#let’s here it for flaws and struggles

[shallowseeker]

i don’t really dislike any characters except boring ones ofc but that doesn’t count

but today i am a metatron guy first

[kai-atlantis]

Ngl everytime I hop on tumblr, it's just people criticising other people as if they are perfect themselves; it's criticizing people's personalities and their communication styles and leaving zero room for situational mistakes or issues and simply labeling them "bad"; it's being okay with several topics but then going on several rants on why you *don't actually like them* and it leaves you feeling confused whiplash; it's people making posts on how other people are wrong or all the flaws one can have, and leaving zero room for the entire human being on the other side of your rant, being told the way they feel and their side are not relevant because they have other flaws at fault.

The reason we're all anxious and weren't decades ago? It's not just the internet. It's that everyone is constantly, constantly judging and criticising each other online. Constant. Criticism. No wonder we're all fucking anxious. If you hate someone online and crucify them for literally making any sort of mistake or saying something off or odd you don't understand (yet you claim to love and support neurodivergents), you cannot refuse that you may have some part in the toxic online critical culture. You're not an exception. I understand this post is critical as well, but holy hell, tumblr is not a fun place for me anymore.

[moe-broey]

Why did I start like three other projects when I was already working on a big project when I just got hit with the autism exhaustion beam (requires. At least One Full Day just dead in bed, and then some more Taking It Easy time after)

[bookished]

HOW TO GIVE PERSONALITY TO A CHARACTER

Giving personality to a character is an essential part of character development in storytelling, whether you're writing a novel, screenplay, or creating a character for a role-playing game. Here are some steps and considerations to help you give personality to your character:

Understand Their Backstory:

Start by creating a detailed backstory for your character. Where were they born? What were their childhood experiences like? What significant events have shaped their life? Understanding their past can help you determine their motivations, fears, and desires.

2. Define Their Goals and Motivations:

Characters often become more interesting when they have clear goals and motivations. What does your character want? It could be something tangible like a job or a romantic relationship, or it could be an abstract desire like happiness or freedom.

3. Determine Their Strengths and Weaknesses:

No one is perfect, and characters should reflect this. Identify your character's strengths and weaknesses. This can include physical abilities, intellectual skills, and personality traits. Flaws can make characters relatable and three-dimensional.

4. Consider Their Personality Traits:

Think about your character's personality traits. Are they introverted or extroverted? Shy or outgoing? Kind or selfish? Create a list of traits that describe their character. You can use personality frameworks like the Myers-Briggs Type Indicator or the Big Five Personality Traits as a starting point.

5. Give Them Quirks and Habits:

Quirks and habits can make a character memorable. Do they have a specific way of speaking, a unique fashion style, or an unusual hobby? These details can help bring your character to life.

6. Explore Their Relationships:

Characters don't exist in isolation. Consider how your character interacts with others. What are their relationships like with family, friends, and enemies? These relationships can reveal a lot about their personality.

7. Show, Don't Tell:

Instead of explicitly telling the audience about your character's personality, show it through their actions, dialogue, and decisions. Let the reader or viewer infer their traits based on their behavior.

8. Create Internal Conflict:

Characters with internal conflicts are often more engaging. What inner struggles does your character face? These can be related to their goals, values, or past experiences.

9. Use Character Arcs:

Consider how your character will change or grow throughout the story. Character development is often about how a character evolves in response to the events and challenges they face.

10. Seek Inspiration:

Draw inspiration from real people, other fictional characters, or even historical figures. Study how people with similar traits and backgrounds behave to inform your character's actions and reactions.

11. Write Dialogue and Inner Monologues:

Writing dialogue and inner monologues from your character's perspective can help you get inside their head and understand their thought processes and emotions.

12. Consider the Setting:

The setting of your story can influence your character's personality. For example, a character who grows up in a war-torn environment may have a different personality than one raised in a peaceful, affluent society.

13. Revise and Refine:

Don't be afraid to revise and refine your character as you write and develop your story. Characters can evolve and change as the narrative unfolds.

Remember that well-developed characters are dynamic and multi-faceted. They should feel like real people with strengths, weaknesses, and complexities. As you write and develop your character, put yourself in their shoes and think about how they would react to various situations. This will help you create a compelling and believable personality for your character.

[brattyspence]

u up? | s.reid

summary: early season!spencer is reluctant to request nudes from gn!reader while hes gone on a case. warnings & key info: nudes (what an ugly word), sexual themes implied, nothing rlly explicitly stated. a very reluctant and maybe insecure spencer, a hint of teasing  a/n: this is rlly just a drabble but i love the idea of early season!spencer who is kind of nervous to ask for things but also rlly down bad for reader! maybe i’ll make more with this pairing bc its so fun. word count: 1.5k my masterlist!

Spencer flopped back into the queen-sized bed with a sigh. The hotel room was small, the generic beige walls blending into the generic beige room. The only light source he had at present from was the warm, yellow light of the bedside lamp and the screen of his phone.

The team had successfully closed another case. The unsub was apprehended after a week-and-a-half long chase, but he didn’t feel any better.

The relief that followed long cases like this one was different. Of course the week had been long and tiring. He hadn’t exactly slept well between the late nights at the local precinct and the looming anxiety about finally catching the guy. When Hotch made the decision to fly out the following morning to allow the team to get some sleep, he wasn’t so thrilled. 

He had returned to his hotel room, showered off the day (and it’s germs) before attempting to get into bed, but something was amiss. 

Catching the unsub didn’t mean just another solved case, but it also meant coming home to you. Maybe it was selfish, sure. Still, he had looked forward to it all day, and the sudden change in plans threw him off. Here he was, on top of the scratchy maroon bedspread of the hotel, very awake and very much frustrated by the prospect of spending another night apart from you. 

Sexual frustration and Spencer were two things you never would have put together. He was the most patient man in the world to you. Sometimes you still consider it his biggest flaw. When you first began dating him, it took weeks for him to work up the nerve to kiss you first. Sex was another beast. Somehow he wasn’t comfortable initiating anything for fear that he was pressuring you, and it seemed that no amount of reassurance would encourage him to make the first move. 

You were half asleep in bed when you heard the buzz of a new notification. You lifted your head from its spot in the pillow, and patted your hand around to find your phone somewhere in the mess of sheets in your bed. When you found it, you squinted as your eyes adjusted to the bright screen in the darkness of your room. He never liked to interrupt you when you were sleeping. It was another one of his obscure demonstrations of love. If you ever texted him past 9 PM, he would delve into a rant about how the blue light of your screen would keep you up all night, or how sleep deprivation could cause a multitude of issues, and “I just don’t want to be the reason you didn’t get a good night’s sleep.”

Patient, kind, respectful, and painfully so. 

Which was why you were thoroughly confused when you received what could only be interpreted as a very Spencer Reid version of a ‘u up?’ text at 12:51 AM.

Spencer: Hi. I miss you. Are you awake? 

You: i am now :)  i miss you more. 

Spencer struggled to find the right words to type. He always relied on you dragging it out of him. He drafted a few responses, deleting them immediately. His fingers hovered the keyboard for a moment, contemplating if he should just let it go.

You watched the ellipses come and go as he typed. It disappeared for a few seconds, and then reappeared. Eventually, you decided to call him. 

He picked up on the first ring. 

“Hey,” he said. His voice was soft, maybe more so than usual. “I’m sorry for waking you.”

“You don’t need to apologize. I was hoping to hear your voice,” you replied.

“But it’s so late. You should be sleeping, and now-”

“Spencer,” you replied, cutting him off. “I don’t care about that. You’ve never been one to message so late, so I know something must be bothering you. Talk to me.”

You heard the soft rustle of fabric against the microphone. 

“I was just really looking forward to coming home tonight.”

You sighed. “I know. I was looking forward to it, too.”

“I just…” he trailed off. “I was thinking about you all day. Thinking about seeing you, thinking about… just thinking about you.”

“Hm.” You sandwiched the phone between your ear and shoulder before sitting up. The jersey sheets pooled around your waist as you leaned across your nightstand, flicking on the bedside lamp. Your room filled with the soft glow. “Thinking about me?”

“Yeah.” His voice was almost a whisper. “That’s all.”

“I don’t think that’s all, honey.” 

You could visualize his reaction through the phone, the same reaction he always had when you pinned down his real intentions. He probably made an attempt to roll his eyes and brush off your comments, but he’d blush seconds later and avoid eye contact, knowing you were right. 

“Why do you… say that?” Somehow his voice was even softer.

“It’s one in the morning, Spence. You never call this late,” you explain. “And you’ve been away for a whole 10 days.”

“Yeah.” He swallowed audibly. 

“Yeah,” you repeat. “So you clearly want something from me.”

Silence.

“Do I need to drag it out of you?”

He huffed.  “It feels really juvenile. And I just respect you so much, and I don’t want you to ever think that I’m using you for anything, or that I don’t value you-”

“Spencer. We talked about this.” 

“Right.” He sighed. He held the phone to his ear with one hand, the other pressing into his eyelids as he formulated a response. 

“So,” you clear your throat, and sit back into your pillows, your phone lying across your chest. “Ask me.”

“I don’t…” he exhales. He’s struggling to come to terms with the fact that you have him figured out so well. He’s quiet for a few seconds before he gives in reluctantly. “I was looking forward to seeing you tonight. Not just talking.”

“Spencer Reid,” you reply, amused. Teasing him was just too easy sometimes, especially when he was so easy to rile up, even if he knew you were just joking with him. “Are you asking me for nudes?”

“I… It just sounds so wrong. Nevermind. Forget I said anything.”

“Oh, come on. Just ask me.”

He groaned. “I don't want you to think that my love for you has anything to do with your body. You know that, right? Because it doesn't. Although I do love… looking at you. That sounded weird. I just mean that I don't want to put you in a position where you feel commodified based on something like your physical appearance when you have so much more to give, and it's not respectful of you. You're brilliant and kind and so, so good to me, and it’s just so vulgar, I think-”

He fell quiet as his phone buzzed in his hands. He could just see the preview of the text you had sent him. After changing the call to speakerphone, he opened it, scrolling through the carousel of photos, taking in the images.

“You think..?”

“Jesus Christ…” he breathed, opening a slideshow of photos you had taken just for him. Sent to him, for his personal use. He would have felt bad about it if he wasn’t so horribly entranced by the sight of them. Whatever was left of his rambling fizzled out.

“You're not gonna finish your sentence?” You asked.

“I…” swipe. “God, I don't remember what I was saying.”

You chuckled. “Does that fix your problem?”

He was clearly short circuiting. “Mhm. It does.”

“See what happens when you ask, Spencer?”

“I feel guilty,” he replied, his voice breathy and quiet. He was clearly having some kind of internal struggle about the ethicality of the situation. It didn’t bother him enough to look away, though.

“Why?” You ask. 

“Because… these are really…” He stopped. Although you couldn’t see it, his cheeks were burning red. “Are you sure you’re okay with me having these?”

“Spencer,” you say. “You’re being ridiculous. You’ve seen me naked plenty of times. I watched you fold and organize my sock drawer without my asking last week. You preheat my coffee mug for me every morning. I’m not just okay with you having these. I want you to have them.”

Oh. He swallows thickly, forcing himself to close the app and come back to his senses.

“But…” He trails off. He still sounds a little distant, pausing a bit too long between words, clearly still looking the photos over. “How did you… did you have these ready to send?”

“I did. I took them the other night. I was just waiting for you to ask.”

You wait a few seconds to see if he says something else. He doesn't. The line falls silent.

“Are you okay over there?” You ask.

“Yeah,” he clears his throat, exiting the app and putting his phone down on the pillow next to him. “Yeah. Sorry. I just… wow.”

You were used to his continual praise, but somehow his lack of words was the best compliment he could have offered you.

“Next time just ask, okay?”

He swallows. “Mhm. I will.”

“You should go have fun. I'm gonna go back to sleep. I'll see you soon, pretty boy.”

“Yeah… you should get some sleep. I’ll… see you tomorrow. Thank you.”

You smile to yourself. “Goodnight, Spencer.”

[amalasdraws]

https://www.tumblr.com/bigmammallama5/732632789726478336?source=share do you have any tips on how to detect ai and deepfakes?

Good question and I'm gonna be honest, it's not always easy and it will only get harder and harder. I'm just an artist who has spent their personal time to dive into this topic and study images. I'm still learning and there is a lot I don't know. But let me show what I know. This will be long, but I will make a summary at the end! So far, even with ai having become better and better there are still almost always some things wrong with an image, and they all have a very specific look to them. So let me try to show you some and point out some of them.

As we all know, a biggest struggle ai had were hands. And even though here and there we still see messed up hands, I say "had", because the hands is actual a good example on how ai is improving and will only get better. Still, looking at pictures that show more hands is always worth it, because somewhere in the back there will be most likely at least one messed up hand.

Another issue a lot of ai still has is hair though!

It's very obvious still in many ai "drawings" and in those otherwise well rendered portraits. Hair starts to blend with the ears a lot, or with the clothes.

There is also often this very odd look between something too sharp and way too blurry

There is often a very specific texture to the hair. I actually do not know the artistic or specific name for it. I can only describe it as this weird sharp feeling that makes it look oddly pixely, and then you have areas where it's very blurry. And the kind of loops and almost flame like looking hair we see in the last pic out of the three here is also something very common with ai.

As an artist I know we make mistakes too! The way I draw hair is flawed too! But it's not only that it's flawed here, but it's following always the same pattern and falls into the same issues over and over again, no matter who is "creating" the image. Those flame like loops are a common one, next to the odd blends and weird sharp and blurry textures.

But ai is getting better, and we not only have "art" and something that tries to be a drawing/painting, but photos too.

A lot of those "photos" have a very specific texture and look to them! Again, it's not always the mistakes, but the very specific optic too. A lot of the images are oddly smooth, too rendered, with always blurry backgrounds. And when you look closer at the background you will see the mistakes! The crowd behind Jesus is a hot mess once you look closer. Bob Marley's hair has the same issue than I described before. Lincoln is surrounded by people with messed up hands and don't even get me started on the faces behind Caesar.

So a lot of ai images look alright on a first and quick glance, but as more time you spend with them, as more mistakes you will notice. The wehre is Waldo of ai horror.

And those "photos" shared here are still very obvious. Not just the mistakes and messed up details but the very specific aesthetic too.

Those images get better and better and as less details you have, as less mistakes you have!

With photos like this it becomes harder and harder. There are not many details and no hands. Not many mistakes can be made. Also the very obvious plastic looking smoothness isn't so much here anymore. It kinda still is...but differently. And always the blurry background!! Sometimes the hair is still a giveaway. Collars and clothe straps are also often still a giveaway upon close look. As is jewelry. Earrings will be different and necklaces often don't go all the way around, just end, or blend with the hair or clothes.

Often details on jewelry is also blurry and not shown properly. This is a trick with many details. With jewelry, batches, hair, ears, text. So it's often blurred out and not shown properly because ai doesn't know what to really show here.

It's often really just the small details and when we scroll down quickly we will miss them. Like the wedding ring on the middle finger, the pens on top of a closed pocket, the batches that are always blurry, messed up faces that blend with a blurry background.

And sometimes it's so subtle that I could only really tell that right is the ai image in comparison to the real photo on the left. The real photo shows hands clearly and even when things are blurred out it doesn't feel that it's done to hide things. The ai image on the right hides the hands. There is also a very dead look in the eyes :D

And here I could only tell because the text in the back doesn't make sense. Even blurred out we should be able to make out something here

And after seeing a lot of ai images I recognize the kind of blurred out bg in combination with a very smooth and well rendered foreground/characters.

And here the only giveaway is a closer look at the backgrounds as well

To summarize it:

Ai and fake news rely on a fast living world. We are being bombarded with tons of information and messages daily and we scroll past quickly. But the best tool, for now, in detecting ai is taking our time! Those images get better and better but so far there are still always some things off!! Especially in the background!

Hair. Often weirdly smoothed out and oddly sharp at the same time

Hair often blends with the ears or the clothes

Details are blurred out.

Jewelry doesn't match (example earrings). Details on metal often blurred out and never shown. Necklaces blend with hair or the clothes, and don't go around the neck.

Background is always blurred out.

In this blurred mess there are often hidden very messed up faces and/or hands.

A very specific smooth and yet too sharp/too rendered aesthetic combines with an always blurry bg.

Text, especialyl in the background, is not legible and doesn't make sense.

Backgrounds are often (so far) the dead giveaway. Somewhere in the back things become muddled and messed up. This shows also very well in ai decor/architecture. There will be odd lines that don't align or align too well. Curtain poles that end in the furniture, a plant that is behind a lamp suddenly having leaves in front of the lamp. As longer you look as more you will notice.

Conclusion:

Take your time with images! Sit with them! Especially when it's framed as important and political news. Is it ai and propaganda, or did it really happen? Don't fall for the quick buzz and outrage! Some things are obvious right away but with others you have to take your time. And it's time you have! If you are still unsure if a pic is real or not, do some research on top. Image reverse search. Can you find it anywhere else? Are other news outlets sharing it? Does the image/message make sense? For example there is now a deepfake of Bella Hadid voicing support for Israel. Ask yourself, does this make sense? If it feels out of line compared to previous behavior, do some research! Media literacy is not just as being able to recognize a fake or real right away, but being able to do research. To question things! Don't just take every post online for face value. Even when shared by a mutual you trust. They might have been tricked!

There are so many information online and it's great to have access to so information, but it's also difficult to wade through all of it. Media and truth are a weapon and it's being twisted and bend used to manipulate. Always has! But ai and so many people being able to post and share things, it becomes bigger and bigger and more dangerous. So don't just take everything that is handed to you and share it further no questions asked. Media literacy and being able to think for ourselves and do the research is important!! And as research becomes harder and harder, as sources are being messed up with ai and other fake news, it's even more important to sit with the images and study them. See the flaws, the mistakes. Compare it to other news and images.

