#last out of the original organization… but better than most dark road characters

[firestorm09890]

congratulations to the husbands for being right next to each other in the poll

[cherry-espresso]

Gleam and Glow

Chapter 1

Pairing: Grey! Bucky Barnes x Fem! Reader

Word count: 3,374

Description: The reader has been held captive by their own mother their whole life, taught to believe the world is bad and that they need to be protected from it. That their gift needs to be protected from it. They possess 70 feet of hair with healing properties and some people will do anything for a chance at peace.

General Warnings: This story contains dark elements and various dark characters!! Do not read if this makes you uncomfortable!!!, kidnapping, violence, language, angst, whump, for the purposes of the story the reader has 70ft foot long hair that glows gold- this does not change regardless of hair color or texture, inspired by the movie Tangled.

Chapter Warnings: kidnapping, manhandling, betrayal, mention of trafficking (selling/buying of a human), John Walker, very naive reader, brief sexual implications,arguments, un-gendered pet names,choking, illusion to sexual harassment, language, please read at your own discretion.

DO NOT REPOST MY WORK, REBLOGS ARE WELCOME AND APPRECIATED

A majority of your childhood was peaceful. You got to do all the normal kid things- of course you were never totally sure what a ‘normal’ kid thing was on account of the fact that you’d actually never met another kid but, it felt normal enough. Aside from the very abnormal ‘birth defect’ you were ‘gifted’ with. You stopped considering your magical abilities as a gift by the time you were seventeen, when your mother made it abundantly clear that you could never leave the tower, you could never go outside, and you could never cut your hair.

The only thing more annoying than the seventy foot long tresses was your mother. According to her, your father was a sloppy one night stand she found in a tavern. He was a love em’ and leave em’ type of guy; he gave your mother one great romantic night and then disappeared off the face of the earth. You’ve never met him. You’ve never met anybody. Your mother has always been your only companion. She was a beautiful woman, she said you take after her more than your dad. While she was gorgeous and protective, she was also passive aggressive, rash, and ostentatious. If it was possible for her to get out of being “the bad guy” she lunged, dragging you under at the first chance. When you were younger she would tell you stories about the outside, she made it seem like a gorgeous place. She described the kingdom and the many villages outside its walls. She started with all the good things until you showed interest in escaping, then, she gave you the truth. She began to spin tales of roads rich with crime, vigilante gangs, covert groups of thugs, and rebel Viking camps. From what you could piece together, the rebel Viking camps were the greatest concern.

The rebel Viking groups weren’t actually Vikings. Your mother had said they called them The Vikings because of their rugged and brutal lifestyle. The camp they occupy is more like a small village, the structures following Norse architectural style, chalk-full of criminals and runaways. Runaways. Your mother had always explained to you that when young girls ran away from their mothers they ended up in that village living a life of crime. The very thought of falling into the wrong hands has kept you from sneaking out or from begging to leave the tower. You found ways to be content, ways to keep busy.

The tower wasn’t as big as it looked from the outside, the only living space was at the very top of the tower. The top of the tower had about two floors worth of open space, minimal and organized in the lower level and very maximalist in the bedrooms and wall decor. Mother said the rest of the tower below was sturdy white brick and vine, aged by time and the weather. Most of the exterior bricks were cracked or crumbling, so all the support for the turret came from the tower’s solid core. The roof was a chipped and rusty blue color mostly concealed by untamed ivy growth, which also hid the entrance to the tower’s turret. To your home. The only way in and out of the tower was an intricate pulley system made from twisted vine and rope. Originally, mother had used your hair to get into the turret, until one day a strand snapped from the pressure, dying and losing its magic. In an effort to protect your gift, you helped your mother make the pulley.

Crafting things was just one of the many ways you spent your time in the tower. After you’d turned eighteen your mother didn’t stick around much, if at all, leaving at night to go to the palace or the tavern, sometimes coming back in the morning and sometimes being gone for a day or two. With so much time alone the only option was to learn how to entertain yourself. Reading books, cooking, painting, testing the information you soaked up from all of the books, sewing holes in clothes, polishing leather, polishing silver, dusting, drawing in the dust. It’s a really long list. If there’s more to add you add it, forever stretching the possibilities. As the sun started to go down however, it started to seep in just how repetitive and predictable your daily activities had become. While you knew leaving the tower would be a horrible and dangerous mistake, you couldn’t help but long to be outside. To feel the grass between your fingers or to stand out in the sun, somewhere other than where it leaks through the turrets window entrance. It could never happen. Knowing this was an impossibility kept an icy grip on your stomach, a lonely sort of feeling, naturally touch starved by fate. It’s been years since the last time you asked to leave. Much before you knew how dangerous it really was out there. Asking one more time couldn’t really hurt could it? You’d be twenty soon enough, just one touch wouldn’t hurt anyone.

Mother had left early in the morning, off to do some much needed grocery shopping; if she hadn’t decided to stop by the tavern she would be home very soon. Too soon to come up with a better plan. Quickly you started to prepare for her to come home, sweeping the dining area and pulling out the utensils needed to make a special stew recipe you remember she had enjoyed. If she was going to say yes she needed to be buttered up first. Once the cooking utensils were nicely organized on or beside the unlit stove, and the dust was done away with, it was time to make quick work of anything she could use against your argument. Rushing to one of your most treasured bookshelves you pulled a discarded velvet scrap from the back of one of your more worn astronomy books. The midnight blue fabric had been torn from one of your favorite dresses when you were sixteen, unwilling to part with the shredded material, it was quickly fashioned into a long braided bookmark. Since then you’ve opted for shorter than floor length gowns or comfortable riding pants and tunics. The supposedly “masculine” style annoyed mother to no end but then again she really couldn’t understand how suffocating the corsets could become, or how difficult it was to fasten them without getting hair caught beneath the strings.

Unbraiding the bookmark allowed it to become one long thick strand, setting it on the dining table, you went to gather your hair. For the most part, you tried to keep it close to yourself. Getting any part snagged or wrapped around something was more of a pain in the ass than taking the time to gather it together. Gathering so much hair was difficult, it took time and it was unbelievably heavy. Once you were finally able to get it all in one place you started the tedious task of braiding. In order to braid it up enough to keep it off the floor you split it into three sections, braiding those separately before braiding them up into a complex Dutch braid. It took nearly two hours to finish so you could finally tie up the end with the dismantled bookmark. The complexity allowed the braid to settle halfway down your calves, keeping it neat and off the ground. Now all that was left to do was light the lanterns around the room and wait. Waiting for mother to get home was nerve wracking, if possible you’d busy yourself with starting the stew but you were fresh out of the most important ingredients.

“Y/n let down the vine!” Mother yelled from the bottom of the tower and the tension finally broke.

“Coming!” You sighed out in relief rushing to the window and lowering out the vine life you had made.

Once you were sure she was safely in the lift’s sling, you utilized the pulley system to begin pulling her up. The tower was around forty feet tall, making the trip up lengthy and difficult. When she was close enough to the window entrance you hooked the vine slack onto the wall hook, keeping it stationary, before quickly coming to help her in with the groceries. Taking the canvas grocery bags from her arms and into the kitchen, you started pulling out the items to take inventory on what she’d bought at the market.

“How was the market? Did that man give you trouble on the celery prices again?”

“Ugh doesn’t he always? Absolutely exhausting, he wanted double, and then there was a fight at the tavern again which I always have to break up.” She pulled out a chair at the dining table, sitting into it and slinging her feet up into the neighboring chair.

You slowed for a moment, pulling the bundle of carrots from the bag slower as you processed that she may be intoxicated which meant there’d be zero chance of having the conversation you desperately desired.

“You went to the tavern?” You asked, feigning excitement.

“Of course sweetheart, I promised that I would but I wasn’t there for long I promise.” She got up to meet you in the kitchen, resting her hands on your shoulders.

“Now what are we having? I’m absolutely starved.” She smiled.

“I was going to make that stew from last winter that you liked so much. Now that fall is settling in.” you started to add broth and small peeled potatoes to the pot.

“That sounds delightful darling, I’m going to go rest my eyes, call me when it’s done?” Mother started to walk away. It was now or never.

“Actually!” You cleared your throat., “Actually I was hoping I could talk to you about something.”

“Alright but let’s make this quick, mama’s feet are aching.” She turned back around to sit in another chair.

“Well as you know I’m almost twenty, an adult really and I’m already very responsible around the tower-“

“Y/n where is this going?” She interrupted, rubbing her temples.

“I want to go outside.” You turned to look at her.

“We’ve talked about this! It’s far too dangerous! You know what would happen if anyone discovered your gift!”

“I know, I know, but I’ve thought about it and no one would even know! I won’t tell anyone about it, and if they don’t know I have it then they don’t know how to use it, so it’s useless to them. If I just keep it braided I’ll be completely normal!” You came to sit across from her, hoping it’ll be convincing.

“No absolutely not, it’s much too risky! I have kept you safe for nearly twenty years! I am not stopping now! You’re far too young to understand but this is what’s best for you!” She got up and started to walk away again.

“But it’s not! I’ve never met anyone else! I’ve never had friends or met other people my own age! I’ve never even seen a real man!” You were absolutely desperate.

“Oh a man?! This is about men huh?! So you want to leave the safety of the home I built for you to go whore around for a man?!” She was absolutely furious, beyond cooling down.

“Mother no!” Your face was burning with embarrassment at the very suggestion of sexual activities.

“No truly I understand! You would rather leave this place and be used by men! Drained of your power in one of those Viking camps no doubt! I won’t hear another word, I’m going out for air and your attitude better be gone by the time I get back!” She walked over to the vine, untying it from the wall and setting it into a rustier pulley wheel that would let her down slowly, she was gone just as soon as she’d finished her sentence.

You had no choice but to sit in utter silence and shame. Swallowed by guilt that mother could ever consider you’d do that to her. As much as you wanted to leave and experience the real world, you desperately didn’t want to disappoint your mother or end up somewhere bad. Very quickly you dissolved into regret, backing over to try and undo what’s already been done, planning a way to forgiveness. Finishing the stew was the only way you knew how to start so you got to work, making this the best stew you could ever devise. Having never written the recipe down you had to go solely based on flavor and gut feeling. That was the best way to cook anyway. Once it had been spiced to taste you put the lid on the pot to let it simmer.

Almost immediately you found yourself overrun with anxiety, filled with a need to do something with your hands. To occupy your mind. There really wasn’t much to do in the tower to occupy you enough to erase this from the forefront of your mind. So you opted for the only thing that you could: cleaning. Your started polishing, dusting anything that you could and when there was nothing left you sat and you waited. The silence was absolutely deafening. You’d totally zoned out until you heard the rattling of the pot lid on the stove, snapping your head to it only to see the stew boiling over.

“Shit!” You rushed to turn it off, burning your hand in the process as you cleaned up the mess. Suddenly you were no longer hungry.

Opting to leave the stew on the stove for whenever mother would return you left the kitchen, going to your room as you cradled your hand gently. Tears stung your eyes, threatening to drip through your lashes and you curled up on your bed. Reaching for your braid with your uninsured hand, you gently took the end and rested it over your burned palm, reaching to wipe away some loose tears. Whether the tears were from the pain or from emotional discourse you couldn’t be sure. After drying your tears you closed your injured fingers around the large amount of hair, and began to hum a soft familiar melody. As the melody continued your hair began to glow a brilliant gold, almost glittery in color. Once the shimmer reached your palm, the heat faded and the wound healed. You were able to breathe. You looked to your palm, it was as soft and unharmed as it had been that morning. As it had always been. No scars or leftover pain. Just smooth healthy skin.

You couldn’t be bothered to really prepare for bed. The dress you wore was moveable, the corset easily undone as it tied in the front rather than in the back. Laying back you took a deep breath, closing your eyes momentarily to let go of all the stress that you could. After a minute of peace you pushed yourself up and off the bed, walking over to the dark wood armoire, opening it to look in the mirror, you sighed looking at your dress. There was stew on the navy skirt and what looked like a sizable carrot. You’d have to change to sleep. Lifting the skirt up closer you plucked off the carrot and disposed of it in the nearby waste basket. Returning to the armoire you flipped your braid back over your shoulder and checked the white sleeves of the off the shoulder blouse, slid your hands over the black corset, grabbing the tied strings from the vertex of the sweetheart neckline you untied the knot. Just as you’d finished untying the security knot you heard a loud grinding bang from the lower level. Pausing to listen you grew concerned.

“Mother? Are you alright?” You called gently.

When you didn’t receive a response you dropped the corset strings and left your bedroom, looking over the bannister you were met with the worst sight you could possibly have imagined. A large piece of the stone floor was broken and pushed out of the ground, slid off to the side and two large men climbed out of the dark hole below. Half a million questions filled your head. How was there a space under the floor? How did these men find you? Did they know who you were? There wasn’t time to think, you had to act. Silently and quickly you snuck back into your bedroom, burning out the lamps and climbing into the armoire as best as you could. Tilting your chin up to silence your breathing you listened. Waiting. Thinking. The men were much bigger than you thought a man would be. From what you could make out they dressed in dark clothing. Leather. Worn and hardly taken care of if at all. They were similar heights. One a redhead and the other blonde, both with rugged facial hair. You only had a brief look and the adrenaline pumping through your veins was making it difficult to focus.

“I am never doing that shit again, forty feet of crumbling bricks and thirty feet of rope, you seriously didn’t think that through?!” You could hear them arguing.

“It didn’t look that tall alright? Can we just find the chick and get out of here? I lost my good boots in a poker game with trash panda and if I don’t win them back he’s gonna tear them apart.”

It was clear they were coming for you. The only thing you could do was hope mother came home or that they didn’t see you behind all the other clothing in the armoire. The stairs creeped. Once. Twice. There was only one creaky step. They were both coming up. You held your breath.

“Food on the stove and the lamp in here is still warm. She was here recently.” They made it into your bedroom.

“If I had to guess I’d say she’s still here.” The footsteps stopped. It was silent.

Suddenly, the hem of your skirt was yanked-it had been caught in the door-and then the armoire burst open. The blonde man grabbed your arm as you struggled, ripping you from the small dark space and out into the open. He spun you around, pressing your back to his chest, his left forearm braced across your neckline and gripped your right shoulder. His right hand held a sharp silver blade to your heart.

“Well, well, well, Princess did we catch you at a bad time? These corset strings are so very loose for company.” The blonde man taunted, using the tip of his blade to pull on the cords.

You gripped this forearm, pushing back closer to his chest in an effort to get away from his blade as you struggled.

“P-please just leave me alone, I won’t tell any-anyone.” You stuttered, trying to stay calm the way your mother had taught you.

“We have plans for you, this hair of yours… hear there’s some people willing to pay a pretty penny for just a touch.” The red headed man stroked your braid, you jerked your head away.

“Oh oh oh” the blonde man laughed. “She’s a feisty one, are you sure we have to deliver her so soon? Could be fun…”

“Oh c’mon man don’t be gross he wants her unharmed. Mostly. C’mon just cloth her so we can go. Boots remember??” The red head said, grabbing your wrists and tying them together roughly. He took the dagger from the blonde, continuing to hold it in its position as the blond reached into his pocket.

“No no no no no please please I’ll give you anything you want just leave me alone!” You begged, swerving your head away from the blondes clothed hand as it moved towards your mouth.

“Bitch stop fussing around!” He slid his left forearm up to your throat, both choking you and effectively stabilizing your head long enough to clamp the cloth over your mouth and nose.

It hardly took thirty seconds before your vision started to swim and your vision started to fade to black.

“We’re already late. He’s waiting.” One of the men said as he slipped a cloth bag over your head. Your hearing went out, senses dulled as you gave in the the dark.

[wishingicouldfly]

I've been actively blogging for more than six months, even though I've had a tumblr account for ten years. I started reading One Direction (specifically Larry) fanfiction about the same time.

Originally, I read exclusively canon compliant fiction--I was hungry for industry insider, what-could-have-happened narratives. But I've slowly branched out into other genres. I find fanfic--good fanfic--super calming. When I've had too much stunting, too much noise, I grab a fanfic and immerse myself. So I thought it was time to do a post about my favorites. Keep in mind, I'm terrible at cataloging, and I have over 150 bookmarks on my A03 Account, so this is by no means an exhaustive list.

I'm not including the classics like Tired, Tired Sea and Escapade. While I do love both of those (so well written), because a lot of people know about those already.

My all time favorites are by @helloamhere

1. The Multipicity of Powers - https://archiveofourown.org/works/28580229

Maybe in another universe he isn’t different. Maybe he hadn’t been given an impossible choice. Maybe he wouldn’t have lost everything and broken everything and then fallen impossibly, irrevocably in love with the first next thing that was kind. Maybe in that universe he doesn’t feel like he’s never breathing, always pretending, teaching the kids even though they all have to learn alone, trying hard not to read the headlines, and so afraid, every day, that he won’t be a good enough teammate to the superhero he can’t live without. He knows that love isn’t supposed to feel this way, slid secret under your skin like a surgical razor, an invisible war held close over the tender vein that keeps you alive. On the other hand, Louis wonders, had he ever known how to do it any other way?

Maybe there’s a universe where he doesn’t have to keep all his secrets on the inside.

But this isn’t that universe.

//an X-Men AU.

Me: I never thought I'd love a super hero 1D cross over, but this is so well done. The backstory, the pacing, the characterization, the friendship. Read it.

2. Saving Symphony Hall and it's prequel Night Out - https://archiveofourown.org/works/12633921

“I think I have an idea,” Louis said. Slowly, and reluctantly, but with a growing sense of the inevitable. “God damnit, I think I have a really good idea.”

“Oh christ, that's the problem-solving face,” Babs said. “Last time we saw that face, he sold a company.”

“Wait, what?” Zayn asked.

“Right place, right time,” Louis said. “Also, fuck my life,”

“What?” Zayn repeated. Niall patted his hand.

“I usually just roll with whatever Louis is about to do,” he said. “It’s better for us all.”

“That’s the attitude,” said Louis, “I’ll tell you tomorrow. Tonight, I need to do some research. Zayn, give me your number. I’m gonna save our symphony.”

Me: The best sex scene I've ever read is in the prequel Night Out. Sexy, but tender. I love the characterizations in this duo--ABO but not traditional. Doesn't feel out of character.

3. Just Let Me -https://archiveofourown.org/works/11695350

The party was going well. So well, Niall had already sworn undying love to one multi-tiered chocolate cake, two friendly corgi-poodle mixes, Zayn’s hair, and the entire population of Los Angeles. So well, Zayn had only laughed and ruffled Niall’s hair and not even twitched towards a cigarette. So well, nearly everyone had spilled far past the boundaries of the night’s original plans, extracting bottles of vodka from the cabinets and losing a lot of clothes. Harry had proclaimed that he was finally going to throw a small and very grownup dinner party and of course here they were three hours later, fifty people half-naked in the pool. Soon to be full-naked, if Louis had to guess. Everybody in LA loved a heated pool. Everybody loved Harry.

Me: I love love love this. Harry is so gentle, and Louis is so stubborn and needy. It's ABO but subtle. I'll read this one again and again. It's comforting.

@HelloAmHere is one of the best writers I know--amazing stuff. I also love their werewolf story, but it's not finished, so I won't link it here.

Other favorites:

1. Seven Up by cherrystreet - https://archiveofourown.org/works/5828539

Very loosely based on the British TV show "The Up Series" and somewhat inspired by the song “Something I Need” by Onerepublic, we follow the lives of Harry Styles and Louis Tomlinson in an interview setting every seven years. They fall apart and come together, their lives and emotions recorded. Harry calls it a time capsule. Louis calls it a pain in the arse.

Me: Trigger Warning, major character death. I literally SOBBED through the end of this. It was lovely and devastating. So good. But be warned.

2. Light, Spark and Fire series by @greenfeelings

Life’s pretty ordinary for Harry. He lives with his best friend, got into university just like he’s planned, and manages to support himself just fine for an unbonded omega. If he sustains that lifestyle by getting paid to help alphas through their rut every now and then, that’s nothing to be hung up on. Until he’s hired by an alpha that turns everything upside down.

Or, Louis and Zayn run a music label, Liam is Britain’s up-and-coming pop star, Harry’s working on taking Louis’ walls down until he builds his own up, and Niall holds them all together without realising he does.

Me: A nice healthy three-parter. Characters you just want to live with for a while.

3. Relief Next to Me by dolce_piccante - https://archiveofourown.org/works/1117942

AU. What happens when a baker and a graphic designer meet via a very specific Craigslist post? Fate, friendship, food, and maybe more.

Me: This one is super long, so be prepared when you dive in. It's got a lot of lovely bits, and some great smut.

4. 2012 'Verse by ashavahishta - https://archiveofourown.org/series/27601

Me: This is a five-parter and satisfies my love of canon compliant stories. It spans most of 2012 and into 2013, and illustrates the difficulties of Harry and Louis' relationship amid the band success and management disapproval.

5. Love After the End of the World by mercurial-madhouse (writing_practice) - https://archiveofourown.org/works/31251434/chapters/77248901

Society shattered when all electricity suddenly cut off across the globe, plunging the world into darkness. Now, Prometheus Industries is the sole remaining supply of power, a saving grace to those who survived Lights Out. As fugitives in no-man’s land struggling to break into Prometheus HQ, death lurks around every corner for Louis and Zayn. Things get complicated when a routine recon falls apart and Louis collides with Harry and his mates Niall and Liam, survivors with their own agenda.

When staying alive is already a constant battle, the deadliest weakness is to be in love. For Harry and Louis, finding each other sits on top of the endless list of What Else Could Go Wrong.

Me: Really unusual (as far as I can tell) end of the world story. I loved the characterizations of soul mates here at the end of the world.

6. Flightless Bird by audreyhheart - https://archiveofourown.org/works/6401653/chapters/14656807

AU where Louis Tomlinson is a principal dancer with The Royal Ballet. When his rival from ballet school, moody dance prodigy Harry Styles joins the company, old wounds are reopened and old passions reignited. During the company's production of Swan Lake the secret that doomed their love is finally revealed, but will it be too late?

Me: Trigger Warning, sexual assault (by an original character to a major character). This was a little brutal because I hated to see a broken Harry, but it was well written and has a happy ending.

7. Wear It Like A Crown by zarah5 - https://archiveofourown.org/works/1816771/chapters/3900322

AU. As part of a team of fixers hired to handle a gay scandal in Buckingham Palace, Louis expects Prince Harry to be a lot of things—most notably a royally spoilt brat. Never mind that the very same Prince Harry used to star in quite a number of Louis' teenage fantasies.

Me: I loved Louis in this one--actually they are both pretty great. Scratch that, they are ALL pretty great.

8. Shake Me Down by AGreatPerhaps12 - https://archiveofourown.org/works/3331958/chapters/7285322

Harry's new to college, fresh out of Catholic school and conversion therapy camp, and Louis runs the campus LGBTQIA organization.

Me: I don't like the self-hate here, but it was necessary for the story and H comes around. Found family vibe.

9. Gods & Monsters by Velvetoscar - https://archiveofourown.org/works/2090982/chapters/4550871

The instructions were simple: seduce and destroy Harry Styles. Not once did they discuss the option of Louis actually falling in love. So, naturally, that's exactly what he did.

Me: I loved Harry in this one. Louis gets there. I don't like Liam, but I don't think you're supposed to. Zayn is great.

10. Own the Scars by crinkle-eyed-boo (KimmieRocks) - https://archiveofourown.org/series/1010796

Louis has never felt like he was good enough: for his stepdad, for his life-long best friend, for the life he's supposed to want. After an accident that nearly costs him his life, Louis' parents send him to rehab where he’s forced to face his demons. On the long and difficult road to recovery, Louis must confront the truths he’s been avoiding about his future, his relationships, and his sense of self-worth. Because before he can love anyone else, he’s got to learn how to love himself first.

Me: Harry is lovely in this one. Trigger warning, substance abuse and near death.

