj/Ferre - Courf and Enj are superheroes and Ferre is the doctor that patches them up

• To Let it Occur (Laisser Faire la Nature) : Feuilly has a stupidly long stopover in Paris and meets Enjolras

• rule of three : Courf/Enj/Ferre as spies and loving boyfriends

• Good Rhetoric : snapshots of cute cuddly courf/enj/ferre

• subluxate, dislocate, replace : found family and chronic illness with Joly/Bossuet/Musichetta

• Strike stone, strike home (like lightning) : so this fic took one minor piece of lore about Tolkien's dwarves and made a beautiful j/b/m fic from it

• Almost Inevitable : Bahorel/Feuilly friends-with-benefits

• god only knows (what I'd be without you) : Bahorel/Feuilly with a closeted Feuilly and a beautiful Feuilly and Eponine friendship

[discotreque]

LwD 2.05: An Embarrassment of Dooplers

So I was a little nervous about this one! I hadn’t heard any spoiler-spoilers, but screeners have been out for weeks now, and I’d heard a bunch of individual, vague, non-spoilery hints about (1) big character moments, on the scale of a mid-season finale even though the show’s not taking a mid-season break; and (2) an ending that would make me cry.

I guess I imagined something relatively serious and dramatic, like “No Small Parts”? This show makes me cackle with laughter and giggle with nerdy glee and “d’awww!” at heartwarming friendships every week, but it’s only ever made me cry once—and then I was impressed that they were going to get there from the wacky hijinks we saw in the brief teaser.

The lack of a cold open made me apprehensive too—in my experience, that’s typically a sign that there’s so much plot in the rest of the episode that they need that extra scene—but after ~21.5 minutes of aforementioned hijinks, I was having so much fun that I’d completely forgotten about the alleged tear-jerker at the end…

…and they were not the tears I was expecting.

I didn’t think I’d be smiling and crying!!!! That was wholesome as SHIT!!!!!

I almost can’t believe they earned that—but they totally did.

After a Mariner–Tendi episode and a Boimler–Rutherford episode, we’re back to the “usual” Season 1 pairings… except the relationships between these characters have changed since Season 1. Mariner still feels thwacked in the abandonment issues by Boimler bailing for the Titan, and Rutherford’s having a tiny little existential crisis about losing an entire year of his life.

Both of which are extremely understandable and very heavy situations—and both of those situations get resolved because everyone in them is vulnerable with each other and honest about their feelings—AND that honesty and vulnerability brings both pairs of friends closer together. Are you kidding me?? I would watch SEVENTY seasons of that shit. Put it in my veins.

Onto the notes:

So basically Dooplers are Tribbles, but for cringe comedy instead of slapstick? Ohhhhh boy.

Look at Ransom the diplomat, tossing his own fork on the floor! I like that he’s actually a pretty competent Starfleet officer, despite also being a completely ridiculous person.

Wait a second, is that—OH HOLY SHIT, THE DOOPLERS ARE VOICED BY RICHARD KIND.

It makes sense that B. Boimler would find William annoying—who likes seeing their own flaws reflected back at them? And who could be a better reflection of one’s flaws than one’s literal duplicate?—but most interesting to me is that it implies on some level, Bradward knows the stick up his butt is a flaw. (Does William?)

Why does the Cerritos model have working phasers?!?!

I’m loving hot pink as the currently en-vogue colour for “dangerous sci-fi energy” in animation (cf. almost every previous episode of this show; Into the Spider-Verse; other stuff I can’t remember right now). As a former child of the 80’s, I’m living for it… but as a former teenager of the 90’s, I can’t help but wonder if it’s going to age as poorly as the harsh neon green of The Matrix, every Borg appearance on Voyager, and like 80% of the websites I made in high school…

SKANTS! SKANTS! SKANTS!

That fake-out joke with the fly-by over the Cerritos model was in the season trailer weeks ago, and I was so enthralled by that handsome lady that the sticker coming into frame still got me good 😂😂😂

BECKY Mariner????? omg yes

Some top-quality Boimler screams in this one. Poor Jack Quaid must drink gallons of throat-coat tea when he records.

One of the great things about Star Trek to me is that you never know what you’re going to get from any random episode. A murder mystery? A road trip? A spooky thriller? A cheesy romance? Broad comedy? Body horror? Didactic political screeds shrouded in tissue-thin science-fiction metaphors? Brain and brain, what is brain??? And after this many years of watching, you’d think I’d be hard to surprise. But if I ever told you I thought I’d see a Blues Brothers–style car chase through a frickin’ shopping mall on an episode of Star Trek, I would have been straight-up lying to you. I loved it, it worked for me, my jaw was on the floor and I was clapping with joy—but I’m definitely comfortable calling this one “unexpected.”

It’s CAPTAIN SHELBY!!! And an ancient babydyke crush rose from the depths of my childhood subconscious… (Also I think her Number One is based on the original makeup—eventually deemed too complicated—for Saru? Now that’s a deep cut.)

In 20th-century Trek, you almost never got to see what was going on inside a starship from the outside. Even after they switched from physical models (where it was next to impossible on a single episode’s budget) to CGI (which was still in its infancy, still not exactly cheap, and still broadcast in SD anyway), it was a rare thrill to see any meaningful interior details in an exterior shot. Disco’s modern VFX have given us some tasty, tasty treats in that department, but nothing quite as sublime as all the pink Doopler light glittering through the Cerritos’s windows.

Mariner says she’ll take her contact Malvus down with her, and threatens that they’ll end up “in the same cell.” Malvus is a Mizarian, a species introduced in TNG’s “Allegiance,” in which Captain Picard is held in a mysterious prison with one. I think I see what you did there, McMahan?

Bartender… so hot… lesbian circuits… overloading…

The Tendi and Rutherford C-story was, well, a C-story within a 22-minute episode, so there wasn’t much to it, but the one scene that mattered actually mattered a lot. I’m ambivalent on whether they should end up romantically involved—I’d prefer they don’t, but they’ll be one of the cutest couples in Trek history if they do—and as long as they keep that pure, sweet friendship between them at the heart of whatever else happens, I’m on board.

Carol Freeman was already one of my favourite captains before this season, and she’s been steadily moving up the list. The quiet throughline about her ambition to be on a better ship has been fascinating so far, and it’s starting to actually make me feel a little conflicted: I’m of course rooting for Captain Freeman to recognize her worth, make Starfleet recognize her worth, and become the ass-kicking captain of a hero ship that she’s clearly ready to be—but that almost surely means she’d be kicking ass off-screen, because LwD isn’t about those kind of adventures, and I’d be devastated not to have Dawnn Lewis on the show every week. So I’m kind of on the edge of my seat about this one!

I had so many favourite jokes this week I put them in a separate list:

“Even the replicated water on the Titan tasted better” is a low-key brilliant dunk on people who can’t shut the fuck up about the cooler places they used to live.

“Ooooh, they have a Quark’s now! That used to just be an empty lot where teens would make mistakes!” ← That’s literally me every time I go back to where I grew up. I felt so Seen™ I almost hid under a blanket.

“I would never go down the stairs!” (evil grin) (goes up the stairs)

The “well, shit” expressions from Mariner and Boimler as their crashed car sank right into the water… which started to bubble innocuously… and then the bottles of Data bubble-bath popped up, paying off a joke I thought had already been paid off—that was the one that woke up my poor cat this week. Just exquisite timing.

“YOUR PAGH IS WEAK, AND IT DISGUSTS ME!” “I don’t even know what that is, but I don’t like your tone!”

“Okona’s in there? He’s not even Starfleet! This is outrageous!” made me shout “NO!” at the screen like I was scolding my cat for scratching furniture. (She did not wake up that time.)

Best background joke: the neon sign at the dive bar advertising FREE SHOTS & BEERS. (Get it? Because they’re on a Federation starbase? Where nobody uses money?)

And of course Quark merchandised DS9.

This wasn’t just a standout episode of Lower Decks, this was a brilliant episode of Star Trek, period. The Dooplers, though extremely silly, are nevertheless also a clever sci-fi metaphor for real and relatable personal/interpersonal issues, and an effective plot catalyst for meaningful character growth from all four of our ensigns and the captain.

The jokes were hilarious, the action was kinetic, the A-, B-, and C-plots linked up thematically, the visuals were consistently and thoroughly gorgeous, the character beats—between Mariner and Boimler, Tendi and Rutherford, Mariner and Capt. Freeman—were all genuine, heartfelt and wholesome, and the references to other Trek canon were both deep and deeply affectionate.

Only 15 episodes in, and this series knows exactly what it is, exactly what it wants to do, and knows that it can knock our socks off doing it. Mike McMahan has said in recent interviews that the back half of S2 (and the apparently almost-fully-written S3) is a straight line uphill in quality from here—which surprised me at first, because McMahan seems like a pretty chill dude who doesn’t normally brag about his own work like that.

But then the Prophets sent me a vision of my space dad Ben Sisko, who reminded me of the words of 1930’s baseball player Dizzy Dean:

“If you can do it, it ain’t bragging.”

[Thanks to cygnus-x1.net for the screenshots this week—I was too lazy to do my own.]

[frightfurtabby]

Himikiyo Week 2021 Day 2! Bookstore Ambience

// Likewise with yesterdays entry, amino crossposting to be added later. i feel this one’s pretty damn cute

later edit- all links will be collected later in an individual post that will act as a guide/directory.

Word count: 1837

Link

AO3- https://archiveofourown.org/works/34138636

Amino- https://aminoapps.com/c/danganronpa/page/blog/himikiyo-week-day-2-bookstore-ambience/d3DX_eE8Sbum1JjvngPBwrwNV6mNR1eD7WR

A first date, depending on who you asked, was either more nerve wracking or less so than you expect. Kiyo wasn’t sure which they’d agree with but nonetheless they were fretting. Pacing back and forth in their office at the university. A cute teacher from another department had ended up inviting them out on a date, like a date date. They’d been on the job for a few years now but hardly socialized much outside the other anthropology staff who were understanding of at least some of their eccentricities.