This got long, and I started to ramble at the end. Sorry But I hope this helped

[imbecominggayer]

How To Write Character Flaws

One of the most important aspects when writing a character are flaws since flaws increase reader immersion, reader investment, and the overall compelling energy of a story.

Flaws are necessary in creating character arcs where either these initial problems are improved or exacerbated.

Despite the fact that flaws are important, writers can struggle with how to seemlessly incorperate flaws within their characters in an interesting and natural way without just feeling like they're throwing bad traits in randomly.

Here we go!

A) All Character Traits Are Both Flaws And Strengths

Flaws are often dark reflections of the positive qualities identified in an individual.

If your lover is a strong and determined person then you are also likely dating someone who is stubborn.

If your friend is emotional and caring then they're also overly sensitive.

This is due to the fact that flaws are really just character strengths taken to their logical extreme. As the saying goes "the dose makes the poison". An excessive amount of carelessness, curiousity, love, emotion, confidence, and every single virtue inevitably results in personality defects.

You most likely have your character's strengths somewhat laid out whether these strengths be open-mindedness, kindness, determined, and anything else.

Taking these strengths to their logical extreme, you will often find flaws such as naivety, savior complex, stubborness, and other such flaws.

B) Whether Something Is A Strength Or A Flaw Depends On Context

Character A is trusting and Character B is distrusting.

Let's put them in the situation of meeting someone in order to illustrate how both character's defining traits could be their downfall depending on who this character is.

If this "someone" is a helpful individual, then Character B's flaw of distrust create unnecessary discorse within the group and could drive away this positive influence.

If this "someone" is a manipulative someone, then Character A's trusting nature harms the group as it allows someone harmful to enter.

Whether or not a character's actions are perceived as beneficial or harmful depends on if the result is good or bad for the character's goal.

This means that when you are presented with a character who seemingly has no flaws, what you can do is create situations where these good actions result in bad results.

An open-minded character might accidentally walk face first into a cult because they were too accepting of the weird activities

A kind character might cause their allies to become overly dependent on the individual's generosity

A determined character might be so obsessed with succeeding at this specific task that they fail to see the bigger picture and the more effective solution

[bookdragonideas]

Here's the thing. I'm a girl, and as a girl, I really like it when girls are portrayed in fiction. Especially fantasy.

But so much fiction/fantasy mixes up 'girls' with 'unstoppable forces of female badass' and there's not necessarily anything wrong with having a character who is an 'unstoppable forces of female badass'. But it gets old real quick. And it is not the same as portraying normal girls, or having good female characters.

And that's one of the many reasons I love Avatar the Last Airbender.

Because all the girl characters have flaws and weaknesses and sometimes act like idiots or jerks. They get emotional and make mistakes. They lose fights or arguments or are just wrong sometimes. Some of them are amazing warriors, and some aren't. Some are powerful or special and some are normal, with nothing special about them.

And I Love that.

I was around the same age as Katara when I first watched Atla. And I instantly connected with her as a character. I loved her optimistic attitude and her fighting spirit. And I could relate with her anger, and with her maternal instinct. I admired her fighting skills of course, but I loved how the show portrayed her compassion and kindness, the way she could both beat up a bunch of bullies AND enjoy a relaxing day at the spa. She was a baddass warrior that should never be crossed. But she was also a normal teenage girl who had a lot of the same internal struggles and problems that I did.

(I never connected to Toph on the same level, but I did relate to her on a few things. She's an adorable trash gremlin who would commit any crime for fun and I love that. But she struggles with being both independent and letting people help her, and I still struggle with that sometimes. I've learned that sometimes, you can help others by letting them help you.)

Yue is, in my opinion, a perfect example of a type of hero that seems to be disappearing. She is not a warrior. She is not a fighter. She's not even a bender.

Yue is a perfect princess, a perfect daughter. She is extremely feminine in a rather older sense.

And she was the only one who could save the world. She gave up everything for her people. She saved everything, everyone, the entire world. Without ever becoming a fighter.

Yue is a perfect example of a girl who was never more than a girl, and how that's okay. Not every girl has to be rough and tumble and fight for her rights in order to change everything. Sometimes it's okay to just be a quiet obedient girly girl. Sometimes that's all it takes to be a hero.

And I love that. Yue is strong in her own way. She is unique and interesting. She appears in only a few episodes and yet manages to be one of my favorite characters.

Song is another great example of this. Song is a healer in a small town. We don't see much of her but we see her compassion and empathy. She is gentle and generous. A healer not a fighter.

She watches Zuko steal her ostrich horse and does nothing.

Is that because she's kind and generous and knows he needs it more? Or is it because she's a healer girl who knows she can't actually stop those two from taking the horse? Maybe neither, maybe both. I have always thought that the scene where Zuko steals the horse and only the audience knows she saw it is one of the most thought-provoking in the series.

Suki is a badass warrior woman who is an awesome fighter and good leader. She is one of the best non bender fighter we see in the entire show. She was one of the smartest, most efficient, and powerful characters we ever saw.

She kissed a boy she had just met because she thought he was cute.

Now don't get me wrong I love SokkaxSuki. Its one of the best couples in the show.

But Suki totally did the old 'love at first sight' thing. And that is awesome. Because when she kisses him she delivers one of the best lines, not only from her, but, I think, in the entire show.

"I AM a warrior, but I'm a girl too."

Being a warrior doesn't mean that she isn't also a teenage girl. She might be a fighter, but she still gets crushes and likes to flirt with cute boys. And hey, she picked a good one. Not every boy is going to come break you out of prison.

Anyways, let's have more realistic girls in fiction. And please enjoy the next 24 hours.

[deception-united]

Let's talk about enemies to lovers tropes.

Indisputably one of the best tropes out there. And one of the most infuriating, to write and to read.

When writing an enemies-to-lovers romance, there are several elements to consider in order to create a compelling and engaging story.

Here are some things to avoid and include:

DO NOT:

Create one-dimensional, flat characters. Both characters should have depth, flaws, and virtues that make them relatable and interesting.

Force conflict. While conflict is essential in this trope, it should arise naturally from the characters' personalities, circumstances, and past interactions. Avoid contriving conflicts solely for the sake of drama.

Cause sudden, unrealistic transformations in character behavior. While characters can change and grow throughout the story, it should be gradual and believable.

Overuse tropes. Try to bring fresh perspectives and unique elements to your story to avoid clichés and predictability. Yes, readers will still read the story if they like the trope, notwithstanding the vast amount of nearly identical novels they've consumed. I know you're guilty. But unique elements will make it stand out amongst the sea of literature out there.

Rely on stereotypical traits for either character. Subvert expectations and give your characters complexity and nuance.

DO:

Develop rich backstories for both characters, including the reasons behind their animosity towards each other. This adds depth and understanding to their dynamic.

Ensure there's palpable chemistry between the enemies-turned-lovers. Their interactions should spark tension, passion, and intrigue, drawing readers into their evolving relationship.

Show gradual character development as they transition from enemies to lovers. Each should challenge the other's beliefs, leading to personal growth and introspection.

Build emotional tension through witty banter, charged encounters, and moments of vulnerability. Let the unresolved tension simmer beneath the surface, keeping readers invested in their relationship.

Introduce conflicts with high stakes that test the characters' newfound bond. This can come from internal struggles, external threats, or obstacles that force them to confront their feelings.

Allow the romance to develop gradually, building anticipation and suspense as the characters navigate their evolving feelings for each other.

Even as enemies, there should be moments of mutual respect or admiration between the characters. Highlight these moments to show the underlying potential for a deeper connection.

Stay true to the characters' personalities and motivations throughout the story. Authenticity breeds believability and emotional resonance.

Happy writing ❤

Previous | Next

[carouselunique]

Here you go!

Bonus Explanations for the Elements:

I treat the Elements as the values being the same throughout it's just how the bearers choose to interpret those values is how they end up being defined. In a sense the original Mane Six and the Swap Six all have similar values but express them somewhat differently.

Roseluck: Element of Inspiration - Rose inspires others to be their best selves, she is inspired to strive toward her dreams through her friendships and wants to pay that forward.

(Element of Generosity - Rarity focuses on what she can give to others while Rose focuses on bringing out what one already has.)

Ditzy Doo: Element of Cheer - Ditzy always delivers a smile, a cheesy mail joke, a wing to lean on, a feathery shoulder to cry on so you can feel better, someone to remember you and make you feel seen etc. She makes others feel lighter and cheerier and that cheer spreads to others in a domino effect!

(Element of Laughter - Ditzy doesn't mainly focus on laughter the way Pinkie does because she believes not everyone needs a laugh to feel cheer. Pinkie is more of a clown type while Ditzy is, well, more of a motherly type)

Sea Swirl: Element of Trust - If you put your trust into Sea, she won't let you down. She is honest sort, even if you sometimes have to take a leap of faith that you aren't sure about at first. Sea will uphold your belief in her with a trustworthiness that makes you want to be someone that others trust as well.

(Element of Honesty - AJ treats her Element as a very literal value while Sea doesn't feel the need to say every true thing outloud, more that you know that she is someone who's words and actions you can inherently trust even if she isn't always literally honest.)

Ginger Gold: Element of Integrity - No matter what ambitions Ginger has, she will always have the integrity to stick by her friends and family and do the right thing. Her integrity and willingness to do what's right by those she cares for no matter what even at the cost of her own goals makes everyone around her a little more honorable in turn.

(Element of Loyalty - It's nearly the same here more just that in my head, Rainbow will be loyal to her friends because they're her friends while Ginger Gold will have integrity because it is something she believes one should just always have and by having that she can be loyal to her friends - not to say one is more noble than the other, that is just how they see it if they're asked to really define it.)

Sunny Rays: Element of Empathy - Sunny is, as her name suggests, as warm as the sun. She is soft and understanding and empathetic and seeing everyone as being worth a chance at being seen and their issues felt allows everyone a kinder view of situations.

(Element of Kindness - Sunny Rays sees empathy as different than kindness, especially as she develops. She can have empathy and not always be kind as someone might see it and someone can be kind but not understand the point of view through an empathetic lens and therefore be kind but not empathetic. Of course it's a struggle to balance how to be kind and empathetic or when kindness has to stop because you know it is hindering your understanding of a situation, etc.)

Minuette: Element of Friendship - Her friendship brought the group together and allowed them to share their best values with each other and her realization that you should make time not just for academic exploration and what we can discover but for the cultivation of emotional and social development and that we need our connections with others to be truly happy helps other realize what truly counts.

(Element of Magic - In my head, Twilight calls it Magic because she believes that Friendship is a form of Magic a flaw that shows up in the later seasons where friendship is treated as something inherent and almost religious in a sense? At least to me? While Minuette believes that the Magic comes second to the Friendship and can only occur if one works on Friendship and treats the Magic of Friendship as something you work at and feel more than it is literal magic.)

[rafesfavbimbo]

Part 2 to this.

Read Part 1 HERE.

Part 3 HERE.

Pairing: FWB!Rafe Cameron x FWB!Reader

TW: Angst!!! Pure angst! For Rafe at least >:) Violence! Toxic Relationships!

A/N: Yall know I wasn’t going to let Rafe or Sofia win 💅

-

Rafe is fucking miserable. Honestly that’s a fucking understatement for the influx of overlapping emotions he feels as he watches y/n from afar. Sofia was tucked under his arm yapping away about god knows what. Rafe having checked out since he saw y/n come into sight. All his thoughts consumed by her as the hole she left behind in his chest grew bigger. Here he was in despair and there she was having the time of her life.

Rafe’s attempts to reach out to her after the way he treated her completely ignored. She cut him out of her life completely, not even acknowledging his existence in the slightest. She quite literally ghosted him and left him behind. His desperate attempts at getting her attention and trying to get her to speak to him all failed. He attempted to blow up her phone with incessant calls and text that never went through because she immediately blocked him. He then tried to go to her house which was intercepted by her mom who gave him a nasty scowl and shoved a box of gifts he gave her, and items he left at her place from all the times he was over there into his chest. Their front door slammed in his face and leaving him shut out of a place he felt was his second home. He even tried to stop her at parties or bonfires, all his efforts going inauspicious because her other friends intercepted before he could even get to her. Shoving him away and giving him nasty glares before being told to ‘leave her alone, you bitch. Go back to your little girlfriend.’ He doesn’t think he’s ever felt so iced out before.

So here he stands at a bonfire on the cut, Sofia’s words going in one ear and out the other as he desperately tried to catch y/n’s eyes. Desperate to see her pretty gaze on his once more, desperate for just an ounce of her attention. He almost wanted to whine like a petulant child who wasn’t getting attention, it hurt him so fucking bad that she just completely shut him out. And fuck -he knows he deserves it. He fucking knows he does; he was so coked out of his mind that evening. His adrenaline pushing him to speak to her as if she meant nothing to him when she meant fucking everything.

Y/n was the only person to accept him in his entirety. She accepted all his flaws, his twisted personality. She didn’t just accept it. She loved it. She would kiss his bloody knuckles every time he punched a hole in one of their walls. She would kiss the cuts and bruises on his face after a fight. She would lick his tears and kiss them away when he cried to her as he wrapped her tightly his arms, body pressed to his. She would back him up when people would call him a psychopath, shut them down with that bitchy attitude he had never been privy too. Until now. He’d know she could be a real fucking cunt, but he didn’t ever think he’d be on the receiving end of it. And now that he is, he feels like he’s spiraling.

After weeks of not being able to get in contact with her, he’d found solace in Sofia. Using her to numb the hole y/n left behind his chest. He struggled so fucking much to get used to the stark differences between them both. Sofia would scold him when he punched the wall, scold him when he fought, scold him when he went on one of his infamous rampages. Trying to push him to do better and be someone else. And he fucking hated it, so different from the way you treated him. You didn’t try to ‘fix him,’ the way she did. You just loved him for who he was and he fucked it all up. Even the sex was subpar, deciding to just take her from behind and shove her head into the mattress so he could imagine it was y/n. But he never could. Sex with y/n was like a drug. Completely euphoric; a spiritual experience he was addicted to having. And he felt like a fiend needing another hitt of his favorite drug which was her…y/n.

Y/n couldn’t stop the pang of immense hurt she felt in her chest when she saw Rafe around the island with Sofia, the Kook prince and princess’s separation spreading around like wildfire. Sure everyone knew y/n and Rafe were best friends but they knew that it was so much more than what met the eye. The impalpable chemistry between the two; suffocating any room they were in with great tension. Everyone felt like they just went together. A Kook bitch and Kook asshole who only had soft spots for each other. Y/n was kinder than Rafe but she could go on a real rampage like he did. Her fiery attitude matching his own in every way. So for everyone to see Rafe with someone as fucking bland as Sofia, it was a big shock. Kook girls and boys and pogues alike taking to the fact that the finest girl on the island was now out of the clutches of Rafe Cameron. And they took full advantage.

So yeah, maybe it hurt y/n to see Rafe parading around with Sofia; but she threw herself into the attention granted to her by the other cute islanders and left him as an after thought that constantly nagged in the back of her brain. Here she was dancing and grinding on cute boys and girls as they flocked to her. Her beautiful body looking so damn enticing as she moved around seductively to the beat of the music. Skimpy outfit accentuating her perfectly and the body glitter she had on, glimmering with each turn. She looked like a beach goddess, truly the baddest on the island. People couldn’t believe Rafe Cameron fumbled for a dud like Sofia, all modestly and blandness. The complete opposite of y/n.

Barry had been watching her all night, finally ready to make a move since Rafe wasn’t in the way anymore. The only reason he never has was because that’s his friend/business partner’s girl or at least she was. Also more so because, not that he doesn’t think she’s worth it; but he really didn’t want to face Rafe’s wrath. Him now knowing that she’s out of his clutches has him feeling over-confident, he’s making a move and making it tonight. Rafe could be stupid but he wouldn’t make the same mistake.

Y/n was wearing out, having danced off her buzz and needing more to keep her going and keep her distracted. She knew Rafe had been watching her all night, and she reveled in it. She loves it, she wants him to pine after her, grieve the loss of her companionship the way she grieved his. It boosted her pride from the amount of times he’s tried to reach out to her. He deserves to grovel for her attention and time. She’ll never let him live it down. But fuck does she miss him being her plug, needing a line ASAP. So she goes to the one person she knows will hook her up with no charge just with a bat of her wispy lashes and a pout from her pretty lips. Immediately making her way to Barry, hips swaying with each step and making party-goers from tour-ons to Kooks and Pogues alike, both men and women ogling her stunning self. Barry included as he watched her walk toward him.

Barry was one of the many people who’d been staring at her the whole night, his eyes running up and down her figure the whole time she was dancing. Barry wasn’t dumb, from the moment he met y/n he knew she was gorgeous. He was more than willing to accept any attention she gave him, allowing only her to bitch him out of product with a bat of her pretty eyes. She got near him, her lips twisting into a coy smile as she gave him those fuck me eyes that would make any man want to ravage her whole.