11. Wild Love by purpledaisy - https://archiveofourown.org/series/1030904

AU: Two best friends try to date each other for forty days. It's supposed to be fun until emotions make it complicated.

Me: I loved this way more than I thought I would. It's lovely and messy and I love it.

12. Victorian Boy by audreyhheart - https://archiveofourown.org/users/Rosann1986/readings?page=6

Victorian AU. Harry the virgin Duke of Somerset knows little of love, while Louis the sly Duke of Warwick knows too much. When the two dukes come together for the Bilsdale fox hunt in York, Harry finds himself drawn into Louis' bed. But when secrets from Louis' dark past come to light, Harry fears that the fox isn't the only one being hunted.

Me: Historical fiction I didn't intend to love. I LOVE Harry in this one. LOTS of smut, so be warned.

13. Keep Me Closer by zanni_scaramouche - https://archiveofourown.org/works/30752633

Louis expects Harry to react poorly, maybe even file a formal complaint and that’s gonna suck ass but Louis won’t say shit cause he knows he deserves it, so he prepares an apology before Harry’s even turned around.

What he doesn’t expect is Harry to fucking drop.

Me: lovely, protective Louis just trying to do the right thing.

14. Turning Page by purpledaisy for SockstheDog

https://archiveofourown.org/works/11826345

AU: Harry Styles tries to get lost in a place he’s never been.  Louis Tomlinson has been perfecting the art of being lost for years. What they don’t expect to find is each other.

Me: sweet love story. Niall owns a bar, and is pretty great.

15. Freedom Always Comes With a Price by Cyantific - https://archiveofourown.org/works/30278514/chapters/74624262

A shared dream brings them together onto the X-factor stage, but one decision changes Harry and Louis’ lives overnight. Thrust into a world of instant stardom, they're forced to live a lie to sustain their dreams, but years of living in the shadows and under strict management takes its toll.

With the bands impending hiatus, there’s no better time for change, so they think.

Desperate for a solution, they turn to an unlikely source with a radical plan. An unfortunate accident sets everything in motion, but not how they intended, leaving Louis’ memories altered, Harry broken-hearted and full of regret.

Can Harry figure out a way to fix everything? Will he even want to once he sees how Louis moved on after the hiatus? Will Louis ever find out the truth of their past and can he forgive Harry after all this time?

In the end, two friends find out that memories are elusive, trust is everything and love is the only antidote.

Me: Heartbreaking when they lose each other, but really good in the end.

16. Little Technicolor Things by scary_crow - https://archiveofourown.org/works/6025519/chapters/13821628

Louis is a poor writer and recent university graduate, depressed, anxious, and living in London when he meets Harry, an artist with a secret who likes to paint sunrises and pretty boys from California.

17. Hold You Now by solvetheminourdreams - https://archiveofourown.org/works/30253536/chapters/74556744

Three years ago, Harry Styles said goodbye to communications consultancy firm McQuiston Worldwide, leaving a life of travel and agency PR behind. When he accompanies his best friend to a family wedding across the Atlantic, he'll be forced to reopen old wounds and face his past—one that no one wants to hash out, but may just have to.

Me: Niall is great. They almost miss each other in this one, and you just want to bash them over the head. But they figure it out.

18. At Risk, I Fold by clare328 - https://archiveofourown.org/works/26542480

2015 is a stream of hotel rooms and whisky on the rocks, tired glances and touching hands under tables. It’s the bears and the bees under a rainbow sky, and Harry and Louis have to figure out how to grow up together, instead of apart.

Me: A canon compliant fic that feels like it could have really happened. Set in 2015. Lovely first chapter and scene where Harry writes If I Could Fly--i could read that chapter over and over.

19. Into The Blue by zarah5 - https://archiveofourown.org/works/1035822/chapters/2065499

AU. In which Louis is Harry's scuba instructor and quite happy to provide the requested special treatment, pun fully intended. It can't be all that difficult to convince Harry that they're on the same page, right? Also, Niall and Liam may or may not be dating, and Zayn is surrounded by emotionally stunted idiots. He bears it with dignity.

Me: AKA the Scuba fic.

20. Tie Your Heart by ArcadianMaggie - https://archiveofourown.org/works/546688/chapters/973236

Harry grows wings.

Me: How can you not love a fic where Harry grows wings? Trigger warning: injury of a major character.

21. I think I'll end this here. My last and probably first favorite (read it more than once) is...

my heart is breathing for this moment in time by usedtothebeach - https://archiveofourown.org/works/934996/chapters/1820282

When Louis first saw Harry at the 2010 X Factor Auditions, he thought he was watching a peculiarly special stranger. But Harry has known Louis ever since he was five years old.

Because Louis has a rare genetic disorder that causes him to Time Travel to important moments in his past and in his future - and to Harry, always to Harry. When they're put into a band together, it seems like everything Harry has been waiting and wishing for has finally come true. Except for the small fact that Louis doesn't know that Harry is in love with him- that Harry's always been in love with him. Fate, it would seem, is just getting started.

A story about growing up and growing together, and the impossible love that makes it all worthwhile.

Me: I LOVED the Time Traveler's Wife by Audrey Niffenegger, and I'm a huge fan of time travel, so this is right up my alley. It's really well done, weaving canon into fantasy and then going years forward in tme. I love everything about it. Great character development. Really good smut. Trigger warning, there's a little underage sex, so be aware. Anyway, LOVE this one so much.

I'll add to this but it's already longer than I meant it to be.

[nealiios]

The Supernatural 70s: Part I - Corruption of An Innocent

"We're mutants. There's something wrong with us, something very, very wrong with us. Something seriously wrong with us - we're soldiers writers."

-- with apologies to the screenwriter of "Stripes"

Dear reader, I have the darkest of revelations to make to you, a truth when fully and wholly disclosed shall most assuredly chill you to the bone, a tale that shall make you question all that you hold to be true and good and holy about my personal history. While you may have come in search of that narrative designer best known for his works of interactive high fantasy, you should know that he is also a crafter of a darker art, a scribbler of twisted tales filled with ghosts, and ghouls, and gargoyles. I am, dear innocent, a devotee of horrors! Mwahahahaha!

[cue thunderclap, lightning, pipe organ music]

Given the genre of writing for which most of you know me, I forgive you if you think of me principally as a fantasy writer. I don't object to that classification because I do enjoy mucking about with magic and dark woods and mysterious ancient civilizations. But if you are to truly know who I am as a writer, you must realize that the image I hold of myself is principally as a creator of weird tales.

To understand how and why I came to be drawn to this sub-genre of fantastic fiction, you first must understand that I come from peculiar folks. Maybe I don't have the Ipswich look, or I didn't grow up in a castle, but my pedigree for oddity has been there from the start. My mother was declared dead at birth by her doctor, and often heard voices calling to her in the dead of night that no one else could hear. Her mother would periodically ring us up to discuss events in our lives about which she couldn't possibly have known. My father's people still share ghost stories about a family homestead that burned down mysteriously in the 1960s. Even my older brother has outré memories about events he says cannot possibly be true, and as a kid was kicked off the Tulsa city bookmobile for attempting to check out books about UFOs, bigfoot, and ESP. It's fair to say I was doomed - or destined - for weirdness from the start.

If the above listed circumstances had not been enough, I grew up in an area where neighbors whispered stories about a horrifically deformed Bulldog Man who stalked kids who "parked" on the Old North Road near my house. The state in which I was raised was rife with legends of bigfoots, deer women, and devil men. Even in my childhood household there existed a pantheon of mythological entities invented explicitly to keep me in line. If I was a good boy, The Repairman would leave me little gifts of Hot Wheels cars or candy. If I was being terrible, however, my father would dress in a skeleton costume, rise from the basement and threaten to drag me down into everlasting hellfire (evidently there was a secret portal in our basement.) There were monsters, monsters EVERYWHERE I looked in my childhood world. Given that I was told as a fledgling writer to write what I knew, how could anyone have been surprised that the first stories I wrote were filled with the supernatural?

"The Nightmare" by John Henry Fuseli (1781)

My formative years during the late sixties and early seventies took place at a strange juncture in our American cultural history. At the same time that we were loudly proclaiming the supremacy of scientific thought because we'd landed men on the moon, we were also in the midst of a counter cultural explosion of interest in astrology, witchcraft, ghosts, extra sensory perception, and flying saucers. Occult-related books were flying off the shelves as sales surged by more than 100% between 1966 and 1969. Cultural historians would come to refer to this is as the "occult boom," and its aftershocks would impact popular cultural for decades to come.

My first contact with tales of the supernatural were innocuous, largely sanitized for consumption by children. I vividly remember watching Casper the Friendly Ghost and the Disney version of the Legend of Sleepy Hollow. I read to shreds numerous copies of both Where the Wild Things Are and Gus the Ghost. Likely the most important exposure for me was to the original Scooby Doo, Where Are You? cartoon which attempted to inoculate us from our fears of ghosts and aliens by convincing us that ultimately the monster was always just a bad man in a mask. (It's fascinating to me that modern incarnations of Scooby Doo seem to have completely lost this point and instead make all the monsters real.)

ABOVE: Although the original cartoon Scooby Doo, Where Are You? ran only for one season from 1969 to 1970, it remained in heavy reruns and syndication for decades. It is notable for having been a program that perfectly embodied the conflict between reason and superstition in popular culture, and was originally intended to provide children with critical thinking skills so they would reject the idea of monsters, ghosts, and the like. Ironically, modern takes on Scooby Doo have almost entirely subverted this idea and usually present the culprits of their mysteries as real monsters.

During that same time, television also introduced me to my first onscreen crush in the form of the beautiful and charming Samantha Stevens, a witch who struggles to not to use her powers while married to a frequently intolerant mortal advertising executive in Bewitched. The Munsters and The Addams Family gave me my first taste for "goth" living even before it would become all the rage in the dance clubs of the 1980s. Late night movies on TV would bring all the important horror classics of the past in my living room as Dracula, Frankenstein, the Wolf Man, the Invisible Man, the Phantom of the Opera, The Creature from the Black Lagoon, and Godzilla all became childhood friends. Over time the darkened castles, creaking doors, foggy graveyards, howling wolves, and ever present witches and vampires became so engrained in my psyche that today they remain the "comfort viewing" to which I retreat when I'm sick or in need of other distractions from modern life.

ABOVE: Elizabeth Montgomery starred in Bewitched (1964 - 1972) as Samantha Stephens, a witch who married "mortal" advertising executive Darren Stephens (played for the first five seasons by actor Dick York). Inspired by movies like I Married a Witch (1942) and Bell, Book and Candle (1958), it was a long running series that explored the complex relationship dynamics between those who possess magic and those who don't. Social commentators have referred to it as an allegory both for mixed marriages and also about the challenges faced by minorities, homosexuals, cultural deviants, or generally creative folks in a non heterogeneous community. It was also one of the first American television programs to portray witches not as worshippers of Satan, but simply as a group of people ostracized for their culture and their supernatural skills.

Even before I began elementary school, there was one piece of must-see gothic horror programming that I went out of my way to catch every day. Dark Shadows aired at 3:30 p.m. on our local ABC affiliate in Tulsa, Oklahoma which usually allowed me to catch most of it if I ran home from school (or even more if my mom or brother picked me up.) In theory it was a soap opera, but the show featured a regular parade of supernatural characters and themes. The lead was a 175 year old vampire named Barnabas Collins (played by Johnathan Frid), and the show revolved around his timeless pursuit of his lost love, Josette. It was also a program that regularly dealt with reincarnation, precognition, werewolves, time travel, witchcraft, and other occult themes. Though it regularly provoked criticism from religious groups about its content, it ran from June of 1966 until it's final cancellation in April of 1971. (I would discover it in the early 1970s as it ran in syndication.) Dark Shadows would spin off two feature-length movies based on the original, a series of tie-in novels, an excellent reboot series in 1991 (starring Ben Cross as Barnabas), and a positively embarrassingly awful movie directed by Tim Burton in 1991.

ABOVE: Johnathan Frid starred as Barnabas Collins, one of the leading characters of the original Dark Shadows television series. The influence of the series cannot be understated. In many ways Dark Shadows paved the way for the inclusion of supernatural elements in other soap operas of the 1970s and the 1980s, and was largely responsible for the explosion of romance novels featuring supernatural themes over the same time period.

While Dark Shadows was a favorite early television program for me, another show would prove not only to be a borderline obsession, but also a major influence on my career as a storyteller. Night Gallery (1969-1973) was a weekly anthology television show from Rod Serling, better known as the creator and host of the original Twilight Zone. Like Twilight Zone before it, Night Gallery was a deep and complex commentary on the human condition, but unlike its predecessor the outcomes for the characters almost always skewed towards the horrific and the truly outré. In "The Painted Mirror," an antiques dealer uses a magic painting to trap an enemy in the prehistoric past. Jack Cassidy plots to use astral projection to kill his romantic rival in "The Last Laurel" but accidentally ends up killing himself. In "Eyes" a young Stephen Spielberg directs Joan Crawford in a story about an entitled rich woman who plots to take the sight of a poor man. Week after week it delivered some of the best-written horror television of the early 1970s.

In retrospect I find it surprising that I was allowed to watch Night Gallery at all. I was very young while it was airing, and some of the content was dark and often quite shocking for its time. Nevertheless, I was so attached to the show that I'd throw a literal temper tantrum if I missed a single, solitary episode. If our family needed to go somewhere on an evening that Night Gallery was scheduled, either my parents would either have to wait until after it had aired before we left, or they'd make arrangements in advance with whomever we were visiting to make sure it was okay that I could watch Night Gallery there. I was, in a word, a fanatic.

ABOVE: Every segment of Night Gallery was introduced by series creator Rod Serling standing before a painting created explicitly for the series. Director Guillermo del Toro credits Serling's series as being the most important and influential show on his own work, even more so than the more famous Twilight Zone.

[azaffranist]

Frozen 2 deleted/early content

On the road to F2 there were tons of leaks and I saved as many of them as I could in the fear that Disney would delete them (because they loved to shut down whole websites because of that back in the day). As a result I have a lot of pictures saved on my phone and looking back on them... some don’t sound quite right because it’s definitely not what I saw in the movie. So here’s everythinggg I have. I did my best to organize stuff a bit but there are so many things it was... hard. Feel free to add more stuff in reblogs, replies and such!

Something to note is that we won’t take into account the “officially” released deleted content, which would include everything that’s in the Blu-ray, because basically everyone already saw that (Home, I Seek the Truth, Get This Right, Unmeltable Me, the Secret Room scene, Hard Nokks, etc). Generally, we won’t be analyzing deleted scenes from the official trailers, either, because of this very reason. Something “official” that we will consider, though, are the deleted clips animators have been releasing on Instagram and other sites, because those aren’t that popular.

Before starting here’s the link to all the deleted F2 lines I could find as well as some other additions. The post itself has even more links to other posts containing deleted content so have fun clicking on links. 

Last thing to mention, none of the merch photos here are taken by me. I got most of them from the leaks channel of the Arendelle Kingdom server during 2019. If any image in this post belongs to someone here and you want to be credited please let me know and I’ll edit the post.

This post is long. Like really, really, lagging-my-browser-as-I’m-writing-it long. So grab some popcorn and get comfortable or just take a look at what interests you.

So without further ado, let’s get started!

Deleted Artbook Content

One of the most exciting leaks we got were definitely these sample artbook excerpts. None of these pages made it into the final artbook, though.

This piece definitely belongs in Iduna and Agnarr’s backstory, in which the Northuldra leader wasn’t an ordinary man but a shapeshifter.

The biggest picture in this page points to yet another version of Iduna and Agnarr’s backstory. It’s possible to deduce Bruni hadn’t been fully developed yet or created at all since the fire isn’t pink.

The one on the bottom right seems to be an earlier version of the “forest freed” scene in the final movie, or maybe it happened in another moment altogether.

The most interesting of the three, though, is this one. Nothing in the movie points to the existence of a place like this. It’s interesting to note that this peculiar house looks very similar to Iceland’s “elf houses”, tied to the myth of the Huldufólk, “hidden people”, who were said to be small and live in a parallel world, being able to make themselves visible at will.

These are definitely the inhabitants of the Enchanted Lands, who look completely different than in the final movie with their long cloaks, hoods and staves. They look like mages. Were these the very first concepts of the Northuldra, or another group of characters altogether that ended up being scrapped? Only Ahtohallan knows...

Even though the tree and the vegetation illustration is in the book, there’s one missing and that one is the bottom left. One of the most popular theories in the fandom regarding that illustration is that it was an Arendellian military camp tied to the expedition to the Enchanted Lands. I think what we got in the movie is a watered down version of a much more violent and sinister endeavor to invade the Northuldra. The above mentioned deleted scene of the battle of Arendellians agains Northuldrans is proof of that.

This one shows the Arendellian gang and most likely Mattias looking at the walls of a cave with drawings on it depicting the Nokk among other things that I can’t quite make out. I’ve heard people say that an earlier version of F2 involved the gang encountering Mattias in a volcanic cave and that’s where this scene would go, but I don’t know if those are rumors or there’s an actual source. If someone happens to have knowledge on this topic in particular please let me know and I’ll update the post.

_________________________

Incomplete Frozen Fan Fest books and their alternate scenes

As I’ve mentioned in another post, Frozen Fan Fest happened on October 4th, 2019, and it was the official release of the movie’s first merchandise. We were all super excited to look at the storybooks and read the ending!

Except there was no ending and the books ended abruptly right before Olaf’s death, completely skipping over Show Yourself.

You hear that? “Elsa bravely dives into the Dark Sea”. We know the Dark Sea scene was shortened and that’s more proof.

This section of a Frozen 2 storybook explains how it went a bit better. After Elsa was defeated twice by the ferocious waves she climbed up some giant rocks and dove back in. Only Ahtohallan knows how that would be effective in this situation and not a waste of strength, but hey, I’m sure it looked super cool and I’d be down to see it.

”Elsa trudged through terrible winds and thick snow”... um... she didn’t? This might’ve been created when Show Yourself wasn’t a thing yet and her path through Ahtohallan was just that, trudging through terrible winds and snow, and not an inspiring song about self-love and finding yourself. I wonder how that scene would’ve looked.

Maybe we can find something relating to that “unused” section of Ahtohallan in a book called “Anna, Elsa and the Secret River”. Basically Iduna tells them that there’s a secret river out there and after the lullaby Elsa and Anna go nuts and try to look for the river outside. Seems like it was all a shared acid trip because next morning they seriously consider it was a dream.

Maybe here they didn’t realize they were in front of a river, because “Glaciers are rivers of ice” and this is what that Ahtohallan Elsa ventured into originally would’ve looked like? The white river doesn’t know...

This is by far one of my favorite ones. I wouldn’t exactly describe post-Show Yourself as a moment of calm and peace. Maybe peace but definitely not calm. Then it says that the signal meant that “she managed to cross the sea”. That’s a really weird way to describe “horrifying ice statue of colonialist grandpa killing an innocent native man”. I don’t know if they’re hiding the actual plot here of if they hadn’t yet worked out all the details of SY and the moment Elsa found the truth.

Anna has her cloak on as she finds the truth. Readers have no idea what this enlightening truth is because the ice statue is indistinguishable.

As it shows here, the original Iduna being Northuldra reveal was going to happen in a different way. I’m glad we got that final version... Because wow, Elsa and Anna are completely unable to connect the dots here. Anna was smart enough to figure out what to do after receiving Elsa’s message, c’mon! This should’ve been piece of cake...

 Iduna called Elsa “Little Snow”. This points to an alternate All is Found scene and we’ll talk about that more in depth later.

Same scene. Translation is: 

“While tucking the little princesses in, Queen Iduna sang them a lullaby about a far-away river called Ahtohallan, which holds all the answers about the past.

“Does Ahtohallan know why I have powers?” asked Elsa her mother.

“If it exists, it definitely knows that and much more,” answered the Queen.

So in this earlier version, Elsa has always asked herself if Ahtohallan had the answer to her powers... Doesn’t this make Show Yourself work even better? Here she always looked for that answer and she’d learn that she is the answer. I wonder why they took it out because it makes a lot of sense and would give buildup to Show Yourself.

Here what really matters are the squares with text. Olaf never ran through moss or became covered in it. Olaf never looks down a brook to be met by Nokk’s gaze from below. Maybe it’s an alternate When I’m Older?

And relating to that particular piece of merch:

Seems like in an earlier version, the Nokk was associated with waterfalls.

Everyone shut up there’s SWORD ANNA here. Found in a coloring book. I don’t speak Italian but Google Translate says: 

“Anna is a brave one: she does not hesitate to draw her sword to defend her sister Elsa and her friends from any new threat.”

GOOD FOR HER! This is definitely from the version we were shown in the teaser, when Anna wielding an actual sword and slicing someone with it was still a thing. Man, how I wanted that to happen...

_________________________

Alternate fully animated scenes found in animators’ posts

After the release of Frozen 2, animators started to post scenes they had worked on and showing the process behind them. Some of them were deleted, are different in the final movie, or have a completely different score accompanying them.

View this post on Instagram

A post shared by Adam Green (@agreenster) on Apr 6, 2020 at 5:31pm PDT

A completely different dialogue during the boat scene. Pretty heartbreaking and it’s even more buildup for TNRT, when Anna was left by literally everyone she loved in the planet.

View this post on Instagram

A post shared by Trent Correy (@trentanimation) on Apr 14, 2020 at 8:50am PDT

Apparently, for whatever reason, Gale was going to appear in the castle first.

View this post on Instagram

A post shared by Trent Correy (@trentanimation) on Mar 29, 2020 at 10:51am PDT

Olaf’s revival was going to be way different, and this implies that his death might’ve been different, too. Maybe his snow just dissipated and didn’t go anywhere? Maybe instead of being neatly placed by a waterfall, it fell all over the Enchanted Lands? I have no idea.

View this post on Instagram

A post shared by Mariusz Furmanczyk (@mariofurmanczyk) on Mar 21, 2020 at 7:11pm PDT

I absolutely LOVE this one, okay, and I have no idea why they’d leave it out. Turn your sound on and listen to the much more tragic alternate score. But more importantly, pay attention when she turns to solid ice: just like in F1 with Anna, her last breath is visible. Beautiful parallels, poetic cinema, and I’m hurt and confused and I want it in the movie. Excuse me while I call the police.

View this post on Instagram

A post shared by Mariusz Furmanczyk (@mariofurmanczyk) on Feb 26, 2020 at 5:47pm PST

Here the only change is the different score as she unfreezes. I love it so much. It’s so tragic, heavy and powerful. You can basically hear the fragility of Elsa’s fate as the ice breaks and she falls. Help. Here, here, and here, you can see other glimpses of this beautiful alternate score. Once again I’m calling the police and telling them Disney hurt my feelings by leaving this out.

I’ve hit the 5 videos limit already, but here is a link to an animation by jdublish. The change isn’t the scene itself but the completely different siren call Elsa hears. Much more ominous and creepy and I also love it, even though I have to admit the final siren call sounds catchier and more iconic. Also, kids under five won’t start crying of fear when they hear it.

Then there were also plenty of changes in the Elsa vs Nokk scene and we got to see one. Thanks to @justlookatthosesausages for pointing this out and letting me use her gif! The original video was set to private for some reason so I can’t post a Youtube link, but this is @justlookatthosesausages‘ gif:

Elsa struggled way more in the original version. Go to her post to see a comparison with the final version.

And now the awaited All is Found alternate scene! Thanks a lot to @lovewillthaw-j who helped me collect all the scenes. 

First two scenes from the trailers: the Official one, Elsa looks up and Iduna gazes at the northern lights.

The Japanese one, in which Iduna kisses Elsa’s hands. @catloafs pointed that out after F2′s release so thanks!

And the last two were found by @antoineharrakblog, so thanks for that! Here and here.

BUT there’s no need to click a bazillion links because @lovewillthaw-j‘s post reconstructs in a single video what the original scene would’ve been like. Go watch it!

UPDATE: Additions by @antoineharrakblog​. Thanks a lot!

