#lie to me theory

[dotted-clouds]

My Favorite Red Vox song with Kingdom Hearts Chain of Memories and Kingdom Hearts 3

[sysig]

I think the world is so wonderful... (Patreon)

[waveoftheocean]

yet another vw wip for this week's wip wednesday bc i have zero (0) self control and so. so. so many thoughts abt them

[pianostarinwonderland]

skully who r u [fae skully + a ramble on his possible background]

we have less than a day before we get the ending for this event and IM. NOT READY. im not ready to hear about how skully is a person from the past (and we're thinking 200 years or so), nor am i ready to go back to twst to hear that he's dead in our time and he's really the founder of modern halloween that nrc celebrates

... that's assuming he's human tho

and fortunately or unfortunately, there's hints that twst has been dropping that leads us to think otherwise

firstly: ears WHERE

in his live2D, you dont get to see his ears At All. not even a hint of an ear lobe. we know twst to be very detailed and deliberate with their designs so why did they choose to hide his ears

in his illustration, u can see a hint of an earlobe, but it's still very much covered

and as we know, when we look at malleus and lilia ears, we Know that they have pointy ears marking their pure fae ancestry. soooo skully..????? 🤨 fae skully real?????

i partly market the fae skully agenda bc PLS. WHAT IF... MEET . . .. .. IN OUR TIME. .. .. .. .... . PLS... . ... . .. . ..... 🥺 WE SEE HIM ALIVE BUT A LIL OLDER AND WAUGHHHHHHHHHHHHH pls i cant handle this yall

secondly: there is still that part in Episode 1-4 of skully saying to us "moshi... ne, moshi" instead of "moshimoshi", and a lot of ppl shared that the belief of supernatural beings not being able to address someone more than once is at play here. which would at least indicate to us that skully is at least not ur regular human being. and that is one thing about skully that we Can be sure about

on what skully may be, myonmyon put out a thread about how skully may be at least inspired by the Fear Gorta, a fae whose folklore was created from the irish famine. it's characterized by a skeletal appearance who wears tatters and rags. it can be benevolent or malevolent, but if u treat it kindly, it will bestow good blessings upon you. Fear Gorta also refers to Hungry Grass, which, if one steps on a cursed patch of grass (which i assume the fae created), they will always be hungry, no matter how much they eat, and will eventually die from starvation

ok why the irish famine? myonmyon and a few other theorists on twitter have speculated on skully possibly being inspired by (or maybe even being the twst equivalent of) the irish immigrants who moved to america, and from there, the tradition of halloween spread, resulting in the modern halloween that we know of today. it makes sense too given skully's character of spreading halloween to his fellow peers, who don't know what halloween is

oh but i don't mean to end this post here, no not yet. because there's a really interesting thread that i also found by Y_wwwsomething about how skully even got his viewpoint of halloween. i do like this thread because they kinda argue against skully's halloween being based on samhain, which a lot of people initially thought that that was his halloween. but samhain, even if it does have its scary side, is still a festival with feasting and noise, still very unlike skully's halloween. if anything, they suggested that the briar valley halloween is much closer to samhain.

my personal conclusion was that skully's halloween is based on all hallow's eve, and he's from a catholic family who celebrates halloween in a solemn manner. however, this thread is suggesting that skully idolizes the victorian british gentlemen and consequently the victorian halloween

let's look into the victorian halloween first. we note that the victorian halloween that was celebrated was often done by the upper class. several online sources will tell you that their halloween parties is, funnily enough, purposed for matchmaking. many halloween games involved girls looking into their futures, whether it's eating apples at midnight while looking at the mirror or looking at whatever object is in their apple or cake to see if they'll marry or die alone. halloween for them is less focused on fright and more on lover's passion.

however! their halloween parties are also dramatic in that they turn off the lights and only leave candles on, and when they greet guests, it's either by putting their own hand on the guest's shoulder or a glove filled with sawdust.

so we could have a situation here where skully, just like jack with christmas, may have observed one (1) party and misunderstood the victorian halloween, taking from it only the scary aspect and mixing it with any prior beliefs he may have had. it doesn't yet explain why he spent halloween alone, and tbh the catholic halloween celebration alone is already a near exact match of skully's definition of halloween, so im not very on board with this. could be that they are also loose enough to be festive? but im not sure

but im very interested about skully's possible reverence for the british gentlemen, which inspired his love for jack skellington! in the victorian era, they were defined by their birth (so if they were born to aristocratic parents), but men could also make themselves into gentlemen by growing their wealth and influence. some men have occupations that are respected enough to call them gentlemen (i.e. army members, members of the parliament). eventually the definition of a gentleman is one who received education from certain elite universities, but this is towards the end of the victorian era, so when trying to become a gentleman back then, it was much harder. so of course men tried to climb to become gentlemen. charles dickens actually wished to be recognized as a gentleman and so he wrote about it in great expectations.

and this is what interests me: during the irish famine, it's noted that british rule still stood on ireland, and if anything, the british elite even worsened the irish famine as they controlled trade between them. irish goods were exported out to britain and other countries while the people had nearly nothing, which either killed them off or pushed them to migrate. interestingly, british penal laws had it that irish catholics especially were suppressed—among their laws included that their land and home were confiscated by the british parliamentary officials in ireland

so what am i trying to get at here? it's that there's probably a nonzero chance that skully looked up to the gentlemen of britain... or if we're thinking in twst terms, the gentlemen of the queendom of roses. and this may be influenced by whatever was going on in his hometown, whether it's something akin to the irish famine and colonization or something else. a desire to be free? a desire to be more than what he is right now? it would very much be similar to sally and jack: sally, in how she wanted to be free from dr. finkelstein's controlling parenting, and jack in how he wanted to not just be the pumpkin king and tried to take over christmas. it also sort of mirrors leona's and jamil's desires for themselves too, how they want to be free to do the things they want to do and make an impact around them

what's even yummier is considering that if skully is a fae, or at least a nonhuman creature that has a distinctive ear shape, then he might take shame in his fae nature as he may perceive that the ideal gentleman is a human, which is similar to how sebek takes shame in his human nature. hence, his ears would be covered by his hair in order to hide this and mingle among the gentlemen.