Then just before the start of the previous semester the college hired a new batch of professors including one taking a spot over in the English department in a room in just the opposite hall. So they would see her often in the mornings downstairs in line at Coffee place, usually she was to the back of the line and they’d cross paths when Kiyo was going up with their usual order. The first sighting was like this, and entirely by chance as the anthropologist had to turn to answer a colleague briefly and eye contact was made with the cute redhead in line just over the other’s shoulder, Himiko Yumeno.  

They soon hit it off, spending time talking to each other in between class periods in one room, the other, or in the previously mentioned cafe. About work, future plans, what they did in their spare time. Kiyo was always busy doing work, research generally and most of their interests revolved around it and there were days in a row just immersing themself in study. It was like that for as long as they could remember, though what in particular they were fascinated by changed over time.

Legends of monsters, legends of heroes, artifacts left behind, Asia, North America, Africa, they’d deep dive into something and come out the other end being aware of enough to teach their students in extreme detail. Little did they know at the time but in a moment of serendipity just before they met Himiko they felt a pull toward researching the history of magic. And then it turned out that she was interested in that as well.

There were very few days they didn’t find a chance to talk. They had a shared routine every day, and now was a step up.

Kiyo adjusted their collar and tie before straightening out the skirt a bit more and wondered if it was all a little too formal and they were overthinking this. They did tend to do that kind of thing after all. Hopefully it wouldn’t be too much of an issue, Himiko was definitely understanding of that kind of thing, they knew that much already. There were also the times they’d complained of that trait and she called it “adorable.”

It was to a bookstore with a cafe in it, so they didn’t need to be terribly formal. Kiyo remembered that it was taking place at around 8 tonight and looked over at the clock and realized that it was much sooner than they thought. She would be showing up any moment. Time went somewhere while they were lost in thought so they quickly put on their shoes, grabbed an umbrella just in case and headed out to the bus stop that was only a few blocks away.

The couple met while Himiko was sitting on the bench still, tapping away at her phone to text Kiyo to make sure everything was alright.

She looked up after hearing footsteps and sighed in relief. “You never seemed much like the type to show up late.”

“My apologies.”

“You also never seemed like the type to straight up ditch either, so…” she blushed and looked over down sheepishly. “I was getting a little worried something happened and you couldn’t pick me up as soon.”

“I got a bit distracted. I-” their explanation started as they took a break with her to sit and rest, arm wrapping around her shoulders.

“Was trying to make yourself extra cute for me?” the redhead teased, putting an arm around them right back and leaning in cutely..

“I… yes, I won’t deny that.” It was a cloudy evening and the autumn breeze blew downed leaves past where they had sat and began to cuddle on the bench. “You know how it is sometimes.”

“Yeah, I remember the time you genuinely didn’t grasp that the poetry I had been showing you for your input was, in fact, about you.”

Kiyo chuckled. “Oh god yeah, that took me a few to even have an inkling of it going on. I just might be the most useless lesbian ever.”

“Mmm, you’re useful for warmth sometimes.”

“Only sometimes?”