“Hi Barryyy,” she sighed out, coming up right in front of him and immediately sliding a manicured hand from his mid stomach, up to his chest. Letting him pull her in by the waist with one arm while the other held a red solo cup full of god knows what. Her arms immediately wrapping around his neck as she leaned her body into him. Plump tips pressed into his chest and nipples hard against him as she leaned her face close to his. Y/n always found Barry attractive, she didn’t mind letting him run his hands all over her. “Whatchu want, beautiful? Hmm?” He drawled, looking down at her beautiful face as she leaned her head back to give him doe-eyes that made him want to take her right there in the sand in front of everyone. “Need some more,” she whined lowly, brushing her lips against his and feeling his hand lower to her ass. Gripping a handful as she pressed into him more, biting her lip with a low moan as she allowed him to grope her. Her eyes fluttered as she moaned out an airy, ‘Baaarrryyyy.” Tightening her arms around him and brushing her lips against his cheek as she moaned into his ear the more he groped her.

Rafe was fuming, he wanted to fucking murder someone at this very moment. That someone being his fucking business partner who was grabbing all over his woman, but what hit him more is that she was allowing it. Liking it actually, her left leg coming up to wrap lightly around his as she let Barry press light kisses to her throat, hand still groping her ass as she leaned her head back. Rafe’s vision tunneled, his heart pounding in his chest his ears rang with rage. He felt his soul shattering, his heart shattering. He wanted to scream and cry and fall at her feet. Bury his face into her tummy that he loved so much and wrap his arms around her as he begged her to forgive him. The red solo cup in his hand crushing in his big palm as the contents of it spilled all over his hand. Not even giving a damn that his hand was all sticky or the gasp falling from Sofia’s lips as he took his arm from around her and shoved her to the side harshly. Tossing his cup and storming through the sand with only murder on his mind. People taking notice and moving to the side knowing he was more than willing to knock them over for being in his way.

Eyes began falling onto the scene of Rafe’s reddened face tightened in anger as he got closer to y/n and Barry. The two in their own world as y/n began grinding her hips into Barry’s bugle pressed against her, his cup having been tossed to the side so he could hold her leg against his hip and grind into her. He loved the way she smelled, her creamy vanilla scent making him want to devour her whole. He was more than willing to take her back to his tonight and give her whatever she wanted. Knowing of her high sex drive from all the times she practically almost fucked Rafe in front of him when they all hung out, getting high together. Y/n kept her head tilted back and eyes closed, she loved the feeling of Barry’s calloused hand gripping her under her tiny skirt, skin to skin due to the little thong she was wearing. She was more than willing to hook up with him tonight and get her mind off Rafe, about ready to tell Barry to take her somewhere private until a familiar grip tugged on her upper arm. Rafe pulled y/n away from Barry harshly, tossing her behind him into the sand as she gasped in shock. Party goers immediately going to her aid and helping her back up as she stabilized herself.

Rafe socked Barry in the jaw, immediately pushing him to the ground and landing punch after punch as his knuckles cracked open and his blood slipped out, Barry’s mixing in as he smashed his face in. Rafe’s vision was red and the only thing that brought him back was the familiar voice screaming in his ear and familiar hands tugging at his arm. ‘Stop! Stop! RAFE STOP!’ Her voice faded in, the ringing in his ears subsiding as he took in his surroundings once again. The bonfire now quiet except for the blasting music, everyone circled around the commotion as Barry groaned under him. Rafe still straddling him until he stumbled up, allowing the tugging on his arm to guide him. He looked around at everyone screaming out a, “the fuck are you looking at, huh?!” Glaring into the eyes cutting into him as people backed up. Another infamous rampage that would be the talk for weeks to come.

Rafe turned to the source of the tugging, taking in y/n’s pleading face as he grabbed her and manhandled her over his shoulder. Storming his way through the parting crowd, Sofia watching with teary eyes and an aching heart as he completed disregarded her. Y/n squirming around on his shoulder while she kicked her legs and pounded on his lower back. Screaming at him to let her down as he completely ignored her and headed straight for his truck.

He heard a voice that wasn’t y/n’s angry yells calling his name. Ignoring it as he got near his trucks passenger seat and opened it quickly, tossing y/n in and slamming the door shut. Immediately locking the car and slamming on his window with a “don’t fucking move!” Trudging to the drivers side and about ready to get in when a grip on his arm tugged at him. He turned around with rage in his eyes as he took in a crying Sofia; her voice cracking as she yelled at him with tears streaming fown her cheeks. “What is wrong with you?!” she cried, smacking at his chest as he stared at her emotionless.

Coldness in his eyes as he took the hands pounding into his chest and gripped them by her wrist. Huffing deeply from his nose as he caught her eyes with his, his wide open and crazed as he told her one thing, “you were nothing. Nothing but an easy fuck. You’re fucking pathetic, you’re fucking easy, and you’re a lousy lay. Keep your boring ass away from me, alright?! We’re done. Go bother some other sucker.” He said with complete harshness in his voice, his words cutting into her as he took his grip on her wrist to push her away from him. Her body stumbling and landing into the sand as she sobbed harder. Her entire soul shattered and heart stomped on. He didn’t give a single fuck, his mind consumed with one person who was staring straight through his window with rage in her eyes. Not daring to leave cause y/n knows he would chase after her and tackle her into the sand. He got in his seat and immediately drove away, away from all the chaos he caused because he’s an insolent, impulsive child who doesn’t know how to express himself correctly.

“You think that’s funny? Huh?!” He pressed y/n, turning to look at her with those crazed eyes as she crossed her arms over her chest, bringing one out to check her manicure as she scoffed and rolled her eyes. Already knowing how to handle the monster Rafe was when he was full of anger. He drove fast and recklessly, his gaze continuously whipping between her and the road as she refused to speak to him. Staring out the window as she ignored the tension that was almost suffocating in the car. Rafe reached his hand over and gripped her chin to make her face him, looking back at the road as she struggled with getting the painful grip of his hand off her face. “When I ask you a question, you fucking answer me!” He squeezed her face harder, making her cry out as she began clawing at his arms with her nails; angry red streaks tainting his skin as he sped up.

“Fuck you!” She spit out, bringing her hands to smack at his face as they struggled with each other. Rafe eventually pulling away to grip both hands on the wheel and pulling the car quickly into his lane when it veered over into the other one. Almost hitting another car that was honking harshly at him. “I’ll kill both of us right the fuck now! You think I won’t?! I’ll fucking take you down with me, baby!” He screamed at her as she kept smacking at him. Biting his hand when he tried to grip her face again and digging her teeth in. Making him hiss and pull it away quickly, drops of blood leaking out from how deep she bit into him. “Do it then you fucking pussy! You’re so fucking pathetic!” she screamed at him.

Fortunately, Rafe pulled into Tannyhill’s driveway and brought the car to a screeching halt. Quickly putting the car in park; hopping out and storming to the passenger side as he tugged it open and dragged her out of the car by her arm. Slamming the door and manhandling her all the way to the front door of his house, till he opened it and pushed her forward. Watching her stumble in and almost fall to her knees but quickly catching her balance and turning around to face him. The same crazed look in her eyes as he brought out her monster that matched his to play.

Y/n rushed at him and tried to knock him in his jaw, Rafe’s reflexes quick as he grabbed her wrist and tugged her into him with it. Other hand wrapping around her throat and squeezing harshly as he cut off her air supply, her feistiness subsiding as her face turned red and her free hand began clawing at his wrist to make him release her. He finally did and she stumbled back gasping harshly for air as she caught her breath. Her spotty vision going back to normal as she looked at him. The two breathing harshly, chest quickly rising up and down as they sized each other up. She walked to him quickly, her cute sandal-heels clacking as she brought her hand up and back-handed him so hard his bottom lip split open from the diamond ring on her finger.

When Rafe turned his head to look at her again, she back handed him again. Watching him as he let out a pained groan and brought his hand to his pounding cheek. Feeling the cut she left on his lip and cheek; dabbing the blood dripping out with the tip of his middle finger as he looked at her. Her eyes daring him to test her again as his monster submitted to hers, the two staring at each other as his eyes began water, tears dripping down his cheeks as a pained sob left his mouth. Falling to his knees as he crawled to her and grabbed her by her lower back, tugging her to him as he buried his face into her bare stomach. His heavy tears wetting her smooth skin as he sobbed all his frustrations and heartache out.

“M’sorry! I’m so fucking sorry!” He cried out, his voice full of emotion as he sobbed into her. Apologizing for everything. For making her feel used, making her feel like she was nothing to him when she was everything. Sorry for all the hurt he caused her, both mental and physical; he knew he wasn’t good for her. He’d always known and he was proving himself right. Sobbing into her harder as his hands splayed flat against her lower back to push his face deeper into her stomach, “please y/n! Please!” He looked up at her then, on his knees with a red face as tears continued to run down his cheeks, snot dripping from his nose. Completely hysterical as she clenched both her fist by her side, starting at him down her nose with no emotion in her eyes. Cold and the complete ice queen he knows she can be.

“I can-I can’t fucking taking it anymore! It’s driving me insane! You’re driving me insane! I’m fucking sorry! I never meant to hurt you y/n, please believe me! I-I was so fucked up that day and Sofia wanted me so bad! It made me feel good! Good to have her falling at my feet! But she isn’t you baby, please!” He choked out, baring his soul through his mouth and pleading eyes as she continued staring down at him with no emotion. He wrapped his arms completely around her, chin resting on her stomach as he cried up to her.

“You’re everything! Everything to me! From the moment I met you, I knew it! I-I didn’t know how to handle all the emotion you make me feel, you make my head go haywire! It’s overwhelming an-and fuck! I didn’t know how to handle it, you’re so much better than me! You’re too good for me! You know it, I know it! The whole fucking island knows it! And Sofia was easy! She fell at my feet and made me feel like a fucking god! But baby, you! You make me feel like I belong, like i’m not alone an-and you love me for who I am! You always have and I always knew it! Because I love you the same way baby, love you so much mama! You’re everything to me, y/n! Everything! I love you! I love you! And you love me!” He finished, tears still pouring out of his eyes as her hands unclenched. Rafe was ready for her to caress him, tell him it was going to be all okay in her usual coo and tell him that they were okay. That she loved him just the same and that they could move on and start over. But what he expected to be an affectionate caress was actually a harsh shove.

Y/n pushed at his shoulders, pushing his face away from her stomach as she began clawing at his arms around her. “Get off,” she said coldly; continuing to push him away as he tightened his grip and shook his head side to side. A fresh batch of tears pouring down his cheeks. “Rafe get the fuck off of me!” She screamed, shoving him for the last time as he let go. His arms feeling to his sides with defeat as he stared at her with red eyes. Watching y/n as she stepped back and let out a sarcastic laugh. Shaking her head with a scoff at the end and crossing her arms over her chest.

“You are so fucking pathetic.” She bit out, voice harsh. Not one ounce of the affection she use to regard him with left in her voice. Rafe whimpering at that, opening his mouth to continue groveling until she spoke up again and raised a hand to signal him to be quiet. “Don’t. You had your chance to speak, now listen to me.” Rafe’s mouth immediately shutting closed into a tight line as he submitted and listened to her intently. Eyes pleading, as her hand lowered and she stared him down.

“So what? You treated me like shit because I didn’t what? Fall at your feet like that pathetic little pogue, bitch!” She shouted at him, her crazed eyes cutting into him. “Awww poor baby,” she mocked, “doesn’t know how to be a man and express himself so he acts like the little bitch he is! You’re so fucking sad, you know that? I loved you Rafe. So much! I gave you me in my entirety! I gave you all of me! Not just my heart, body, and soul but my mind! I let you know the darkest parts of me! Things no one else knows! And you did what? Tossed me to the side because some boring bitch gave you a bit of attention? Because she kissed the ground you walked on like the pathetic low life she is!” She spoke firmly, her face in a scowl of disgust as she stared him down like he was nothing.

“You’re just as fucking stupid as her! You’re both pathetic. I want nothing, and listen to me closely.” She walked to him, gripping his face in her hand and digging her nails into him. His lips squished as he stared up at her pathetically. “I want nothing to do with you. You’re nothing to me anymore, nothing. You’re just a pathetic coke head with daddy issues and mommy issues who never grew up. You don’t know how express yourself at your grown age and act like a man. Grow the fuck up Rafe! You’re a little boy, a stupid little boy. I was so blinded by my love for you that I didn’t realize how much of a bitch you really are. This is the first and last time I’m gonna say this. Leave. me. the fuck. alone.” She snarled at him, teeth bared at him like a lioness ready to attack her prey.

“I’m the best thing to happen to you baby, and you threw it all away for some bottom barrel pussy and easy attention. I’ll be fine, I’ll prosper. I can have anyone I want and do whatever the hell I set my mind too. I don’t need you. I never have and never will. I let you in because I wanted too, not because I needed too. The only difference between us is that I only wanted you but you need me. You need me. You always have and always will. But I’m done with you. For good. Go back to your sloppy little bitch and stay the fuck out of my life. You two low lives deserve each other. I’ll find the man who can stand by me without being so fucking intimated.” She spit out harshly, releasing the grip on his face as she walked back away from him slowly, giving him one last glare as she turned on her heels and headed for the front door. Ready to walk out of his life and leave him in the dirt.

Rafe shuffled forward on his knees as he pleaded with her, spitting out one last, “please y/n! Please baby! You’re right, you’re so fucking right! I need you baby please don’t leave me! I’ll do anything!” He sobbed out once more, watching as her hand stopped on the handle of the door as she pondered his words and turned back to him. Rafe feeling a lightening in his chest as hope grew. Ready for her to take him back, light building in his eyes. Until it all came shattering back down when she let out a mocking laugh. Eyes cutting into him with that condescending look that made anyone in her line of sight feel so little. Him included.

“Had I known me fucking you would get you so attached, I would have never done it. Now clean yourself up, you’re killing my fucking mood more than you already have.” Throwing his words back at him as she turned back around and opened the door. Slamming it behind it and walking out into the cool air of the night. Leaving Rafe behind, for good. Him shattered to nothing while she found a renewed sense of life. Her chest lightening as she felt a weight lift off her shoulders.

She’d be okay. Better than okay, she’d be great. She was a strong woman and no pathetic man was gonna break her down and make her into nothing. She would prosper and give herself a better life. Already making plans to leave the island, leave this place full of tainted memories behind and find a place to make new ones. She would start over and create her own happiness. Her confidence bursting back into her as she walked down the driveway with a renewed sense of pride. Hope for better running through her. And as for Rafe … his soul died. His spirit broken, heart shattering to a million pieces in such a way that could never be properly put back together. Pieces of it missing forever, the biggest piece of it walking out of his life. And y/n only thought one thing. Fuck Rafe Cameron.

taglist: @drewstarkeys-world @maybankslover

A/N: PHEW! That was intense! I’m sorry if yall wanted them to reconcile but nuh uh! Let that boy grovel in his misery! I hope you all enjoyed! Please let me know your thoughts in the comments! It would be deeply appreciated it! Much love 🐰🌸💕

[osarina]

ᡣ𐭩 CHIVALRY FELL ON ITS SWORD

FEATURING: dazai osamu

SUMMARY: history always repeats itself. dazai is captured, you're facing enemies on all fronts, and it's only a matter of time before you hit your breaking point. you can't let things turn out the same way they did two years ago. you can't—you'll do whatever it takes.

AUTHOR'S NOTES: happy friday my peeps, i hope your week has been good. ive been looking forward to this chapter for sooooo long so i hope you enjoy ;) unfortunately, there will be no wykyk update this week (i mean it this time), i've fallen behind in civzai and really need to focus on it. reblogs and comments greatly appreciated as always!! ENJOY!

GENERAL WARNINGS: fem!reader, port mafia executive!reader, civilian!dazai, dazai's struggles w suicide & sh, reader partakes in mafia business, dazai isn't dazai without a bit of obsessiveness and possessiveness (the possessiveness doesn't come til later but the obsessiveness starts from day 0).

CHAPTER SPECIFIC WARNINGS: hardly edited. depictions of psychological torture (commit by reader), both reader and dazai are wildly unstable, mori is a bit of a cunt LOL, a bit of legal proceedings in the beginning but i didn't want to deep dive into japanese court proceedings so i just based it mostly off us court proceedings, but again, not entirely accurate because i'm not in that field and didn't feel like doing intense research.

ANOTHER THING TO NOTE: our lovely reader IS A MAFIA EXECUTIVE !! as a port mafia executive, she does port mafia things, this will become very apparent in thIS chapter and the rest of the upcoming chapters. it might be a bit jarring to read but it is something to keep in mind. additionally, she is FLAWED. i wanted to add this warning just to give you all a bit of a heads up.

SEE: WASTELAND, BABY! SERIES MASTERLIST

“... Your Honor, I have to object to counsel’s petition for bail, the defendant…”

“... If I may, Your Honor, we don’t even know how this footage was obtained and the prosecution has not acknowledged any of our requests to ensure that this is reliable. For all we know, this footage is edited or illegally obtained. It would be a disgrace to our justice system if we were to keep the defendant detained with no bail…”

“... not only a flight risk, but we’re risking witness and evidence tampering. Respectfully, this isn’t an unarmed robbery the defendant is being accused of, Your Honor, this woman is a threat to public safety, she’s being charged with connection to the most dangerous criminal organization in the Eastern Hemisphere, and not just as any ordinary member, but as an executive. I have to insist-”

“Your Honor, the defendant shouldn’t have even been brought into custody considering all current evidence might not be admissible. And the prosecution cannot sit here making baseless claims of risk when the only supporting evidence is inadmissible. I don’t even understand why I have to sit here and argue this.”

“Counsel seems to think-”

“Enough. Order. I’ll sustain the ob-”

“Your Honor… I don’t mean to interrupt but you may want to see this before…”

“What is it, Hasegawa-san?”

“... I see, very well. The defense’s petition for bail is granted. Bail will be set at one hundred and fifty million yen, bond at thirty million yen. The next hearing will be set for two weeks out, I trust that gives the prosecution enough time to prove the legitimacy of the evidence…”

“Don’t look at any of the cameras.”

