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lovehotelreservation · 25 days ago

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Don't You Want Me Like I Want You?

Summary: There was a time when you and Lieutenant Price were as close as could be.

But after one drunken mistake years ago, you've since done everything you could to keep yourself as far away from him as possible.

Up until this particular night.

As his former Captain, you should've known that there was simply no way he would ever give up on hunting you down.

Rating: NC-17

Pairing: Older F!Reader/Younger!Price (Reader is in her 30s & John is in his 20s)

**Warning: contains age gaps and drunken sex--please take discretion before proceeding!**

hi 🧍‍♀️

recently i had the chance to visit seoul and idk seeing all sorts of soldiers reuniting with their lovers for the holidays + being unable to escape "apt" no matter where i went + continuing to listen to yandere male kouhai x female senpai drama cds resulted in this !!!

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A sigh left your lips before you gulped down a mouthful of champagne from your glass.

They grow up so fast.

Once near religiously clean-shaven to now sporting a thick, well-groomed mustache. An almost naively optimistic glimmer in the eye to a much more steely and narrowed gaze that only further experiences in life could naturally curate. Tall, lean muscle that had since bulkened into a sinewy pillar of brawn.

To everyone in attendance at tonight's military gala in the heart of London, he was the newly appointed Captain John Price.

But to you, always and more, he was Lieutenant John Price.

Having dedicated most of his life in the military–from the latter half of his adolescence to essentially the entirety of his 20s–, he was primed to be nothing short of legendary in his career. Skilled, resilient, and–most of all–mindful. He could be trusted with Britain’s–nay, the world’s–finest soldiers and see them not just to victory, but safe and sound back home as well. Similarly, he still maintained compassion to the plights of the innocents and the causes of opposing forces, seeking to preserve life as much as he could rather than callously brushing off all as mere collateral damage.

For you, it was the greatest honor to have overseen his growth and development as his superior.

As his Captain.

You could say that it was by fate that the two of you would ever cross paths, but really it was because of Kate.

Kate Laswell, of course.

One of your dearest friends and your longest ally.

With the both of you being among the few women working your way up the ropes within the realm of the military, it was a persistent uphill battle for you both to excel and progress further enough to have your accomplishments inside and outside the field validated. The hardships faced both abroad in volatile territory and within the stifling restraints of bureaucracy had the two of you as close as could be.

And when a job needed swift and efficient execution, she knew she could reliably call upon you.

But then there came a time she needed more help than you could provide.

Enter one John Price.

Whereas you had only a few years difference apart in age with Kate–her being older at that–, you had a full decade over John, who was to serve as the lieutenant to your captain.

While you were used to any of your male counterparts–regardless of their seniority or their status as subordinates–to scoff or sneer at you upon first meeting, he was as respectful as could be.

No smarmy jabs about your capabilities as a woman, no piggish snipes at your age or your looks, no overly critical questioning of your methods.

He abided by your leadership with damn near reverence and even went as far as to bark down at any man–sergeant, lieutenant, corporal–who dared to see you as beneath themselves.

It was the start of a precious friendship, one that spanned across the years and across the world. No matter the mission or location, whether there was need for infiltrating the underbelly of the Triads, disposing of ultranationalist leaders in Russia, thwarting the plans for a full global scale terrorist strike across the world, you and Price made for the perfect pair.

In the sense of a mentor and a student, obviously. You couldn’t even begin to think of tainting such a precious dynamic.

That very same compassion and mindfulness he carried throughout his career was honed and nurtured under your tutelage. Though, you were usually the first to tease him whenever he spoke in such profound one-liners of grandeur.

“Movie star” was one of many nicknames you had for him.

It was just a shame that you could not look at your friendship with fondness in your heart any more.

The reason for such was why you were deep into a bottle of champagne during tonight’s evening affair.

All while you prayed and prayed that no affair of any sort would come about.

You wished you weren’t even here to begin with–especially not while you were doing your best to try and camouflage against one of the gala hall’s many ornamented flower arrangements in a black dress and heels.

It had been a little over 5 years since you both retired and had last seen Price.

While you were more than prepared to have it extend to a full decade, a call from an exasperated Kate had you reluctantly make the trip out to London for tonight’s celebration, with his promotion to captain among the many highlights.

She needed him to take lead of an extensive campaign in Brazil but he had been shockingly adamant in his refusal–albeit with one exception:

“I want to see my Captain again, Laswell.”

The groaned “Katherine” you let out over the phone was burdened and heavy upon hearing her recount his singular term.

Yet while the same couldn’t exactly be said about your current connection with Price, your friendship with Kate was as strong as it ever was and as hesitant as you felt, you agreed to attend.

After all, you simply had to swing by the gala–that didn’t mean you had to talk to Price. He only said he wanted to see you. With how desperately you were trying to utilize every bit of semantics for salvation, you took any chance you could.

Because simply put, there was a conversation that you just didn’t want to have with him.

A follow-up to a night from just shy of 5 years ago that you had been running from all this time.

You had since done your best to blank out the happenings of that evening, but your skin could still feel the phantoms of body heat and muscle haunting over every inch regardless.

Despite all the repressing as you had done across the days, the months, the years, some details were just impossible to completely stamp out:

December in Seoul. Campaign celebration. Your soju. His hotel room.

Drunkenly teaching him a game of mahjong led to the idea of sweetening the prize beyond mere bragging rights between the two of you.

Release a few salacious secrets or help unwind a knot or two in the shoulder with a massage.

It was meant to be a choice of one or the other but it didn’t take much more of both to be tangled, much like the two of you on his bed.

“So this is why the guys keep teasing you with those mama’s boy comments,” was something you remember giggling out while you had Price nursing from your breasts, his lips hungrily sucking at your nipples while his hands fondled your chest.

He chuckled lowly against your skin, his eyes twinkling as he peeked up at you with a wink. “I wear it with pride–always preferred a dignified woman over a bratty girl.”

You found yourself slinking over to the bar once again, careful to keep watch of any sign of Price. He had finished giving his acceptance speech–his frequent scans across the gala hall did not escape you while you were sinking low in your seat and hiding behind gala pamphlets–and was mingling with the likes of the ever dignified Commander Shepherd and other elites from the British Army with cigars and whiskey.

They truly grow up so fast.

Though, given his penchant for the finer things in life, it only made you swelter within your dress all the more with another memory from that night.

Your body caged in Price’s arms, your nails digging into his chiseled forearms, his naked body pressed flush against yours, his cock hammering into your core from behind, his voice in a hiss as he sought to mark your skin and leave his claim, his ownership.

“That’s right, Captain. Cum for your lieutenant and become mine…!”

You shuddered hard, head thrown back against his shoulder, back arching off against his chest. Never had any man–all of whom were much closer to you in age–made you feel like this.

And so, for once, you did as he ordered.

Partially.

Because you couldn’t become his.

You refused.

Price was well a decade younger than you, with your night together a drunken fling and–in your eyes–a tarnishing of the pure connection you shared with him as mentor and student.

All because you weren’t thinking that night.

You were supposed to serve as an example of what discipline and merit could achieve, especially against all odds.

Instead, you happily lied beneath him, legs spread wide to accommodate every eager thrust and every sticky load he pumped into you with.

It was at this recollection that you paused midway to the bar.

Perhaps it was time to call it a night instead, else risk more possible drunken mistakes, whether with Price or with someone else.

With this, you shifted direction to head over to where Kate and her wife were seated–just a quick bye and you would be out to find freedom and ease of mind back at your hotel room.

And then, you felt it again.

The manifestation of a haunting phantom.

The weight of two heavy hands coming to rest right on top of your shoulders.

“There you are–just the woman I’ve been looking for.”

Whatever drunken flushed heat in your skin turned ice cold as a voice–now roughened and deeper from when you last heard it–spoke out to you.

Your body was pulled back into an embrace with utmost ease, solid muscle slotting perfectly against your backside.

You dared not to look back.

But you knew he was smiling by the mirth in his voice.

“I’m being called for another speech, but I’ll be waiting for you for mahjong later, Captain. Still have a few loose ends I’ve been meaning to tie up.”

His fingers caught along the strap of your dress, running over the thin fabric right as he brought his lips right to the corner of your mouth for a quick kiss, the bristles of his mustache raking over your skin.

When he drew away, you caught the definite quirk of a triumphant grin as he proceeded to take his leave.

You almost shattered your champagne glass.

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tysm for reading !!! i hope you enjoyed !!! literally as soon as i returned from my trip this past weekend, i was DETERMINED to get this done and while i actually did have some bits i was inclined to elaborate on, i controlled myself because otherwise i knew i was gonna be locked tf in on context alone and i already have my "bodyguard" piece to catch up on !!!!!!!!! 😭😭

#captain john price x reader #captain john price x you #call of duty x reader #cod x reader #price x reader #captain john price smut #call of duty smut #reader insert #Fic #super freaknasty writing

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lonelywretchjervistetch · 6 months ago

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The State Birds Initiative: Pennsylvania (#2)

Welcome to the second official poll of the State Birds Initiative! Before the poll, though, one thing real quick. My suggestion is that you read the post below before voting in the poll below. That's especially important if you're lacking any context about the birds being presented as the new (or old) State Bird of the Keystone State, Pennsylvania. This is to be fully informed as to why these are being presented, and to make your choices appropriately. Lastly, some of these birds, you will notice, may go against some of the rules listed in the introduction post. All is explained after the jump where the explanations are, I promise you that. But with that...OK! Here's the poll! More choices this time, but that's definitely a bit deceptive. Trust me, read the stuff after the jump, you'll see why.