anyway. idk how i went from "skully is a fae" to "skully is probably an irish catholic suppressed by the british colonial rule and wants to social climb hence he looks up to the ideal british gentleman, sees jack skellington in that image, and aims to be like that so that he can make something out of himself" but we ball ig

anyway, im cooked for tomorrow, im not ready yall :(

[hercarisntyours]

Elita-1: Optimus needs you to find the differences between this picture and this picture. Intel has told us there's at least 7

B-127: sweet! I can already see some wow this is easy why didn't he...

Elita-1: They're the same picture.

--

B-127: hey OP! Got the pictures u'know it was actually pretty easy like idk why u didn't do it ur self I did it in record time if there was an iacon 2000 for this I would so win! Working for the government is so fun...

Optimus: pictures? what pictures, I didn't- ELITA

(drawing ver.)

[fearandhatred]

instead of taking the fact that they only showed certain parts of the metatron and aziraphale talking to mean that aziraphale is omitting information. consider that those scenes are there instead to support what aziraphale is saying and prove that he's telling the truth. u feel me

[worstpunk]

Ive seen the lie theory and the coffee theory (bad) but what I think REALLY happened was that everything played out as it seems until the elevator. So Metatron makes his offer, they have the argument, Aziraphale has second thoughts (LITERALLY almost says "I think I've made a mistake"). Metatron definitely knew that Crowley could never accept and did that on purpose to break them up, because he was intimidated that together they could perform such a strong miracle at the beginning of the season, and he knew that together they would foil Heaven's next plan. But anyway I think when Aziraphale is standing outside the elevator and hears about the second coming and his face drops, in that moment he KNOWS he fucked up. He knows that it would be a mistake to go back to Heaven. But he still gets in the elevator because in that moment, he determines to be the man on the inside for the "group of the two of them." I think now he intends to act like he wants to be the supreme archangel, but as soon as he finds out what the plan is with the second coming, he's going straight to Crowley so they can stop it. Evidence for this is the way his face DROPS when he hears Metatron say the second coming, and that slow sideways look he shoots Crowley right afterwards, not of longing or indecision but of fear. His last look to Crowley isn't tearful but wide-eyed and wary, like the look you give your friend across the room to signal that something is wrong. So that's my theory.

[yaeggravate]

[mangywayway]

"I want to open up your ribcage, crawl inside and close the door. A niche made just for me, between your heart and your stomach".

Same version below, just without the written part ✨

[strangerwheelerthings]

The Secret Truth of Stranger Things: the crux of it all is that the Wheelers are cursed. The Byers just got dragged into it the worst because the Wheelers had crushes and they are potentially Future Wheelers.

[fumifooms]

Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

~

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.

[stagefoureddiediaz]

are you confident more then ever about buddie canon?

Hey Nonnie

I was already confident about buddie canon - now I’m sure and living my best life.

That was a dream of an episode - I really didn’t think we would get anything that blatant and loud until 8b - it’s all been set up so very perfectly - I cannot wait to go through the impending angst - it’s going to make the moment we go canon feel even more rewarding than it already was going to feel!

[cuntyfieddemon]

I wanna know so bad with who agatha crossed the road the first timeeee and whooo was the witch that survived at the end!!! was it rio??? im not ready to say it was her for sure bc she asked a few questions that made me think she never crossed it... and also i feel like they would have alluded to it while talking together... so who could it have been? i rly want it to be rio but i just dont know!!!

[timespacegirls]

the new doctor who episode titles just dropped!!

Space Babies (written by RTD, dir by Julie Anne Robinson)

The Devil's Chord (written by RTD, dir by Ben Chessell)

Boom (written by Moffat, dir by Julie Anne Robinson)

73 Yards (written by RTD, dir by Dylan Holmes Williams)

Dot and Bubble (written by RTD, dir by Dylan Holmes Williams)

Rogue (written by Kate Herron and Briony Redman, dir by Ben Chessell)

The Legend of Ruby Sunday (written by RTD, dir by Jamie Donoughue)

Empire of Death (written by RTD, dir by Jamie Donoughue)

[bykalopsia]

something that's very interesting to me regardless of how exactly nyelv is influencing suga's research (ie whether they're the same person, whether they're active collaborators, or whatever other theories get cooked up) is that by coordinating the chief's death and pushing hanto into becoming valen, he's directly fucking over the rest of his family. like, the company is already in a bit of a tizzy since shouma's fucking with their supply chains and nyelv's synthesizing GranuteHater5000 in a lab and doubling all their problems simply for the hell of it. especially since as far as i can tell nyelv likes humans the least out of all the siblings (since we've seen him be the only one who's annoyed by having to maintain human disguises in ep 2), it's really interesting that he's (up to this point) the only one that's actually engaging with humans, even from afar. and i can't even tell why he's doing it either unless it really is just excitement/interest in the situation bc while i don't think the siblings get along Great it did seem to me like their ambitions for the company were in line with each other up until this week so i'm not seeing like a power-grab angle or anything.

all this to say that it's really funny that he's doing all of this assuredly counterintuitive shit seemingly for the love of the game. (though tbf if i had to guess he's probably going to replicate the valenbuster or steal it or smth who knows idk)

[camzverse]

puppet kids