Here we can see that originally, as the elements fled and Kristoff held Olaf, he yelled, “Wow, you’re heavy!”. Don’t know why this would be removed. Maybe they wanted to keep the scene serious? Maybe they needed to shorten the movie so that it didn’t exceed 100 minutes and cut little jokes like that?

 And here, showing Elsa seeing how Iduna saved her father, there’s some deleted dialogue:��“Get the prince out of here!” “King Runeard, what did you decide?” in addition to a much more tense score in general.

_________________________

UPDATE: Screencaps of deleted/alternate scenes

Thanks a lot to @antoineharrakblog for bringing all of these pictures to my attention! Multiples screencaps have appeared in different magazines or books that clearly didn’t make it to the movie.

Anna never makes that movement in the final movie. There’s more proof of an alternate/extended “Elsa and Anna talk” scene.

This is another one. There exists a lower quality version of this picture which I can’t find right now, but it shows that Anna and Elsa are sharing kransekake in this particular scene (the particular food that we can see at the beginning of OFA).

These are all part of the All is Found scene we’ve been talking about. In the final movie we can see that All is Found serves as a sort of “bridge” between the past and the present, as it transitions from Iduna singing the song to Elsa to Elsa in the castle, reminiscing. But originally, Iduna finished singing All is Found in the past. There’s proof of this here. 

_________________________

UPDATE: Novelization deleted content

This information was provided by @theupsidedownpyramid​ so thanks a lot! There are some really interesting deleted scenes in the novelization.

In this one, Elsa felt the urge to release her magic after hearing the voice at the end of All is Found.

In the novelization Mattias and Yelena’s (or Yelana? Disney will never decide) relationship was a lot deeper than what was shown in the movie.

For more information and a more thorough analysis, read @theupsidedownpyramid​‘s reblog!

_________________________

Miscellaneous

So there’s only one image in this section but believe me, it’s so worth it. 

An animator casually mentioned that there was going to be a head kiss scene. Process it. Can’t? I can’t either.

_________________________

Wow I’m TIRED. I must’ve missed something but that’s all my brain can handle as of now. Thank quarantine for giving me the opportunity to work on this post all day.

Disney committed war crimes when they deleted some of these scenes. I have only one question: Why in the world would they do that? And more information might see the light of day in the future. I’ll never get tired of trying to piece together the convoluted puzzle that is the original Frozen 2.

I will update this post if I remember something else or if someone else has more content to share. Let’s reconstruct F2 together to visualize that movie Disney deemed too cool for us!

UPDATE: Into the Unknown: the Making of Frozen 2 Documentary finally has a concrete release date, June 26th. Let’s hope we can see more stuff then!

[darklightsworld]

It seems nowadays I can’t make myself to post here except for recently watched movies. Since Japan is pushing out most postponed anime movies in the last few months of the year, there is lots to watch. This time I had an adventure in Akita again. Well, I watched two movies with only one showing per day again, and of course the last bus left before the second movie ended, so I had to trek to the train station two km away. Okay, this time it was supposed to be downhill, so I thought it would be a piece of cake, but I had an uncomfortable surprise. I took a shorter way, which was supposed to go all the way through the suburbs… but: after a while public lighting ended! Just like that! It was in the evening and completely dark without any light except for the rare crossings. Like, what?! It’s not like it was an uninhibited area, it was full of houses! Seriously, sometimes I don’t get these things. Japan is bad at public lighting in general, and I’m using a flashlight all the time when it’s dark so I would see better, which is ridiculous. This situation also makes many drivers use the high beam of their headlights blinding me (and each other) all the time – it’s supposed to be forbidden if others are on the road, but well, Japanese are often reluctant to use something as basic as the turn signal, so why am I surprised :/ So yeah, I conquered the hill in the dark with a flashlight, and I don’t care to repeat the experience. If it was anywhere else than Japan and rural Akita I would not have dared to do it at all, and even like this I felt like having to rush to get it over with.

Anyway, movies. The first one was the 20th anniversary movie to DoReMi, Majo minarai wo sagashite. I can’t say I was the generation of the original anime, but I occasionally watched the first two or so seasons on German TV, and I always thought it was a perfect series for kids with great art style, roundness, gentle colors and backgrounds, and without the kitsch and otaku baiting of others, like the Precure series. The anniversary movie, however, was a mixed bag. The visuals were great and in line with the original. The story… well, it was obvious from the trailers that it would not be about the original characters, and in fact it was a bit meta, as the original DoReMi was an anime series in the narrative and we followed three fans in their adult lives, each of them facing and overcoming a crisis. The story was a bit didactic, relied pretty much on stereotypes and tropes, and the ending was too idealistic, but it was okay overall. There was a bit of magic as well – or a series of coincidences and dreaming, depending on your interpretation. But above these all the movie was literally a pr flick for domestic traveling! The girls were constantly traveling and sightseeing, which was kind of made into anime pilgrimage, although aside from the first location nothing was really DoReMi specific. They go to Kamakura, Gifu, Onomichi and of course Nara and Kyoto ^^;;; Not like the latter two need anymore pr, but whatever… Anyway, it was a strange thing about this movie. Also, I couldn’t get rid of the feeling that this story could have worked with the adult versions of the original cast…

The second movie was The Legend of Hei. I know it has been out with subs for a while, but somehow I have difficulties watching things that look like anime, but don’t speak Japanese. I know it’s not a problem with the Chinese language per se, as I’m quite used to it from Chinese classmates, but maybe it’s the fact that I don’t understand it? Or that with those visuals I expect it to speak Japanese and the dissonance is too big? No idea, but I have been missing out on a lot of Chinese anime because of this, so I just had to watch this with Japanese dub - it was a great dub too with Sakurai and Miyano. The movie was nice, the visuals were great, although the flatness of the characters’ coloring needed some getting used to. I loved Xiao Hei’s antics, his cat-like behavior and the straight-faced humor all though the movie. Also, this discrepancy of traditional clothes and nature in the beginning, which makes you feel like they are in a different world, mixed with metropolitan, high-tech China was fun. It was a good movie with many great things that make up for the otherwise simple narrative.

That’s all, no idea when I will feel like posting again - well, I do have some other movies on my list so there’s that. As usual I won’t have any Christmas, which is not surprising, but just like last year we will work through the New Year as well :/ This thing about not giving us any compensation for all the holiday we are working through still bugs me a lot – especially since I only have like 12 days of paid leave a year… Another bad news is that I won’t be able to go to Kyoto in January for the postponed conference, only researchers from Kansai can attend irl, which sucks. I was really looking forward to spending five days there, and I would have attended even in the current situation. Kyoto is not that bad and Akita is almost like “corona, what?”, so with all the precautions it would have been okay… So, as a “revenge”, so to speak, I’m considering to organize a six-day trip for March instead, I’m just waiting for the government to extend the travel support till then. It will be pretty money anyway, but I need it, this was the first year I didn’t go to Kyoto at all :(

[halfgclden]

EPISODE 32: A MAJOR OCCURANCE

The sound of spooky intro music plays and fades out. As the microphone clicks on, faint sounds of water and traffic can be heard in the background.

JADE: Hello cryptwizzlers, cryptrackers, but never cryptormentors because we’re all friends here. Welcome to a very special episode of Cryptwins in which we are not actually researching a cryptid. But! Before you shut this off and call us hacks, we are instead researching the recent disappearance of social media fitness guru; Edison Major.

More spooky music plays. There is also the sound of fingers tapping a rhythm. It's typical Joel, unable to contain his energy as he taps the dashboard in time with their intro music.

JOEL: Weeeeeeeell...Maybe we are hacks. —a pause as he laughs— Nah, just kidding. This is the real deal. I'm not sure you're ready for this. This is some spooky, and excuse my French, spooky shit. Tell us more about this Major disappearance? —another laugh— Get it?

JADE: [A short laugh-sigh is let out at Joel’s joke.] Okay, before we begin, two things. One, get ready for the barrage of major and minor jokes, courtesy of Joel here.

JOEL: Got a whole list, be ready! He lets Jade finish, but listeners can still hear the tapping sound while she speaks.

JADE: Secondly, we’re still on the road here, so if the audio is bad or choppy... deal with it? —another small laugh— Anyyyyway. Spooky is right. This all began in September of last year, when @majored posted a picture of himself in a dark basement wearing a weird costume and then immediately went off the grid. And, you know, I’m all for a social media cleanse, people do it all the time. Buuut, what really brought this to our attention was a month later, on Halloween Eve of all nights, when a video popped up of him getting his ass kicked by someone in a Kakashi Hatake costume.

JOEL: Now, I know y'all are asking yourselves "Isn't he a fitness guru? Why was some weeb kickin' his ass?" And to that I say hey! Some weebs are strong, some are Super Saiyan, and others are Kakashi Hatake, the most talented ninja in Konohagukure.

JADE: lets out a laughing wheeze.

JOEL: We don't endorse fighting here. But I digress —a laugh— back on topic. So this guy just up and disappears out of nowhere? And there's not a peep of him until we see Kakashi givin’ him the business. What does this all mean?

JADE: Okay, so, let’s get the full story. @majored goes off the grid, comes back to get his ass kicked by a Naruto character, disappears again, comes back to spit on someone and call them a see you next Tuesday, and then disappears again. And he hasn’t come back online. So what’s up with that? Well... we did a little digging.

Another spooky noise plays over the sound of Jade organizing a stack of papers.

JOEL: Daaaaaaang. I’d say those are some fightin' words, especially from someone who keeps pulling a vanishing act, don’t ya think?

JADE: They really are! I mean, he is from New Zealand, but even so, I think you don’t use that word unless you want to attract some attention. -She clicks her tongue as she gets back on topic- The video was originally posted the night before Halloween of last year, by @ime.are on Twitter. Obviously they got a lot of hate and questions after posting this, but all of them were left unanswered. The only person in the video that was tagged was Major, but upon further examination, this Ime seems to follow and have pictures with someone who happened to be dressed as Kakashi that same night, which has led many to speculate that these ninjas are the same person.

JOEL: So we all know Halloween's a spooooky season. Perfect for parties and all that jazz. But all those costumes make it a perfect time for disguises. Was that even the real Major? Was the person who spit the real Major? Who is this Ime and how do they fit into the story? And who— a pause for dramatic effect and muffled laughter as he tries to stay serious— is this mystery ninja? Tell us more!

JADE: Alright, alright. So this mystery ninja goes by Abel, or @_kllledbycain on the Gram. At first glance, they look pretty much like every other TikTok e-boy; black and white photos, pet snake, the insinuation that they’re dead, whole nine yards.

JOEL: snorts when Jade announces their handle, and again at her eboy comment, wheezing. It's true, it's true!

JADE: And this stuff is so common right now, so nothing really raises any eyebrows, right? Right? Well, tell me, why would a Tik Tok goth go around beating the crap out of a random influencer? Stay tuned for the theory. First, we’re gonna take a step back and look at the whole situation, because, of course, it doesn’t end there.

JOEL: Ohhhh snap! I'm on the edge of my seat, and I bet our listeners are too.

JADE: [clears her throat] So if we go back to the original poster of the video, @ime.are, and we take a look at their Insta, who is on it but... @devinitely? Okay, so @devinitely is in the same place as @majored, clearly, and, for anyone that doesn’t know, she’s been doing a bunch of collabs with @loganvance. This places not one, not two, but three influencers all together in this place where weebs are running around assaulting people.

JOEL: Okay. Okay, I need to know! Where are they? What's bringing all these influencers together? Are @devinitely and @loganvance part of something much more sinister than it seems? [He makes a funny face at Jade and wiggles his fingers, before dropping his voice to a stage-whisper.] Is it some kind of twisted influencer cult?

JADE: Shhhh, Joel, spoilers.

JOEL: [He laughs.] Sorry, sorry!

JADE: [muffled laughter over the sound of more papers rustling.] So, any skeptics out there might say, oh, well, this Ime Are is just a lucky person who happens to be in the presence of more than one social media personality. However, Devin follows the weeb that may or may not have kicked Major's ass. And, according to a cast photo of Rocky Horror, on her boyfriend's Instagram, both the weeb in question and the hot man that tore the two apart were part of the cast. This would be a great time to mention that a link to the video is in the description, as are all the pictures from social media that I'm referencing.

JOEL: [to Jade but loud enough for the mic to pick it up at regular volume] Oh snap, you got everything together in a link? Like, I could click the link to check it out right now? — A pause as he does just that.— Woah, cryptwizzlers, she's not kidding. Click the link in bio, you won't be disappointed. Okay, Jade...hear me out. Given that it was Halloween, the night of nights. Do you think that...maybe it was all an elaborate event? Was it staged? Is any of this real?

JADE: Oh, my dear brother, always the skeptic. Don’t you think that it’s a bit much for him to stop posting entirely in order to get publicity? And we mustn’t forget the spitting on someone in South Dakota, that’s not exactly his brand. Unless he’s trying out something like Taylor Swift and Reputation but... I digress. No, I don’t think any of this is staged, and I’ll tell you why. Let’s go back to the weird cow print basement post. You know who also happened to post something about some cowboy party? Oh, um, Devin’s boyfriend? A picture of him, Devin, and Logan? Which... puts them and Major in the same place on the night that he disappeared.

JOEL: Not a skeptic! Just trying to get all these questions answered. —A laugh— You're right, that's 180 from the online presence he used to have. All theories aside, —a pause— I'd love to go to a cowboy party. Get me a glow-in-the-dark cowboy hat. You know they make 'em. —He laughs again, mouthing 'what?' to Jade.—

JADE: Oh, def. We're getting matching hats. Check out our merch in a few weeks —she laughs— Glow in the dark mothman themed cowboy hats, talk about a niche.

JOEL: Snap, we have to do that now, 'cause I want one real bad. But okay, back on track. This cowboy party. The origin of this theory, yeah? Oh snap...what were those three doing in the same place as Major? And all in cow print too? That's....majorly suspicious! [He trails off into laughter, his voice doing that wheezy thing when someone's trying to finish their sentence before cracking up. Recovering, he adds the following.] Wait, wait, wait. What about—

JADE: Yes, yes, yes. —she cuts Joel off as though he's finished his sentence, chuckling at his joke— Patience, my dear twin, we will get there. —the smile is evident in her voice—

JOEL: I feel like somehow, I ended up as your Padawan for this episode. — he laughs—

JADE: You heard it here, I'm absolutely schooling Joel this episode. — she laughs— First, we're going to backtrack all the way to the original poster again. You know we snooped their whole page, and they're pretty regularly posting pictures with this person, @rengaaay, who isn't an influencer but she makes some of those sick ass roller skating videos... this isn't sus, just cool, link in the description. —a slight pause as she tries to get back to her train of thought— Anyway, what is sus is that she tags two people in her photos all the time... But no joke guys check out their Insta profiles they look different in like every other picture. Which, uh, could just be editing but also could be something.... more sinister? Hold onto that thought.

JOEL: That's such a good handle, dang! Better than @lumberjoel, honestly. I have to say I'm jelly. We should get branded rollerskates, maybe @rengaaay can advertise for us if we ship them. JK...unless? —more laughter as he waits for Jade to get back on the train and pulls up the profiles in question to take a look for himself— Huh...is it editing? Are they masters of disguise? Makeup professionals? —He starts to say something else but is pretty sure he's figured out where Jade's going with this.— What could be more sinister than human chameleons?

JADE: [The sound of papers shuffling can be heard] Oh, yeah, so, it's weird but I think every time the siblings are in a pic together they look more like each other? I dunno if this really makes sense but seriously dudes check the post with this episode because it has a bunch of photos side by side and... yeah. You pull a photo of them by themself and it's like okay, I know what this dude looks like and then you put them side by side and... I dunno, makeup? Contacts? Cloning, mayhaps? And, just so that I'm not just holding on to one thing too much... check their post from August 12th, linked below. Their brother... doesn't have a shadow. Why would you edit that out of a photo? No way are they going that hard to be memelords.

JOEL: Okay, let me look at this. Wha— That's weird as hell. How much hair dye do these two use? Hm. Could be clones? —snaps his fingers—Definitely clones. —he snorts loudly, laughing before clearing his throat— Ahem, uh. No shadow? That's dedication! I dunno, maybe it's some new challenge for the 'gram. Oh...but wait. I found a video. Look, Jade. No shadow. In a video. What the—

JADE: A video, guys. —A moment of muffled laughter before her mic cuts out, but the sound of it clicking on again is followed almost immediately— This is a big family, guys, and a big weird one because their other brother @sleepyfinch... Okay, wait, he himself is pretty normal, super cute, shout out, but guys, ghouls, you know who he has tagged in a recent post? Yet another influencer. Except this one is from Italy? @gaborealis; essentially, he’s a medium, so if you didn’t believe that the supernatural were at play beforehand... buckle up.

JOEL: Wait, wait, I'm still on the video thing. Who has time to edit a video? —his voice cracks when he says video and he covers his laughter as he focuses—

JADE: [wheezing] Shut up —there is no malice in her voice, and she’s laughing too.—

JOEL: So weird, I love it. Oh snap— the @gaborealis? It's time to get ghosty! —echoes "ghosty" and hums the Cha Cha Slide tune for a couple seconds— Okay, so wait. Does this mean everyone's favorite medium is also in the same place as...three? Three other influencers and this weird family of....maybe shapeshifters? No? Too crazy a theory?

JADE: You know what they say, cryptoddlers; no theory is too crazy. Everything Einstein came up with? Theory.

JOEL: Bringing Einstein into it, huh?

JADE: Oh you know it. —a snort— Anyway, according to Devin’s boyfriend’s Instagram, it doesn’t end there. @spencerkeahi, a youtuber and disability rights advocate who comes from Hawaii is also there with that gaggle. Shout out to @elidrising for tagging people and location. So what are these influencers from all corners of the globe gathering together for? Well, let’s take a look at the original poster again. You go on their Twitter, and a few months back it’s all just videos of people... fighting? In some sort of underground place. Mayhaps... the same creepy basement that Major posted his last photo? —a small gasp, as though she’s surprised by this— No, that must be a coincidence... or is it?

Another spooky sound plays

JOEL: @elidrising is the man, dang! Are you tellin' me there's a...—he lowers his voice to a whisper— secret influencers-only Fight Club? I wouldn't put it past @devinitely TBH. Honestly, I'd join one...even though I guess I've broken the first rule but talking about it, huh? Actually— Jay, do you think we'd even be allowed to join? Are podcasters influencers? Poll in my story right now, let us know what y'all think.

JADE: Right now? Joel, this isn’t going up for another week, at least. —She’s obviously trying to sound less amused than she’s coming off— Once we get the blue check we’re influencers, so we’ve got a few million followers to go, I think.

JOEL: Yeah, right now! They'll hear that when the episode goes up and respond in real ti— Oh, no. You're right. Oops. No poll in my story, y'all. False alarm. Blue check, huh? You heard it here, cryptwizzlers, we're gonna get that blue check. Tell your friends, tell your family. Heck, tell that cute barista at your coffee shop to listen to our podcast! We might just do a giveaway when we get that lil' blue swoosh.

JADE: [clears her throat.] You know what’s a great way to get us that blue check, though?

A different, light sort of spooky music begins playing in the background, meaning that it’s time for the ad break

JOEL: Take it away!

JADE: Checking out a little app called Creature Comforts. Alright guys, not that this show isn’t one hundred percent real as it is, but for real, I love this app. A dating sim that features everyone’s favorite... for lack of a better term, monsters. Did you watch the Shape of Water and go, “Damn, I’d tap that”? Do you want to snuggle with a Sasquatch? Do you just wish you could find yourself a GF with more eyes? Well, have we got the app for you. Creature Comforts lets you do all this and more. A choose-your-own-adventure game where you can smooch beasts, marry Mothman, and ignore the outside world. It’s seriously all I want. And, if you enter the code cryptwins— that’s the name of the podcast you’re listening to, no capital letters, when you download the app, then it’s only 99 cents to play without ads. Which, trust me ghouls, is worth it. I don’t want anything interrupting my cut scene with the most stunning eyes in West Virginia.

JOEL: Don't forget that scuba diving date with Nessie! Or, or...that half-day hike with Bigfoot. —he's laughing again smh— There's a reason Jade does the ad reads and not me. But, I can tell you that Mothman is sure to sweep you off your feet. And it's not just because he can fly.

JADE: It’s the —a pause for finger snapping— alliteration for me. But that’s Creature Comforts, exactly how you think you’d spell it, don’t ask us ‘cause we’re dyslexic, and cryptwins, like the name of this podcast. Tweet us @cryptwins to let us know how far along you are, who you’re pursuing, and what mysteries you unlock about their backstories. Now... I think it’s time for a timeline, just to get us sorted out, what do you think, Joel?

JOEL: Personally, I'm still tryin' to land a date with the Creature from the Black Lagoon. I guess we'll see what happens. Aw heck yeah! Give us a timeline, give us the dirt. — a laugh — Give the people what they want!

JADE: Okay — the shuffling of paper is heard once more — We start in September: @majored goes off the grid after posting a creepy picture of himself in a weird outfit in a spooky basement. This is around the same time that the Scarlet Surfer was in NYC for fashion week, which @majored accompanied him to, meaning that it isn’t entirely out of the question for him to still be in New York. Also on social media at this time is @devinitely and @loganvance also both is cowboy outfits, though the creepy basement is absent from both of them.

JOEL: I guess September isn't too early for weird Halloween stuff to start? What with the spooky basement and everything. Right? And everyone loves a cowboy moment— or have cowboys become the new clown? I heard there was a clown renaissance and people like them now? I don't really know where we stand on the whole clown— what?

JADE: I see our next hot debate. Cowboys: Hot or not? Personally, I liked cow print, but I can see cowboys going out soon. Once they reach killer clown status is when it’ll be ideal for me.

JOEL: Personally, I vote hot. And uhhh, not to kinkshame you Jay, but killer clowns are a no from me.

JADE: [tsks] Kinkshamed, by my own brother no less.

JOEL: [a loud laugh] You know I'm just kidding. No kinkshaking, ya heard? I'd literally let the Jersey Devil step on me so. To each their own.

JADE: [snorting] Um, gross.

JADE: Now to October: There is a production of Rocky Horror, a cast photo is uploaded to @elidrising, the account of @devinitely’s boyfriend. This places not only @devinitely and @loganvance in Montauk, but it also places @crispyboiz and @_kllledbycain in Montauk too. These are two of the people that are suspected to belong in the video by @ime.are, in which (suspected) @_kllledbycain, dressed as Kakashi Hatake attacked @majored, only to be torn apart by good citizen @crispyboiz. This video is the first that we’ve seen of @majored since his last post, and he offers nothing in response to it.

JOEL: Okay. Okay. Now, you know I love a good shadow-cast of Rocky Horror. I've always wanted to play Frank. I would rock that part. Am I wrong? —he laughs— But okay, that's - count 'em - three influencers in one place? If @elidrising is there, we can assume @devinitely is too because she was in the same location as, uh, whatshername? Logan? And that's the same location as @ime.are. Who took the video of  Kakashi kicking @majored's ass. @_kllledbycain— more like killedbyKakashi, eh? Seriously why are all these people together?

JOEL: [as an afterthought] It's gotta be a cult.

JADE: November to December: Nothing happens with @majored, @ime.are also offers nothing except for quote unquote “#teamkakashi”, which is funny because they never tagged Kakashi, but anyways. Upon deeper inspection, there are videos on their Twitter from last May, of people in a fighting ring. And then people fighting on a lake? But the fighting ring looks super dangerous and I dunno, like you said, cult-y? Fight-club-y? Call it what you will. In any case, we are led to believe that this fighting has been going on for some time in the background.

JOEL: Okay, come on. That’s definitely a cult. I’ve seen the movie, can confirm. — he groans— Literally what is an Italian astrologer doing there? Wait, wait, wait. Montauk? You said Montauk. Montauk, as in on Long Island. As in like —he drops his voice to a stage-whisper— the part of Long Island that peeps believe to be the site of a government cover-up involving kidnapping, mind control, and time travel? The part that inspired Stranger Things? That Montauk? Snap. I can’t believe I didn’t put two and two together sooner. Jade, Jade. What if this is, I don’t know, like, MKUltra 2.0?

