#let’s it allow a repeat of 2016-2020

[writinginthesecrettrees]

So… in the week leading up to the 2024 election, this blog is gonna be going heavy on the “the lesser evil is still LESS EVIL” and “for fuckssake, GO VOTE” posts. Because i am scheduling every single one i see between like 6 months ago and the 2024 election to post at that time.

[uboat53]

LONG RANT (TM) time? LONG RANT (TM) time.

INTRODUCTION

One of the most insidious tactics in politics is the tactic of making wild and false allegations. I'm not talking about traditional spin, where a politician presents generally accurate information in the most positive way for their position, we all do that at some level. No, I'm talking about wild allegations, usually made in only a sentence or two without any supporting evidence, that are so false that it's clear that even the person making the allegation couldn't have reasonably believed it.

This is a modified form of the Gish Gallop, a technique which weaponizes lies. Duane Gish, a creationist and inventor of the Gish Gallop, discovered that, while it only takes a second or two to tell a lie, it takes far longer than that to disprove it. He would, therefore, begin every debate by spewing a torrent of wild falsehoods, forcing his opponent to spend their entire time debunking them rather than making any argument of their own.

Similarly, people in politics today, particularly MAGA Republicans, will often make wild accusations knowing that people with short attention spans will hear the accusation but won't pay attention long enough to hear the rebuttal. Even worse, through a process known as the "spacing effect", a lie repeated often enough will embed itself in the mind of people who hear it even if it is actually rebutted.

HOW TO ADDRESS IT

Given that, how can we approach this tactic?

First of all, I want you to get out of the habit of just reading the claim itself; read the name of the person making the claim. People who use this tactic rely on other people just reading information and accepting it as true without checking the source. Get used to paying attention to who is saying what and start to test some of their statements. Granted, a lot of stuff that people say is hard to fact-check, but a lot of it isn't; check those things to see if they're true. This will allow you to put together patterns where you can recognize things like "hey, this guy tells a lot of lies" or "this news source doesn't report news that's good/bad for one side." Knowing this helps you better understand the information you're receiving.

Secondly, once you recognize a pattern of lies or even a single case of an egregious lie, get used to ignoring that source of information. You don't have to listen to something just because someone says it and you don't have to turn off your brain when you engage in politics. If someone lies a lot or even if you just caught them in one particularly bad lie, it's okay to take that into account like you would with other people in your life and stop trusting them.

AN EXAMPLE

I'm going to start with an example that I saw recently. We're going to look Jeffrey Clark. If you know him at all, you probably know him as the Justice Department lawyer who wanted to give Trump permission to send the military to seize ballot boxes after the 2020 election. Only the full-throated opposition of every other lawyer in the government stopped Trump from making him acting-Attorney General.

These days he's being investigated by several layers of law enforcement for his actions around the 2020 election, the Washington D.C. Bar is in the processing of disbarring him, he's been indicted in Georgia for his actions around the 2020 elections, and he's currently working for a think tank closely linked with the Trump campaign. Here's his Wikipedia article if you're interested in learning more.

On September 23rd, Elon Musk retweeted a post by Jeffrey Clark in which Clark complained that no one could find a transcript of any case that Kamala Harris had prosecuted, giving him a much larger audience than he had on his own. Let's look at that claim, shall we?

So Kamala Harris has been Vice-President since 2020, was a Senator from 2016-2020, was Attorney General of California from 2010-2016, and was District Attorney of San Francisco from 2002-2010. None of these are positions where a person would personally try or argue cases in court. However, she was a deputy district attorney in Alameda County from 1990-1998, a deputy district attorney in San Francisco from 1998-2000, and a San Francisco City Attorney from 2000-2002. All of these are positions where she may have tried cases herself.

This is convenient because these are specific places with specific dates. Court transcripts are public records, so all you'd need to do is go to the courthouse in question and request the transcripts. I haven't tried San Francisco, but the Alameda County Court website has a search function where you can search for cases by name. Once you have the case number, you can request the transcript for that case. All of that costs money and requires you to make a login, so I haven't done it, but it's something you could do for around $100 or less. I haven't checked the San Francisco Courts, but I imagine it's similar there as well.

And I'm sure Jeffrey Clark, Attorney-at-Law, knows all of this. I'm not a lawyer and have no formal legal training and I know all of this, so he certainly does. In other words, this is not just a clearly false claim, it's a clearly false claim that the person who made it KNEW was clearly false when he made it.

RESULTS

As we've seen, this isn't a pattern of lies (though Jeffrey Clark certainly has that as well), but it is a particularly egregious one. Mr. Clark made an accusation here that he clearly knew was false even as he made it. He lied about as thoroughly as it's possible to lie, but he did it in a way that he thought he could weasel out of.

You see, Mr. Clark phrased it as an innocent query, "I'm just asking questions", because he thought that, when called on the fact that he implied Harris' case transcripts were being hidden, he could just say that he hadn't said that. But we know that he would have known they're not being hidden, his purpose in asking the question was to imply the answer in people's minds without having to take responsibility for it. In this way it's actually much worse than just a standard lie.

You can also make some assumptions about Elon Musk in all of this given that he shared this post as well. Clearly he has retweeted at least one fairly major claim without fact-checking it. Looking back on a few other things he's reposted, it seems as if he has a pattern of doing this. If you're taking what he posts at face value, it's pretty likely that you're getting a lot of misinformation fed to you.

CONCLUSION

So here I've given you a test and an example of that test applied to a real-life case. I think I've made it clear that Jeffrey Clark is a person who lies very deliberately about things he definitely knows are false and does so in a way that he thinks lets him deny responsibility for the lie. Because of that, it's safe to say that you should not trust anything he says unless you can verify it with a reputable source and you may want to question trusting what Elon Musk posts as well.

But don't think that's the end of it, take this test and apply it everywhere! If you catch someone lying a lot, or if you catch them in a particularly egregious lie like this one, stop trusting them!

There are so many sources of information around these days saying so many different things that you'll never be able to sort through it all unless you start whittling your information diet down to the people and groups that are consistently saying accurate things. Much of the information we receive is hard to fact-check, so our best method is to fact-check the things that aren't hard to check and use them to determine the reliability of a source.

Curating a good diet of information starts with cutting out the worst and least accurate sources of information. Hope this helps!

[nihilnovisubsole]

Because of your latest post: not sure if you’ve answered this before, but how does someone even entertain the idea of writing for the game dev industry? Did you start out on indie games or just write before and show them your work? Since it’s such a subjective field etc

if i have, it bears repeating! here's a rough timeline of what i did. never discount the value of luck and the kindness of friends

2016: i was doing a random freelance transcription job when i saw @theivorytowercrumbles post about writing for voltage. they reblogged the studio's open casting call for new writers. since it was so lenient - no experience, fanfic samples allowed - i applied. they hired me for their new project, but let me go after a trial period, citing that the tone of my writing was a bad fit for that game. i foundered for a while after that. i don't take rejection well. i started dangerous crowns to try to make money from writing some other way.

2017: one of voltage's producers reached out to me and said they'd started another project that i was a good fit for. she felt letting me go was a mistake and wanted to snap me back up. i said yes, i mean, are you kidding? so i started on reiner's route.

2018-2019: i kept at it. i took on diego's route. it occurred to me that i wasn't making very much money, but i liked my coworkers, and i was building my portfolio, so who cared? i also finished dangerous crowns, and a handful of people bought it, but certainly not enough to support myself or anything.

early 2020: between the pay and creative differences with voltage's team, it started to sink in that i needed to find other work. i applied to the few open game writer jobs i could find, but with only mobile romance in my portfolio, i got nowhere. i threw in dangerous crowns samples. i tried to network on twitter. i still never made it to the interview phase. i foundered for a while again.

late 2020: the voltage writers went on strike. i gave a statement to a journalist that one of obsidian's narrative designers noticed. we became acquaintances over it. another old friend of mine threw me a life raft in the form of a different contract, better paying, on a non-romance indie game. i took it gladly. i added a twine game to my portfolio, too. i kept applying. i got a few interviews, but something still didn't click.

2021: i finally accepted that i needed formal help. i did a portfolio workshop. i got resume coaching. the coach passed my name to a writer on the company of heroes team. they liked me! they also paid me more money than i'd ever seen in my life. at the same time, obsidian advertised a narrative job opening. i applied on a lark and let my ND pal know i was doing so. why not, right? college-new-vegas-fan me would want me to. they rejected me, but not before i passed their writing test and two interviews. i had nothing to lose at that point, so i told my ND pal that i was bummed. she gave me a golden piece of advice: "you came really close. try again."

2022: obsidian had another narrative opening. i threw myself at it. i was now going to annoy them into hiring me. since i was a known quantity from applying six months before, they had no qualms about interviewing me again. this time, it worked out, and i've been there ever since.

what's the common denominator here? i met people who thought i was all right and gave me a hand up when i needed it. the standard advice is to work with a community of your peers instead of trying to get your heroes to senpai-notice you. it's not that they don't care - they just have their own thing going on, and your peers could be the heroes of tomorrow if the right project comes along. i also found the portfolio was the end-all-be-all when it came to job hunting. i went through a grieving process with that! i'm not afraid to admit it. i wish studios had held my degree or dangerous crowns in higher regard, but i just had to make games in a wider variety of genres, and that was that.

one caveat: narrative is a really saturated field right now. a lot of people want to write, and there aren't many openings. it's not uncommon for big studios to get hundreds of applicants. larian probably got over a thousand for the job they posted recently. i feel awful saying that, because i don't want to discourage you, but i'd feel worse if i didn't let you know what you were getting into. if it's something you want, you should try! keep an open mind about the random projects you may find. you never know where they'll take you.

[justinspoliticalcorner]

Dean Obeidallah at The Dean's Report:

Donald Trump was NOT convicted by Joe Biden, he was NOT convicted by the Judge, he was NOT convicted by the District Attorney.  Donald Trump was convicted by a jury of his peers. A jury, I should note, that Trump was personally “very much involved” in picking per his lawyer Todd Blanche on CNN Thursday night. And that conviction happened in the state where Trump committed his crimes after a full trial that lasted more than a month where Trump was represented by a team of very experienced lawyers who presented his best defense. That is how our Constitution and criminal justice system works. There were no surprises here. As I predicted in my article before the trial began, “Trump is going to be a Convicted Felon by June." That was based on my experience as a trial lawyer and after reviewing the evidence the prosecutors had laid out in their pleadings. Common sense said that the only reason Trump paid Stormy Daniels “hush money” ten years after their affair —but just a week before the 2016 election—was to defraud voters of the truth. To that end, Trump falsified business records to conceal his illegal scheme. The jury saw the facts as they were, hence Trump was found guilty on all 34 counts and is now a CONVICTED FELON.

Yet now we see Trump and MAGA reject the jury verdict by attacking it as “rigged,” a “sham,” etc. MAGA House Speaker Mike Johnson called the verdict, “the weaponization of our justice system.”  Marco Rubio weighed in on Twitter, writing, “The verdict in New York is a complete travesty that makes a mockery of our system of justice.”  The always awful MAGA Rep. Elise Stefanik, posted, “Today’s verdict shows how corrupt, rigged, and unAmerican the weaponized justice system has become under Joe Biden and Democrats.”  Spineless Tim Scott said on CNN Thursday night, “This was certainly a hoax, a sham” with the even worse Ted Cruz stating, “This entire trial has been a sham, and it is nothing more than political persecution.” And the list goes on and on. But this is no surprise, it’s part of MAGA telling us they reject our Constitution and the foundations of our democratic Republic. After all, Trump and MAGA rejected the 2020 election results because Trump lost. They rejected the criminal justice system when they smeared the indictments against Trump as being a sham. And now they publicly reject our jury system, which is one of the cornerstones of the US Constitution as laid out in the Sixth Amendment.

The question that must be asked is given Trump and MAGA reject our elections, our criminal justice system, the rule of law and our Constitution, what exactly do they support?! The answer is simple: Convicted Felon Trump. That’s it. [...] Let me repeat what I’ve been writing and saying for months: Don’t count on the courts, the prosecutors or a jury to save us from Donald Trump. We are the only ones who can do that by coming out in huge numbers to defeat him this November. This may sound jarring but it’s the truth: MAGA is a cancer. If allowed to metastasis, it will kill our democratic Republic that so many sacrificed so much to defend. The good news though is that the cure to MAGA cancer is right in front of us. All it takes is voting in big numbers this November.

The butthurt MAGAs crying and whining about Convicted Felon Donald Trump being convicted on 34 charges for business records falsification is more proof that the extremist anti-American MAGA cult needs to be crushed at all costs.

See Also:

Vox: Why the ludicrous Republican response to Trump’s conviction matters

MMFA: MAGA media rage in response to Trump's 34 guilty verdicts

RWW: MAGA Martyrdom Machine Portrays Felon Trump as Victim, Vows Revenge

HuffPost: Right-Wingers Are Already Promising Vengeance After The Trump Verdict

Daily Kos: Republicans choose MAGA lunacy over the law after Trump's conviction

[dreaminginthedeepsouth]

Why can't other newspapers do this?

* * * *

Don't give permission to others to demotivate or mislead you!

September 18, 2024

Robert B. Hubbell

Remain steadfast, dear readers! I received a dozen(-ish) emails today expressing worry about a report from a respected polling organization claiming that “the presidential race is tightening.” I also received a similar number of emails touting reports from a respected polling firm showing VP Harris expanding her post-debate lead to a number that is “larger than the margin of error.”

Here’s the deal: It doesn’t matter which of the above polling narratives is true. Indeed, both could be correct or both could be wrong. Regardless of what the polls show—good or bad—you should not change anything that you plan to do in the next 50 days. We are stuck in a noisy, volatile information environment that is being actively manipulated by the MAGA disinformation machine and Russia. See Axios, Russia amplifies disinformation campaigns against Harris-Walz campaign, Microsoft warns.