LET'S GO PHILLY

Kidding on two fronts. One, not a massive sports fan, and not really a fan of any Philadelphia teams (I love Gritty, though. Always and forever.). And two, this is obviously not a post about Philadelphia. So, let's talk about the Quaker State, Pennsylvania! The capital is Harrisburg, while its biggest city is Philadelphia. Pennsylvania is, of course, the first capital of these United States, and arguably the seat of the country. It's the home of Benjamin Franklin (even though it wasn't his birthplace), the Liberty Bell, the Constitution, and Rocky Balboa. And of course, its perfect symbol: Gritty.

God, he's beautiful. The perfect mascot. Who cares about the Flyers; Gritty's who I'm rooting for. Anyway, amazing and unassailable symbols of chaos aside, we're here to talk about Pennsylvania's natural world. So, what are we looking at. Well, it's a mostly deciduous forest-dominated state, so we're looking at seasonal forests and probably seasonal birds...for the most part. At the very least, our ideal bird is a forest resident and breeder in the state. Nothing too unusual or difficult to find.

Birding in Pennsylvania is pretty stereotypical to that of the northeastern United States. There are a few major spots, especially those that graze the Appalachian Mountain Range, which runs through the state. As for conservation concern, habitats of focus are the Appalachian forests that are often deforested for development, especially in the areas near Philadelphia. No real surprise, but that's a good target for conservation focus.

As for Pennsylvania's culture, it's famously descendant of the Quakers, who founded the state under the leadership of William Penn. This isn't to say that Pennsylvanians are Quakers; if you've been to Philadelphia, you know that's not true. According to a few accounts I've seen, that essentially means there's an attitude of helpfulness to your neighbor within the state, as well as a cultivation of the value of hard work. It's also a state that prides its history pretty thoroughly, from Philadelphia's various museums and public historical monuments, to the historical communities that thrive in the state, like the Lancaster Amish. Not sure how either of those will translate themselves into birds, but...hey, we'll see, right?

I also saw somebody refer to PA as heavily into "snack culture". And I'm not entirely sure what that means, but I WILL take the opportunity to say one thing: do not waste money on the cheesesteaks at Pat's or Geno's. It's meant to attract tourists, and they aren't worth it, BELIEVE ME. There are better cheesesteaks in the city, from what I've heard, but those two are...not worth the money. Just trust me on this one.

That said, it's time to look for a proper state bird for Pennsylvania. There's some emphasis there on the "proper", and the first entry in the following section has an explanation by that. With that, let's go for it! State Bird nominations for Pennsylvania below the jump!

Ruffed Grouse (Bonasa umbellus)

OK, let's start with the current bird highlighted by Pennsylvania, the Ruffed Grouse (Bonasa umbellus). Now, I love these guys. If you've never experienced it, walking through the woods and suddenly hearing a deep thrumming echo through the trees is...it's a unique sensation. You wonder where it's coming from, why and how it's so loud, what's making it, and then...it just pops up. Maybe it sees you looking for it, and you flush it out and watch a panicking male run away. Maybe he just looks back at you puffed up and stands his ground a bit (which is unlikely, but still). Either way, these guys never cease to put a smile on my face.

This behavior is called drumming, by the way, as pictured above. A male grouse will position themselves on a hollow fallen tree, and use it as a megaphone to send out these vibrations across swathes of territory. It is, unsurprisingly, a territorial behavior for the grouse, and iconic in its own way. Now, a few more facts about the Ruffed Grouse. The name, by the way, comes from the feathers on the sides of the male's neck, which are erected during courtship and territorial displays. It's obviously colored to camouflage in the fallen leaves of deciduous forests, where it resides throughout the year. They're granivorous members of the Galliformes (grouse, pheasants, quail, etc.), and fairly common in the Eastern United States. But with that said...here's the big problem with this choice for State Bird.

It isn't a State Bird. It's a State Game Bird.

Yeah, remember the Delaware Blue Hen from the last poll (assuming you read it, here it is if you didn't)? I suggested that it should be the State Game Bird of Delaware, rather than the State Bird. Well, right next door to Delaware, Pennsylvania already has a State Game Bird in the form of the Ruffed Grouse. Why, you ask? Well, first off, the Ruffed Grouse is actuall known as the "King of the Gamebirds" colloquially, crowned such by William Harnden Foster, the father of skeet shooting. Yes, actually. But anyway, the bird was declared the State Game Bird in 1931, but there was not real reason why outside of popularity with hunters. So...OK, fair enough. It just means that the Ruffed Grouse is not a State Bird. But should it be?

The question asked here is, should the Ruffed Grouse be promoted to a State Bird, since most Pennsylvanians seem to think of it as such anyway? Well, looking at the guidelines we've previously set and established...I don't know, honestly. And my main reason for doubt, personally, is the fact that the grouse, while found in Pennsylvania, is BARELY a breeder in the state. Only 0.4% of the bird's overall breeding population is in Pennsylvania, and only 13% is in the United States at all. And yes, that means the species is mostly found in...

So, when you think about it, is this truly the answer to the PA State Bird question? Well, it does represent much of the biome of Pennsylvania, a forest-dominated state squarely in the temperate and deciduous zone. It has a history and culture of hunting, and the grouse is certainly one of the most popular species on that front. And they're certainly iconic, and easy to hear in most forests, not to mention fun to look and listen for for beginning birders. The first time I stumbled on a Ruffed Grouse was, lemme tell you, a delight. And the second time, I LITERALLY stumbled on them, because a mother and her chicks were running away from me, and one of the chicks ran between my feet from behind me to join its mother, and I have NEVER BEFORE FELT MORE LIKE A DISNEY PRINCESS UNTIL THAT MOMENT IT WAS FUCKING MAGICAL

But, yeah, with that said, I submit the Ruffed Grouse for your deliberation as a State Bird. And as for a State Game Bird...oh, I've got a thought on that one, too. But I'll save that until the end, I think.

Scarlet Tanager (Piranga olivaceus)

So, as before, let's start the replacement options with a bird suggested by the Cornell Lab of Ornithology, and a solid-ass pick for a number of reasons. The Scarlet Tanager is one of the most striking birds in the eastern United States, and there's no state with a larger breeding population of these birds than Pennsylvania. 13% of the species' global breeding population is found in PA, making the state a major staging point for the species. Native to and dependent upon the deciduous forests of the state, this is a hidden ornithological icon.

Chestnut-sided Warbler (Setophaga pensylvanica)

Well, if I had the Ring-billed Gull (Larus delawarensis) listed for Delaware, it only makes sense to list the Chestnut-sided Warbler (Setophaga pensylvanica) for Pennsylvania! Similarly, it's the only species that have Pennsylvania as a state in the species name. And trust me, this is a rare luxury, either because most states have no bird species named for them, or a LOT of bird species named for them. Just wait for the Carolinas or California, believe me. But that said, is the Chestnut-sided Warbler a good fit for Pennsylvania?

Well, it certainly breeds in the state; the majority of the global population breeds in Canada, like the Ruffed Grouse, but a good amount still breeds in the deciduous temperate forests of the USA. The PA breeding population represents 3% of the global breeding population, and as compared to Michigan's 7%, Pennsylvania still doesn't have the majority. But again, let's put that statistic to the wayside. Is there anything else about the Chestnut-sided Warbler that represents Pennsylvania in a meaningful way? Well...no. Not, not really. There is a story of John James Audubon (yes, that Audubon, the racist one), and his first AND ONLY sighting of the Chestnut-sided Warbler, which took place in eastern Pennsylvania, alongside his hunt for the species throughout his life. So, hey, there's a tie. But other than that, this is another opportunity to choose an handsome looking bird that serves as a unique bird to look for for Pennsylvanians, any of whom can say, "Hey, I've seen that bird! Cool!"

...Wait, I just realized something about this category of choice. Pennsylvania has more species name reputation than I thought...indirectly. Hmm. Let's combine their entries.

Philadelphia Vireo (Vireo philadelphicus) Bonaparte's Gull (Chroicocephalus philadelphia) Mourning Warbler (Geothlypis philadelphia)

There are, in total, three species that are named after the great city of Philadelphia, Pennsylvania. And this is both the only one with the city name in its common name...and also the worst choice of the three. At least the Bonaparte's Gull (Chroicocephalus philadelphia) and the Mourning Warbler (Geothlypis philadelphia) breed in the state. And for the record, those are up for debate for this spot if anybody world prefer those go in there. But if those are better options (barely; both birds also barely breed in Pennsylvania), then why choose the Philadelphia Vireo?