JADE: Yes, yes that Montauk, I’m glad you picked up on that. Look, I’m not saying that it’s an influencer’s-only thing, but I am saying that some might be in the area, and maybe involved. At the same time throughout all of this, we have a culmination of more influencers seeming to know this network of people. @gaborealis, an Italian astrologer, is seen in pictures of @sleepyfinch, who was also in the production of Rocky Horror, and has pictures with @crispyboiz and, god, this name is a freaking nightmare, @_kllledbycain. Not to mention this guy has many pictures of weird��� family members? Who sometimes look alike? Okay, but seriously, @kodakola and @sonofpeter, how is your hair not straw at this point? Is it wigs? I think my hair would simply fall out. And y’all using Insta filters or what, cause… I’m not gonna get into it, let’s keep going.

JOEL: Maybe they're makeup vloggers or something. Gotta change up the look for views, right? Don't forget to like, comment, subscribe and uhhhh, smash that follow button— or whatever YouTubers say. —he laughs— Okay but seriously, yeah. @sonofpeter, @kodakola, whatever you two are doing to your hair, let me know because I'm trying to bleach my hair and dye it bright purple without it falling out. And since we're doing it at our next stop, well, your advice will probably be too late. But still, what are your secrets? Is it...clones?

JADE: Joel! —she’s laughing again.— Timeline and then theories. —she clears her throat— After that long silence, a Tweet emerges. January 8th. "Can’t believe @majored SPAT on me and called me a C-Blank-Blank-T when he checked into @SDFamilyMotel last night”. This places Major across the country from where we believed him to be, but acting so strangely that one must wonder… was that really him? Or was it someone that just looked like him? Or was it a cry for help? Nothing’s been heard since from @majored, which I guess… leads us to our theories. —a pause— You were saying… clones, Joel?

JOEL: Sheeeeesh, this is not @majored's year. I gotta say, this sounds totally different from the vibe that this guy used to put out on his social media. Obviously Instagram is fake blah blah blah, you know the spiel, but like. Damn. He spit on them? —a pause as he considers what his sibling has said— You know....I think that's a really good point. Was that even the real him? Will the real Ed Major please stand up?

JADE: I know. It just seems out of character, and terrible for a reputation, but it also would make sense if... One, this is a fake @majored, meant to stir up controversy before he goes underground again. And with an action like spitting on someone and calling them a name like that? Who cares what the dude does after that? Unfollowed, cancelled, whatever. And why would this guy want to go underground, well, I'm glad you're so interested. Well, the official Cryptwins theory is that maybe... just maybe, the crazy, government cover-up Montauk that we all know and love isn't that far from truth. We see that they have means of covering up shadows —she lets out a laugh— and people whose faces just change? And who else is there, @spencerkeahi, someone who explains rehabilitation, maybe someone who has experience helping people get used to being a clone? @ime.are, a nurse who enjoys taking videos of people fighting? It all adds up, people!

JOEL: Yeah, seriously. With the real @majored MIA, there would be no one to combat the backlash from this supposed...clone? Imposter? And maybe that’s what they want. Looks like Montauk isn’t the ideal vacation spot anymore, huh? Even if their seaside cabins are super chill and homey. But I digress. Something sinister is going on. Something bigger than we can even imagine. A secret underground facility that’s...cloning influencers? Training them? Your guess is as good as mine. And that’s why we’re on this road trip, isn’t that right Jade? To get some answers?

JADE: Exactly. —it sounds as though she is holding back a laugh or a cough.— Cross country roadtrip in which we explore different topics like this one, and on the way, we'll document our progress and any spooky encounters. Check out our insta, @cryptwins to get all the updates, and consider hitting us up on Patreon if you want us to be able to afford the gas to get all the way to the east coast.

JOEL: I’ll be posting behind the scenes content in the “ROADTRIP” highlight on my Insta throughout the trip so be sure to check my stories. You might get lucky and find some special codes for Creature Comforts but, hey. You didn’t hear it from me. -he laughs and there’s the distinct sound of a bag of chips being opened- What Jade meant to say is gas and snack money. So yeah, go go go! Check out the Patreon! We might even do a giveaway at the end of our trip, get you guys some cool souvenirs we pick up on our travels. Not a bad idea, eh?

JADE: Joel, my ears are literally bleeding right now. Thanks. Anyway, our second theory will also be exclusive to our Patrons, so be sure to get the full video there. Cryptwins... out...

Her voice fades out and the music from the beginning fades in, takes over, and plays until the end of the track.

[valkyrieprofilee]

Listening Guide - Valkyrie Profile Voice Mix Arrange

“The concept behind Valkyrie Profile Voice Mix Arrange is uncommon yet simple: mixing in-game voice acting with arranged music. It has given birth to a most controversial game music soundtrack that was "epoch-making at the time", according to its composer, Motoi Sakuraba.” 

TRACK LIST -  (00:59:14)

01.  REQUIEM TO A PREDICAMENT ~ NEGATIVE ROOTS  | 05:08 02.  ANCIENT FANTASIES ~ A HOLLOW HEART  | 03:54 03.  THE CRUMBLING ID  | 01:48 04.  TO THE UNHALLOWED GROUND  | 03:58 05.  OUT OF CHAOS  | 04:36 06.  BOOZE ON A MOONLIGHT NIGHT  | 04:41 07.  THE FIRST UNISON  | 04:30 08.  CONFIDENCE IN THE DOMINATION  | 04:13 09.  HEADS MAGIC, TAILS CURSE  | 04:03 10.  CIRCULATE ON A WINDUP DOLL  | 01:33 11.  THE NONSENSE OF REALITY  | 04:26 12.  EVIL TALES AND OBLIGATIONS  | 04:48 13.  THROUGH A THIN HAZE  | 03:46 14.  BLOODY PANIC  | 4:45 15.  THE ROAD TO GLORY AND PROSPERITY | 3:05

Listen Here 

Note: Although this guide aims to help listeners better enjoy and understand Valkyrie Profile Voice Mix Arrange, it is recommended you have prior knowledge of Valkyrie Profile’s story/ knowledge of the Japanese language to enjoy this album to the fullest extent.

READ MORE FOR GAME-OST.COM’S REVIEW 

01) REQUIEM TO A PREDICAMENT ~ NEGATIVE ROOTS 

      The very start of the album sounds almost Baroque-oriented, with the familiar tune of "Requiem to a Predicament" played on an harpsichord. Quickly, the first voice of the album can be heard. Lenneth Valkyrie calls her companions to battle: "Shi no, saki wo yuku mono-tachi yo! / To my side, my noble Einherjar!". At first, the voice sounds distants and feeble, then, as voices from other characters start to gather around her voice, it becomes more firm and the background instrumentation grows in strength. At one point, all the energies have reached their apogee and the transition to the second part of the track is made as Lenneth commands "Ide yo! / Come forth!", unleashing the introduction to "Negative Roots".

     That rush gives more room to instrumental action at first, with a solid, rockin' arrangement featuring, where a dreamy synth pad replaces the original flute, and gives the melody much more appeal. Lenneth's voice is heard from time to time, still urging the warriors to fight by her side in the middle of action. At 2:48, the "Requiem..." theme comes back to mark a pause in the middle of the fight. This time, the harpsichord is accompanied by a violin and low drums. These elements, as well as the male voices talking about death, add more gravity to the scene while Lenneth continues to summon more warriors. The drums get louder and louder, and another "Ide yo!" switches back to the dungeon theme, this time shorter, and with even more battlecries. Eventually, "Requiem..." is played for the last time but Lenneth's voice disappears, leaving two isolated voices: a man in great pain and a surprised girl.

     I think this track constitutes a good, striking introduction that starts the story where it should. However, it isn't the best representative of the voice/music pairings that can be found on this album.

02) ANCIENT FANTASIES ~ A HOLLOW HEART

      The pace of this arrangement has been slowed down compared to the original "Ancient Fantasies", and the leading instrument has been replaced by synth strings, so that it protrudes better. On the whole, it still sounds very similar. That same little girl's voice (most probably Nanami) is asking for Valkyrie to wait for her. The volume and reverb of her voice changes to simulate it becoming more and more distant. Freya's voice is leading, sounding as self-confident and direct as Lenneth was in the previous track. Their alternating voices coupled with fast synth percussions makes me think about the runs my party did into the game's vast dungeons.       

     The second part of the track starts as the first reaches its maximum level of tension. The brisk beat of "Ancient Fantasies" is maintained while the quiet mood of "A Hollow Heart" gradually sets in with Freya's reassuring voice. As the beat becomes more regular, words are repeated again and again in the background, as if Freya was trying to hypnotize us. This arranged version has a nice soothing effect that is used quite well as a break between two dungeon sessions.

      The track ends with the second reprise of "Ancient Fantasies", using the very same quotes as the first one. At one point, a few words ("Waga na - Jougen no Shinri / My name - The Extend of Truth") are looped in the background while Freya continues talking. It is the beginning of the end: obsessional chaos seems to set in as layered voices endlessly repeat the same words...

03) THE CRUMBLING ID

     The confusion induced at the end of the previous track couldn't have been better to introduce the ominous tone of "The Crumbling Id". A gigantic, very low noise lurks in the background, as dark sweeping pads and hard drums produce a feeling of despair. The prevailing mood here is anguish; I feel like I'm looking down at a bottomless pit, at something impossible to fathom for me as a human being.

     The voices used in this track reflect that state of mind. Sakuraba illustrates "The Crumbling Id" with cries and supplications of a young man ("Ore no negai kanaete kure! / Please grant my wish!") while a girl is bursting into tears in the background. Her sobbing is emphasized by a strong reverb effect, which gives the impression that her voice is overwhelming the soundscape from all directions. The resulting atmosphere is gloomy, intimidating, and almost physically disturbing, as we don't expect the album to take this sinister turn at all after the first two action-based tracks. This is precisely where it really starts to be interesting: it's getting closer to the drama genre, but still has a strong musical dimension behind. 

     Note that this track is rather short and ends abruptly with a few piano notes. Was it all an illusion?

04) TO THE UNHALLOWED GROUND

     By hearing the very first seconds, we know we're back into electronic action. After a few listens, I'm still wondering what the aim of this track might be. We're provided with a hardly recognizable electronic arrangement of the memorable introduction theme of the game. This version has a minimalist harmony, and focuses primarily on the use electronic samples and the building of a danceable rhythm. The impression of being in a nightclub is all the stronger as most of the voices are combat taunts of female characters. Nothing astounding here.

05) OUT OF CHAOS

     "Out of Chaos" starts quietly, on a low and suspenseful tone. As Arngrim's self-confident voice introduces us to the heart of the track, warlike synth drums enter the stage to play a primitive rhythm. The voice gets distorted, and the track takes off after a final and provocative sentence ("Huh... taoreru made kirikizamu dake yo / Huh... Just a matter of carving you up till you die").

     This arrangement relies mostly on sweeping synths and bass used to create a hectic and surreal atmosphere. Arngrim's reassuring male voice fits rather well in that context. After two loops, the track ends abruptly on his "special attack" taunt: "Teme no kao wo miaki ta ze / I've seen enough of your face". 

Simple yet quite good.

06) BOOZE ON A MOONLIGHT NIGHT

     "Booze on a Moonlight Night" is the first track of the album that has been exclusively composed for it. It's also the first track of the album to have such a nonchalant atmosphere: the four same chords are repeated from the beginning to the end, backed by slow drum loops quite similar to what can be heard in rap music. In the meantime, you can hear all the male badasses of the game enjoying themselves. 

     Their inebriation is simulated throughout the track by several elements: the pitch of their voice frequently deepening all of a sudden, the oneiric feel given by the sound of the main synth, the reassuring — almost effeminate — appearance of saxophone solos, the drums sounding heavier and heavier as time passes by. Sakuraba succeeds in building a thorough and realistic picture of your generic tavern, late at night, clouded with smoke and full of tired warriors looking for comfort into alcohol and women.

07) THE FIRST UNISON

    There's something hypnotizing about the buildup that introduces this track. The main percussion loop seems like giant machinery put in motion. The way the motif created by all the instruments alternates between ascending and descending motif creates a sound disturbingly close to something that emulates a giant breathing. This organic aspect is reinforced by a few "fat" synth notes added at key-moments in the main loop. Behind this monstrous sound, a man — most probably Gandar — can be heard. His voice is as confident as the machinery's motion is unstoppable. He's the main character, and his laugh is the trigger to the body of this track.

     The main melody is quite special: if you imagine it without the percussion, and with a slower tempo, it sounds like a very sad melody. However, forcing its rhythm to a dungeon-compliant pace makes it sound tragic and determined at the same time. According to the quotes that have been chosen, I think that's exactly how the character is like. The dramatic bridge of this track introduces a few battlecries, as well as a quote that will be heard until the end of the track: "Ore wa ore no tame ni ikiru / I live for my own sake". The mechanical drums of the beginning appear again, with this sentence looping in the background. As the end approaches, techno drums, a synth flute, and the man's voice participate in the final buildup.

     I must say that "The First Unison" is the first track that left a totally positive impression on me, because it sounds more elaborated and deeper in meaning than the previous others.

08) CONFIDENCE IN THE DOMINATION

    Those who already know the Original Soundtrack will quickly notice that the pace of this famous piece of music has been dramatically slowed down, and doesn't sound like a battle track anymore. It's as if it has been stretched to offer enough room to paste sentences inside. A few voice effects have also been added to the backing percussion, including male gruntings; at least that's fun to listen to! 

     I'm not very convinced about this one, mostly because I can barely stand its nonsensical new pace. Seriously, it's such a sluggish battle theme... *nays*

09) HEADS MAGIC, TAILS CURSE

    "Heads Magic, Tails Curse" starts with a nice piano solo introducing the soothing voice of Lenneth, with chirpings in the background. I'm not sure about what the latter are supposed to represent (Birds? Shooting stars? The world of dead spirits?) but they surely add something to the serene, almost oneiric atmosphere of this introduction. It doesn't last long, however. As Valkyrie invites us — almost intimately — to follow her ("Isshioni ikimasho / Let's go together"), the dream ends... and the second part literally bursts in.

          Now is that a nightmare or harsh reality? The contrast with the introduction is extremely violent, and we're surrounded all of a sudden by dissonant brass, berserk strings, and aggressive percussion. One thing is certain; what we're facing now outclasses human scale. Lenneth's last words resonate again, yet they are deformed. She sounds heartless, almost commanding. The metaphor is now much clearer; this track illustrates what happens to every character of the game, whose soul is taken at the moment of their death to become an Einherjar, a warrior spirit. From that moment on, their existence is dedicated to fighting demons along with Lenneth, hence that frightening and endless second part.

      The conclusion to this track is some kind of flashback to the initial piano and chirping mood, focusing on one of the sentences Lenneth said at the beginning: "Tasuke... tasukeru towa ittai. Dono yo na koto o sase / To save... to save somebody eternally. What kind of thing do you make me do?". 

Brilliant.

10) CIRCULATE ON A WINDUP DOLL

     This track is a short interlude on the CD, summing up the fight with the dreadful Genevieve. The villain's taunts and laughs can be heard all over the arranged version of her own battle theme, featuring a cool organ improvisation in its second part. As expected, the track ends with a "oh no, I'm defeated!" verbose line, as well as a great organ/violin finale. I don't think it would have been better if it were longer.

11) THE NONSENSE OF REALITY

     It all begins with one of these "ultimate showdown" moods: a monster's distorted voice responding to a man's determined voice, the whole being backed my a massive church organ toccata and electric guitar riffs. It all becomes weird when you realize that both voices are saying the same words.

     The toccata ends at the 1:11 mark to make place for the body of the track; the fight between the man and his deformed self, incarnated by an rousing arrangement in the tradition of Sakuraba's epic prog-rock style. Battlecries and imprecations are well-integrated this time, both in terms of timing and volume. "The Nonsense of Reality" is the most energetic and epic track of the album. But while its form is very accessible, its contents don't reach great depths.

12) EVIL TALES AND OBLIGATIONS

    The first thing one should notice is how the oriental flavour of the original version has been enhanced — and its boorishness put aside — to make the track actually enjoyable. The basic percussion use is still the same, but the samples have greatly improved, and the bass line can now be almost labelled as sexy. Last but not least, the Arabian flute that appears here and there adds a twisted touch to this restless atmosphere. The main character's voice is accompanied by an harpsichord, illustrating its refined cruelty. You've guessed it, the guest star of "Evil Tales and Obligations" is no less than everyone's favourite necromancer Lezard Valeth! 

     In this track, his evil laughs and his disgustingly confident voice are resonating through the hallways of his tower, reaching our ears as we struggle to reach the summit. A true tribute to evil!

13) THROUGH A THIN HAZE

     Staying faithful to the game's spirit, the album continues on a tragic note, representing the death of a hero, illustrated by a grand orchestration of "Through a Thin Haze". More than that, if you succeed in getting into the track, the added voices will find their way to your heart, as they are cleverly used along with the intensity of the music.

     A woman's soft voice enters the scene, talking to someone: "Ne, isshou ni iko yo / Come on, let's go together". At one point, her voice becomes tainted with sadness ("Koko ni kure wa anata no ibashio kanjirarerumono / This sunset is something that makes me feel where you are"), and we suddenly understand that the person she's talking to is no more. She continues to supplicate ("Shini takunai! / Don't die!") until she bursts out crying as the orchestra reaches its climax. A beautiful violin and piano interlude follows to back her silent mourning. After that, a strident noise can be heard as pain and fear rush back to her, triggering another burst of tears. Finally, church bells come in after a last orchestral climax, to add a solemn touch to this moving scene.

     I'd place this track at the same level as "Epic Tale of a Holy Death" from the arranged album. However, I'm conscious of its hit-or-miss nature; these sobbings and cryings can be considered as annoying and ridiculous as I find them adequate. All is a question of believing in what is happening.

14) BLOODY PANIC

     "Bloody Panic" is the second exclusive composition of this album. This one sounds like an ancestor of boorish Gothic metal songs, with its apocalyptic synths and its deep intimidating groans ("Osore, uyamae... waga na ha Bloodbane! / Fear me, worship me... I am Bloodbane!"). At one point, a piano pops in to play a few minor notes that sound like they've been directly taken from these awful 4-seconds-long loops used in cheap rap music. 

     A few measures later, the track switches back to distorted guitars and Bloodbane's growlings to finish on his long-awaited death. Nothing really interesting here; even if you happen to like that kind of music, I'm sure there are better incarnations than this one out there.

15) THE ROAD TO GLORY AND PROSPERITY

     What would be better than the victory tune played at the end of each chapter to conclude this album? This orchestral arrangement is very enjoyable, though rather close to the original version. While the fanfare plays, a small girl's voice can be heard, encouraging us to go on with the adventure ("Watashi wa makenai / I'll never give up", "Watashi o mamori kudasai / Please protect me").  The track concludes after the last cymbal hit, with Lenneth's words "Shiawase ni narimasu yo / I wish you happiness". 

     In my opinion, the track is well-placed but the arranging and voicing effort hasn't been taken very far. It constitutes a decent ending nonetheless.

SUMMARY

     I must say that when starting this review, I had a strong prejudice against the album, having read a couple of negative reviews. However, I hadn't gone through a real listen until I decided to review it. Believe it or not, I ended up extremely satisfied by this musical experience.

     What exactly is Valkyrie Profile Voice Mix Arrange, then? First of all, its musical material consists of arranged tracks, plus two new ones that don't belong to the Original Soundtrack. But music shouldn't be the main subject of interest here. What makes this album special are the added voices from all the characters of the game. Valkyrie Profile being extremely rich and deep terms of voice acting, what you'll hear won't be only digitalized battlecries; the chosen quotes cover a broad emotional spectrum.

     I think that people who listen to that album as any other work that can be played as background entertainment are quickly fed up with it because these voices don't stop begging for their attention. Indeed, it is especially difficult to focus on something else, since the voice acting is done well enough for everyone to be able to grasp the emotions of the characters. I'd say the best approach would be to "live" the album as an orchestrated series of plays, rather than a series of musical pieces with voices over them. The spirit of Sakuraba's work will appear by itself when you consider the characters as the centre of interest of each track. Note that it is not the same as a drama album either, because music is way more than background material.

     Should I advise you to get it? It all depends on whether you're a speedy "background listener" or if you are patient enough to actually listen to an album without doing anything else at the same time. One thing is sure, however : the targeted audience is definitely those who are familiar with the game and its story. Having played and enjoyed Valkyrie Profile for at least a dozen hours is highly recommended before you try and listen to the album. Rated 08/10 by Reviewer  ~END OF GAME-OST.COM REVIEW~ _______________________ NOTES

- Tracks 6 and 14 were not included in the original game

- Valkyrie Profile Voice Mix Arrange is the third album released for Valkyrie Profile, four months after Valkyrie Profile Original Soundtrack and three months after Valkyrie Profile Arrange Album

- Valkyrie Profile Voice Mix Arrange is the hardest to find of the three albums and is best obtained through eBay.

Alt. Track Titles: 01 – Heaven’s Requiem 02 – Long Generations of Anger 03 – Punishment Creed 04 – To an Anxious Earth 05 – Into Chaos 06 – Booze on a Moonlit Night 07 – The First Unison 08 – Confidence in the Domination 09 – Evil Mortals, Holy Divinity 10 – Circulate on a Windup Doll 11 – Responsibility 12 – An Evil Mechanism 13 – Sadness 14 – Bloody Panic 15 – To the Road of Light and Darkness

Catalogue Number:  FSCA-10134 Composed By:  Motoi Sakuraba Arranged By:  Motoi Sakuraba Release Date: 06/21/2000 Published By: First Smile Entertainment

Cast: Lenneth: Yumi Touma Lucian: Nozomu Sasaki Mystina: Wakana Yamazaki Arngrim/Aluze: Hiroki Touchi Lezard Valeth: Takehito Koyasu Freya/Frei: Maria Kawamura Loki: Mitsuaki Madono Yumei, Celia: Hiroko Emori Aelia, Genevieve, Millia, Claire: Ai Orikasa Jelanda: Kae Araki Badrach, Surt: Mitsuaki Hoshino Brahms, Bloodbayne: Kenji Nomura Nanami: Natsumi Yanase Fuyuki: Daisuke Sakaguchi

[wendibird]

SPN 15X15 Observations

The saga of my shitty cable/internet provider continues. This week I was again watching it on my computer through the streaming app since TV still isn’t getting reliable reception, and my internet connection kept dropping! (Luckily, I’ve also set it to record, so I was able to re-watch the episode after it aired.) So, my notes are much less coherent probably, and I’ve had a long day so my after-episode thoughts probably are too. 

Everything else under the cut for those who wish to avoid spoilers and all my rambling:

- Connor isn't going to last long. - wtf? (freaky teddy bear!) - "she and I used to have a thing"? Seriously Dean? - Cas: "Sam?" (aka "Please be the reasonable one.") - soooooo much salt from Cas. - "Agent Swift!" - BABY YODA!!!! - I think the crossroads thing is Cas just making a phone call more or less. - Cas, there are NEVER "too many cats". - LOL I love Cas' literalness - Eeeeee..... love them bonding. - Hrm. So there's definitely a karmic element to these killings. I mean, "Lair" seemed like a bit of a stretch for the other kid, unless the "lie" was in him agreeing with the snobby girls. But I have a feeling this lady here is going to end up with something like "thief" carved into her. (So, thoughts: Avenging Angel? Just Deserts? Probably something new.)

