#leave an ask with some thoughts :)

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[puppetmaster13u]

Prompt 245

Now Danny would openly admit, if only to himself, that he had a type when it came to relationships. If they were strong, if they were a threat to him, then chances were he would develop some sort of crush. It was how he had dated Sam and Valerie (And Johnny & Kitty) when he was a bit younger, and hell, Sam had technically succeeded in killing him, even if partly. 

Attraction towards smart people who could kill him was honestly par for the course for a Fenton or Nightingale anyway. 

And he’d also admit he enjoyed a bit of time travel, learning about times and culture long before his time, to the point that he could blend in in ancient times just as easily as the time he had been born in. That it was natural to mutter in a language lost to time. 

So color him surprise when another man perks up in the bar he had paused to get a drink in, vibrant green eyes gleaming in interest and responds in turn. And not just in the language, but able to keep up when he talks about things that once existed but haven’t been rediscovered yet. 

And one thing led to the other, and there might have been some assassins and some shenanigans that end with them both laughing together in an inn and then more and- Okay he has a type alright, and he’s ticking each box! How is that fair? 

[daily-odile]

everything is the same except Odile is the one looping

oh. heheheheh. muahahahaha. hold on *digs through my pile of disorganized sketches*

Odile loops au; a sketch compilation!!

Some old fic drabbles + associated sketches under cut (a6 secret spoilers):

hc: Since equipment carries over, as long as Odile uses her book in a fight, she can write down notes and have it carry over loops

toxic doomed yuri (for a more fleshed out fic I highly recommend The Sweetest Thing by soreimoon, it's amazing)

[bananasofthorns]

“He betrayed your trust and you aren’t more upset?" Helsknight scoffs. "Pathetic.” Wels rolls his eyes. “It’s a death game, Helsknight, that’s kind of the whole point. I should’ve seen this coming, honestly.” “You’re naive.” “Iskall’s my friend. It’s not naive to trust him.” “He broke that trust!” “Well, yes, and I plan to get him back for that someday, but also: it’s a death game. We all agreed to it. I’m not mad at him for killing me, I just wish he’d been a bit more upfront about it.” If he’d been more obvious about trying to kill Wels, then maybe Wels wouldn’t be dead, also. But Iskall’s whole goal was to kill him, so he can understand the deception. “You’re infuriating.” Wels shrugs. He generally tries not to be, but in this instance, he finds that he doesn’t mind. “Maybe so. Look, can we finish this later? I need to go get my stuff back from Iskall, and your presence would probably freak him out.”

you know when you get to that point of dealing with intrusive/self deprecating/etc thoughts that you're just like. "yeah okay. consider: you're stupid and wrong. also: go away, i'm busy"? that should be wels and hels

read on Ao3

[p1ctur3]

Can't believe it has been a full year since I starting posting AvA/M fanart

so I redrew my first piece of fanart :]

[askchilchuck]

Are you feeling better?

"Edibles" refers to specifically foods that have Marijuana in them, usually eaten for it's recreational or painkilling effects.

Please drink some water and take care of yourself! taking 4 edibles in one sitting can fuck you up pretty badly... and PLEASE, at least start asking a few more questions before eating random candies!!!

Yeah, that explains a lot… Everyone had been more or less behaving, so I didn’t even consider there might be drugs in it.

Though, it was kinda nice. When the room wasn’t spinning, at least. Maybe just one would be better? Chilchuck looks at the edible for a moment, before deciding to take one.

[knownoshamc]

Are you telling me they put that little martini detail (as far as I can remember Daniel never mentioned it verbally on the show, you had to read it from his laptop if you were quick enough. Which also so far adds absolutely nothing to the plot) on purpose but the whole "you felt freer to hold her hand in Paris. I wonder why that is" is never gonna be used later? 🤔

[padfootastic]

if you’re writing james & sirius in a way that atleast one person doesn’t ask ‘are those two dating’ then sorry but that’s actually two random OCs with familiar names

[arttsuka]

Jed and Oct need a bigger tank- who put them in such a small tank???

I like to think Larry was like "I'll go buy a big tank tomorrow for you to stay until we figure out how to turn you back" (because the shops wouldn't be open at night) and then he put them in two glasses of water. Jed had a panic attack (almost dying in a hourglass will leave some trauma behind) so Larry just went to his house, found an old fishbowl he had (for decorative reasons, filled with little rocks etc) and brought that back to the museum.

[tickletails]

i love how you draw anti fairies wagging their tails when they're being tickled, i wonder if fairies do that too but by flapping their wings

YEYEYYSYESSSS I AGREE SO HARD. i think my fav trope maybe ever is the "non-human character can't control the movements of their tail/wings/whatever when they get tickled" Especially when it in turn signifies that they like the tickles !!!!!! it's so. AUghh. Yeah. anti-fairies don't even have tails I just like drawing them with them to fit my own sick agenda

ANYWAYS yeah ahem i think it would be super cute if fairies flap their wings uncontrollably when they get tickled.. partly as a reflex, but it also happens out of embarrassment/being flustered. ALSOOOO i think it's easy for some fairies to lose control of their magic when they get tickled and random objects around them just start poofing out/transforming into other stuff.. idk. Thoughts.