Is it iconic? To birdwatchers, maybe, but mostly because it's a pretty difficult bird to get when you're starting out. I've seen them, but it's not easy to find them. And to the layman? It's a little green bird that lives in green trees. Oof. Hard sell for a state bird. At least Bonaparte's Gull (above) is visible on bodies of water, and a fairly common bird alongside being an unusual-looking gull for most people. Plus, hey, they're kinda handsome and cute in my opinion. What about the Mourning Warbler (below)? While also somewhat difficult to find by virtue of being a little green bird, has a notable and memorable appearance. But you could also argue that it belongs rightly to other states instead.

But the Philadelphia Vireo? Yeah, it's the worst candidate of the three, but...it's also the only warbler who once carried the name Brotherly-Love Vireo. Yeah. As in Philadelphia, the City of Brotherly Love? That is a good reason. However, you could argue that, given the fact that the work "philadelphia" is literally Greek for "brotherly love"...it's still a flimsy argument. But hey, I'd be remiss if I didn't include these guys on this list for State Bird, even if I...doubt they're gonna get any votes.

Pileated Woodpecker (Dryocopus pileatus)

For one of two conservation-related entries of this post, let's take a look at the Pileated Woodpecker (Dryocopus pileatus). Now, to get this out of the way, the Pileated Woodpecker is all over the Eastern USA. These big, crow-sized woodpeckers (and these guys are HUGE when you see them for the first time; love 'em) are a common sight in deciduous and coniferous forests (the predominant habitat in PA), and are most certainly breeders in Pennsylvania. They're iconic enough, fun to find, and can be detected through signs they leave in trees. Namely, of course, I'm referring to the nest hollows they make in trees for their offspring, as well as holes made to search for insects. But, OK, same question as always, why suggest it for the PA State Bird?

The pileated woodpecker, as the big bird it is, is an ecosystem modeler. What this means is, those holes they carve in trees are used by other species, including owls, squirrels, weasels, ducks, and various others that live in the same areas. Pennsylvania's wildlife isn't above using Pileated Woodpecker holes for their own uses, making the birds extremely important for other species. Ecosystem architects are not uncommon in nature. Most of your probably think of the American Beaver (Castor canadensis) or the American Alligator (Alligator mississippiensis) when that topic comes up, but there are many others. In ecology, there's a term for species that modify their environments in ways that become significant for the survival of other species. Because other species rely on them, they're referred to as keystone species.

Get it?

Pennsylvania is also known as the Keystone State. And, like beavers and alligators before them, woodpeckers are also keystone species. This isn't a commonly talked about aspect of woodpeckers, but the Pileated Woodpecker in particular is getting some recent attention as a keystone species. So, why not highlight this recently proposed classification and give the Keystone State a Keystone Species for its State Bird? It serves as a lesson in ecology for everyone, school kids or the uninformed, and it's a great way to make the State Bird about Pennsylvania's ecosystems. Conservation-focused, and an iconic species to boot!

Do I think the Pileated Woodpecker is the best species for Pennsylvania on it's own merits? I don't know, honestly. Like I said before, it's a fun-to-find iconic bird, it breeds in the state, and there's not real reason it shouldn't be the state bird. But I really like the idea of giving the Keystone State a keystone species, and not a lot of North American birds act in that role. If anybody has a better suggestion, I am all ears, but I think this one works pretty well. Plus, hey, there's only one woodpecker amongst the State Birds, which is a shame! Who doesn't love woodpeckers?

American Goshawk (Accipiter atricapillus)

For the other conservation entry of this list, we once again turn to a raptor, and a damned cool one at that. Previously referred to as the northern goshawk, the American Goshawk (Accipiter gentilis) is a silent and efficient predator. One of the most skilled forest flyers amongst the accipiter hawks, these birds specialize in rodents and birds that live in the trees, and are amazing at weaving through the understory to catch their prey. I adore goshawks, and they're honestly a bit terrifying. I used to work at a raptor rehabilitation facility which bred these guys in central New York, and they're beautiful and terrifying. Also, I've held one in a towel burrito, and that was a highlight of my life.

Now, with that said, the goshawk is barely found in Pennsylvania in recent years, although it used to be quite common. The Fish and Game Department, alongside Audubon, have this as a species of major concern and focus in Pennsylvania, despite (for because of) a very small breeding population. But there's a sad reason for this, making this a VERY good candidate for State Bird. See, in the 1900s, goshawks were considered pests, due to their love of chicken and wild game birds. Therefore, they were regularly shot, and Pennsylvania in particular offered rewards for their bodies.

By 1931, goshawk populations in Pennsylvania plummeted. This was also when the early 20th century environmentalist movements started, and this issue in particular was noticed by environmentalist and suffragette Rosalie Edge. To save hawk populations in Pennsylvania, she purchased a piece of land to bar the hawk-hunters on the property. This was called Hawk Mountain, and was founded in 1934 as the world's first raptor preserve. Yeah. Not only was it the first of these, but one of the first (if not THE first) created by a woman. Let's fucking go. Rosalie was a known bad-ass in conservation, and regularly did shit like this for what she believed in. An unsung hero of conservation and ornithology.

The hawk hunts ended alongside the Pennsylvania Game Commission in the 1950s, and raptor conservation continued on as a major movement in the state of Pennsylvania. Hawk Mountain in particular became a massive centerpoint of this, and today, it's maybe the most famous place in the United States to watch the annual fall and spring migrations of raptors. The raptor counts at Hawk Mountain Sanctuary are an annual bonanza, attracting birders from near and far. Haven't made it there yet myself, but it's on my list of must-bird locations. I implore you to learn more about this wonderful place. Check out their YouTube channel if you want to know more from their perspective! And it's all based on the impressive conservation story of the American Goshawk. I think that makes it a pretty goddamn good candidate for State Bird. Brings attention to conservation history, and on a major natural phenomenon that can be seen every year in Pennsylvania. Pretty goddamn cool.

The hell is even left after that? Well...

Wild Turkey (Melagris gallopavo)

OK, hear me out here. Of ALL the birds in the USA, if there is any state should have more federal recognition, it's the Wild Turkey (Meleagris gallopavo). It's the only bird that essentially has a holiday dedicated to it (OK, dedicated to killing and eating it, but you get what I mean). It's also, notoriously, the alleged runner-up for national bird, having lost to the Bald Eagle (Halieetus leucocephalus). To be fair, here, that's a potential urban myth, but an important one regardless, especially to Pennsylvania.

Other than this, though, everybody knows what a Turkey looks like. It's arguably one of the top 5 iconic wild birds of the USA, and is very common throughout the country. It is, in fact, found in every one of the Lower 48, and in Hawaii (introduced there). Not Alaska, though. Which is good, because frozen turkey is dangerous. Ha ha ha. But is that an argument for Pennsylvanis to have it as the State Bird, or even as the State Game Bird? Because that's also an option, for the record. I argue, though, that Alabama, Massachusetts, Oklahoma, and South Carolina already have it as a State Game Bird, which especially makes sense for Alabama, which is prime turkey-hunting ground. As is, for that matter, Pennsylvania. Turkey season here is longer than in most places, and according to HuntStand, it's basically a culture there in and of itself. So, yeah, appropriate on that front alone. But that said...Pennsylvania should own the turkey for one more important reason.

I mean...Benjamin Franklin. Come on. You gotta give it to Pennsylvania's favorite son. I've been to the Franklin Institute, I KNOW how beloved he is in PA. And Benjamin Franklin, famously, loved two things: wild sex parties with older women, and the Wild Turkey. AND I QUOTE:

For my own part I wish the Bald Eagle had not been chosen the Representative of our Country. He is a Bird of bad moral Character. He does not get his Living honestly. ...For the Truth the Turkey is in Comparison a much more respectable Bird, and withal a true original Native of America… He is besides, though a little vain & silly, a Bird of Courage, and would not hesitate to attack a Grenadier of the British Guards who should presume to invade his Farm Yard with a red Coat on.”

Now, contrary to popular belief, this is not Franklin saying the Wild Turkey should be the national bird. This is, instead, Frankling saying that he fucking hates the Bald Eagle, whom he sees as a lazy, thieving, selfish, disrespectful, manipulative asshole. So, yeah, in retrospect, not an inappropriate symbol for some parts of the country. But regardless, he's right about turkeys: they do not give a shit about your boundaries if you're on their land. Trust me, I live in an area of New England where there are some BIG fuckin' turkeys, and they WILL CHASE YOU if you mess with them. I SEEN IT

With that, though, I think we've covered the major candidates for the State Bird of Pennsylvania. Any I've missed or forgotten? Any suggestions you may have? I'm all ears! Make sure to vote, and come back for state #3: New Jersey. Which...I think a lot of us have thoughts on. Although, hey...I don't hate the State Bird. Well, as a bird, anyway; I'm indifferent to it as NJ's bird. More context next time, I promise.

See you soon, and happy birding!

Introduction to the State Birds Initiative

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itsclydebitches · 3 months ago

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RWBY Recaps: Vol3E1 "Round One"

Hello, everyone, and welcome to a new collection of RWBY Recaps!!

This is a unique project in that instead of writing purely for my own entertainment, these recaps are part of the Fandom Trumps Hate auction (you can check them out here if you're interested in learning more). Specifically, these recaps are a gift for the lovely Kae who requested some meta on the earlier Volumes, or work that focused on Ozpin and/or Ironwood. I figured that Volume Three would touch on all those requests and, frankly, it's an era of RWBY that I was already interested in covering. Volume 3 was a turning point for RWBY's tone and overall mythology and I'm eager to see what I think of it in 2024, after six additional seasons and a rather chaotic overhaul.