“Hehe, y-you know what I mean. Like right now, it’s a bit chilly but you being here makes it not so bad.” The first date was finally here, after they had planned it to be a day they were both free. So the woman was going to savor every moment of it.

~~~~~~~~~~~~~~~~~~~~~~~~~

The couple approached the doors of the date location holding hands, under the umbrella. Skin made cold by the walk over in spite of hands sharing warmth. Small flecks of rain along the top of the umbrella dripped down. Inside, Kiyo instantly felt the warmth of the building. It wasn’t a long trek at all, if it was they would have done this by car. Everything around here was luckily close to the campus, including home.

The umbrella was put back in its holder, so as not to drip all over the place. It would be rude to do so.

Kiyo turns and gives Himiko a peck on the cheeks. “Food and coffee first, darling?”

The shorter woman nodded and smiled. “Yeah, that sounds like a plan.”

It was just to the back left corner from the entrance. Rows and rows of enticing books had to be passed by before you could reach it, but who would come and not buy anything? Romance, sci-fi and fantasy, Manga and light novels too were all present.

After ordering, they got one booth to share, and sat down at the same side. Kiyo’s umbrella, bag, and jacket sat on the ground on the very inside corner. Everything they had ordered would be coming up, and luckily there wasn’t that much of a line on evening’s like this. The barista was even a student from university and had recognized them. It was awkward at first but Kiyo joked that it would be interesting to see which class would become fully aware they were dating first.”Let’s turn it into an experiment. Who has more Gossips attending their lectures?”

And they were glad that put her more at ease. It felt nice gently rubbing Himiko’s shoulder with their hand as she leaned in and placed a kiss on their cheek.

“Well, I sure hope it’s not mine. That’d be a pain.” she said to play into the gag a bit more. “Besides, it’d be fitting for your class.”

Kiyo feigned offense, mock gasping “Hey now what’s that supposed to mean?”

“Oh, just you observant types over in anthropology, always wanting to know everything you can about how people work. I can see that tendency being correlated.”

They had told her previously they thought about doing more research for a paper about something like that after listening to some of their colleagues, ironic though it may be, gossipping about student rumors.

“Point taken.” Kiyo returned her smooch with their own, directly on her forehead.

The coffee and tea arrived first. So the talk continued with the added benefit of drinks. Himiko changed the subject to books on her to-read list. “You know there’s this new book I’ve been thinking of assigning in a future quarter, I’d have to read it first.”

“Yeah?”

“It’s about this girl that finds out that she has magical powers and gets some training, eventually she encounters a strange, beautiful spirit and they fall in love. I always feel like courses need a little more gay love. Oh, and the author is too, so the representation is genuine.”

KIyo nodded and listened. “That’s very good. Perhaps we’ll get a couple copies? I’ll pay. I’ll also be getting a few things that have been on my list for a while.”

They held hands, sat so close. Hans resting between both of their legs. It was such a good time to fit in cuddling any time there was a little lull in the action of the date. Some time to lazily place kisses.

Right on cue the meal arrived. Breakfast for dinner was a classic, from the bacon egg and cheese on croissant to the pie slices as a dessert. Reluctantly, they separated to more easily eat and drink.

“This is as good as it usually is, mmm, actually, it’s even better.” Himiko said, taking their hand again.

“I agree. I don’t know if coming alone will cut it for me any more.” Kiyo leaned in and gave her a kiss on the forehead. “Shall we move on to the next leg, or savor this moment some more?”

The food was finished or wrapped up for later.

After a few more minutes cuddling in the booth, the couple looked through the aisles closer to the cafe portion first and Kiyo’s stack started, growing through each section until they had to split the load and have Himiko carry some.

“Sheesh, I thought you were only getting a few.” she complained, intending it to be lighthearted.

“My list is quite long.” Kiyo replied with a chuckle.

“Guess this is why you needed the bag then. If this was only a few I have to imagine it’s as long as you are.”

“Oh my~” the tall one replied, complete with suggestive eyebrow wiggling.

“Kiyo! Not like that, I meant your height. Did Iruma from the Engineering department teach you that one?”

As that line of discussion thankfully ceased the couple came to the one Himiko was looking for, it was up front on the display close to the cashier. She picked up one copy and put it on her pile and handed the second over to Kiyo.

“We could have, like, a little book club date. Just the two of us.” If only it weren’t so difficult to nuzzle close due to all these books, she thought.

“I think I’d enjoy that. Your company is always a pleasure darling.” They briefly leaned up close, cutely brushing against her before leading the way to check out.

Himiko blushed. “Yeah this was nice, we should do it more often.”

With a couple of coupons Kiyo kept in their pocket the price was cut down, but still cracked 12,000 yen. They stuffed the back full and carried it over their shoulder. Umbrella similarly along their back for if it would be needed again.

Arms wrapped around each other, the couple walked out and noticed the rain had stopped for now, and it would be dry on the bus trips back home.

[jennaschererwrites]

Inside the Groundbreaking Queer Reboot of ‘She-Ra’ | Rolling Stone

We’re all shaped by the myths we grow up with, whether it’s the stories we learn from holy books or Saturday morning cartoons. Kids who see themselves as the hero learn to center themselves in their own life stories. Kids who see their experiences relegated to the sidelines, or not represented at all, come away with a very different lesson — one that can take years to unlearn.

Which is exactly what makes a show like She-Ra and the Princesses of Power so vital. Since its premiere in 2018, Noelle Stevenson’s reboot of the cult Eighties cartoon has joined a revolution in the world of children’s animation, combining classic genre storytelling with diverse representation and a progressive worldview (see also: Nickelodeon’s The Legend of Korra, Cartoon Network’s Adventure Time and Steven Universe). In its fifth and final season, which dropped on Netflix last month, She-Ra rounded out its 52-episode run by centering a queer romance — specifically, between its hero, Adora, and her best frenemy Catra — and positing that such a love can, quite literally, save the world.

“I knew from the start that it wasn’t going to be easy,” says Stevenson, speaking via phone from Los Angeles. “Because this is She-Ra. To have the culmination of her arc be this lesbian love plot is a big deal! And I understood that. But I also felt that it was really important.”

The original She-Ra: Princess of Power was a 1985 Filmation spin-off of He-Man and the Masters of the Universe, which itself was based on a line of Mattel action figures. Set on the planet of Etheria, She-Ra follows a band of magical princesses in their rebellion against the Evil Horde, a totalitarian sci-fi regime bent on global domination. Adora is an ex-Horde soldier who joins the rebellion after she gains the ability to transform into She-Ra, a superpowered Chosen One with glowing blue eyes, a mystical sword, and a very cool outfit.

In 2015, when Stevenson, then 23, found out that DreamWorks Animation was looking for someone to pitch a new take on She-Ra, she jumped at the chance. She was already an Eisner Award-winning cartoonist and writer who had made a name for herself with works like her web comic-turned-graphic novel Nimona and the Boom! Studios series Lumberjanes.

“The world [of She-Ra] is so incredibly vibrant, and has so many powerful female characters. It’s this world that has all my interests rolled into one: It’s got the flying ponies and superpowers and all of these things that, immediately, I was like, ‘I want to do this. I want to be the one to do this,’” she says.

While Stevenson’s reimagination of the world of Etheria pays tribute to its predecessor, it includes some key differences. The reboot transforms the musclebound, scantily-clad grownups of the original series into awkward teens in much more practical (but still very sparkly) clothing. In addition to embracing a diversity of races, genders, and body types, the She-Ra reboot fleshes out the characters and their backstories, giving them fully-fledged arcs and complicating the good/evil binary of the original. The princesses of the rebellion aren’t simply heroic, and the soldiers of the Horde aren’t simply villains; everyone’s just a human being (or scorpion person or alien clone or flying horse, as the case may be) trying to make their way in a world that doesn’t offer easy solutions. It’s also, incidentally, really funny.

For Stevenson, it was crucial that the characters felt three-dimensional, and that it was their choices that guided the direction of the storytelling. “The characters all began with a deep personal flaw, and the process of making the show was kind of giving them the room to process those flaws. But we wanted it to feel organic. We wanted the characters to feel like real people that we knew,” she explains.

From the start, She-Ra’s most compelling tension was always between Adora (Aimee Carrero) and Catra (AJ Michalka), Adora’s childhood best friend who becomes her bitterest rival after Adora leaves the Horde to join the rebellion. In the show’s first four seasons, the two continually fight and reconcile and break apart again, their obsession with each other marking them as something more than frenemies.

“It’s a dynamic that I find really interesting: the attraction and the tension between the villain and the hero, especially when they know each other better than anyone. They love each other, but there’s something between them that cannot be overcome,” Stevenson says.

Stevenson always knew that she wanted the relationship between Catra and Adora to be a romantic one; but she had to walk a fine line, because she didn’t know if the studio would give her the go-ahead to put an explicitly lesbian love story front and center. At first, as in Steven Universe, Rebecca Sugar’s radically progressive series that aired its final episodes earlier this year, she steeped the world of the She-Ra reboot in queerness. The show features multiple side characters in same-sex relationships, characters who flout traditional gender roles, and even a nonbinary character (Double Trouble, voiced by transgender writer and activist Jacob Tobia).

Still, Stevenson, herself a gay woman, wanted young viewers to be able to see a queer relationship that wasn’t just incidental, but central to the plot of the entire series. “I’ve loved these stories my entire life, you know? I was a huge Star Wars and Lord of the Rings fan as a kid. But there weren’t a lot of characters that I felt personally represented by,” she says. “We love what makes these stories classic, but we’ve seen them all culminate in the same kind of romance so many times: The hero gets the girl, he gets the kiss, and then he saves the world. And it’s not just [swapping] the man and the woman for two women. You have to actually approach it from a standpoint of: How do you make these stories, at their roots, queer?

“So that’s what I was trying to do — for little queer kids to see that this is normal, that these are stories that can happen and that exist, and that can center them and make them feel seen and understood.”

Whether or not Adora and Catra’s romance would become canonical was in the hands of the studio, and it was a risk Stevenson couldn’t be sure it would be willing to take. So the show played a long game — hinting at a romantic dynamic between the two without making it explicit, for fear of disappointing fans in the end if they weren’t able to deliver. Fortunately, a groundswell of viewer support for a potential relationship between the characters — a phenomenon known in the fan community as “shipping” — allowed Stevenson to make a case to the studio for supporting the story she wanted to tell with She-Ra.

“Just as I had hoped, people started picking up on this tension and getting really passionate about it,” she says. “It was immediately one of the strongest fandom ships right out of the gate. And that was when I finally showed my hand and was like, ‘Look. We’ve got a bunch of people who, just off Season One, are really, really excited about the gay representation in this show. I have been planning for this. And here’s how it needs to end, and not just because I want a moment that everyone’s gonna talk about. It’s the logical conclusion of both their character arcs. They need each other.’”

Finally, after years of hedging their bets, Stevenson and her collaborators got the go-ahead from DreamWorks. “I really wanted it to be so central to the plot that if at any point they were like, ‘Oh, we changed our minds, we want to take it out again,’ they wouldn’t be able to, because it would be so baked in,” she explains. “The temperature is not always right, and depending on what’s happening in the world, not everyone wants to be the studio that sticks their neck out and makes a statement like this. You will get a flat ‘no’ sometimes. But if you bide your time, or you come at it from another angle, that can change. You just have to keep pushing.”

