#last seen tv

[noisyghost]

sketches of ark's werewolf form except based on the designs of some other funny dogs i like

[watchyourbuck]

just an overstatement bc I know you guys know but still. no harm in repeating it.

your fandom experience is safe with me. whether we ship the same or not, whether we like the same characters or not, whether we agree with tropes, arcs, theories or not. i will never recur to homophobia, hate speech or other just bc smth isn’t my thing. if it isn’t my thing I won’t engage. I will always go out of my way to support the creators. I believe in tolerance and I believe in community. even if it’s an online one about a silly show. i respect the people behind the characters, the blogs and the show. i respect the character themselves.

so please, be assured that your fandom experience is safe with me.

[tanglepelt]

Dp x dc idea 35

Amity park is a town with an info blackout. They are fed lies regarding the government, the Giw is just apart of the scheme.

When the fentons open the portal. There is fear that citizens will try to leave hence the GIW. They are there to make it seem like they have outside help.

Vlad is fully aware of it. He doesn’t care all he wants is Maddie. The Fenton parents are also aware. They don’t care they just want to hunt ghost. No one expected the Fentons to succeed.

The group planned on doing something with amity. Not to sure what. Something nefarious.

One day Danny overhears this. Him not having the brain cell for the day. Hides in the random persons trunk and leaves amity behind. Literally didn’t tell anyone. Just went for it.

Thus enters a world with hero’s. Dudes shell shocked.

He gets caught up in a fight between a villain and hero actually on accident. Ends up panicking and knocks out said villain.

Hence how he meets a hero and finds out humans are a lot more squishy then ghost. He wasn’t even using his ghostly strength.

He gets help for amity. And whatever the scheme is gets stopped.

[hethinkslikeaking]

"omg homophobia :( the lesbian ship i want to kiss didn't kiss in an episode that was obviously going to be the backstory of another main character :( hes EXPLICITLY gay in a MARVEL DISNEY+ show and kisses his boyfriend but its still so homophobic :( the episode wasn't straight out of my headcannon so i hate it :("

do you know how dumb u sound rn

[many-gay-magpies]

god what really gets me about dead boy detectives and what i think i love so much about the show and the relationships in it is that like. the romantic and sexual relationships aren't portrayed as being more unique or important than the platonic relationships. they're all just RELATIONSHIPS.

charles and crystal's attraction to each other and eventual hookup isn't this big end-all be-all relationship that shatter charles and edwin's friendship and draws charles' attention away from edwin; it's just a THING that happens. they're just two people that care about each other and happen to also be attracted to each other, and a hook-up happens, then they decide that neither of them are in the right place for it and it's nothing awful. crystal kisses charles, but it isn't some big spectacle of her declaring her love for him; it's just her saying goodbye and that she cares about him, like her hugs with niko and jenny and her handshake with edwin.

edwin realizes he loves charles romantically and tells him, and charles says he doesn't really love edwin romantically BACK, but it's okay, because they still love each other so much in so many other ways that this one tiny difference could never change them—and it doesn't!! they're still just as close, still care for each other just as much, still SHOW that care for each other just as much. their relationship didn't completely end because edwin loved charles in a way charles couldn't reciprocate, but at the same time it isn't "solved" by edwin getting over it, because there's nothing TO solve. it's just another type of love, added to everything that already exists between them. and they have LITERALLY FOREVER to figure out what it means.

the relationships between edwin & niko, crystal & niko, and crystal & edwin aren't given any less weight for being solely platonic, just as charles & crystal's relationship and edwin's feelings for charles aren't given (that much) MORE weight for being romantic. crystal and charles' conflict in the closet is about EDWIN, about how they're BOTH his friend and BOTH want to get him back; it has very little to do with the feelings between THEM, romantic or otherwise. similarly, the weight of charles' and edwin's relationship isn't diminished in the LEAST by charles not reciprocating the romantic side of his feelings (or SAYING he doesn't reciprocate, at least—we can all argue about the legitimacy of that in the notes).

i'm sure there are more examples than this, as well as probably some examples that CONTRADICT this, but like... by and large, it feels like dead boy detectives is a show where all the relationships are given equal weight regardless of platonic, sexual, romantic, or familial status, and as someone on both the asexual and aromantic spectrums who has struggled time and time again with shows casting out the importance of all other relationships in favor of prioritizing romance, that is INCREDIBLY refreshing to see.

