#left wing gun culture

[mariathechosen1]

I genuinely need to stop being online. I’m so tired of stupid leftist takes from US-americans that are so clearly just conservative opinions in disguise.

[rs-hawk]

Gender irrelevant, an enthused archaeologist encounters a creature which would change the known history of the entire area, and sets out to track it to its lair for further (actual) research.

Instead, what awaits them is an education in why this thing was worshipped, and why they should start worshipping it too.

This just broke me out of my slump/writer’s block 😍 TW: the Raven Mocker. Light horror smut

You have been studying the development of civilization and population growth in the Appalachian Mountains. It was always your “special interest” as a kid, and now in your early 30s, you’re finally able to devote yourself to it properly. After years of studying everything in books, charts, even occasionally going to Indigenous Cultural Centers to discuss what they knew about their ancestors who lived there, you finally get to get into the field. Yet, there’s one creature that keeps popping up that you can’t get out of your head for some reason is the Raven Mocker. It makes you hesitant, but you push through.

Of course, even as a child your mother told you about them. You always sort of brushed it off because you always thought that it was just stories that your mom picked up from her mom. It’s not like you really grew up in the culture anyway. However, in the mountains, setting up your camp as night falls around you, a shiver creeps down your spine. There’s something watching you. You know it. The primal part of your brain is on sending out high alert signals to every part of your body.

You tell yourself you’re being silly. At worst there’s some predators, but you have a gun, and a fire going. You just want to make your way to a spot where your colleague said he saw some fragmented pottery and what he thought might be evidence of a small band who used to worship something they thought lived in these woods. From what he could gather from the shards, it seemed to be some kind of deity of death. This thrilled you. Against hope, you hoped that you might be able to discover a small, lost village or band that had vanished with time.

With that hope warming your heart and pushing away the anxiety creeping up your spine, you crawled into your tent, finally able to get some sleep. Although it was against the regulations of the park you where in, you left the fire going to ward off animals. You just set an alarm for every 90 minutes to check in and tend to it. That night, you are lucky. Nothing happened. But your recklessness has caught the eye of the very creature who lives in the back of your head.

Every branch you stumble over. Every time a twig scratches your face. Every time you cross a stream or go off trail because of something blocking your path. It’s there. Watching you with a curiosity that it hasn’t felt since it had its own body. How long ago has it been now? It looks down at its rotting limbs, twisting them this way and that. Flexing its wings. Centuries. It’s been scavenging for new body parts for centuries.

The sound of your voice filling the air as you curse a rock you had stubbed your toe on brings its attention back to you. The creature decides to scavenge new parts before approaching you. Just in case you can see it, it doesn’t want to look a mess.

You make your way to another spot you think is safe to camp. That might, you decide not to leave the fire going. You feel safer. More secure. And you’re worried about what might happen if you sleep through an alarm. The thought of being why a giant forest fire sweeps through the mountains makes your mouth run dry. No. It’s not worth it. You shouldn’t have even risked it last night.

Tonight, you curl up in your sleeping bag again, dozing off quickly despite your skittishness about your surroundings. However, you’re woken up by the sound of what at first you thought was a wild hog. Your blood runs cold as you sit frozen, knowing that you’ll be killed. You have no way to properly protect yourself from one, but you were in an area not known for them. After a few minutes of listening, you see a shadow cast onto your tent walls by the moonlight. It’s a bear.

You’re not sure what happens next, but before you know it, you’re laying on the shredded floor of your tent as the bear wanders away after not being able to find the food you’d tied high above the ground. The attack leaves you weak, but you manage to call 9-1-1 and tell them in a gurgled voice where you are. They promise to send park rangers as soon as possible. The woman asks you to keep talking, but your reception is spotty at best. After mere moments, the connection is lost. All you can do now is hope that they get here in time.

The Raven Mocker finds you easily. Even more so than it would have thanks to the delicious scent of your death. It flies over to you, inhaling the sweet scent of your life force. Through blurred vision, and a trembling voice, you ask it for help.

“Please. Just, make it quick,” you ask, knowing what it is as its wings fold behind its back. Those beady eyes peering down at you. “It’s not like they’re going to find me in time.”

It looks at you curiously. Do you really want to die? It can’t decide. Instead, it walks around you before straddling your weak body. It leans close to you, slowly drinking in your life and it leaves your body. You wince, but it doesn’t hurt. Not really. In fact, how gentle its being, the way its holding you as it slowly steals your life, is almost kind. Maybe its the blood loss. Maybe its because you’ve always been scared, and its not that scary. Not really. But you lean up to meet its deformed lips.

The Raven Mocker is caught off guard, even pausing its drinking of you. However, it soon returns the kiss. Its foul tasting tongue invades your mouth, making you let out a tiny sound of approval. The creature hasn’t felt like this in a long time. So long. It had been a long time even when it was a human. Its hands wander, exploring your slowly dying body, but you respond to every touch. Your cunt starts to get wet as it slips a hand between the two of you, palming and teasing it over what little cloth still covers it.

It tears the rest of it off with ease, quickly sinking two of its decaying fingers inside of you. A soft moan escapes your lips as it pumps in and out of you, spreading its fingers to stretch you out. You’re arching as much as you can in this weak state. You’re starting to feel cold, but this distraction is helping.

Before you know it, the creature pulls out its fingers and replaces it with something so large that you can’t help but cry out as it’s crammed inside of you. You can’t even look to see if the cock now jackhammering inside of your wet cunt is human or not. Not that you suppose it really matters. The creature’s wings shield you from the drops of rain that have started to trickle down onto the two of you. It was making you even colder until it shields you.

Its withered hands hold your upper body closer to it as it hunches over you, slamming its cock in and out of you. It bullies your poor cervix and stretches you more than you ever have been stretched. You can feel your life starting to slip more and more away as its talons scratch down your back, though not unkindly.

Precum coats your womb as it crams itself inside of you. To your surprise, you feel something else pushing into you. You try to shift slightly, the pleasure now becoming more of a pain, but it doesn’t let you. Instead, it pushes you to the ground and uses its full weight to pin you there. Before you realize what’s happening, there’s a popping noise, and you’re fuller than you’ve ever been. You grimace and try to move, but the decaying creature on top of you holds you still, decaying and cracked lips finding every soft spot of exposed skin as its wings shield you from the now onslaught of rain.

The cum feels hot. Too hot. Inside of you as it pumps rope after rope into you. All you can do is lay there, slowly slipping into unconscious as your blood pools under you. Just as it pulls out, you hear park rangers. The creature caws as it straights and bursts into a run before taking flight. From a distance, it really does just look like a raven.

The rangers manage to save your life, and the Raven Mocker leaves you alone. Even when you try to call it back, worshipping it for its power. All you can do now is wait for Death.

[responsivethoughts]

The F-14 Tomcat

The F-14 Tomcat, an iconic American supersonic fighter jet, gained fame for its swing-wing design and role as a carrier-based interceptor. Developed by Grumman for the US Navy, it entered service in 1974 and was retired in 2006.

The F-14 Tomcat garnered notable performance records during its illustrious service. In 1974, an F-14A set a world speed record, reaching 1,606.342 miles per hour (2,585.086 kilometers per hour) over a 500-kilometer closed-circuit course. Its remarkable speed capabilities were underscored by its ability to exceed Mach 2.

In combat, the F-14 demonstrated exceptional effectiveness, participating in pivotal military operations such as the Gulf War and Operation Enduring Freedom. Its swing-wing design and Pratt & Whitney TF30 turbofan engines endowed it with agility and versatility, enabling precise maneuvering and long-range engagements.

Armed with radar-guided missiles and a powerful radar system, it was designed for air superiority and fleet defense. The Tomcat played a crucial role in various conflicts, including the Gulf War. Its advanced avionics and long-range capabilities made it a formidable adversary.

The F-14's advanced radar systems, including the Hughes AN/AWG-9 and later the AN/APG-71, facilitated multi-target tracking and engagement, particularly with the AIM-54 Phoenix missile system.