- Also I feel like there was maybe something in that "previously" scene that I don't remember seeing before. (Was talking about Dean going into detail about needing to take Amara out as well as Chuck. I remember part of that conversation, but some parts felt "new" to me? Though I've only seen through this current season once, so I might just not be remembering everything right.) - Sam's worried/concerned about Jack! <3 - "At least this time it's not you and me." Oh man does that feel like foreshadowing. - Not sure I trust the pastor. - I've been watching this show too long. They all feel sketchy. Especially the girl with the headband. *LOL* - Oh man. Are they really going "Torture Porn" on us again? (Apparently) - His (Jack’s) Mom died 3 years ago too. - "I have more dads than most." <3 - "Put your trust in God." Wow. *LOL* Poor Jack. - Cas, you're totally one of his dads. But yes. It is complicated. - Ahhh. Maybe that's what the "Liar" thing was about. (Connor being gay and hiding it?) - Hi Amara! (My cat wants to get into my closet.)

- Amara's still in relatively light colors.

(Stupid internet signal is being a pain)

- I wish I knew what was going on.

(Aaaaand more internet problems)

- I love Cas! (still confused about what's going on.)

- So, what's with the random demon in the squad car? - Dammit.... I had a feeling Jack would end up having to die to kill Chuck and Amara.

(OKAY! Now that the episode is over, I'm going to re-watch parts of it so I can find out what the hell I missed! (still irritated))

- Jack HAS one of those teddy's! I wonder which one got it for him.... (My guess is Sam or Cas) - Maybe it was Zack in the cop car at the end? He DID say he was really bored. - Reason why I was thinking it might be something supernatural was because the one who did it seemed to know in advance who they were going after, but that lady just now stole from the poor box. So, how did the daughter know? Unless she'd done it before? Hrm. - Minor note: "We've been on the road almost two days." WTF? SPN doing somewhat realistic travel times?! *LMAO* - Trying to tell what's in her other hand. Looks like it's duct-taped closed into a fist around something. A transmitter maybe? It's an odd detail that I don't think gets explained. - So, did she call him a "liar" because she saw the two of them as having dated and then he came out as gay at some point? - So, they're just gonna leave the Impala there while it's gassing up? *LOL* - I still love Cas for this part. Sharing his "Journey". - Okay, got to see the guys' talk with Amara. (At least the first half of it.) I still think it's risky for Dean to tell her about Jack even being a player on the board. Though I get that he had to give her SOMETHING so she would get that the threat is credible. That they actually CAN do something against Chuck. - Also, SPN can't settle on its history. *LOL* But that's nothing new. Back in S5 it was God and Death and Death couldn't remember who came first. Then at the end of Season 10 we got an updated version with the Darkness (Who didn't seem to have met Death prior to her imprisonment.) Now, Darkness and God were twins. - Ewwwwww.... dead guy. - Wow.... They actually textualized that. (About Mary.) - He sounded like he meant it when he said "I will never hurt you." - I still love Cas being a subtle badass. - Jack... it's NOT the only way... (And I'm pretty sure Sam HAS forgiven Jack. But I don't think they've really talked.)

SO.

I apologize that my "notes" this time are a train-wreck, but so was my internet connection, so sadly, this is what happens when I watch part of the episode, miss some important bits, and watch most of the rest of it (while still missing more bits) and then when it's finally over I can finally go back and re-watch the bits I'd missed. And I wound up mostly just re-watching the whole thing again anyway. And some things definitely made more sense, and I definitely noticed some things I hadn't caught the first time.

I know a lot of people aren't going to like it because it mostly featured Cas and Jack while being light on the brothers. (But there WAS some good brother content!) I did enjoy it well enough though. (Like, it's not gonna make my top 10 total episodes, but I liked it better than a lot of the ones earlier this season.)

Organizing my thoughts is gonna be a bit hard (I've had a long day) but I'll make an attempt here.

Cas and Jack's arc: It definitely had a more old-school SPN horror vibe to me, though more like some of the newer horror movies (like Saw and the like) and I think both characters were written well. We had two awkward angels who still don't get all things human, but they obviously care. There was also a lot of talk about God in a way that I felt made both of them feel awkward considering their perspective on Chuck. I do still wonder though about some of the details of what Sylvia was doing. Like, I get how she'd probably been stewing about the one boy for a while. But the lady (could never quite tell if it was Valerie or Mallory) had literally JUST stolen from the donation box when she stepped outside into the trap laid for her. So, was this maybe a habit of her's? How would Sylvia have known about it beforehand? And also, what was with the crossroads demon at the very end posing as/possessing a police officer? Is he going rogue because he's bored? Is he acting on some weird kind of orders? I saw some theories about maybe the Dad made a crossroads deal to spring his daughter, but... I dunno. Unless it's supposed be a tease for something to come later, it feels odd and random.

Overall, I did really like Cas in this episode. I thought his blend of salt, cluelessness, and altruism was good, and I loved what he said about his past, and how he found his new purpose. Because he has been drifting quite a bit since he lost his original purpose. But he definitely seems to have found it again with Jack. So naturally he gets to find out that Jack is fated to die taking out God and the Darkness. *sigh* Dude CANNOT catch a break! Also, JACK! I love him so much! (And honestly, I'd had suspicions already that this is what had been troubling him. I'm glad he finally told one of his dads at least.)

Also, just wanna reiterate, I loved that bit at the beginning when Dean suggests Cas and Jack go tackle this case "that probably isn't anything (supernatural)" and he turns to Sam like "Please be the sane one here." (My hope/headcanon is that Sam encouraged him to go because he knows something has been troubling Jack, and if Jack won't open up to Sam about it, maybe he was hoping he'd open up to Cas at least. Then maybe SOMEONE could help him. But I don't know if the writers are thinking that deeply about Sam.)

Speaking of Sam and Dean... Okay, overall I thought their part of the episode was okay for what we saw. Like, the brother talk in the Impala, mild bickering about driving times and regular mundane stuff. Also their talk with Amara had some GOOD emotional beats in it. For Dean and Amara. Sam was mostly just there. And then he wasn't even there for the main part. So... *sigh* It's not that I begrudge Dean having that moment. I mean, he definitely had more of a connection to Amara than Sam did. But it still feels like not much really happened with him besides being a soundingboard and showing some concern for Jack. Hopefully we get more of him actually being important to the plot in upcoming episodes.

But let me reiterate that I DID like the talk Dean and Amara had! I'm glad that she textualized something that I know a lot of fans have theorized about Mary and her purpose narratively. That prior to her resurrection she had been put on this pedestal, but Dean and Sam were actually able to get to know the real woman. That the real woman was better than the memory because she WAS real. Flaws and all. (Not that I blame Dean for being angry.) I'm just glad that it was said outright. Because I got the feeling from some of the things Samantha Smith has said at cons that that was part of the point of Mary's character since S12, to make her real. And I know a lot of people couldn't see past her flaws and still hate her. (I DO think some things could have been handled better with her character, but that's not the point of this long rambly post today.) Also, when Dean said that he could never hurt her? It felt like him telling the truth. Maybe he was able to get that feeling across because technically he WAS telling the truth, since the plan is for Jack to be the one doing the hurting. But I dunno.

Anyway, overall I thought it was a decent episode. It had some good character moments in it, and considering I thiiiiink the next episode is going to be very Sam and Dean heavy, I'm not gonna begrudge Cas and Jack some screentime in this one since things are likely going to be getting dicey here fairly soon.

(And again, I apologize for how scattered this is this time.)

P.S. Oh, and one last thing before I forget. Especially after last episode, I find it odd that Jack still thinks BOTH brothers haven't forgiven him. I get why he would think that about Dean. The dude outright said it was going to take some time. But Sam, as far as we've seen has been shown to be supportive of Jack. So, I wonder if it's because Jack still hasn't forgiven himself? Or if it's because maybe he and Sam haven't really talked about that whole issue, so maybe Jack thinks Sam is just avoiding it? (Or if the writers are just lumping Sam&Dean together again because WHY would anyone see them as two separate entities? *salty*) Because if anyone in this show SHOULD be aware that the brothers don't always think the same it should be Jack. Because from the start Sam has tended to hold a different stance in regards to him than Dean. *sigh* Ah well. We'll see how things fall out. Especially considering what Cas (I’m assuming anyway) told Dean about Jack and Billy’s plan. 

[nerdarchy-blog]

The follow up to 2017’s Xanathar’s Guide to Everything, on Nov. 17, 2020 fifth edition Dungeons & Dragons upcoming Tasha’s Cauldron of Everything must indeed possess powerful magic to contain so much stuff in 192 pages — the exact page count of its predecessor according to Jeremy Crawford, principal rules designer of the game. The product of 18 months work the book includes material for Dungeons Masters and players of 5E D&D alike. I had an opportunity to join the press briefing with Crawford and Greg Tito, communications and press relations director for D&D and let me tell you, sitting on this was really exciting. Reading and hearing what players speculated on and wanting to say, “You’re all right! It’s all in the book. All the character options and new stuff you’re guessing about are inside!” So let’s get into Tasha’s Cauldron of Everything.

On the cover for Tasha’s Cauldron of Everything Tasha holds an ornate grimoire covered with symbols from the planes of existence in stunning art by Magali Villeneuve.

A delightful conversation about 5E D&D

No sense burying the lead — all the options and fresh new modular content you thought might be in Tasha’s Cauldron of Everything is there. Subclasses for all the classes are in there. Alternate class features from the most popular Unearthed Arcana in the entirety of 5E D&D are in there. The artificer class is in there — including some tweaks, new infusions and the Armorer subclass that was loved by people, according to Crawford. The Aberrant Mind sorcerer, UA’s most highly rated content ever, is in there and so are many from the past year. Spell Versatility and new Beast Master Companions are in there and I know there’s untold numbers of players stoked to hear this. There’s new artwork for the Artillerist Artificer Specialist that was shared during the briefing too.

A human artificer balances his Eldritch Cannon on his shoulder as seen in Tasha’s Cauldron of Everything. [Art by Brian Valeza]

Like XGtE the book explores the titular character’s wonderfully complex point of view in comments on the content throughout, with nods to Tasha’s history in her comments and captions. One clue about Tasha’s mysterious origin reveals itself on the cover. The tattoo on her cheek is a chicken leg, which Crawford explained is an “echo of the chicken-legged hut that Baba Yaga lives in.”

A bunch of subclasses and class features only chicken scratches the surface of the scope of material. Tasha’s Cauldron of Everything is organized into four chapters. While perusing the material in the book readers learn more about Tasha and the lore surrounding her. Tasha’s life has involved the fantastic since the very beginning of her origins in the fey realms. As she became a brilliant and powerful wizard her adventures took her to other planes and dimensions so she is unfazed by beings of any sort, least of all her frenemy Mordenkainen.

Character options

Spells and magic items

Group patrons

Tools for Dungeon Masters

Customizing your origin is an important part of the development of the book and something the design team seems particularly proud of, for good reason. Players love the idea of more personalized character origin stories. I use This Is Your Life stuff from XGtE all the time and TCoE builds on that tremendously. Like, seriously a lot. The design goal was tools for players to create truly unique characters with amazingly magical origins and backstories.

This includes modifying traits during character creation to better reflect the story players want to tell and offers a lineage template with fill-in-the-blanks tools to totally personalize characters. The Lineage System introduces a new way to approach creating and playing characters and adventures in 5E D&D, a responsibility the design team takes very seriously as stewards of the game. During the press briefing Crawford and Tito explained how TCoE is one of multiple books demonstrating a shift in how D&D handles things like race.

Other changes include the removal of negative racial modifiers for certain races from Volo’s Guide to Monsters via errata. Crawford explained how their original intention for races like kobold and orc was as Monstrous Adventurers, separate from standard character options. This is why those options are included in their own section in VGtM along with options considered more powerful than standard in some cases, like yuan-ti and to a lesser extent goblins. Because this context is lost through the way so many players engage with 5E D&D through online tools and resources like D&D Beyond, it became a pain point for players and TCoE will include updated versions. Hooray for kobold and orc enthusiasts!

The Lineage System offers tools to create characters not bound by a species archetype. I love the way Crawford explained how this modular piece of content interacts with existing 5E D&D material. The core game, what is presented in the Player’s Handbook and other sources, illustrates an archetypal adventuring character like an elf. Choosing this option for your character represents playing Elfie McElferson in other words — the exact kind of elf that comes to mind when you think of D&D elves. The Lineage System gives players and DMs tools to disentangle characters’ personal traits with cultural traits. And worry not! The path to customization is very smooth according to Crawford, who emphasized it is not complicated at all.

Along with the new class options and alternate features players can customize how each class feels. This includes something that worms its way into the mind of every edition of D&D sooner or later.

Psionics! The Aberrant Mind is just one of the psionic themed subclasses from UA. Along with a few others, these psionic subclasses use a modifed version of the playtest mechanics, which Crawford described as “evolved.” I’m pretty middle of the road when it comes to psionics, neither thrilled to use them or abhorred by their inclusion in the game but I’ve got to say I really dug that Psionic Talent die so I hope that’s what he meant.

During the press briefing they did not get too deep into new spells and magic items in TCoE but there are some tidbits to share. For starters Tasha adds new spells of her own design to D&D canon. Tasha’s caustic brew and Tasha’s otherworldly guise are two mentioned and I’m excited to see more. Spells named for the wizards who created them evokes a sense of mystery and wonder in all D&D players and after all her incredible excursions and magical experimentation I’m certain Tasha’s influence on 5E D&D will be immense.

Spellcasters can boost their power with new spell focus magic items too, which sounds awesome. There’s got to be a magical cauldron, right? One of the magic items Crawford talked about sounds totally awesome — the Tarokka Deck. Not like, any old prophetic card deck though. This is THE Tarokka Deck, an artifact capable of trapping spirits. Can I tell you I lost track of what they said for a moment because I was daydreaming about a Ghostbusters inspired 5E D&D campaign.

Sidekicks (remember them?) get expanded in TCoE too. Resources to create your own customized sidekicks sounds like a lot of fun new toys to play with. When asked what the most surprising thing about the book is, Crawford revealed there’s a sidekick class. You can play as a Warrior, Expert or Spellcaster, which offers a slimmed down experience for perhaps new players or those looking for less complexity. This sounds awesome to me. I’ve used the Sidekicks content from UA several times and it is terrific, so more of that and more ways to use it can’t go wrong.

More than that though Crawford was surprised by “how much liberty players have to customize.” The Lineage System, tons of new class options and alternate features, spells, feats (wow I didn’t even mention those!) all combine to create more levers and dials players and DMs can use to tailor our game experiences and tell the kinds of stories we want with exactly the kinds of characters we imagine.

“Our work on the game is a delightful conversation with the community that never ends,” as Crawford put it. With tremendous amounts of fun, cool sounding new content like they’re brewing up in Tasha’s Cauldron of Everything, I don’t doubt it.

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A tiefling sorcerer levitates several feet off the ground. [Art by Kieran Yanner]

A lineup of four homunculus servants. [Art by Irina Nordsol]

The young wizard Tasha studies her spellbook in front of Baba Yaga’s hut. Looming nearby is Baba Yaga herself, watching her adopted daughter intently. [Art by Brian Valeza]

This is a massive tome holding secrets of ultimate evil. The exterior of the book reflects the evil within. The covers are made of dark demon scales, which are trimmed in rune-carved metal shaped to look like demonic claws. [Art by David Sladek]

Two wood elf lads swim in a glittering pond, which is fed by a waterfall that pours out of a face carved in a bluff. [Art by Robin Olausson]

A youthful merfolk king lounges on his throne underwater. [Art by Andrew Mar]

Using a psychic spell, a wizard battles a troglodyte underground. [Art by Andrew Mar]

Sidekicks will be expanded in the fifth edition Dungeons & Dragons Tasha’s Cauldron of Everything. [Image courtesy Wizards of the Coast]

An alternate cover art version is only available through local game stores. [Art by Wylie Beckert]

A heavy, ominous storm brews at sea as clouds gather. But these are not normal storm clouds. These have formed into a churning mass of enormous skulls in the sky. [Art by Titus Lunter]

Oh! Are you still here? One last thing I’ll mention is the section on Magical Environments includes Eldritch Storms, magical fruits and magical roads, a Mirror Realm and a Mimic Colony. Stay nerdy.

Congrats! That new #DnD stuff you thought would be in Tasha's Cauldron of Everything is in there. #staynerdy The follow up to 2017's Xanathar's Guide to Everything, on Nov. 17, 2020 fifth edition Dungeons & Dragons upcoming…

[seenashblog]

Nash Watches & Rates Cheesy Hallmark Original Christmas Movies, So You Don’t Have To (2019)

This is the thing where I recap and rate cheesy Hallmark Christmas movies (mostly - if other channels do "original" holiday movies, like Lifetime, I may sneak those in there, too). This post will be updated with new entries as I go, all below the cut. I'm rating based upon The Cheesy Christmas Movie Bingo Card. Here it is, and feel free to use it for your own watching:

More quick clarification on ratings: 

When something's pulling in a 4 or 5 star, that means the Bingo only popped a few squares. When something's hitting at a 3, it's a handful of squares, maybe came in the ballpark of having a Bingo. The 2s mean definitely got a Bingo. The 1s mean anywhere from more than one Bingo to nearly filled the damn card. Outside of the card, stars can also get docked because of piss-poor writing, embarrassing acting, draggy flow, and shitty casting (read: lack of chemistry).

Put another way - 3 stars means they aren’t exactly a waste of time, 2 stars are debatable/up to personal taste, and of course 1 star means I will never get that time back and I’m that much closer to death because of the movie and what it drained from my soul.

Here's the 2018 list

And remember: never, EVER watch “My Christmas Love” 😉

Let’s roll. Most recent entries will be first.

#6

Once Upon A Christmas Miracle (Hallmark, 2018 - Brett Dalton, Aimee Teegarden - the latter of whom will make you think "I know someone who looks like her" because she looks like that girl you went to school with or worked with or was a friend of a friend, or maybe is a friend of yours - she's just got that look about her. My Aimee Teegarden's name is Jessica.)

This movie is infuriating.

Brett is a great actor, Aimee is serviceable, let's just get that out of the way. Matter of fact, you're not going to find any of the acting grating. Overall, everybody's fine.

Here's what you need to know: this is based on a true story, and that story is that a woman who needed a liver transplant gets a random donor (no one in her fam was a match apparently). And donor's this awesome dude, and they end up falling in love. Cool story, right?

Yeah, then Hallmark got their hands on it.

Everything is shmoop. Everything. The family (including the - way to go casting - sister who looks nothing like her, I mean NOTHING like her) is on Christmas like it's crack. Details include her hand-making wreaths, and oh by the way she does it for every holiday. Okay. Whatever. Some of us have more time on our hands than others. Look at me, I pause in housework to type this shit up when I could be doing said housework. It's all about priorities.

There's of course The Conflict, which is that he gets a job offer out of town. But before all that, he organizes a Christmas Eve party focused on fundraising for her because of the medical bills and because she won't go back to nursing school since money. Welcome to the USA, the only advanced, developed country on the planet where they don't consider investment in our populous as important as investment in, well, you pick. I'm furious. I'm also grinding my teeth over the gross medical inaccuracies in this one, but I won't go down that road or we'll be here all day. I bring that up because the thing upon which this story pivots is the medical issue, so some realism there is important so that we as the audience can understand the gravity of what they went through, the sacrifice he made for a stranger, why this bonded them, etc.

I hate this movie. I hate it. The family is insufferably perfect. It's so overblown it's unrealistic. And that wasn't needed - it's okay to show them stressed and worried, this is a big deal. But nope, they're just perfect. And she's perfect, everyone loves her, she's pretty and smart and sweet and EVERYONE LOVES HER. There's not one moment of her being, say, bitter and resentful  that she's having to go through this, and again - THAT'S NORMAL. Just some normalcy is needed to balance the "Wow!" of what happened which is that they ended up falling in love, because that truly is not the norm and is extraordinary.

So I got curious and wondered what, if any, of this - beyond what we know - was actually true. Okay: he and his motorcycle club did arrange a fundraiser. They did end up several doors down from each other at the hospital and would take their walks together (that's mandatory post-surgery, they want you up walking ASAP, just FYI). But here's what I was looking for: this didn't happen at Christmas. He overheard a coworker talking about a sick cousin in January 2015. The surgery happened in March. They started dating, and in July he actually asked her father for permission to ask her to marry him. And THEN at Christmastime, he proposed to her, which was the very last scene in the movie.

I guess what I'm getting at is, why couldn't this have just been a regular Hallmark movie at a random time of year. They made the focus Christmas instead of it being on Heather and Chris. They had an opportunity to dig in a little deeper than they usually do, they were handed a wonderful love story that was filled with a major REAL trial, and they blew it. They swapped true love and loyalty, for romance and fluff. Yeah, love and romance are on the Venn diagram together, but they ain't the same thing.

This can't be a 5 because it was so schlocky, not to mention because there were zero character arcs, our two leads were the exact same people at the end as they were at the beginning. I can't in good conscience make it a 4 because of what I've said above. But the production value was fine, the acting was fine, the script dialogue-wise was fine, and the pacing was fine. IT WAS FINE. You may be into this, but I was greatly disappointed, especially after learning about the material with which they had to work. So I have to drop it from a 3 to a 2. Be warned, though - if you google, everyone rates it off the charts. [shrugs]

2/5 stars

The Christmas Note (Hallmark, 2015 - Jamie-Lynn Sigler, Leah Gibson - the former of whom you better know, and the latter of whom is incredibly familiar to me - and there's also several other familiar folks, namely the guy who plays the lawyer who is a great actor and should be in more stuff)

Now, even though this isn't based on a true story it is a good example of how to dig into tough situations and allow people to be imperfect, along with elements of lightness and sweetness and happiness. (The next one does this well, too, but hang on let's knock this one out.) Both our leads - and thank god on high this isn't a romance for once - are excellent actors with great chemistry, so no worries there. This *is* a love story, however. Because not all love is kissing and sex and romance.

One more time for the people in the back: meeting someone and growing to love them is not always about sexy times and kissy face and shmoopy romance.

So here's the scoop, and I'm not looking up their character names: Jamie-Lynn, along with her son (who, despite being a good lil' actor, is mildly annoying, but it's the script, not him) has moved back to her small hometown and gotten a little house to be closer to her parents, because her army hubby got nearly blowed-up overseas and he's in the hospital recuperating enough to where it's safe for him to travel home. Next door lives Leah who seems stand-offish at first but it's just because her life is basically work-home-work-home, wash-rinse-repeat. They start to get to know each other because this dude shows up and knocks on Jamie-Lynn's door and is like "I can't get hold of your neighbor but her mom's died and she needs to come clean out the apartment, like, yesterday." Jamie-Lynn goes with her to do it, being all - Nobody should have to go through this alone - and Leah accepts the offer, because this is gonna be hard, and double-hard because due to a falling out, she hadn't talked to her mom in like 10 years. They end up finding a letter her mom left her, and in part of it, she tells that before Leah was born she gave up a child for adoption. That's it. No other leads.

And after Jamie-Lynn and various folks around town encourage her, Leah decides she'll make effort to find her sibling, and Jamie-Lynn helps, and as they follow up on various things in mom's possessions, they get closer and closer, and end up becoming friends. There's no silly misunderstandings as excuse to farm emotion - there's just actual emotion because jesus, did you read what this plot is?! Nothing is smothered by shmoop and nobody is shoving Christmas spirit up your ass. Nobody's family is perfect (you know the scoop on Leah, and as far as Jamie-Lynn's, turns out husband may not make it home for Christmas, and her parents are divorced and slightly cantankerous), so again - it's keeping grounded in the midst of what's about to be a (kind've) fantastical ending.

Skip beyond the next divider if you don't want to be spoiled.

While they don't look alike, they do both have dark hair and dark eyes (I can't tell if maybe some dark hazel is happening, but their eyes ain't blue and brown is my point). And note the way they occasionally part their hair (far to one side), the way they'll occasionally move in sync (standing from chair, for instance), similar style purses and coats. You may've guessed the ending - and it was mentioned early on though not heavy-handed that Jamie-Lynn is adopted - but Jamie-Lynn is Leah's older birth half-sister. And of course, husband makes it home for Christmas.