(If anyone is reading this from the future, one of the reasons why it took me so damn long to get the first recap out is because finding official streams of RWBY has become a fool's errand as it changes ownership. Fun!)

Anyway, the game plan is simple: cover all of Volume Three at an undetermined, though hopefully steady-ish pace from here on out. Technically, the deadline for our FTH fandowrks is at the end of 2024, however, I absolutely plan to continue this series past my 5k promise. As always, this will be a RWDE-focused meta (though I'm eager to see how much nostalgia carries me through the season), so if you Don't Like; Don't Read.

Everyone got that? Great!

Now, indulge me for a moment and cast your mind back. It's October of 2015. Pizza Rat is a tumblr icon, Left Shark still reigns, and everyone is arguing over whether a dress is gold and white, or blue and black (it's the former FYI ;). Amidst such quality memes RWBY begins airing again on the 24th, presumably bringing with it another season of stellar choreography and simple, if entertaining conflict. Team RWBY has just helped contain a massive breach courtesy of Cinder's machinations, Torchewick is in Ironwood's custody, the White Fang is falling under Salem's puppeteering, Penny has revealed her android identity as well as her supposed fate to save the world, the girls are beginning to acknowledge the responsibility of their chosen career path, and the mysterious Raven has been identified as Yang's birth mother. All in all, RWBY has a lot to play with going into its third season.

It's notable then that we open peacefully. The viewer is treated to a number of environmental shots to set the scene, including one of the forest with its iconic falling Fall leaves. Ruby is positioned at the edge of a cliff with her signature rose petals drifting behind her. Stylistically it fits the scene, though from a literal standpoint it also implies that she used her semblance speed to get here. Given the momentary reveal that she's speaking to her mom, that's a rather heartwarming detail.

Sidenote: has anyone given any thought to cliffs in this series? It only occurred to me recently how often they show up, often during character milestones. Here we have Ruby talking to Summer for the first time, her (bodiless) grave situated at the end of a cliff. The Beacon initiation involves chucking the kids off a cliff and seeing how they fare, an action that is the catalyst for the group's introductions/growing dynamics. Shooting Oscar off the edge of Atlas solidifies Ironwood's turn from anti-hero to outright villain. Though I'm far from a fan of this scene, Ruby's (ridiculous) near-fall off the cliff during the fight with Cordovin preludes her (supposed) growth in leadership as she stands up to Qrow. Penny lets herself fall from Amity after sacrificing herself to get it up into the air. Then, of course, we've got the girls falling off of Ambrosius' bridge, taking them to a world where - execution aside - the intention was for them all to go through major developments: Ruby is literally reborn, Jaune experiences a lifetime of struggle, Yang and Blake finally admit their feelings, and Weiss... gets over her whole country being destroyed?

Idk, we'll have to come back to that one.

I clearly don't have a big takeaway here, just the acknowledgement that this is a visual RWBY gravitates towards. Might do a whole side meta on it some day...

Anyway, as said we realize quickly this is Summer's grave with her name carved into the headstone along with "Thus kindly I scatter." Notably, she also has her rose motif there and it's likewise prominent on Ruby's belt in this scene. Looking back, we can see how RWBY did a better job at the start of sprinkling in these significant character details before, you know, dropping them completely and then attempting a rapid-fire resurrection. Meaning, I would have bought into the emotion of Ruby giving her pendant up in Volume 9 if we'd gotten these moments consistently throughout the story's run. It wouldn't take much, just a reminder every couple of episodes to maintain the momentum. Give Ruby a scene where she explains that this rose was left by Summer before she disappeared and she's treasured it ever since. Show a flashback where we learn that it was really left behind for both girls and Yang handed it down to Ruby when she was old enough to keep track of it. Give us a minor conflict where it's lost during battle and Ruby unnecessarily endangers herself in an attempt to retrieve it (perhaps in Volume 8, setting up that the object itself is not as important as the intangible love it represents). Hell, keep it lighthearted where Yang gets Ruby something rose related at the gift shop, Nora tucks a Rose into her hair while wandering the wilderness, Qrow gives the pendant a cheeky flick while talking about how Ruby's as stubborn as her mom. My point is there are a million ways the show could have built towards that scene in Volume 9 - ways like showing us that rose on Summer's gravestone - but the show dropped the ball halfway through.

Here and now though, Ruby begins catching Summer up on everything that's happened to her since she started Beacon, which serves as a useful way to catch the viewer up too - both those who, for whatever reason, may have started RWBY with Volume 3, and those who just need a hiatus refresher.

Ruby is delightfully awkward here, a personality trait that I think becomes more forced as the series goes on. She jokes that she hasn't gotten kicked out of Beacon yet - while doing that cute little rock on her heels thing - and says that she's able to "keep [Yang] in line" by being on the same team. She follows that up with, "...that was a joke" which is just quintessential Ruby to me. Love it.

She recaps that Yang has grown a lot as a fighter since Summer left, the rest of their team is made up of Blake and Weiss, together they form Team RWBY and yes, that's as confusing as it sounds. She's stopped bad guys and met some "odd" teachers, including Ozpin.

(THAT'S MY BOY!!!)

Looking back, this is actually a fascinating couple of lines. At least, I think they have the potential to be fascinating if RT had followed a clear writing path. Ruby wonders again why Ozpin let her into Beacon early, but shrugs it off under the assumption that he'll tell her one day. "You know how he is."

Yeah, I do, Ruby. Do you?

We already knew from their initial interaction that Ruby knew who Ozpin was - she recognizes him on sight - though him posing the question implies that he never visited Patch post-her birth. At least, not recently enough for Ruby to have formed a memory of them meeting. I can only assume then that she's heard enough about him from Tai and Qrow to a) be sure of his identity (any promotional material/news about Beacon would have helped with that too) and b) believes strongly that her impression of him formed since entering Beacon aligns with what her parents presumably said about him: "You know how he is." The fact that this is in reference to Ozpin's secret keeping makes me wonder how often that came up around the dinner table. Did Tai ever express frustration, a la Ironwood, that they're clearly being kept in the dark about things? Did Qrow ever dodge the girls' questions about where he's been because he can't be honest about his spy activities, aligning Ozpin's reputation with secrecy by virtue of working for him? The casualness with which Ruby shrugs off Ozpin's secrets to Summer heavily implies that Ozpin's cagey history is both well known to the family and accepted.

Honestly, I would have loved to see this woven into Ruby's core characterization, perhaps even an extension of her "simple soul." Give me a girl who is intrinsically accepting of people, including their need to keep certain things close to the chest. Teammate deliberately kept her faunus identity under wraps? Friend hides the fact that she's an android from the whole world? Ruby accepts them. Ruby gets it. The fact that Ruby does, canonically, accept their duplicity without so much as a blink is, I think, one of the reasons why I expected her of all people to be more sympathetic towards Ozpin's hidden identity. We can argue about the girls' right to the truth via participating in this war till the cows come home, but at the end of the day Ozpin's secrets are intrinsically tied up in his family, his history, and the trauma surrounding both. Let the others get mad, prioritizing information over personal motivations (that does fit their characterizations well, with Blake perhaps being an exception), but Ruby? The show has never been willing to commit to the kind of dark story that would result in a 180 character growth - endlessly forgiving protagonist becomes jaded and cynical as she experiences The Horrors - and little moments like this one further emphasize to me that Ruby, specifically Ruby, is uniquely suited to helping Ozpin not just fight, but finally finish this war. It should never have been (just) about her talent with a scythe, or even the rarity of Silver Eyes. The Gods wanted Ozpin to unite humanity and here's a young woman who unabashedly loves everyone that the world tends to despise: secret keepers and drunk uncles and faunus and Schnees and scary androids. Ruby should have been the emotional bridge!!

Okay, I swear I'm not going to make this series a rehash of my issues with the later Volumes lol. Inevitably some things are going to crop up though.

Moving on, Ruby mentions that Tai is here too and the viewer gets to see his avatar for the first time, albeit from a distance. In keeping Summer updated on her... husband? Wait, were they married? Well, in keeping her updated on her partner, Ruby says that, "He's, you know... Dad," which, unlike the Ozpin line, is just plain funny. Sure, most of her talk is very exposition-y and absolutely functions as a soft lead-in to new content, but that's not to say a story should ever put absurd dialogue in a character's mouth simply for the sake of the viewer. That is, Ruby should never say, 'Oh, Tai is here! You know, my Dad?' because the person she's talking to, Summer, knows damn well who Tai is. Television has actually gotten better about this as a whole. Once upon a time a medical drama would have the doctor yelling, 'Her skin is turning yellow - she's jaundiced! Her liver is failing!' to ensure that the viewer understood precisely what 'jaundiced' meant, never mind how absurd it was for a professional to be shouting that among their peers. (Granted, medical dramas as a whole are absurd. I say that with love.) Despite RT's general inexperience, RWBY belongs to an era of televised storytelling where leaving certain things unsaid is par for the course.