Per Axios,

Russia is now throwing all of its disinformation resources behind operations designed to undermine the Harris-Walz campaign, according to a Microsoft report released Tuesday.

[And] the Justice Department exposed a $10 million scheme earlier this month in which employees of a Russian state media network infiltrated a U.S. company to spread Russian propaganda.

Let’s be clear: You are the target of the disinformation being peddled by the GOP and Russia. Their goal is to demotivate you. Do not give them permission to do so!

So, if you have mistakenly over-invested in the polls, knock it off! (And I mean that in the nicest way possible!) It is completely understandable and perfectly human to seek reassurance from polls. No one wants a repeat of the nasty surprise in 2016. But the bad guys have figured out our need for positive feedback and weaponized it against us. They are con men, and we are the mark.

Instead of looking to the media for reassurance, believe your own eyes and ears. You can see the surge in enthusiasm, you know that the number of volunteers at your grassroots organization has increased, and you have been surprised by people in your life who are planning to vote for the first time or will vote for Kamala Harris after voting for Trump in 2016 or 2020. That information is anecdotal, but it is not filtered or manipulated to mislead you.

Of course, we shouldn’t delude ourselves. We must recognize that remaining in touch with real news is important. The question is, how do we stay current without subjecting ourselves to manipulation?

I attended a Swing Left San Gabriel Valley meeting over the weekend where Jessica Craven and I spoke to the grassroots volunteers. One audience member asked which news sources we trust. Our combined answers included the following:

Heather Cox Richardson | Substack

Jessica Craven | Substack

Simon Rosenberg | Substack

Jay Kuo | Substack

Lucian K. Truscott IV | Substack

Joyce Vance | Substack

Judd Legum | Substack

Lawrence O’Donnell | MSNBC

Josh Marshall | Talking Points Memo

The Guardian (for general news but especially commentary by Rebecca Solnit)

Of course, I read dozens of other sources to prepare this newsletter, but the above are my “go to” sources for fair reporting on the news. On legal matters, I rely on Laurence Tribe, Mark Joseph Stern, Ian Millhiser, and Dahlia Lithwick. I also rely on Aaron Rupar on Twitter (@atrupar) and his Substack, Public Notice, to provide real-time, unvarnished tracking of statements by Trump, which are often sane-washed by major media.

I use the above sources to give me an objective view of the news—which I then employ as a lens when I read other sources. If your favorite source is not listed above, please do not take offense! If you have identified a source you trust, reward them with your support.

It is going to be seven long weeks until Election Day. Don’t allow yourself to be manipulated by the news. Instead, make the news by motivating new and existing voters to show up on Election Day. The antidote to anxiety is action. And there is plenty to do!

Kamala Harris’s measured interview with National Association of Black Journalists

Both Kamala Harris and Donald Trump sat for interviews on Tuesday. The interviews were, as expected, windows into competing versions of America under the respective candidates. Kamala Harris’s responses were measured, thoughtful, and linear. The media is still trying to decipher what Trump said or meant on several topics.

But . . . Kamala Harris received relatively little notice in the media for her interview, despite the drumbeat of demands that she sit for more interviews. The New York Times complained that her answers “often echoed her stump speech”—as if consistency and discipline in messaging is a bad thing. The Times instead gave top billing (in two articles) to Trump’s unpredictable and baseless promises in his appearance in Flint Michigan. Michael Gold of the NYTimes wrote,

[Trump] made grand promises to restore auto-making jobs to the state, the heart of the American auto industry, as he gave long-winded, often meandering responses to only a few questions.

“Meandering” is an understatement. “Incomprehensible” and “bonkers” are more descriptive.

The complete video of Kamala Harris’s interview is here: PBS Newshour, Harris participates in National Association of Black Journalists event in Philadelphia. If you don’t have time to watch the entire 45-minute interview, I recommend watching two answers to get a flavor of how well the VP conducted hereself.

In this segment, she responds to the efforts to incite racial hatred toward Haitian immigrants in Springfield, Ohio. See Springfield: It's a crying shame . . . This answer is notable for many reasons, including the fact that Kamala Harris interrupted the interviewer, stopped herself, apologized, and invited the interviewer to finish her question.

In a second segment worth watching, she answers a more challenging question (in tone and substance) about the war in Gaza and the path to peace: Question on Gaza War.

Trump, on the other hand, gave a series of non-sensical answers in his town hall in Flint, Michigan, any one of which would have resulted in howls from the major media if delivered by Kamala Harris. For example,

When asked about the biggest threat to auto manufacturing jobs in Michigan, Trump responded that the biggest threat to auto jobs was “nuclear weapons.” On the one hand, Trump isn’t wrong; on the other hand, “nuclear weapons” are the biggest threat to everything on earth, so the answer was not specific to the question about auto manufacturing jobs.

When asked how he would decrease the cost of groceries, Trump descended into a rant about windmills. He got there by promising that he would reduce the price of groceries by cutting energy costs by 50% in the first year of his term as president. Of course, presidents have virtually no power to regulate energy prices, which are set by global market conditions. That is the type of answer that the NYTimes described as “meandering” when the correct description was “bonkers.”

Trump said that global warming would be good for Michigan because people in that state would have “more beachfront property.” Trump meant his comment to be a joke, showing that he has no conception of how global warming threatens the United States.

Trump said that the US could become energy self-sufficient because the US has “Bagram” in Alaska, which he claimed “is bigger than Saudi Arabia.” Bagram was a US military airbase in Afghanistan and has no connection to Alaska or oil production.

Most of Trump's other remarks were impossible to follow and often ended by discussing a subject far afield from the question. It was a performance indicative ongoing mental decline. No wonder he is afraid to debate Kamala Harris a second time!

[Robert B. Hubbell Newsletter]

[mariacallous]

An election denial group is planning to create what one of its founders calls “a dropbox surveillance reality show” by donating “AI-driven” cameras to sheriffs in Wisconsin and other states to livestream drop boxes and remotely monitor people voting.

While WIRED found no evidence that the group has been able to recruit sheriffs or others to implement their scheme, local officials in charge of running elections in Wisconsin are concerned that round-the-clock surveillance could spur potential voter intimidation.

The “dropbox surveillance reality show” initiative is being led by Catherine Engelbrecht, who heads up the Texas-based True the Vote group, which has pushed election conspiracies for over a decade. This year, the group rolled out technology to allow anyone to file mass voter roll challenges. And last week, it launched a new app that will allow election deniers to post photos and videos from polling locations on November 5 suggesting evidence of election fraud.

But drop boxes, where voters can return their ballots, are a particular point of concern for Engelbrecht and her cofounder Gregg Phillips. The pair were behind the data provided to the debunked conspiracy film 2000 Mules, which alleged—without evidence—that so-called “mules” were used to stuff ballots into drop boxes ahead of the 2020 election, swinging the vote in favor of Joe Biden.

The distribution company behind the film earlier this year issued an apology and withdrew the film from circulation, after Engelbrecht and Phillips admitted to a judge in Georgia that they had no evidence to back up their claims.

Now, True the Vote is again boosting claims that drop boxes will be used to conduct widespread voter fraud ahead of the 2024 election, and their solution is to put cameras on those locations and let anyone watch 24/7 online. Wisconsin is a key swing state in the upcoming election: Biden won the state by 1 percent in 2020, after Trump had taken the state in 2016. In 2020, more than 500 drop boxes were set up in 430 communities across the state, but a 2022 ruling said unsupervised drop boxes outside of clerks offices were not legal. That ruling was overturned last July, and within days, Engelbrecht began speaking about monitoring drop boxes in Wisconsin.

“In 2020 and 2022, we learned more than we could have imagined about ballot drop box monitoring,” Engelbrecht said in a newsletter to supporters that WIRED reviewed. “Our plan involves AI-driven cameras and real-time livestreaming. We have tested the tech for over a year. We have our own data center, so the livestream cannot be ‘disappeared.’”

It’s unclear what exactly Engelbrecht means when she says “AI-driven,” and True the Vote did not respond to repeated requests for comment about this aspect of their project.

Phillips, in a post on Truth Social that has since been deleted, wrote that they were implementing a “a dropbox surveillance reality show.”

Engelbrecht first hinted at her plans in July, telling Christian nationalist prophet Lance Wallnau on his podcast that “there will be cheating” and that True the Vote would be “working with sheriffs to identify areas that sheriffs would be willing to allow us to grant them camera equipment that they can monitor and we can livestream.”

Engelbrecht has also said the group is looking to roll out drop box monitoring in multiple states, and mentioned Michigan as a possible location, though most of her focus appears to be on Wisconsin.

In her interview with Wallnau, Engelbrecht added that she was working with “three influential sheriffs” in Wisconsin, though she didn’t name them.

WIRED contacted two dozen sheriffs from Wisconsin’s largest counties, but did not find a single one who was going to be part of the monitoring effort. Engelbrecht and Truth the Vote did not respond to multiple requests for comment from WIRED to name the sheriffs who have agreed to be part of the program.

“True the Vote has reached out to the Sheriff's Office regarding ideas as they relate to election integrity and possible law violations,” deputy inspector Patrick R. Esser, from the Waukesha County Sheriff's Department, tells WIRED. “True the Vote proposed the idea of donating cameras to the sheriff's office to monitor election sites, however, the obstacles associated with that idea made it impractical.”

While most sheriff offices WIRED contacted did not respond to requests for comment, a number, including offices in Buffalo County and Polk County, said they had not even heard about the drop box initiative. “I was unaware of the plan and will not be participating,” Sheriff Mike Osmond from Buffalo County tells WIRED. “I am not sure if they are legal or not but do not have interest in implementing such a program.”

In her newsletter this week, Engelbrecht signaled that the group may have been unsuccessful in recruiting enough sheriffs, writing that they would provide cameras to “sheriffs where possible, other individuals where necessary.”

It’s also not clear that sheriffs would even have jurisdiction over the drop boxes because they are county officials and elections are not run by county officials in Wisconsin.

"We're a little different than some states,” says Ann Jacobs, chair of the Wisconsin Elections Commission, which is responsible for administering elections in the state. “In Wisconsin our elections are actually run at the municipal level. So we have 1,850, approximately, municipal clerks who run municipal elections.”

In the wake of the Supreme Court decision in July, the Wisconsin Electoral Commission put in place guidance for clerks on how to implement drop boxes. “The guidance does not prohibit livestreaming of ballot drop boxes, and there is no such prohibition in Wisconsin law,” Riley Vetterkind, the public information officer for the Wisconsin Electoral Commission tells WIRED.

However, if such monitoring interferes with voting, then that could result in criminal charges that carry penalties of up to six months in prison.

“It really depends on what they do with the information that they glean, and my hope is that they're not going to go out and attack voters, although I suspect that's exactly what's going to happen,” says Jacobs.

The claims made in the 2000 Mules conspiracy film centered on voters who placed more than one ballot in drop boxes. However, Jacobs points out that voters in Wisconsin are permitted to place more than one ballot in a drop box if they are doing so for a disabled or infirm family member, which could lead to tensions with drop box monitors should confusion about that allowance occur.

It is also unclear where these cameras would be located, given that they would need to be in situ permanently to provide 24-hour coverage. “What they can't do is go and just attach a camera to, you know, a city of Milwaukee library and focus it on a drop box,” says Jacobs. “I suppose in some places, maybe they could figure it out, but I don't think there's many places that I can think of where that would actually work.”

[spiderlegsmusic]

Future generations will look back on this time period like we do the dark ages. Religion, in its death throes, is fighting to make a comeback in relevance by banning women’s healthcare because they want more babies born whose health and well being they won’t contribute to.

And fuck you if you were raped and molested by a stranger or family member resulting in pregnancy. Even if you’re 12. You have to carry your rape baby, especially in Texas where we lead the nation in rape babies doubling the next highest state.

Like we view the dark ages

We have a depraved degenerate piece of shit subhuman claiming to be ordained by god, confirming that yes, religion is bullshit and just a way to control the superstitious masses. If god existed, it would in no way want to be associated with trump and would actively distance itself.

The fact that that traitor insurrectionist piece of shit is allowed to run for president after trying to overthrow the govt by force (jan6), bureaucratically(fake electors scam), and by extortion (the Georgia find me more votes scam), is beyond me.

The whole country saw what he did. It’s just that republicans have gotten sick of losing elections so now they embrace fascism. They will support trumps authoritarian autocratic dictatorship because it means they won’t lose anymore elections.

And we will just let him.

See, this election isn’t Trump vs Biden. The democratic challenger could be a flaming bag of shit, it wouldn’t change the stakes. Every year, people say this election is so important and they’ve been wrong. But this year they are correct. This isn’t Trump vs Biden. It’s dictatorship vs democracy. Trump wins and he’ll crown himself king for life. Anyone who opposes him will be thrown in prison. Listen to his speeches, he says the quiet part out loud. Everyone in his campaign is saying trump’s next term will be all about retribution. RETRIBUTION against those who wouldn’t allow him to steal the last election.

There is no love, no goodness in Trump. He’s an asshole to everyone. He quotes Hitler and counts Putin, Kim, and the Hungarian dictator Orbàn as friends. He’s a scumbag using religion to solidify his cult status over the simpleminded racists who support him. He’s not a christian, he’s not friendly and he thinks Hitler did good things

Even if you hate Biden, it’s not him you are voting for by voting for him. You’re voting for a continuation of democracy, which may be battered by things like horrible Supreme Court rulings (citizens united, repealing Roe v Wade, corporate personhood) but it’s better than a Trump led dictatorship. Once democracy is gone, it’s never coming back without war and death. Is this what you want? Do you think you will survive bombs hitting your neighborhood, your apartment building? Ask people in Ukraine what that’s like.

It’s not Biden vs Trump. It’s dictatorship vs democracy. It’s black and white, no shades of gray. If trump wins, you will never vote in a meaningful election again. And if you or anyone you know complains, they will disappear. Those who don’t remember history are doomed to repeat it. And history is repeating itself. Hitler won by one vote. Trump won in 2016 despite getting fewer votes because of the electoral college. And if he loses again, he’ll pull the same shit as in 2020, but more forceful.