“No shit,” you mutter as your attorney, Tachibana, leads you from the courthouse to where a car is waiting to pick you up. 

There are so many flashing lights and microphones in your face that you can hardly see a few steps in front of you. So many people talking that each question melds into the next. You couldn’t entertain the media even if you wanted to with them all talking over each other to shout at you. Your head hurts and the bright lights aren’t helping—you grimace as you turn your head to the side but you’re only met with another face full of cameras and microphones.

“Back up,” a familiar voice booms and at once, the tension in your body dissipates as Iceman shoulders his way through the crowd toward you. The man sneers at a paparazzo who tries to cut him off and all but knocks him out of the way to reach forward and grab your wrist, yanking you toward him.

He ushers Tachibana forward and keeps you tucked under his arm as he guides the two of you to the black car. It’s only when you’re inside and the door is shut behind you, that you can finally relax, but it’s only for a split second before Albatross is bursting into laughter in the front seat before you’ve even sat down yourself.

“You look ugly as hell in a prison uniform,” he wheezes, having the audacity to point at you as he turns around to look at you. “God, I never thought this day would come. Someone take a fucking picture.”

“Fuck off,” you snap at him, which only makes him laugh harder.

“The entire world has pictures at this point,” Doc says dryly, looking over you once and frowning at the bruises on your wrists where the cuffs had been tightened too much. He clicks his tongue as he runs his finger across them as you pass by him before sighing, “They really waited as long as they legally could for your arraignment, didn’t they?” 

 Two whole days. You haven’t eaten because you had to watch the prison guard spit in your food before passing it over to you—evidently, his brother was killed by the Port Mafia and he decided to take that out on you, which was nice. So as if you weren’t dealing with enough bullshit, you haven’t properly slept or eaten in two days.

More than that, you’ve had no confirmation concerning Dazai’s status in two days. 

That alone has left you with no appetite and no desire to sleep anyway. You’ve been restless trying to figure what to do if Klaus wasn’t able to get Dazai away from the Guild. That is, restless, and increasingly more violent and angry. You’ve never been someone prone to choose violence as the answer, but you think the only thing that will satisfy you now is the entire organization eviscerated. Not only have they gotten you thrown in prison, but they have Dazai.

You finally take a seat next to Chuuya. He’s stuffed in the back corner of the limo so that no unsavory eyes could catch sight of him when Iceman ushered you and Tachibana into the car. As soon as you take a seat next to him, he wraps an arm around your shoulder and squeezes your bicep. You almost want to collapse into him—you’re so tired and hungry and just so mentally and physically drained that all you want to do is sleep, but you know you can’t, not until you have Dazai back.

Just as you’re about to look up at Klaus and ask him how things went, Piano Man speaks up, addressing Tachibana. “How are things looking?”

The man grimaces. “Not good. They could hold her liable for all of the crimes attributed to the Port Mafia if the jury finds the footage as proof of her affiliation,” Tachibana says. “The last time they had a Yakuza boss on trial, they had him sentenced to death and he was only being held vicariously liable for one murder and three assaults. They have her down for six and all of the other crimes they’ve been gathering as evidence against the Port Mafia just in case they were given an opportunity like this. If-”

“Why are we talking about a jury trial?” you ask tightly, giving Tachibana a cool look from the corner of your eye. “Get the charges dropped.”

A frustrated expression crosses Tachibana’s face. “But-”

“No buts, do your goddamn job and get this dismissed,” you tell him before turning your attention to Klaus. “What’s the situation with the journalists?” 

Klaus looks mighty proud of himself as he raises his chin. “They’re dead. Do you want to hear how I did it? It was quite ingenious if I do say so myself.”

He looks excited to tell you, eyes gleaming and smiling wide, so even though you should just drill him for information about Ui and Dazai, you decide to entertain him and nod. 

“Tell me,” you say, hoping at least hearing that those irritating pests got what they deserved is enough to ease the seemingly insatiable bloodlust the past few days has caused you before you get back to headquarters and have to deal with Ace.

Klaus is clearly trying to hold back a laugh as he prepares to tell you. From the way Atsushi looks a bit green next to him, you know whatever he’s about to tell you is going to be gross.

“They’re called the Ivory Eagle, right?” he says rhetorically, blue eyes dancing as he stares directly at you, waiting for you to nod again. When you do, he continues, “You see, when I was back in Europe with the Pale Flame, we learned a lot about ancient torture and execution methods. Nabakov had the trafficked ability users fight in rings, y’know, gladiator style—the winner of the fight would pick a method to punish the loser with in front of everyone. The vikings had a ritual execution method called the blood eagle, so I thought it would be funny ‘cause y’know, the name? Ivory Eagle, blood eagle? They can keep their theme even in death!” 

“I should not be hearing this,” Tachibana sighs, covering his ears and closing his eyes.

You snort. “May they soar to greater heights,” you mock their slogan and Klaus lets out a loud bark of laughter, bouncing in his seat in excitement.

“I knew you would get it, I’m so funny.” he laughs, nudging Atsushi hard, but the weretiger only looks like he’s about to start crying, so Klaus looks back at you, teeth glimmering as he smiles widely.

“What happened with Ui?” you ask, glancing down to see Chuuya passing you a bottle of water. You give him a grateful look before redirecting your attention back to your subordinates. “And where’s Akutagawa?” 

“That ugly journalist confirmed they worked with the Guild to get the footage from your boyfriend,” Klaus says, and even though you knew this, it still makes you feel sick. “... I went by his apartment. It was totally trashed, there was blood on the sidewalk. I’ve spent the past two days trying to hunt down the Guild but I can’t find them anywhere. I was planning on going to the Armed Detective Agency later today to get that one detective to tell me where they are. Figured they wouldn’t be opposed to helping considering they’re getting the shit end of the stick with the Guild too, I heard two of them were trapped for days in an interdimensional space before they were able to get them out.”

“Akutagawa and Kyouka-chan are out doing rounds around the city. Kyouka-chan found one of the lower-ranked Guild members wandering around the city, she’s hoping that she’ll lead her back to their base,” Atsushi adds, answering your second question.

You let out a heavy sigh, looking down at your lap. Apartment trashed. Blood. The water you had just sipped threatens to come back up, you feel Chuuya squeeze your bicep again to try to comfort you, but you don’t care for comfort, you only want Dazai. You want him back in your apartment, back in your arms, you want him safe, you want him.

You want him.

“We’ll get him,” Chuuya promises like he can hear your thoughts. You suppose it’s probably written all over your face. “I’ll do whatever it takes, okay? I won’t let the fucking Guild take him from you.”

He’s spent two days with them. God knows what they’ve done to him to try to get information about you—the thought makes your skin crawl, your chest weighs with guilt. You brought him into this life knowing this risk and you still couldn’t protect him. You need to do something, you need to-

“Chuuya,” you say quietly, “can I borrow your phone?” 

Chuuya’s brows furrow but he nods, passing his phone over to you. You ignore the way your fingers tremble as you type in a familiar number and press the phone to your ear, you wait a few anxious seconds for the person on the other line to pick up.

“Hello?”

“Leo,” you breathe out. “Are you still in New York?”

“You’re okay,” Leo Tolstoy sighs, the relief in his voice palpable. “I saw the news. I figured they wouldn’t be able to keep you locked up long. I’m still here, yeah, I have a flight to Tokyo in an hour. I just had to finish up-”

“Cancel it,” you say immediately, fingers digging into the thin pants you’re wearing. “I need to call in a favor.”

“Hit me with it,” he tells you. “You know I’d do anything for you.”

Good, you think, lips curving up as you tell Tolstoy your plan. 

There’s only one way to force Fitzgerald into giving you Dazai back, and you’re willing to go to any lengths to do it.

“You’re awake,” an unfamiliar voice notes just as Dazai starts stirring awake. “Good.”

He’s been in and out of consciousness for two days now—awake for a few hours, asleep for double that. He almost wishes that the blow to the head had killed him, because each time he wakes up, he’s questioned sharply about you and he’s tired of it. The first two days of captivity, when Dazai was awake, he spent most of his time staring at the ceiling, your words ringing through his head and your twisted expression plain as day. He’s recounted every word of his conversation with you before he fled, he’s noted every place where he messed up and could have done something different to avoid this, he’s felt so numb that he would almost prefer pain and he’s felt so much regret that it did physically pain him.

Now, he’s just irritated. 

Irritated and tired and hungry and most of all, he misses you. Misses you so much that you’re the only thing he can think of clearly. Misses you so much that it makes him sick. Misses you so much that he’s started casting up prayers to gods he doesn’t believe him because he just wants the chance to see your face again.

Thus far, he’s been able to evade answering any questions, but he has a feeling it’s only a matter of time before they start taking more extreme measures to get the information out of him, and Dazai has never been one to deal well with pain. He doubts he’ll be able to get away with lying to throw them off trail for long.

“Nope,” he says tiredly, rolling over onto his side to turn his back on the man. “Still sleeping, unfortunately.”

Dazai doesn’t know who this one is. 

He’s gotten used to the other two over the past forty-eight hours—the redhead is called Mark Twain, a high-ranking member of the Guild whose preferred form of torture is casual conversation. It’s predictable and Dazai, naturally, doesn’t fall for it, but it doesn’t stop him from trying. He comes into the cell with food and water that Dazai refuses to touch and talks to Dazai from the moment he wakes up to the moment he passes back out. He asks about you and the Port Mafia without actually asking about you and the Port Mafia, talks about his own woman back home and bitches about his work with the Guild, seeing if Dazai will chime in with his own commentary and grievances.

Dazai doesn’t, of course—there’s not much he can say about the Port Mafia anyway, the things you’d talked about with him are irrelevant at this point, and Dazai certainly is not going to tell Twain anything about you. He knows that the Guild must be looking for information on your ability and Dazai will be damned if he lets anything about it slip. The most he’ll make is snide comments, hoping to piss Twain off enough to leave, but then he has to deal with the other man, James, who is far less pleasant to deal with. Dazai can hardly stand the sight of him and he isn’t sure if it’s because 1) he’s just unappealing to look at, 2) his head injury, or 3) he still has a grudge over the head injury. 

He thinks maybe it might be all of the above. 

Regardless, the voice of the new arrival is neither Twain’s nor James’s, which means he has a new yet equally undesired visitor. Dazai, naturally, is wary of the unknown. He’d overheard Twain and James talking about Francis getting involved and he remembers that you mentioned the leader of the Guild’s name is Francis Fitzgerald. He has a distinct suspicion that this must be him and Dazai’s only thought is that this definitely doesn’t bode well for him.

“Mister Dazai, please, you need not make this difficult on yourself,” Fitzgerald sighs. “We already have all of the information we need anyway. We want to help you.”

What.

Dazai’s cautious now as he sits up to face Fitzgerald, mind racing as he tries to figure out what exactly he means by ‘we have all of the information we need.’ Dazai has been so careful not to let anything slip—even when he was half delirious from his head wound, he bit his tongue. He didn’t utter a single thing until he was certain that his brain was functioning well enough for him to carefully choose each word he spoke. 

There’s no way that they managed to get anything from what he’d said.

The blonde man sitting on the opposite side of the room is dressed in a fancy suit and wears a watch that probably costs more than anything Dazai has ever owned in his life. He looks unusually earnest as he leans forward, elbows on his knees as observes Dazai. Dazai thinks that he’s decently good at reading people, and he can’t find a hint of deception in Fitzgerald’s face, which leaves Dazai feeling distinctly unnerved, unable to predict what’s about to happen to him.

“I find that hard to believe when your subordinate bashed my head in two days ago,” Dazai replies, keeping his voice light but watching Fitzgerald carefully. 

“My friend, Henry, is quite excitable,” Fitzgerald sighs, faux-remorse dripping from his tone. “I apologize for him, I was very clear that you weren’t to be injured.”

That doesn’t really help Dazai at all. He needs to figure out how exactly he’s going to press Fitzgerald and figure out what he learned from Dazai. Luckily, he doesn’t have to say much at all because Fitzgerald takes it upon himself to continue talking.

“There were some pieces of information I kept to myself during our endeavor here in Yokohama,” Fitzgerald says. “There are too many… rats scuttering around the sewers. It’s hard to tell who’s listening at any given time. Everyone has their own agendas, and there’s just some information that’s too valuable to risk falling into anyone’s hands but your own. Even supposed allies’.”

Rats. Allies. Agendas. Dazai’s mind races as he notes it all down to tell you as soon as you get him out of here. He doesn’t respond to Fitzgerald’s words, waiting for him to make the mistake of continuing his little monologue so he can have more information to report back to you. From what he’s able to piece together, there’s more than just Fitzgerald and the Guild at work here, but you haven’t mentioned any other organizations besides them, which makes him antsy because if you don’t know that this is multiple organizations working together against the Port Mafia… 

You could be in danger.

“I was already made aware of her ability,” Fitzgerald says, watching Dazai for a reaction. He’s careful not to give one, but his words make Dazai’s skin crawl. You’d said that your ability was the most well-guarded secret in the Port Mafia. That only the upper echelon was aware of it. 

So how?

The traitor.

Dazai’s throat swells and it’s much harder to keep his distressed emotions off of his face when he remembers the tip-off that Professor Ui had received about a situation happening at the ports on Shinko, remembers that he alluded to someone within the Port Mafia’s inner circle being the informant, remembers that in his meltdown, he never even told you.

Shit.

“Henry, he is also an ability user,” Fitzgerald continues. Dazai is grateful that he seemingly doesn’t notice his increasing panic. “What Maisie Knew, an ability that notifies him when somebody around him is lying. My intention in bringing you here was not to interrogate you, but to find out if you knew the extent of the manipulation happening around you.”

Dazai blinks slowly, letting the words process through his head. An ability that notifies him when somebody around him is lying… but would that even work on Dazai? You tried to use your ability on him with and without touch and it didn’t affect him, so this one shouldn’t either. And if he wasn’t notifying him when Dazai was lying about knowing nothing about your ability… 

“Henry told me that you were telling the truth when they asked you about your knowledge of her ability,” Fitzgerald says, and Dazai almost hates the pity thinly veiled behind the man’s eyes. He doesn’t like anyone thinking that he doesn’t know something about you, but he lets this slide because it might just work in his favor. “Her ability is a form of mental manipulation. She influences the emotions of people around her to trust and adore her. What you felt for that girl was nothing more than what she wanted you to feel—she’s spent months shaping your mind to make you believe you care for her so that in a situation like this, you would choose to protect her even at the cost of your own life.”

The surprise that shifts across Dazai’s face is genuine—not because of the revelation of your ability like Fitzgerald believes—but because Fitzgerald does know your ability, and he knows it in an alarming amount of detail. He wishes he had some way of contacting you now, but he needs to focus now on figuring out how he’s going to play this.

They didn’t kidnap him to interrogate him. They kidnapped him to try to make him willingly turn against you by revealing all of your ‘manipulations’ in an effort to rattle you into making a mistake. A decent plan, honestly, and if Dazai were anyone but Dazai, it might’ve worked… but Dazai is Dazai—he’s never been affected by your ability, or Fitzgerald’s subordinate’s, or any ability for that matter, and he would rather die than turn against you.

But… would it be better to make Fitzgerald think that he has turned against you? It would be safer for him, surely. If the man thought Dazai was swayed to his side, he might even have a chance to escape… but it could also throw you off if Fitzgerald tells you, and Dazai isn’t sure if he wants to risk that considering there’s apparently other allies of the Guild that you don’t know about. You would see through it eventually, but in those few moments that you didn’t…

Any mistake now could be fatal. 

“She’s in federal custody right now,” Fitzgerald says. 

Dazai almost feels dizzy, hands falling from his lap to the bed to dig his nails into the sheets to steady himself. He knew this—he knew it in his heart when Twain mentioned the flash drive and pointed out the sirens but Dazai had still had hope that you managed to evade arrest, that you wouldn’t have been dragged down by his mistakes.

Fitzgerald is still talking and Dazai knows that he should be listening, but instead his mind racing, thoughts so quick and jumbled that he can hardly get them straight. If you’re in federal custody right now, the last thing you needed was to get out and hear news of Dazai turning against you. You’d be worn thin, stressed, alone. You don’t think clearly when you’re under a ton of stress, especially when people you love are at risk. You try to, but when it gets too much, you shut down like you did at the beach house and you can’t shut down with the Guild at your door and god knows what other enemies lurking in the shadow, preparing to strike.

If you’re in federal custody, then the chances that you’ll see through this is even lower because you’ll already not be thinking clearly. There’s a much higher chance that you don’t see through it, that you think the Guild tortured him until his mind broke and he turned against you. And considering your past with Nakahara Chuuya and his lover, it might be the only logical conclusion your brain comes to.

He can’t risk it. It’ll put you in danger—he’s done enough of that lately, but this time, your life really would be on the line.

Instead, he’ll put his on it. 

“No,” Dazai says suddenly, cutting Fitzgerald off mid sentence. The blonde looks at him curiously waiting for him to continue. “No. I don’t believe you—about her, about using her ability on me. I don’t believe any of it. Get out.”

Dazai doesn’t know how long he’ll be able to pretend to be blind with love—maybe he can convince Fitzgerald that he’s still under the effects of your ability, that might buy him a few days, but it won’t last forever. He doubts that the Guild will kill him if they want him to turn against you to batter you down, and they want him to do it willingly, so they’ll probably spend a few more days trying to convince him before they resort to making him turn on you through force. 

You just need to get to him before that happens.

Fitzgerald doesn’t look surprised by Dazai’s words, but he does look disappointed. He braces himself for the man to press the issue, but to Dazai’s relief, Fitzgerald stands to leave. Dazai needs time to think, time to formulate how exactly is the best way to go about this to buy as much time as possible.