Feedback for the conclusion of She-Ra has been overwhelmingly positive both from critics and fans. Viewer support has been pouring out in the form of social media posts, YouTube reaction videos, and fan art and fan fiction. Stevenson, who first made a name for herself online with Lord of the Rings and Avengers fan art, has been blown away by the support from She-Ra lovers. “That’s how you know that you’re successful at what you set out to do — if people are getting inspired by the stories that you’re telling. I think that that’s the beauty of fan work, is that it’s an evolution of the genre. We take that inspiration and create something new all the time.”

Unfettered by restrictions, the final season of She-Ra is a tightly plotted, character-driven masterwork, featuring a slow-burn redemption arc, a harrowing villain, and a timely message about the power of love and unity against the forces of repression and tyranny. It’s a show about becoming kinder and more open in the face of unrelenting darkness, about banding together to prepare for the worst, but always hoping for the best in spite of overwhelming odds.

Stevenson says that she and her team began work on She-Ra in the aftermath of the 2016 election. “The veil was ripped off, and we had to reckon with a world that we hadn’t expected. And that theme of relying on each other and being stronger together became so much more relevant,” she recalls. “I remember writing one script after a particularly bad news day where it just felt like nothing was ever going to be OK again. It’s an episode where Adora realizes that there are supposed to be stars in the sky, and there aren’t any more stars. And as Aimee [Carrero] was recording the lines, she was crying, and we were crying, because we were all experiencing this together — the idea that things were changing in maybe irreparable ways.”

The refrain of She-Ra’s catchy-as-hell power-pop theme song is “We must be strong, and we must be brave.” According to Stevenson, that’s easier said than done; but the whole point of the series is that you have to try anyway. It’s a message that rings especially true at this moment in our world when it seems like everything is spinning out of control, and it’s all too easy to feel helpless.

“It always comes back to this — when you realize that there’s a great evil or a great darkness that won’t just go away from one fight,” Stevenson says. “It boils up, and it can be pushed back down, but it’s something that we’ll probably have to be fighting for the rest of our lives. That’s really hard to do, and it makes you really tired sometimes, and it can be really scary. But when you are surrounded by the people that you love, and when you have that love for the people around you, then that strength is possible.”

[ctl-yuejie]

Do you have any recommendations for wlw dramas?? P. S. I love your blog! C:

aww, you are too cute! also: perfect timing, I was just ranting with @earthpodd​ about having no wlw shows to watch.

i’ll just give you the shows I’ve watched and would recommend, just note that there sadly is a lack of well-written and interesting wlw shows in general, even more so if I am solely considering the main characters or the main storyline. i don’t include fetishizing content, shows that bury their gays and those that have incest storylines (side-eyes Japan hard).

the sad reality is that most wlw content can only be found in super dramatic or artistic movies, often made by men. there are some wonderful exceptions (listed below) and there are promising things announced for after 2019, but not as many series.

i usually prefer asian series because they feel like elaborate movies (not a fan of too many seasons) and i am always on the look out for wlw content that’s not only “just” a romcom, but alas, there’s not much to choose from. (give me space lesbians with a solid adventure storyline! give me bi women as main characters in fantasy epics!)

(i also haven’t watched some popular shows like “The L Word” so they are missing from this list -> if anyone has further suggestions feel free to add to this list in the comments!)

going to sort them after my sapphic meter: the more wlw romance and the more important the sexuality of the main character for the story, the higher it is on this list!

Gentleman Jack (2019, HBO, USA/GB)  - Historical Dramaperiod drama based on the real life of Anne Lister, lesbian and industrialist. I haven’t finished this yet but I live for the main character, she is a badass and she and her love interest are everything together. this show is also super intense, with all the conflicts that arise when male landowners and other industrialists want to get a piece of her land.

EDIT: finished it and it is brilliant!!

Sense8 (2015-2018, Netflix, USA) - Sci-Fii think most people have heard of this so i don’t think i need to write much about the plot. finally some sci-fi content with an unusual amount of queer main characters. netflix was a dick to this series but it was great and something different.

Skam España (2018 -, Moviestar+, Spain) - Teen Dramathis is the spanish adaptation of the norwegian tv series skam. innovative in its format it tells the daily life of teenagers in short clips and on social media accounts. the third season’s main story focuses on two girls falling in love and it is a GOOD. they tackle some serious issues but overall this is more of a school/coming of age romance. (note that the other adaptations and the og don’t feature a wlw couple in the main story)

Killing Eve (2018 -, BBC America, UK) - Spy Thrillerdespite horrifying killings that need investigating this series, genre typically, focusses on the relationship of its two main characters. we follow MI6 agent eve polastri (sandra oh) on her hunt for assassin villanelle (jodie comer), who takes an unsettling liking to her. we don’t know their sexualities but villanelle is canonically not straight and for eve, we have to wait and see. they do have insane chemistry and sexual tension which is also very important for the plot. and fiona shaw (actual lesbian) is in this so win-win for representation. the acting is superb.

Fleabag (2016 - 2019, Amazon, UK) - Drama Comedythe stories centers around fleabag, an angry, unstable, and sexually insatiable woman. great use of the fourth wall. even though the main love interests are male, fleabag is bi and it plays an important role in the story. the writing is so on point this series is pure perfection. phoebe waller-bridge is super attractive and a scarily relatable mess as fleabag. fantastic depiction of trauma and how people deal with it while being funny af. has fiona shaw (actual lesbian) and andrew scott (actual gay) in it, so win-win-win for representation. also: olivia colman is in it. 

Brooklyn 99  (2013 -, NBC, USA) - Sit Commost people are aware of this brilliant sit com which features an amazing bi main character. it’s an ensemble cast so it counts.

Derry Girls (2018 -, Channel 4, UK) - Sit Comset during the Troubles in northern ireland the series follows a group of catholic school girls (plus their lovely male english rose) on their adventures. there’s a wee lesbian in the ensemble cast and she’s great and important.

Diary of Tootsies (2016-2017, GMM 25, Thailand) - Comedythe show follows 4 friends, 3 gay drag queens and a lesbian with terrible taste in women, on their search for love. this show is bonkers but has a super satisfying lesbian storyline

The Good Place (2016 -, NBC, USA) - Sit Com -> disclaimer: I haven’t seen the newest season so idk how heavily the bisexual part features in itthis show has a super interesting premise and focuses more on philosophical questions. nevertheless it has a bi main character and some wlw content.

honorary mentions (under the cut)

these are not ranked, just in the order they popped into my mind

Legend of Korra (2012-2014, Nickelodeon, USA)animated series so i didn’t include it on the main list but still a good story with a wlw storyline that took everyone by surprise. 

Colette (2018, USA / UK) - Historical Dramabased on the life of the french novelist of the same name it is a great movie about feminism and emancipation. keira knightly is pure bisexual perfection in this and has multiple romances with women, including a fabulous butch lesbian.

Queer as Folk (2000-2005, Showtime, USA / Canada) - Dramaputting this here because the lesbian couple was more of a side couple. still a good series this somehow manages to be bold in 2019, even though it’s old. the lesbian couple get a tad more disappointing over the seasons.

Atomic Blonde (2017, USA) - Action Spy Thrillerthe plot is absolute nonsense and the production value is sometimes questionable. but it has charlize theron beating up people with great fight choreography and she makes out with female french spies. charlize theron puts the wlw in every scene of this movie.

The Handmaiden (2016, South Korea) - Period Dramasuper interesting plot, very enjoyable overall, i had some problems with the male gaze in this though

In Between (2016, Israel / France)  - Dramavery moving film about three Palestinian women sharing a flat in tel aviv. the desire for personal and sexual freedom is the center piece of this movie and allows an unusual insight into the progressive Palestinian underground scene.

Cloudburst (2011, Canada / USA) - Comedy Dramaabout a senior lesbian couple that decides to elope to Canada to get married, after one of them gets put into a nursing home by her granddaughter. the last 12 minutes are horrible (mostly the writing) but everything before that is absolutely great. i live for badass grandmothers in love. 

Boss in Love (2018, South Korea) - RomComsuper cute short movie with some great sex positivity.

Don’t Say Sorry (2018, South Korea) - Romancevery beautiful short movie about discovering one���s sexuality and first love.

The Favourite (2018, UK / Ireland / USA) - Black Comedyolivia colman as pitiful queen anne and rachel weisz and emma stone playing two cousins competing for her favour. absolutely hysterical, wonderfully shot and very gay. rachel weisz is so attractive in male clothes i don’t know what to do with myself. 

iStories L (2018, Thailand)actually filmed as a commercial this lesbian short film is wonderful and has a great aesthetic. its about an assistant producer helping the main actress with her lines and developing feelings for her in the process.

last but not least: there’s some movies that I know are good & important but haven’t watched yet such as Rafiki (Kenya), Ek Ladki Ko Dekha Toh Aisa Laga (India) etc.

the Korean short movies are on vimeo, the Thai stuff has official uploads on youtube, and with the rest google should help. didn’t include any german wlw even though there is a bunch, because I have yet to find something that really satisfies me (don’t get me started on tv series).

[culturepopper]

TROPES

tagged by @marvellouslymadmim Hope you’re well!

Slow burn or love at first sight?: Slow burn gets me every time. 

Fake dating or secretly dating: lolol fake dating or fake married are perfection

“Oh no, there’s only one bed” or long distance correspondence: I can’t believe this is a comparison! The bed-sharing trope is EVERYTHING if you’re trying to warm yourself on a cold night like the pair in the story.

Hurt/comfort or amnesia: HC for sure, but I just read a prompt the other day about an Overboard AU that really made my brain wheels turn, so I’m for it.

Enemies to lovers or best friends to lovers: BF to lovers but would I read an enemies to lovers? Yes. The answer is yes.

Mutual pining or domestic bliss: MUTUAL PINING! I have domestic bliss IRL, so I’m into MP

Smut or fluff. I refuse to believe that I must choose. I’ll always want a smutty AND fluffy fic wrapped in one.

Fantasy au or modern au: I prefer a modern AU but have gotten super into some fantasy AUs in my day

Alternative universe or future fic: I prefer AU to Future, unless it’s about Voyager.

Kid fic or road trip fic: Road trip. I don’t love reading about kids - that’s coming from someone who loves both DWP Mirandy (where there are twins) and The Worst Witch Hackle which is ENTIRELY about kids.

Canon compliant/missing scenes or fix-it: Both? Sometimes writers mess up and it’s on the fans to fix it. Other times the story needs to align with cannon to feel right.

Reincarnation or character death:  lol this one. Reincarnation if anything, but I hate character death.

One-shot or multi chapter: I want my slow burn to scald, so multi. Have I read 10000 one-shots? yes. 

Time travel or isolated together: Temporal mechanics... they’re tricky. I’d rather a stranded island than time travel.

High school romance or middle aged romance: I’m literally leaving @marvellouslymadmim‘s answer b/c I can’t write it better: 

LOOK. Don’t gimme that “i’m 16 i don’t even know what I want/like yet” BS. Gimme the “I have loved before, I know what I’m getting into. I have waited and wanted and pined for you and I’ve got both feet solidly on the ground as I choose you, again and again, every day til the end, amen”. Gimme the “we have worked for this, we have failed for this, and we have chosen to keep going.” GIMME THE ADULTS IN THE ROOM WHO UNDERSTAND JOY AND COMPASSION AND LONGING AND THE SHEER SEDUCTION OF A GLANCE *screams into infinity*