Keep trump out of the White House.

For fucks sake!

[centrally-unplanned]

Something I do think is important to note is that 2016 shredded the influence of those party insiders around primaries. Not fully, like people still respected the 'no running against incumbent presidents' norm this year for example. But the combo of Bernie's strong campaign against 'the insiders' and Hilary's defeat at the hands of a cartoon villian convinced the party to give up the ghost and stop trying to anoint a successor, and potential candidates that they dont need to listen if they try.

Which i think might be the right call, *given* how primaries work now. The entire edifice is not a great idea, and will deliver subpar candidates and dilute party agendas. But if you arent gonna ditch it then yeah letting it run its course is probably for the best.

And I think it does show the limitations of elite party nom systems. Amoung the reasons why the party coalesced around Hilary in 2016 was essentially "honouring the deal" of 2008 she made with Obama, but voters don't care about such deals. Allowing such deals to happen at all is in fact a risk of central systems like that, because they *can* make them they *will*. And the other, more awkward factor is that the dems really wanted a female president, they thought it was 'due', and so tried to force it. Voters again dont care about that. And in 2020 the dem party repeated that same mistake *again* in the VP nom, which is a centralized choice, saddling the current admin with the unpopular Kamala Harris in a time when VP really matters (which was predictable, since time tends to pass quite reliably).

So while I definitely can envision a better system, I tend to be in that, surprise suprise, Shor/Yglesias camp that an open convention today would quite likely produce a worse candidate than Biden. The party isn't built for this kind of choice right now.

[urapocolypticcrush]

hii rose 👋

thank you for the answers to the last questions!! they were so fun and interesting! (your eyes are such a beautiful colour by the way, like the sea on a clear day🌊)

you have a cat?? OMG I WISH I HAD A CAT but im not allowed one 😭 what is your cat's name?? how long have u had him?

i realized i hadnt asked u about taylor swift yet!!! (i cant believe that wasnt the first question i asked haha)

how long have you been a swiftie and when did you become a swiftie? any fun facts u wanna share about being a swiftie? (kinda random but hey still relevant)

what song/album made you a fan? what are your top 3 albums? what are your favourite songs of hers?

have u been to any of her concerts before the eras tour?did u go or are you going to the eras tour? (i didnt get to go, taylor isnt coming to my country 😭)

from anon 💌

hi anon !!! 💌

thank you omg youre so sweet!!

my cat is three years old and i’ve had him since he was around 6 months old!! his name is tiger!! (i really hope you can get a cat one day they’re such lil cuties)

omg taylor!!!! my beloved aaaah!!!!

i’ve been a swiftie since 2020!! (don’t laugh but i liked her since 2016 but i wasn’t actually sure who she was lmaoooo) i became a proper swiftie because of folklore, but before that i had reputation and 1989 on REPEAT. umm let me think about fun facts!! aah i really dont know what counts but ive stayed up for nearly every album release ive been a fan for! and i constantly have the eras tour on repeat so i can literally act out every song on the tour and whenever one of the songs plays i do all the dances and moves lmaooo

i always say folklore made me a fan!!! (specifically cardigan!) DONT DO THIS TO ME ANON TOP THREE ALBUMS IS SOOO HARD AAAH

ok im gonna do it for you but this causes me physical pain. (these are NOT ranked) ok so top 3: folklore, the tortured poets department and midnights (but evermore and lover and rep are SOSO close to being here)

again favourite songs are IMPOSSIBLE. but some of my die hard loves are: getaway car, tis the damn season, the last great american dynasty, the archer, its nice to have a friend, ivy, white horse, we were happy, mastermind, sweet nothing, invisible string and basically all the tortured poets songs!!!

ive not been to any of her concerts before sadly (i wouldve loved to go to rep!!) but im very lucky and im going to the eras tour in august!!! i cant wait omg!! (im SO sorry shes not coming to your country im praying one day youll get to see her live!!!!)

anyway im sorry this ones so long anon but thanks so much for the asks ily lots you’re such a lil sweetheart!!!!!

thanks anon <33

[legion1227]

Doom Eternal: A review.

A challenging shooter, but one that is incredibly technically sound.

Released on March 20th, 2020, Doom Eternal is the sequel to the Doom reboot from 2016. Developed by id Software and published by Bethesda Softworks, this game takes everything that worked for its predecessor great and improves upon it by delivering an adrenaline-fueled, action-packed experience to satisfy newcomers, like myself, and long-time fans of the franchise. As someone who played Doom 2016 a few years ago and enjoyed it immensely, I was looking forward to trying this game for quite some time. It took quite a while for me to come around and try the game finally, but I can finally see firsthand why this was a worthwhile experience.

Doom Eternal picks up where Doom 2016 leaves off. In Doom 2016, you play as Doomguy and are tasked with slaughtering the vast amounts of demons let out of hell and running amok on Mars. The forces of Hell make their way to Earth and bring forth an apocalypse. In Doom Eternal, you're back on Earth to once again rip and tear your way through waves of demonic entities. You're thrown into the thick of the action, and the game rarely leaves you time to breathe. The game's level design is a testament to the developers' commitment to delivering relentless, intense combat. Every level is meticulous, filled with intricate details, secrets to discover, easter eggs from previous games, and hordes of demons waiting to be obliterated. The sense of verticality and movement in these environments allows for more dynamic and acrobatic combat encounters. Traversing around each area while expertly trying to navigate and switch through weapons to carve out these annoying little fuckbags is extravagant.

The combat mechanics in Doom Eternal are overwhelmingly layered. Eternal adds the "Flame Belch" and "Ice Bomb" as secondary abilities to contribute depth to the combat, forcing players to think strategically about which tools to use in different situations alongside weapons galore. Between the wheel of eight rotating weapons, each with two different firing modes and attachments, glory kills, a chainsaw, and a sword, there are tons of ways to dismantle the demons that it feels almost overwhelming. It felt hard to keep track of it all, but I appreciate the numerous options for how I can slaughter enemies. It's incredibly satisfying to be zooming around a small enclosure while tactically ripping apart monsters while a heavy metal soundtrack plays. Its intense guitar riffs pair finely with the mayhem seen on screen, contributing more to an adrenaline boost. Props to Mick Gordon for composing a soundtrack befitting of a game such as this.

As for the story of Doom Eternal, it dives deeper into the lore and world of the Doom Slayer. There is an attempt, and I don't mind attempting to exposition dump bits of lore about Doomguy or the demons or anything else, but it didn't do much for me. I didn't find the story to be particularly engaging, but I didn't need it to be necessarily. It wasn't bad, but it did nothing for me. I spent more time watching other shows or enjoying the soundtrack while I played the game.

In terms of graphics and performance, Doom Eternal is a stellar piece of work. From the gruesome, highly detailed demon designs to the intricacies of the game world, the game was incredibly polished on release, it still is three years later, and it most likely still will be more years down the road.

This game is also hard as hell. I died multiple times over playing this, but if it weren't for the multitude of extra lives I picked up along every level, I would've had to repeat the game many times over. In conclusion, there's a lot that works about this game, and it's mostly just a solid improvement over 2016. For personal preferences, I'm gonna say that this is not my favorite game or the best game I played this year, as I prefer other genres of games over this specific shooter, but it's still incredibly sound. It's a great game that has immense replay value and is worth a play if you somehow have not played yet by this point. 4/5.

[pleasantly-painful-fiction]

I spent many years studying Hitler, the Holocaust, and the events leading up to one of the worst parts of human history, all in a desperate attempt to understand the HOW and WHY. How could a country - how could the world let something like that happen? Why was this allowed to happen? And the worst part about finally understanding was realizing how easily it could happen again, and how often it did happen again. Eventually you realize that Hitler wasn't all that special. Same with everyone else. You also realize that, had you been in the same situation as many German citizens, there's a good chance you would have done the same things. Of course, if you don't already know this, you probably won't believe it, and there's not enough time to explain it all.

But perhaps even more terrifying is how difficult it is to prevent a repeat. Unlike a frog, society doesn't jump out of the pot if you slowly heat the water. The holocaust didn't start in 1939 with WWII. It didn't start when Hitler came into power in 1933 either. The stove was turned on more than a decade earlier, and the water was slowly heating up, but most people wouldn't realize what was happening until the water was boiling.

And what's more terrifying than all of that? Watching it happen all over again. Those that were especially knowledgable about WWII/Hitler/the Holocaust, saw the signs in 2016 before Trump took office. They noticed the similarities in policy, environment, language, behavior, etc, and they tried to warn people, but the water was fine. No one wanted to believe it would ever boil. Those that weren't as familiar with that part of history couldn't see the connection. That is until a few years ago. Finally! Some people were noticing. It was being talked about. And yet... people still weren't convinced the water would ever boil. And they still aren't today.

The most terrifying thing is knowing that we are walking down a very dangerous path. It's knowing that Trump and the republican party have already started setting up the perfect environment for a genocide in this country. It's feeling the water get warmer and warmer, begging everyone around you to get out before it's too late, and watching so many of them refuse.

The republican party is spewing hate towards American citizens. It's spewing hate towards people who aren't white, who aren't republican, who aren't male, who aren't straight, who aren't heterosexual, who aren't Christian, who aren't on their side; and they aren't even trying to hide it. The republican party has failed to condemn the Proud Boys, the KKK, the insurrectionists, and so on. The republican party is more worried about a book turning a kid gay than a person with a gun ending that kid's life. The republican party repeatedly refuses to work with anyone not on their side. They continue to repeat harmful lies and rumors about minority groups. They continuously blame the blacks, the immigrants, the disabled, the gay, the trans, the non-Christians, the women, the democrats, and whoever else they can come up with for every little problem in this country. They are actively supporting hate IN THIS COUNTRY.

They are doing the same thing Hitler and his party did. The. Same. Thing. They've even made attempts to register the Muslims.... you know.... like Germany registered the Jews.

So yeah, excuse me if I don't want a SECOND genocide in this decade. Excuse me if I don't want to repeat history. And excuse me if I definitely don't want to repeat history and have a second genocide in the 2020's in my own backyard.

If you don't like genocide, sit down, shut up, and open your eyes. There's no good option here, so pick. You can have one genocide or two genocides. You can protect your family, friends, neighbors, coworkers, etc, or you can doom this country, Palestine, and many other parts of the world. You can help destroy this country, or you can try to save it.

The water is starting to simmer. Are you going to continue sitting in it until you're boiled alive, or are you going to try to climb out?

“undecided voters” as a concept is so hilarious like I can’t imagine making it to this point in the election cycle and being like “I still just don’t know….”

[country-corner]

History Repeats the Same Song Just a Different Voice

1950's, 60's and 70's Communists, primarily guided by the old USSR, doing everything they can to drive division within the United States between races (and even within the races), religious groups, women vs men, young vs old, political parties (not just the main 2 parties), working class vs College/University educated, working class vs management, ect, ect, ect...All in an attempt to balkanize the US into different, smaller, less powerful regions, hopefully in constant conflict with the other regions, leaving the Communist countries stronger to take control of or more influence over the world.

1987 TV Mini-Series "Amerika" is aired on CBS. The story line is that it's 10 years after the USSR has bloodlessly taken over the US. It has been balkanized it into 5 smaller regions, not allowing information or travel between the regions without permission from a Central Command and keeping them in conflict with each other. At the end of the Mini-Series, the first region has declares themselves as a new country unto themselves called Heartland. Thus "forever" breaking up the old US.

2016 talk starts hitting the internet big of a "Big Sort" over the election of Pres. Trump (whether or not you think his election was legit or not). With talking points of "We need to get those MEGA bigots separated from sane people.", "The racist Conservatives need to be gathered and confined to camps within their own states and cut off from the real world.", "Us Liberals and Progressives, must separate from the Red States so we can join the real world and let the Red Stated die of starvation in 10 year (sometimes a longer date is give) because they wont have birth control and wont allow abortions." and on and on and on.

2020 all of a sudden the Liberal and Progressive talking heads stop talking about the "Big Sort" (BS), but Conservative and Libertarian talking head start talking about a "National Divorce" (ND) right after the election of Pres. Biden (again whether or not you think his election was legit or not) with talking points of leave your "Commie" home state and move to as Red State". "Leave the Commie State to destroy itself within 10 years (sometimes a longer date is give) by it's own rules and laws". and on, and on with much of the talking points sounding like a right leaning alteration of the left's argument just a few years ago.

I will grant that the terms "Big Sort" and "National Divorce" has been around for a long time, I can remember hearing those terms back in the 60's and 70's. But the main issue of both is to balkanize the US and diminishing any perceived power or influence in the world to next to nothing. The very thing that the Communists was wanting to do back in the mid 20th Century.

But let's take the main point of the Big Sort and National Divorce, if you are from party "X" and live in State controlled by Party "Y", leave there and move to a State controlled by your party.

Leave your 100's or 1000's of acres farm or ranch that was passed down from past generations to you and move to another State with the same political belief. Even though you will most likely will not be able to replace the land you left behind (sold) to run your own farm/ranch again and have to work for someone else.

Leave the company you started and built to move to a more politically correct State despite the fact that their rules and regulations will most likely not allow you to open the same company, that is why you opened it where you did originally.

Leave the job you have had since graduating high school or college to a State with more politically like minded people. Yes, you will most likely have to train for a new job and may not make the same money for 5 or more years, but that's ok, you will be surrounded with people who have the same political beliefs.

So yes, give up and continue to advocate and embrace the BS or ND, and finish the job of the Communists of the mid 20th Century with the balkanization the US. Or fight like your the 3rd monkey on the ramp to Noah's Ark and it's beginning to rain.