[honeycreammilkshake]

"Overall, I definitely agree with you. Gege has shown investment in Sukuna as a character, and I'm hoping he doesn't give in to fan influence to abandon the progress he's made so far. "

After last chapter giving sukuna haters funny faces that look like those edits his haters make, I'm not that hopeful anymore. Giving Sukuna an awful and humiliating death to please THAT fandom sounds really disappointing from Gege, at the very least defend Sukuna since you obviously like him, have some PRIDE, show him smiling at yuji and admitting he grew.

Meanwhile Kenjaku who cut Yuki in half as well apparently deserved a comfy fight and good ending while his sins may be even greater than Sukuna lmao. Sorry I'm just pissed, I don't want fan pressure to ruin Sukuna and Yuji forever

Hi, anon!

Yeah, Sukuna definitely has a lot of haters in this fandom, despite the fact he is arguably not the worst character in JJK. He's also one of the most dynamic and fascinating of the villains, and most of that is because of his complex relationship with Yuuji.

So far, we've seen so many interesting things that really highlight how contradicting Sukuna is as a character and that also show how much influence Yuuji has over him versus pretty much everyone else. Even if Gege decides to not doing anything with all these developments, it still doesn't change the fact that they are undeniably there.

One of the most compelling developments so far, to me, has been Sukuna's willingness to listen to Yuuji, even if he claims to despise the brat's ideals and wants to break them.

After their fight in 237-238, Kashimo asks Sukuna if it's lonely being the strongest. Sukuna's concept of love is similar to competition: By being the strongest, other sorcerers admire him for that strength and come to challenge him; Sukuna responds to that "love" by vanquishing them all. He lectures that people like Gojo and Kashimo, who lament the loneliness that comes as an effect of this singular strength, are greedy. Yet when asked if he himself was satisfied with being the strongest, Sukuna doesn't even acknowledge the question. He has no good answer for why he split his soul and became cursed objects that could "cross the ages." Instead, he replies to Kashimo's question by saying love has no worth or meaning.

If his vague non-answer wasn't suspicious enough, he goes on further by trying to justify his philosophy as "a perfect way to pass time until death."

The biggest thing I want to point out is how absolutely childish Sukuna's philosophy is. It's literally just indulging himself how ever he wishes, doing as he pleases, all to pass the time. Because he is the strongest, he claims to be above weak feelings like love or loneliness, but if his lifestyle was so great... why escape it by becoming a set of cursed objects in order to awaken in the future?

(Sukuna: No comment.)

He himself describes indulging in humans as "fleeting." Even if there are in fact endless flavors for him to try, none of them last, so nothing can be savored, nothing can be remembered, and nothing can truly satisfy if it's all so passing and worthless. Even him saying it's a way for him to "pass time until death" sounds so hopeless and unfulfilling.

It's seems like to me that by becoming the strongest, he's completely lost touch with how senseless his actions are. What happens when he runs out of humans to eat, or when he runs out of lands and challengers to conquer? If he's truly convinced his self-absorbed, depraved philosophy is the ideal way he should use his strength, then how come so many of the people he meets are convinced he's lonely?

And also why does someone like him elicit Yuuji's pity? Why is Yuuji the only one who really seems to get to him?

During their fight in chapter 248, Sukuna completely shuts down and starts obsessing over why Yuuji bothers him so much. Whenever literally anyone else questions Sukuna's philosophy or his motives, he disregards and mocks them for it. Yet when it's Yuuji, he's on the defensive. Yuuji really is making him reconsider things, and he can't stand it.

(btw yes that's a literal pout he's doing right here)

When Yuuji confronts him, Sukuna has a full-out melt-down. He's literally staring into space, completely losing track of everything else that's going on. Unlike anyone else who ever questions Sukuna, Yuuji is the only one who's actually making Sukuna think for once.

When reflecting on all the other people whose ideals Sukuna was so dismissive and dispassionate about, even the King of Curses himself admits that with Yuuji it's ~different~

Okay so... I guess Yuuji being in your way wasn't good enough reason to want to him gone? No, it's his ideals and resilience that bothers you that much. Why is that? Could it be that he's gotten too far under your skin, far enough to touch your non-existent heart?

Yeah right....

Also, this relates to how Yuuji is the only one who can come close to shattering Sukuna's hard-set ways. While there have been quite a few who wanted to teach Sukuna how to "love," they went about this in a way that's much closer to the definition of competition than what is actual love, much like how Sukuna sees it.

Yorozu became completely obsessed with Sukuna because to her his loneliness was "singular." When she is reincarnated, she believes she is the one who can teach Sukuna what "true love" is.