Beyond its performance in flight, the F-14 left an indelible mark on popular culture, immortalized in the film "Top Gun." Its enduring legacy as a symbol of American military power and aviation excellence continues to captivate enthusiasts and historians alike.

Though retired, its legacy endures as a symbol of naval aviation prowess and technological innovation.

[theriverbeyond]

have you seen any breakdown of the political situation on New Rho (in New Rho? is the rest of the planet also populated? I think at one point someone says "down in Ur" but maybe there is an application of 2-dimensional direction terms to 3d space I havent yet thought of). Like who do they mean by militia, who is the government (who is the police?), is there any official house presence, what is the status of the barracks, who manned the spaceport, what power does BoE hold and how are they viewed in the population (Hot Sauce denounces them but who is her faction-that Pyrrha saw her with-then?) and do they know how splintered and farspread it is? what is the siege the blurb is speaking of, just the imperial emissaries showing up?

Also assuming the BoE wings are all named after different planetary settlements which seem in turn to be named after cities in the ancient near east (ur, merv, ctesiphon), why isnt new rho? but i might be misinterpreting this.

Also where does the Empire want non-House humanity to end up? They seem to be turning planets left and right with no endgoal. And how many settled planets might there be?

Sorry I'm dumping this all at you, I havent seen any worldbuilding discussion here on tumblr at all really so maybe you can redirect me somewhere.

Thankies, keep up the good work (posting)

I HAVE seen posts about the political situation on New Rho including analysis posts that were very interesting and I have utterly failed to tag them appropriately, I am sorry -- if anyone who sees this has links to that meta pls add on/reply to help anon!

But to cover the rest of your points:

What is Ur?

Ur is mentioned twice that i can find, in ch 16: Ianthe says that the end has come to the "rebels of Ur", and a person in the crowd says "Ur is fighting".

EDIT: big thank you to @eskildit in replies: "There are four total references to Ur- Corona also says that Judith is in the Ur facility and Kiriona says that the 6th house is "parked outside the Ur system". Could be that Ur is the planet New Rho is located on. While we refer the nine houses as planets, canonically the houses are actually "installations" on each planet with quite small populations. New Rho alone, which is specifically stated to be just one city on a resettled planet, is 3x the size of the 6th house"

It may have been mentioned more times, but Kindle search is giving me the 2,320 times the letters "ur" were used next to each other so I'm ngl I cannot sift through that. Rather than being a city, though, I actually am assuming that Ur is another planet entirely! This is due to multi-planet SciFi in general treating entire planets like countries or even big cities. Like…. planets are huge. There are thousands of different cultures on a planet, but in SciFi planets are often like. One Big City. One Big Country, if you have a particularly ambitious worldbuilder. See: Star Wars, the Nine Houses themselves, etc. not saying that Ur cannot be on New Rho, just that I don't think it is because this is multi-planet Sci Fi.

The militia/civic government?

In chapter 6 a distinction is made between "the militia and the old civic govnerment". Following that, I think the civic government was probably installed by the Houses, as a ruling party that is friendly to them/House interests. I think the militia is a non-unified population of hired guns, that probably revolted at some point priot to the story. It does seem like at least some section of the militia is in power in most of the city, but I do not think there is one coherent government at the moment

Official house presence?

Yes, because there are official cohort barracks. I don't think they have much political leverage by the time NtN rolls around, though

Barrack status?

Under siege due to the people of New Rho hating them/political instability/possible militia revolt, doing badly otherwise because any and all necromancers are suffering from Blue Madness/RB proximity, as seen in ch 20 when Ianthe mentioned some of them were so poorly she had to put them down.

Space port?

I am assuming the civic government/House was originally in charge. unsure of who is in charge during NtN

What power does BOE hold?

Unclear. It seems like BOE itself is fractionated, with a lot of animosity held between different factions, and a lot of both animosity AND collaboration between different factions of BOE, the militia, the population, and the old civic government. It is a very decentralized resistance force, despite sharing a name. BOE do not appear to BE the official government, or BE the militia, though, but I would not be surprised if some groups had ties to one or both. It seems like they have influence both socially and politically but it is unclear what that power is... some factions have some amount of power. Over some parts. But!! it seems that during the events of NtN they had more power than in the past ("best hand they were ever delt", chapter 1)

How is BOE viewed by the population?

My guess is they have mixed reviews. I think a lot of people probably rely on them for resources/protection even if they don't like or fully trust them. I think a lot of people probably see them as extremists and wish they were less extreme (the liberals, u could say). Like Hot Sauce and the gang, a lot of people probably think they aren't radical enough and wish they would resist more, harder, differently. I think a lot of people probably deeply support them, either physically by being part of BOE or by providing resources/etc, or quietly because they are afraid of retaliation by the House or civil government. A lot of the population probably has opinions about BOE versus the militia, BOE verus House, BOE versus the civic government, based on their own interests/position/power. This is a really long answer that can boil down to "idk"

What is the siege?

I think the siege is the cohort being sieged into the barracks. I am guessing there was some sort of revolt in the local government, probably related to Blue Madness weakening the cohort, and they have pushed the cohort into the barracks. , as described in chapters 1 ("the cohort dies like anyone else under seige") and chapter 20 ("the barracks siege").

What group is Hot Sauce in if she denounced BOE?

Hot Sauce specifically calls BOE "fat cats" and "zombie lovers" in chapter 15, after noting that she, Honesty, and Born in the Morning, as well as Born in the Morning's father, are "active" in with an unnamed group at the park. It is unclear what group that is, if it has a name, or if it is organized in any capacity. From what little we know, it appears it is a group of people who are more radical than BOE, which I think is either ex-BOE members that were pushed out for their radial choices/beliefs, or civilians/other freedom fighters that aren't satisfied with what BOE is doing. But beyond that I have no idea

BOE wing names vs New Rho?

So BOE wings are named after historic Earth cities. Ctesiphon, Troia, Merv, Valencia (which is not historic to us, as it exists today, but WOULD be history in 10k years). They are named by BOE, likely to keep connection to Earth, just like BOE people-names. "New Rho", on the other hand, is likely named by the House. Rhodes is a place on the 7th house (see: 7th cavalier is the "Knight of Rhodes"), and I assumed that New Rho was like. The house naming shit. Like how New York is named after York in England, even though that area of land already had a name (Lenapehoking, I think?).

Specifically this difference is important because like, the House is a imperial colonizing force here, and they are naming things after their home system as a part of the imperial violence they are enacting. In As Yet Unsent, Judith notes that the non-house people call New Rho, "Lemuria" -- HOWEVER, in NtN chapter 17, the Angel mentions Lemuria twice in a way that is phrased like Lemuria is Somewhere else, and is Not the city they are in right now ("I was born on Lemuria", "there's still a facility on Lemuria") I am not sure what happened there, honestly. Perhaps an oopsie?

Where does the Empire want non house humanity to end up?

Unclear. Coronabeth notes in As Yet Unsent that even she (who has studied the war in-universe) has no idea what the real goal is. My guess is nowhere, because a forever-war has no end goal. It's a war for resources gained only by literal blood and death. Many analysis could be made about this as an allegory to to oil based forever-wars of today -- I read a few of them and as said before unfortunately failed to tag them, so if anyone has a link and can share with anon that would be awesome! But anyway, I do not think I am smart or learned enough to say a lot beyond this but, yeah. I think there is no end goal to the war besides meaningless revenge and the resources gained via murder, because that's the point. We could learn different in AtN tho! who knows

How many settled planets?

No idea! Thousands. Hundreds of thousands? Hundreds? Unsure! 10k years is a long time, and there are a lot of planets out there in the fantasy universe that could be habitable. EDIT ty @eskildit, unclear how many planets were settled over the course of the Empire, but there are three settled planets by the timeline of NtN: ""Everyone was crammed on one of three planets now, and they all agreed that this planet was easily the worst", from chapter 2

-

Thanks for sending this!! I really enjoyed answering it, and I hope it helped -- sorry if I missed any. Ask more any time!!