[blackswaneuroparedux]

No “wine-ing”: a season of ice and fire

A lot of you dropped very kind messages about my well being and I’m happy to say that my recovery from Covid is firmly on track and I’m close to full strength again. My exhaustion and tiredness has thankfully been ebbing away. I’m back running my daily 5 km before I start my work day and cycling to get back to full fitness.

So I managed to escape Paris before the travel lockdown and curfew was imposed before April 26. I’m  a country girl at heart and I’ve always felt a little uncomfortable in big cities. I love Paris but I also get tired of it quite easily. So I headed to the chateau vineyard where I thought I could complete my recovery from my Covid illness and work remotely (the work never stops) without too many distractions. 

Unfortunately - or fortunately as I prefer to see it - I was mud deep in trying to rescue our wine harvest for 2021 as frost struck over a few nights that left us reeling, and left much of the country’s wine growing region devastated. No region of France was spared as French wine producers fought valiantly over several nights to stop the frost from letting the buds finally come out to sprout. Wine makers fought with everything they could think of, and in the end resorted to fire to keep the temperature warm enough for the vines to survive the cold snap. It was a spectacular sight all across the horizons of many French wine growing regions including ours.

I’m just thankful to be there at the right place and the right time to help out.

I enjoy coming down to our chateau vineyard as it’s a welcome contrast to the busy city life of Paris. I just couldn’t wait to get dressed up (or dress down?) in tatty old clothing, rolling up my sleeves, and getting my hands dirty with any physical chores to do around the vineyard. I always have this urge to make myself useful instead being stuck behind a desk, bored to death in Zoom call meetings. I was looking forward to running and cycling in the open country air to bust a gut or two.

Mostly though I was looking forward to enjoying home cooked country food, be in the fun company of my two Anglo-Norwegian cousins and their French families, and together we’d be preening over the first shoots of the forthcoming wine harvest for 2021.

It is always an emotional moment at this time of year when we see in the vineyards the glistening tears of the vines (‘les pleurs’) that tell us that the new vintage is underway. As the temperatures rise so does the sap in the vines and where the pruners have trimmed the end of the branch, we see this beautiful sight that reassures us  – telling us whatever happens, nature continues. The baby buds are beginning to come out timidly but soon the stark branches of the vines will be green again as these fragile leaves unfurl in the spring sunlight.

Back in 2020 many vintners (winemakers), not just in our region but across the whole of France, were unsure what 2021 would bring. Would 2021 be a challenging vintage or an easy one full of sunshine? With the growing season starting so early, the first hurdle - and one of the most crucial -  is the fear of late frost. It seems to be more and more of a problem in recent years, this late frost burying any new growth like a fast moving avalanche. For many vintners they have 2017 written into their hearts in painful tears when frost devastated any hope for a healthy harvest and for some even brought financial ruin.

For me - at the time - it was a rude introduction to the vicissitudes of the wine making business by two wine loving cousins co-owning and co-managing an old family owned French vineyard.  Family fortunes rise and fall according to the harvest. All the blood, tears, and sweat poured into running an efficient high yielding grape vineyard comes to naught when you realise that you are not the master, nature is.

The risk of frost has increased in recent years due to global warming, which does not just warm but makes the climate more erratic and temperatures more extreme. Good news for the moderately temperate climate for our wine making region where hotter drier summers have produced a string of good recent vintages (2015, 2016, 2018, 2020). But the negative side of this is that frosts have become more common right up until the end of the usual cycle – last year it was on 6th May.

Except this year, 2021, now looked like 2017 because of the devastation of continued frost on the vines. In talking to the French family of my cousin’s French wife, who have faithfully made wine for a few generations they ruefully pointed out past bad frosts. Apparently 1956 was legendary with a very cold winter frost some minus 20 °C following a warm period when the sap rose from the roots into the vine foot and branches. It killed the vines. The last disastrous late spring frost before 2017 was 1991. It seems to be striking significantly every two years now and a every year to a degree. Who would have expected the devastation again this year, 2021 some forty years on.

This year, particularly around April 7th and 8th, brought despair to vignerons right across France from Champagne to Cognac, Burgundy to Bordeaux as thousands of vineyards’ new growth was obliterated by frost (resulting in zero yield for harvest 2021). There may be some new growth and some secondary budding but this is a repeat of 2017 (if not worse) and few were able to harvest any grapes worth speaking of.

My cousins had been in contact with friends and other peers who are wine makers in other regions (friendships are built at trade shows overseas and other association events) and in totality the picture appeared bleaker than previous years. The scourge of frost had been catastrophic. Around half of the vines in Burgundy have been damaged, according to local producers. Some vineyard owning friends in the Inter Rhône region told us that the whole of the Rhône has been hit dramatically and that some plots are affected 100%.

According to the CNIV, the official French council for wine appellation, the frost has affected 80% of French vineyards. We already know that we will have a very low harvest in 2021. Nearly all French wine growers have just suffered a dark week in April.

It’s not just wine growers but fruit farmers too. It’s been like winter coming in spring. Below-freezing temperatures in the Drome and Ardèche regions of central southern France have led to fruit farmers losing up to 90 percent of their kiwi, apricot, apple, and peach harvest. Even in Bordeaux the severity of the frost damaged the growth on fruit trees such as apricots, peaches and nectarines, and field-crops such as rapeseed and sugar beet.

Desperate times call for desperate measures. How does one protect the vines from frost?

There have been a variety of ways vineyard owners have been dealing with the problem of frost. There’s no one size fits all and the solutions are often handicapped by the size of one’s vineyards, financial resources, and manpower.

Two solutions in fighting frost have been aeolian wind turbines and air fans. It takes the warmer air from higher up, and pushes it to the ground. These machines can raise temperatures by up to 2C. The problem is that some of these wind turbines and air fans are permanently set so they can only be set in one direction whilst others one can wheel around to move the air and stop frost settling. Both are very expensive solutions and the cost may outweigh the gain.

Air heaters are another solution. No less expensive though. One of our vineyard owning neighbours wanted to use paraffin fuelled heaters. But he said he would have needed 4,500 paraffin-fuelled heaters to cover all his 15 hectares at a cost of nearly €50,000 for the two worst nights, and even then growers it would protect only the vines for his finest wines.

Some of the vineyards also launched helicopters to fly above their vineyards, a method that can help to prevent frost by encouraging warm air to circulate. In effect they push the cold air around so that it does not sink down to the ground causing its damage.  I was all for this solution as I’m an ex-army helicopter combat pilot and so I felt my old training could be put to use in civilian helicopters. But we ruled this out once we did the maths. At  about 1600€-2000€ per hour one can only fly from 6am but this is the coldest time when the sun comes up. At best the helicopter’s range of effectiveness was a mere 10 hectares. So you don’t get more bang for your buck. But that didn’t stop some vineyards that we knew doing exactly that. These were corporate owned vineyards who tend to be well heeled and can afford to spare no expense.

There are less expensive solutions but are more costly in terms of manpower.

Some vineyards used water sprinklers, allowing a fine coating hitting sub-zero temperatures as the ice acts like a mini-igloo and protect it from outside colder temperatures.

Conversely, vineyard owners hit upon another relatively low cost solution of using candles. They usually last 12 hours and so in effect can be used for the two crucial nights of severe frost. We calculated that at 10€ a candle you would need 300 for one hectare alone. Of course the chief problem is that they need to be lit by hand and hope the wind was kind.

For the biodynamic wine producers they fell back on organic solutions. They sprayed their vines with a spray composed of pectins from apples which is supposed to lower the temperature around the vines. More common and perhaps more effective was spraying vines with Valerian  to give the vines some added fortification to survive themselves.

By far the most common response by vineyard owners to combat the frost was to burn fires by burning hay bales amongst the vines. The smoke causes a blanket which heats up the atmosphere. In the old days I was told they actually burned rubber tyres! For it to have any chance of being effective you have to be aware of wine direction and make sure the bales are in the right places. It also helps if your neighbours do the same.

Speaking for our chateau vineyard, we had to make tough decisions to see how our chateau vineyard could combat the frost and minimise the damage to the future harvest. Although I own a small financial investment stake in the vineyard I have always deferred to my two cousins who actually run the vineyard with their married partners on a day to day basis. It’s their life long passion and I’m happy to play a small part in getting my hands (literally) dirty in building something from the soil up and for purely selfish reasons, just love being so close to nature itself. The fact that the French family of one my cousin’s wife - they actually owned the land and were reputable wine makers for generations  - added invaluable weight to the wisdom of any decision making we had to do.

We sat around the kitchen table and talked through our options whilst nursing a glass of wine from a past vintage.  My cousins and their kids especially thought I was a weirdo - they’re probably right! It’s not that I enjoy it (the mud, sweat and lack of sleep etc) but it was the challenge that really got me energised. If it’s a forlorn battle against the odds that’s when I really come alive. So I was quite jolly and full of vim whilst those around me were bleary eyed and groaning for bed and a hot shower as we were out in the fields in the dead of night. We ran it like a military operation - thanks to me ha! - I put everyone on detail and even the small kids saluted and got to work on their task. We made sure we had hot soup and beers constantly on tap for our staff and workers to take a food break and take a breather. Not that they needed motivating. Every one of our staff and also volunteers worked bravely to limit the damage.

So in the end we fell upon a series of actions which indeed many of our immediate wine making neighbours also followed suit. We sprayed, we watered, we burned. We tried everything to save our vines from further damage from frost.

We concocted an organic solution that had thyme, oregano, and wild sariette to which we added valerian and meadowsweet and a dash of yarrow and horsetail as well as honey; all of which help the whole organic solution to work. In effect this helps the vine to prepare for ice, by changing the composition of the sap a little, by enriching it with sugar. The infusion is then sprayed onto the vines at least 24 hours before the first freeze is forecast. The solution only works if the temperatures stay just below freezing but no lower, at around -2C or -1C maximum. With this solution on the plants, we could increase temperatures by 1-2 degrees. If it drops even lower, to around -5C, as we had in 2019, it’s not enough. It might save some plants, but not all.

We soon followed with watering the vines using our irrigation system we had on hand. It was labouriously time consuming.

When it was clear that this wasn’t going to work out because of the severe temperature drop we fell on fire as the saving solution.

It was all hands on deck as we also roped in some volunteers to help us start small controlled fires amongst our vines. We burned straw bales and piles of wood in very large jerry cans to save what we could. The aim was to create a blanket of smoke so that when the sun came up it didn't burn the vines because of the humidity. One vineyard neighbour of ours actually used a flame thrower and lit more than 700 small fires but had to start all over again because the fires didn’t last one night.

This was our experience too. We had a lot of hectares to cover and so little man power and so we just worked around the clock until we were able to light fires and keep an eye on them should they go out. We ran between the selected vines to make sure the fires remained lit throughout the night starting around 2am to 6am. I don’t think any of us had more than a few hours sleep over a crucial 48 hour window. We took turns to cook for everyone and made sure everyone was well fed on home cooking as well as hot showers and adequately winter clothed. I’m used to being sweaty and getting by on little sleep from my army days but it’s a measure of how far I’ve succumbed to civilian life that even I found it a little hard going.

I’m not very good at lighting fires as I tend to over compensate on the fuel lighter and I feared that I would burn the whole vineyard down by trying to start a small controlled fire. I got singed here and there but nothing to complain about. Others were just marvellous in their work ethic and shared bonhomie as we tried to save our vineyard. One person on our staff did get singed with flames and in his case we rushed him to hospital with minor third degree burns. We all felt like roasted chestnuts standing between the small fires. But what a spectacular sight the landscape was with all these lighted fires. This wasn’t just our vineyard but all across the landscape of neighbouring vineyards. It looked as if the whole region was on fire. It was quite hypnotising to  look at. As to its effects, it’s harder to discern. I do know that even cities of Lyon and Bordeaux had a layer of smog that was visible to others from far away.

Looking back it was both exhausting and exhilarating to experience such a time. It’s the kind of rite of passage that either breaks you or makes you. For us it certainly brought us all together more tightly than before. With our neighbours too there was a collective sense of togetherness and rather than act selfishly or just worry about our own fortunes, neighbours lent a hand towards each other in terms of equipment, expertise, or voluntary labour.

Perhaps the more wealthy chateau vineyards’ expensive techniques were able to save their best vineyards but most who could afford creating smoke blankets from burning hay bales – they were no match for the frost with temperatures down to minus 5 in some areas. Hopefully insurance had been taken out, which involves a substantial expenditure each year. We are fortunate to have insurance and the damage done to our vineyard has been mitigated to some extent. But I do know for instance that many are not insured against the effects of frost because of the cost of the coverage and many French wine producers were already struggling financially.

It was reported that many chateau vineyards in lesser known areas (Castillon, Bourg, Blaye, Côtes de Franc, Graves, Satellites of St Emilion) who could not afford these payments and who played ‘Russian roulette’, this year lost for perhaps for the last time. For them it’s personally heart breaking. For French wine making it’s a cultural tragedy. It’s hard enough for small independent vineyards (often run by families or young couples with a dream) to survive - the economies of scale as well as being aggressively overshadowed by the high volume output and superior marketing power of wealthy corporate owned vineyards - but never really expected nature, or vicissitudes of global warming, to make it that much more harder to make wine.

Unlike Bordeaux, Burgundy, the Rhone valley, in the Champagne region, we heard that not many Champagne wine producers didn’t even bother fighting the frost because they thought it would have done little good. One of the reasons why so few people engaged in frost protection in Champagne is these wine makers have as their biggest buffer against frost is their Individual Reserve (RI). In case appellation requirements are not met in the vineyard, they can draw from it.

Indeed with sales still stagnating and small yield expectations, growers may have to dip in the RI because frost season is not over till after the Saintes Glaces, a period in the middle of May after which frost generally doesn't appear. But not every vineyard can do that.