Back in chapter 218, their confrontation is so much less complex than Yuuji and Sukuna's. Sukuna dismisses her so easily and hardly reflects on it. Her "love" is weak to him. Though she is powerful, she cannot hope to contend with the level of Yuuji's determination and dedication to his ideals.

Likewise, Gojo was also convinced Sukuna was affected by the same loneliness he was. He claims that he will be the one to teach Sukuna love because he's the closest - some people say equal - one can come to Sukuna's level of power.

Sukuna, however, is not terribly moved by this. Though he has respect for Gojo's strength and says he will remember their fight forever, he is still nowhere close to being shaken... not like he is with Yuuji.

So what makes Yuuji's approach to teaching Sukuna love so different? It's because he's so much weaker in terms of power compared to any of the others Sukuna was confronted by. He comes from an entirely different perspective that no one else has gotten close enough to Sukuna to share. And because of this, he's not making it a competition. He's being empathetic about it instead.

The whole of chapter 265 is basically Sukuna actually listening to Yuuji. It's so interesting because there is absolutely no fighting going on. Usually when someone confronts Sukuna, they do so right before, after, or during a battle with him. But in this case, it's peaceful. It's completely different than any other time someone has tried to "connect" with the King of Curses.

Yuuji's approach to connect with Sukuna is to tell him his life story and show him all the places he grew up in. It's extremely casual, close, and intimate. In response all Sukuna can say to this is -

The way he suddenly interrupts Yuuji, when before he was uncharacteristically quiet for most of the time and willing to go along with it, is very telling. He described this kind of intimacy as "creepy" to him ... which is an interesting choice of words. The mythic, immortal, all-powerful King of Curses is "creeped out" by a little oversharing and walking through Yuuji's unthreatening memories? Really?

And what's even more interesting is Yuuji's way of destroying Sukuna's world view so simply.

He's essentially telling Sukuna that his philosophy is useless.

Sukuna believes in this rigid hierarchy where only the strong can rule, and only the most selfish and heartless of the strong can sit atop that hierarchy. But what Yuuji is telling him is that... there are no set roles humans are born with. Lives aren't worthless and aren't defined by whatever "roles" they are forced into. Which means that a caste system built entirely on the "strengths" of people is about as stable as Sukuna's sanity.

Yuuji has tremendous empathy throughout this whole scene. Instead of asserting that his viewpoints are the only ones that are right, he instead admits that maybe he could be wrong... which is far different from Sukuna, who wouldn't dare admit he could be wrong.

And the way Sukuna pauses before he says he doesn't feel anything about what Yuuji is saying and showing him makes me think he's lying or downplaying how much Yuuji is affecting him.

Although some fans might argue that the purpose of this scene was to show how irredeemably heartless Sukuna is, I just can't accept that there isn't so much more going on here than that.

So... to make a too long meta short: Whatever ending Sukuna and Yuuji get, it can't take away these amazing interactions between them that defy all the expectations we had for a "static" villain like Sukuna and a "useless" hero like Yuuji.

They will forever be one the most interesting, complex, and fascinating relationships in manga to me, and I'd sell my soul for them to get the ending they deserve.

Thanks for the ask! Sorry for the mess of this post ;-;

[bloobydabloob]

i love your dirk drawings sooo much. the way you mix realism vs stylized in your dirk art goes crazy hard especially. both of your styles are so good so seeing them both used as symbolism to paint the broader picture is awesome as hell

Thank you very much, I do enjoy realistic Dirk & flat Dirk contrast too because to me both styles represent different facets of his character depending on the artwork.

His stylised form is more representative of who he is generalised as + a good representation of his separation from himself whereas a more realistic Dirk (to me) makes me feel more in touch with his character and it feels more emotional and less controlled. Even though it kind of sounds pretentious to put it this way, I view my less cartoonish Dirks as showcasing something more private and I tend to veer towards it the more emotional (positive or negative) the piece is for this reason.

[victoriademedici]

royal men + text post memes (insp.)

[angel-archivist]

It's so interesting and so exceedingly frustrating how agab is being utilized now within the queer community as a way to isolate and sort nonbinary and genderqueer folks into binary boxes that determine their moral purity levels, and their authority to do and write and exist.

The way nonbinary writers are being put under accusation of fetishizing gay men while their AGAB is continually brought up in a way that feels like queer-space-approved misgendering.

The way feminist circles that are supposedly trans-inclusive will use the word AFAB in a way that implicitly but intentionally isolates nonbinary people who aren't AFAB from joining. It's for women*.

The way the language is already flawed and leaves out intersex folks from the conversations while focusing on a binary of sex that isn't truthful.

The constant obsessing over whether someone is AFAB or AMAB and whether or not that gives them the privilege to join, do, write, or be present in certain spaces really really concerns me. How are we supposed to dismantle a binary system of gender if we can't even move past forcibly assigning and focusing on people's genders assigned at birth?

[callmegaith]

Barney nation

I'm leaving this here till the morning but... HL1 Barns with some inspo from blue shift