“I figured that would be the case, months under an ability like that takes more than a few days of separation to be free of,” Fitzgerald tells him before he leaves. “Think on it, you could be very useful to our cause… and we could be useful to you too. I’ll be back for an answer.”

“Don’t come back anytime soon,” Dazai replies snidely as the door closes, pulling the blanket tighter around him and resting his head against the wall.

As soon as the door is closed, a heavy feeling settles over his chest and Dazai feels so alone that it makes him sick. He’s become so used to your presence in his life that every moment without you feels like his chest is being hollowed out. The room he’s in is cold and uncomfortable compared to the warmth of your apartment. He wants to be curled up in your bed, surrounded by your scent, wants to be watching some lame movie or forcing you to watch him play an even lamer video game. 

He misses you desperately, and his nails bite into the fabric of the blankets as he tries to ground himself, losing himself in the thoughts of you, praying that you come for him soon.

“Ah! Our resident convict has finally decided to grace us with her presence.”

“Oh, Ace, it’s impressive, truly, how everyday you manage to become more stupid than the last. You must not have any brain cells left in that empty skull of yours… You’re not much unlike a protozoa honestly, ” Piano Man sighs whimsically. When Ace’s face twists in confusion, Piano Man gives him a sweet smile. “That’s a single-celled organism. Basic biology, I fear, thank you for proving my point so quickly.”

“She hasn’t been convicted, you dumb fuck,” Chuuya snaps. “And you sound way too pleased over the matter, should probably choose your tone more carefully considering it was you and your subordinate who got her arrested. Sounds a bit like, I don’t know, treason. Did you betray the Port Mafia, Ace?” 

Wow, you think, they came in hotter than you expected.

You don’t even bother to address Ace as you make your way to your place at Mori’s right side, taking a seat in the chair left empty for you. You don’t look at him until you’ve taken your seat, but even then he gives you no cues, violet eyes watching you listlessly as he waits for you to say something.

Once the circular table is fully seated, your gaze finally flits to Ace.

“Go on,” you say. “Answer Chuuya’s question.”

Ace’s face twists at your words. “That’s a ridiculous accusation,” he says, raising his chin. “That-”

“Is it?” you interrupt coolly. “You pride yourself on the use of your collars and their ability to control your subordinates. Either your collars are not quite as effective as you’ve so ardently claimed them to be or you’ve betrayed the Port Mafia. Which is it, Ace? Both will have consequences, naturally, one will just be more… final than the other.”

Unless there’s some otherworldly interference, Ace is going to die today.

He’s the reason you were arrested. His subordinates are notoriously fearful of him and his ability to kill them with just a passing thought once he has the collar around their necks. The chance of one of them acting on their own to try to kill you is slim to none. And you know that he knows you know he did it just from the amusement thinly veiled behind the outraged expression on his face.

He’s too smug.

Something’s not right.

“Unfortunately, it seems as if my efforts to deter disobedience have gone ineffective concerning one of my subordinates.” Ace waves his hand, lavender eyes meeting yours pointedly as he speaks his next words: “No need to fret, I’ve dealt with him accordingly.”

That… was not anticipated. You’re careful not to react to his words, gauging the reactions of the others in the room trying to figure out if this was something they all talked about while you were being held by the government, but Piano Man and Chuuya look just as appalled, even Kouyou hides her pursed lips behind her fan as she gives Mori a careful look.

Mori does not look surprised as the rest of his executives.

What did you do?

Chuuya is the first to speak, voice low, “You’ve what?”

“A betrayal of this magnitude is not something for an executive to handle alone,” Piano Man says, the airy tone of his long gone as he stares at Ace. “Especially the executive in charge of said traitor. You acted out of line—this should’ve been brought in front of us all before any action was taken.”

“Out of line?” Ace’s voice becomes more mocking now, clearly enjoying knowing something that Piano Man doesn’t after the snide comment. “Not at all, I acted on orders of the Boss.”

At once, the conference room goes quiet. You see Chuuya and Piano Man turn to look at Mori for the corner of your eye, but you keep your gaze trained on Ace instead and he keeps his on yours. He looks entirely too pleased with himself, eyes cool and taunting, the corner of his lips turned up just enough to be noticeable.

“It’s true.”

Mori offers no explanation—he doesn’t need to, he’s the Boss, but you know there’s something else going on here. He never liked Ace, spoke poorly of the man’s easily bought loyalties and undue arrogance. Only gave him the executive position for financial purposes after the Dragon’s Head Conflict left Yokohama in shambles. Let him stay because his arrogance makes him easily manipulated but always keeps him at arm’s length, ready to cut off at the first whiff of betrayal.

And now he’s what? Scheming with the man he’s despised for years against you? Is it punishment for everything that has happened with the two Yakuza syndicates and the Guild? Punishment for Dazai? 

You can’t understand it, you can’t.

You look at Mori from the corner of your eye, blood running hot and only barely able to keep the fury off of your face.

What are you planning?

Mori’s lips curve up as if he can hear your thoughts, eyes flickering with amusement as he looks at you.

You’ll find out, little hime.

“What is Tachibana-kun’s opinion on the indictment?” Mori asks instead, leaning back in his seat and folding his hands over the table as he looks at you.

“He’s going to get the charges dropped,” you reply flatly, nails biting into the slacks you’d changed into before coming to the meeting, suddenly feeling far too cornered as you realize you have enemies around every corner—even within your own home. “This will be over within two weeks.”

“Hm.” Mori sounds more entertained than anything as he tilts his head to the side and studies you. “And the Guild? How do you plan to handle them, little hime? More importantly, that boy you’d been silly enough to allow the information that led to your imprisonment… I trust he’ll be properly handled?”

Putting you on blast in front of all of the executives… Kouyou is watching you carefully, Chuuya is stiff, Piano Man tense, and Ace, of course, is mildly amused. You feel like a circus monkey performing for the lot of them and you know it’s exactly what Mori wanted.

You’re sure not to let your irritation slip onto your face as you smile thinly and reply with: “The Guild will be taken care of by the end of the week. I fear that the boy is not the issue in this situation, Ace would be more suited to answer any questions regarding my imprisonment. Isn’t that right?” 

Ace’s smile tightens. “Not at all,” he says coldly. “What are you implying?”

“That it was your subordinate that had dealings with the Guild, of course,” you say with a sweet smile. “What else would I be implying?” 

“Right.”

“I mean, I do trust that you managed to get information out of him before killing him, right? We’ve all been trained to do that,” you add, raising your eyebrows and tilting your head to the side. “You did get the information, didn’t you?”

“I would like to know how you plan to handle the Guild considering you’ve failed spectacularly up to this point,” Mori intervenes, preventing you from questioning Ace about the ‘subordinate’ that ‘betrayed the Port Mafia’. 

You give him a heavy side-eye, wondering what game he’s playing and why he’s protecting Ace of all people—he must have some plan in the works that involves the man, but what? What could he possibly be using Ace for that’s so important that it makes the cost of keeping a rat in his inner circle trivial? You’ve always struggled to understand the way Mori’s mind works, but never more than now.

You decide to be plain with your accusations now. You’re tired of playing coy; although you’re stuck in limbo now as you wait for Tolstoy to come through with the favor you’ve asked of him, you still feel like you could be doing more productive things to try to figure out how you’ll actually approach Fitzgerald to get Dazai back. 

“I don’t feel comfortable divulging that information in this setting,” you say simply, watching as Kouyou’s eyes widen just a bit, Chuuya and Piano Man share a look, and Ace stiffens as he prepares for a scathing comment, but a motion from Mori has them settling down. “Regardless, I think there are more important issues to discuss. Namely, the setbacks we now have to deal with on the political front because of my indictment. I can reach out to the politicians that I’m close enough with that the accusations won’t sway them, but I worry that we might’ve lost a lot of key swing votes in the upcoming bill going through the Diet.”

“We can’t let that bill pass,” Chuuya says tightly. 

Kouyou sighs airly as she fans her face. “I can reach out to my connections,” she offers. “I assume Lippmann will have significant influence as well. Between the two of us, we can hopefully compensate for the losses. Do you think the indictment will prevent you from ever returning to handle political affairs?”

You purse your lips. “I doubt I’ll be back at any government events anytime soon, but I’ll be able to get work done from behind the scenes. It’ll be harder, but not impossible.”

Kouyou hums as she nods, glancing back at Mori. “If this is all, I had a prior commitment with our friends in Tokyo… It would be best for me to not miss it considering the circumstances.”

“I also have business to handle,” you say, gaze cutting back to Mori. “If necessary, I can meet with you later to tell you about how I plan to handle the Guild.”

“It’s not necessary,” Mori says lightly. “You’re dismissed, I promised Elise-chan tea time anyway. I expect results this time, little hime… Successful ones.”

Your lips tighten. “Of course,” you reply tensely. “I hope by the time of our next meeting, the rat infestation will be handled. I’ve seen a few too many since I’ve been back at headquarters today, it’s unsightly.”

Ace bristles and looks to Mori like a child seeking their parents’ support. How ironic, you think bitterly, but you don’t give anyone time to respond to your words as you rise to your feet and leave the room, intent on getting back to your apartment as quickly as possible. You don’t even wait for Chuuya or Piano Man as you get into the elevator and press the button to close the doors as quickly as possible.

Your gaze is pinned on the cityscape as the elevator begins to go down to the first floor. The sun has crossed its point in the peak of the sky—it’s still midday, it’s been sixty-six hours since you were taken into custody, likely just as long as Dazai’s been captured by the Guild

Sixty-six hours.

The Guild is not an organization that usually stoops to torture. Of all of the organizations in the world’s shadows, the Guild is probably the one closest to the light—they take advantage of it by forcing its members into the public spotlight. It’s why they’ve done so well in Yokohama so far; they’ve used their political presence to force countries into giving them diplomatic immunity, essentially making them untouchable. 

You’re sure they have some degree of blood on their hands, everyone in this world does, but torturing a civilian of a foreign country would be a bold move—if it got out, and you would make sure it did, it would ruin their station… But then again, would they even care?

Fitzgerald was so desperate to get his hands on Atsushi for whatever reason—the bounty and now this… There might not be any length he wouldn’t be willing to go to in order to get his hands on the boy. And Dazai… he wouldn’t give up the information, you know it in your heart. You wish that he would if only so he could protect himself, you’d be able to pivot and readjust your plans, but he won’t, especially not after his spiels about being a burden and wanting to help.

What an idiot, you think desperately, ignoring the way your eyes suddenly sting as you make your way out of the main headquarters to head over to your own building. You’re not even fully processing everything that’s happening around you—you ignore the subordinates that greet you, don’t even hear Albatross calling your name, and when you get to your building, you don’t even notice the doorman sitting at the desk in your building. 

It’s not until you get back up to your apartment that you’re finally able to break down.

Physically and mentally drained from two days in custody and now Mori’s schemes, it only takes the sight of Dazai’s sweater tossed on the back of your couch and his backpack lying haphazardly on the ground next to it for you to crumble. You don’t even make it to the couch—your knees give in as soon as your fingers brush the soft material of his sweater. You hit the ground hard, back pressed to the back of the couch as you pull the sweater down to your knees and you cry.

It still smells like him—well, a mixture of you and him since he’s started using your bath soaps—and you miss him so bad that it makes your chest cave in. You muffle the ragged gasp you take in with the sweater and curl in on yourself; you miss him, you miss him so bad that it’s painful, so bad that regret weighs on you like the burden of the sky, so bad that you think you might die. You’ve felt pain like this before when Itou died, but Itou’s death had not been entirely in your control, not like how this was. 

You let this happen. The moment you let him into your life, you damned him.

You’ve been teetering on the edge of collapse for days, only sheer willpower and the thin shred of pride you had left prevented you from falling apart during your time in prison, but now there’s nothing left to keep you together. Any remaining willpower was obliterated the moment you walked into your apartment and saw his sweater and backpack exactly where he left them before fleeing because of your words; any remaining pride was destroyed by Mori and his schemes refusing you at least some semblance of justice for your own imprisonment. 

Now alone, faced with only the consequences of your own decisions as company, you’re forced to acknowledge the bitter truth: you may never see Dazai again.

You may have gotten him killed.

He may already be dead—spent his last moments alone and in pain, wondering if you were ever going to show up.

You try to convince yourself that Fitzgerald won’t kill him before trying to use him as a bargaining chip over you, but the thoughts are only shallow consolations because you can’t push away the image that’s been haunting you since the day you met him. His body cold and rotting after having been abandoned in one of the dumping grounds the underworld uses as a mass grave, forgotten and nameless, left for the rate to devour. You knew this would happen from the beginning, but you still allowed it.

You’ve never prayed before. 

You’ve long believed that if there was a god out there, it was a cruel one who took delight in suffering because what other god would allow people to suffer the way you have? 

What god would allow an eight year old girl to sit amongst corpses for hours only to be saved by a man who would drag her down a path so dark that her blood would rot black and her soul would be so far beyond salvation before she was even old enough to attend secondary school? 

What god would show someone love only to rip it away before his very eyes in the most brutal way possible? 

What god would dangle the ‘what ifs’ right in front of your face just to taunt you knowing that the moment you let yourself indulge them, you would be reminded exactly why they should’ve remained ‘what ifs’?

You’ve never prayed before, but now, you find yourself crying to any that might listen to you because you don’t know what else to do. There’s no guarantee that your plan will work and you can’t give Fitzgerald what he wants, you can’t. So instead, you cry, you beg, you plead, you bargain. You don’t know what divine being might be out there, but for the first time in your life, you hope that there is one, because you’ve never saved a single person in your life. You got Itou killed, you got Chuuya’s lover killed, countless men on the warfront who were banking on your ability fix their minds, at this point, you’re sure that even the loss of your family and village was somehow blood on your hands—everywhere you’ve been, ruin and death have followed you, and this will be no different.

You won’t be able to save him, just like you’ve never been able to save anyone else before. Your only hope lies in the hands of the very beings that have designed this moment and every other misfortune of yours before this. It’s a sick joke, you think, but still, you pray. You cry, and beg, and plead, and bargain. You ask them to bring him back to you, you tell them that he’s good and that he never belonged in this life; you promise that if they bring him back to you, you’ll do what you should’ve done from the very beginning. 

You swear it.

You don’t know how long you stay on your floor with his sweater pressed to your chest—could have been minutes or hours, you don’t even hear the elevator arriving at your floor, don’t notice someone is in the room with you until you feel fingers brush your shoulder. You stiffen and futilely try to dry your eyes, lifting your gaze to figure out who had entered your apartment without calling up first. There’s only a handful of people it might be and-

And for just a split second, you think that it might be Dazai.

It’s not, of course, your eyes meet the familiar ones of Klaus’s, the expression he wears is full of guilt, regretful, and just as your lips part to ask him what he wants, he whispers: “I’m sorry I couldn’t find him. I really did try.”

You’ve only seen Klaus cry twice before. Once, two weeks after you took him in when he realized he was finally free of the fighting rings he’d been forced to compete in since his ability manifested. And a second time after he failed his first mission, tossed back into a memory that had him curling on the ground begging you not to send him back. Now, he doesn’t cry, but his throat spasms and his eyes shine with unshed tears. 

“I know you did, Klaus,” you say, voice too raspy for your liking

“... I left him alive,” Klaus tells you after a few moments. Before you can ask what he’s talking about, he continues, “Ui. I thought you might want to be the one to deal with him.”

At once, any exhaustion that might’ve been plaguing you disappears, the ice that spreads through your veins promises only one thing.

“Bring me to him.”

“It has been two days since little miss princess was released from prison, how’s that make you feel?” 

Dazai stares blankly at Twain, who looks far too pleased as he tilts his chair back and watches him for a reaction. Dazai wishes that he was closer so that he could kick the chair back and watch him go sprawling, but even if he was closer, his body feels rooted to the bed he’s sitting on. Dazai has alway had a quick brain, but now it’s slow as Twain’s words echo through his head on repeat and he starts to understand the implications of them, unable to accept them as truth.

“Guess she doesn’t care about you as much as ya thought she did.” Twain shrugs like it's all some big joke, grin crooked. “Hasn’t even bothered to reach out to ask us about you. Port Mafia’s been active too, guess she just has more important things to deal with than some kid she played around with for a few months. Francis seems more bothered by it than I thought he would. I think he really thought she’d really fight for you—for your sake.”

Dazai doesn’t respond, gaze sliding from Twain to stare at the wall in front of him. It’s been a long four days in Guild custody. He’s hardly had a moment to himself, and he’s been careful to keep up the act of the lovesick fool who refuses to see things as they ‘are,’ but he’s tired and lonely and he misses you. It’s all wearing him out. 

He can keep up the act—if it means protecting you, he could do this forever—he’s put on masks and fronts for people his whole life, this is nothing compared to all of that… it’s just that it’s harder when he’s had a taste of life with someone who he doesn’t need to put up masks for. It’s harder when he wants nothing more than to just be back in your apartment, basking in your presence. It makes him dizzy with longing and it makes him careless. 

And… he thinks Twain’s words are hitting him a lot harder than they should be. 

“I’m not all too surprised though,” Twain continues absently, waving his hands around. “You’re not anything special, and I heard her boy Tolstoy’s back in town. She doesn’t need you to entertain her anymore now that he’s around.”

For a second, Dazai can see the dams cracking. All of the pent up emotions that have been building the past few days batter the splintering walls holding them back, and Dazai can only barely bring himself to try to reinforce them because now’s not the time for this. But every time he manages to fortify one section of the crumbling dam, another starts to collapse. 