To their credit, perhaps recognising the commercial and cultural role French wine has in daily life and international prestige, the French government had agreed to step in to help. President Emmanuel Macron tweeted a picture of a candle-lit vineyard and promised that help was on the way, “À vous, agriculteurs qui, partout en France, avez lutté sans relâche, nuit après nuit, pour protéger les fruits de votre travail, je veux vous dire notre soutien plein et entier dans ce combat. Tenez bon ! Nous sommes à vos côtés et le resterons.” (“To you, farmers who, throughout France, have fought tirelessly, night after night, to protect the fruits of your labour, I want to give you our full support in this fight. Hold on tight! We are by your side and will remain so." )

To that end President Macron has declared an "agricultural disaster" and Prime Minister Jean Castex has promised that the government will provide emergency relief to those who were affected. He has also removed the limit on the amount of financial compensation that can be provided. It said it would help the smaller independent vineyards and co-operatives  with tax breaks as well as pushing banks and insurance companies to help out. It’s unclear if any of this will come to pass or indeed what effect it might have in the short and long term. We shall see.

It’s been estimated that at least a third of French wine production worth nearly € 2 billion (£ 1.7 billion) in sales will be lost this year. It's another blow for France's wine industry whatever assistance is given. The French wine industry has already been dealing with the knock-on effects of the Covid pandemic, with decreases in restaurant orders due to the country's series of lockdowns. Independent producers have been hit hard by the cancellation of wine fairs due to Covid. Then there have been the effects of the tariffs that former President Donald Trump imposed as a result of assorted disputes between the administration and the European Union. In late 2019, Trump hit French wine with a retaliatory 25% import duty, a cost increase that the Economist says contributed to a 14% drop in French wine exports in 2020. Last month in March, the United States and the EU announced a four-month suspension of the tariffs.

But that doesn't necessarily help winegrowers right now - especially since a significant percentage of this year's crop may already be lost. Tradition has it that it is well into May before vine growers can sleep easy without worrying about the risk of further frost damage.

Even though we did our best to save our vines we couldn’t save all of them and even had decide which ones to forgo even trying because we lacked manpower and resources at such short notice. I heard someone amongst ourselves say losing the vines that one has cultivated so lovingly was like the loss of a family member. It may seem puerile, but that is close to what many feel. Perhaps only winegrowers can understand this sentiment, but they have found themselves out in the vines in the morning with tears in their eyes. I’m not one for sentiment and displays of emotion but even I was a little moved to see the heart break in tear filled eyes of some of the older generation who have for decades given their sweat and tears to tilling the soil. We did our best to console one another and remarkably in that crucible we experienced together we all became closer.

What is clear is the tradition of wine - beyond national politics and international trade disputes - is under long term threat from something much more existential. There is a saying amongst the older generation of wine makers in our fertile wine making region who say, ‘wine history is climate history’. Wine making is about the vines, the ‘terroir’ (a French way of saying the earth or the soil), but also the climate. Nature is very much the master and wine makers are but humble servants of the soil. For those who don’t believe in climate change or think it’s overly dramatised by scientists or worse, a hoax, then I would say wake up and smell the coffee. Climate change is real as any wine producer or arable farmer will tell you. Wine can make you do or say many things, but it won’t ever make you tell a wilful lie.

The French wife of my cousin, whose family the vineyard had been for several generations, told us that the wine harvest time used to span her grandfather’s birthday - September 28 - but now, the bustle of harvest is over and cleaned up in time for his birthday party - that’s two to three weeks earlier than when her grandfather used to make the wine. As she memorably put it, things are  “bien cramées” (really screwed up).

All of this means that wine producers will have to change their ways as the climate changes. All the measures taken to combat frost were in reality delaying tactics to fight a losing battle with the climate. The wine industry, not just in France but around the world, needs to evolve if it is to face up to increasing climate challenges. This might include planting more weather-resistant vines that flower later, and are therefore less vulnerable to late frosts and cold snaps.

Wine, in France, is built into the fabric of the culture. The many variety of grapes across the wine growing regions indigenously grow and adapt to the precise climate conditions of the region for centuries. Winemakers know the growth stages intimately: the look of the vines before they bud; the look of the vines as they mature over long seasons; and the fat, sugary, fragrant curve of the grapes when they’re ready to be made into wine.

That harvest point is crucial. Too long on the vine and the grapes have too much sugar in them, meaning the wine will be more alcoholic—not the subtle feel most winemakers in the region care for. Too long, and the acids that give wine some of its feel in the mouth may disintegrate. Not long enough, and they might not have developed the right balance of fragrant chemicals that give the wine its characteristic flavours.

Winemakers keep careful track of harvest dates, with some regions have records stretching back to the Middle Ages. In the 1800s, scientists and historians realised that those careful records could be used to keep track of how the climate in different parts of Europe has changed over time.

Grape harvest date records are the longest records of phenology in Europe. There are hundreds of years of records of what the summer temp was like, and we can use them like a thermometer.

Grape harvest dates reflect the temperature the grapes have felt over the course of the growing season, from about April until they’re picked. If the spring and summer are hot, the grapes mature faster and need to be picked sooner. If they're cool, the opposite is true.

Climate historians started to pull together ancient information from other sources, too. They matched up the patterns in the grape harvest data with records made from tree rings and the length of glaciers in the Alps. They used records like those to figure out that much of central Europe warmed up during the Medieval Warm Period, from around 900 to 1300. It had cooled down during the Little Ice Age, from about the 15th to the 19th centuries.

The historians saw that over the past few hundred years, temperatures wobbled around, skewing warm for short stretches and cooling down in others. But overall, climate rocked up and down around a fairly consistent average value - until recently.

Wine is first and foremost an agricultural product. The grapes used to make it are grown and harvested with intent to be fermented. This means that wine production is vulnerable to the effects of climate change from the tangible health of vines to the taste and quality of the finished bottling they create. So for this reason, all winemakers see themselves as being on the front line to see what happens with the weather, with the climate. The fluctuations we have today are more significant than any time before.

If you don’t believe any of this or think wine producers are exaggerating the dangers, then taste your wine the next time you open a bottle. The chances are it has a high alcohol content. This is no accident. Because of the changes in temperature world wide, the alcohol content of wines has bumped up from about 12% in the 1970s to about 14% today. Of course that number varies from region to region and is also due to the wine maker’s preference. But a large part of it is because grapes are maturing faster in the heat. The more sugar they accumulate, the more of it is converted to alcohol during the winemaking process.

Warming has also caused the boundaries of viable growing area to swell. Typically, successful vineyards have been found between 30 and 50 degrees latitude. But as global average temperatures continue to climb, the most ideal areas to plant are moving farther from the equator. Now, areas as far up as the island of Föhr and Stargarder Land in Mecklenburg, at the tip-top of Germany, are legally permitted to produce table wines. Belgium, whose vinous history has been overshadowed by its beer culture, quadrupled production between 2006 and 2018; it’s forecasted to become a champion, alongside Finland, Sweden and other boreal climes. Shockingly, even England has also successfully entered the modern fine wine scene.

With better wine from regions we know and new wine from previously uncharted areas, it may appear the wine world is becoming better off. In truth, however, this is a thin silver lining to ever-worsening viticultural challenges.

If the growing season becomes too hot, fruit will push through its life cycle too quickly and characteristics like tannins and anthocyanins, the compounds responsible for giving grape skins their colour, won’t develop properly. Muted acid and increased alcohol levels are also possible and often undesirable.

Variations between daytime and nighttime temperatures are in jeopardy as well. In warmer growing regions, that difference can be crucial to achieving freshness and encouraging certain flavour and aroma development.

Intense heat or too much direct sunlight can lead to dried fruit notes or create flabby and dull wines. Fruit that’s left too long on the vine can be damaged from sunburn or may simply shrivel. Vines may just shut down to protect themselves.

This is already happening in some places. Wine growers in northern Italy have already seen sunburnt crops with increasing frequency. The summer of 2019 in Southern Australia was the hottest since national records began in 1910, and it ushered in an 8% loss of white wine varieties, with Chardonnay dropping 12% to its lowest yield in the past five years. Growers in Priorat, Spain, reported devastating vine damage, scorched leaves and desiccated grapes when temperatures shot up to a record 107.6˚F.

Climate change is complicated, however, and, even though temperature is the most influential factor in overall growth and productivity of wine grapes, there’s more than rising mercury to think about.

Winter, and all of its prescriptions, is one of those other things. We typically talk about warming, yet, freezes during the winter or extreme frost in the spring don’t go away. They may become less frequent, but potentially more severe. A decrease in regular winter frosts may also encourage the spread of pests and insect-borne diseases that would normally die off during cold seasons.

Moisture is pivotal. Too much rain approaching or during harvest can lead to watery grapes and a weak vintage. Similar to mild winters, damp, soggy and humid conditions open the door to a variety of pests, fungi, mildew and disease pressures.

All of these intricacies and others work in conjunction with temperature to dictate what vines can successfully grow where and for how long—and all are increasingly unpredictable or totally upended in the face of climate change.

The people who grow, make and sell wine are tuned in to these nuances.

A greater number of producers are rethinking canopy management, vine trellising or pruning techniques, developing cover crops and extensive shading methods, increasing vineyard biodiversity and finding ways to reuse water.

Still, there are some challenges that cannot be overcome.

In the future, I expect growers to struggle with maintaining varieties in certain regions without major interventions. If they don’t make major changes, wine producers will see declining yields - already seen in Europe - and declining quality as the varieties become increasingly mismatched to the climate.

Producers have begun grafting new rootstocks and experimenting with different grapes. In South Africa, Vinpro, aided tests of drought-resistant varieties including Assyrtico and Marselan, for example. Australian producers have tried Italian grapes like Fiano, Vermentino and Nero d’Avola that thrive in warmer settings.

In Old World regions, where grapes and blends may be prescribed by law, the idea of swapping plantings is monumental.

Bordeaux is one such place, and, at a 2019 General Assembly meeting, it finally relented. The Union of Bordeaux AOC and Bordeaux Supérieur winemakers unanimously approved a list of seven “varieties of interest for adapting to climate change”: Arinarnoa, Castets, Marselan, Touriga Nacional, Alvarinho, Liliorila and Petit Manseng.

The approval of these new plantings signals just how committed the region is to preserving the future of fine wine.

Each of the various tactics being implemented worldwide take lots of time, tests and research. Some experienced wine producers think it would take about 21 years to change course because of how long it takes to plant vines, grow grapes, and then create and age a wine; finding sustainable farming practices for a plot takes trial and error.

Further, the methods being devised now may not be applicable down the road. Though there are several models in use to try and predict changes, they are attempting to track a nonlinear problem that’s dependent on a range of forthcoming scenarios.

Basically, the only thing we do know for certain is that it will get warmer, and that we may be able to anticipate that heat before it hits us.We have to be asking what we can do now to preserve the integrity of the grapes and vineyards we work with and look for where our opportunities are to continue making wine. The one line that works for everyone is to cut carbon emissions, that is the emergency action that needs to be taken. 

We’re all starting to see this and we’re all affected. We know we can’t turn it backwards, and we’re not even sure we can slow it down. But we have to try.

Think on all this the next time you take a sip of wine.

[sinceileftyoublog]

30 (Technically 34) Albums We Loved That Happened To Come Out in 2020

So much has already been said and written about this cursed past year, but a few good things came out of it, including the music. Album-wise, like many before it and many to come, it was an embarrassment of riches. But even with so much time on our hands to devour new tunes, it was often old favorites, songs of comfort or familiarity that garnered the heaviest rotation. For many artists, too, it was a year ripe for revisiting or reissues of old material, looking at existing songs with fresh and new perspectives. Simply put, with so much to listen to, new and old, the prospect of ranking a finite number of albums felt not only daunting, but frankly a bit stupid. Maybe we were late to the game, but 2020 taught us that music should and can be appreciated in multiple contexts, not limited to but including when it first came out and when it was heard again and again, even if years later. The records below--listed in alphabetical order--happened to be released in some form in 2020, whether never-before-heard or heard before but in a different format. And the only thing I know is that we’ll be listening to them in 2021 and beyond.

Autechre - SIGN & PLUS (Warp)

The legendary British electronic music duo surprise released SIGN a mere month and a half after its announcement and then PLUS 12 days later. The former was a beatific collection of soundscapes that belied the band’s usual harsh noise, while PLUS embraced that noise right back, drawing you in with the clattering chaotic burbles of opener “DekDre Scap B” and lurching forward. -Jordan Mainzer

Against All Logic - 2017-2019 (Other People)

The perennially chill ambient house artist Nicolas Jaar had a busy 2020, as usual, releasing two albums under his name, Cenizas and Telas. But it was 2017-2019, the follow-up to the debut album from his Against All Logic moniker, that came first and throughout the year helped to illustrate Jaar’s penchant for combining inspired samples with club beats and tape hiss. Take the way the lovelorn vocals of “Fantasy” or soulful coos of “If Loving You Is Wrong” war skittering, scratchy percussion and cool arpeggios, respectively: Jaar is coming into his own as a masterful producer almost a decade after he released his first full-length. Oh, and bonus points for including none other than Lydia Lunch on a banger so blunt it would make Death Grips blush. - JM

Bartees Strange - Live Forever (Memory Music)

Like many, my introduction to Bartees Strange was through Say Goodbye to Pretty Boy, his EP of The National covers. Creativity and shifting perspectives shine through each song’s reimaging, like flipping the coarse, almost manic “Mr. November” into something softer, more meditative. It felt like a mere peek into what was to come on Live Forever. Bartees Strange is a world-builder. Each track on his debut unfolds and welcomes you to a wildly engaging tableau, a fully constructed vision. “Jealousy” opens with soft vocals and birdsong. “In a Cab” is the slick soundtrack to racing through a cityscape in the rain, seeing the blurred lights of the high-rises above as you pass by. “Kelly Rowland” warps wistful pop song feelings. “Flagey God” takes you into a dark, pulsing club while only a few songs later, “Fallen For You” wraps you in echoed vocals and romantic, raw acoustic guitar.