The only thing - and I mean THE only, even the music is on point - I would've changed about this (but it's based on a book, so Hallmark couldn't, so I guess I'm critiquing the author) is that I'd have made it that the husband is her older half-brother. So that when he gets home on, say, Christmas Eve the lawyer could've shown up at the house being like "Sorry if I'm intruding but my contact at blah-blah-blah agency came through, I just read the documents, and you have to know this right away", etc. Otherwise, this movie is solid, top to bottom. I would give it a 4 vs a 5 because it is highly, highly, HIGHLY improbable that they'd be neighbors. Better for them to have met via work or at the coffee shop or something. But let me tell you, the thing that puts this over the top? In the scene where they find out the truth, they nail it. In lesser hands (including the lawyer actor), this would've failed and ruined the entire movie. Instead, it actually made me a little teary-eyed.

5/5 stars

The Santa Con (Lifetime, 2014 - the very stacked cast of: Barry Watson, Melissa Joan Hart, Melissa Sagemiller, Jaleel White, Scott Grimes, Wendy Williams, Alimi Ballard, John Ratzenberger - every single one of whom you'll recognize or know right off the bat)

Lifetime does this better than Hallmark, and tenfold: casting. And this is a drama vs. a romance, but they all nail it. It helps that the director was Melissa Joan Hart, and I'll put in my disclaimer here that I said last year....

I am slightly biased because Melissa is a friend of a friend (sister-in-law, specifically) and she is good people, a hard worker, and a smart cookie. She knows what roles she nails (sharp wit, no shmoop, strong chicks), so that’s what projects she and her mother choose (they produce most everything Melissa’s in), she stays in her lane, is my point, so if you agree with that assessment, then you’re good to go, this is classic Melissa Joan Hart fare.

Except this time? It's not exactly her typical fare, but it's just as solid. Here's the basic summary, and I'm not going too far down the road because with all those characters, as you can imagine, there's lots of back-and-forth as far as who's interacting with whom at a given point. So Barry plays a conman who finally landed himself in prison but he charmed the warden (Ratzenberger) and the board and gets parole. His goes to live with his sister (Hart) and we meet his fellow conman buddy (White), and the job he gets is part-time gig as a Santa at the mall (sister has a shop there). He is just going through the motions, and he promises this kid - the only bit of poor casting, IMO, but kid actors are six of one, half dozen the other - that his wish of his parents being back together will come true (Sagemiller and Grimes).

Problem: Grimes' character is an alcoholic, and the kid finally gets an eyeful and quits being pissed at his mom for the separation when dad shows up absolutely lit to the school play. In any event, Barry feels like he needs to make good on the promise somehow because he feels guilty and he insinuates himself into their lives (I am absolutely going blank how, sorry), and he at least wants to give Grimes a fighting chance at being reunited with his family (Sagemiller says she would totally take him back if he got the drinking issue taken care of because she genuinely loves him, she just can't tolerate that shit anymore). So Barry's doing things like helping Grimes get to AA and revealing that his boss at work took credit for his awesome idea (that, coupled with the drinking, is why he got fired if memory serves, I'm writing this post-movie).

There's one angle that irritates me - the issue with Grimes shouldn't have been alcoholism. That's a tough topic to tackle, and I don't know that a Lifetime Christmas movie is the place to do it. I didn't mind him coming drunk to the play, I think that would've been in line with him being, broadly, Mr. Fuck Up. Like losing his job - we learn that the reason is because his idea was stolen, but from her perspective it's part of his pattern. And maybe he kept missing things he'd promised to do with the kid. Whatever, fill in all those blanks. In addition, it irks me that Sagemiller's romantic choices here are a felon and an alcoholic. Are all felons bad? No. Are all alcoholics bad? No. Because people vary. My point is, both of their lives are messy at this moment and they need to work on themselves before involving another person and her kid. Barry's also been lying to her this whole time, and regardless of the good intentions (and that's debatable, his reasons, at one point), it's still a bunch of deception.

But I have to give credit where credit's due. It's a very original plot, both the writer and Hart did a great job balancing it out and keeping it streamlined to the degree that they could, and, again, I cannot praise the casting enough. Because there is a distinct lack of shmoop, and because there's some humor, and because the pacing was on point, and because I think it maybe hit 2 squares on the card if that, I deem this not even close to being a waste of your time. Like I say, there's just that thing that I feel like could've been better, but it's kind've a big thing, so I gotta ding for it. I'll say this, though: seeing Urkel and Sabrina flirt cures a lot of ails.

4/5 stars

The Perfect Christmas Present (Hallmark, 2017 - Sam Page, who I recognize, and a gal called Tara Holt, whose parents should be popped upside the head for naming their child Terre Haute; I mean, unless they've got a real hard-on for Indiana, in which case you do you)

She's from Chicago (as in, grew up there) but then her mom moved them to L.A. (after dad died, so check dead parent box), but she's moved back to establish a charity there, and also because boyfriend lives there (I missed how they got together if she lived across the country). She wants to hold a charity event, and he helps arrange for a former client's historic home to be used for free. Pertinent info: he's essentially a personal shopper but his specialty is figuring out the perfect gif t for people (hence the subtle title ::sigh::) by getting to know them really well. My presumption is this usually happens by targeted questioning about said person via the client, the more obscure stuff, but I'm writing this after the fact so I can't be sure. But I get the impression it usually isn't - really, it can't be - direct interaction with the person themselves, because the surprise would be ruined. Unless he goes around being a lying liar all the time, and if there was a person - especially at the behest of a loved one - who integrated themselves into my life under false pretenses (read: anything other than they enjoy my company, I intrigue them, etc.) I would be both absolutely livid and absolutely crushed. We'll come back to this.

Side note: Let me tell you right now, re: former client - I love this chick, she is the highlight of the movie, the snark is real with her, she's upfront about the fact she's into our lead male, did I mention she's snarky? I liked her the minute she came on the screen, continued to like her up until her last scene (spoiler: no she's not a villain, she's just snark and if you don't like it, piss off).

Back to plot: basically, that's the "in" - she doesn't know that boyfriend hired him to figure out perfect present, all she knows is that this is boyfriend's old fraternity buddy who's a make-things-happen, got-connections-all-over sort of guy. And he's happy to help with the event, because that means he can use the opportunity of them working together to get info on her and essentially profile her - like for instance, when they were touring that house, when in kitchen, she snitches a macaroon (or one of those fat almond cookies from wedding showers with which I have a love-hate relationship), he makes a quick note of "sweet tooth".

Also to know, the relationship between her and boyfriend is struggling a little, so that's why he's going to the extra effort, and - spoiler alert - as I'm sure you've guessed he gets the shaft for his trouble. He's an okay guy, I guess, and I do give them props for not making him this complete dickhole or something, but with that comes the issue that you kinda feel shitty for him. On the other hand, it's only been a year and he's jonesing to get married and have kids, and she's like "Whooooaaaa". While I'm here, though, talking about secondary characters, I also have to shout out best friend who she's Skyping with off-and-on, she is dynamic and runs any scene they're in, every line is delivered realistically and casually, you feel like you're talking with a person in real life. Having said that? This is a weird, unneeded gimmick. Matter of fact, the character isn't needed at all, but if it had to be done then they should've just had her there, as the partner in the charity.

Regarding casting: it's cool that Terre Haute went into acting because she has these big, expressive eyes and I think it helps because she's not got an "it", if that makes any sense - as opposed to the ladies I mentioned above, there's not a dynamic presence, at least in this she's easily forgettable. Regardless of her character and dialogue, it's delivery that sells it, and while there's inflection and facial expressions (she's not flat, not at all), it still smacks of her just delivering lines. And that's fine! There's a need for actors who are on it and that the studio gets what they pay for, that they do what they're hired to do. My point is, she's serviceable and I think in a meaty role she could step up. He's great but also only serviceable in this particular movie, and I honestly don't know what else these two could've done - while the idea of the story is decently creative (though event planner - which he essentially is - has been done, and done better), it plays out as pretty much how you'd think. I'm typing this as I'm about an hour in, and here's my guess: Yes, she'll end up falling for him but she'll also be pissed when she finds out that he's been collecting facts on her, regardless of the reason. Also I predict that in rich gal's moves to get dude, she'll be the one to go "You know that he's stuck around because he's fallen for you, right? That this ain't about the gift anymore?" and be the one to give her a kick in the. At least, that's what I'd write.

Because the alternative is actually realistic, which is that she says what I said above: you ingratiated yourself under false pretenses, when we started having feelings for each other - or at minimum when we started being friends - you should've told boyfriend you couldn't help with the present anymore, and told me the truth. Period. End of story.

I'll leave it here, I think. Watch if you want to see how it ends - not that it matters, of course she ends up with him. And I gotta go with my gut, here, even though this doesn't hit a ton of bingo squares, not at all, but the issue is it's.... well, it's not dragging, the pace is decent, it's just.... well, it's boring. It's *shrug*. It's meh. There's just no spark to it. I can't justify giving it a "Don't miss this one!" type of rating. It's a "Maybe you'll enjoy it", "Not entirely a waste of time" sort of jam. Which makes me wonder why I wrote so much on this.... eh, I'm avoiding housework.

3/5 stars

Northern Lights of Christmas (Hallmark, 2018 - Ashley Williams, and that's the only cast that matters... besides, won't recognize anyone else)

Let it be said that anything with Ashley Williams, I'm giving a minimum of 3 stars. That's the lowest it can possibly get, merely due to her presence. She's a great actress, and I don't just mean by Hallmark standards, she should be in all the things, that's how magnetic and scene-stealing she is. No, I'm not her cousin or something. I've just yet to dislike her in anything I've seen her in, she even lit up the screen in How I Met Your Mother which going up against Alyson Hannigan and Cobie Smulders and Jason Segel (I don't mention the guy that played Ted because beyond not liking the character, I will never understand that casting).

Now, stay with me, here. Because this is one of the more ridiculous summaries on one of these things (and by "things" I mean Hallmark and/or Lifetime Christmas movies, AND I MEAN IT WITH LOVE OF COURSE) that I've seen. *clears throat*

"Zoey has been working hard to own her own plane but everything changes when she inherits a reindeer farm."

If you're anything like me, my What The Fuck radar shot right up. The story is she's left a reindeer farm/ranch by the old man who taught her how to fly who has, obviously, died. And by "farm/ranch", I mean 2 reindeer and y'all, again, huge props when Hallmark bothers to have real animals on these farms and ranches they make their settings, double points when the characters interact with them. So by flying, they mean Cessna-type planes, though we're about 25 minutes in and I've seen no plane. Anyway, she lives in Seattle now (our setting is Alaska) and is a commercial pilot but as summary says, she wants her own. For crop dusting? I have no idea why, they don't really say (or haven't yet) if it's for personal reasons or a new career venture.

Ashley - and I won't be calling her by her character's name in any of these, get used to it - meets the live-in handyman/animal tender/etc. person who is a real pill. Like, he's not exactly rude but I'd just call him brusque and blunt. He initially wants to quit even though he's paid through the winter, but she convinces him to say explaining she needs him to be a partner of sorts, help her decide who she should sell the place to. Ashley grows on him when he sees that even though she had to move away, she genuinely cared about Gus and his wife (the dude who died and his wife who had died prior) and the farm/ranch (they call it both dunno why I think ranch suits better) and that she's a hard worker.

Gus and wife were beloved by the town, and they did it up right at Christmas - part of the barn where the reindeer aren't chillin' is filled with decorations, most notably a sleigh, and it's not lost on me that they're way up north, there's reindeer, there's that sleigh, and he taught her to fly. I mean, "Gus" and not "Kris" or "Nick", but we'll see where this is going. Oh, also? Wife had a box of recipes that Ashley's best friend (whose hubby is the son of the cranky man who owns the local hang-out diner, Americana-type restaurant in town, the menu of which she's always trying to nudge him to add new things) was dying in particular to find a certain cookie recipe that everybody in town loved because she's always wanted to know how to make them. Sounds like Mrs. You-Know-Who To Me. But again, not enough info, I'm writing this as I go, but I tell you I almost don't want it to turn out as that, I like the inference much better. May dock a star if they go full-court-press You Know Who.

I'm eating homemade soup for breakfast because it's getting really nippy here, and there's no oatmeal. I just felt the need to share this with you. I mean, it's hella awesome soup, I'm a good cook. I heated it up during the part where she's going around telling people she's doing up the old Christmas festival like it used to be, the one Gus and wife would host at the ranch. Her angle is, she wants to attract the right sort of people as buyers, people who get the small town mentality and want to keep the ranch essentially the way it is, and people are pumped and excited about the booths they'll have and the food and the post-fair barn dance, and I got bored. Not painfully bored, just wishing-they'd-speed-this-up bored. Put it this way: I was able to make coffee and walk the dog and flip the stove on and heat up said soup whilst only needing to pop in to look at the TV to make sure I hadn't missed something. I hadn't. I get it's necessary, I just think it could've been montaged instead of introducing us to a bunch of side characters by name and hearing what they're gonna do, all we need is showing us their faces during montage, then we'll see them and what they're doing at the fair. Because they're inconsequential to the story. This is classic Hallmark padding runtime when it's simply not needed, not everything has to take up a 2 hour time slot.

Hey, if you want good soup, go on and cook the veg you'll be adding a little more than halfway, and *then* add it to your base, which should consist of some water, yeah, but either beef broth or chicken broth (or I guess veg broth, but gross), your choice, and the other trick is to set it on low and go about your day, homemade soup's better when left to do its own thing over time. I've digressed.

Ah, charter flights. That's what she plans on doing. She mentions it because she's calculating how much she's invested getting stuff up to speed and cost of festival. We've still yet to see Gus' plane. Also, I don't care much for the leading man, he's Dollar Store Brett Dalton (Ward from Agents of S.H.I.E.L.D.) and if you're familiar with Dalton, I'm telling you that all you'll be thinking is "Damn, Brett Dalton would've cleaned up in this role", because this dude's a bit flat. Dalton's been in one of these cheese Christmas movies, too, so the chance is there; matter of fact, he should be either above or below this in one of the other recently reviewed. I can't be bothered to look for the title. None of this matters, moving on.

We see them ride his motorcycle together to go out to the local airport - mainly cargo and quick charters and such - and wouldn't ya know it, the dude that owns/runs it is retiring at the end of the month. Hmmm, wonder where that's going. And I also wonder if this is where the plane Gus flew came from, if he picked up work there, too. If it's been said, I've missed it. Anyway, owner needed her because his dude is sick or something and he says it's 6 towns, mail delivery gig, she is jazzed because as she says "This is the longest I've been on the ground in a long time". Our co-lead doesn't like to fly but he does like to take pictures, so that's how she sells him on coming with her to deliver the stuff.

Kinda like You-Know-Who. Ahem.

Kudos to Hallmark for (a) not going with shitty FX folks, re: the greenscreen for when they're in the cockpit, and (b) for some nice aerial shots of somebody flying a plane. The aurora/northern lights effect also ain't bad. I mean, if you've seen photos of it, it almost looks fake anyway because it's one of those too-good-to-be-true natural occurrences that shouldn't be that vivid. It's like reverse of animal camouflage, I'm thinking specifically of octopi (apparently you can say octopuses now and it's acceptable, but it's not in this house) and if you've not seen that, get yourself to You Tube and get ready to be shocked at those undersea aliens. We've (okay I've) digressed again.

There's a moment of her reminiscing about Gus, but it's short, and this is when our leading dude learns she's gonna be going to Florida to be with her parents for Christmas, and I like this for two reasons: one, these pseudo-dead parents have only been brought up once in a sorrowful way, people have been focused on remembering the good times, and second, she's not leaving because she gives no shits about Christmas and is gradually learning to love it or the usual garbage, nor is she being called away for some career-related thing, it's a legit, understandable reason. Neither of those are getting a bingo square, because even though they may skirt the line, they're being done well.

All right, I'm not going to tell you the ending, because you should put it on your list. As whack-a-doo as the summary has it sounding, they make it work. So because of good casting and a solid script and a unique premise and tied up something in a great way (and because I got ever-so-slightly teary-eyed at one point shut up), this one gets a score of....

4/5 stars

Here’s your 4-and-5 stars so far (in no particular order):

Trading Christmas - 5/5 stars Christmas In The Air - 5/5 stars Mingle All The Way - 5/5 stars The Christmas Card - 5/5 stars The Christmas Note - 5/5 stars Fir Crazy - 4/5 stars Small Town Christmas - 4/5 stars Switched For Christmas - 4/5 stars The Christmas Contract - 4/5 stars Rocky Mountain Christmas - 4/5 stars Christmas A La Mode - 4/5 stars Northern Lights of Christmas - 4/5 stars The Santa Con - 4/5 stars

#5

Christmas A La Mode (Lifetime, 2019 - Katie Leclerc who I've never seen before in my life but who is quite good in this, and  Ryan Cooper who is really hot depending on the angle, that's the best way I can explain it)

Let me be clear: the *only* reason I am watching this is for y'all. Well, and I'm mending dog toys and need something to semi-stimulate my brain. The title is incredibly off-putting, it's too sweet right out of the gate. But I shall give it a chance.

Your basics are that a dairy farm was left to two sisters by their deceased father and the farm's been in the fam for several generations. Older sister has long since been in the city and sounds like she's some sort of real estate flipper (acquisition, buff up, then sell) because she and her partner, Sometimes Hot Guy (who frequently drops his American accent), are going to sell the farm to a dairy corporation... well, that's what we're told. Put a pin in that, shiftiness comes up later unnecessarily. Anyway, the agreement has a provision that one sister can buy out the other's shares and fully own, so little sis has to raise a hefty six figures in a short amount of time. Older sis is a major dick; having said that, the farm has been circling the drain for awhile now, so she ain't totally out of line.

The summary I saw neglects to mention that they also own an ice cream parlor in town that's typically closed during the winter because of course it is. But, I mean, Baskin Robbins and fro-yo joints and Ben & Jerry's stay open year-round, and yup they bank in hotter months, but why not keep making money? Throwing out stock over, what, 4 months of slow time? Is just stupid. No wonder they're going under. But all right, we'll let that go. Anyhow, her plan is to get some money via opening the ice cream parlor and doing a little contest for people to submit their best Christmas-themed flavors, and she'll whip 'em up, people can try them, then vote on the winner and the winner gets a year of free ice cream. She also does a crowd-funding site.

The summary also neglects to mention (and this is okay, it's supposed to be a plot "oooh") that business partner Sometimes Hot Guy is from the family who is essentially like Mrs. Fields or some shit. So there's this cute moment where her co-worker friend is like - You know, now that we are aware of this, we don't really need his recipe (he won't - and I guess, legally, can't - give it to her), we can just get them from the store. Yeah, co-worker. Yeah. But we can't have pie-baking scenes where she wipes flour off his cheek if they aren't in the same room together.

Oops, left out that part: the killer flavor is this pie he made for her mom mixed in with their vanilla and they call it, fuck my life, Christmas A La Mode.

Compliment: This actress is likely average size IRL (camera adding pounds and all, plus wardrobe didn't do her any favors on her lower half) but I mean in terms of body shape? She's built like a farm girl, she's got actual thighs and rosy, round cheeks, she's not some coathanger in skinny jeans up in there. I am applauding casting department wholeheartedly.... though they whiffed in that she and sis look *nothing* alike. Sis is discount Eva Green, and mom and leading lady are redheads. C'mon casting, just the hair color, that's all we're asking.

Issue: She's a really good actress, I was very pleasantly surprised. But initially there's something slightly juvenile about how she's playing this - "this" being determined to save the farm. She's kinda petulant and refusing to accept reality - and, I mean, maybe they save the farm now but with a disinterested sibling and a mother that's getting older, unless she cranks out some babies (read: farm hands) like, yesterday, I'm not quite sure how this is gonna be sustainable long-term.  (Granted she'll end up with incredibly wealthy pie guy, but I'm saying if she's a business owner, this is something she needs to learn.)

I'll tell ya this, talking about characterization, the gal playing the sister can flip a switch and play the cunt card like a dream, she's a scene-stealer, though my issue here is we have zero background on why she's ice queen about the farm save a mention that when they were little, she was always dying to leave farm life and go to the city. Right, fine, lots of farm kids I am sure feel this way, but why the vitriol? Why not sit down and be kind and explain the financial situation to her mom? Even if little sis is being a brat, why wouldn't she be kind to her mother? I'm fine with her being Bitchy Mc Cuntface, I just wanna know why.

Continuing from above about the pie - it's not just once, he tells her three separate times, and one of them vehemently (and then a follow-up of "You can't tell ANYBODY where these pies came from, say you found the recipe online or whatever") that he ain't telling her the recipe so she can make it herself. Which, I suspect this is gonna come back to bite her in the ass if it's not her original recipe. And it should be - anything they come up with needs to be theirs or else they owe $$$ to whatever the featured product is in a given flavor. So like, early on one of the flavors is Christmas Kiss and she comments that she unwrapped all the Hershey's kisses herself. Well sugarsnap I hope you have some sort of blanket licensing agreement because that ain't cool. You can buy other company's ingredients, of course, but when it's the core of it, the key feature of it, you're in trouble. That's why if a product's "cincher" revolves specifically around another company's product, it'll be noted clearly with a "C" copyright or "TM" or whatever, because that company is - and should be - getting a kick off the profits.

I bring this up because this is an excellent opportunity for a plot point - unless they partner with the pie company or get direct permission (and no, random son saying it's cool matters nothing to a board of directors) then they're out of line. An interesting storyline would be if sister finds out and threatens her that she has to stop or it's gonna mean big legal probs for Sometimes Hot Guy so if she doesn't want that, needs to let sis sell the farm. Then of course Sometimes Hot Guy comes in and says "Hey meet my dad, he owns the company and not only does he give permission but he's investing by way of making up the difference of whatever sum's left over so she can buy you out, Dollar Store Eva Green."  They've not given us any real reason to empathize with our villain of the story so go whole hog, keep her the villain.

All in all, we've ticked a good handful of squares, but we're not in danger zone, miraculously. And even though it ticked the farm box, I have to give compliments that for once one of these stories involving a farm has actual animals shown and the characters interacting with them. The side friend character is also fantastic, I wish I could see her in more stuff, she was great. I know I was nitpicky about the stuff I didn't like (and my resolution is close to the ballpark of what they end up doing.... my tweak is more interesting #humbly), so overall my non-nitpicky complaints are that (a) Sometimes Hot Guy is hit-or-miss with his acting, and (b) the ending scene is fine but they tack on this weird post-end scene that completely takes you out of the moment and is wholly unneeded. But because this was a creative attempt at a unique plot and - above all - our leading lady sells the shit out of it, the score is.....

4/5 stars

Rocky Mountain Christmas (Hallmark, 2017 - Lindy Booth who is great across the board, Kristoffer Polaha who I swear I've seen in something non-Hallmark but I'm not looking it up, and Treat Williams who is and has always been a solid actor)

Let's get the tropey-ness out the way: the bingo boxes this ticks are as follows - family home in danger of being lost; character(s) not really into Christmas for reasons; town festival/celebration; dead parent(s); somebody's famous; somebody owns a ranch; playing in the snow; I stopped counting but I think that’s all.

Lindy is an interior designer and is back home on the horse ranch not only because she had a bad breakup that was really public (a Zuckerberg-esque computer dude who broke up with her for an actress) but it's good because also turns out uncle (who, with his wife, raised her and brother after their parents basically dumped them) has been growing increasingly bummed missing his wife who died recently, and he's gonna sell the ranch. Now this famous dude shows up (I refuse to type "Kristoffer" continuously) and he wants to stay at the ranch and learn the life and horses and whatever for an upcoming movie role, and uncle and brother are actually cool with it even though she's all "Ehhhh..." understandably. But props to them, they do it right, he's put to work and has to stay in the bunk house and the whole nine yards, they ain't just having him follow them and observe or whatever.