Here, the unspoken information is what it means for Tai to be, you know, Tai. We don't really know who Tai is yet- personality-wise, I mean - so Ruby's comment functions more as a way to set up our expectations rather than to connect with us in agreement. We now expect Tai to be the kind of guy who does things to make his teenage daughter sigh and go, 'That's Dad...' and we, presumably, look forward to seeing that.

Granted, the three things we do know about Tai at this point in the story consist of:

He's a fellow Huntsmen (which is an insane job)

He let his daughter join Beacon two years early to also become a Huntress (also kinda insane but I support him)

He maintains a relationship with said daughter and daughter Sr by sending them their dog in the mail (do I really need to say it?)

Based on that I suppose we can guess as to what Tai is like lol.

He calls Ruby away so they're not late for the match and she sends a last message to Summer over her shoulder: "It was good to talk." As we transition, a murder of crows flies across the sky. Or is it an unkindness of ravens? I can barely tell in real life, let alone when they're animated blobs, but either option works well enough given the upcoming revelation about the Branwen twins.

Cutting to the arena a little time in the future, the viewer is treated to some establishing shots that, while simple, are honestly pretty cool. I believe this is our first introduction to Atlas' floating environments and showing a bit of Beacon Academy in the background helps give us a sense of scale.

This event is clearly popular, with the stadium absolutely packed with people (even more are trickling in from ferrying ships) and, to RT's credit, they did a bit of work to convey diversity in this world. We see a decent variety of skin tones as well as faunus characteristics, to say nothing of the cool designs many of the competitors will get. Beyond the main cast still being overwhelmingly white, I'd say the biggest issue here is the lack of body diversity, what with everyone having the same, stick-thin figure. Yeah, RT is clearly using the same base model copied a hundred times and I'm very aware of their previous status as a small, independent company, but such visuals nevertheless stand out in a series that's been pushing a minority plotline for three seasons.

The camera swoops down to follow Team RWBY in the midst of a battle which, again, is staged in a way that's clearly meant to catch up/invite in new viewers. It's very trailer-esque as each shot lingers on Weiss, Blake, and Yang for a moment before finishing with Ruby, complete with a twirl of Crescent Rose. This is the show visually reminding you of what it's really about. Sure, we might have started with Ruby speaking peacefully by a grave, but at the end of the day RWBY is the story of a team engaging in combat situations.

Oobleck and Port are announcing the event and Oobleck throws out his standard "Doctor" when his title goes unacknowledged.

You know, I started RWBY nearly a decade ago. Four years ago I secured a PhD, so I feel that now.

Port provides another handy info dump for those "just now joining us." AKA the viewer who has no idea what a Vytal Festival is, but this is as good an excuse as any given that people are still entering the stadium. Simply put, all the Kingdoms' huntsmen schools are competing as teams first, then as duos, then as individuals to determine the final winner who will have achieved "victory for their kingdom!" Age and year are irrelevant, which makes perfect sense given the nature of RWBY's combat. You've got young prodigies like Ruby and people who sneak into Beacon like Jaune, and though the other schools/years probably don't have as much drama going on, the variety of semblances, weapons, dust use, and personal experience really makes this anyone's game. A first year might easily beat a fourth year if they won the genetic lottery with their semblance, or a student from School A might trounce someone their age from School B, depending on how much their school has sent them into real combat situations.

Given all that, I kinda wish the Festival had developed the other Kingdoms more, given that it's the perfect opportunity for the cultures to learn from one another and/or butt heads. In a perfect world, one where RT had some sense of where their story was going, I would have loved to see:

Strong development of Vacuo's citizens, especially given that it will be the focal point of Volume 10 and possibly the end of the series (if we ever get that...).

Though the gag that Weiss excepts strict, militaristic fighters from Atlas only to get Neon is funny, that 'Don't judge a book by its cover' lesson really doesn't align well with what Volume 7 and 8 try to push. Better, perhaps, to set up Atlas' dictatorship tendencies before swinging hard in that direction (and I'll get into how what we do see doesn't make the cut).

How Remnant's racism gets displayed in a highly public competition. Do Blake and the other faunus face more discrimination now that they're in the public eye? Do asshole citizens challenge wins because no way did a faunus beat that human?

How different schools approach training their huntsmen. Specifically, everyone seems to abide by the four-person team structure, so why would this competition eventually highlight duos and individuals? It seems counter to what Beacon, and by extension all the other schools, are trying to promote. This setup would make more sense if we were shown that different schools have radically different curriculum. Maybe it's eventually 1v1 because Vacuo's individualist, survival-based culture teaches huntsmen to fend for themselves; teammates are just another liability. Maybe Atlas, being militaristic, prizes safety in numbers and has students train in groups of six rather than four. Maybe Mistral is incredibly semblance-focused (a way to develop Neptune's phobia rather than just making it a gag; a fighter who can't or won't use their semblance is considered effectively useless) and if you can negate that aspect of their style somehow, you find they're lacking severely in weapon-based combat.

Again, I know that RWBY, particularly early RWBY, only had so much time per episode, but looking back it feels like there are a lot of missed opportunities in this world-watched event. None of this is even taking into account Cinder sneaking into the school, or Penny being outed as an android. If any RWBY rewriters are reading this, the Festival is a potential goldmine of characterization and cultural development. If you're going to write random RWBY books, write some about that!

One moment of cultural significance that is shown though is the Atlas security hovering around the arena. They mostly keep to the background, without any single appearance being obtrusive (yet). This is one of those moments where (some) fans look back and say, "See? Ironwood was always a controlling, military-obsessed bastard," but the reality is that this is incredibly tame by real world standards, to say nothing of the realities of RWBY's fantasy world. Regardless of how you feel about the, uh... motivations behind the security in your country (because that's a whole other conversation), you expect there to be some level of professional oversight when that many people are meeting in one place. That's a reality we have to work with, which includes all the potential pitfalls, biases, manipulations, and accidents that come with any large-scale endeavor. Toss in the fact that RWBY's security is designed to defend against man-eating monsters and I'm honestly surprised it isn't presented as dystopian here. Meaning, we easily could have been given a story where people are comparatively safe from grimm in modern day Remnant and the security functions primarily as outside control and/or a fear-mongering tactic. It's not that security is inherently unnecessary, but those walls have done a damn good job for the last generation or so, so why is James so insistent on populating this festival with his probably not-needed robots? Seems sus 🤔.

As it stands, grimm DO attack people on the regular (that was kind of a big part of last Volume's finale), security IS necessary (according to many other council professionals once James raises the issue), and it's arguably MORE necessary now - during the festival - because there are so many potentially negative emotions just waiting to crop up. Instead of "Seems sus," the reaction to having defensive robots around is more, "No duh." At the very least RWBY might have had the characters react to the security with suspicion/fear, even if that doesn't totally track with the rest of the worldbuilding, or better yet, demonstrate that there are major issues with AI leading the charge (robot mistakes kid in grimm mask for real grimm and fires a shot!). Granted, we get that through the hacking at the very end of the Volume, but here and now the Atlas ships seem to be used primarily for transporting viewers, the crowd is fully at ease with these guys, and — as we'll see later — the prospect of additional security in the form of AI is greeted with enthusiasm, not wariness, simply because it will keep real, breathing people off the front lines. Those are all important things to keep in mind when you consider whether a) The show took a very sharp turn in Volumes 7-8 or b) The show capitalized on a long established, slow burn plotline.

(Psst the answer is 'B')

ANYWAY, Oobleck is yelling about the "Spectacular spectacles on which to speculate on!" and I love him all the more. While he and Port narrate we get some non-animated shots of people viewing the Festival from around the world, though frankly it doesn't do much to help RWBY's worldbuilding. Some people watch the fights from a camper outside, others are in a minimalist apartment, still others are in what's basically a bar... if you're looking for intriguing backgrounds to drum up interest in the world outside of Beacon, you're not going to find it here. The presence of various faunus individuals is really the only thing that distinguishes these settings from a show based in the real world.

Onto the fighting! (It's about time :p) The girls are facing off against Team ABRN (pronounced "Auburn") from Haven and they're decent for a couple of one-off characters. I like the design of the girl with the skateboard - Reese - and how her weapon, the board itself, gives her a lot of flexibility in battle. Since it functions as a hoverboard she has a lot of maneuverability, she can use the board as a shield, a projectile, adapt its abilities via Dust, and - of course - she can pull both sides apart to duel wield the guns. Looking at all that flexibility, it is a little lame that she 'loses' that particular encounter with Blake by slipping on the ice, but then we're not really supposed to care about these characters. They exist solely to get us hyped for the battles to come and give a quick primer on how those battles will work. AKA, now we've learned that the battlefield itself has hazards the girls must circumvent.

Blake is cute here though. She's so concerned and I'm like yeah, girl, that looked like it hurt 😬

This whole exchange has that same vibe: one of casual playfulness, which makes perfect sense given that this is supposed to be a fun competition. They're exhibition matches, not real attempts to take the other team out (which is why Yang's supposed act later in the tournament will be seen as so heinous). The guy with the pink hair (Nadir) full on pouts when Ruby successfully traps him in a block of ice and, of course, we have the classic "Got your back!"/"My BFF!" lines in response. The girls are enjoying themselves and that's so damn wholesome to see after all the tragedies - plot and writing-wise - of the later Volumes.