[probablyasocialecologist]

The far right aren’t the only ones showing up armed. Across the country, marginalized individuals are forming groups like the John Brown Gun Club and Socialist Rifle Association that claim to be devoted to the idea of community defense. Their rationale is informed by the massacres at Colorado’s Club Q and Florida’s Pulse nightclub, and tempered by a long cultural distrust of the police, who they say have repeatedly failed to protect them from — and in some cases even perpetuated — right-wing hate. 

Many sources interviewed for this story — particularly those who conceal their identities at protests — asked to use pseudonyms, in fear of being targeted or doxxed by the far right. Others were happy to share their names, judging that their public presence — or concealed-carry permits — shield them from harm. All of them, however, agree on one thing: The other side has guns and is willing to use them. The only answer is to be prepared to shoot back. 

[...]

“My community, the South Asian community, has been dealing with this shit for 30 years,” Azad says. “Every year, some dude throws a Molotov into a temple, or spray-paints swastikas on our houses.” 

Gato chimes in. “I don’t want to own guns and do this,” he says. “But I also don’t want someone coming after my wife because she’s a person of color.” 

But in Texas, Azad and Gato say, guns are a necessity — the right wing has them, the law allows them, and being armed is the only way to stay safe. 

“This is the Wild fuckin’ West, man,” Azad says. “We kinda do what we gotta do.”

[boinkingbattlemechs]

Vapor Eagle

First appearing in the Inner Sphere with the arrival of Clan Steel Viper, ComStar operatives were baffled by the intended purpose of the close-combat second-line garrison BattleMech they named the Goshawk for its unusual birdlike design. It wasn't until Clan culture became more understood that Inner Sphere observers figured out what the Clans called the Vapor Eagle was designed as a duelist for the one-on-one fights that are so prevalent in Clan society.

Largely seen only in the Steel Viper garrison forces, the Vapor Eagle was repurposed less as a dueling 'Mech and more a general combatant in the wake of the so-called Hegira War and Clan Jade Falcon's ejection of the Vipers from the Inner Sphere. Reflecting the bitter lessons learned by the Steel Vipers in that conflict, their leadership reconfigured many 'Mechs in their touman to make them better suited to larger and more fluid engagements. The new Vapor Eagle 3 increasingly filled holes in Steel Vipers frontline units that saw action against Clans Snow Raven and Star Adder in the Viper's campaign to secure a dominant position in Clan Homeworlds immediately prior to the Wars of Reaving.

Built around one-on-one duels, the Vapor Eagle focuses a good deal on speed and maneuverability, and its weapons configuration emphasizes close-range firepower. Clad in nine tons of ferro-fibrous armor and built around a 330 rated Extralight fusion engine and an Endo Steel frame, the Vapor Eagle can reach 97.2 km/h on the ground and six jump jets allow it to cover 180 meters at a time. The inspiration for its Inner Sphere reporting name, the Vapor Eagle incorporates large arm baffles much like the venerable Griffin, but rather than blast deflectors the Vapor Eagle uses them more like wings to enhance its jump jets. While not as effective as the later Partial Wing as these stabilizing wings provide negligible lift, with some of the thrust from the torso jump jets diverted over their surface, the Vapor Eagle has very smooth and controllable jump flight allowing precision landings.

The Vapor Eagle features an eclectic and close-ranged weapons loadout, mounting a Large Pulse Laser in its right arm, supported by a single Machine Gun, two Streak SRM-2s and three Medium Pulse Lasers split between its side torsos and rounded out by a trio of Machine Guns in a handgun shaped housing in the left arm. The addition of a Targeting Computer makes its firepower even more deadly as long as it can get its weapons into range. Eleven Double Heat Sinks, half a ton of machine gun ammunition and one ton of Streak missiles are more than adequate for the average Clan Trial.

[justinspoliticalcorner]

Eric Levitz at Vox:

When Vice President Kamala Harris chose Tim Walz as her running mate, many pundits lamented her decision. In their view, the Democratic nominee should have chosen a vice presidential candidate who could mitigate her liabilities, and balance out her party’s ticket — such as Pennsylvania Gov. Josh Shapiro.

After all, Harris had been a liberal senator from one of America’s most left-wing states and then had run an exceedingly progressive primary campaign in 2020. To win over swing-state undecideds, she needed to demonstrate her independence from her party’s most radical elements. And selecting the popular governor of a purple state — who had defied the Democratic activist base on education policy and Israel’s war in Gaza— would do just that. Walz, in this account, was just another liberal darling: As Minnesota governor, he had enacted a litany of progressive policies, including restoring the voting rights of ex-felons and creating a refuge program for trans people denied gender-affirming care in other states. Picking Walz might thrill the subset of Americans who would vote for Harris even if she burned an American flag on live TV and lit a blunt with its flames. But it would do nothing to reassure those who heard two words they did not like in the phrase, “California liberal.”

But there is more than one way to balance a ticket. Or so Harris’s team believes, if the third night of the Democratic National Convention is any guide. On Wednesday night, Democrats used Walz’s nomination to associate their party with rural American culture and small-c conservative moral sentiments, while remaining true to a broadly progressive agenda. Walz may not be especially distinct from Harris ideologically. But he is quite different demographically and symbolically. Harris is the half-Jamaican, half-Indian daughter of immigrant college professors who grew up in the San Francisco Bay Area. Walz was born into a family whose roots in the United States went back to the 1800s, and raised in a Nebraska town of 400, where ethnic diversity largely consisted of several different flavors of Midwestern white (Walz himself is of German, Irish, Swedish, and Luxembourgish descent). Harris is an effortlessly cool veteran of red carpets. Walz is a dad joke that has attained corporal form.

In her person and biography, Harris represents the America that has benefited unequivocally from the transformations of the past half-century — the cosmopolitan, multicultural nation that has greeted the advance of racial and gender equality with relief, and the knowledge economy that’s taken to globalization with relish. Walz, by contrast, was shaped by the America that feels more at home in the world of yesterday, at least as it is nostalgically misremembered — a world where moral intuitions felt more stable, rural economies seemed more healthy, and the American elite looked more familiar; the America that put Donald Trump in the Oval Office, in other words. Or at least, the Harris campaign has chosen to associate Walz with all of that America’s iconography, attempting to make it feel as included in the Democratic coalition as possible — without actually ceding much ground to conservative policy preferences. The introduction to Walz’s speech Wednesday night looked like it could have been scripted by a chatbot asked to generate the antithesis of a “San Francisco liberal.” A video montage celebrated Walz’s diligent work on his family farm growing up, his service in the US military, skills as a marksman, and — above all — success as a football coach. Democrats leaned especially hard on that last, most American item on Walz’s resume. Just before the party’s vice presidential nominee took the mic, a group of his former players decked out in their gridiron garments marched on stage to a fight song (not to be confused with “Fight Song”).

[...] There is some basis for believing that Democrats might be able to win over a small but significant fraction of Republican-leaning independents by wrapping center-left policies in conservative packaging. Some political scientists have found that when moderate and conservative voters are presented with a progressive, Democratic economic policy idea — that is justified on the grounds that it will help uphold “the values and traditions that were handed down to us: hard work, loyalty to our country and the freedom to forge your own path” — some do respond favorably (as do liberal voters, who take no offense at such abstract, traditionalist pieties). Whether Walz tying himself to rural American symbology — or Harris tying herself to “Coach Walz” — will be enough to blunt Trump’s attacks on the Democratic nominee’s supposed “communism” remains to be seen. But the Democratic ticket is at least trying to make right-leaning Midwesterners feel like they belong (even if they do not think like Democrats do).

Tim Walz’s DNC speech last night reflects a broader trend of Democrats reclaiming freedom and patriotism while also selling its liberal agenda. #DNC2024 #HarrisWalz2024

See Also:

HuffPost: With Kamala Harris, It’s Cool For Liberals To Be Patriotic Again

[ritchiepage2001newaccount]

WHY UNIVERSAL BACKGROUND CHECKS ARE JUST AS UNLIKELY AS EVER, UNFORTUNATELY

I'm a leftist (Libertarian-Socialist), who votes progressive, because I live under an "elected" government, and I had thought I had purged the MSNBC/CNN Nation from my friends list, but apparently not, as my timeline is just chock-full of media-driven hysteria over current events, so here's a primer:

"Liberals" who think their arguments are clever or relevant to the Second Amendment are exhausting.