[haveyouseenthisseries-poll]

[good-beanswrites]

My thoughts on how the Milgram mv machine works based on the evidence we have:

(I know there’s been discussion about where exactly the interrogations take place, but wherever they are,) the prisoners are made to sit in a specific chair near the wall that houses the machine.

It’s ordinarily hidden, but the wall panels shift aside to reveal it when the mechanical sounds play in the dramas. As well as the walls moving, the chair transforms to restrain the prisoner and attach whatever it takes to access their brain. The fact that none of the more frightened prisoners try to run or break it makes it seem like they physically cannot. This is why Fuuta sounds so panicked, and why Amane is suddenly helpless in front of Es in their T1 vds.

(My mind conjures very classic sci-fi mad scientist machines with wires, pipes, lights, nodes, needles, etc, but I’d love to hear how other people visualize it.)

In some vds (maybe all? I’d need to check,) you can hear Es take some steps right before their iconic line -- it would make sense that for safety reasons, the power mechanism is placed across the room. Once again it could be anything, but the sound effect makes me think of one of those giant wall-mounted levers you have to pull down.

The voice dramas don’t really provide the type of crime details that an actual interrogation would reveal, and it’s odd that they’re placed before the extraction rather than after Es gets to see the new details. This leads me to believe the machine functions with priming. All Es needs to do is get them talking about their murder, so it’s on their mind.

The video produced is much like a (non-lucid) dream. Even if the prisoners figure out that this is how it works, they can’t control it just by thinking really hard about something else. The murders produce the strongest emotional affect, and that’s what it picks up on. If someone else used the machine, it would default to whatever gave them the strongest emotional reaction in the ~15 minutes beforehand, hence why Es’ video focuses on their daunting task ahead. (The Undercover theory is still a bit loose, though, given the private shots that Es wouldn't have known about). It’s why the videos are usually closely linked to the vd topics/beats. I also like to think that the reason their prisoner colors appear so much is because they’re looking at those colors on their uniform 24/7.

The bell rings to inform Es that it’s the optimal time to use the machine -- the prisoner has been thinking about things for long enough that the video will be about their crime, and if the conversation lasts much longer they’ll start thinking of other things. It’s at a different time for each prisoner because it’s based on the specific conversation. I guess Jackalope is listening in to the interrogation, timing it perfectly. (The only one that kind of messes with this theory is Yonah, because they just keep talking afterwards lol, but it could just show that the interrogation is still in Es’ control.)

Their “Sing your sins” is the final priming nudge to get them to think of their actions as a sin, revealing their guilt.

Once activated, the prisoner enters a sort of trance/sleeping state. It’s very much like REM sleep, with the machine forcibly activating neurons and recording the output. The prisoners have asked Es what they saw, meaning they don’t remember the mvs. I like to think the prisoners do experience the mv in real time, acting as the major version of themself that appears, but can’t remember it afterwards. It’s when you experience a dream, but as soon as you wake up you’re just left with fleeting emotions and memories right on the tip of your tongue.

The video plays immediately upon extraction -- whether on a huge projection or little screen depends on which room it’s in. It simultaneously saves the memory so that Es can rewatch it later (on those old TVs in the jailbreak mix). The machine downloads the song and video together, but requires special parts to retrieve them. The technology is pretty new and fragile, so if one is broken, there might be a delay between when Es can hear the extracted song and see it with the video. (That’s my justification for Kotoko’s delays -- after 9 prisoners the parts wear out, or maybe Mikoto himself overheats it with his complex situation.)

Based on the lack of conversation we get afterwards, I picture Es leaving before the prisoner wakes from the trance. The machine adjusts their brain back to normal before they awaken, restraints freed and able to return to the rest of the prison.

It’s very much like a dream, so it’s not harmful despite the amnesia/head injuries the prisoners have. It does, however, exhaust them. Brain activity alone takes a lot of energy, so forced brain activity with added emotional strain would cause them to feel pretty drained the rest of the day.