Arranged marriage or accidental marriage: I actually thought when I was younger that I WANTED an arranged marriage b/c I hated dating. Turns out I was a lesbian and I hated dating b/c I was dating men. I think arrangements are super fun to read.

Sci-fi au or magic au: Gimme that witch life

Neighbours or roommates: lolol and they were roommates.

Body swap or gender-bend: I guess body swap, but I’ve read both and sort of have no preference. 

Angst or crack: Angst bb. Crack fics are great though

Apocalyptic or mundane: Ilol we’re living in apocalyptic times so I guess mundane. 

DO IT IF YOU WANT TO!!! 

[theradioghost]

what books did u get ? i rly need to get back into reading more now school is over

oh man. so I’ll give you what I bought & then I’m also gonna throw in some similar books that I have already read just because I can actually vouch for the quality of those

(brief note that my main qualifications when I was looking for books, besides not wanting YA, was that 1. they were not about straight cis white men and/or 2. they had particular appeal to one of the areas of sf&f that I have a particular fondness for and/or 3. they cost under five bucks. so there’s a lot of diverse lit, and a lot of novellas, and a lot of urban fantasy wizards who are also detectives/rebellious angels and or demons/necromancy/dragons/stuff that is explictly Lovecraftian adaptations but takes the piss out of Lovecraft/anything on this list/anything published by Tor)

new books that I have read:

(coming back to update this as I get through these books)

the Lovelace & Wick series by Jennifer Rainey – this is the Demon Husbands one I’ve been yelling about. Two gentleman demons in love – a Faustian tempter and a bringer of catastrophes – are growing increasingly dissatisfied with the work they do for hell, while also being forced to contend with new and dangerous enemies. Set in a vaguely-steampunk 1890s Massachusetts. Also includes monster-hunting steampunk scientist lesbian wives.

Deadline by Stephanie Ahn – fourteen months after a disastrous failed ritual, disgraced blood witch Harrietta Lee gets offered a ridiculously lucrative job quietly recovering a stolen artifact for a young member of a powerful magical family, and promptly finds out that this is too good to be true. Also she keeps meeting scary, hot women. Instantly the only wisecracking urban fantasy PI named Harry that my heart has any room for. (This one’s a bit Spicier than my usual fare but the author actually includes a list of content warnings including page numbers at the front of each book, which you can view with the preview option on the Amazon page.)

Hammers on Bone by Cassandra Khaw – A kid hires London PI John Persons to kill his stepfather. The first catch is that the stepfather is a Lovecraftian horror. The second catch is that Persons is too. This is like, the noir-est horror I’ve ever read and that’s something I am very into. 

The Haunting of Tram Car 015 by P. Djeli Clark – An urban fantasy police procedural set in an alternate 1912 Cairo, in which two government officials are sent to deal with a strange, malevolent spirit in the midst of political upheaval as Egypt’s women demand universal suffrage. There’s a free short story prequel to this on tor.com called “A Dead Djinn in Cairo“ that’s worth reading first.

Three Parts Dead by Max Gladstone – high fantasy with a black protagonist, in which Tara Abernathy, a disgraced magic user and rookie associate in an internationally renowned necromancy firm, is assigned to resurrect a city’s murdered patron fire god – but first, with the help of a chain-smoking priest and a vampire-addicted servant of Justice Herself, she has to track down his killer.

River of Teeth by Sarah Gailey – in an alternate history where the 1910 “Hippo Bill” passed, Winslow Remington Houndstooth, an ex-rancher out for revenge, is hired to travel north with a ragtag crew – a con artist and pickpocket, a demolitions expert with a proclivity for poisoning, the most dangerous contract killer in the country, and the very man who ruined his life – and take on the dangers of the massive swamp that was once the Mississippi river, a place ruled over by deadly feral hippos and a homicidal riverboat gambling king.

or, essentially, a swamp-based heist Western with a cast including a British-East Asian bisexual man, a black nb person, an unashamedly fat woman, and a pregnant Latina lesbian, and also their pet hippos. Listen just go ahead and get the version with both stories in it

Silver in the Wood by Emily Tesh – Tobias has lived in the woods as long as anyone can remember; long enough that the nearby town tells stories of the Green Man, the spirit-king of the forest, who dwells in the trees. These stories are truer, and far more dangerous, than anyone but Tobias knows – so when friendly, handsome, curious Henry Silver buys up the neighboring Greenhollow Hall and starts investigating the local folklore, Tobias will have to decide whether to sacrifice the only life he has known for centuries, or the first person he has loved in all that time.

not-new books that I have read:

idk if you don’t know about the Wayfarers series, the first of which is The Long Way to a Small Angry Planet, but it is an absolutely stellar bit of sci-fi very much based around ideas of found family and discovering your own identity and place in the universe and love and compassion and stories based around sweet slice-of-life stuff in a scifi universe with lots of fun aliens and it is so very queer and so very heartwarming and all three books (which each have different casts, although the characters in all three are connected to one another and sort of cameo across all the books) are fantastic.

Urban Dragon by J.W. Troemner – Dragons are supposed to be ruthless, unpredictable, deadly, selfish creatures. So why is it that Rosa Hernandez seems to be able to keep her best friend Arkay in check? How did Arkay, a shape-changing dragon with lightning at her command, end up being found alone and starving and with no memory of her past by a homeless woman? And as evidence mounts that someone is hunting down supernatural beings, who can they trust? (I stumbled across this while looking for urban fantasy on TV Tropes and BOY am I glad I did. Good if you like close friendships between queer women or the enemies-to-lovers trope)

The Merry Spinster by Daniel Mallory Ortberg – of course I was going to read Daniel Ortberg’s short story collection, are you kidding me. Not “””darker””” fairy tale retellings, but fairy tales as often very surreal, psychological horror. Read this if you want to totally ruin “The Velveteen Rabbit” for yourself.

The Golem and the Jinni by Helene Wecker – historical fantasy set in the early-20th-century Orthodox Jewish and Middle Eastern immigrant communities of NYC, about the strange friendship that springs up between a bitter jinn trapped in a mortal body and a masterless golem living among humans. and it gave me feelings.

The Ballad of Black Tom by Victor LaValle – a retelling of H.P. Lovecraft’s short story “The Horror at Red Hook” from the perspective of a black man. One of the better pieces of horror I have ever read.

Lovecraft Country by Matt Ruff – a very different take on a similar concept to The Ballad of Black Tom, wherein a mid-century black Midwestern family find themselves mixed up in the plans of a bunch of cultists and set out to disentangle themselves from this whole cosmic-horror mess. Apparently Jordan Peele is adapting this into a TV show, so I’m stoked for that.

new books that I have not read:

(& also a couple that are just books I want, and some that I just haven’t read yet but got free from the Tor monthly ebook club, which is very much worth joining)

Armed in Her Fashion by Kate Heartfield– I’m just going to let the official blurb speak for this one because there is absolutely no way I could improve on it

The Black God’s Drums by P. Djeli Clark – New Orleans-based steampunk fantasy about an airship captain and a stowaway who talks to orishas.

Rupert Wong, Cannibal Chef by Cassandra Khaw – Apparently several authors have written standalone works in this series, and Cassandra Khaw’s aren’t chronologically the first, but I love Cassandra Khaw and “chef for ghouls and pencil-pusher for the Ten Chinese Hells is forced to solve an inter-pantheon murder mystery” just sounds so good to me.

Bones and Bourbon by Dorian Graves – Cursed half-huldra PI is forced to help out his little brother and the demon who shares his body, and then everything goes wrong. Feat. carnivorous unicorns.

Labyrinth Lost by Zoraida Cordova – reluctant bruja attempts to rid herself of her magic and instead plunges her entire family into magical trouble. YA.

Robbergirl by S. T. Gibson – WLW retelling of The Snow Queen from the perspective of the bandit princess. YA.

Passing Strange by Ellen Klages – slightly-fantastical historical lesbian noir novella set in the burgeoning 1940s gay club scene in San Francisco.

The Black Tides of Heaven by JY Yang – admittedly caught my eye because the cover art reminded me of Moribito, which I adore. East-Asian-inspired epic fantasy which I believe has a nonbinary protagonist.

Rosemary and Rue by Seanan McGuire – I’ve been neglecting getting around to October Daye way, way too long considering how much I love Seanan McGuire and urban fantasy, but my mom started reading this and that pushed me over the edge because damn it, yes I want to read her take on the Wizard Detective genre that I have such a weakness for.

The Traitor Baru Cormorant by Seth Dickinson – this was recommended to me in a Tumblr post listing interesting, diverse fantasy, and I’ve been into high fantasy political intrigue lately.

The Paper Magician by Charlie N. Holmberg – came across this in a Twitter thread about fantasy worlds with unconventional and interesting magic systems. A newly graduated student of magic is bitter about being sent to learn paper-crafting magic rather than working with metal, until Murder Stuff Happens. YA.

Miranda in Milan by Katharine Duckett – queer fantasy sequel to The Tempest, with Miranda as protagonist.

Witchmark by C. L. Polk – post-WWI gaslamp fantasy MLM romance about a male witch in hiding, working as a doctor; the reviews seem to indicate people think it’s more ‘delightful’ than ‘literary’ but apparently it is pretty fucking delightful.

In the Vanisher’s Palace by Aliette de Bodard– East Asian WLW retelling of Beauty and the Beast and also one of them is a dragon.

Winter Tide by Ruthanna Emrys – another one of the rash of new Lovecraft adaptations that are turning perspectives around, this being one where the citizens of Innsmouth are the protagonists. Also has a really good short story prequel you can read for free on tor.com.

also I just feel like mentioning that I’m stupidly excited for Gideon the Ninth by Tamsin Muir to come out this fall because the review they’ve decided to put at the top of every blurb is “Lesbian necromancers explore a haunted gothic palace in space!” (not my exclamation mark) and I don’t know how anyone could more perfectly craft something to my tastes.

[violet-bookmark]

The temple at Landfall, by Jane Fletcher

"Lynn is an imprinter, one chosen by the Goddess to receive her greatest gift, that of creating new life. So why does she feel like a prisoner in the Temple?

When Lynn learns that she is to be relocated to the temple at Landfall, the arduous journey seems more like a gift--her last chance to see something of the outside world. She does not anticipate the dangers and temptations she will encounter along the way, nor does she expect Lieutenant Kim Ramon, an officer in the squadron of Rangers assigned to protect her. Despite all prohibitions forbidding it, attraction grows between the two women.

Against them stand the powerful religious Sisterhood and their holy warriors--the Temple Guards. In a world ruled by the Church, what chance is there that Lynn can escape?"

Actually this world is female-only and everybody is a lesbian, so it's not as if it is ruled by the Catholic church or something, as the blurb seems to imply. And I don't think that catholicism could be so closely replicated in a society where only one sex exists, but I digress.

The romance between the protagonists was fine, I liked it even when I think they fell for each other rather quickly. I believe it from Lynn's perspective because she had been secluded in a temple since she was like 10, only surrounded by elderly women or priestess that were covered up to their eyes and rarely spoke to her, but from Kim's side... No. Maybe seeing more of the journey to Landfall from her perspective would have helped matters. Some of Lynn's quotes were very relatable and good (I believe I have posted some here) and her pain at thinking that she would not ever be able to be with Kim was almost palpable. The romantic and steamy scenes were sexy and well-written, and they felt organic given the circumstances.

I loved how the priestesess constantly jeopardised each other's ascent to power, it was very realistic and a nice detail to the story. It is one of the strongest parts of the worldbuilding to be honest, since it demonstrated that powerful religious women were a force to be reckoned with in-world (at least until a certain point in the story that made me want to slam my head against a table).

The writing was similar to that of Shadow of the knife, but lacked a depth and maturity that SOTK had and that made it such a punch in the face memorable story to me.