It’s an accomplishment to craft an album of individual songs that stand strongly on their own but still feel cohesive. 2020 wasn’t all bad. It gave us Live Forever, a declaration of an artist’s arrival. - Lauren Lederman

Charli XCX - how i’m feeling now (Atlantic)

Back in the spring, many of us wondered who would put out something great in 2020’s quarantine. It was hard to imagine that the intensity of a global pandemic would really allow for artists to embrace creativity. That thought carries the same eye-roll inducing feeling of “We’ll get some great punk music out of a Trump presidency,” but of course, Charli XCX delivered. Through live workshops with fans and longstanding collaborators, she delivered songs to dance alone to in your bubble. Charli embraces the unknown of the moment but clutches onto what’s familiar. Under the glitch-pop veneer of the album, she digs into the anxieties of not just this moment of time but of the bigger questions we all confront: trajectories of relationships with friends, romantic partners, ourselves. Album standouts “forever” and “i finally understand” embrace that feeling of both looking for control and accepting the lack of it. Charli is a master at balancing this. - LL

Christine and the Queens - La Vita Nuova (Because Music)

Named after a Latin text by Dante Alighieri about missing a woman who has died, Chris’ La Vita Nuova is not about mourning a death but instead about loneliness and isolation, post-relationship or otherwise. It doesn’t bang quite like her previous two albums, but it hits harder than ever.

Read our full review here.

Dogleg - Melee (Triple Crown)

Released on March 13th, right as the COVID-19 pandemic hit, Melee was supposed to be supported by three cancelled tours–SXSW, an opening slot for Microwave, and an opening slot for Joyce Manor–and an appearance at this year’s cancelled Pitchfork Music Festival. Listening to the songs on the record, you can only imagine how they translate: the jerky momentum of “Bueno”, build-up of “Prom Hell”, gang vocals of “Fox”, clear-vocal anthem of “Wrist”, and odd groove of “Ender”.

Read “Buckle Up, Motherfucker”, our interview with Dogleg.

Dua Lipa - Future Nostalgia & Dua Lipa/The Blessed Madonna: Club Future Nostalgia (Warner)

Where Dua Lipa’s much-anticipated second album Future Nostalgia succeeded was in its disco anthems and retro, club-ready beats, so who better to bring out the best of the record than The Blessed Madonna? The turntablist masterfully curates a mix of heavy hitters of the charts and the underground that not only offers an essential complement to Future Nostalgia but transcends it. Sending the tracks out to various producers and singers for features and then adding her own samples on top, she invites you to peel back the layers, enter a YouTube rabbit hole of sample searching as much as bopping along.

Read our full review here.

Emma Ruth Rundle & Thou - May Our Chambers Be Full (Sacred Bones)

Roadburn Festival has long been on my bucket list, and since the pandemic showed me how much live music can be taken away in a flash, when it’s safe again to travel and go to a festival, I may just pull the trigger and go--especially considering it’s the springboard for such fruitful and inspired collaborations as the one between Louisville singer-songwriter Emma Ruth Rundle and Baton Rouge sludge dwellers Thou. Rundle embraces the heavier opportunities on the follow-up to her incredible 2018 record On Dark Horses with the ever-flexible Thou backing her up vocally and instrumentally. Slow-burning opener “Killing Floor” offers a familiar introduction to fans of both--sort of what a Rundle/Thou song would sound like--before grunge chugger “Monolith” introduces huge, catchy riffs and “Out of Existence” a True Widow-esque dirge, newfound inspirations for both artists bringing the best out of each other. - JM

Fiona Apple - Fetch the Bolt Cutters (Epic)

What makes Fetch the Bolt Cutters stand out among Apple’s catalog and music in general is the clarity with which Apple seethes at those who have wronged her, whether ex-boyfriends or patriarchal oppressors, and looks to her relationships with other women for peace of mind.

Read our full review here.

HAIM - Women in Music Pt. III (Columbia)

For HAIM, the title Women in Music Pt. III is suggestive that, more than their previous two records, their third centers around the experiences of being an all-female band in a historically white cis male-dominated scene, at least one that wouldn’t call catchy riffs written by a man “simple” or call attention to the faces a man makes while playing. What it doesn’t let on to is how deeply personal the record is, how, by unabashedly embracing genres and styles of music that they love, HAIM have made far and away their best album. Co-produced by the usual suspects, Danielle Haim, Ariel Rechtshaid, and ex-Vampire Weekender Rostam Batmanglij, it’s instrumentally and aesthetically dynamic and diverse, consistently earnest without devolving into cheese.

Read our full review here.

Irreversible Entanglements - Who Sent You? (International Anthem)

I’ve been captivated by Irreversible Entanglements ever since I first saw them at Pitchfork Music Festival 2018. The radical poetry of Camae Ayewa (aka Moor Mother) is the perfect front for a ramshackle mix of Luke Stewart’s spidery bass, Tcheser Holmes’ weighty drums, and a horn section that concocts tones that range from hopeful to desperate. At their best, Who Sent You? is a shining example of celebratory Afrofuturism and metaphysics that makes the urgency of Ayewa’s more concrete and political words all the more necessary. “No Más”, composed by Panamanian-born trumpeter Aquiles Navarro, is a declaration against imperialist oppression, while the stunning title track flips the switch like a Kara Walker painting, as Ayewa’s the one interrogating the police officer terrorizing her community. “Who sent you?” she repeats, never spiraling, grabbing a hold of the power and never letting go. - JM

Jeff Parker - Suite for Max Brown (International Anthem/Nonesuch)

It’s Jeff Parker’s mom’s turn. After 2016′s The New Breed ended up being a tribute to the guitarist’s father, who passed away during the making of it, Parker decided to pay tribute to Maxine while she was still alive. Suite for Max Brown (Brown is his mother’s maiden name; Max is what people call her) is a genre-bending collection of tracks inspired by Parker’s DJing, juxtapositions of sequenced beats with improvisation that certainly sound like the brainchild of one individual. Indeed, Parker plays the majority of the instruments on it and engineered most of it at home or during his 2018 Headlands Center residency in Sausalito, CA; though all of the players and the vocalist (Jeff’s daughter Ruby Parker) on The New Breed show up, plus a couple trumpeters (piccolo player Rob Mazurek and Nate Walcott of Bright Eyes) and cellist Katinka Kleijn, Suite for Max Brown is a distinctly Jeff Parker record.

Read our preview of Jeff Parker & The New Breed’s set at Dorian’s last year.

Jeff Rosenstock - NO DREAM (Polyvinyl)

Jeff Rosenstock throws us right into the spinning, manic energy of NO DREAM, his latest release from a seemingly endless well of music that never lacks urgency. It’s a reminder that though it’s been a strange year, the issues Rosenstock tackles here aren’t new. There’s no interest in making you feel comfortable here. On the album’s title track, Rosenstock sings, lulling you into a false sense of security, “They were separating families carelessly / Under the guise of protecting you and me.” But reality sets in, and the hazy guitars spin out as he spits, “It’s not a dream!” and, “Fuck violence!”

My image of Jeff Rosenstock in the year 2020 is masked up with “Black Lives Matter” scrawled across the fabric of his mask in Sharpie, performing album highlight “Scram!” on Late Night with Seth Meyers as high energy as ever. It felt like watching someone send out a beacon, both a distress signal and a call to arms. - LL

Jessie Ware - What’s Your Pleasure? (PMR/Friends Keep Secrets/Interscope)

I am not someone who goes to clubs. I don’t “go out dancing,” preferring to let loose in the privacy of my own home or a trusted friend’s house party. But Jessie Ware’s What’s Your Pleasure? makes me think I could embrace a night out like that, once the world opens up again, of course. The album is filled with syncopated disco beats that feel fresh and classic all at once. The abundant horns and strings on “Step Into My Life” are decadent, like light bouncing off sequins in a dark room. Ware’s voice is slinky and velvety one moment, windswept like her album cover the next. It’s songs like “Save a Kiss” that embrace both, allowing her to show off her range. - LL

Laura Marling - Song for Our Daughter (Partisan)

With sparse production, mostly from her but with additions from Ethan Johns and Dom Monks, Marling foregoes the comparative maximalism of the Blake Mills-produced Semper Femina, her last proper full-length, and 2018′s LUMP collaboration. The songs aren’t simple, but they’re succinct, and every element, from Marling’s finger-picked guitars, the occasional slide guitar, and that unmistakably calm voice, sometimes alone and sometimes layered, fits. It’s her most universal set of songs yet, centering around the times when we’re apart from one another but reflecting on when we were together and when we might be together again, with no guarantees.

Read the rest of our review here.

Les Amazones d’Afrique - Amazones Power (Real World Records)

The groovy pan-African collective expands upon their debut Republique Amazone and then some with Amazones Power, a tour-de-force statement of female empowerment in the face of oppression against women throughout the African diaspora. Indeed, the album is more than just songs boldly decrying FGM, though those demands ring heavily. Instead, the group goes further, delving into gender power structures in marriage on “Queens” and selectively finding strength in tradition on “Dreams”. And this time, they include men to stand alongside with them. “Together we must stand / Together we must end this,” sings Guinean musician/dancer/artist Niariu on opener “Heavy” in solidarity with features Douranne (Boy) Fall and Magueye Diouk (Jon Grace) of Paris band Nyoko Bokbae. But perhaps it’s her kiss-off on “Smile” that hits hardest: “I shut up for no one.” - JM

Lianne La Havas - Lianne La Havas (Nonesuch)

The British singer-songwriter’s much anticipated follow-up to 2015′s Blood was better than I could have ever imagined. A song cycle about life cycles--of nature, of lives, of a relationship--inspired by an actual breakup, Lianne La Havas is a contemporary neo soul masterpiece. Overview opener “Bittersweet” is an instant earworm, La Havas’ coo-turned-belt filling the space between classic and increasingly emotive slabs of piano and guitar. Funky, lovestruck strut “Read My Mind” is the soundtrack for the unbridled confidence of finding new love. Yes, the doubts begin to sow on the fingerpicked melancholy of “Green Papaya” and “Can’t Fight”, and where the album goes from a simple narrative perspective may be predictable: They break up, they don’t get back together, La Havas enjoys her independence. But the depth of the arrangements and assuredness of La Havas’ singing is a product of an artist starting to really show us what she can do. And how many people can pull off a Radiohead cover like that? - JM

Lomelda - Hannah (Double Double Whammy)

What does it mean to title an album after yourself? Lomelda’s latest album is centered around discovering more about yourself while not always having the answers. Despite the lyrical content, the album is self-assured. Hannah Read’s voice feels as steady as ever as it navigates these twisting questions, like the way the world can shift after a kiss. She finds power in softness and reflection throughout the album, like when she explores the mantra-like words of “Wonder” or through a reminder to do no harm in “Hannah Sun”. In a year that allowed for perhaps more reflection than usual, Hannah makes space for the questions that arise out of figuring yourself out, of making sense of the messiness of it all, wrapped in warm guitar, balanced vocals, and steady drums. - LL

Moses Sumney - Grae (Jagjaguwar)

“Am I vital / If my heart is idle? / Am I doomed?” Moses Sumney famously sang on his stunning 2017 debut Aromanticism, an album that saw him developing his acceptance of being alone. grae, his two-part 2nd full-length, and his first since officially moving from L.A. to the Appalachian Mountains of Asheville, North Carolina, doubles down on themes of heartbreak, but instead of being sure in his seclusion, he embraces the unknown. The album teeters between interludes of platitudes about isolation and ruminations on failed human connection, and maximally arranged clutches of uncertainty. “When my mind’s clouded and filled with doubt / That’s when I feel the most alive,” Sumney coos over horns and piano on slinky soul song “Cut Me”; it’s an effective mantra for the album.

Read the rest of our review here.

Norah Jones - Pick Me Up Off The Floor (Blue Note)

At the time we previewed Norah Jones’ 7th studio album, she had only released a few tracks from it. Turns out the rest was just as powerful. From the blues stomp of “Flame Twin” to the rolling piano stylings of “Hurts to Be Alone”, Pick Me Up Off The Floor is an album full of jazzy orchestrations and soul and gospel-indebted arrangements, Jones’ silky, yearning voice tying together the simple, yet lush and deep instrumentation. And that other Tweedy feature, that closes the album? It’s a heartbreaking portrait of loneliness, one of many on a record that still manages to celebrate being alive all the while. - JM

Phoebe Bridgers - Punisher (Dead Oceans)

Phoebe Bridgers is a master of details. Her lyrics shine when they get specific. They range from the mundane to morbid: A superfan’s ghost-like wandering under a drugstore’s fluorescent lights, a skinhead likely buried under a blooming garden, reckoning with the you in “Moon Song”’s lines, “You are sick, and you’re married / And you might be dying.” Bridgers has always been able to set a scene meticulously, and Punisher arrived with 11 songs that expanded that skill, both lyrically and musically, with her dark humor intact and a fuller sound that includes her boygenuis collaborators’ harmonies. - LL

PJ Harvey - To Bring You My Love: The Demos & Dry - The Demos (Island)

Yes, revisiting Dry’s demos as a separate entity is still worthwhile. Harvey’s powerhouse vocal performance carries the acoustic strummed “Oh My Lover”, while the comparatively minimal arrangement of “Victory” highlights bluesy riffing, call-and-response harmonies, and layered guitar and vocals. The singles, the slinky and sharp “Dress” and propulsive anthem “Sheela-Na-Gig”, hold up to their ultimate studio versions, too. But it’s the To Bring You My Love material that provides novelty because it’s never been released and more so because it encompasses the greatest aesthetic contrast from the album. From the warbling hues and guitar lines of the title track to the tremolo haze of “Teclo” to the crisp snares of “Working With The Man”, the demos show a continuity and level of cohesiveness with the diversity of Dry and Rid of Me not shown on the studio version of Harvey’s more accessible commercial breakout. (Predictably, the album’s most well-known song, “Down by the Water”, is the closest to its eventual version.) “Long Snake Moan” is simultaneously more spacious and more noisy, its garage blues a total contrast to the lurking “I Think I’m A Mother” and swaying shanty “Send His Love To Me”. And “The Dancer” fully embraces its flamenco influences, hand claps and all.