They are not the left; they are just one half of the good cop/bad cop act of the corporate owned fire-hose of bullshit that is the corporate media, and corporate America's governing criminal cartel/duopoly.

Both cults "I like simple and ineffectual 'solutions', because they make me feel like I'm doing something, and I'm just stinky with fear."

There are over a hundred million legal gun owners, who some want to punish for somebody else's crime.

Well, there are some things to consider.

We've been a heavily armed country since 1621, and yet the epidemic of daily mass-shootings didn't begin until 20 April 1999 (Columbine), at a time when gun ownership was at an all-time low, and five years after Clinton's assault-weapons ban, so maybe guns aren't the variable.

Worth noting: One of the first things the "Pilgrims" did when they betrayed the Native Americans, was disarm "King Phillip" and his men.

Maybe, just maybe, dead school-children are the price of the neoliberalism practiced under the "Washington Consensus" of BOTH right-wing authoritarian parties since the 1980's? When your country offers you no prospects, and you become terrified of the future, what then? Fear can make unstable people do desperate things. Add to that a culture of celebrity, and what could possibly go wrong?

Another factor that goes completely unexamined, is the way Ronald Reagan and Tip O'Neill emptied our state hospitals onto our streets, and onto families ill-equipped to deal with the sometimes violent mentally ill.

Thank God, the "solution" is so simple…

Also, 84% of NRA members support universal background checks. The problem is, every time a bill comes up for a vote, Democrats add poison pill amendments guaranteeing defeat in the legislature (and the courts), and then they proceed to tell the TV cameras that "once again the GOP and the gun lobby have voted down background checks and defied the will of the people", or some such nonsense.

If you want to watch Dems sabotage universal background checks (while Republicans roll their eyes and face-palm) in real time, go here:

P.S. You can probably guess which one of these three groups I belong to (Hint: It's the one that's growing and actually decides elections):

LaborPartyNow!!!

P S The line, "You don't need 30 rounds to shoot a deer!" is not clever.

The Second Amendment has nothing to do with hunting tools, toys for hobbyists (target shooting), or even weapons for self-defense.

It's about ARMS!!!

It's about the individual citizen's right to arms, so they'll be prepared to join a militia, not the other way around. ‘Well regulated’ at that time, simply meant, ‘efficient.’ In other words, in order for a muster to be efficient, civilians needed to be already armed.

So the "collective rights" argument has a couple of problems that make it quite unhinged from history and reality.

1) As I've mentioned above, Americans have always been relatively heavily armed. How did that happen in a collective rights paradigm?

2) Contrary to what you were probably taught in school, by the time of the Confederate artillery barrage on Fort Sumter, the war over slavery had already been going on for over six years, and was fought entirely by independent volunteer militia's. Fort Sumter was just the beginning of official involvement by government troops. How did that happen in a collective rights paradigm?

3) In what universe do government forces need to have their right to arms protected?

4) Since when do National Guard members keep National Guard arms (Hint: they're kept at the armory, and have been since colonial times)?

5) Obviously, "Liberals" are stupid.

Again: #LaborPartyNow!!!

P P S That was ENTIRELY the point of the first fruits of dissent, the 10 Amendments we've come to call the BILL OF RIGHTS (which have become a beacon to aspiring democrats all over the world), to protect INDIVIDUALS from the government they had just created. #TrueStory

[your-pal-nebula]

You can call me Nebula, Abel, Silver, Cori, Adaluza, Royal Dandy, Chazz, Razzle Dazzle, Glen, Velvette, Jax, or any nickname that is a spin-off of those (Nebby, Nebs, Luza, Vel, Dan, RD, ect)

Transmasc + agender + boygirl + pangenderspace

Pansexual + aroaceflux + fagdyke

He/It/Xe/She + any space themed neoprounouns

I mostly post about WordGirl, but I have some other fandoms, mainly Stardew Valley, Hazbin Hotel, Sarah and Duck, Wings of Fire, and DQB2. I post about my fandom OCs a lot as well.

I'm an alterhuman. Kinlist below. There's a lot. I'm simultaneously therian, fictionkin, otherlink, songkin, objectkin, and otherhearted. I'm autistic and believe this to be the source of my alterhumanity.

I'm the host quoigenic plural system. I have two brainmade alters, and everyone else is a fictive/introject, all of which are from WordGirl. Brief introductions for all of us below. If a post isn't signed, assume it was made by me. Collectively, we use vae/vear pronouns (no they/them).

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Alterhuman Kinlist:

Theriotypes: Eldritch Dragon, SilkWing, Wolf, Snow Leopard, Peacock, Frog, HiveWing

Kintypes: Nephilim, Buglike Alien, Cyborg, Piglin, Necrozma

Fictotypes: Silver Boxleitner (WordGirl OC), Cori Worst, (WG OC), Adaluza (Hazbin Hotel OC), Velvette (Hazbin Hotel), Royal Dandy (WordGirl), Glen Furlblam (WordGirl), Jax (TADC)

Linktypes: NightWing (Wings of Fire), Living Doll, Shark, Razzle Dazzle (WordGirl OC), Chazz (WordGirl)

Songkins: Every song by Creature Feature

Hearttypes: Axolotls, dolphins, machines/tech in general

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System Members:

Necro/Salem: Brainmade, they/it/he/zhe/corpse, vampirekin, ageless, genderless, intersex, androsexual

Knife/Marisol: Brainmade, gore/fog/shx/shadow, crowhearted, darkness conceptkin, demonkin/analog horrorkin, orchidaroace lesbian, intrusive thoughts holder

Silver Boxleitner: She/Her, mouse copinglink

Cori Worst: She/Her, fox therian

Sketch: She/Her, originally my sister's OC

Tobey Mccallister: He/Him

Victoria Best: She/Her

Dr. Twobrains: He/Him

Beatrice/Lady Redundant Woman: She/Tech/Machine/Cyber

Invisi-Bill: He/It/Wolf, sparkledog, golden retriever, coyote and wolf therian, protecter, self identified guard dog

Big Left Hand Guy: He/Him/Any (yes, neoprounouns included)

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Fandom OCs:

WordGirl: Silver Boxleitner, Cori Worst, Marleen Everwood, Alynxai, Malakai Jackson, Comet Skyrunner, Apples and Oranges, Cat and Dog, Bella Bloodsucker, Razzle Dazzle

Hazbin Hotel: Adaluza, Plushie Guts, Midnight, Violet Vicicous

Wings of Fire: (A lot but mostly) Goldenstar, Bloodseeker, Widow, Borealis, Dreamflower

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DNI:

Prosh1ppers, p0rn blogs, pro/neu/comp contact harmful paraphiles, anti-therian, anti-neoprounouns, radfems/TERFs, radqueers, pro cringe culture, transandrophobia deniers, people who believe in the validity of thought crimes, anti endos/sysmeds (endo neutrals are okay!), queer exclusionists

Please do not involve us in syscourse, queer discourse, or really any sort of discourse against our will. Discoursers are welcome to interact and follow, but please do not involve us in it unless we deliberately join in.

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You see the gun I have in my profile? That's for Justice Cheese shippers.

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My mutuals, who I love and hold very close:

@holdthefuckupwhat @toonycatuwu @emberthearsonist @pennyroks77 @rootbeertime @evaiskindaweird @dreadthedecay @snickerzanddoodlez @thatgayoctopus @jamiesolas @autistic-fuckwad @the-girl-from-dres @inkangeliguess @victoriabestdefender @ratlordsarah @persistinghorrors @therianslaypotato @corvidthedragon @shepherdingthepie @v0id-clawz @nabbit-unmasked @moonlightravensblog @gabriella-sec

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[vaguelyoriginaldrivel]

GANYMEDE

The largest and most important of the Gallilean moons. Continents of ice floating above an unfathomably deep sea, a thin and cold atmosphere barely clinging to its surface. Sprawling tundra of squamous lichens and icy shores piled high with red kelp. So distant from the sun, the dim light of the sky and the soft glare of Jupiter can provide only enough light and heat to sustain a paltry assemblage of primitive flora across most of the world, which in turn supports a meager assortment of radial-beaked rabbits and hexaped moose. At the poles, however, the situation changes. Unlike every other moon in the entire solar system, Ganymede has a magnetosphere, and this electric dynamo produces, when combined with the intense radiation of the jovian belt, a 24/7 aurora borealis, green and blue light dancing across the sky. There, the ecosystem is more advanced, transitioning from tundra and muskeg to scrubland, rolling hills, and, in a hundred-mile basin resting near the north pole, Ganymede’s only forest, an unknown land shrouded beneath the canopies of its towering pines.

