#lee jong suk edit

[hoodwinkme]

[kdramaspace]

POTW #94: Pick your favorite multiverse/parallel universe drama (as voted by our members and followers)

W: Two Worlds (2016) | dir. Jung Dae Yoon

[kpop-locks]

꒰ ˀˀ ↷ lee jongsuk ; simple ”♡ᵎ ꒱

like/reblog | @exolyxions

don’t repost our work or claim it as yours

[drramaesthetic]

[drunkonluv]

I've always liked to play with fire

-  Sam Tinnesz

[dramalocks]

☇✈ lee jong suk; simples+ name edit ♡❞

☇ like or reblog ⋮ @cafofinho

☇ don’t repost our edits

[capapers]

𓈒 ׁ ᥉꯭weet ᑲ⍺ke̫s ⃝🍪 𓈒 𓆇 ˚ actors & actress korean

𝓑yㅤ 𔘓⁩̯ @cafofinho ׄ⠀ only simple

[sailorresources]

Lee Jong-suk - 250x400px avatars

by mars

DO NOT remove credits, please! / NÃO remova os créditos!  

like or reblog if you use / curta ou reblogue caso você usar  

[suavis-nook]

ROMANCE IS A BONUS BOOK 2019 || Lee Jung-hyo

[kpop-posts]

◌⃘  ׅ ׄ 🥝̷ lee jong suk lockscreen

[leixinyus]

It is so wild to see the revival of the Namsoon/Heungsoo feels among people, but it be caused by Saint/Shin and High School Frenemy, a show that I'm not watching and whose viewers maybe haven't watched the original. Like, if you were there for School 2013, you know how subtly yet intimately queer Namsoon and Heungsoo's story felt, and that too at a time when South Korea had yet to include actual queer characters in pretty much any shows! From what I can remember – it's been over a decade since I watched School 2013, so I may be misremembering – Namsoon and Heungsoo's friendship never seemed like it was written with queerness or the LGBTQIA+ community in mind (not in a homophobic way, though! Just the feeling I got back then). Like, these were just two high school guys whose platonic love toward each other was so intimate and heart-aching that their friendship seemed to transcend all of the dynamics that male friendships in Korean dramas hitherto had had, without ever seeming to be intentionally written as such.

These characters were played by two incredible actors who brought so much rawness and depth to their characters and the story, and throughout the show, Namsoon and Heungsoo's friendship seemed so... accepting? and gentle with its depiction of a close male friendship, yet it simultaneously felt so open to and understanding of possible interpretations of the more romantic kind. And seeing as how, even today, close male friendships easily end up as targets of the shipping culture, Namsoon and Heungsoo's friendship just seemed(/seems) so refreshing and almost ahead of its time in a way.

There is so much that I'd want to say about how significant Namsoon and Heungsoo's friendship felt to me in the K-drama landscape of the time, but, alas, my memories of the show and their story have become blurry with time and currently only exist within me as feelings of immense warmth and gratitude to the writers (Lee Hyun Joo and Go Jung Won) and the actors (Lee Jong Suk and Kim Woo Bin), and thus I can't fully express myself by actually providing concrete examples to justify my feels, or by giving proper references to that time of K-dramas and portrayals of friendships, same-sex friendships in particular. Anyway, I guess what I'm trying to say is, thank you to High School Frenemy for introducing the story of this friendship to a totally new audience in a totally new country and also an arguably much different drama landscape (here I'm referring specifically to the abundance of QL stories in Thailand).

TL;DR: I hope everyone new to the Namsoon/Heungsoo (Saint/Shin) story – assuming their dynamic is the same in this remake – is as insane about their arc as I was back in 2013, lmao. And to those who were there for School 2013 and are now watching High School Frenemy, how are you? Are you okay?

[rorygifs]

PUBLIC COMMISSION!  —  lee jong suk in bik mauseu/big mouse/big mouth (1.04-06) // by clicking on the source link you will find #356 gifs. all of the gifs were made by me, so do not claim them as your own or edit in any way without my permission. please, like or reblog if you find them helpful or use them.

content/trigger warnings: police, hospital, eating, violence, jail, flashing light, fire, weapon

[kdramaspace]

POTW: FAVORITE KIM WOO BIN DRAMA (as voted by our members and followers)

SCHOOL 2013 학교 2013 (2012) Dir. Lee Min-hong & Lee Eung-bok

[theonemyleejongsuk]

FanArts/Edit STATION🙎‍♂️

From Archive

Appreciation Post to all Lee Jong Suk's Fan Artists.

