#les echos

[fidjiefidjie]

"Guerre et commerce: les deux enjeux du sommet Xi-Macron"

Les Echos 📰

Gif The Man/ Taylor Swift

[debutart]

Debut Art is pleased to announce that we now represent artist Gianluca Folì.

Gianluca Folì is an award-winning Italian illustrator who lives and works in Rome. He likes pizza but doesn't play the mandolin. In more than 20-years of his career, Gianluca has pursued a path of study, of gaze, of search for his own intimate vocabulary. He explores the connection with things, visually referencing the objective correlative in the poetry of Thomas Eliot and Eugenio Montale which clearly represents emotions through things and the breaking of the boredom of everyday life.

Gianluca's images stem from this narrative, transformed into shapes and colours by an alchemical process, with elegant momentum and modulation of the visual. The creative force of his images is balanced by a tightrope walking technique, in a happy and magical balance between drawing and color, between reality and the surreal. The arrival at a more direct code, made of synthesis and simplification, suggesting and evoking rather than simply representing.

Clients include: Epson, Plansponsor, GoDaddy, Feltrinelli Editore, Lonely Planet, Gambero Rosso, Mondadori, Fendi, Taschen, Les Echos, Il Foglio Review, Il Corriere della Sera, Food & Wine, Giorgetti Group, Il Sole 24 Ore, Jacobin Italia, Suzuki Italia, Boston Globe, The Wall Street Journal, L’Espresso, Rizzoli Lizard, Vinitaly, Harley-Davidson, Red Bull, GQ, Alfa Romeo.

[artfulfashion]

Adau Garang Bior for Les Echos April 2023, photographed by Lea Nielsen

[head-post]

French newspapers seek legal action against platform X

A group of traditional media in France has sued Elon Musk’s company X for allegedly failing to comply with a European Union directive written into the country’s law, Brussels Signal reports.

The lawsuit involves Le Monde, Le Figaro, Les Echos, Le Parisien, Télérama, Courrier International, Malesherbes Publications, Le Nouvel Obs and the French version of the Huffington Post.

According to a report in Le Monde on November 12, the publications insist that X has violated the French interpretation of EU law on so-called “neighbouring rights.”

Under a Brussels directive adjusting the bloc’s copyright laws, news organisations are entitled to royalties from social media if content is “republished” on their social platforms.

The media groups argued that X failed to pay them the royalties and also failed to provide them with the necessary data to assess the amount owed by the social media platform.

According to Reuters, an injunction ordering X to hand over the data was granted earlier this year, but the internet giant has yet to comply. A joint statement from the legacy media outlets claimed:

“The revenue from these rights, with the investment that it would enable its beneficiaries to make, is a boost to the plurality, independence and quality of the media, which are essential for freedom of expression and the right to information in our democratic society.”

A court hearing on the matter is reportedly scheduled for May 15, 2025.

Read more HERE

[polishmodels]

Margherita Roversi, Przemek Szubert, Tancrede Scalabre & others on the cover Les Echos, April 2024

Photographer: Thomas Chéné

source: models.com

[unes23]

Ophelie Guillermand for Les Echos Limited Edition by Betina Du Toit

[valerieoualid]

Blinsalida illustre la conquête spatiale pour Les Echos.

Blinsalida illustrates the conquest of space for Les Echos.

[mothmanmilo]

DE characters T-W, second to last batch :0. Fun fact I never actually ran into Ulixes on my playthrough which I think you can tell by the fact that I had no idea how to pose him.

[ayyyy-le-simp]

Let me talk about my man, my husband, Wrecker.

I want him

Like want him

I mean, i agree with SZA, I need a big boy but I need my big boy Wrecker

Wrecker, bae, honey, please come back home, I miss you, the kids miss you, we’re patiently waiting for you to come back. I’ll make your favorite meals, I’ll prepare a whole banquet for you. Pozole, tacos, carne asada, tamales, arroz con leche, honey whatever you want, I’ll cook it for you.

I’ll massage your muscles too.

House is clean and kids are in bed.

Love you, Wrecker 🎀😘

(Guys sorry I’m insane, I have a lot to get off my chest right now)

[archivist-crow]

Echo & the Bunnymen - “The Killing Moon” (1984)

The lead single off Echo & the Bunnymen’s dark, dramatic, extraordinary fourth album, Ocean Rain.

[karhun-kallo]

i honestly dgaf about anyone from l’abc other than like gavroche just a heads up. i’m too busy sexualizing valvert and making jvj and cosette have tea parties in my head sorry

[aaxooli]

is this anything

[artfulfashion]

Adau Garang Bior for Les Echos April 2023, photographed by Lea Nielsen

[swan-orpheus]

Finally rewatched it. Still have many reservations. I cannot fault a bit of the Tantiss stuff technically. Still feels like they had just barely enough time to carry out the mission and the late introduction of the Bizarro Batch, Scorch death, Zillo escape, and Rampart/Nala Se encounter still feel flat to me. Very nice visuals. The music was a little underwhelming at times, almost trite and perfunctory which I found distracting as it has been so striking and compelling all series long. Echo is a highlight as usual and one of the very best parts. But there is an emotional core that feels missing/rushed past. Could have kept the epilogue or not. I very much like the parting visual of them under the tree together. The Hunter and Omega convo is nice. (I am very curious to know why Crosshair and Wrecker need to have eyes on them. What exactly do they get up to??)

Still find it very weird that we do not get Phee (was she cut?). She introduced them to Pabu and the people there and she seemed very fond of them all and a part of their large family. Feels very offputting that she was their ride to the prison and nothing more this season.

So it had a handful of great moments and far too many moments that were necessary to keep things moving but not gripping in their execution. They were not bad if isolated but unfortunately colored by a lack of emotional urgency. Might improve over time if I step around some of the gripes, but I hate that I have to do it. The rescue of the children and the clones felt rushed. The sweeping away of Tantiss was abrupt cause we had to hurry and get back to Pabu. Loved Pabu and I'd honestly swap some of the lackluster action for more Pabu at this point, including the Bizarro Batch and the drawn out capture of the Batch with Hemlock's feeble attempt to be menacing. I honestly was not at all afraid for anyone's survival at that point. It was all show and hot air. Like let's go back to Pabu and meet up with Rex and co, tell stories, and have space margaritas. the end. The Bridge scene was striking but the hug still leaves me kind of numb in the face of it all. The glaring omission of particular people and things felt anticlimactic. Certain things/people/... *coughs* should have been made clearer at the outset of Season 3 so that we could focus on a more emotionally coherent story going forward.

The tree scene on Pabu and Omega smiling over at Echo were definitely the highlight for me. And sheesh, the freaking colors and landscape shots.

[polishmodels]

Margherita Roversi, Przemek Szubert, Tancrede Scalabre & others - editorial "Spring Time" for Les Echos, April 2024

Photographer: Thomas Chéné

source: models.com

[strangeshapedstone]

Echo & The Bunnymen, Isle of Skye, Scotland 1983