Porridge Radio - Every Bad (Secretly Canadian)

Is there a better opening line than “I’m bored to death, let’s argue”? That kind of duality is found across all of Every Bad as it grapples with the frustrations and anxiety of trying to figure it all out, whatever that might mean for you. “Maybe I was born confused, but I’m not,” vocalist Dana Margolin repeats throughout the opening track, roping in listeners with the dizzying feeling of trying to make sense of yourself. The band’s guitar and synth sound coupled with Margolin’s howl makes for a dance party filled with dread, rendering Margolin’s already strong, repetitive lyrics even more spiraling. And yet, by the time we get to “Lilacs”, a glimmer of something else shines through as the music gets more manic and Margolin’s voice begins to soar: “I don’t want to get bitter / I want us to get better / I want us to be kinder / To ourselves and to each other.” - LL

Sault - Untitled (Rise) & Untitled (Black Is) (Forever Living Originals)

Yes, Black Is still pulls plenty of devastating punches. “Eternal Life”, a segue from the gospel boost of “US”, juxtaposes a deliberate drum beat with zooming synths, both ascending like a chorus of angels, as they sing, “I see sadness in your eye / ‘Cause I know you don’t wanna die,” presenting the oppression of Black life at the hands of white supremacy in inarguable terms. Ultimately, though, it’s the anthemic nature of the songs, resistant of platitudes, that shines through. “Nobody cared / This generation cares,” says Laurette Josiah on “This Generation”. Whether she’s talking about young people in general or the latest generation of young Black leaders, the sentiment is reflected on songs like “Black”, wherein over dynamic, sinewy instrumentation, the singers alternate between encouragement, support, and love of the self and others.

Read our full review here.

Shamir - Shamir (self-released)

Shamir’s voice is a bright beacon in a sea of conventional singers. Shamir captures the effervescence of pop music and weaves it together with elements of country, alt rock, and diary confessional lyrics all supported by the emotion and range of his vocals. There’s something for everyone across the album’s 11 shimmering tracks. Lead single and opener “On My Own” feels like a declaration of self and self-sufficiency, an anthem of a breakup song. The almost pop-punk bounce of “Pretty When I’m Sad”, paired perfectly with lines like the angst-ridden, “Let’s fuck around inside each other’s heads,” feels impossible to not bop along to. The twang of “Other Side” would put a country crooner to shame. That’s the power of Shamir. His voice has the ability to smoothly convey joy, resilience, and humor. He uses elements of several genres, not just the dance-pop of his debut, to build a unique album that gives listeners so much to sift through and, of course, dance to. - LL

Songhoy Blues - Optimisme (Fat Possum)

If Songhoy Blues’ second album Resistance lacked “the grit of its predecessor,” it’s clear from the hard rock stomp of the opening track of Malian band’s third album Optimisme that they rediscovered their mojo. More importantly, they couple this maximal brashness with tributes to those who make their world a better place: fighters for freedom, women, the young. It’s perhaps the first Songhoy Blues record to truly combine the celebratory nature of their desert blues with a balanced mixture of idealism and vigor. - JM

Spanish Love Songs - Brave Faces Everyone (Pure Noise)  

How can you find hope in hopelessness, or optimism when every news story points to cruelty? Is it naïve to keep searching for light in the dark? I don’t think so, and I don’t think Spanish Love Songs does, either. I’d like to think we both believe that’s not naivety, but power. It’s the embers you need to really ignite a flame. After all, this is the band with a song titled “Optimism (As a Radical Life Choice)”. It’s a band whose crunching guitars and earnestness insist that despite death and depression and addiction, the instinct to survive shines brightly above all. That relentless hope resurfaces across Brave Faces Everyone’s 10 tracks even as it works through the bleakness of everyday life. - LL

Tashi Dorji - Stateless (Drag City)

The magnum opus from the Asheville-based picker is a group of evocatively titled, disorderly songs about the desolate hellscape of America for outsiders and immigrants. Enigmatic in its nature, not exactly narrative, Stateless combines Dorji’s urgent strumming with moody motifs, captured beautifully in a studio setting for maximum emotional wallop. - JM

Touche Amore - Lament (Epitaph)

Is this what an almost uplifting Touche Amore album sounds like? It’s cathartic in a newer way for the band, especially after the beautifully rendered grief of Stage Four. Lament loses none of the band’s aggression or urgency. “Come Heroine” thrusts listeners into that urgency and introduces a moment of warmth, Jeremy Bolm’s vocals still rasping and insistent: “You brought me in / You took to me / And reversed the atrophy.” The bounciness of “Reminders” may seem close to optimism, but a sharper look at the lyrics uncovers more than blindly looking to the things that bring joy. “I’ll Be Your Host” is reflective, a few years removed from Touche Amore’s previous album and the immediacy of loss, self-aware and growing, but still raw. The album closer, “A Forecast”, takes a turn, a lone voice and piano acting as a confessional before giving way to thrashing guitars and the realization that growth and reckoning with trauma doesn’t mean minimizing it. It means learning to keep moving forward and to stop for help when you may need it. - LL

Waxahatchee - Saint Cloud (Merge)

The best album yet from Katie Crutchfield is inspired by positive personal change (getting sober, dealing with codependency issues, her blossoming love with singer-songwriter Kevin Morby) and reflections on family and friends. Named after the suburb of Orlando where her father’s from, Saint Cloud is a genre-hopping collection of stories and feelings that doesn’t necessarily follow any semblance of narrative. On opener “Oxbow” and country-tinged ditty “Can’t Do Much”, Crutchfield’s increasingly aware of the need to pick your side and your battles, whether in the relationship between two people or between the allure of the bottle and the next-day hangover. Some of the best songs on the album see her finding commonalities with others as a means towards self-love. Gentle strummer “The Eye” refers to her natural creative relationships with Morby and her sister Allison. “War” she wrote for herself and best friend, who is also sober, the title a metaphor for one’s fight to remain substance-free. “Witches” is an ode to her best friends, including Allison and Snail Mail’s Lindsey Jordan, all equally frustrated by the toxic nature of the music industry and the world at large, ultimately lifting each other up because they simply have each other.

Read our full review here.

[oyeedraw]

A Fanfic Writer Interview

tagged by: @mal-likes-biscuits​

Name: Oyee or oyeedraw, I also used Stroxx on one(1) forum

Fandoms: --- I'm throwing in my comics here too, because I only started fic writing recently. Longer comics were done for: Bionicle, Steven Universe, Diablo 3. Only written: Starcraft, Warcraft; for SC I mostly did rps and some individual one shots littered about tumblr, for Warcraft I have one or two oneshots and I started a long fic this year.

Two-shot: --- I haven't tried this format yet, but I might.

Most popular multichapter: --- I started a Steven Universe choose your own adventure comic, Free Fall, somewhere around in 2016 on Tumblr. It blew up my notifications over night, that was pretty rad. I never really finished it, got around to 4 "chapters" (if you consider posts to be chapters) but then summer was over, next uni year started, and I never got around to finish it. The comic was a victim of too much planning-too long story, but I wouldn't consider it abandoned. --- However my most commented on work was a Bionicle comic, Diaries of Destral. It had a small, but solid following, I still adore this comic to this day. I really want to finish that too someday, but I gotta adjust my scope for it.

Actual worst part of writing: --- As Noriya/Biscuits wrote it before me it's the input - output cycle. I love thinking in multichapter stories, and I find tracking references across multiple chapters very exciting, but I either write a 10-15K monster over several days of sleepless fervor, or I'm struggling at a snails pace. I don't mind it too much, but it frustrates me. By now I know how it works, I need about 2-8 weeks of "loading time" where I don't do much creating, only housework and stuff that doesn't take much think space, then the plotbunny bites me and I ride it out as long as I'm not running out of juice. This is usually a 3-5 week of compulsive drawing and writing. Rinse and repeat. What throws a wrench in it is my day job which also needs these bursts, but spread out for a longer period (3-4 months). --- Researching lore and figuring out what has been retconned, whether there is a side character that has a name or if I have to come up with a whole squad of them. I don't mind doing my own OCs, but then I find a cool side character that would have fit a scene and I feel a little bad about not including them. --- I get distracted very easily and I need to get into the zone for writing. --- Disjoint between thoughs and physical writing.

How you choose your titles: --- Make up about a dozen horse shit working titles in draft phase, narrow them down and find the most amusing or most fitting. Like the most recent ones: Fuck Amnesia Spells, Did We Time Travel?, Why Is It Winter Again?, Tyrael Yote, Angi Ari (Auriel), Laezel n Squiddad, oneshot 2020-05. Some of these are titles for comic pages or my actual D&D oneshot that is now a campaign. --- If I feel I need a more presentable title, I rinse and repeat the above and try to get in touch with my purple prose self until I get title I'm okay with. Sometimes I get a title in 5 minutes, sometimes I horse around for a week. It really depends on how finished the actual body of text or comic page is and how fast I want to post it when I get to the title phase. Sometimes it's good, sometimes it's 'meh'.

Do you outline: --- Yes. It either looks like a shopping list, or a lazily described list of memes. Comic page plans also get miniscule stickmen and squares. --- If I really get into the zone this is when dialogue gets written too. Especially for comic pages. I'm a dialogues first gal.

Ideas I probably won’t get around to, but wouldn’t it be nice?: 

Callouts @ me: --- Make a schedule and then stick to it. Don't over plan, baby steps. Please. --- Make more kissing and soft, happy scenes you Cowardly Bitch.

Best writing traits: --- In character banter and dialogue. If I have an ample example of how characters talk and intone I can check back on the dialogue whether it's in character or not. I can literally hear the VAs talking in my head. At least I think I'm good at it. Whether that’s the case I leave it up to the judgement of my readers. --- I like to go crazy on scenery descriptions. I love it when an environment is an actor too in some way and gets some characterisation. --- I've been told I have good timing and scene pacing too. This is my eternal curse too, because this makes me reread and make several edits to already written parts. In rough editing this either makes me cut whole paragraphs or add in new ones.

Spicy tangential opinion: --- Cancel culture and people going around telling others what they are allowed to write is really rubbing me the wrong way. I have a lot of feelings about it, but I already tried to write several paras three separate times, so I'm letting this go. Be free, be wild, you can find me setting Bobby Kotick's expensive shoes on fire.

Tags: I have no idea my dude, sorry, I’m drawing on a blank here. Please feel free to consider yourself to be tagged if you’d like to.

[hannya-writes]

Hihihi! I know it's kinda crazy and I just found your acc but I was LITERALLY thinking about a Marvel-SVU crossover and found yoooooou. I mean... The algorithm lead me to you. It's ✨ Destiny ✨ haha So I was wondering if you could write something Marvel-SVU kinda with Carisi x reader (i don't know if you watch agents of shield) where reader has to go UC for Shield and falls in love with him and he finds out she's Shield etc. I don't know if I'm making any sense rn I'm just really happy I found you. And now I sound creepy but it's already too late and I'm sending this.

Dear @lapaquerette : I do not watch Agents of shield, but I did my best! I swear I did! 😭 you totally made sense! But I feel like there's part of this story that are not so good, anyways~ let's get to the story!!

Title: Don't Tell anyone

Fandom: MCU and Law and order SVU

Pairing: Sonny Caruso x Reader

Other characters: no, I think no

Category: romance

Warnings: this doesn't have a happy ending bc I'm bad writing those! This is long I think.

Author's note: for a moment I thought of making this a serie, but my head couldn't stand it! I don't feel like I can picture Carisi in the right way so probably he's going to be very OOC. Also I'm not supper proud of this because I literally did what I wanted with the time line, Captain America: Winter Soldier happens in 2016 however Caruso es ADA in 2020 if I'm not wrong but in this case the events of winter soldier happen in 2020. Also there's like 2 years of difference btw WS and Civil War, and I tried my best! To make everything fit, but you know, you can kick my ass in comments.

• • •

The mission was supposed to last just a couple of days. Y/n had to pose as an assistant to the Junior ADA's why did they need assistance she didn't know, but when Nick fury assigned her there she just didn't dared to ask.

"Find out what's going on there" he had said as if it was a life or dead situation.

Pepto. That's what happened. High expectations was the other thing happening. The Junior ADA's where being pressed, running towards death case by case.

It was boring, the first two days Y/n had played "who's the jerk of the room?" She had found more than one, stress made that to people. Who cares about cordiality when they had to put people in jail? The answer was Dominic "Sonny" Carisi.

Sonny never yelled or snapped at people, he always asked nicely about papers, he said "Good Morning" and "thank you". He was a gentleman, a knight in a shiny armor. He made funny jokes even when he was struggling with a case.

Y/n had felt a weird desire to help him after just one encounter. The puppy eyes, she reasoned. After that day when he was in court she appeared there, sat and suddenly the people being cross-examined poured the truth without control or bursted in fit of rage confessing everything. She wasn't making something bad, she was helping, which she was supposed to do. No one was going to link her to those incidents. No one knew what she could do.

— copies, now — one of ADA's order her and she almost pushed the asshole and told him to do it himself, it was only a copy machine, he only had to push a button! However, Y/n was a trained spy, she had control over every muscle in her face to not make a disgusted expression at the tall and skinny man. 63 ways to kill him appeared in her head in a second.

— Sure thing — she said in a gently tone, entertaining her mind in the more horrible ways to deal with Tommy.

Tommy Parish, a bully in and out of court, linked to the Irish Mafia. He thought he was a big fish, prepotent but surprisingly brilliant. He was like a weasel. He wasn't that important. Shield wasn't interested by his night activities. They thought there was something else, something more important. Y/n didn't think so. The more interesting thing there was...