The aboriginal people of Ganymede are the Lah-cyg, who look something like two swans sewn together back-to-back, using their twin necks to sling spears, row oars, and perform all the rest of the manipulations humans use hands for. They stand about as tall as men, but, adapted to Ganymede’s low gravity and evolved treading over thin ice and boggy ground, are considerably lighter and weaker. They’re a culturally diverse species, having spread across Ganymede millennia ago and formed into many now distinct peoples, from the canoe whalers of the southern sea to the bobsled-hunters of the deep tundra to the leshy-emperors of the great forest. Though their anatomy is alien, psychologically and behaviorally they are very near-human, even if they communicate as much with their eight flag-wings as their voices and their natural lifespan is near five hundred years.

Ganymede was already under an extraterrestrial yoke when the tsan-chan first arrived. The Garzbhel amphibians, polypous frog things either convergent on or distantly related to the moon beasts of luna, had, from their europan homeward, descended on Ganymede along with the rest of the jovian system, flying across the void of space on the backs of their slave-steeds, the xeno-pegasi known as the Oxarith. From their forts and feitorias of gelatinous stone, they meddled with the affairs of the Lah-cyg, demanding slaves, their compradors and tributaries among the ganymedians given access to their trumpet-spiraled guns to aid in the slave-raids. Ganymede was ravaged by slave-wars, the losers stuffed in cages and hauled across the void to toil and die beneath Europa, the winners given more guns and ammo to capture ore slaves. It was in this context that the Tsan-Chan arrived. The Garzbhel would not bend the knee, and so the Tsan-Chan beat them back to Europa. It was a brief war, Garzbhel void-chariots against Tsan-Chan torchships like roman triremes against 21st-century aircraft carriers - the Garzbhel retreated to the wine-dark seas beneath Europa, collapsed the ice-shafts behind them, and have not emerged in force since. The only ones seen now are the few guerrilla holdouts left hiding out in the uncharted wilds, and the scant few who submitted to Tsan-Chan conquest. The mere passing of the Garzbhel would have been enough to throw their accomplices, the warrior-kindoms which grew wealthy off the slave trade, into turmoil - the Tsan-chan did not even give them that chance. Those old kingdoms are now subjects of the cruel empire, and the entire moon is claimed as a possession by the tsan-chan - though, the control is more tenuous in reality than on paper. Ganymede is the largest moon in the solar system, and much of its vastness remains untouched by human hands (though not by lah-cyg beaks).

The Tsan-Chan, unlike the Garzbhel, do not come to Ganymede seeking slaves. Nor do they come seeking furs, or moss, or ice. From Ganymede they want only one thing - fish. The Tsan-Chan have raised on Ganymede a series of sea-ports, little bays with raised walls and guns on towers, but really the seat of their occupation is their only Gaynmedian city - Nuevo Francisco. The entire city is built and devoted to processing as much fish as possible, gutting, canning, and launching into orbit to provide the rest of the empire with cheap protein from the Gallilean sea. It reeks, of course, of salt and blood and brine - noisy, too, the grinding of the factory-machines, the rumbling of the ship-engines, the constant motion of the task.

The ice-trawlers that feed Nuevo Francisco dredge far and wide and deep, smashing through the delicate ecosystems perched on the iceberg-shelf. These are not the chief target, though - the native species too clever and wild and balanced in appetite and growth for the Tsan-Chan use. What they seek is fish in the true sense, not just the Ganymedian analogues. Hatchery towers spill into Nuevo Francisco’s bay, their insides churning with millions and billions of fry, bred in tanks, genelines broken and spliced and chained to maximize speed of growth, monstrous things as artificial as the ships which catch them.

Of course this monstrous industry has had wide-ranging impacts at every step of the process. The Lah-cyg of Ganymede’s coasts are impacted, of course, whether pushed off the seas directly to make room for Tsan-Chan ships, or indirectly by the competition, mauled by the malformed jaws of the hyperagressive terran frankenfish or poisoned by their unnatural flesh. So to is the natural life - anything in the path of the dredge-nets, is annihilated utterly, but the impact extends beyond the reach of ice-trawlers and their piscine quarry. Many of the species who rest on Ganymede’s icy shares dive for their food, and so the ravaging of the coastline has threatened them, and with them all the parasites and predators who attack them on land - the loss of this quarry driving starving carnivores inland, with it’s own knock-on effects. Even the fauna of the void above have suffered, the vacuum-pelicans which once dove for fish coming up more and more with empty beaks, and without the nutrients of their dung the high mountains and dead comets on which they nest struggle to survive. Ganymede’s seas are deep beyond measure, and the neritic zone which man has touched barely a fraction of it’s true extent, yet the easy life of the starlit waters is vital to the life of much of what lives below, but unlike land and sky the depths of Ganymede’s seas are truly unknown… few can even dream of what stirs below.

things I couldn’t figure out how to fit in the post:

Nuevo Francisco, and the tsan-chanese on ganymede more broadly, are by-and-large deep one hybrids - actually part of the reason why they stock the seas with earth-fish, because their abilities to call fish into nets don’t work on alien species.. there’s no full-blooded deep ones though because the true deep ones are on tenuous terms with the tsan-chan anyways and are frankly just not well-suited to the long transit to Jupiter, being enormous and requiring lots of space and water.. confinement in a metal can barely their own size for several months would be nearly unsurvivable

As always, the impacts of colonization has driven many Lah-cyg into the city to try and find work because their traditional lifestyle has been made impossible.. mostly been relegated to domestic work, wiping windows, scrubbing floors, peeling potatoes, etc -

Lah-Cyg essentially stone age because there’s no metals to work, best they can really get is good rocks from the gravel of the rocks embedded in some parts of the ice but they mostly work with bone and leather.. tundra and muskeg and stuff makes for poor agricultural soil, a few peoples in especially fertile regions able to get by with chinampas but by and large everyone’s either a fisher, hunter, or herder.. canoes mostly inuit-style umiak.. “Leshy-Emperors”, the people of the great northern forest, wealthiest, most advanced and last really independent Lah-Cyg state due to monopoly over wood trade granting historical wealth and in modern times cover of the forest shielding from Garzbhel and Tsan-Chan invasion

Mi-Go presence on Ganymede is very, very limited - a few emmisaries have been sent to try and torment rebellion among the Lah-Cyg but the lack of both mineral resources not buried under a million miles of uncharted water and much in the way of men of learning to brain-can means they care little for the moon itself

something something black citadel city of the billion-year past spawn of yuggoth, architecture similar to the prison-temple of ghatnoathao, inside a brother-god of ghatnothoa and rhan-tegoth but a dead one.. medusa-motifs dictate that chryasaor-style thing stalks inside, sea foams with horrid-flapping things that emerge from the sea-foam and fly off into space.. this original birthplace of the Oxarith pegasi, who instinctually fear it knowing that it would destroy them to know their own origins

Ganymede in the dream is a solid shell of ice, no seas no nothing, with enormous chains wrapping across the entire planet.. dreamers wander its surface shivering and freezing. . strange groaning beneath the ice

this is because the entire planet is a prison for horrible elder-gods held at it’s core, confined beneath the deepest ocean in the solar-system under countless layers of ice.. as secure as can be, great cthulu only gets one ocean on top of him instead of like five.. secure in the dream, where they’re awake, less so in the waking world where the ice is cracked

[sapphirerubydragon]

I stumbled across a song called "take me home" by Jess Glynne that is so Gwen centric that if there was a scenario where she was to sing something to anyone at her most valuable (specifically Miles and his family), it would be this song! It has so many references (the falling, the haunting, the freaking gun scene!) that I can't NOT think of Gwen the first chance I heard it

I love Jess Glynne! But never heard this song before. Another song for my play list! This idea of home and homelessness is such an anchoring motif in ATSV. Especially when we contrast Miles's own firm home foundation which then influences such a strong sense of self. Miles's background is enriched on so many levels, although he is Spiderman, he has two invested parents, a stable school and home life, a surplus of relatives in the form of an extended family, a wealth of cultural heritage both borinquen and African American, the early and resonant influences of his uncle and a loyal connection to the melting pot heart of Brooklyn. On the other hand, Gwen's idea of home is so volatile and chaotic such that she has to run away from it.