Wanna share these: Figure mid-course

Post Caption: First of all, the expression is better than the original photo

He said he thought it would be better to smile a little more, so he did it that way.

From hairstyles to facial features, facial expressions, clothes, posture, etc.

(so cute...amazing, one pics in different poses😲😊)

📸©️https://gall.dcinside.com/board/view/?id=jongsuk&no=361775

Posted 08 Aug 2018

Thank you for sharing🙏

My @jongsuk0206 #LeeJongSuk is life.

@MyLeeJongSuk2 (our Twitter)

#이종석 #李鍾碩 #李钟硕

#อีจงซอก #イジョンソク

#Decibel #BigMouth

Reposting 08 March 2023

[drramaesthetic]

[ulkaralakbarova]

After a deadly earthquake turns Seoul into a lawless badland, a fearless huntsman springs into action to rescue a teenager abducted by a mad doctor. Credits: TheMovieDb. Film Cast: Nam-san: Ma Dong-seok Yang Gi-su: Lee Hee-jun Choi Ji-wan: Lee Jun-young Han Su-na: Roh Jeong-eui Lee Eun-ho: Ahn Ji-hye Kwon Sang-sa: Park Ji-hoon Teacher: Jang Young-nam Tiger: Park Hyo-joon Yeon-su: Seong Byeong-suk Madame: Jung Young-ju Ju-ye: Lee Han-joo Director Choi: Park Sang-hoon Director Oh: Ahn Seong-bong Ju-ye’s Father: Jeong Gi-seop Ju-ye’s Mother: Kim Young-sun Western Grandfather: Sin Sin-beom Western’s Mother: Hong Yi-joo Film Crew: Production Design: Jo Hwa-seong Sound Supervisor: Kim Suk-won Editor: Nam Na-young Special Effects Supervisor: Jung Do-ahn Adaptation: Ma Dong-seok Lighting Director: Song Hyun-suk Director of Photography: Byun Bong-sun Production Sound Mixer: Jung Gun Producer: Choi Won-ki Makeup & Hair: Nam Ji-soo Special Effects Makeup Artist: Pi Dae-seong Digital Intermediate: Lee Hye-min Production Design: Park Gyu-bin Original Music Composer: Kim Dong-wook Editor: Ha Mi-ra Martial Arts Choreographer: Heo Myeong-haeng Writer: Kim Bo-tong Executive Producer: Byun Seung-min Martial Arts Choreographer: Yoon Seong-min Original Story: Kim Dong-gyun Adaptation: Kim Chang-hoon Writer: Kwak Jae-min Executive Producer: Choi Byeong-hwan Special Effects Makeup Artist: Seol Ha-un Props: Kang Shin-hong Key Grip: Lee Hyun-gyu Special Effects Supervisor: Im Jong-hyeok Line Producer: Choi Su-im Visual Effects: Yuk Gwan-woo Movie Reviews: Chris Sawin: The film features some hard-hitting and explosive action sequences that will rightfully cater to fans of the genre. The battle in the basement of the apartment building, where we see Nam-san use a shotgun to blast his way through some of the doctor’s ‘enhanced’ individuals, is a total exhilarating blast. Ma Dong-seok has been a powerhouse for most of his career post Train to Busan, but he sends people flying whenever he throws his fist or pulls the trigger. _Badland Hunters_ also has to break a record for most decapitations in a film. **Full review:** https://bit.ly/bdlndhntr MovieGuys: Badland Hunters does something things well, others just passably. Action is wall to wall and well choreographed.Special effects are excellent. Characterisations are solid if predictable and the acting is not to be sniffed at. However, the story is unremarkable, with a climax that feels, well, anti climatic. In summary, an okay but hardly exceptional watch, that would have benefited from more creativity on the storytelling front. Ritesh Mohapatra: “Badland Hunters: A Visually Striking Action Spectacle with Narrative Shortcomings” In this post-apocalyptic action thriller, Badland Hunters, while suffering from a repetitive and clichéd plot and uninteresting characters, excels in stunning hand-to-hand choreography and scintillating action set pieces. The film benefits greatly from the expertise of its veteran stunt coordinator turned director, known for his work on Train to Busan. Commendable world-building, visionary concepts, and excellent VFX are hindered by conventional writing. The short, crisply edited runtime avoids unnecessary elements. Don Lee’s exceptional portrayal of Nam-san, with exhilarating action sequences, overshadows the film’s narrative weaknesses, making it a guiltily satisfying popcorn-worthy entertainer, particularly for adrenaline enthusiasts. Instagram & X @streamgenx.