It can’t be true. It can’t be—Dazai knows this, in his heart, he knows it—what you had with him… it was special. It was. (Wasn’t it?) The way you looked at him, no one could look at someone that way and not mean it. No one could speak the words you did and not mean them. There must be something else going on, you must be planning something—you’re not going to rush headfirst into a trap, not when it could end with Dazai’s life in danger and especially not with your past with the Serpent’s Tongue, but…

… but Twain’s mention of Tolstoy rattles Dazai badly. You’ve talked about Tolstoy before to him, and it was always with a certain fondness that made Dazai uneasy, and for a second, Dazai thinks it might be possible that you could just be cutting your losses with him and moving on. Because Twain is right, Dazai is nothing special, and it’s not like the two of you ended off on a good note before his capture—you were mad at him, he was cruel to you, he blamed you for all of this even though he forced it onto you. 

Dazai wouldn’t even really be able to blame you for not coming for him after that; for months, he’s been forcing your hand but when he felt backed into a corner, he threw it all in your face. 

Not even to mention that it might not even be as simple as you coming to save Dazai—there were other factors at play too, the Port Mafia being the biggest. You’re an executive, you can’t just throw everything away to come rescue him when he got himself into this situation after you explicitly warned him that this would happen. 

If you had to choose between him and the Mafia… could he really be certain that you would choose him in that scenario? He wants to say yes, he does, but the word feels weighted and bitter on his tongue, like he knows it’s not quite so cut and dry.

Realistically, you might not come for him. Even if Twain is wrong and it’s not a matter of whether you care about him enough to come for him, there are too many variables that could prevent you from coming for him… but Twain might not be wrong. 

“Mark,” Fitzgerald’s familiar voice chides as the man steps into the room Dazai is staying in. He doesn’t even hear the sigh and comment that Twain lets out before leaving because he’s too lost in his own thoughts.

Dazai has never felt so entirely out of control of a situation like this before—he’s always been so careful and meticulous in his interactions with people and his surroundings because he likes being able to predict how people will act around him, it makes it easier for him to figure out how he should act. He’s even had a good hold on himself, learned how to school his emotions and convert ones he doesn’t like into ones that are easier for him to manage. But everything about this has just been so impossible for him to get a handle on, he’s tried in every way that he could, but the realization of the fact that you might not be coming for him is sending him over the edge 

“I wanted to break the news to you myself,” Fitzgerald says and Dazai feels bitter and angry about the sympathy in his voice, wants to spit at him. He doesn’t need anyone’s pity, much less his, but he only finds himself staring listlessly at the man instead. “I waited a few days to see if she would reach out, but she never did… I’m afraid I can’t keep waiting anymore, I need to move on with the next stage of my plan.”

This is it, Dazai thinks distantly—now is when they’ll finally switch from persuasion to force. He thought he would have a bit longer to figure out how he would proceed and now he can’t even get himself thinking straight to try to figure out how to evade this. His thoughts are scattered and distant and so many different and unfamiliar emotions are battering him from every angle; he can hardly pay attention as the man across from him speaks. 

“I want you to cooperate willingly,” the Guild leader continues, but his words are going in one ear out the other. “... don’t have to worry about them targeting you for betrayal. We have enough resources to shield you from the Port Mafia. Additionally-”

“No,” Dazai says quietly—the refusal slips out before he can even process it.

Fitzgerald pauses. “No?” 

“No,” he reiterates, voice more strained, the words tumbling from his lips. “No, I don’t need your protection. I’m not going to cooperate. I won’t betray her—not for anyone, but especially not you. She’ll come. I know it.”

Something changes in Fitzgerald’s expression at Dazai’s words; it becomes twisted for just a second, but then it softens, his lips curl up into a faint smile. One that’s almost fond, but Dazai can’t understand why for the life of him. 

“I see, so even knowing all of this and realizing that she might not be coming for you, you still choose to stand at her side,” he murmurs. He doesn’t try to persuade Dazai like he thought he would. “There are not many who are able to see the worst of someone and still make that choice… I’ve only met one other… You remind me much of her.”

“She chooses me too,” Dazai says. He thinks, for a second, that he’s only saying it to scare Fitzgerald into realizing that you’ll come for him, but as soon as the words leave his lips, he knows that it’s true. That he believes it. He believes you’ll choose him, he believes you’ll come for him no matter what the cost might be. Even after everything that happened the other day, even knowing that you’ve been free for days and haven’t made any moves to rescue him yet, his faith in you hasn’t wavered. “She’ll come for me, and you’ll regret this.”

Fitzgerald exhales as he rises to his feet, gaze lingering on Dazai for just a moment before he tells him, “For your sake, I hope your faith is not misplaced.”

“The human psyche is unbearably fragile. It’s one of the first conclusions I came to during my studies,” you say absently, sitting back in your chair. “I don’t have a combative ability. I can’t control any elemental force and I don’t have a superhuman body. I can’t summon entities to fight on my behalf and I certainly can’t shapeshift. Chuuya spent a lot of time studying physics to fine tune his power, my path laid in psychology. You see, my ability isn’t flashy or showy like many others, but it is an ability nonetheless, and even the weakest abilities can become dangerous in the right hands.”

Ui Koutarou stares up at you from the corner that he’s curled up in, his pupils are blown wide and his skin is pale and sweaty. You don’t know if he’s looking through you or at you, but you suppose it doesn’t matter.

“Usually, conditioning a human mind to have automatic responses to particular stimuli can take months, but I’ve learned to utilize my ability in a way that can speed up that process from months to days,” you explain, watching carefully as you flick the lighter in your hands. “You’ve realized that, of course, I’ve spent the past two days here rewiring your brain to react to things the way I want it to. You can’t control the way your heart starts racing when you see this flame, right? I can see the way your breath is short, your pupils dilated. You don’t have any reason to be scared of it, it’s harmless, but you’re still terrified. Why?” 

He doesn’t answer, of course, you didn’t say the word, but when you rise to your feet and take a step forward, he scrambles back impossibly further, shrinking into the corner. Your lips curve up as you flick the lighter off and take a seat, watching the way he immediately begins to relax again. 

“My ability isn’t mind control, I fear if it was, my life would be much more simple,” you sigh, looking up at the ceiling momentarily before lowering your gaze back down to him. “I can induce emotions and states in the human brain—the weak-minded naturally are much easier than the strong-willed, but I can make both bend to my will, it’s just a matter of how much effort I’m willing to put into it.”

You tilt your head to the side as you observe him and then pull a pen from your pocket, tossing it in his general direction. You can see the way his chest visibly stutters at the sight of it, breath ceasing, and then he darts to the opposite side of the room. In his desperate flee, his foot brushes the pen and you smile lightly as you activate your ability, watching the way he immediately hits the ground, screaming his throat raw as he curls into a ball. After deactivating your ability, you wait a few seconds for him to calm down before continuing. 

“The human psyche is fragile, but the brain is very malleable. As soon as it recognizes that a certain action will always bear a negative consequence, it will adapt and do everything it can to prevent you from taking that action to avoid the negative consequences.” You lean forward, looking down at him. “It’s recognized now to associate fear with a flame and a pen. You can’t control the way that the sight of either of these two objects make you react—it’s reflexive because your brain has already taken the necessary steps to ensure that you don’t get close enough to either to trigger the consequence that comes along with touching it.”

The flame is a necessary step. It’s easier to force the brain to associate fear with something that is inherently dangerous, and you needed to see how long it might take for you to move on to something that’s not inherently dangerous. It took three hours of conditioning to make his brain adapt enough to have reflexive responses to the sight of fire.

Then you moved onto a pen, because you thought it was ironic for a journalist to fear the same thing he uses to complete his job. That took six hours. 

“When you stayed away from the two objects, I rewarded you,” you explain with a thin smile. “It must’ve been so relieving… all of the pleasant emotions you felt after nearly five days of being locked up here. Happiness, hope, gratitude. I’m sure it was confusing too, because you didn’t know why you felt that way but you were so quick to bask in them that it didn’t matter.”

Ui continues to watch you, so you continue speaking. You think you’re talking more to yourself than to him, you don’t even know if he’s capable of processing your words at this point, but you need to keep yourself busy while you wait.

“When you touched the objects, I punished you,” you continue. “Guilt, sadness, but my favorite is fear. It’s the easiest emotion to induce in someone, it’s not one that I have to actively keep applied because the human mind spirals once it has a taste of it. They call it the mind killer.”

The last sentence tastes bitter on your tongue. It reminds you of Dazai.

“I did the same thing with your ability to speak… Speaking is a voluntary action, it’s a bit different than conditioning reflexive responses, but it still worked. Now, you can’t speak until I say the word, right?”

He doesn’t respond. You didn’t say the word.

“Speak.”

“Yes,” he rasps, voice wet and shaky. “You’re right.”

“I even made sure that no one else could trigger it. I brought Klaus in here and had him order you to speak. Every time you listened to his order, I punished you. Every time you listened to mine, I rewarded you. Do you remember that?”

He doesn’t respond. You didn’t say the word.

“Speak.”

“I remember,” he replies. “I remember.”

“Dazai Osamu was captured by the Guild because you worked alongside them to have me arrested. Isn’t that right?”

He doesn’t respond. You didn’t say the word.

Your voice is colder this time as you say: “Speak.”

“I didn’t mean for him to get kidnapped.” He has the nerve to sound like he’s about to cry. “None of my students, I didn’t mean for it-”

“That’s not what I asked. Speak.”

��Yes,” he chokes out. “Yes, he got kidnapped because of me.”

“That’s right,” you agree, “and he might die because of you too. Was it worth it?”

He doesn’t respond. You didn’t say the word.

“Speak.”

“No,” he whispers. “No, it wasn’t worth it.”

“I know,” you say, more to yourself than him. “But I suppose we’ve all done things that had consequences that weren’t worth it.”

You sigh, glancing to the side to see a figure waiting outside the cell. Chuuya’s face is twisted in displeasure, an unreadable look in his eyes as he stares at you.

“If it were up to me, I would let you live,” you admit. “A journalist too scared to ever pick up the pen again… the man trying to bring down the Port Mafia little more than a puppet for one of its executives… an ironic fate, possibly one worse than death.” 

You rise to your feet and walk to the door of the cell, leaving the room. Before you leave, you look over your shoulder and say:

“Luckily, your fate is not up to me.”

You leave the cell and close the door behind you, looking up to meet Chuuya’s familiar eyes, cool and disapproving.

“Don’t you think you might be going too far?” he asks quietly.

“Says the man who leveled an entire ward,” you reply coldly and he winces at the reminder. “I don’t want to hear anything from you about ‘too far’. If anything, I haven’t gone far enough.”

Chuuya sighs, but he doesn’t press the matter. 

“You should get some rest,” he finally says. “You’ve pretty much been up for two days straight, and I know you didn’t sleep while locked up.”

You click your tongue and look away. “I slept yesterday.”

“For an hour and a half,” Chuuya replies dryly. “Torturing the fuckin’ journalist isn’t going to bring Dazai back-”

“No, but it makes me feel better,” you interrupt, gaze sharpening. 

“Does it?”

“It does, in fact,” you say, giving him a thin smile, “more than you could ever believe.”

Chuuya lets out another sigh, this one heavier than the last. “I’m worried about you,” he says, voice tight. “I-”

“I don’t care, Chuuya,” you say, watching as Chuuya’s face twists in frustration. “I don’t need your concern. I need Osamu back and until he is-”

“This isn’t going to bring him back, you-”

“I don’t care!” You don’t even realize you’ve raised your voice, don’t even register your own movements as your hands dart out to shove Chuuya back hard. He only stumbles a few steps, but he gives you a pointed look. Suddenly, you want to cry again and your voice wobbles as you repeat, “I don’t care.”

He’s right. You know he’s right. Torturing Ui Koutarou isn’t going to do anything to help Dazai. The man is useless, gave information to the Guild that he shouldn’t have, but has no idea their whereabouts or even who he spoke to. And it’s not making you feel better like you claim it is, the sick bit of glee you may feel watching the journalist-turned-husk dissipates quickly whenever the thought of Dazai crosses your mind.

The Guild hasn’t even reached out to you.

You don’t know if it’s a good sign or a bad sign—probably a bad one. If they were trying to use him as leverage over you and the Port Mafia, then they would’ve done that by now. They could be waiting for you to reach out, it would give them the advantage in negotiations, but you can’t reach out before you have something to negotiate with. 

But the longer you wait… they’ll use it against Dazai. They’ll tell him you don’t care to come after him. They’ll tell him you’ve been out of prison for two days, yet you haven’t bothered to reach out to the Guild to get him back. They’ll make him feel worthless and Dazai already has such a poor perception of himself that you fear he’ll believe it, but you can’t do anything yet.

Not yet, but soon. 

Soon.

“The Diet postponed the military bill,” Chuuya says, changing the subject. Your gaze snaps back over to him. “Ane-san just got word from one of her friends in the House of Councillors. They pushed it two weeks out.”

You grimace instantly, shaking your head. “They want to see what happens with the indictment. If it gets dropped or goes to trial. If it goes to trial, we’ll lose more swing votes.”

“I asked Piano Man if he could talk to Tachibana, see what’s going on with getting the charges dropped, I know you have a lot on you right now, but I figured you’d want to know this,” Chuuya murmurs apologetically, squeezing your wrist.

Dazai is gone. The Guild is at your doorstep. There are countless indictments that you’re not sure are going to get dropped. The military bill is still looming over you. God, it’s never ending. You’re so tired.

“I’m glad you told me,” you finally tell him, but your voice is strained. “I’ll figure something out about the bill if the worst case scenario happens.”

Chuuya’s lips part like he’s about to speak, but he pauses suddenly, eyes flickering behind you. A dreadful feeling suddenly hangs over you as you turn around to face none other than Mori—the man never comes to the torture rooms himself so you know he must be looking for someone and that someone is very likely you.

Chuuya takes off his hat and lowers his head. You usually would follow suit but you don’t this time, keeping your chin high as you stare at Mori. His lips only curve up in response to your lack of respect, much to your displeasure.

“Chuuya-kun, may I?” Mori hums, doesn’t have to specify what he wants because Chuuya knows, nodding and excusing himself so Mori can speak to you alone.

His eyes slide away from you to the cell that holds Ui Koutarou. You watch as he looks between the pen on the ground and the way the man is as far away from it as possible. He tilts his head to the side in amusement, lifting his fingers to the chest pocket of his lab coat, pulling out the pen he always has stashed in there before tossing it at him. Ui is unable to dodge it fast enough, doesn’t realize what’s happening until too late.

The moment the pen touches his body, you activate your ability, watching him let out another blood curdling scream before focusing your attention back on Mori, who looks oddly pleased by what he’s found.

“Two days of work?” he questions.

“A little over.”

“How impressive,” he murmurs—for the first time, he says it without the mocking lilt that usually accompanies it and your throat swells, eyes flickering away from him to the wall. 

You know that he’s probably only saying it to try to ease your anger at him, but you can’t help the way it makes you feel after years of trying to get him to say those very words to you and mean them.

“Did you know?” you finally ask him, voice too hoarse for your liking.

“Did I know what?” Mori asks, raising his eyebrows to look down at you with sharp eyes that tell you he knows exactly what you’re asking but isn’t going to make this easy for you.

“Did you know that Ace was setting me up? Was it punishment?” Your nails dig deep into your palms as you wait for a response, so much so that you can feel the blood trickling between your fingers. “Did you?” 

“Of course not, I would never risk our political position so recklessly. Especially with the military bill in the Diet,” Mori scoffs, looking away for a moment before glancing back down at you. “Nor would I risk you so recklessly. You should know that by now, little hime.”

You avert your gaze, shaking your head. He’s only saying this to appease you, you know it, you don’t know why you’re still falling for it. 

“I don’t know anything that goes on in your mind,” you bite back, grateful that your voice is steadier than how you feel. “Why isn’t he being punished then? He betrayed the Port Mafia.”

“I still have something I need him to do,” Mori replies easily, lips curving up into a smile that unsettles you. “... Don’t fret, my dear, when the time comes, you can be the one to handle his execution.”

You click your tongue sharply. “It better be soon.”

You can only define the smile on his face as sinister, and you almost regret your words when he replies, “It will be,” because you don’t know what exactly he has planned for him to be smiling like that.

Before you can interrogate him on what the hell he’s even talking about, Klaus comes stumbling down the steps with wide eyes and an excited expression on his face. He pauses when he sees Mori, gaze darting between the two of you.

“I’ll speak to you later, little hime,” Mori says dismissively—you wonder what he came down here for, he wouldn’t have come to speak to you without some sort of agenda and you don’t know what he would have achieved from this conversation beyond unnerving you. “... Keep up the good work.”

Your throat tightens as he turns to leave, gliding past Klaus who awkwardly lowers his head in respect as he walks by. As soon as he’s out of sight, Klaus turns to you, lips spreading in a toothy smile. 

“Tolstoy is here.”

Your eyes widen instantly. “Take me to him.”

You thought he would be a bit longer. Your chest is tight with anticipation as you follow Klaus to another level in the main headquarters. You were expecting to have to wait at least another day or two for him to complete the favor you asked for him and another thirteen hours for him to fly from New York City to Yokohama. You suppose you shouldn’t be surprised, Tolstoy has always exceeded your expectations, but still… you hadn’t dared hope.

The man is leaning outside the door Klaus leads you to, lips curved up in a familiar smile, blue eyes glittering playfully as soon as he catches sight of you.  

“Princess,” he greets, holding his hand out for you to place yours in. You roll your eyes fondly as the blonde lifts your hand to his lips to ghost a kiss against your knuckles. He winks at you. “She’s all yours.”