Lynn was a good protagonist, very defined by her nostalgic memories of life outside the temple. Which was fine, but she didn't seem to care a lot about anything except nature. I found it very unbelievable that she wasn't more weirded out by the journey given how she was leading a life of reclusion and suddenly she was on a trip with guards and people all around her. She focused a lot on how good it felt to be out of the temple, but what about the people? Isn't being surrounded by people weird after you spent your life in the temple? She never cared about anyone on there so it's pretty safe to say she never had any friends, which brings me to my next point: for someone who had lived such a poor social life she was very stable, not socially starved to the point of being easily manipulable, full of panic towards social interactions or other things that social isolation tends to cause. She mentions wanting to have sex desperately, but that's about it. I'm not buying that. She was nice and I liked how she took responsibility for her actions, but I wish we knew more about her. After reading the book, I still don't feel like I know her that much.

Kim was alright, but her past was boring. Very typical. Seriously, authors, stop killing families. There are other ways to give lifelong trauma to the protagonists. I hated how her character lived through so much and managed to stay so static during all the story. Like hell all this happens to somebody and they stay completely unmoved throughout the whole thing. I don't believe the whole "This is because Kim is very mature, also her past is already solved bc she killed the bandits that killed her fam in the past" that the book tries to sell me. Why would you play up this conflict if it was already solved? I don't care that this is a romance book, it is just lazy to just have all the character development outside of the story. And then of course Kim has solved everything but the part about her trauma that makes her afraid to have a girlfriend, because you know, we needed something to spicy up their relationship. I won't go into detail but they had better ways of having a conflict between the two that didn't rely on getting past traumas that were already solved. One of them being that the foundation of everything they believed in was a lie. It would have been so much more interesting to have that as the main conflict of their relationship!

The action scenes were very well-written, but they lacked something that would have made them truly epic. And that would have been to have a real sense of danger; the problem with the story is that we know the Rangers are amazing and could kick everyone's ass in seconds because they are just that tough, so we don't worry about them dying at all, really. That made the action scenes really lackluster sometimes, almost as if they were only stage decoration for the romance. Which is fine, but the book was so focused on them and they were such an important part of the story that it didn't feel right. It is a shame, because some scenes were really well-written and had a lot of potential to be intense and memorable, and to define the characters or give them some good development. All of the elements necessary were there but then it simply didn't happen. It was beyond frustrating; the characters learned a lot of new stuff and faced loads of dangerous situations but they didn't change at all, which I found unrealistic taking into account they just found out the foundation of everything they believed in was a lie. They all just go like "Oh well that makes sense, I don't believe in this thing anymore despite still having some sensibilities that come from this thing", there might be people who act like this, no doubt, but twelve or more different women? No way.

The plot had a lot of things going on that never reached their full potential, and I think it would have benefited from being kept simpler, especially when this was the author's first book. I just went to check goodreads in order to paste the blurb in the book to the begging of my review, and somebody said "I felt like we should have spent more time in Petersmine watching the characters fall in love, and definitely more time in the temple at Landfall! It's what the book is named after" and I agree. As I said, this book wanted to tackle too many things. If the author really felt like she had to tackle all those topics at once she should have prioritized and spent more time in the central conflicts, while playing the others out in a more subtle manner.

This was her first book so I feel like I should be more forgiving, but I still have to vent about it. I will always be eternally grateful to Jane Fletcher for giving us the Celaeno Series, because it is amazing. How many fantasy/sci-fi series where all the characters are exclusively female and lesbian do we have? What she did was incredible and groundbreaking, but the first book was obviously her first one. I hear there are great things coming in the next one, and I have noticed that the author has gotten way better at writing/worldbuilding since this book was published, so I believe in her.

The explanation the author gave about why the sisters "hide" the true history to the public was not good nor believable. "Nobody reads those books anymore, so they don't know what really happened" really? What the hell? Are you telling me that not even one woman from the temple has taken the time to read one of the books from their library? This doesn't make the Temple look sympathetic, it makes them look beyond stupid. Humans are curious by nature, like hell nobody has even skim-read one of their books. This is something I disliked and that got me tired from this book: every woman that had any ties to religion (temple guards, sisters, etc.) was mortally stupid and ended up either dead or in a bad place. This lack of nuance bothered me: I dislike religion as much as the next person, but this was just too sloppy. Religious people are not stupid; some are stupid, yes, and some do/say stupid things because of religion or because they are plain bigots, but come on, the majority of them don't expect their god/goddess to do things for them that are within their control (like packing their suitcases). Also, does the author think that religious people can't conspire to hide shady things? Lol.

And I don't believe that this world has only one religion. Somebody could interpret the texts of the Elder-Ones way differently and come up with another religion. The author only made one because she wanted it to parallel christianity (the religion she wanted to criticize) and fair enough, but it makes for poor lore. Even christianity has several branches that interpret the bible differently or practice their faith in a different way, and I just don't believe that 1) nobody bothered to read the Elder-Ones texts ever and 2) nobody had a different interpretation and started a different faith, or at least a civil war.

Another thing that disappointed me was how incompetent the guards were. I liked it in the first bit, because the guards that escorted Lynn were from a provincial city and only used to face people, not mountain beasts. That was pretty nice and realistic, but in the second arc there was no excuse for the seasoned temple guards in Landfall to be as incompetent as they were. How the hell has the Temple survived for that long and gained so much power when everybody within its walls is either mortally stupid or terrible at her job?

In the other books both the Rangers and the Militia have their fair share of competent and incompetent women in them, but when it comes to the Temple everyone is just useless, stupid or evil. I'm not having it.

If you have read the book, you will remember that scene with a nice, truly devoted, grandma-like sister that the author wrote to prove that "there are also nice people within the church", which is basically the cliché that pull all books that poorly criticize religion. To any writer reading this: stop using this cliché, I beg you. Do a nuanced criticism of religion instead.

I did like how the sisters reacted to Lynn's and Kim's relationship, that was very well done. Especially the part where they tried so hard to distort Kim's feelings and character to make her look like a bad person on Lynn's eyes. I also loved the little details about Gina's village, the culture that was starting to form around it and the militia/rangers/temple guards dynamic and rivalries, they were very believable and good at rounding up the worldbuilding.

I can't believe what the author pulled at the end of the book. Really, more than 70 pages in the PDF version from Peter McKay's diary, a character that had minimal involvement in the story. I was very uninterested, even if his diary was kind of interesting. Couldn't she have put parts of his diary in little chunks at the begging of every chapter? It would have made the info dump much more bearable. I might comment on it in another post because there is a lot of lore/things I would like to discuss and I still haven't finished it yet.

I recommend this book if you like stories like Romeo and Juliet but set in a lesbian sci-fi universe, and where the characters fight against society.

[mautadite]

october book round up

19 books this month, which brings me to 125 for the year, and i’ve officially completed the yearly challenge! :) a little later than last year, but still earlier than i expected. i don’t imagine that i’ll read as much as i did last year, but i can still get a good bit done in two months i think. this month was pretty much just different flavours of romance, once again all audiobooks.

poison kiss - ana mardoll ⭐️⭐️⭐️ mixed feelings about this one. urban fantasy/paranormal with a neat setup and world building, but i feel like the author didn’t tell the story in the most effective way? not enough time spent on certain sections, time skips that were not needed, too many flashbacks. the poly romance was really sweet, though i didn’t much care for the love at first sight aspect when the third character was introduced. but this was a good book overall, with a unique plot and cast; might revisit the series.

the best boy ever made - rachel eliason ⭐️⭐️⭐️ very cute coming of age/ya romance. a conservative country girl is at first shocked when her best friend comes out as trans, but she slowly finds herself becoming his biggest champion, and then falling in love with him. took me a while to warm up to it bc i found the protagonist to be kind of obnoxious. and some of the later plot events were kind of ham-fisted. but i definitely liked it, mostly for sam and how good and kind he was.

i wish you all the best - meason deaver ⭐️⭐️⭐️⭐️ BRUH I’M CRYING IN THE CLUB. this was a really fucking sweet ya romance. the main character finds themselves homeless after they come out as nb to their parents. they move in with their sister, enroll in a new school, and find themselves making friends with (and slowly falling for!) a literal ray of sunshine. this was great, another one of those books i wish i could have read when i was younger. dealt with coming out, depression, anxiety and first love, had great writing, and i’m still thinking about how great the ending lines were.

the neighbour - gerri hill ⭐️⭐️ eh... a book that COULD have been good (woman with a stunted career as a writer moves back home to take care of her ailing mother, finds herself falling for the rich lesbian player next door) but both main characters were so thoroughly unlikable lmao. judgemental, snooty, made jokes about harmful things, kind of elitist... there was one aspect of this book that i really liked (the main character changed careers later in life and it wasn’t seen as a failure, just moving on) but otherwise this was a disappointment.

the turner series - cat sebastian ⭐️⭐️⭐️⭐️ historical romance!!! always a fave. this was a pretty fun series; first three m/m, last one f/f. a bit of mystery and intrigue in all of them, good humour, and a great cast of characters through and through. the second one was probably my favourite; one of the mcs suffered from anxiety attacks in an era where there was a lot of wrong information about mental health, and his love interest (a cheat and a scoundrel) ended up being the best thing that happened to him. although now that i’ve said that i just remembered how very much i love the third book’s protagonist (the rake, to be specific). standout character for sure. the last book has a dear place in my heart bc even though you can tell that the author doesn’t often write f/f, and it was a pretty short novella, it’s still historical lesbians, and i eat up historical lesbians with a spoon. (i could make a pretty bad joke here but lo and behold; i have GREAT self control.)

the secret casebook of simon feximal - k.j. charles ⭐️⭐️⭐️⭐️ when k.j. charles is good, SHE’S REALLY FUCKING GOOD. this is a paranormal-mystery/romance book styled after the adventures of sherlock holmes (if you must know one thing about me it’s that i’m a slut for acd holmes, don’t fucking @ me), set in the very universe itself. not quite a pastiche but close enough, and it was so well written, with great world building around the magic and paranormal events, great characters, GREAT ROMANCE. told as stories published by robert, simon’s biographer and lover. i adored this and will definitely reread.