— Oh, Sorry didn't meant to...— Sonny said as he almost hit Y/n with the door.

— my fault, I was standing here like a creep — she took the guilt with a sheepish smile.

— A penny for your thoughts — he said as he walked outside and Y/n instinctively followed, as she usually followed after director Nick Fury,

— I think I'm being punished — she said while walking aimlessly, if Sonny had walked in the male restroom she would have probably followed him blindly.

— punish? For what? Did Tommy said something mean to you again? — the blond man sounded concerned and for Y/n it was refreshing, people around her tended to be more defensive around her than being worried about her well being.

— no! I think Tommy is warming up to me — Y/n said proudly — it's my umm... Dad, he send me to live here and I think is because he is mad at me —

There was a small silence, but it wasn't uncomfortable.

— why would he be mad? You are amazing! — Sonny sounded so positive and brilliant, he always seemed to have that aura around him, even in the worst cases. Y/n noticed it, and worried her when he started to lose his shine.

— in my last job, I made a mistake and people got hurt — the confession was sincere. She wasn't lying, she was omitting that those people didn't just "got hurt", they died. She had killed them.

— You are human, humans make mistakes — he said stopping in front of an embellished door. — talk later? — he asked and Y/n nodded with a smile.

•••

After a month everything still was normal. No conspicuous action, no weird people. Y/n wondered why was she there? Was she really being punished by Fury? She had made a mistake, she had chose to save a person, she couldn't know that the objective was going to detonate the whole place. She couldn't read every single thought, her brain would melt if she even tried.

— Sorry, I need to... — said Sonny pointing at the copy machine, y/n blushed for being caught spacing out, again for the 4 time in a week

— I'm so sorry, allow me — y/n extended a hand offering to make the copy for Carisi.

— don't worry, I can push a button — he said making her smile and feel weird.

— please Mr. Carisi, let me be of help — she offered tilting her head a little bit, Sonny found that little action distracting and cute enough to give her the papers he needed to copy.

He saw her move, she was so elegant even just making copies.

— thank you — he told her sighing exhausted.

— don't worry Mr. Carisi, I'll do this, get it in a folder and get it back to you, why don't you go rest your eyes a bit? — she asked with a smile, noticing his tired demeanor

— I'll do it, if you start calling me Sonny — he negotiated and she laughed whole heartedly — come on, everytime you call me Mr. Carisi I feel like you are talking to my father —

— fine, you got yourself a deal — she offered her hand and he took her in his bigger one. Sonny felt asleep with the sound of the copy machine working.

— Sonny, Sonny — Y/n soft voice took him out of dreamland, he found out in that moment that his Nickname sounded awesome from Y/n lips.

•••

From Sonny's eyes y/n was an amazing woman who was able to help everyone with their tasks, she made copies, keep archives ordered, got everything for everyone. She made time to know all of the junior's ADA's of "her room", she served coffee when needed, got them food, kept clean clothes for them just in case. She was like a mother. Sometimes she even helped them found the info they needed. She made all of that and made it with a polite smile. She had been there for like a year and their interactions where short, but he was head over heels for her.

Why? Because she got a great sense of humor, she was nice, smart, sassy when needed, had an excellent memory, she made the best black coffee he had ever tasted. She never got nervous no matter the circumstances. He didn't understand how or why was she assigned to be the "mother hen" of 7 ADA's, but he was thankful. Some days became better the moment she gave him a smile and he imagined that smile was just for him.

Sonny pinched the bridge of his nose in pain. It was past midnight and he was still in his office, working on papers. Practicing his opening statement.

— the truth... The truth....— he repeated trying to remember the next point of the speach. He grunted frustrated.

— Sonny? — the sudden voice made the attorney jump and Y/n laughed.

— Geez, doll! — he exclaimed surprised — You should use a bell — added more awake than before.

— doll? — Y/n questioned rising an eyebrow, Sonny turned red.

— Sorry, I didn't mean to disrespect you — he quickly apologized.

— you didn't, I actually like it — she admitted — I'll allow it — added in a solemn voice — with a condition councilor, only in private I don't need more gossips going around—

After saying those words, Y/n knew that she was digging her own grave. She liked Sonny.

•••

Y/n looked at her phone horrified. Nick had send her and encrypted message. Which was resumed to: You are free of SHIELD, live the life of Y/n Veith. The life he had created for her, an identity that couldn't be connected to the Spy agency. Y/n Y/l/n had died in what they called something like the purge of Hydra. He didn't needed her. He had died. Captain america had basically destroyed the corrupted SHIELD. This was her life now. She was what? a secretary? An assistant?

She should had fail with SHIELD, she should had been there with Fury, protecting him. But she didn't. She pretended nothing happened and followed his last order to her: live like Y/n Veith.

She went with the flow. Acted like everything was just fine, made a routine, followed it to the last point. Untill one day out of the blue she broke down crying in Sonny's office. He was her friend.

— what happened? — he asked on the other side of the desk, surprised that in the middle of his speech, y/n started crying. The case was difficult, a father died to protect his daughter. The teenager girl had been raped and her father was killed by the rapist. It was way more complicated but, that were the facts.

— sorry, sorry — she said cleaning her face with her hands, Sonny approached and offered her a handkerchief that she took hesitantly. — I lost, I lost him — she stuttered.

Sonny kneeled by her side, took the handkerchief and cleaned her beautiful face.

— I'm so sorry, doll — he said even if he didn't understand, Y/n felt his consternation.

— my father died — she said with a soft voice — my house burned down — she added and Sonny understood, her father adopted her, he had saved her and then lost it all. The case had hit too close to her.

— Come on, we had enough of this case — he decided getting up, taking her hands to get her to stand — I'll take you home — he said and she smiled with sadness.

— I don't want to go to my department — she confessed getting up and Sonny gave her a soothing smile.

— We can go to my place — he offered without a second intention, she nodded and they walked away from the office, Sonny ordered an Uber.

Outside of One Hogan place with a heavy heart, y/n leaned against Sonny and he hugged her while waiting for their ride, and during the ride.

Y/n fell asleep without nightmares for the first time in the 6 months after the dead of Nick. Sonny by her side, over the covers and behind a "wall" of pillows fell asleep with the image of a peaceful Y/n.

•••

Three months later, Y/n entered Sonny's little office, she said a "sorry to interrupt", the blond man stopped writing and turned to her eagerly, he tried to suppress his desire to look into her eyes but he wasn't that good at that.

He hadn't seen her in more than 14 days thanks to his overflow of cases and her being stole by homicides DA, who had discovered she was very good in investing.

She muttered a "what?" In mockery, as if the distance and time hadn't even happened and added a "I got you a donut!". A donut that he had craved since morning but wasn't able to get. He sighed a laugh, sometimes it was as if she could read his mind.

— you are life saver, doll— he sighed in relief taking the donut from her hand.

— Should I get you some coffee? — she asked with that caring tone that made him feel special.

— I would love that — he accepted as she merrily went to the coffee machine and poured him a cup and then a glass of water.

Sonny wondered about where did those pretty and elegant glasses came from, have they always been there? She left a bag in the table and walked back to him. He pretended to be working but it was hard to act when she was walking towards him with that dark red pencil skirt that hug perfectly the curb of her hips, the black blouse making contrast, hanging a bit loose over her torso.

— thanks doll — he said when she put the coffee and water in a corner of the desk, he looked at her with a smile — water? — he asked with a joking tone, y/n nodded

— yes, sir — she said in the same joking mood — I took an account of the caffeine you ingest by day, this could be dangerous for your health, so for every cup of caffeine, one of water — she explained with as much confidence as a lawyer making an opening statement.

— are you worried about me? — he was almost flirting, she blushed even if they sometimes flirted a bit.

— I worry about all of you — she pointed out and gave a mischievous smile that made Sonny blush.

— thank you, doll — he quipped with a smile, she smiled back and walked away to Parish desk, the man sat there looked down to his papers as Y/n put a bagel by his hand.

Sonny noticed how Tommy's ears got as read as a tomato and turned to look at her with adoration, the same look the other ADA's got everytime she was near. He had seen how things slowly changed with Y/n presence, at first they were rude, condescending, then they realized that she was excellent in her work. She had saved all of them more than once with little actions.

Y/n had a charming aura and some men in the office had asked her out, Tommy included, but she always turned them down, with an excellent excuse. "I'm seeing someone".

Carisi wondered who. Who was she dating?

•••

— Coffee — she announced as she took a folder and put it carefully away.

Sonny smiled and suddenly thought of Y/n lie about she seeing someone. She had never tell him about her boyfriend, he thought of all of those slice of life moments they had, the banters they have, the many times she had helped him. The times she would stay in his apartment so she wouldn't be alone.

Was he the person she was seeing?

— do you have plans for tonight? — he asked abruptly and Y/n looked at him surprised.

— I got a date with my bed, but I can reschedule — she offered with a smile, she could rest later, she had to enjoy every moment with Sonny.

— do it, I'll take you to a wonderful place — He said with all of his confidence, she giggled — after work? — she nodded contently.

— It's a deal — she said before walking away with a big smile in her face.

Sonny felt stupidly happy. It was him. She was dating him unofficially.

•••

That night Y/n tried to look as perfect as was possible in work clothes, she had refreshed herself, use a little more of make up. She was excited, she really liked Sonny and had wanted to go on a date with him, no work talk, no solving ways to state a question. She wanted to know him in a more personal way.

They sat in a table of a nice looking bar, a decent one. It wasn't pretentious, they actually served food and not just greasy fast food. She had told him distorted versions of stories with her "family and friends", (since she couldn't talk about her real life and training) like that time her father had taught her how to use a gun for her homework and she discovered she had weak fingers.

She heard about his time as a Police officer, a detective nonetheless! Sargent Benson seemed to be a very empathic person, Detective Tutuola was definitely a funny man, Amanda was for him like one more of his sisters. And Sonny discovered that she was adopted by a man called Nick, Nick Veith he guessed, since he thought that was her real last name.

She had two "adopted" sister and a brother: Maria, Natalie and Clinton. Maria was righteous, Nat was smart and sassy, Clint was funny and sometimes really annoying. Sonny thought he would get along easily with them.

They laughed between stories, they were getting fun untill Y/n felt there was something wrong. Something was about to happen. Something bad.

— Something wrong? — Y/n barely registered Sonny's voice before jumping over him yelling a "get down". A telekinetic wake made the other around people fall to the ground just in time as a rain of bullets came from the broken windows.

Sonny heard the glass breaking, people screaming in panic. Saw the bullets fly over him and the bottles in the bar breaking in slow motion. He had never experienced anything like that. The light weight of Y/n over him. And his monkey mind thought about how right that felt.

There was a "clank" from a gas' bomb, then a flash and a cloud of white smoke. People stood up and started running.

— Y/n — Sonny pulled her to see her face, he thought she would be scared, paralyzed from fear. However, when he saw her face there was no fear, she seemed confused, puzzled. — come on, we have to move —

Y/n was thinking the same, but she didn't know what was the right move: defend everyone there using her not-so-human powers? Run away and pretend to be a delicate woman, scared of the situation?

— doll? — Sonny sounded worried and in almost panic, a switch turned as boots hit the floor of the bar.

— Stay behind me — Y/n said with confidence getting up, feeling the presence of 8 people surrounding them, circling them. — and... — she looked at Sonny worried — don't get scared — she pleaded softly.

— Y/n Y/l/n surrender yourself — someone yelled and the woman felt her skin crawl, she hadn't hear her name in more than a year. It sounded good.

— is this about the accords? — She thought, aware of the Sokovia accords and what they proposed. She hadn't signed them. No one was supposed to know about her, her powers, she hadn't expected the government to notice her.

Nat? Clint? Maybe Maria had told them.

— That's right, put your hands in the air — the man ordered in a shout. Y/n closed her eyes and closed her hand in a thigh fist, making the fog disappear.

— Sorry, I can't do that— she confessed pushing the man with telekinesis. — I'm not a weapon you can use —

A new row of bullets flew towards Y/n and Sonny. A bright green light appeared in her eyes and all of the bullets stopped in the air, traces of the same light that made Y/n shine seemed to contain the little bullets like tendrills, the bullets turned in the air pointing at the squadron that was attacking her

— Y/n, no! — Sonny made her react, the tendrills disappeared and the bullets fell useless to the ground as the woman turned to see the Attorney.

— Sonny, sonny — she stuttered worried— no, no, no, no, I would never hurt them, I'm not a monster, I'm not! — she said almost in panic,not because of the attack but for the ideas Sonny could get.

Sonny saw the green and now red light form an eyes over Y/n, then monsters from nightmares formed from the light, monsters like dogs, with skulls covering the hideous animals with blood dripping from their snouts, bodies wet with a black substance. The animals roared and jumped to defend them.

Y/n saw fear in Sonny's eyes. She recognized it, a bright tendril started to form in the exact point of her heart, the fear taking form in her presence. Her hand squished the light over her chest, stopping something else to form.

He didn't know what to say. Carisi knew about the avengers, the new york incident had affected his work, he had saw everything about "ultron", he was informed about Tony Stark and the avengers every move. But he didn't know what was he supposed to say? "Sign the accords" was what he wanted to say. It was selfish for him to ask that, he couldn't do it.

— doll, you're not a monster— he finally found his own voice to say that. — but you have to go —

— Sonny, I... — the ADA put a strand of hair behind Y/n ear taking her by surprise.

— If you don't mind, I'll like to kiss you — he said making her blink in disbelief.

— yes please...— she said and Carisi smiled brightly, his large hand caressed her cheek and softly leave a tender kiss in her soft lips. It barely lasted more than a second. When Carisi opened up his eyes, everything was back to normal. Like a couple of minutes ago, right before the shooting.

In the table was a note: "Don't tell anyone" he recognized Y/n writing. He wondered if everything had been a dream, a hallucination. A part of him told him that no, that couldn't be his imagination. Y/n had left.