You thank him quietly before pushing open the door to enter the conference room in front of you. The woman waiting inside is prim and elegant, wearing a long dress with jewels decorating her neck and wrists. Her expression is cool and closed off at first glance, but you can see the glassiness of her eyes and the way her thin fingers tremble in her lap.

You give the woman a soft smile as you approach, kneeling in front of her and taking her hands in yours. You make sure your expression is gentle and genuine as you look up at her, watching as your ability instantly goes to work when her fingers stop trembling and her own expression softens as she looks down at you.

“Hi, Zelda,” you greet, voice sweet and honeyed. “You don’t need to be scared. I’m a friend.”

When Zelda Fitzgerald lets out a soft breath of relief, the tenseness in her shoulders easing, you know that she’s made the fatal mistake of believing you and your smile becomes a bit more authentic. 

Finally, you can make your move. 

“Come, let’s go somewhere more comfortable. We have a lot to talk about.”

[princesssarisa]

As I've read different people's views on Little Women, I've realized that for different readers, it's a fundamentally different book.

When I see someone describe the "universal" experiences of identifying with Jo, wanting her to marry Laurie, and disliking Amy, I remember all the proof I've seen that these are far from universal. The latter two weren't even my experiences: identifying with Jo, yes, but shipping her with Laurie and disliking Amy, no!

Even people with equal amounts of knowledge of the historical context and of Louisa May Alcott's life seem to come away with vastly different feelings about the story and characters.

I suppose there are a wide variety of reasons for this. First and foremost, which of the four March sisters you personally admire or relate to the most. Then there are other factors like your gender, your age when you first read the book, your relationship (good or bad) with traditional femininity, whether you read Parts I and II as a single novel or as Little Women and Good Wives, your relationships with your own family members, your religion and ethical values...

The list goes on.

That post from @theevilanonblog that I reblogged recently about the different interpretations of Frankenstein makes me want to write out a similar list of ten different views I've read of Little Women. Here it is:

Little Women is about the March sisters learning to be proper virtuous women of their time and place. With Marmee as their role model (a role later shared by Beth as she becomes increasingly angelic in her illness), they learn to conquer their flaws, give up their wild ambitions, and settle down as good wives and mothers. This is especially true for Jo, whose character arc is a slow taming from a rough tomboy to a gentle nurturer. It's a conformist and anti-feminist message, which Alcott probably disliked, but she wrote it to cater to public tastes. (This reading seems mainly to come from critics who dislike the book.)

Little Women is about Jo's struggle to stay true to herself in a world that wants to change her. She struggles with whether to stay a tomboy or become a proper lady, whether or not to marry Laurie despite not loving him romantically, and as an author, whether to write what she wants, write what earns the most money, or give up her writing altogether. In the end, she changes only in ways that make her happy, e.g. by learning to control her temper, and later by embracing romantic love. But in more important ways, she stays true to herself: always remaining slightly rugged, clumsy and "masculine," finding success as a writer, and marrying Friedrich, a man just as plain and "unromantic" as herself, but whom she loves and who respects her as an equal.

Little Women is about learning to "live for others." That phrase is used often and could well be the arc words. Beth is the only March sister to whom a selfless life comes naturally, but the other three master it by the end of the story (as does Laurie). They learn to conquer their moments of pettiness and selfishness, to live in better harmony with each other and with their friends and love interests, and to give up their self-centered dreams of fame and wealth, building lives that focus on service instead.

Little Women is about growing up. The first half is mainly about the March girls' maturing by surviving hard times and learning to be better people, while the second half is about reaching adulthood and bittersweetly parting ways to start new lives. At the beginning, Jo is a girl who doesn't want to grow up: she wants to always be a wild young tomboy with her family (and Laurie) by her side forever. But of course, she can't stop time or womanhood, and is eventually forced to accept the loss of Meg, Amy, and Laurie to marriage and Beth to death. After grieving for a while, she lets go of her old life and willingly builds a new one with Friedrich.

Little Women is about family bonds and the fear of losing them. We meet and become attached to the wonderfully close, cozy March family, which gradually expands through friendships, marriage, and new babies. But throughout the story, the family is in danger of breaking apart, whether due to conflict (Jo and Amy's sibling rivalry, Meg and John's marital problems), or separation by distance (Father going away to war, Amy going to Europe, Jo to New York), or death (the danger of losing Father and Beth in Part I, and the ultimate loss of Beth in Part II). But in the end – unlike in reading #4 above – the family doesn't break apart and never will. Conflicts are resolved, travelers eventually come home, the surviving family members always live near each other and stay as close as ever, and even Beth isn't really gone, because her memory and influence live on.

Little Women is about femininity and each March sister's relationship with it. Meg and Amy happily conform in different ways: Meg to "domestic femininity" as a housewife, Amy to "ornamental femininity" as a society lady. Beth pressures herself to conform to self-effacing domestic femininity, until sadly, it kills her – either because she's too selfless and nurturing when she cares for the fever-infected Hummels, or because she has anorexia, as Lizzie Alcott might have had. But Jo strikes a successful balance in the end, conforming just enough to fit into society, but only on her own terms, and otherwise living a happily unconventional life as a writer and schoolmistress.

Little Women is about Jo's unlearning of internalized misogyny. At the beginning, she's a "Not Like Other Girls" tomboy, who wishes she were male, disdains feminine girls (especially her sister Amy), doesn't care enough when "her boy" Laurie behaves badly toward women, and is afraid to be vulnerable. But gradually, and without losing her strength of character, she learns to embrace the sweeter and more tender aspects of herself, sees that Amy's ladylike manners have practical benefits, and learns to say "no" to Laurie when he turns his childish, unhealthy romantic attentions to her. Then after Beth dies, she realizes how precious Beth's utterly domestic, feminine life was, and embraces a more domestic life herself. Yet by doing so, she becomes a true feminist, as she enters an egalitarian marriage and devotes her life to teaching boys to be good, respectful men.

Little Women is only what US Americans know as the first half. It's just about the March sisters getting by and learning moral lessons over the course of the year their father is away at war. Nobody gets married and nobody dies. Everything else is in Good Wives, which is a sequel with different character arcs and different themes, and which should be published separately, as it originally was and still is outside the US. Trying to tie them together into one narrative never feels quite right.

Little Women is Alcott's idealized version of her own life and family, where no one suffers quite as much as they did in real life, everyone is slightly less flawed, and Jo ends up happily married to a man very much like Alcott's lost love Henry David Thoreau. She wrote the life she wished she had.

Little Women is just a semi-autobiographical slice-of-life that Alcott wrote quickly for money.

Which is the truest to Alcott's intent? I don't know. But while some of these readings I like better than others – and some of them I despise – I'd say they're all understandable and reasonably valid. Some aren't even mutually exclusive, but can be used together... although of course, other readings are mutually exclusive, like whether the story is feminist or anti-feminist, or whether the March family ultimately breaks apart or holds together. And they're all worth using as springboards for discussion.

Alcott wrote more books than she ever realized she did, because Little Women can be many different books to different people.

@littlewomenpodcast, @joandfriedrich, @thatscarletflycatcher, @fictionadventurer, @fandomsarefamily1966

[asidian]

One thing I haven't seen talked about is Crystal's character arc, and specifically the way the timing of it interacts with Charles' arc. They stumble over each other in the worst possible way en route to their respective character growth, and from a narrative perspective, it's absolutely genius.

I'm going to preface all this by saying: none of this is a criticism of Crystal. Part of what makes her such a dynamic, refreshing character is that you don't get to see women in fiction written the way she's been written. You don't get to see women with her flaws that aren't throw-away mean girls or villains. You especially don't get to see women with her traits who learn and grow and become better people. So yeah, I'm going to talk about Crystal's character flaws. No, this isn't Crystal hate. We love our girl in this house. Okay? Okay. Let's start.

Crystal's character arc, at its heart, is all about her learning to be a better person because she has good influences that love and support her for the first time.

When the show starts, Crystal is not a nice person. She's abrasive in a way that's specifically designed to push people away. She's used to getting her own way, and it shows. She's used to having no meaningful connections with anyone, and it shows. She's breathtakingly selfish, in the very literal sense of the definition. She is focused on her self. Her problems are front and center to her; everything is about what she needs, and what she wants, and how she's struggling.

Jenny calls her out very early on. In episode one, Crystal is complaining about the boys, and Jenny, for all her cynicism, strikes right at the heart of the problem. She tells Crystal, "Everybody is always thinking about themselves, all the time." People only care about their own problems. And she says, correctly, that that's what Crystal is doing, too.

This moment is a revelation for Crystal. For the first time, she considers what her behavior looks like from another person's perspective. As she says, she gets mad at herself over it, and that awareness allows her to do something selfless for the first time in the series. She takes a step back and insists that instead of focusing on her problems, they go to help a little girl. It's a big moment for her.

But importantly, she's not done growing as a character here. She's only just getting started.

On my first watch through, I didn't realize how often, over the next few episodes, Crystal redirects things to her problems during conversation, but it's quite a lot. She's still focused on herself – selfish, in that most literal definition of the word. The issues most important to her are her issues. She's starting to learn to think about other people, but she's not there yet. The process is still underway.

Which brings us to Charles.

Charles' arc is a different sort of self-reflection. He's terrified that he's a bad person the way his father was and the way the boys that killed him were.

During the course of the show, he gets systematically stripped of his confidence and made to feel helpless, and just like Crystal needs outside influences to help her reach a more stable place, Charles does, too. He desperately needs reassurance that he isn't everything he's afraid he is.

But my goodness, the timing in their arcs is such a trainwreck when you put them together, and it is brilliant.

Let's start with the Devlin House.

Crystal has some amazing character growth here. She displays genuine concern about Charles, makes an attempt at comforting him, and learns to work with Edwin even though she still doesn't particularly like him at this point.

Charles, meanwhile, is beginning to fall apart. He's just had the worst night of his afterlife. He's been viscerally reminded of how helpless he is. He couldn't stop the Devlins from being killed over and over, just like he couldn't stop his own father's abuse. He messed up his attempted rescue so badly that he was completely out of commission until the case was finished. He managed to help not one single thing. He made no impact at all. He couldn't help those girls any more than he was able to help himself, while he was still alive.

So they get back to the butcher shop, and what do we see? Monty immediately coopts Edwin. Niko doesn't know what's happened because she wasn't there and Charles has been all fake smiles with her. And Crystal goes off with Niko, leaving Charles to flounder on his own in the wake of everything. She's still learning how to support other people. She isn't there yet, and it's extremely on display in this moment.

Then we get the lighthouse episode, and they both get put through the wringer here. Crystal gets her hopes and expectations jerked around by the Night Nurse in the very worst way, and Charles gets hit with a whole pile full of trauma. All that helplessness wells to the forefront again. Combined with being forced to relive some of his worst memories and the desperation to keep Edwin safe from hell, Charles lets himself act on his anger for once.

And what does he get in the aftermath? Horror.

Everyone who cares about him is horrified by what he's done. Edwin goes so far as to call it extreme. They don't know the half of it, of course; they haven't seen what the Night Nurse just put him through. But in this moment Charles is at his absolute lowest, and all he sees is confirmation that he's exactly as terrible as he thinks he is.

That's why Charles shrugs off Edwin's attempt at comfort, here. When he needed to be able to do something to protect Edwin and also himself – when he needed to believe that he could be better than what his father always was – all he sees is the confirmation from the people he cares about most that when push came to shove, he really is a bad guy.

Then comes the aftermath. And this moment is such a brilliant, awful clash of both of their character arcs. It is so delightfully messy.

Because Charles starts to open up to Crystal here. He starts to lay himself bare, the way he ends up doing with Edwin in episode 5. He's on the verge of admitting something that he's been worried about for literal decades. He tells her, "I've been angry for such a long time."

And what does Crystal do? She's still in the midst of her own character growth. She's still struggling to support other people. She's still learning how to. In a lot of ways, though she's made progress already, she's still that selfish girl that Jenny called out in the very first episode.

And she shows it here it with the absolute worst possible timing. No sooner has Charles started to talk about what's bothering him than she cuts in with her own problems. She's tired of riddles and spirits and demons and not knowing who she is. And the look on Charles' face. The moment when he visibly sets aside his own problems, because Crystal doesn't need any more disasters on her plate? It's heartbreaking. You can actually track the subtle change in his expression there. The actor does a phenomenal job.

And then comes the kiss. And what spurs it? Crystal saying she needs something real.

This moment isn't about light-hearted attraction, the way the earlier flirting is. It's Charles setting aside what he needs – comfort and reassurance and a moment to talk through the things that have been tearing him apart – to give her what she says she wants. He can't even feel it. And Crystal isn't far enough along in her character growth here to realize how selfish she's being. Like Jenny said way back in episode one, she's only thinking about herself.

And then comes the absolute unmitigated disaster of episode 5.

Straight out the gate, Charles leans in for a kiss. From his perspective, they have something together; there's affection there. Charles "I think I'd miss kissing" Rowland, who has been starved for meaningful physical contact for thirty years, is not in a hurry to give this up.

But Crystal is fresh out of a nightmare where she conflates Charles with her abusive ex. She withdraws; she calls what they had a distraction. She cuts it off almost as soon as it's started, so focused on her own worries here that she misses how damn fake Charles' smile is, to cover up that he's coming to pieces.

To be clear, she's absolutely not in the wrong here. It is 1000% her prerogative not to jump into a relationship again while she's still struggling to work through what happened with David. But the arc of her narrative is still early enough that she does it all without so much as the awareness that her focus on her own issues has hurt Charles terribly.

And then the episode really kicks off, and both of them are in shambles in very different ways.

Crystal is projecting her issues with David onto Charles. She has a lot of history, and David seems as though he's exactly the right sort of toxic to leave lasting a lasting impact. But Charles hasn't done anything to deserve her assumptions, and he takes the brunt of her temper here and throughout the episode.

Charles is desperately projecting onto the dead jocks. He very badly wants them to be good guys, because he sees himself in them and he needs himself to be a good guy. He snipes back at Crystal for the very first time in this episode, and he does it in the worst way possible, accidentally prodding her where it will do the most damage.

They're both hurting. They both say some truly painful things to one another.

She does not need to hear that she has unsorted hangups about David still plaguing her while she's unable to move past them. He desperately does not need anyone to tell him that he has rage issues while he's still struggling to think of himself as a decent person.

They apologize, in the end. They start to move past it.

But it's telling that Charles doesn't try to open up to Crystal again. He goes to Edwin instead, even though Edwin is the one who called his actions regarding the Night Nurse extreme. He gets the reassurance he needs so badly; he gets the connection he was looking for with Crystal from Edwin, instead. (I have a lot of thoughts on why Charles initially tries to open up to Crystal so quickly, but it is very much an aside, and this is already extremely long, so it will have to wait for another write-up.)

But the important thing here is, Edwin is the one to offer Charles what he needs to overcome the self-doubt eating him alive. Edwin provides the physical affection Charles was seeking in the form of that long-overdue hug. Edwin is the one who's able to reaffirm for him that he's not just a good guy, he's the best person Edwin knows.

And for all intents and purposes, Charles' major character arc ends here.

Charles has a few last little moments to go on the path to rebuilding his own self-image, after this, but for the most part his concerns have been resolved. He saves Crystal in episode 6 and Edwin in episode 7, proving to himself that he's able to make a difference in the face of overwhelming odds. He's not helpless, no matter what the Night Nurse told him; he can be a force for good in the world. By the end of the series, his crisis of self-doubt seems to have been largely overcome.

But it's the conversation with Edwin at the end of episode 5 that really allows him to work through his most pressing issues. Edwin is there to help support him when he stumbles. Edwin provides him the comfort he was looking for while Crystal was too worried about her own problems to notice how badly he needed the help.

Crystal, meanwhile, still has a ways to go after episode 5. The last three episodes are where she does her most important character growth.

In episode 6, she learns some hard lessons about keeping secrets and letting people help and appreciate you even when you can't offer them anything in return. And Charles, importantly, is there for her every step of the way. He consistently offers her physical and emotional support. He models for her, in a very real way, what it looks like to have someone prop you up when you need the help.

And in turn, Crystal steps in to save the boys. She's the big damn hero at the end of this episode.

The breakthrough continues into episode 7. She's so intent on helping to get Edwin out of hell that she literally goes to face her own demons, not for herself for once – not for her own purposes or needs or wants – but because she wants to help someone else.

And episode 8, at long last, brings her to the culmination of her character arc.

Crystal is at her absolute lowest here. Her family, the people who were supposed to love her unconditionally, didn't even realize she was gone. Her precious memories, that she's spent the entire series trying to regain, have showed her that she's not the person she hoped she would be. She's overwhelmed enough that she means to flee, to cut herself off from her new friends entirely.

Then the boys get kidnapped. And just like that, she makes up her mind.

For the first time since the start of the series, she sets aside her most important issues in order to let what other people need take precedence. She disregards all of her own personal concerns and focuses instead on others. She's finally stepped out of those selfish impulses that Jenny calls her out on, all the way back in the first episode. She's finally learned how to support other people when they need it.

Crystal has finally figured out how to be there for others, despite having troubles of her own.

It's a lovely arc, and it's beautifully done.

Charles' is just as touching.

And god damn, but it was a brilliant narrative choice to have their character arcs line up in exactly the wrong way.

[mossyivy]

how about a desperate almost ex-husband leon being extremely needy and trying to get his wife back not to divorce him

Anon, idk who you are but you better become a regular if these are the ideas you throw into my ask box. I took liberty in picking which Leon would best fit and I just... It's Vendetta. I'm sorry, wet street rat Leon just stinks of desperation and in need of attention.