puppy love romance - georgia beers ⭐️⭐️⭐️ a trio of f/f novels centred around an animal rescue, and the women who work and volunteer there and fall in love there. each of these novels was really sweet, grounded in a way that i like for contemporary romance, and they all had adorable dogs in them. and i feel like beers really knows her way around plotting and pacing a novel, especially small town romances. but i also had pretty sizeable nitpicks for each of them lol. part of it is that i just got tired of beers’ writing style (as you can see, i took a break between the series). this is such a weird complaint but oh my god she uses too many adverbs lol. also there was always an emphasis on how amazingly stunningly gorgeously beautiful all six women were and it got so tiresome. idk who wants to read about women who are physically perfect all the time, but it’s not me. and one half of the romantic pair in each book (lisa, emily and sydney, in that order) had attitudes that i found obnoxious and were not resolved and i felt bad for their girlfriends having to deal with them. a fun read all in all, but some of those things rubbed me the wrong way, and i’m ready to take a break from this author. 

bound series - ava march ⭐️⭐️ a resounding meh. historical m/m romance that wasn’t bad, but there wasn’t anything great about it. i only read these like maybe a week and a half ago but i’m struggling to remember details. there was bdsm, which i didn’t hate, but i also didn’t care. the plot was bleh, the sources of conflict were weak, and one of the dudes was kind of an asshole. /shrug emoji

reverie - eliza andrews ⭐️⭐️⭐️⭐️ god... GOD. the ride i took with this book was like... a really sexy butch took me out to dinner, wined and dined me, and in the very last course she leaned over and spit in me food. the premise: a woman on the run from her abusive ex-husband settles into a small town where she find herself drawn to the only out lesbian in town, a sweet butch ex-marine, and her mysterious nurse of a neighbour. this book was soooooooo well written, so well crafted, so moving, so beautiful. a paranormal mystery that actual kept me guessing. i was ready to name it the best f/f book i read this year, if not the best romance period. and then the ending. the FUCKING ENDING. i’ve rarely been so let down in my life. i’m looking at the four stars i gave this and wondering if i should go lower because SERIOUSLY. thinking about it is getting me kind of upset. this book could have been SO good. uuuuuugh. 

brothers of the wild north sea - harper fox ⭐️⭐️ this is tricky because like. this book was definitely like, not good lmao, but it was good enough that i almost feel guilty giving it 2 stars. this is a historical romance that takes place more than a thousand years ago between a viking and a monk. it wasn’t badly written, probably wasn’t historically accurate but i mean, i don’t care. but it was too long, i didn’t care about the characters, it was badly plotted, and just really confusing overall. i think harper fox is great at writing romance, but all other aspects of this novel fell flat.

escape velocity - anah crow, dianne fox ⭐️⭐️⭐️ sci-fi m/m romance. a linguistic researcher and a pilot struggling with his religious beliefs fall into a whirlwind romance. pretty cute. i found it too short as i find most novellas, but i think the authors did a lot in relatively few words. definitely wish there was more worldbuilding. kind of hope the authors have plans to make this a series.

nowhere ranch - heidi cullinan ⭐️⭐️⭐️ a sweet romance between a farm hand and his boss. i didn’t think i’d like it much, but it was pretty enjoyable! very simple writing stuff that fit well with the gruff, no-nonsense, trying to shut everyone out protagonist. i really liked him; identified with him a lot, and his journey into opening up, dealign with his anxiety and self-worth issues. and the romance was sweet (though oooof, some of the sex scenes were too much). the book went from being really raunchy to really domestic and i kind of liked that. the resolution came a bit too quick, but i enjoyed it nonetheless.

that’s it for october! still currently unemployed, waiting for the people i signed a contract with to call me. since i don’t want to dip too much into my savings i’ve been doing odd jobs here and there, and might take a more steady part-time job in the meantime? all of that to say: i probably won’t be reading as much in november. i’m currently reading the first book in the spencer cohen series, and not... really loving it, lol, so i might pass on the others.

[comicteaparty]

December 25th-December 31st, 2019 Reader Favorites Archive

The archive for the Reader Favorites chat that occurred from December 25th, 2019 to December 31st, 2019.  The chat focused on the following question:

While being respectful, what’s a comic you think is objectively great but is just not to your subjective tastes?

carcarchu

the first one that comes to mind is purple hyacinth https://www.webtoons.com/en/drama/purple-hyacinth/list?title_no=1621&page=1 by all means i should love this series. i think the art and premise are great but for some intangible reason it just doesn't jive with me for some reason. i still recommend it to others and it's not like i don't read it but personally it just didn't make it feel anything

snuffysam

Honestly? Most of the comics I've read as part of #week_long_bookclub and #comment_storm fall under that umbrella. The vast majority of comics I've been introduced to through the CTP activities are really quite good (there's been exactly one in the book club that I couldn't stomach, and it was because of content/writing i personally found overly edgy & distasteful) - but for one reason or another, they're just not the type of comic I want to keep up with regularly. Too slice-of-life-y, too sad, i couldn't visually distinguish the characters that well, a super-sporadic update schedule/is on hiatus/is getting rebooted, the parts of the story I liked are clearly not things the author wants to focus on moving forward, a non-functional/poorly organized website, etc. All very good in their own right, but for one reason or another is not something I'd want to read one page at a time.

Eightfish

@snuffysam I feel similarly that most of the comics in the book club are not my cup of tea (haha). I wonder if it would be different if some of the comics there were reader suggested instead of author suggested?

keii4ii

I think CTP should remain author-submitted. Readers could suggest to the authors to submit their comic, though.

the majority of comics I encounter everywhere aren't my bag of tea, TBH. And that's probably a big part of the reason why I'm making my own. Gotta feed my inner reader's needs, one way or another

A lot of Western-written comedy, specifically, are lost on me for cultural reasons. Often they seem to be referencing something that I'm not aware of. Or they have to be read in a specific tone that's lost on me, and probably would make a bit more sense to me if voice-acted. Things like that.

Cronaj

For me it's usually art style. I'm pretty picky about art style, and I know for a fact that I'm missing out on a lot of good comics simply because the art styles are not to my tastes. Any style that's too cutesy, simplistic, or "generic" anime just doesn't call to me. There have been outliers that have managed to draw me in anyway, despite the art style, but not a lot. I also just tend to not like gag-a-day comics or slice-of-life. If there isn't a larger story, I get kind of bored. That being said, I also don't tend to enjoy most superhero/ strictly action comics, simply because I can recognize the tropes from a mile away. Not that they're bad, just... outdated? In fact, I LOVE superhero movies, but most superhero movies have adapted the tropes into a new form for the big screen. Here's an example of a comic that I've seen around, laughed at a few of the jokes, and then never felt the desire to consistently read it, just because it's not my style. Brutally Honest: (https://tapas.io/series/Brutally-Honest)

LadyLazuli (Phantomarine)

I find myself having the same problem with webcomics that I do with other media - I like to feel like I’m escaping reality. Stories set in our world are hard for me to sit through comfortably. That automatically makes general slice-of-life and romance stories hard for me to get into, unless there’s a strong fantasy/supernatural/sci-fi element to them. That already puts a lot of webcomics out of my range. Because there are SO MANY high school slice of life romance drama webcomics out there. Some of which I know are very highly rated and probably great. They’re just not what my brain craves

Tuyetnhi

strangely enough anything with western high fantasy elements I usually don't read as much compared to romance or slice of life comics lmao

kinda in the same spot to what keii said: a lot of western themes get lost for me and I feel like I need to put my own spin on things if that make sense

Nutty (Court of Roses)

To be fair and honest... I don't really have comics I don't enjoy, or I guess fall too far outside my tastes? Out of the ones I've read, anyways! My reasoning is that I just don't have TIME to read too many comics out there, so when I decide for myself that yes, I'm going to sit down and commit myself to this comic, I look for and find things to enjoy about it, even if it's not normally my cup of tea. The story, the art, the style, the jokes... I try to keep an open mind and enjoy whatever I have the chance to get into, because as an artist I think about the person behind the comic and what kind of story they're trying to tell. I just... really like comics ahahah I wish I had more time to read more!!!!(edited)

FeatherNotes

I agree with @LadyLazuli (Phantomarine) on the 'set in our world ' bit! I find it difficult as well to immerse myself im stories that are in our world with exceptions of an alternate reality or large enough twist that would really differ from what the setting is. Slice of life doesn't really appeal to me, mainly because many comics don't have very stand out designs/personalities for characters that i would gravitate to. To be more specific to the question however, there are certainly quite a few amazing looking comics that don't really float my boat simply bc of style or execution of story or whatnot! Ive been reading one recently that hasn't really stuck to me or left any impact character/story wise, but.....im still reading it! so there def must be something!

Octoflamingo

There are a lot of comics I like but I find myself not reading them after I get to where they last update. I just rarely check in afterwards and usually by the time I do I’ve forgot the plot. I feel that every time I go back to a comic I have to read it all over again to get back to where I was. That can be really time consuming the longer the series is. I also try not to pick up long story oriented series if they aren’t finished because I know I’ll never get to the end of them.

Bear

I say this as a person in the LGBT+ community: I’ve become very tired of comics that centre around a person coming out. Which sucks because they’re super important! But I’ve lived the struggle, everyone close to me has lived the struggle. It’s tiring. What I want is genre stories where the characters are LGBT+, but that’s not necessarily the focus. Luckily in webcomics that’s easier to find. I still have to dig through coming out stories to find them though.

Deo101

Gotta say, super agree with that one Bear.

Eightfish

Same. I like stories where characters are just casually LGBT. Even to the point where they won't even mention that they're gay or lesbian and instead just show up in a gay relationship or naturally bring up their attraction to the same sex. Steven Universe does this really well, I think.

Oh and speaking of suggesting authors to sign up their comics, I think I could have a lot to say about @LadyLazuli (Phantomarine) 's Phantomarine (: Maybe in a few months when the comic gets a little more ahead in the plot?

LadyLazuli (Phantomarine)

@Eightfish I may submit it after this chapter is done around the beginning of February! I do wish I were further ahead, but there will still be plenty to say after this one wraps up. Thank you for the encouragement!

RebelVampire

If I'm just speaking in general, usually comedy and slice-of-life comics will fall into this category for me even if they're fantastic. I am very, very particular about comedy and slice-of-life. Especially comedy, as I'm usually very specific about the sort of stuff that actually makes me laugh and entertains me. So honestly, a lot of comedy in comics is just not my jam. In a more specific comic sense, Kamikaze to name just one of many: https://kamikazeanimated.com/comic/ The art in the comic is fantastic, the characters really fleshed out and interesting, and even some of the comedy I like. Objectively, I think this is a fantastic comic with a ton of effort put behind it and one everyone should give a chance. That being said, for me personally, I just can't get into the pacing. It's a bit too slow for me even if I think objectively it works fine. So while it's a comic I might enjoy in bulk reads, as a page-by-page thing I just can't do it.

Cap’n Lee (Flowerlark Studios)

To be honest, I can’t really name any comics? I tend to like just about any comic that’s really well done. Obviously I have my preferred genres, but I simply don’t seek out comics that aren’t my thing. If I do read past the first few pages of an objectively well-made comic, chances are I’m going to stick around snd keep reading.

Eightfish

Maybe my own comic? Not that I think it's objectively great, but it is of course more completely to my own taste than any other comic out there. Yet if I try to read my own comic I can't glean any enjoyment out of it over the overwhelming feeling of hearing my own recorded voice played back to me. Anyone else?