I feel like she ran away from home mentally before she actually left George when Miguel and Jess intervene. The spider society and Hobie's place become temporary homes but Miles is the only person who feels like home to her. I actually have an exposition on this in my fic in an earlier chapter. Thanks for asking this question I'm going to link it to some concepts in a later chapter. If things go well with my landslide of exam marking I should have another chapter up before the end of the year.

Anyways, yes to your observation on this song's Gwencentricity. Home isn't just a place like a house is. She seeks belonging and can't find it with the Mary Janes but she finds it with Miles and her own band. And I believe, eventually with her dad and Miles's parents.

Her rapid spiral and descent contrast so starkly with the put together façade she presents in ITSV. Her fractured, imperfect self is something that brings her shame but I think she's learning that with honesty and acceptance - they are features that will bring her strength.

Thing is, Miles needs to leave home to spread his wings and grow. And Gwen needs to come home to ground herself and grow. They're both the same in terms of their numerous parallels but they're also the same in terms of their symbiotic relationship, deliberately reflected in features like their symbolic colour coding - Gwen's white ghost like suit and Miles's black wraite like suit, emblematic of yin yang if you will. One brings to the other what is needed and receives from the other what is needed. Miles grows as an individual by learning when to separate from the group think and Gwen grows with the group by learning how to collaborate instead of operating as an isolated variable. Still, both know the merits of teamwork and family (Miles) and trusting yourself and your gut (Gwen). They both learn from each other and teach each other. My favourite aspect of the connection is that these overlapping connections aren't black and white and absolute but very fluid and layered. Their discovery and valuing of home won't just happen on an internal and interpersonal level between themselves but also what they'll give communally and I'm sure we'll see the fruit of all this in BTSV.

P. S. I saw your note about meaning vulnerable and not valuable! 💜

[xtruss]

Opinion: Town Sums up the Delusions of the Right Wing

The embrace of the country star’s anti-city ‘modern lynching song’ by Republicans encapsulates their nostalgia and paranoia

— Arwa Mahdawi | July 20; 2023

‘Small towns are full of “good ol’ boys” who were “raised up right”. Cities, meanwhile, are hotbeds of violence … and diversity.’ Photograph: Wade Payne/Invision/AP

Jason Aldean is a country music star and a big fan of law and order. He loves the law so much, in fact, that he’s willing to take it into his own hands.

If you come to his (imaginary) small town and disrespect a cop or engage in any sort of protest, you will regret it.

Such is the theme of Aldean’s new song, Try That in a Small Town, which is all about how the singer and his pals will aggressively deal with unseemly behaviour on their turf. A sample extract: “Cuss out a cop, spit in his face … Well, try that in a small town / See how far ya make it down the road. / Around here, we take care of our own …”

A little later in the song Aldean elaborates further on what might happen if lines are crossed. “Got a gun that my grandad gave me / They say one day they’re gonna round up. / Well, that shit might fly in the city, good luck.” He is, it would appear, referencing a conspiracy theory that the government is going to confiscate Americans’ guns to impose martial law.

Try That in a Small Town was released in May but when the music video came out last Friday it generated immediate controversy. The video leaves little doubt as to what Aldean is trying to communicate: it intersperses footage of him singing in front of Maury county courthouse in Tennessee – the site of the lynching of a Black man, Henry Choate, in 1927 – with footage from protests, looting and civil unrest. Small towns are wholesome, the message is. Full of “good ol’ boys” who were “raised up right”. Cities, meanwhile, are hotbeds of violence … and diversity.

That last bit isn’t spelled out – it’s not like Aldean yells “I’m a massive racist!” in the middle of the track – but the dog whistles are difficult to ignore. The song has been called “a modern lynching song” by detractors and the video was pulled from Country Music Television (CMT) on Monday. (While CMT has confirmed the video was taken off rotation, it hasn’t put out a statement as to why.) Fellow country star Sheryl Crow has also voiced her disapproval. “There’s nothing small-town or American about promoting violence,” Crow tweeted on Tuesday. She further noted that Aldean should know better, “having survived a mass shooting”. Crow was referencing the shooting at Las Vegas’s Route 91 Harvest festival in 2017: the deadliest mass shooting by a lone shooter in modern US history. Aldean was performing and got out unscathed. He was lucky. Sixty people were killed and 867 injured. Those people weren’t killed and injured by a Black Lives Matter protester. They were killed by Stephen Paddock, an angry white man from Iowa.

Try That in a Small Town has generated a lot of criticism, but it also has fervent supporters. Including, of course, GOP lawmakers. “I am shocked by what I’m seeing in this country with people attempting to cancel this song and cancel Jason and his beliefs,” the South Dakota Republican governor, Kristi Noem, posted in a video on Twitter on Wednesday. The Tennessee house GOP leader, William Lamberth, similarly tweeted: “Loved this song since it was released and will continue to fight every day to spread small town values … Give it a listen. The woke mob will hate you for liking this song.” Sarah Huckabee Sanders, the governor of Arkansas, also didn’t miss the chance to stoke a little culture war. “The Left is now more concerned about Jason Aldean’s song calling out looters and criminals than they are about stopping looters and criminals,” she tweeted.

Aldean, for his part, is furious at insinuations there is anything racist in his song about shooting outsiders who come to his little country town.

“In the past 24 hours I have been accused of releasing a pro-lynching song,” Aldean tweeted on Wednesday, “and was subject to the comparison that I (direct quote) was not too pleased with the nationwide BLM protests. These references are not only meritless, but dangerous. There is not a single lyric in the song that references race or points to it – and there isn’t a single video clip that isn’t real news footage.”

If Aldean isn’t trying to make a point about the Black Lives Matter protests, what is Try That in a Small Town about then? Community, apparently. “When u grow up in a small town, it’s that unspoken rule of ‘we all have each other’s backs and we look out for each other,’” Aldean wrote on Instagram when he launched the video. “It feels like somewhere along the way, that sense of community and respect has gotten lost.”

Jason Aldean, from the ‘small town’ of Macon, Georgia. Photograph: Amy Harris/Invision/AP

Perhaps you’re wondering which quaint small town Aldean grew up in. The answer is: he didn’t. Aldean is from Macon, Georgia – a city with a population of about 153,000 people. Now he lives in Nashville, a city with a population of approximately 700,000. The small town he’s singing about is a product of his imagination.

But that’s conservatives for you. Last month Nikki Haley tweeted about how much better the US used to be back in the days before marginalized people had rights. “Do you remember when you were growing up, do you remember how simple life was, how easy it felt? It was about faith, family, and country,” she tweeted.

Was the past really that easy for the former South Carolina governor? By her own admission things have got a hell of a lot better for people who, like her, aren’t 100% white. “Years ago I was disqualified from a pageant because they didn’t know whether to put me in the white category or the black,” she wrote on Facebook in 2012. “I was neither. Tonight I watched my daughter get first place in her school pageant. God has an amazing way of bringing things full circle.” God also has an amazing away of depriving people like Haley of self-awareness.

Aldean’s song doesn’t just epitomize manufactured rightwing nostalgia, it also encapsulates rightwing paranoia. People on the right are obsessed with the idea that big cities are violent hotbeds of crime where you risk your life every time you nip out for a pint of milk. In reality, however, big cities tend to be safer than small towns. A 2013 study by the University of Pennsylvania, for example, found the risk of death from an injury was more than 20% higher in rural small towns than in larger cities. “Cars, guns and drugs are the unholy trinity causing the majority of injury deaths in the US” one of the researchers told NBC News at the time.