Team ABRN are able to make a bit of a comeback and - *gasp* - the girls have to actually think creatively/combine techniques in order to get the upper-hand. Blake successfully tricks Reese with a clone and catches her in the midriff with a quickly timed ribbon, cleanly knocking her out of the ring. It's here that we learn a team member can be eliminated via leaving the bounds, or having their aura dip too low (remember when that was a thing?) I know I just said there's teamwork, and there absolutely is here, but it did stand out to me how Blake just like... disappears after this moment? I mean she comes back, but it's clear RT wanted each girl to have her moment in this battle, despite the fact that any member who successfully defeated their opponent would be rushing off to help the others. That should be a near defining win condition - defeat one opponent and suddenly it's a 2 vs 1 situation for someone else - but that expectation falls by the wayside until the fight's final moments.

It's a good fight though. Not the greatest by RWBY standards, but it was no hardship to rewatch for this recap either. Weiss pulls out an epic ice hand that ensnares two of the members, now rolling chaotically across the arena, and clearly she thinks this is the end of the fight. However, Arslan — the monk-type who favors hand-to-hand combat (or the one with the "Eastern martial arts influence" according to the RWBY wiki...)— simply rolls her eyes, plants her feet, and shatters the ball with a single hit. Gotta admit, it's pretty cool.

Of course, Team RWBY still comes out victorious in the end. With all of Team ABRN now in one place, the girls have one of those lovely mind-reading moments and pull off a coordinated attack, allowing Yang to sucker-punch them all out of the ring. Again, it's nice to see that kind of teamwork, as well as the adorable way they all stand there, mildly shocked that they won.

I'll take that over the brazen, cocky confidence they've gained any day.

The only thing I'm kinda iffy about regarding this fight is how Team ABRN feels a little less like a full-fledged team to me, and more like a faint Team RWBY echo. It's most noticeable in the Yang vs. Arslan sections where you've got two yellow-coded, hand-to-hand snarkers facing off. Blake and Reese both feel like the cool, alternative style members of their teams, and then you've got the Weiss-Ruby duo trying to overtake the Bolin-Nadir duo. It's admittedly a subtle familiarity that lessens with each example, but it stood out to me in the re-watch; like Team ABRN only exists to give Team RWBY someone vaguely similar to overcome. Which, granted, they do. These are not characters we're going to follow as the series progresses, so in most respects they've done precisely what they needed to do and in a way that looks cool and feels entertaining. So this isn't a criticism, really. More an acknowledgment that RWBY is a series with limits and if we want to know more about these characters/flesh them out beyond their paralleling characteristics, we'll have to do that ourselves in the fanfic.

As Ruby jumps into the air in a victory celebration, we PowerPoint slide cut to the festival later that day where she nearly collapses, asking if anyone else is starving.

Yeah, child. You just made it through a physically intensive battle in front of an audience while existing as a teenager. Of course you're hungry. Blake's stomach gives a giant, embarrassing growl in response and Weiss sarcastically bemoans the fact that there's nowhere to eat at the food-focused festival. Good times, good times.

Ruby: "It's okay, Weiss. I forget about the fair grounds too."

Before they can grab lunch though Weiss declines a call from her father and an old 'acquaintance' suddenly shows up.

Emerald.

You know, kudos to Katie here because Emerald's laugh and, "Good to see you, Ruby" sounds so fake to me now. It just oozes, 'I secretly hate you but am pulling out all my acting skills to convince you otherwise' energy. Obviously RWBY has a host of villains/antagonists that have done a plethora of heinous things, but there's something particularly skin-crawling to me about seeing Emerald in retrospect. Part of it is the deception. I don't know about anyone else, but I personally would prefer a villain who's upfront about their nature from the get-go, rather than one who pretends to be my friend before stabbing me in the back. The first scenario just lacks the same emotional punch, you know? Though the other part of it is, of course, knowing where everyone ends up. Beacon will fall. Ozpin will "die." Pyrrha will actually die, and our heroes will be sent out into a war they're in no way ready for. Yes, Salem is our ultimate Big Bad, yes Emerald has her sympathetic moments and does a heel-turn into "good guy" territory four Volumes from now... but I think the fandom often forgets that she willingly and actively participated in this horror show. This isn't someone just along for the ride because their crush manipulated them, this is someone with a working brain between their ears who has PLENTY of time to consider the ramifications of this and still went, "Yeah, I'll lie my way into orchestrating a massacre."

All this hindsight angst is interrupted by the joke (and I use that term with great reservation) that Ruby must have dropped her wallet because "Girl pockets are the worst!" Sorry, but that has such cis-guy-trying-to-relate-to-women-and-failing-miserably energy to me. Like yeah, I also hate the super small/outright fake pockets that they often sew into women's clothing and I too have smiled at women promoting pockets as part of their independent brands... but somehow hearing the RWBY writers reference it just doesn't land. It's not #problematic, just cringy.

Emerald butters them up a bit by complimenting their fighting and Weiss notes that they haven't seen Emerald's teammates in action yet. We cut to their battle where they dominate the other team, complete with a disguised Neo showing her real eye color before she knocks the competitor out. "[They did] really well," says Emerald in the fakest humble tone ever heard.

Ruby invites them all to lunch and Emerald - clearly horrified by the prospect - dodges by claiming that her teammates are too socially awkward for a meetup. In her defense, Mercury is in the process of randomly sniffing a boot, so although this is absolutely just an excuse, she's also not wrong. Like, at all lol.

Fishing for more info, Emerald asks who's moving onto the doubles round and it turns out that Team RWBY voted for Weiss and Yang. There are three things that I love about this moment:

They voted. Yes, Ruby cheekily tries to make it sound like this is all coming from her genius as team leader, but at the end of the day they decided as a team who would represent them. It's a small detail, but those stand out so much more now that we have Ruby vocally and angrily calling the shots.

(This is a ridiculous side-note I'm 99.9% sure I've mentioned before, but every time I talk about Ruby's intense form of "leadership" in the latter Volumes, I'm reminded of Rick's, "This is not a democracy!" in The Walking Dead. If you know, you know.)

They chose Weiss and Yang. From both an in-world and meta perspective, it's actually a little surprising that Ruby isn't representing them. As established, she's team leader. The team is named after her. She's the protagonist of the show. She's also, canonically, a prodigy wielding an insanely deadly weapon. Yet it's refreshing as a viewer to have a new duo taking the spotlight and within the story-world this choice reinforces Point #1: They're a team and no matter how individually talented any one member may be - or even what titles they hold - they are, at the end of the day, all on equal footing. Why shouldn't Yang and Weiss represent?

The way they both respond to this reveal is dang cute. Weiss' "I will happily represent Team RWBY" while curtseying to Emerald vs. Yang's "Yeah! We're gonna kick some butt!" while slamming her fists together. It's a great contrast and shows why these two might have been chosen. Though powerful on their own, their styles and personality are different enough to compensate for any flaws.

With all that out of the way Emerald rejoins Mercury and her smile immediately drops. She's disgusted at having to get all buddy-buddy with them, but "Orders are orders." She has this classic villain moment where she expresses shock over how they're just so happy all the time and I'm like oh, honey. Darling. Morally misaligned baby girl. Just give it a few Volumes.

We cut to Team RWBY at lunch and aRE THE BOWLS SUPPOSED TO BE THAT BIG?

I recalled that they were big as a visual gag, but not half the girls' size. Honestly? Great choice. I too want to live in a world where you can get insanely giant noodles a millisecond after you order them.

Deviating from the others, Blake nods at the seller dude and receives an equally giant bowl filled with fish. You know, I really wish RWBY had done something with the faunus' animal traits rather than turning them into an endless joke. The concept of a god merging humans with literal animals and then, generations down the line, cat-people being influenced by cat instincts as well as human instincts (because remember, we're animals too) is actually really interesting to me... but navigating the racial implications of that takes a level of nuance that RWBY was never interested in exploring. So we're just left with a Blake who is fish obsessed and chases laser pointers and hates dogs and we're supposed to laugh at all that, rather than buying into her teachings that many people use these traits to dehumanize the faunus.

Anyway, Weiss shows off a bit and pays for all their food. At least, she tries to. Turns out her card has been declined, which is more than a little confusing to her given that she was "barely into [her] monthly allowance." Hmm, could that possibly have anything to do with her ignoring her father's phone calls? Surely no one knows.

Luckily, Pyrrha shows up and offers to pay instead (it's nice having a famous BFF, huh?), but like... what were the girls' initial plans? None of them were expecting Weiss to pay, yet they act like Pyrrha is saving the day by showing up, implying that they don't have the money to cover their meal. The shop guy even takes Blake's fish away, leaving her despondent. So what? Were they planning to eat and just worry about the bill later? Actually, that sounds exactly like something these chaotic preteens would do lol. Yang especially. She was introduced while "buying" a drink before destroying the whole dang bar.

Speaking of teenagers, they all finish their bowls with the kind of appetite only seen in 14-71yos. Although, it was a near thing for Jaune. He's very close to barfing (callback!) and Nora encourages him to "aim it at the enemy!"