Also I am so sorry this took ages to get to you. I've been on break and was going through it. Hopefully it was worth the wait 🤍

Slight NSFW/Alluding to Sex

Not edited/Proof Read

"Please baby, I miss you..." You listen to the last few garbled words from the old voicemail. You hadn't seen or heard from him in a month. No calls, texts, letters or even the occasional flowers or muffin basket he'd have delivered to your office.

You know you shouldn't miss him. The divorce was for a good reason. Or at least it was supposed to be. You still loved him, he still loved you, but his absence was getting to you. You knew who you were marrying, a government agent who wasn't home as often as he wanted to be. You were left to your own devices often. Left with friends. Friends who talked. Talked about how neglectful he seemed to be. You defended him with your life, knowing the good man he was and still is. They picked him apart in secret, threw his flaws out for display like some kind of rotting carcass you'd see on the side of the road.

But eventually they got into your head about deserving better. So, against all the arguing or begging on his end you asked for a divorce and filed. That was a few months ago. He's not even officially moved out of the apartment you two share yet but you're adamant on being separated.

He on the other hand is trying to hold on for as long as possible. At least you thought he was. He left for work over a month ago and you knew he was back. No state marshall or sheriff showed up to tell you he died.

Maybe he was trying to respect your distance and keep away finally. But then Jill sent you the E-vite...

One of the worst parts of divorcing Leon was you having the same friends. You were both civil. No one took anyone's side so you'd both be invited places, even after the separation. You take in a deep breath, knowing he'd definitely be at this dinner party. It was going to be a struggle but you're a big girl. You can handle anything.

Sucking it up, you step out of your car, fixing your dress in place as you look up at the condominium. Seeing the lights on the shared rooftop space gleaming against the dusk sky. It didn't take long for you to push the door open at the top of the stairs seeing everyone dressed in semi-formal attire. Long puffy sleeves swaying as you pull at the gold locket hanging above the sweetheart neckline. The end of you dress puffing out and brushing lightly against your opaque black pantyhose covered knees. Heels clicking against the concrete of the roof as someone calls out to you.

"Hey! Glad you could make it." Claire, one of the hosts, walks out a small group of people in her dark pink dress. She wraps you in a tight hug looking you up and down.

"Thanks for inviting me!" You look around the crowds of people trying to decipher who's here.

"Last time I saw him was with Chris like half an hour ago. He showed up early." Claire knew who you were looking for. You give her an appreciative nod and tell her you'll be doing your rounds to be polite.

After grabbing a glass of wine you start making your rounds. Feet starting to hurt from your heels, they always killed your ankles. Stepping to the side you bump into another guest and spill red wine on yourself. Turning you see Rebecca with her mouth open, shocked expression on her face, clutching the front of her green dress.

"I'm so sorry," she frantically steps over, examining the blotch of dark red on your dress, "Jill and Claire probably have soda water at their place. Why don't you go ask?"

You quickly find Claire, desperate to not let this stain stick.

"Just head down to the condo. Jill's down there babysitting dinner. It should be done soon actually." You nod, heading down to the condo quickly. Knocking on the door you hear loud footsteps coming towards the door. The door swings open, Chris looking down at you in his charcoal gray suit.

"Oh hey. You finally showed." You smirk, smacking his shoulder before going in for a tight hug. Squeezing you in his arms he lifts you, pulling you through the threshold of the condo. The door shuts as he walks towards the kitchen, setting you down in the doorway. Jill turning her head from the stove. Wearing a dark blue pantsuit.

"Hey!" Dropping the wooden spoon onto the stove she walks over, hugging you tightly. She looks down at your dress noticing the wine spot. "Oh God. It looks like you were shot."

"Red wine and Rebecca."

"Ah. Let me get you something for that."

Jill starts searching the cabinets as Chris leans against the kitchen island, arms crossed over his chest.

"How've you been with... Everything?" Chris grabs his beer off the counter, taking a leisurely sip. Watching Jill out of the corner of his eye.

"I can't complain."

"Yeah you can. You're getting a divorce. Can't be easy."

"Chris." Jill shoots him a nasty glare, standing up straight with a bottle of soda water and a cloth.

"What!? I can't be blunt with her now?" Jill sighs, sliding the stuff across the island to you, watching you grab them.

"You can use the guest bathroom. Our main one is being worked on. It's down the hall to the right. Dinners done so just head upstairs when you're ready."

"Thanks." You nod, walking past them both and down the hall and into the guest room. You don't flick the light on, walking through the moonlight cover room to the door and push your way in. Starting to work on the stain on your dress after. Blotting the wine out slowly, taking your time to draw it out. Working the wine out you look at yourself in the mirror.

Tired eyes covered by concealing makeup and a fake sense of happiness. You really haven't slept well in weeks, since the filing. It was weird going back home alone. A knock startles you out of your staring. You quickly access the damage, deeming your work satisfactory enough. Opening the door you're met with dark circles under icy blue eyes. Stubble surrounding plump rosy lips as he gasps.

Now face to face with your soon-to-be ex-husband.

"Hey..."

"Hey." You two stare at each other for a moment, no one knowing what to say exactly. So you start cleaning up and rinsing the rag.

"I'll be out of your way in a second."

"Take your time." He assures, putting a hand on your lower back as he passes you and steps to the towel cabinet, sliding one of the drawers open and looking for something. You continue to rinse the rag, watching him in your peripherals as he searches. Wearing his old dark blue suit and a white button up open enough to show off his collar bones.

The silence is so awkward you could feel your toes curling in your heels.

"You look good." He speaks looking at you, you shut the sink off looking in his direction with a small smile.

"Thank you." you look him up and down. Taking in the appearance of him being dressed up for once. You always liked him cleaned up. "You look like a nightclub owner."

He chuckles, smiling as he grabs a box of bandaids from the drawer, shutting it with his hip as he starts reaching inside the box.

"You hurt yourself?" The old tinge of worry hits you as he starts walking towards you, presumably leaving.

"Just a little cut. Tried to catch a knife and it didn't work out." He shows his left palm, a cut along the side of his thumb, still bleeding.

"Jesus Lee..." You turn the sink back on and make him shove his hand under the cold water to slow the bleeding. You start washing the blotch of blood already dried on his palm as he just lets you. You're delicate hands scrubbing the shell shaped soap across his paler palm compared to the slight tan of his skin. You feel his right arm move and slide around you, hand on your waist like it's still so natural as he fixes to your side.

You stare at his hand, watching the bleeding slow as you rinse his palm. But you finally notice he's wearing his wedding ring still. The black band that matches yours sitting at home in your jewelry box, collecting dust when it could be getting pawned like your friends suggested. But you've grown attached to it, even if it is a constant reminder of what was. You shake the feeling, turning the faucet off and grabbing the hand towel to dry the area.

"You know, I can do this myself right?" You look up at your reflections in the mirror, it's almost like he's watching you over your shoulder with how close he is. His eyes watching your every action so lovingly. It makes you smile and forget that you shouldn't be feeling butterflies in your stomach right now.

"You never do it right." You tease, feeling his chest press against your shoulder and back. Notes of citrus and buttery sandalwood touch your nose. Making his noticeable lean over your shoulder almost forgiveable as you apply the bandage on his hand. You feel his nose brush against your ear as you throw the wrappers in the tiny trashcan next to the sink.

"Leon... No." His hand squeezed gently as it moves down to your hip, he takes a slow breath in. Letting the scent of your perfume and shampoo fill his senses completely.

"I miss you..." His voice is so soft, his breath against your ear makes a bolt of electricity shoot up your spine and your skin tingle. Goosebumps forming over your arms as you side step away from him. Looking at him again, his eyes look filled with desperation as he tries closing the gap again.

"I've been thinking about you nonstop for the past month." You paw at the bathroom doorknob, opening the door and slipping into the guest bedroom. He quickly follows you into the dim lighting.

"I'm seeing a therapist now." You glance at him, turning away as you try making a break for it.

"Good for you." You misjudge your step and smack your foot against the table next to the door, twisting your ankle in the process. Immediately, you hunch over to grab your ankle and whine in pain.

"Baby..." He leans down looking at your ankle as it starts to swell already. "Come here."

Quickly you're lifted off your feet and being carried over to the bed, reminiscent of your wedding night. Leon sits, putting your legs over his lap.

"You know these heels are bad on your ankles." His hands slight over your heel, pushing the offender off your foot and doing the same to the next. His fingers glide over your ankle making you wince and whimper. "I'm sorry... I can't really see it well with the..."

His fingers pinch against your pantyhose and pull it gently. Looking at you as if asking for permission. His hands glide up your legs, looking at you. Giving a small nods his hands go up your thighs, pulling at the waist and down your legs. Dropping them with your heels. His hands linger on your bare thighs as he stares. Gripping with the tenderness you'd forgotten about, a small huff leaves his lips before you clear your throat.

"Leon..." He snaps back to reality looking at your ankle and rubbing it. You complain again, feeling your heart beat in you leg.

"Good news, it doesn't look broken."

"No shit." He smirks looking back at you, lips turning into a sincere smile as his brows drop.

"Still as snarky as ever..." It's your turn to stare now, watching his hands wander back up your legs and wrap around your knees. Pulling you closer and wrinkle the sheets below you.

"Who would I be without my smart ass mouth?" His eyes drift halfway closed, his body almost completely pressed against your chest with his own. His arm slides around your waist with practiced ease.

"Not my wife." His words flow so naturally. Like no time has past since the separation. Being this close doesn't feel nearly as awkward as you expected it to be. His hands are as gentle as the look he's giving you. That same puppy dog stare only you seem to yank out of the rough and tough exterior.

It makes you crack a smile... A smile you definitely shouldn't be showing so easily.

"I miss you." His voice is soft again, leaning closer into you, cupping your cheek with a callused hand. "Do you miss me?"

"Yes." The answer rolls off your tongue without a second thought. The corners of his lips turning higher, smiling brighter then you've seen in a while. He doesn't waste any time pulling you into his lap, smothering you in his embrace and pulling you into a heated and hungry kiss.

Hands traveling into every available spot on your body. Finally finding his way under the skirt of your dress and pulling your hips taut against his growing desire.

"Lee... We can't right now, they're expecting us upstairs for dinner." His lips meet your neck, kissing across your pulse and to your ear. Hands gliding over your skin as he pulls back from your neck.

"Why would I go do that when I got my favorite meal right here?" You laugh, the noise sounding like music to his ears all over again. Eyes turning to that loving stare, laying you down against the plush sheets and linens.

"Plus, you hurt your ankle. You need bed rest... And maybe I could give you a real reason to limp."

[anotherocean]

THE SEED IN YOUR SOUL:

This reading is about a dream your soul has for you. This is my second PAC reading and it's like a compass for your soul-- something you deeply desire, something that is already occurring on some level, and something that has seeds within you already. Please feel free to pick more than one pile, or pick them all, or just pick one. This is meant to be a glance at something essential inside you that popped out at me, and some advice moving forward toward a more complete realization of it. Please let me know if you found this helpful or if it resonated! :)

PILE I. You are so beautiful to me Pile 1, and your life is abundant with riches. There is SO MUCH peace here. You can finally rest. The energy I see is you on a tropical island swinging in a hammock without a care in the world. You are allowed to take life as slowly as you want. You really appreciate the sensuality of things. Really truly. That’s what makes you rich. The abundance spills forth from there, and you have the money to cover all the basics (and more) without worry. You even have enough money to take care of your loved ones it seems, which is something that matters to you. You want to share so much of what you have, and that's part of what makes you feel rich too. You’ve carved out a gorgeous life for yourself, and that life is just for you. It doesn’t look like a life that anyone has ever seen before. It’s fully YOURS... you invented it! If the word “mine” isn’t your guiding word, it should be. You are learning about all the things that are yours, and it makes you truly rich. You can live your life in secret if you want. Or you can live it very loud and big. There is a duality to you. Somehow your legacy in life is both very small and very huge. You live both a very secret life, and a very public one. You acquaint yourself with the riches of the world and live in true luxury, as personally defined by you.

Advice: You’re coming off of a really hard time it looks like. Recognize the difficulties you’ve been through. Honor them. Address concerns you have about security and how that may be holding you back. Security is your birthright, but it is a state you can feel without obsessively pursuing it and valuing it above all else. RELEASE your regrets for how you wish things could have been. People and situations are flawed. We are flawed. Life doesn’t always take the twists and turns we like, and it’s your time to move on. It’s time to step away from those things and embrace your confidence, your fire, your passion. Aim to complete what you’ve started and begin afresh. It’s the end of a cycle and the beginning of a glorious new one. You are headed for exciting new opportunities and the feeling of inspiration is just around the corner.

PILE II.

My graceful and gorgeous pile 2. Letting your body be completely free makes you really happy, and this is something you feel allowed to do privately.  You are utterly unique and solitude just allows you to stretch out into that.  You loooooooove to be alone, and it is a truly gorgeous thing.  I think a lot of the time solitude gets a bad rap, but this pile is all about the gorgeousness that comes from really getting to enjoy your own company, and the world around you.  You are EXTREMELY sensual and I mean sensual with a capital SSSSSS.  Your greatest joy is pure quiet, and the sounds of nature.  From this place of solitude, and a deep knowing, you find absolute and utter, tranquility.  Maybe this is a pile that has experienced pain or trauma or power struggles but that is all over.  It’s like all the nature you’ve surrounded yourself with has just sucked it out of you completely.  Your body is going to take over.  I keep getting that this is maybe a scary thing, but it shouldn’t be.  You are 100% aligned with something holy.  Deep down I think you know this.  Anyway, the divine will wash over you.  Just say thanks, or say nothing at all, and melt.  You are here for this kind of bliss. You are absolutely absorbed into a spirituality that many people would die to experience just a fraction of.  You are existing on other wavelengths entirely, and what a stunning thing that is.

Advice: You’re undergoing a massive transformation.  Embrace the upheaval you are going through.  Move away from rigid thinking (“this is the way it should be”).  Rules and adherence to rules are not your friend right now.  You will still want to use your mind to think clearly, but be playful and inquisitive as you do it.  Ask a lot of questions and be curious.  Understand too, that emotional pain may be part of the process toward what you most want right now, and that is okay, it will only make your heart stronger and you more beautiful.  Let joy, friends, community and camaraderie lift you up and be part of your healing process.

PILE III

Right away I get the glory of good food!  Of nourishment!  This is just the surface.  You have absolutely incredible, deep-in-your-body physical confidence.  You are an athlete, a chef, someone whose whole world depends on their body.  Still, you are going to the gym, making the smoothies, swimming, dancing, your world is revolving around your physical self.  You get massages.  In a sense you are free to worship yourself.  You are free to worship your world.  Judgements from other people (and there are some) only thrill you, and you might even enjoy the fiery friction.  Sexuality is a part of your life, and it’s tied to your creativity.  You are of the body, by the body and for the body.  You get the pleasure of standing up for what you believe in.  You are some kind of star.  Something old-fashioned even.  Or there is something about the way you live that is old fashioned.  Or your notoriety (fame?) is old fashioned somehow… You are my most musical pile.

Advice:  You are setting out on a brand new adventure right now—how thrilling.  I can feel the potential and excitement.  You are a bit concerned about the long term stability of your plan and it’s holding you back a bit.  There is some hesitation, and it might be hindering your progress.  Don’t be so conservative right now, but also don’t be reckless.  There is a bit of a push-pull between a conservative approach, and a devil may care attitude.  Balance your enthusiasm with steady and thoughtful planning.  Above all else, embrace collaboration and teamwork.  Recognize the importance of collective efforts.  I promise that even if this does not relate directly to your goals, that peripheral collaborations will still help you.  Learn from people around you.  My other word of advice is take time to rest and recollect.  Be diligent, responsible and practical and be in it for the long haul.  There is stability in that alone, which should give you some comfort.  Practicality without conservatism will do you a world of good right now as you set out on your exciting new path.

PILE IV

You are a traveler down to the deepest parts of yourself.  You see the world and different people in the world, and make connections everywhere you go.  You rush hurriedly from one flight to another, and then you find yourself somewhere exotic and your world gets bigger and your whole mind expands.  It’s like the drapes were drawn in your living room for your whole life and now you’ve finally opened them letting light stream in, and even the windows are open and fresh air is finally getting inside.  You see so many things.  Greatest mountains, other oceans, animals and flora and fauna of other worlds.  In a sense you are like an alien walking on earth and just want to see as much of it as possible before you have to leave.  You are so free.  You step so lightly in this world, and with so much joy.  You go to cafes you’ve never been to, shops you’ve never been to, temples and fragrant forests where the caterpillars are huge and orange and you reach out and touch one out of curiosity.  You are a true citizen of the world, and deeply connected to humanity.  Your travels do not alienate you, they deepen your roots to Earth and connect you with your global family.  

Advice: You are on a new path, perhaps related to the material world or financial comforts.  There are real tangible beginnings now.  What’s holding you back are indecision and possibly procrastination.  Let go of indecision and avoiding the task at hand.  Make a decision and move forward with it… at some point in the future it might be appropriate to make adjustments, but not right now.  Right now you must embrace your vision and your confidence.  Be bold!!!!!!!!!  You might encounter worry, fear, anxiety but face it head on.  Don’t try to deny or hide away.  See the fear for what it is and have a direct confrontation with it (sometimes this is the war in our mind).  Persevere and value your resilience.  Say thank you to yourself for it.

=====

I hope you enjoyed this reading! I may eventually do paid services if people want additional info or clarifying questions. Very grateful to help and hope some of this information resonated with you. I had fun doing it and the hours slipped away. Put in my inbox or in comments if you want to see me focus on a specific reading.