The pandemic, to be fair, saw a rise in violent crimes in cities. But even still, you’ve got a better chance of living a long, healthy life in a city. A 2021 US Centers for Disease Control and Prevention report on mortality data from 1999 to 2019 found people living in rural areas die at higher rates than those living in urban areas. That’s because they have less access to healthcare and are more likely to live in poverty.

So what’s next for Aldean? Well, I’ve got some good news for all the Republican lawmakers screeching about how unfair it is that Aldean has been cancelled by the woke mob: he’s going to be fine. Indeed, he’s going to be more than fine. Country music (and America) has a way of opening its arms to people accused of racism and making them feel right at home. Just look at Morgan Wallen, for example. In February 2021 TMZ published a video of the musician drunkenly yelling the N-word during a conversation with a friend. He was shunned from polite society for a few months but made a rapid comeback. He won album of the year at the Academy of Country Music Awards in 2022. His song Last Night is currently in its 14th week at number one on the Billboard Hot 100. If it sticks there a little longer he’ll beat the 19-week record currently held by Lil Nas X’s Old Town Road, featuring Billy Ray Cyrus.

While people on the right may be railing about Aldean being “cancelled”, the sad truth is that this will probably help his career. He’ll go on Fox News and yell about wokeness. He’ll wallow in his imagined victimhood. His song will probably be played in rallies for the next Republican nominee for president. Aldean hasn’t been cancelled or silenced – his message has been amplified.

[liskantope]

I think part of the reason I tend to get so argumentative nowadays about "what your side proposes kills people" -type political talking points is that it seems that this is being used more and more frequently as a rhetorical bludgeon, mainly (though not entirely) from the Left. There's a lot of shutting down of arguments based on "but HUMAN LIVES", and it's begun to feel to me like a disturbing trend. For instance, a good bit of the rhetoric in favor of shutting down schools in 2020-2021 seemed to center on "here, look at my computation that the expected value of children's lives lost if we don't shut down schools is greater than zero; anyone who disagrees with us doesn't VALUE HUMAN LIVES", with the effect that a lot of us (including to some extent me) were blinded for a long time to the absolutely devastating effect such extensive school shutdowns (in some geographic areas) had on children and their whole families, an effect that is still scarring them today. I'm not saying anything about whether or how far those school shutdown policies went wrong, just that they had very substantial harmful effects that don't vanish relative to the VALUE OF HUMAN LIVES.

Then there's the now-everyday claim that the anti-trans culture warriors "ARE KILLING US [TRANS PEOPLE]", which is true under a particular interpretation of "killing" and tragically true to an extent pretty well beyond some vanishingly rare extreme cases but is also transparently being used to drown out most other aspects of the debates around trans issues. Much more disturbing still is the accusation I now semi-regularly see casually flung that conservatives "actively want us [trans or LGBT+ people in general] dead" (I think I've occasionally seen left-wing variations on this that aren't even about LGBT+ people). A couple of months ago I called it "stomach-turning" ("it" being both the content of the accusation itself and the fact that so many people in our cultural discourse have seen fit to use it; this of course was semi-willfully misinterpreted by someone as my saying that trans people turn my stomach), and I reiterate now that it's still completely turning my stomach. This example is different from others in some fundamental ways, some of which make me more sympathetic with why people feel driven to use it (and it's not being used to drown out completely unrelated issues, for instance, like the guns thing is), and the general rhetorical weapon of "the other side wants to kill us" deserves its own effortpost which I intend to write later this summer.

So anyway, yeah, I'm also getting a kind of short fuse around insinuations of "what they show kids in school won't kill them, but guns could, so that's the only issue involving schoolchildren that anyone should care about" that I now see daily.

Of course, invocations of "my cause is the one whose stakes directly involve life or death so it outranks everything else" isn't exclusive to the Left at all. The Right has been doing it for decades with abortion to shut down both the abortion debate and whatever unrelated debate they didn't want to have ("millions of babies are being MURDERED each year, while liberals obsess over [women's bodies] [or] [just about any totally unrelated issue which appears frivolous next to MURDER]"). I also vaguely remember something that sounded like this in the post-9/11 years ("we're the ones looking out for Americans who might be KILLED in the next terrorist attack, that has to be the only priority right now"). And there was that bizarre "death panels" accusation around 2010-2011 when Obamacare was being debated which I guess might also count.

Only loosely related, but I'm reminded of a moment in the very first vice presidential debate, between Bob Dole and Walter Mondale in 1976, where Dole invoked a computation of the number of deaths in wars the US engaged in under Democratic versus Republican presidents, and apparently he got a lot of blowback from how underhanded this rhetorical move came across.

[cbk1000]

Hi there!

Ive recently stumbled across your works, and I just wanted to say that I enjoy your writing soso much!! Each time i read any of ur pieces, i feel ever so blessed that i can read them for freee,,, ??like wow!! I absolutely love your characterization of arthur, and any piece of banter you write never fails to make me laugh!

Your writing style is so addictive, ive honestly found myself missing it when I read anything else. Because of this, id like to ask if you have any book recs? hehee anything that inspired that brain and writing of yours seems like it would be a worthwile read!! From ur alltime favs, or recent favs, comfort books, or books that gave u personal epiphanies, pls feel free to not hold back !! (If its not too much trouble)

And once again, thank you soso much for all your lovely works!! 💗

I LOVE talking about books, so thank you so much for this ask. This is a very truncated list of some of my favourite authors and books because if I wanted to talk about all of them, that would be a post as long as one of my fics.

First up is Terry Pratchett, who I came to rather late; I just started reading Discworld in 2020, despite @clonemaster-general and @jinxedwood telling me years earlier I should read him, so they should feel free to be smug about the fact that I ignored their sound advice for a long time and then went, "Ok, where do I sign up for the cult" after reading approximately one (1) Pratchett novel.

Discworld is a fantasy satire series that's over 40 books long, but those 40+ books simply take place in the same world and do not have to be read in order, although I would recommend reading any subseries featuring the same characters in order (the City Watch books starting with 'Guards! Guards', the Witches starting with ''Wyrd Sisters' etc.) Pratchett did write some non-Discworld books, although the bulk of his very large body of work is that series. He was a very gifted writer who was able to present the stupidity and injustices of humanity in a way that made you laugh and feel that it's bearable to live alongside these things. No other author has made me laugh so much at dumb little puns or dick jokes and then suddenly slapped me with a banger of a line about human nature.

'The Once and Future King' by T.H. White. A retelling of Malory's 'Le Morte d'Arthur'. It's silly, it's touching, it asks why humans go to war. If you're tired of relentless grimdark, this book shows you that a novel can explore serious themes and ask serious questions of its readers while also being a bit silly and stupid, because like suffering, silliness and stupidity is an intrinsic part of the human experience.

'The Left Hand of Darkness' by Ursula Le Guin. I could really just say, "All of Ursula Le Guin's stuff" because I've read several novels, a ton of her short stories, plus most of her essay collections and I've loved them all, but I wanted to mention this one particularly because Le Guin was examining our ideas of gender and society in the fucking 60s and I'm tired of hearing right-wing nutjobs bang on about trans people like they're some alien species newly landed on our planet to kidnap our children. Also, what I love about Le Guin's sci-fi is that she was concerned primarily with the culture of alien societies, not laser guns, and her world building is incredibly deep in that regard. Her father was an anthropologist, and you can see how his studies shaped her writing.

'The Lymond Chronicles' by Dorothy Dunnett. I love me a good swashbuckler, and these are some good swashbucklers. There's also some really beautiful prose that really evokes the landscapes of 15th century Europe, and her action/battle scenes are some of the most gripping I've read. The caveat with this one is that I actually don't like the main character all that much; he's a real special guy who speaks all the languages, is good at all the things, is a master strategist at 20, and is hot to boot. But the story is told mostly through the POVs of other characters that get caught up in his exploits so you're not stuck in his insufferable perspective, and I found the books overall (there are six in the series) very hard to put down.