She also makes it part of the deal that he's gonna help her finish getting the Christmas parade organized - and by the way, this isn't because she's a Christmas fanatic, it's because her aunt did it every year and she's doing it in her stead. And he is good natured about it, and is happily taking pictures with fans while they're out running errands and afterwards giving them flyers and being like "Here's a couple more, share with friends, you better come!" etc., and basically using his celebrity for good - he also combos it with getting donations at the same time when he gives the streetside bell-ringing Santa a coffee break,  and I genuinely liked this little touch, these are the touches that these canned movies miss that endear us to characters by showing us who they are, not telling us who they are.

The only part that really made me roll my eyes hard in terms of plot is that Lindy's brother (and good casting here, they click really well and are believable as bro and sis) happens to have dreams of being a Hollywood stuntman in the field of horses. Oh and also, their mom was an actress (not Hollywood, I mean working actress). It's just a little too much, we got the point that she's meh on Hollywood types given what she just went through, and the second you hear about brother's deal it's like "Yup, Actor Dude's gonna learn cool shit from him and then he'll get him work on the upcoming movie." I mean, duh. It's overkill. It's fine if it was like - Hey you have taught me so much, have you ever thought about trying to be a stuntman? I'd recommend you, etc. And it was definitely unneeded for the mom part. It's like: we got it. Really. And the songs used (2 if memory serves) are grating, to me, at least but you may disagree.

Otherwise, this is a unique story to my knowledge and the production value is good, and kudos to them for doing a ranch vs. a tree or poinsettia farm, and they actually got horses and had the actors riding/interacting with them - some of these other movies say they're a farm and there's not an animal to be seen and it's fucking weird. So lotsa props in this respect. Also great is that the rando pseudo-girlfriend is actually just a nice person, she's not fake, though I will say this part of the plot is hamfisted and not needed, it just served as a tiny divide between them, that she's shown up wanting to have a real relationship with him (it was a publicity thing, them being together), when the divide of her being gunshy about being with a celebrity was already there, it was fine, the writers didn't need to add anything else. (And also, she seems to care not one flip that he's spending more time with Lindy than herself, and on top of that she is way more into the brother anyway. ???? Ya got me.)

On the whole, this one's really good, it's not a waste of your time, most all the dialogue felt natural and even if shaky it was delivered naturally, everybody's acting is solid across the board, he's not a douche, she's not a bitch, and most importantly your two romantic leads have chemistry, and they got to know each other gradually, and she wasn't all starstruck so if you're into this particular trope and wanna see it done well, then check this one out.

4/5 stars

Matchmaker Santa (Hallmark, 2012 - Lacey Chabert, two basic bitch white dudes, an old man playing Santa who can't act, two really good character actresses who've each been in a lot of stuff, Florence Henderson who I just love seeing in anything, and John Ratzenberger who played Cliff on Cheers and who is a breath of fresh air in this stupidity)

Yup, stupidity. You heard me. This is somehow about the third time I've caught it, so I'm giving in. Boy howdy, does it suck.

Surface area irritation: Everybody's hair is from the 90s. I hated 80s hair but at least it had distinct style; the style of 90s was nobody had any idea what the hell they were doing, particularly when it came to styling and color. Our lead guy's haircut doesn't suit him and is too gelled and sticky-outy in the front (and second lead male, the cut suits him but same with gel and purposeful cowlick look), then Lacey's looks like Helen Keller did the color (at least when she's standing in certain light).

Here's some summary according to googlings because I'm not taking the effort:

As a little girl, Melanie Hogan wished to find her own Prince Charming, just like her parents found true love. Now an adult, Melanie is running her own bakery and dating a handsome CEO, Justin. Although things seem perfect when Justin asks Melanie to spend the holidays together at his beautiful lake house upstate, and meet his mother, Melanie finds herself spending more time with Justin's best friend and loyal assistant, Dean, who just might be harboring a secret crush on her. When complications arise that throw Melanie and Dean together over the holiday, will the two realize they're meant to be?

They get thrown together because best bud went to pick her up from airport, they run into Santa along the way and give him a ride, the car breaks down in a little town that's en route back to the lake so they stay the night. They then have to share a room :::sigh::: And of course as movie goes on, boyfriend is more concerned about anything but her though I will say he's not acting particularly dickish, it's more that he invited her for a romantic evening then planned this party to essentially introduce himself to the board of directors and also to spring introducing her to his (difficult, bitchy) mom all in the same weekend and didn't bother to tell her that the plans had changed. Also in a convoluted turn, his high school girlfriend is the daughter of the head of the board and his mom absolutely loves her, and honestly? She's better suited for him than ol' Lacey is anyway, they click better.

Lacey Chabert, IMO, is not a good actress because she plays the same character in everything she's in (excepting Gretchen Weiners in Mean Girls), and that character is - I have to assume - Lacey Chabert. I mean she's fine in the sense of she isn't a talking stick, there's tone and inflection and actual facial expressions and all that, I'm saying that with the exception of Mean Girls I've never not been like "Yeah that's Lacey Chabert", I've never forgotten it's her. But I mean at least people know what they're gonna get when they hire her. Thing is, I've seen her in several of these movies now and I gotta say, if she's had chemistry with *any* of her male leads, I've yet to notice.

Bottom line: this story is just dumb. It's basic. There's nothing creative or noteworthy about it. Person makes Christmas (or birthday or falling star or New Year's or what-fuck-ever) wish when they were little and now it's coming true, and here comes romance. We've seen this and iterations of this a thousand times. Add in tropes, stir, bake at 350 til gold and bubbly. It is obvious nobody tried - except the Santa man, he tried, but he's ill-cast so oh, well. Flo Henderson and Ratzenberger ain't in it enough to help it skate by on charm. The pacing is bad, too, at an hour in we've only just gotten to the hotel.

Let me give you an example of how stupid this movie is: When boyfriend and old prom date are walking outside to leave to take her car to go pick them up from small town (where, by the way, they are presently dressed as elves and helping Santa I shit you not), glitter-shiny-whoosh-fade-in, it's a grizzly bear by the car growling, because ooooooh Christmas magic. I'm not against "magic" in these movies but can we be a little more subtle? I have no idea how the quality/old school actors got roped into this trash.

Also? If you make it to the end? The final scene is possibly one of the worst, most ridiculous, most implausible (yes, even for this movie) things I've ever witnessed in these movies. It gets a star for the good side character casting. 

1/5 stars

A Crown For Christmas (Hallmark, 2015 - Danica McKellar, other people)

The plot's what you think, re: see title.  He's a king, she's the nanny to precocious princess child. They have negative levels of chemistry, it's that bad.

As discussed last year, something's happened in the time since Wonder Years, and Danica McKellar absolutely positively cannot act. There was one exception (again, see last year) but that's one out of like, a half-dozen of these Christmas movies I've seen - or have *tried* to see - with her in them. 

This movie isn't worth a write-up, it's seriously that bad. The kid does remind me of a young Lindsay Lohan circa Parent Trap, and the guy playing the king is an okay actor. Problem is, the character of the king is a real bitch pussy. I hate this movie, even the sets and costumes look cheap. Ugh. Seriously, don't bother, it is garbage. 

0/5 stars

The Christmas Contract (Lifetime, 2018 - Hilarie Burton, Dannnnnnneeeeeeeeeel Ackles guest starring botox, a dude called Robert Buckley who seems familiar, apparently fourteen other people from an old-ass teen show called One Tree Hill which I never watched, Cheryl Ladd, Bruce Boxleitner, and Jason London who you will not recognize even a little, and you'll see this movie and think I'm wrong, and I'm not wrong, I swear it's Jason London, he's the brother in law, look it up)

I avoided this one last year for Reasons, but upon catching it again, it cannot be denied.

First, the ticked boxes: there's a Christmas festival. Pretend to be my boyfriend. Lots of Christmas activities. Someone is a lawyer. Someone is an author. Character demonstrates a talent.

Basically dude agrees to go with Hilarie back home and act like her boyfriend - they literally sign a literal contract - and while he's at it, he's supposed to be working on a ghostwriting assignment about romance wherein he's given a list of plot points and told that the characters have to tick off every item on the list. But he feels a little lost about how the scenes should play out so he starts sneaksy playing them out with Burton under the guise of "Hey we need to make this look good for everyone".  There's an ex boyfriend who reveals the plan, which, you know, whatever, by this point they're genuinely into each other, but it's when she finds out that he's essentially using her for a book plot, she understandably gets pissed.

I will give 'em this: no one went bugfuck crazy with affecting super thick Creole accents or something. And minus Ackles and some of the randoms (Ackles in particular cannot act in a natural manner to the point it's distracting in any given scene), everybody can act. Burton especially deserves to be in higher caliber stuff. And she and the lead dude have solid chemistry. She has chemistry with everybody, honestly, she's just a good actor, period. Well, at least in this, it's not like I've seen her in tons of stuff. But I recall liking her in White Collar. Okay, I digress.

Irksome is that music is a featured artist so I don't know if this is another friend of theirs from that old show, or something? If so then hey, meta. But his music plays a couple times, then they even have him in person at the festival or whatever it is, and we get to hear him sing "live" and so that all takes up precious minutes we'll never get back. I mean, he can carry a tune and all, it's just that it's basic bitch music. And he actually pimps his album, it's awkward. Now, I will say the score itself though is overall great, really a step up from the usual fare in these movies. They do have a moment where she is supposedly playing fiddle and it looks horrible. I don't care if she can play in real life (I'm not looking it up), the way it was filmed, then, made it look as if she can't, and I don't know why they did this, it was completely unnecessary.

There's some schlock (especially the end), and family's just a hair too far on the shmoop side, but it's not intolerable. Also good is that Ackles' screentime is limited. I can't express enough what a poor actor she is, but again, as I've said about others, this is a prime example: if you dream of becoming an actor, someone has hired this person and therefore you can get hired, too. Here's the thing: it is such a shitty plot, so lazy. This is one of the granddaddies of all the tropes. I mean, the official summary doesn't mince words--- "It’s Jolie’s first time going back home to Louisiana since her devastating break up with Foster . Seeing him is inevitable as their parents run the town’s annual Christmas Market together, but when she discovers Foster is bringing home a new girlfriend, Jolie cannot bear the thought of going home alone and seeing them together." ---so you can't say you didn't know what you were getting into.

But.

And I can't believe I'm saying this.

Minus a slightly stilted kick-off the pace is even, the chemistry of the leads (+ with her family) is there, they elevate some dialogue that in other hands could've been clunky, we've got a unique setting that isn't fucking Vermont and snowing (blessedly this means we have no awkward snowball fights and snowman making and pine tree cutting down and snow angel making and ice skating), they show her making hot chocolate but there's no big gingerbread cookie making scene so that's refreshing, and nobody is like coked-up elves about Christmas, they dig it, they run a fair at this time of year, but no one's foaming at the mouth over it.

I do have to dock it stars because of the music thing and because of the premise of it - we could've gotten to this same place differently, re: these 2 people who don't really like each other needing something that the other can provide without it having to do with the chick being insecure over another guy. On the other hand? Burton doesn't play it insecure, she is not weepy or looking longingly at the ex or what-have-you, she's actually dodging him for the most part. Because of that, I'll give a star back. And if they'd not done the hamfisted music thing with that guy it'd probs be 5. In any event, the ending was pretty damned good and creative.

4/5 stars

Here’s your 4-and-5 stars so far (in no particular order):

Trading Christmas - 5/5 stars Christmas In The Air - 5/5 stars Mingle All The Way - 5/5 stars The Christmas Card - 5/5 stars Fir Crazy - 4/5 stars Small Town Christmas - 4/5 stars Switched For Christmas - 4/5 stars The Christmas Contract - 4/5 stars Rocky Mountain Christmas - 4/5 stars Christmas A La Mode - 4/5 stars

#4

Fir Crazy (Hallmark, 2013 - Eric Johnson and Sarah Lancaster, both of whom I've liked in non-Hallmark stuff and both of whom are good actors, and Colin Mochrie who is typically a delight but is miscast here)

I could've sworn we did this one last year but nope.  Anyway, out of the gate we're kickin' it on the bingo card: somebody isn't into Christmas, family owns a tree farm, family business in danger of being lost, precocious children - but it doesn't tick too terribly many.

So she gets laid off from her big city exec job but it is kind've fortuitous because her parents' prime time for the family business is upon the horizon, because Christmas, and because they have a tree farm upstate (we're in NYC). Since she's got free time, she calls a headhunter and is like "Holla when shit comes up" (a side plot we don't need, as well as smarmy ex-boyfriend, neither were needed, just have her lost job), as she has to run the tree lot in the city this year because for some reason the parents can't, I forget why, so it's basically her and her cousin (who is great) trading off staying nights in the trailer they've got parked next to this sidewalk area that the fam has had an agreement with the city to rent for a bazillionty years now.

Okay, so, the store next to where the sidewalk area is, is some accessories-furniture-type thing (Restoration Hardware-esque, but more expensive, but looks cheaper) and the owner is a real Scrooge. That's Mochrie's role, which is why I say he's miscast, and it's a shame. He should've been allowed to be in a fun role because I think the intent was for his character to be snarky-funny but it's just coming off as obnoxious, so it's not fun (though of course, this is a Hallmark movie, so he un-Scrooges by the end). But as far as good characters - there is this one little girl who is a hoot and the barista had me chuckle once, too.  Then we meet this great couple who bounce off each other well and are just completely wonderful and they come in at about 45 til the end and it's a shame they weren't utilized more. Actually all the side characters are great, from the homeless man who they hire to the manager of the store to the customers.

And your leads click, both in ease of convo and believability that they could be romantic, though only to about the 90% mark - I could see them as best friends more (it's one of the poorer kisses I've seen in romance movies, eeeek), but both are charming and likable and nothing is shmoopy. Seriously, there's no barfy shmoop in this movie, there's sweetness and sincerity. Plus, even though it's tree farm trope, this is creative. It's putting them smack in the middle of NYC instead of everybody being upstate. I say that to say, it's a mix of hometown (a "forest" as it were) and the city (though we're not subjected to the typical ice skating at Central Park and the like) and hey, I'm even gonna give it props for the title being only mildly eye-roll cutesy and ::gasp!!:: not having "Christmas" or "tree" in it.

Guys, this one's solid. The only thing that's not smooth is the store owner being a PITA angle, so it gets a touch grating, like, you know what's coming so you're more than ready for them to get on with it, but that's really the only thing that is a hitch in the pacing, otherwise this one is worth your time.

4/5 stars

The Nine Lives of Christmas (Hallmark, 2014 - Brandon Routh, Kimberley Sustad)

Official Summary: 

Fireman Zachary Stone (Routh) is a confirmed bachelor who doesn’t believe in love or commitment. When a stray tabby cat named Ambrose shows up at his door, Zachary takes him in and slowly starts to see that a little companionship might not be so bad after all. Zachary’s commitment to solitude is further challenged when he meets Marilee (Sustad), an animal lover and veterinary student who teaches Zachary how to care for his new feline roommate.

Nope.

1/5 stars, don't even need to see it, and that 1 star is because Brandon Routh is awesome

Welcome To Christmas (Hallmark, 2018 - Jennifer Finnigan, Eric Mabius - both of whom I recognize from non-Hallmark stuff)

So, Christmas is the name of the town.

We're getting fucked, just right out of the gate. ::sigh::

Squares ticked: town in danger of being lost, dead parent, children, somebody's not into Christmas (the holiday, not the town), celebration/festival in town. shmoopy activities, main characters sing carols, etc.

All right, she's a real estate something-or-other who's there to scope out the joint for development purposes. They tell the town everything will be the same, just that they'll have a ski resort and it will bolster income. However, towards the end, she discovers the firm does want to modernize the town, and blah blah blah you know where this is going.

I thought of, right off the top of my head, three other movies with this plot, one of which we just covered in the last entry.

He is the handsome sheriff with the dead wife and two adorable daughters who, of course, immediately take to her. I mean, this is just basic bitch shit, there is nothing original whatsoever about any of this. The leads have chemistry and both are good actors. Matter of fact I really like Mabius, he is talented and haaaaaandsome, I wish he were the lead in all these.

It's the standard fare, you may like it, but otherwise it's fine background noise. Other than an intolerable song at about the 20 'til mark. * cringe *

3/5 stars

Switched For Christmas (Hallmark, 2017 - Candace Cameron Bure x 2, Eion Bailey and Mark Deklin, both of whom you'll recognize)

Mentioned this last year but for whatever reason didn't go over it. Again, and I'll keep saying it - no matter how shitty the script, Candace elevates everything she's in, but in this case the script ain't shitty, it's actually a solid premise, however fantastical. Chris and Kate (both Candace, of course) are identical twins and they decide to switch places for Christmas. Several people are in on the secret - Chris has 2 older (teen/pre-teen) kids and they are pretending to be her niece and nephew around the dude who becomes her romantic interest because... reasons? I'm not certain. But their dad also knows the scoop, which I actually liked because there ain't no way any of those 3 would've been fooled so it was - shockingly for Hallmark movie - sensible.

Here's Hallmark's summary that tells more about why they did it:

"Just because they are identical does not mean these twins even like each other. Estranged twin sisters get together for an obligatory pre-Christmas lunch, a year after their mother's death. Both women are unhappy and frustrated with their own lives. Though not close, each is envious of the other's life. What's a twin to do but take advantage of this? And who would be the wiser? They do what any identical twins in need of new outlooks would do: they swap lives until Christmas Day, and by doing so, each woman discovers the true meaning of her life and gains a deeper perspective and appreciation for what she already had."

They each fall for somebody, and the dudes in turn fall for them, but the issue is that the twins think they've fallen for the personality/the life/etc. of the opposite twin so they each kinda feel like they aren't the one the dude is interested in, that they're into the other sister.  These guys should be pissed but they aren't, not really. I'll let you guess the end.

Your three leads are awesome, all can act, and - as said - especially Candace, and this had to be exhausting to pull off. Not only is each scene probably done at least couple times to get a handful of takes, she has to double-back and do it more times because of the opposite twin role. The amount of lines she had to memorize is astounding, not to mention developing two different characters with different (although not drastically) personalities. She nailed it.

Bottom line: this movie could've gone trash in a hot minute, but it didn't, because they did some stellar casting (Candace's daughter Natasha actually plays her daughter) and everyone can actually act. The premise is unrealistic and likely unsustainable for longer than a couple days in real life (the mention of them being "estranged" is particularly odd to me because there's definitely no way they'd be able to pull this off without being close so that they knew a lot about each other's lives), but what saved it was, like I say, the sensibility of having some key players in the know who supported them. This also, surprisingly, didn't tick a ton of bingo boxes, and I didn't find it a waste of my time. It's a fun flick, I'm only dinging it for the making estranged thing and the dudes not being more upset for being lied to than they were because in whack-a-doo stories, you gotta write everything else as real as possible so that the audience is more accepting of the whack-a-doo, and they slipped a touch there.

4/5 stars

I have two stupid ones for you to avoid that are just over-acted and either totally ridiculous + poorly acted (the first one) and totally typical + poorly acted (the second one). Let's just make this quick for all our sakes:

Magic Stocking (Hallmark, 2015 - nobody you'll know... well maybe this dude called Victor Webster, he's actually decent, hate he got stuck in this dreck) Official summary:

"Lindsey, a single mom with an adorable daughter, is closed off to life after losing her husband a few years back. When she buys a stocking at her town’s Christmas craft fair, the family begins “magically” finding items in the stocking that they learn have importance in their lives."

It's schlock and just plain insulting to your intelligence, and I didn't give a shit if they got together or not, something about the leading lady worked my nerves. I didn't need her to believe in the "magic", I just needed her to be able to investigate it without being so dialed up to 11 about it, she looked like she was close to exploding in the majority of it.

And....

Christmas At Pemberley Manor (Hallmark, 2018 - that chick Jessica Lowndes from that movie we covered in prior entries who can't act, and Michael Rady who you may recognize, too)

I mean, she can't act, so it's irritating the whole way through the basic bitch plot. Also? Check what they did with the names, which is absolutely positively insulting, and Austen has triple Salchow'd in her grave. Official summary:

"As Christmas approaches, Elizabeth Bennett, a New York event planner, is sent to a quaint, small town to organize their holiday festival. When she arrives, she finds William Darcy, a high-profile billionaire lacking in holiday spirit, in the process of selling the charming estate she hoped to use as a venue. Determined to make her event a success, Elizabeth persuades the reluctant Darcy to let her hold the festival on the historical estate once known for its holiday cheer. When they wind up working together to arrange the festivities, the unlikely pair begins falling for each other. But when complications arise and the festival is unexpectedly shut down, the couple parts ways and Darcy moves forward with his plans to sell the estate. On the night before Christmas, a wistful Elizabeth hopes for a Christmas miracle to revive the festival, save the estate and rekindle her holiday romance."  

For both of them: 1/5 stars

Here's your 4-and-5 stars so far (in no particular order):

Trading Christmas - 5/5 stars Christmas In The Air - 5/5 stars Mingle All The Way - 5/5 stars The Christmas Card - 5/5 stars Fir Crazy - 4/5 stars Small Town Christmas - 4/5 stars Switched For Christmas - 4/5 stars

#3

Picture A Perfect Christmas (Hallmark, 2019 - Merritt Patterson who is familiar to me from other of these movies, and a dude who I've never seen before in my life)

We kick off the movie with single dad who has custody of his nephew, and they're talking about how they have to pick out a new nanny for him for the two weeks kid is off school for the holidays and Uncle Daddy has big shit going on at his office. Then we cut to her, and she's having dinner with her boyfriend, who she is completely uninterested in even though right now he seems like a pretty decent dude. We cut to see that kid's babysitter is an elderly woman (their neighbor) who is really nice and mentions her granddaughter... or niece, I can't remember even though I just heard it... and guess who she is, and she's coming to visit?

This is what kills me about Hallmark movies: They front load you with so much information that you're like "Baaaahhh!", and then they drag out the movie, and then it abruptly ends. 

Okay, it's her grandma. And she's on a Christmas pageant planning committee. (Box ticked) Kid's an orphan, so dead parents. (Box ticked) And of course, kid himself, who is precocious and will likely bring everyone together. (Box ticked) I have to take a shower, I bet money I can be away from this movie for 15-20 minutes and not miss a damn thing. Let's find out, for science.

[time passes]

Yeah, I've missed nothing. Here's what's kind've odd - it's like she's falling for the kid and not him. They have zero chemistry, and it's like she's wanting more to be the kid's mom than wanting to be this dude's wife. Also, his haircut is really distracting, it is some kinds of awful.

Okay, well, this is just cookie-cutter. There's nothing remarkable or original or super-egregious about it. So if you just want something to pass time, here you go.

3/5 stars

Mingle All The Way (Hallmark, 2018 - chick named Jen Lilley who should be in more shit, and dude named Brant Daugherty who is discount John Krazinski but still great)

I checked, and we talked about this one last year so I'll re-post the scoop below, but anyway it came on and I re-watched it while I was ironing, and it holds up, it's just solid from top to bottom. I rated it 4/5 last year, but it's getting top score this year upon reconsideration, because there's so few flaws. It's creative, the script has sharpness to it, and acting's good across the board, and most importantly our 2 leads click. Here's what I wrote last year:

Inventive concept here, though they kinda shit the bed with naming their business something affiliated with Christmas if it’s clearly a year-round affair, but okay. What it is: a dating app that’s not a dating app, it’s purely for folks who need a +1 to specifically business/work social events, but also more formal family and friend events (so, say, Christmas party where it’s not just family, or friend party that’s not just show up in your jeans and sweaters - the cocktail stuff, is my point). The thing is, no one is pretending to be the boyfriend or girlfriend, it’s supposed to be like “And this is Susie/Steve, an associate of mine from ____ business”. Nothing romantic, no false pretenses, no lying to others (well… not supposed to wink-wink).

The chick - who runs the biz/came up with it/helped develop it - is needing to take on investors, and one of them is like “Sold! But can I get some firsthand testimonial? Have you yourself tested your product?” and since she’s got shit coming up on her agenda, she does. Plus, her mom’s on her ass about working so much and not dating since a bad breakup years ago, and it’s compounded because baby sister just got engaged. (Mom is bionic woman Lindsay Wagner. She’s not really bionic. Google it, youths.)