She continues ragging on him for a bit, failing to come up with any compliments while hyping up her team. Pyrrha is a world-renowned fighter, Ren is basically a ninja, she can bench five of herself, and Jaune is... Jaune. Nora also doesn't include him in her secondary list which implies that Jaune a) hasn't trained as much (or, more realistically, hasn't gotten as much out of it) as the others, b) doesn't possess an "awesome" weapon, and c) is still frequently yelled at by Glynda.

Poor Jaune. I don't say that very often anymore, but he's going through it here lol.

All of this leads to Nora spiraling at the possibility of them losing. This includes the oh-so-causal drop that she and Ren "have no parents and no home left to go to" which is a HELL of a thing to throw out in a comedically framed breakdown. I mean, being orphans is sad enough, but "no home left to go to" won't be explained until we learn that their town was basically wiped off the map, so damn.

Team RWBY reassures them that a fight with actual rules is nothing compared to what they've already been through. You know, the murderers, extremists, and sociopaths. "Oh," gushes Ruby, "imagine what it'll be like when we graduate!"

As Port and Oobleck call Team JNPR to the arena for their match we cut to Emerald and Mercury settling in to enjoy the festivities. In retrospect, this right here is a really nicely composed shot:

It tells us that Emerald is serious about going through with this destruction (again, she's no manipulated damsel), but she's not getting the same personal enjoyment out of it like Mercury is, as showcased by the smirk. The focus remains on them with Team RWBY framed in between. This is the villains' Volume. They're going to win. Our eyes follow the soon-to-be champions not of the festival, but the battle, while our heroes are literally and metaphorically trapped between them. Finally, Yang is the only one who looks back. We won't know this for several episodes, but she's at the heart of their plan and has every reason to cast the almost-but-not-quite-worried glance over her shoulder. Subtle foreshadowing, how I love thee.

It's shit like this that makes my brain go, "It used to be good! RWBY used to be fun AND occasionally insightful! Those overworked animators were uplifting a mediocre story and the result was good!!!"

As they take their seats who should show up but Cinder, casually using her semblance to pop a kernel of popcorn (power move). "Even if you know how a story ends," she says, "that doesn't make it any less fun to watch." True that! I mean, she's talking about knowing that Team JNPR will be moving on because they need Pyrrha to murder Penny, but I agree with the sentiment outside of that context.

Actually, do they ever explain how they manipulated the fights? I mean, they obviously entered and are winning their own battles and we know that Mercury will be staging his injury with Yang... but here Cinder makes it sound like she's pulling strings in every match. Toss that onto the list of development I would have liked for this Volume: what precisely are they doing behind the scenes? I'll have to pay careful attention going forward to make sure I don't miss anything because right now all I can recall is them looking at Penny's blueprints (presumably obtained via Watts).

Team JNPR's area is randomized into a forest and mountainous land before the battle commences. We end on that cliffhanger, complete with the superhero-esque freeze shot.

And that concludes the first episode of Volume 3! As well as my first recap in a long while. If you've followed me at all you'll know that work has been my personal Big Bad the last two-ish years. Given the scope of my responsibilities and the energy they extract, I simply don't have the time or means to write the way I used to. However, I feel like if I can muster up the willpower to finish this on tonight of all nights (people reading from the future: check the posting date and you'll understand), then I must be getting a little better at carving out writing time in my hectic schedule. All hail self-improvement!

On that positive note, everyone have a wonderful night. Or at least try to. Seriously. Text a loved one, treat yourself to a favored snack, do something that feels fulfilling. Take some deep breaths and I'll see you for the next one.

~Clyde❤️

#RWBY #RWDE #RWBY Recaps #RWBY meta #mymetas

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lais-a-ramos · 2 days ago

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lottie tells her "confession" about stealing clothes from tj maxx right after laura lee tells the team about calling her piano teacher of "cunt" in her head

so, in a way, it was lottie who started the round of team confessions to show that laura lee wasn't the only "weirdo" and wasn't alone, and helped turning a sort of silly moment into team bonding

this short scene shows both laura lee's guilt and a glimpse into her mental health issues that we see further developed in her flashback on episode 1x08 "flight of me bumblebee" (her clinging harder into religion after her near-death experience due to her suicide attempt), and also the first time we see lottie's observation skills and empathy as leadership qualities of sorts even if she still has the quiet girl status at the time

i love this show's details and i love these two dorks so much

#sorry for cornplating. it will happen again #yellowjackets #lottielee #lottie matthews #laura lee #laura lee yellowjackets #yellowjackets rewatch #yellowjackets 1x02 #cw sui mention

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dougthorpe-com · 4 months ago

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Leaders: Are You Wearing the Emperor's New Clothes?

“The Emperor’s New Clothes” is a short story written by Danish author Hans Christian Andersen. It is about two weavers who promise an emperor a new suit of clothes that they say is invisible to those who are unfit for their positions, untrained, or incompetent. In reality, the tailors make no new clothes at all. Instead, they make everyone believe the clothes are invisible to them. When the…

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vamphorica · 3 months ago

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How would a female Mello, matt, and Near be?

absolutely wonderful question, anon, thank you so much. if you've been on my blog for any length of time, it is probably not surprising that i've given this a lot of thought and, putting aside my intricate transgender speculations for the time being, let's gender swap the wammy's creatures, and consider how that could impact their narratives within death note.

note: i will still be referring to all three using he/him pronouns, but this is not intended to be intentionally contrary. feel free to substitute whatever pronouns your heart desires throughout.

♀ mello -> mihaela may be a little bit obvious, haha, but if mihael is a croatian name that means 'who is like god', and we need to retain the letter 'm' for obvious reasons, i think it works well as a feminine alternative name. mello is relatively androgynous as an alias, if not slightly masculine, but i think it is fine given what i'm about to talk about.

mello's canonical gender expression is already nonconformative, so it is interesting to speculate what he would he look like if he were a girl. one of my absolute favourite genderbent depictions of mello is this piece by thekatzone because it still retains mello's visual ambiguity but in the opposite direction. i do think he would dress more masculine as a woman not only because his subversive appearance is a very significant aspect to his character, but also because of how it might relate to his position in the mafia.

mello spends a significant amount of time in the manga and anime in hypermasculine environments despite his presentation, and i think it is important to retain this idea even if he were to be genderbent. i do think mello would have had a much harder time, if it was at all possible, in attaining a leadership position within the mafia as a woman. the women who frequent the base are implied to be sex workers, and so i'm genuinely curious as to whether mello would have felt able to approach the organisation as a masculine presenting woman, or whether he'd seek out a different group. in which case, what would that group be? would he have been able to effectively carry out his insane plans in the same capacity?

i have very little doubt mello would still have been ambitious, but i actually don't think that he would have been able to pursue his goal to catch kira before near as he went about it in the series. certainly light would not have taken him seriously if the voice he heard down the phone was higher pitched, and that alone could have greatly impacted how sayu's kidnapping played out, as underestimating mello could have easily resulted in her death.

♀ matt -> apparently mail as a name means 'pleasant', and that is very funny to me. i quite like the name maille, which is irish, so fits nicely with a vague headcanon i haven't fully developed. i also learnt it is the name for a brand of mustard, and i think he would appreciate that. matt as a pseudonym might have to be changed to matilda, or martha.

while i am under no illusion that matt would be the kind of girl to give a shit about their appearance, i do think in another life, he would have made an excellent e-girl twitch streamer. i can imagine him wearing cat ear headphones and miniskirts, and referring to "chat" every five seconds. rest in peace, mail, you would have loved twitch subs.

regarding matt's gender identity in the canon series, i think that it worth considering how he might have responded differently to surveying others as a woman rather than as a man. i think matt's approach to watching others is very informed by his own personal biases, which I think are definitively masculine. The most clear example of this is how he describes misa as "an awfully cute japanese girl" which, while isn't necessarily the worst thing said about a woman in this godforsaken series, demonstrates that matt's perspective on women is superficial at best. this isn't helped either by the fact that he completely fucks up when guessing misa's age, even going so far as referring to her as a "child".

i think a female matt would probably feel the most overwhelmed of the three by societal expectations of women, and may even distance himself away from femininity. i'm not trying to suggest here that matt's comments imply he's misogynistic, but i actually think matt is the most masculine of the wammy's kids, which may be controversial, i don't know. i believe that he retains his masculine personality in this genderbent scenario.

♀ near -> i love the japanese pronunciation of near's name, nia, as a girl's name that he could use as an alias. natania has the same meaning as nate – 'gift of god' – which does not match his character at all, haha, but that is what i managed to come up with.

near is the easiest to consider gender swapping because to me, he's a girl anyway. you can point to his female voice actors in the anime, or his long hair in the 2020 manga one-shot, but he is also so clearly coded as a feminine character, a contrast from not only mello's aggressive impulsivity, but the masculine environment of law enforcement. with halle as a notable exception (who herself is very masculine, but another post, perhaps), near is markedly different from every other character in the series. some might say he resembles his predecessor, but i think they are very distinct from one another as characters.

my personal opinion relating to mello and near's gender identities (which you may disagree with) is that mello expresses his gender ambiguity externally whereas near does so internally. essentially, if we interpret them both as androgynous, mello's appearance is far more expressive of this, whereas near's behaviour is his more nonconformative trait. this can be a slightly tricky area to navigate as it's important not to dive headfirst into gender essentialism, but i think near's mannerisms can, and should, be explored here.

girl near would still be able to work as head of the spk, without the disadvantages girl mello would face to become head of the mafia. i really don't think there would be much in the way of significant plot deviance if near was female, other than maybe light freaking out over the fact he was caught by a woman, which would be very funny. in the one shot, near's internal androgyny has manifested itself as a more external expression, and i really like that decision.

to conclude, i do love the concept of the wammy's girls, and i think it invites some interesting discussions relating to how femininity is often dismissed in death note. there's a lot of creativity in genderbending characters. mello, matt and near each have complex and interesting traits that are very fun to explore when thinking about them from this perspective.