[the-anime-man]

Hey just a trigger warning for the latest episode of game changer that there's existential horror, analog horror, unreality and multiple auditory and visual glitches for those it affects, especially towards the latter half of the episode

[decafgrace]

Watching the Percy Jacksonification of the ATLA fandom in real time -

[girl4music]

Just read the ‘Last Chance’ script again.

It literally is a piece of femslash fanfiction.

It’s both a musical and a doppleganger episode and so you can only imagine the gay shenanigans that would happen between the lookalikes that are actual lovers.

From Xena Wiki. Source: https://warriorprincess.fandom.com/wiki/Last_Chance

“Scheduled for February 2001, but never shot. This was the infamous Sappho episode. Written by Robert Tapert and Melissa Good, it was to be directed by Mark Beesley. K.D. Lang apparently agreed to guest star.

Synopsis

Sometime during her life as a mortal, Aphrodite "stole" Sappho from the Muses because she wrote, like, such kickin' love poetry. The Muses got back at Aphrodite for the "kidnapping" by casting a spell on Aphrodite's son. The spell was one of celibacy, which, of course, is a major bummer for Aphrodite. Aphrodite decides to get her son "un-celibate" by getting him to go to Lesbos to groove on some Sappho love poetry.

The problem is that Sappho (Renee) has "lost the muse". She and her partner (in *every* sense) Morai (Lucy) have been fighting a great deal. Having creative differences, in other words. Sappho hasn't been giving Morai enough credit in the partnership, and in the end, Morai (a meek woman) leaves, during the time that they're getting ready to put on a play called "Love Bites".

Aphrodite, seeing her plans for her son going seriously awry, goes to two people she hopes will help her. Xena and Gabrielle. She breaks in on a jam session with Xena and Gabrielle. Gabrielle is trying to write a song, and Xena keeps on putting her two cents in. Gabrielle finally asks Xena to just shut up and sing it already. And we hear the first lines of Last Dance.

Aphrodite "pops in", interrupting them. She then asks them if they'd fill in briefly for Sappho and Morai while she goes after the two to try and get them back together. After a few moments, Xena and Gabrielle agree to Aphrodite's scheme, and travel to Lesbos.

They get there, and of course, everyone mistakes Gabrielle for Sappho, and ignore Xena (masquerading as the meek and mild Morai). The play is down to the last moments, almost ready to be put on, but the ending isn't even done. Xena and Gabrielle need to stall until Aphrodite can get the real Sappho and Morai back so that they can finish the play that she hopes will break her son's celibate spell.

Mistaken identity hijinx ensue, with Gabrielle loving the accolades and Xena getting more and more pissed off because people are treating her like a somewhat brain damaged dog. Xena and Gabrielle get into a small (minor) tiff because Xena is upset, but eventually things get back to "normal".

Meanwhile Sappho and Morai have taken a canoe/camping trip into nature in order to work out the kinks and get the muse back so they can finish the play. Unfortunately, that flops, as does the canoe, so Sappho and Morai wind up back at Sappho's home, where they run into, literally, Xena and Gabrielle. However, it's kinda funny the way it happens.

See, Xena, walks into Sappho's boudoir thinking Sappho is Gabrielle. Sappho is instantly entranced by Xena's bearing, and *especially* her leather. Xena is a bit taken aback by Gabrielle's forwardness, especially since they've just had another small arguement and Xena left the party.

Meanwhile, the REAL Gabrielle is in another room when Morai comes in (thinking it's Sappho) and wanting to make up with her partner. She takes off Gabrielle's boots and offers to read her some poetry before they go to bed. Poetry? Gabrielle wants to know where Xena (who she thinks Morai is) got the henbane and how much did she take?

Both sets of doubles eventually find out that they're not who the other thinks they are, and all four collide in the hallway outside the bedroom. After the surprised introductions are over, Sappho offers to have Xena (who she REALLY likes) and Gabrielle to share the bed with she and Morai. Gabrielle declines and Xena and Gabrielle go into Sappho's workroom, where they settle down for some "pillow talk". (In the script, and yes, they're sharing a bed).