'The Count of Monte Cristo' by Alexandre Dumas. The OG swashbuckler, really. Shipwrecks! Duels! Poison! Revenge! People just don't do dramatic adventure novels like Dumas anymore.

'War and Peace' by Tolstoy. I can't not mention this; I've read it twice so far in English and once in Russian. Tolstoy was an amazing observer of human nature. Also, he clearly thought Napoleon was a little bitch and reading about him from the perspective of a Russian novelist is quite entertaining after reading about him from Victor Hugo's perspective.

'Les Miserables' by Victor Hugo. I also have to mention this one. Yes, there are very lengthy asides on the Parisian sewer system. In the middle of a chase scene. But tbh, Hugo was curious about everything and while maybe he talked about every single one of those things a bit too long, it still endears him to me. Also, he was known more as a poet than a novelist by contemporary readers, and even in translation I think the fact that he was a poet really comes through in the prose.

Also, really anything by Patricia McKillip if you want dreamy, poetic fantasy that feels like being dropped right into the middle of a fairytale where magic has no hard rules and is something a bit wild and dangerous and beautiful.

I also read a lot of non-fiction, so I'll just list a few of my faves: 'Survival in Auschwitz' by Primo Levi; 'The Gulag Archipelago' by Alexandre Solzhenitsyn; James Herriott's 'All Creatures Great and Small' series; 'Landmarks' by Robert Macfarlane (but really any of his nature writing; this one I liked particularly because it's about the power of language to evoke a sense of place and how our vocabulary for the natural world is slowly being subsumed by our increasingly technologically-driven world). 'The Demon-Haunted World' by Carl Sagan, which was written in the 90s but if anything is even more relevant today as we struggle with parsing the mythology of pseudoscience and the real-world harm it perpetuates.

And I read a fuck ton of poetry, so I'll just rattle off a list of some of my favourite poets: Wilfred Owen, Isaac Rosenberg, Siegfried Sassoon, Rupert Brooks, Edward Thomas (I also love his nature writing), Alexandre Blok, Pushkin, Ursula Le Guin (she's primarily known as a novelist, but she has some very good poetry as well), Mikhail Lermontov, Anna Akhmatova, Alexander Pope, Tennyson (particularly Idylls of the King), Seamus Heaney, and Yeats.

Anyway, this is a small sampler of books I've read and loved.

[smokeygrayrabbits]

vash is an old man. and a hoe. and a dumbass who doesn't learn his lesson. and a optimistic romantic.

vash is so in love with humanity. always running to their side, following them through the desert no matter how many times he gets burned, or shot or stabbed or abandoned. after the fall, he latches onto the ship 3 people. they take him in, they become his family. but he can't stay with them. he only puts them in danger by hanging around by syphoning off of them. a waste of space and resources and time. a plant who only takes, and he has so much to do. so much to repent for. so he goes out to find others. and he helps them too. repairing tech, building towns, taming the Thomases and hunting worms, all of them learning to live again, together. vash grows to love humanity even more than he ever throught he could. he'd read their stories and seeing their work on the ships, learning from their curiosity and their cultures. art and language and science and discovery, but now he sees them as people, he learns the old women on the corner makes the best donuts, but hates the cold. he learns that the little boy who lives in the third house down likes to watch the glowing worms and loves his mom. he lives with them and loves them, but vash has always had a habit of getting . . . too attached. he falls in love with every person he meets, and then he has to go they chase him out. run out of town by flames and bullets and angry, terrified screams. he loves every days and everyone, but sometimes he falls a little too hard. there was the barmaid with the green eyes and the laugh like the popping of a soda bottle that neither of them ever got to hear. there were bullets and a sad smile with a scarlet drip drip drip from the upturned corner of the softest lips he'd ever kissed. there was the inverters son who wanted to touch the stars, with his mechanical wings and flying machines that vash helped him build. with flames and crashing and shattered bones. a broken feather falling from the wing, from where vash had lovingly tucked it as a good luck charm.

vash tried not to get too attached after that.

and it worked! . . . until he met the the daughter of the local baker and the gun woman who'd been terrorizing the nearby towns, not that he was supposed to know that. her eyes were so full of life and passion and anger, so mad at the world that turned it's back on her father, yet still kind enough to save a stray dog from the cruel kids who decided to spend their afternoon chucking rocks at it. vash tried to keep her at arms length. he really did. but she took one look at him and decided he was a shady asshole who needed to be kept and eye on, and what was he supposed to do with those flaming eyes on him all day?!

nothing ever happened between them. she said she couldn't love someone with a death wish couldnt stand to be loved by someone who couldnt love himself. so he left. and she grew old.

she still writes him, every few towns he'll find a letter from her, all addressed to 'the angel with the watercolor eyes' in beautiful loopy handwriting. he can't forget. he doesn't want to.

he visits her, sometimes. she's old and grey now. dried out in the way a life in the desert does to someone.

it breaks him to go back there. to return to the one town that never chased him out in a hail of bullets.

he goes back.

she isn't there.

but there's a pair of twins with her flaming eyes, and they gasp at the sight of him.

'look! it's grandmas angel! I told you he was real!'

[theconstitutionisgayculture]

The far cry 5 confused me, like ever played Assassin Creed 3? Like they did a good job showing the difference between American ideals vs what Congress did.

Like they outed George Washington historical orders to burn down native villages during the Seven Years War and how Congress screwed over the natives after the revolution

But like there was a subset of side quests called the Homestead missions, that showed the American dream. People from different walks of life coming together to make something different, something better, second chances and such.

And journalists was surprised that the normal town folks wasn’t racist to you if your character was non white? I mean, they would be weary of you regardless of race or gender as you are a Marshall so still an outside. Also one of the first marketing for 5 had a black priest show he getting armed to protect his town from the cult

But…the game humanized American townsfolk better than Hollywood been doing for the past decade.

Like a parade of American gun control…despite a French Canadian company executing our ideas better our own entertainment industry.

When you have a chance can you answer this anon? I’m a black American and I thought they did it well.

I've played Assassin's Creed 3 and I didn't really like it, but AC3 really doesn't have anything to do with my point about Far Cry 5 other than providing more evidence of Ubisoft's political leanings.

Ubisoft is a French company run and staffed by mostly left wing people. When they make political statements in their work, those statements are always pushing the left wing side of an issue. Far Cry 5 is very clearly supposed to be a game making fun of rural, religious life and American gun culture. They have two different characters who are large parts of the story who exist solely to make fun of Southern Americans, one of whom is a blatant MAGA stand in. The other is that character's son, a stereotypical stupid redneck who only gets some character development beyond that when he starts going against his father's beliefs. The bad guys are all white and religious and mostly male, while the good guys are multicultural with a lot of female characters. The main character is a federal Marshall and it's that main character who is the catalyst for the good guys finally pushing back the cult. It's not too difficult to see the message there being something along the lines of "rural prepper types who pride themselves on being self-sufficient need the government's help to protect themselves". The intent with Far Cry 5 was very clearly, at least in part, to mock "right wing" ideals and American rural culture.

But what they actually ended up doing was writing a love letter to those ideals and that culture. They ended up portraying most rural folk as accepting and competent people who just want to be left alone to live their lives, and who will do the right thing when they come up against a difficult situation. They ended up illustrating why the second amendment is so important by showing how an armed populace is necessary for fighting against tyranny when the police/government/etc can't, or won't. And yes this tyranny was a cult and not the government, but the point still stands. The fact that Ubisoft ended up "executing our ideas better our own entertainment industry" was by accident because they really don't understand the issues they're commenting on. They're a bunch of left wing French people who have never experienced rural American right wing culture trying to portray that culture from within their own left wing echo chamber, while also needing to tone down the political commentary to sell a video game to the very people they're trying to mock. But even the mockery that does get through ends up backfiring when the metanarrative overrides the written narrative. They focus so hard on making their bad guys out to be right wing religious nuts that they don't realize they're making their good guys out to be a much more numerous population of normal right leaning people fighting back against the extremism on "their" side.