#sorry this took me so long to respond to #managed to write it out while getting tattooed so i think i deserve credit there at least #asks #mello #mihael keehl #matt #mail jeevas #near #nate river #wammy's house #death note #gender #analysis #perhaps?#headcanon #text post

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flagshipmarketing · 2 years ago

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debbiedanon · 2 years ago

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learning12491 · 2 years ago

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dayntee · 6 days ago

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So I finished Veilguard a while back, and of course I have thoughts. I'm sure none of them are original and have been plenty stated, but hey, we all need to mourn a game when we're done with it for better or worse, so here's mine.

Note: I wrote and queued this before I was aware of the layoffs at Bioware today. This is, in no way, meant to rub salt in the wound or point fingers. If anything, I'm gutted for the people who poured their heart into this game only to be found jobless today. I'm in the exact same position myself, and have nothing but empathy for the situation. To spoil what's below - I enjoyed my time with Veilguard. It could have been better, and if you're a dev that worked on it, you probably know that. I'm sorry it's turned out the way it has, but thank you for the experience regardless. It was a fun game.

Spoilers after the break, obviously. Be aware there will be discourse, but I'm not here specifically to bash. If anything, I'm actually still grateful for the experience.

Overall, I did enjoy my time with Veilguard. After all, my final save file was around the 85 hour mark, so clearly I had no issues continuing to sink time into the game. I itched to play when I wasn't, and I got my Solavellan ending I've been waiting 10 years for, and I damn near 100%'d the whole thing (including getting the hidden cinematic after the credits). So what went wrong? What did I not like? Why do I feel so… empty now that it's over?

If I were to summarize my issues and feelings with Veilguard, it's that it felt like it gave just enough to be passable content, but never committed to being a truly exemplary experience. In every way, from system design to companion design to overarching story to itemization, everything is fine… but not great.

Knowing that DAV went through development hell contextualizes a lot of these issues. If the art book is to be believed, the project had two full blown restart buttons pushed and many leadership handoffs. I've been in conversations, though, where folks ask "Why on earth could DA2 pull off a great storytelling experience, but DAV couldn't?"

There's something else at play, and after my own experiences in the game industry and squinting between the lines to try to glean what I think may have gone wrong, I have a hunch. Pure speculation ahead: I don't think leadership ever fully agreed on a committed vision.

The broad strokes are there, and they are strong:

The Lighthouse is a cool fucking hub. It grows with your group, responds to their needs, and shapes itself around you as you experience the world. The concept of this is dope AF.

The goal is closure on all the questions left unanswered after DAI. It does get to most of these, even if not as fully and as satisfying as some of us lore nerds would have liked.

Combat is fluid and pretty engaging (at least at first). It's simple, fun, and generally fulfills power fantasies well (for context, I specialized as a full Veil Jumper Archery Rogue).

WE GET TO EXPLORE NORTHERN THEDAS. This is so cool and a place we've all wanted to go for ages. TEVINTER. NEVARRA. WEISSHAUPT. All exciting prospects.

Level design and map design are pretty A+, imo. Landscapes and set dressings are beautiful and artfully crafted. Even if there are aspects of the visual design you disagree with, they committed to it and fulfilled it well.

Exploration is fun. I rarely hunt down every chest in a game. I could not stop treasure hunting for the life of me, and some of those hidden treasures felt really special and rewarding to uncover.

The cast of characters and factions you interact with are interesting and very different - from one another and from previous casts. It's nice to see some new tropes that either haven't been used or have been out of rotation for a while.

Solas is a good antagonist. He was before, and he still is, and biased Solasmancing aside - I always looked forward to the breaks in the game where I got to banter with the Egg.

Voice over cast is fantastic. I know some folks were less fond of non-British/American accents, but honestly, I was very fine with it. It reinforced that this part of Thedas, and this time in the overall storyline, is new and different. Thedas is changing, and so are its people.

All these things said - every single positive I have above feels like they were baseline requirements for a AAA Bioware RPG. That they don't go above and beyond these bare minimums is where the game feels like it fails, especially as a payoff for a critically acclaimed entry that's 10 years old and has a passionately dedicated fanbase.

A phrase I've been using a lot with folks is that DAV feels like the Lacroix of Dragon Age games. It's got the branding, it looks like Dragon Age, and it kind of tastes like Dragon Age, but… just barely. It leaves you feeling like it's lacking. It's a hint of it, and going back to drink it again doesn't quite satisfy you.

What we call this in game development is minimum viable product (MVP), which is usually trotted out at the point by production and/or leadership when you realize you've meandered on the project for so long that you just gotta ship something. This works if you're actually going to commit to polishing it up and continuing to make it better after launch for a live service game; fix it later is fine when that's a reasonable expectation.

But Veilguard walked back on that concept. It no longer was going to be live service, but a one-and-done, and the final, late pivot meant it just had less time to cook in its final form and likely a ton of wasted work that got chucked out. There are so many places where the experience feels like an alpha or beta version of what they actually wanted to do. The Lighthouse and Companions as a whole both exemplify this; they feel and look cool, but the experience of both are shallow and underdeveloped. They felt like they were missing something.

The most egregious issues, in my opinion, in no particular order:

Apologies in advance if they're your favorite, but Rook is probably the worst protagonist we've ever been given. Not because their concept is inherently bad, but because I couldn't really make them mine. Rook has no arc, makes few decisions that truly matter, and no moral conundrums barring maybe the Treviso/Minrathous decision. Even then—it feels like there's a right answer to that decision.

To explain: Minrathous gets fucked at the end of the game anyway. If you pick to save Minrathous, you've just doomed two metropolis level cities to excessive death and destruction AND locked yourself out of a potential romance option for no particular reason.

Rook's actions in Thedas also matter the least. The end state of the game is the same no matter what: the Evanuris fall, and the Veil is preserved. How you do it is largely immaterial. In every other game entry, shit can seriously go sideways and it's always directly because of your decisions.

Companion arcs are largely shallow and so reliant on Rook, they fail to feel real. Some of these arcs are more egregious in this manner than others, and some of them have truly excellent stories to tell (oh, hi there Emmrich). But even with the best arcs, this person asks you to make utterly life-altering decisions for them and you've probably known them for like a month or two at best. It just doesn't feel like I, as the PC, have the right to make that call, or that I've earned it. There's not enough time nor enough high stakes prior to those moment.

I won't beat this one to death, but the limited amount of previous choices not mattering in this entry hurts, and I know how complicated it would have been to explore all of them. That said, there were a few that had a ton of specific investment that deserved better resolution: Kieran in particular would have mattered so fucking much if he existed as canon. I understand that's the crux of the problem, but it makes it so that if he was part of your world state in both DAO and DAI, his absence is all the more noticeable.

The South being destroyed off-screen through text will never not bother me. The Inquisitor is apparently faffing about doing fuck all with the resources they've built over time, especially if they chose not to disband the Inquisition. They didn't chase after Solas, who they knew was going to be a problem, and then they ALSO let the South fall? I'm sorry - it does a hero that the majority of this fandom is most likely heavily invested in the worst service no matter which way you look at it.

Veilguard feels like a game that couldn't get out of its own way. The part that has me grieving the most is that you can see under the surface a great game was there, but just not fully realized.

Without being one of the people who made the game, we can only speculate and can't presume the cause for why we got what we did. Hell, as someone who works in game development, sometimes you never get the answer yourself as to why things went so horribly sideways. The larger the game and studio, the more blind spots you're likely going to have on the overall project. That said, I have nothing but empathy for the Veilguard team. It's very clear that at least the majority of folks working on it poured in a ton of work and cared a lot about it.

It's not my place to blame anyone in particular for it, because I don't have the first-hand knowledge necessary to cast that judgement. I hope the folks who worked on this don't let it get them too down; you still made a fun game. And I'm sure you're just as disappointed it wasn't the love letter to Dragon Age that you probably wanted it to be, as much as any of us fans who feel it didn't meet the bar.

You had an impossible job to do; the expectations here were so high, and you had more obstacles than any dev team should reasonably have during their project, regardless of the expected fires we all run into during development. Despite that, I still had fun, and I still care quite a bit about these characters.

That's worth something. Thank you for the experience.

#veilguard critical #veilguard critique #dragon age the veilguard #dragon age #critical analysis #Dragon Age Lacroix #i have lots of thoughts and feelings #you don't have to read them #feel free to scroll on by without it #bioware #bioware critical

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