They each talk about how they knew the double wasn't who they thought they were after a short time and then go to sleep. Xena wants to leave, figuring that with Sappho and Morai back, their mission is done, but Aphrodite convinces them to stay on a bit longer. Which is a good thing, because Sappho and Morai argue again and Morai runs away.

The play is ready to go on with Senhel and Avian in attendance, but without Morai (who is playing several parts), what can be done? In steps Xena to fill Morai's spot while Gabrielle runs off to find the runaway poet and to convince her to return to Sappho's side.

Then the Donkey Show part of this ensues, with all the disco tunes you heard about. It's as confusing as the real Donkey Show is, and I really can't do it justice, but basically it's about three couples (each played by Lucy and Renee) some who love each other, some who want one but the other doesn't want them back.

Aphrodite thinks this play, sampling the "many flavors of looooove" is just the ticket to get Senhel to see the error of his ways. They start out, but at first, Sappho is upset because while she *really* likes Xena, the reverse isn't true. Xena's not interested, and Sappho thinks she's falling down on the convincing job (to the audience).

They go along in the play and Aphrodite pops in again, and sees that her son is completely unmoved. Morai (who really DOES love Sappho) still isn't back yet, so Aphrodite pleads with Xena to "please, just fake it" with Sappho so that Senhel will get the picture. Faced with the alternative (failure) Xena decides to "fake it" and starts becoming more steamy with Sappho during the songs such as "Love to Love You Baby", "Knock on Wood", "Don't Leave Me This Way" and the like.

Gabrielle, meanwhile, has convinced Morai to give Sappho one more try, and brings her back to the playhouse just in time to see Xena pin Sappho to a set piece on stage and kiss the living daylights out of her. Morai is upset. Gabrielle is kinda upset. Senhel is falling asleep (because, obviously, what's going on up on stage is not love, just lust).

Morai begins to sing "I Will Survive" to Sappho and then leaves. Gabrielle leaves with her. The audience begins to leave.

"WAIT!" shouts Xena, and tosses her chakram to close the doors to keep the audience from leaving. Then she begins to sing, to Gabrielle, the song they wrote together. Which, of course, is Last Dance. As she hears it, Gabrielle stops. Then turns. Then, as Xena continues to sing, she begins to approach Xena until they wind up holding hands and looking into each other's eyes.

Then, as the song fades, they hug. Then they look over at Senhel, who is STILL unmoved. So then, and this is from the script:

“Xena and Gabrielle kiss with deep and sincere passion.” Everyone stares, entranced.

When they finally come up for air, Senhel is on the floor, the spell broken because he has finally seen true love. As the song begins again, Avain kisses Senhel, Morai kisses Sappho, and everyone is happy again.”

[uwudonoodle]

My partner went to watch the new episode of Tower of God on Crunchyroll today, and found the subtitles had been mixed up with either a different episode or show.

This big tough bad guy seemed to be arrogantly monologing before starting a fight with the protagonists. He was also very concerned about his love life.

These two, standing off to the side, weapons in hand, had a heartfelt conversation about romantic girls who wear red dresses.

This guy was very concerned about his manicure after blowing up a mountainside with a fireball.

[jackredfieldwasmyjacob]

idk if it's because my mum worked in a tv magazine or what but all the media wars and backstabbing and stuff happening behind the cameras is so so interesting to me

[lakeheadlyricist]

watched i saw the tv glow

[fleouriarts]

feeling bad about my art lately. will probably not post for a while. but i wanted to at least dump some stuff here before i retreat into my hidey hole

[rube-too-many-fandoms]

batfam headcanon:

Tim and Dick both love Doctor Who and bond over it a lot.

Dick is a Star Wars fan while Tim is a Star Trek fan. They butt heads about it occasionally.

Dick stans R2-D2. Tim stans Kirk (and maybe has a crush on him).

(…okay, Dick 100% had a crush on Leia. and dressed up as Han for Halloween once. or several times.)

Meanwhile, Jason’s vibing with Back to the Future and Lost in Space (and the book The Little Prince).

Dick loves the Avatar movies while Jason loves Avatar the Last Airbender. (Jason gives him shit a lot for them having stolen the name.)

[haveyouseenthisseries-poll]