keii4ii

That's an interesting answer! I can't say I feel 100% the same, but I can relate to perhaps a facet or two of it.

I don't really read my comic either, after all, even though it's an honest reflection of what I want to read.

Eightfish

Thing is I have another short comic from about 6 years ago that I am now far removed from enough to read objectively. And I notice things I think are well done that I didn't notice before and big flaws that I haven't considered 6 years ago. So I'm worried since I can't read my current comic objectively I don't know what I need to improve on

keii4ii

That's definitely a struggle for me as well. It's what constructive critiques are for, BUT it's not easy finding someone willing, able and well suited to critique your work.

I used to actively solicit concrit on my comic. While I appreciate that every critic spent their time and effort genuinely trying to be helpful, the actual critiques weren't always helpful. You have to be a good critic (it takes skills), and you have to be the right critic for that specific story.

🌈ERROR404 🌈

I totally agree on that keii, a lot of people see concrit as the solution for every issue, but that's just bound for trouble. There are a lot more bad and mediocre critiques than well stated and usable ones

keii4ii

Yeah. There's a reason why the services of a good editor are so highly valued!

Cronaj

I think the problem is that most people who offer critiques are trying to shape the story in a way that they themselves would enjoy more, and not necessarily an objective improvement to the existing story. Offering a critique that also preserves the essence and heart of a story is extremely difficult.(edited)

Eightfish

Also when critique is contradictory- " I love how your comic gets right into the interesting part" vs. " I was really confused by the intro " But I don't know what side I would be on if I was a reader because as the author I would never be confused by my own story.(edited)

keii4ii

Yeah, and even when you get two crits on the same "side" it's possible that it's just skewed data due to small sample size. Like, maybe both of the critics are simply not your target audience. I've found that it helps a LOT if you ask specific questions, instead of just asking for a concrit. Coming up with good questions can be very difficult, though! One I've asked in the past is "did you lose interest while reading the comic? If so, at what point(s)?" and I got helpful answers from that, even from people who weren't the target audience.

Kelsey (Kurio)

I admit, I’m not the best at critiquing, like trying to bring to mind things other than “art looks nice” or “I like that joke” or whatnot

Though I guess it gets easier the more I read and mull over something

🌈ERROR404 🌈

it's sometimes hard to find something good and worthwhile to critique LOL

Kelsey (Kurio)

And of course, how does one define “objective improvement” with works of art/media? Outside of things like improving grammar, but what about in cases where it’s like that on purpose? It’s real hard to be totally objective with criticism when you think about it, even when you try to be objective

keii4ii

This might be getting off topic for the channel, but I think it's better to think of it as "effective for the goals of this work" rather than "objective." If you do X in your work on purpose, but X is not appealing to your target demographic, that's not effective. You need to either not do X, or re-define your target demographic. (Not necessarily the only options in that situation, but you get the point.)

Cronaj

I definitely think that "effective" is a better word for what I meant. It's all about intent. For example, most people generally agree that art style should be consistent in a comic, BUT in some cases (especially in comedy) switching up the art style for a scene or a panel to emphasize a point or subvert expectations (thus making the scene potentially funnier) is a very "effective" inconsistency. Basically, if something is effective for telling the story or instilling a mood, the objective view basically becomes null.

DanitheCarutor

I can get into almost anything, there are very few stories I have trouble with, even if it's a genre I wouldn't normally like. Although there are a couple that I'm really picky with, and that's gag-a-day comics or general comedy. The only ones I can think I've actively read off the top of my head are Oglaf, Perry Bible Fellowship and more recently, Woman World. Other than those few the genres never catch my interest, I'm more for story/character driven comics, with plot and stuff like that. Sometimes a comic doesn't click regardless of genre, for example: Homestuck I tried sooo hard to read this one to see what the hype was about, but the farthest I've ever gotten was maybe 50 pages after several attempts, and that's not because it's bad! The comic just didn't click, and regardless of my taste I probably would recommend it to someone who likes those types of comics.

[mikeshanlon]

hello! i was wondering if you had any books rec please? cause i’m pretty bored lately and in need of new books to read. so if you could make me some recs (can be fantastic, "real world", mystery, basically everything that is distracting/really good!). it would be awesome if you could 💞✨

*suddenly forgets every book i’ve ever read* LKRGNNGR jk. 

illuminae by amie kaufman and jay kristoff so this is a YA sci-fi novel following our protagonists Kady and Ezra after their planet is attacked and the surviving colonists get rescued by another fleet. however, this fleet is not as safe as they hoped, because not only is a deadly plague spreading, but the ships AI is also going rogue. The really cool and exciting aspect of this book is that it’s told through case files-- a.k.a records of chat logs, transcriptions of surveillance footage, the AI coding itself, etc. The format really makes you feel like ur an agent uncovering the mystery alongside our heroes. It’s beautiful (as in like the page spreads but also the story) and fun/funny and fast paced. (it’s also the first in a trilogy and in in the middle of gemina and wow. it’s wild but in a good way. Warning’s that there’s a lot of death and it can be kinda creepy/dark)

the gentleman’s guide to vice and virtue by mackenzie lee this is pretty much like a road trip, friends to lovers, bed sharing, dumbassery au if that au was set in 1700′s with a dash of magical elements. GODDD this books is so funny and beautiful like. phew! We follow our chaotic disaster bi Monty as he goes on a grand tour of europe for a year before he has to get his act together, alongside his intelligent and iconic sister Felicity (who is aro/ace and i believe that’s explored further in a companion novel), and his long time best friend Percy (who is black and disabled) who he just so happens to be like. Super in love with. As a chaotic disaster bi, Monty does a lot of dumbass shit and shenanigans that eventually derails their Grand Tour! (Warning for like period typical homophobia, racism, sexism, and ableism, though i think it’s handled really well and still a fun book).

truly devious by maureen johnson: now this isn’t like. OH MY GOD I LOVE THIS SERIES but i found it to be a really fun YA mystery trilogy (the final book has yet to be released tho)with a great atmosphere/setting. This takes place at Ellingham Academy, a private school that helps exemplary students pursue education that can’t be offered by public schools. Stevie Bell is one of those new students, a girl with a passion for true crime, her favorite unsolved case in particular actually took place at Ellingham Academy. Stevie wants to solve the case of who Truly Devious is-- the person who captured the founder’s wife and daughter in the 1930′s, but while she’s attending, a new crime unfolds. I absolutely loved the setting, and the mystery (though i think it gets more interesting/better done in the second novel). Stevie has anxiety and I really enjoyed how it was written, and her friends are iconic (one of her friends is lesbian and has a nb partner also). The romance is kinda meh but it’s not like unbearable and i liked it a little better in the second novel!

the devouring gray by christine lynn herman: this book has been described as a mix of the raven cycle, stranger things, and riverdale and honestly like. yeah. (though if you’re a trc stan like me don’t expect TRC iconicness, and for the riverdale aspect it’s more of the the things that make the show interesting aka small town with deep secrets, long standing family feuds, etc.) The descendants of the four town founders are in charge of protecting the town from the Gray (aka p much the upside down from stranger things relgnerg), and each family has their own type of power (for instance death or fire, and each descendant has their own special type of power to do with death, etc). This book has some mixed reviews but i would definitely try it out if you’re interested bc i found it to be fun and i think the next books are gonna have a lot of potential. There’s a really nice theme of grief, and also 2 of the mains are bisexual and use actually use that label as well as some other side characters so like. i like that elrkgnerg. 

the sun is also a star by nicoola yoon: okay i realized there were no stand alones except like maybe gentleman’s guide if you don’t wanna read the companion novel erkgnerg sooooo. This is a contemporary novel set in a single day following two povs. Natasha, who’s family is going to be deported to Jamaica that night, so she’s trying to do everything she can to make sure her family can stay; and Daniel, a Korean-American boy who has an interview with a Yale alum, but doesn’t truly want to attend Yale, he wants to become a poet despite the wishes of his family. We follow them as they meet and begin to grow closer and explore topics like the racism both of them face, their beliefs, etc. There’s also chapters from the pov of people the run into throughout the day, like security guards, or the subway driver etc. This book is like p insta-love but as someone who hates insta love i actually thought this was done pretty well and i enjoyed their romance. Mostly because it’s a high-stakes day coming of age type atmosphere, Daniel and Natasha really open up to one another, and they have great chemistry. This book is really beautiful and I finished it in less a day. (also it’s own voices for Natasha’s character)

also i mean im not gonna go hella in depth with these bc they’re super popular and this is already hella long but i will always recommend the raven cycle by maggie steifvater and six of crows duology by leigh bardugo bc like. god i love those books. 

[lesbrarians]

Yo librarian how ya doing?????? Whats some trending books with a gay protagonist

Yoooo, I’m good, thanks for askin!! Oh man, this is my favorite topic ahahaha OKAY get ready for a long answer!! Most of these are gonna be fairly new releases. Since you didn’t specify gay guy or lesbian, Imma give you both! 

Contemporary Fiction

Gay: Speak No Evil (This is a very heavy and not very happy book but definitely a very presently popular and powerful one.)

Lesbian: Marriage of a Thousand Lies (a lesbian and a gay guy marry to please their conservative Sri Lankan parents, and they both date on the side bc obviously they still want to find actual love, and the book’s central romance is about the lesbian. it’s great)

Mystery

Gay: All This I Will Give To You (the Hot New Book In Translation (originally in Spanish))

Lesbian: Maggie Terry

Honorable Bisexual Mention: The Best Bad Things

Fantasy

Gay: Witchmark (my coworker raved about this one. Honorable mention: The Last Sun)

Lesbian: Gideon the Ninth (so this isn’t out yet, but it is definitely a trending book and I want an ARC of it so bad aklsdjfsklf please keep an eye out for it when it’s released in September bc two words: lesbian. necromancers (in space i guess. it’s fantasy w a dash of sci-fi from what i’m seeing). For a lesbian fantasy book that IS out, try Priory of the Orange Tree. It’s like an 800 page EPIC fantasy if you’re into that and I’m convinced it’s gonna win a Lammy this year, just based on buzz alone)

Sci-Fi

Gay: The Widening Gyre 

Lesbian: The Luminous Dead (SF/Horror, and next on my TBR list, I’m legit so fucking excited about it. If you’re not into Horror, then I recommend Record of a Spaceborn Few. Technically third in the Wayfarers series but the books are all loosely connected and don’t need to be read in order! This has an ensemble cast, so there are straight POV characters included, but one of the POV characters is a really awesome older lesbian woman who I love.)

Horror

Gay: The German (An older one, but Lee Thomas is like the name for gay horror. But keep an eye out for Stoker’s Wilde in May – I think it’s gonna be gay, from what I’ve been seeing so far. I plan on reading it when it comes out and seeing for myself)

Lesbian: The Lamb Will Slaughter The Lion (This is a novella, definitely follow it up w the second Danielle Cain novella: The Barrow Will Send What It May. Honorable mentions: Sodom Road Exit, White Is For Witching… can you tell what my favorite genre is LMAO I love lesbian horror…..)

Ok now it’s late and I’m burnt out bc I worked all day and have to work the next six days in a row too lmfao but I hope this is a good start for u!! Let me know if you want something more specific! Obviously this list is a little more skewed towards my tastes which is Sci-Fi/Horror and Lesbians, so there’s that.