Dude is in a situation where he’s not advancing at work because scuzzy kiss ass co-worker is shmoozing with boss during off hours because boss doesn’t invite the single people to brunch or whatever with him and his wife, he’s only inviting the ones who he knows has a partner to bring. I know to some of you this may sound absolutely ridiculous but, um, I’ve experienced this many times. This is not out of the realm. Not even a little bit. I had a gay boss who understood how this happens (likely because he experienced it) and he was wonderful about including everybody. Otherwise, yeah, I been there. I’ve digressed.

The leads have good chemistry, there was great snark and back-and-forth when they met each other a couple times prior to the set-up (‘cause you guessed it: the app paired them with a high %age of compatibility - his sister suggested he do it after he heard about it on the news and he told her of his situation) and they click really well. There’s touches of shmoop, of course, but this was an above-average story amongst the typical Christmas dreck.

5/5 stars

Last Vermont Christmas (Hallmark, 2018 - Erin Cahill, Justin Bruening - both of whom I recognize)

Hey guess what, this may be their last Vermont Christmas. ::sigh:: Main chick and her 2 sisters and her daughter (single mom, dead husband, box checked, as well as adorable child, check) have converged on the family home in Vermont to find that mom and dad are selling, and I get it, it's huge and they're ready to scale down because they're retired. But, selfishly, one of the sisters - oh, and PS? they look *nothing* alike, casting couldn't even be bothered to get women with the same hair color - decides to sabotage things. So like, when the inspector comes, she and her sorta boyfriend follow him around and make little comments about stuff like termites, then they made sure the fuse box had all kinds of fat wires with caps protruding out of it - you know, like what you'll find if you're changing a light fixture, which is not how fuse boxes work - and I think there was something with some steps.

Anyway none of this matters. What matters is that lead dude is a contractor and is also lead chick's ex from way-back-when, before she met man of dreams and had daughter and moved away to some far off state, I wasn't paying attention. But they get along great and are occasionally a little cheeky with each other, so that's fine. So now he's around doing these faux repairs and they're kind and looping him into their Christmas stuff, which they are disgustingly picture perfect. They cut down their own tree. They go caroling. They bake cookies. They hand-make their ornaments every damn year. I hate them. Well, the writers. It's too much. That was all in roughly the first 45 minutes, too. I'm sure some families out there take it to the mat with Christmas, but holy shit. Okay, add gingerbread houses from scratch (they made sure to show the baking pan with more squares so you know this) to the list. 

This is blowing up the bingo like 'Nam. There's now a snowball fight. Family tree decorating scene with, of course, these special handmade ornaments plus ornaments from years past where they're recalling special times. Ohmigawd, I need to fill out a card for this one, it's insane, I almost can't keep up. Oop, "Grandma's special hot chocolate". Character demonstrates talent (one of the sisters, singing). I legit am not lying, these are coming so fast I'm having trouble keeping up.

He's also somehow in cahoots with the realtor, because he had committed to buying the house, but he says it doesn't feel right now that he's back to getting chubs from his ex, and she's like "Well if you don't then we're still gonna settle up" and I have no idea what that means, does that mean she expects him to pay her the commission she'd have gotten? Is this normal practice? Realtors must have stuff fall through all the time, they'll end up selling and get a commission and who knows, maybe at a better price, so.... ????? The hell? 

Speaking of him, two things: one, his name is Nash (heh) and two, I went to imdb to check the summary to see if I forgot/missed anything and the reviews are hilarious, a ton of them mention how distracting his hair is - he just has lots of it, seems really thick, and it's shaved tight on the sides, so he's got a decent amount atop his dome, but it's only really noticeable when it's slicked straight back. But people were losing their shit over it. I don't find it that distracting, but you may, I find youngest sister's perpetually greasy 1970s hair (not her fault, that's hair and make-up's fault) more irritating.

Okay, so, there's no way this can get a 3, there's too much bingo hits. But aside from that, the acting - especially from youngest sister, who overacts - is very stilted and unnatural, and on occasion the editor left in these pauses in dialogue that are just a touch too long, so I think that's part of the issue. I don't mind the story at all, it's not something we see all the time and thank the lord it's not "family business in danger" - though oh shit, I forgot, this counts as "family home in danger", so there's another square. This is trope-a-palooza. Wait, snowman building. Town has celebration. Okay, I'm done listing, I think we all know where this has to go.

1/5 stars

Reunited At Christmas (Hallmark, 2018 - Nikki Deloach, who you'll recognize, and other character actors you'll recognize)

So lead chick's mom and dad are making everything weird with all these passive-aggressive comments about the past via mom and shmoopy comments about the past via dad. (They're divorced so I can't figure why they're all shacked up in this house for Christmas with their adult children and their partners.) Lead chick also agreed to her boyfriend's proposal - and he seems like a great guy - even though she's not ready, which is mature. At least within about 10 mins. of it happening she ponies up that she's not into being engaged, and he's a good actor, and it really is kinda sad, I feel for him. So he's all - Imma finish chopping this wood then head back to spend Christmas with my family and we'll regroup after the holidays, and she's all "For real?!" and I'm all "Are you surprised?!"

Y'all this one bored me, I didn't make it past roughly the first 45 minutes, I just didn't care if they got back together and I presume based on the title that they do. Nobody's acting was egregious or anything, it was just slogging and I wasn't engaged because this plot isn't creative at all - I mean, here's the official summary:

Frazzled and struggling with writer's block, novelist Samantha (Deloach), along with her boyfriend, heads home to her late grandmother's home to spend Christmas. While at home with family, her grandmother's wise words reveal the true meaning of Christmas with Samantha at a time when she most needs encouragement.

But again, based on the first part, that doesn't seem to be the plot - I mean seriously, we go through all this family activities stuff, and her and the boyfriend having several different conversations about the not wanting to be engaged thing (one at skating rink, one whilst he's chopping wood, one while back at the house), so there's literally no real mention of grandma by that point, and we're almost at an hour what with commercial breaks and such. So that's it. That's all they've accomplished in basically the first half of the movie. And they managed to hit a bunch of squares (someone's an author, someone gets engaged, skating, tree decorating, baking, etc.) and I'm sure there was more to come. It's the pacing that kills this one, as well as the basic bitch plot, but hey it'll serve as background noise.

2/5 stars  

Small Town Christmas (Hallmark 2018 - Ashley Newbrough who is poor man's Denise Richards, Ryan McDonell who you'll recognize and is a really good actor)

She's an author (check box) on a national book tour and her last stop is the town she's from, upon which the book is based, and her name is Nelle and you'll remember this because for some reason every time someone speaks to her they have to say her name. Okay, maybe not *every* time but it caught my ear, even when I was distracted doing something else or had stepped into another room, they just say her name *constantly* and I don't get it.  The bookstore owner is an almost-was from the past, and there was some mix-up back when they both lived in New York about her leaving him a note and saying to meet her for some reason but he didn't show because turned out he had to leave because his sister had unexpectedly died, but then also he'd written her a letter explaining that she never got but he assumed she got and never contacted him. But then she had texted him a few times over the years and he'd never responded. Because everyone is twelve. I'm not tracking with this completely, though I do get the feeling of just wanting to let something go and let it be in the past. 

Anyway, more drama is that his sister had died so he - name is Emmett - has custody of niece, who is a great little actress and not one bit irritating, she's very cool. Also, her dynamic with uncle is great and like I say, he's a fantastic actor. Poor man's Denise Richards is fine, too, I've got no complaints, honestly. Also pleasant are the peripheral characters of the townspeople. Seriously, across the board, nobody is annoying or eye-rolly, everyone's acting is natural. All right, so close-knit town and some drama is that Brad, this real estate agent who's repping a big dawg firm wants to essentially buy up the town, at least the entirety of the main street/the shops to redevelop, and the part that's cool is that they all talk about it reasonably - some of them being hold outs, some of them really considering it - like adults, nobody's fighting or being douchebags. Then it gets to where the last hold-out is Emmett and he's thinking of Marnie, the kid, because this was her mom's store and so it's technically hers though he has power of attorney. 

Also happening is that Brad is trying to sell the investors on the fact that this town is Ideal Christmas Place, that it's super traditional and the townsfolk do it up right and whatnot, and they are thus far not impressed by what they are seeing. ???? I don't get it, if they want to redevelop then aren't they more concerned about the land/the property value? I'm missing something. Emmett finally agrees and Nelle fusses at him and because Brad's been into her, he's shared what the plan really is with her, and she swipes his notebook and shows Emmett "Look this is some shitass mall or something, you dun goofed". And Brad whiffed because the promise was that the stores would be left alone and they'd all still work there/be the management, it'd just be owned by the corporation and - oh I get it now, they want it to be a big tourist town like thing during the winter holiday seasons. Okay, gotcha. Anyway, I'll let you guess how everything turns out in the end.

I actually liked this one, it could've gone majorly shmoop and tropey fast - I mean, it popped on more than a few bingo squares (bookstore owner, dead parents, author, Christmas tree decorating, town festival/celebration, family business is in danger of being lost, child character) but again, the whole vibe of this movie is casual and natural and it flows and the pacing is on point. The reason for their initial fall-out is a bit "Huh?" but I appreciate that it wasn't something complicated, it was more to real life which is that it is more often than not that it's silly little misunderstandings that drive us apart and if we'd just friggin' speak the hell up, we'd realize it's not a big deal. The two leads really clicked and that was so nice to see since the majority of these movies they don't. Guys, this is one worth watching, I'm only dinging it because too many squares were hit.

4/5 stars

The Christmas Card (Hallmark, 2006 - Ed Asner, Alice Evans, John Newton)

Ed Asner is a gift, and I won't hear otherwise. You'll also recognize the two leads, I've seen them in other stuff. And no, that date's not wrong, this is an oldie and by my estimation these Hallmark movies get more solid on the whole the further back you go, it's like they gave a fuck about nuance in the script vs. recycling plots for the most part so they can crank these babies out like rabbits in perpetual heat. I suspect that's the reason for the 2 star rating you'll see when you hit "info" on the remote. But fuck that, because here's a factoid - other than that I'm about to give this one a 5 (spoiler), Ed Asner was nominated for a Primetime Emmy for it, so I assure you, it's better than that 2 star will indicate.

So here's the first part of the plot from Wikipedia:

In the midst of war in Afghanistan, U.S. Army Master Sergeant Cody Cullen (John Newton) is given a Christmas card from a fellow soldier who had received it from his hometown, Nevada City, California. The card was sent by Faith Spelman (Alice Evans). As months pass, the card never leaves his side. Cody, who has no family, and whose father was killed during the Vietnam War, is deeply affected when the soldier who gave him the card is killed. A few weeks before Christmas, Cody travels to see the soldier's widow, back in Nevada City. Just as he is about to leave town, Cody runs into Faith at a local luncheonette, where they happened to have placed identical orders. They part, but on his way out of town, Cody saves Faith's father, Luke (Ed Asner), from being hit by a speeding car. Luke takes a liking to Cody and convinces him to stay on as temporary help at his family's logging company. Paul (Ben Weber), Faith's longtime boyfriend who travels much of the time, and who selfishly wants Faith to move away from her close-knit family in Nevada City, arrives to meet her.

Everyone nails it. You believe that a part of Faith genuinely cares about the asscrack who's been stringing her along, and that actor nails the whole dickbag routine without being so obnoxious it makes you want to drop-kick the TV. Cody is quietly charming and sells you on the fact that yes, he loves her, and so much that he's not willing to potentially ruin her life, even if it's a life without him. Ed Asner is perfection in his role as the loving and slightly meddlesome dad. The mom is great. The friend is great. All the side characters are great. There is not a bit of cheese in this movie, nothing is tropey, nothing is schlocky, it's just heartwarming. And there are *zero* of the typical cliche elements that arise in these movies featuring troops/veterans. It was so goddamned refreshing as compared to 95% of what Hallmark cranks out now, I genuinely can't believe this is from the same braintrust. 

If it comes on, do yourself a favor and watch it. 

5/5 stars 

Here’s your 4 and 5 stars thus far:

Trading Christmas - 5/5 stars Christmas In The Air - 5/5 stars Mingle All The Way - 5/5 stars The Christmas Card - 5/5 stars Small Town Christmas - 4/5 stars

#2

Christmas Made To Order (Hallmark, 2018 - THE DUDE WHO PLAYED AARON SAMUELS IN "MEAN GIRLS"!!!! and a chick who can't act even a little bit)

I cannot emphasize how bad an actress the leading lady is, it is painfully bad. It's not as intolerable as Kellie Pickler, but she's a close damn second. That's how bad it is. I looked her up to see who the fuck would've ever hired her, her name is Alexa Pena Vega, which I tell you so you can immediately change the channel if you see her name in the credits. The only thing from fairly recent past that's of note is that she appeared in 7 episodes of the TV show "Nashville", 90% of what she's done I've never heard of but she's had steady work since she was a kid, and I tell you this because you, too, can be an actor if this person can. 

This movie's plot is bland, the script is stilted, the tone is shmoopy, the pacing is draggy, and it hits way too many bingo squares. Everything about it is irritating. The part that irritated me most was where they're singing "Angels We Have Heard On High" and when getting to "in excelsis deo" they pronounce it "egg-shell-sees", which is wrong, it's more like "eck-chel-sees", hitting that "ch" and last "s" light. I've sang in choirs in Carnegie Hall not once, but twice, you can trust me. There, now you know. 

I feel sorry for Aaron Samuels (Jonathan. His name is Jonathan Bennett. I'm sorry also that everyone, including me, probably calls him Aaron Samuels). He ain't that great in this, and I feel like it's because of the material/people he had to work with. The peripheral family members are overall kind've stiff or something, too. So maybe this is also a director issue? But ol' Alexa, man, she is of the suck, high school kids do better than this. I'm not bothering to give you the summary... I mean, it's basically the title, she's a Christmas party coordinator who's hired by him. I will say I'm happy it reminded me I need to pull a recipe for crockpot mulled cider, so there's that. I'll give it a star for that. We'll file this under background noise, because if you pay attention to it, she's gonna work your nerves then squeeze the last. 

1/5 stars 

Holiday For Heroes (Hallmark, 2019 - Marc Blucas, Melissa Claire Egan)

This one ain't too terribly bad. It's the second military-at-Christmas movie that Blucas has been in for Hallmark (that I've seen) and I have to confess, I was subconsciously comparing that one to this one because that one was pretty damn good (see last year's list, linked above). But Blucas is a really solid actor, everything I've ever seen him in, it comes off naturally. Having said that, I feel like he's been some sort of military something-or-other in most everything I've seen him in (*waves to fellow Buffy fans*), so it could just be he's nailing this shtick. 

She's a little too Mary Poppins - you know, practically perfect in every way - except without the sass, so it's saccharine but I don't blame her, she seems a decent actress who's playing the cards she's been dealt. One of those cards is that her phone ring is a Christmas carol. ::sigh:: I actually laughed out loud at the skating part because any full shot to where you could potentially see her face coupled with a body that had feet wearing skates was either super-far away like they were filming from Mars or, I shit you not, her face was obscured by a hockey net. Girl, it's cool if you got weak ankles or were traumatized by a zamboni or something. But like, don't take the role, ask for a summer movie. 

Okay, here's the problem - this movie is pretty boring. I looked at the clock probably every thirty minutes because I kept thinking "This has to be getting close to the end, right?" These two don't have any romantic chemistry, but they click, it's just I could picture them playing more brother and sister. But the story is blah, I simply didn't care about her getting her party to happen and yeah, it's not for personal, self-serving reasons, it's for a good cause (kids! soldiers!), but I just couldn't find myself caring if she pulled it off or not.  And then he's struggling between choosing a teaching job  or re-enlisting, but he didn't seem particularly stressed, so I wasn't stressed, and you know what *would* have been interesting? How the whole thing started out: somehow (and I can't recall how - maybe through her brother? because he's in the same unit?) they were paired up writing letters while he was deployed and so they knew all this cool stuff about each other, not terribly intimate but definitely personal tidbits, and I could've gotten into a movie that kept them writing letters for a little longer - there was actually a brief thing about his last letter that was lost, and that definitely could've been something interesting, when it finally turned up, that he'd written something very personal/important that he opted not to tell once he met her in person, but that potential firework turned out to be a dud. 

Instead he's back and they meet in person in essentially the first 20 minutes, maybe the first 10 - it was fast, is my point. I think maybe if they had them meeting a little later, we could've gotten to know them better and then we'd be rooting for them in both their individual issues and be rooting for them to get together. Or not, fuck, I don't know. All I know is that the title is deceptive because there were no "miracles", not in a magical or spiritual sense, and also because nothing exciting or unexpected happened, everything unfolds precisely how you expect it will. No really. What you guess early on is exactly what happens. Eh. It didn't hit enough squares to launch it down to 1 or 2 stars, it's not a complete waste of your time, but man is it dancing on the line. 

3/5 stars

Merry And Bright (Hallmark, 2019 - Jodie Sweetin and her new teeth, Andrew Walker who's that guy in lots of these movies upon whose cheekbones one could cut diamonds)

She owns a candy cane company. That's it. That's all they do, candy canes at Christmas. The red and white standard kind. They have business at one time per year and are super successful, mega rich judging by the offices and the houses in which they live. 

Suspension of disbelief, check.

Classic "family business is in danger" story, bonus dead grandmother which is the catalyst for her taking over the company. Side storyline of her mom fostering a dog that's going to end up being her Christmas present. There is no reason for this side storyline, but doggie is cute as all-get-out, so we'll give it a pass. Of course there's a baking scene. Somebody who's not into Christmas gets converted. It hits multiple boxes. 

So, Cheekbones is a consultant sent to advise Jodie on where to cut costs and consolidate, and I hope he tells her first and foremost that one cannot sustain a business for, broadly, two months out of the year, not unless they are the monopoly on candy canes. Which, they aren't. So my first thought is "make flavored canes" and "make sprinkles of said flavored canes" and "make frosting and cake mixes based on said flavors" and liqueur and patent a certain stripe pattern for the canes, then sell wrapping paper in these patterns. You know, shit that sells all year. I majored in business and minored in marketing in undergrad, I can't control when it kicks in.

They find each other difficult, which means of course they'll fall in love. Let's just jump to the end: they diversify with different flavors and they fall in love. PS: no chemistry PPS: her last name is Merriweather and the town's name is Brightwell. Get it? Merry and Bright? Yeah, they didn't just mean the song.  ::sighs::  This is just Typical with a capital "T". I was bored, but it's well-made production value-wise and is fine for background while you're cleaning or something. 

3/5 stars

A Christmas For The Books (Hallmark, 2018 - people you've neither heard of nor will recognize... unless they've been in other Hallmarks, which I'm sure they have)

This one drags so, so badly. It hits too many boxes. There's a Christmas gala. Pretending to be someone's boyfriend. Somebody's famous. Somebody's an author. Did I mention it drags? It draaaaaaags. And I am 99% certain the plot is identical to another one of these movies I've seen (perhaps on a different channel, though). The deal is that she's a romance "expert" but her own relationship just fell apart so she asks her show's producer to pretend to be her boyfriend for the benefit of the higher-ups who are giving her said show, which he does but then his on-again-off-again girlfriend shows up. She's pissed, naturally, and our lead gal lies to her and says "No I'm counseling him so he'll be a better boyfriend to you" and she's an idiot and falls for it, and they end up being best buds. ??? Okay. But here's the thing: she still ends up with dude at the end. And they have zeeeeeero chemistry. Just skip this one. Draaaaaaag. The acting is flat across the board, excepting aforementioned girlfriend who is over-the-top. 

Swear I've seen this exact plot, though. I can see one of the early scenes clear as a bell in my mind. Beautiful brunette lady, they're all outside by a gazebo or some such, she's about to go live or tape in front of audience for her show, and fiance breaks up with her, and I want to say that the guy she pretends with is either a long-time friend, or that they dated in the past. Possibly both. I'm googling this. 

* time passes *

Holy shit, it's another Hallmark movie. It's called "The Convenient Groom" from 2016, summary: "Dr. Kate Lawrence, a celebrity relationship expert, plans to publicly announce her engagement to Bryan, a handsome and perfectly polished businessman. As Kate prepares to share the news, Bryan shocks her by breaking up with her and calling off the wedding. Wanting to save her from humiliation and protect her public image, Lucas Wright, Kate’s childhood friend, steps in and pretends to be Kate’s fiancé. Stars Vanessa Marcil and David Sutcliffe." It also looks like this one was based on a book. 

Ugh. We don't do plagiarism. 

0/5 stars

Christmas In The Air (Hallmark, 2017 - Catherine Bell, Eric Close)

I don't think we did this one last year, but even if so, worth mentioning again. If you don't know him by name, you'll recognize Close, he's a good actor, and Catherine Bell is just solid across the board in everything I've seen her in. So he's a single dad who owns a toy company with his brother and of course they're slammed at this time of year and on top of that they've got a new toy (a drone-type thing) that they're trying to sell an investor on so they're busting ass trying to perfect that, too (on top of, investor and wife are coming to town to see it and somehow they get roped into having them over for dinner). Plus the kids are of an age (looks like maybe 4th grade boy and 6th grade girl?) that they're really getting into activities they've chosen for themselves now so that's on top of the usual parent stuff and we all know it's a lot for single parents at that age, it's almost like they're back to the amount of work of toddlers, they're just back to going in all directions again and starting to get more independent and need more attentiveness. I am pleased to report the kids are not brats nor are they sugar sweet, they're just normal kiddos. Now, she's a professional organizer and they meet by chance at Target or wherever and I forget the circumstances but it is evident to her that he needs some organizing and she gives him her card. I bring this up because it is not a "meet cute", it's just somebody who's astute at networking and she's polite and so's he and it's a normal interaction. 

That's the thing I like about this movie - everything unfolds in a natural manner, nothing is far-fetched. Their jobs make sense, such as - see above - they aren't limited to the Christmas season, even though people do/may need more of their services at this time of year. Close and Bell click and they're both attractive in their own ways and it's believable they grow to fall for each other. Nobody's cutesy and precious and obsessed with Christmas and hyperactive, they're adults going about their daily lives who end up realizing they kind of need each other. And on that note, they don't portray her as this lonely 40-something single woman, it's just evident that she's maybe getting dissatisfied with her routine and maybe actually needs a some messiness in her life because sometimes a little messy can be interesting, if she lets loose to a degree when it comes to all her self-imposed rules that help her keep control on her life. The only thing that was eye-roll worthy was the cookie-making montage scene and the cheesy music that backed it, but! It was incredibly short.

She also has this adorbs little greenhouse out back of her house of which I'm jealous. Not that I can grow plants particularly well. But I'm good at keeping those suckers alive. I want an herb garden when I grow up. [checks watch] Shit, I'm a grown-up. Anyway, this is a well-made, well-written, well-casted (in addition to the leads, the brothers actually resemble each other and the kids click, too), well-paced movie with well-developed characters and my final verdict is that it is most certainly not a waste of your time.

5/5 stars 

Here's your 4 and 5 stars thus far:

Trading Christmas - 5/5 stars Christmas In The Air - 5/5 stars

#1

Once Upon A Holiday (Hallmark, 2015 - some chick, a guy called Paul Campbell who's vaguely familiar)

Princess of tiny country wants some Christmastime to herself without all the royal obligations, she of course has dead parents because somebody has to. But listen, the 2 leads can actually act, nobody's shmoopy, nobody overreacts when the truth comes out, the ending is simple, it's basically very... well, basic. It's calm. It's sweet. It's not *not* worth watching, though I'd classify it as simply nice, non-irritating background fare. You're not going to go ga-ga and love it, but you're not going to loathe it, either. 

3/5 stars

A Shoe Addict's Christmas (Hallmark, 2018 - Candace Cameron, the lady who played Charlene on Designing Women)

Candace Cameron is a solid actor and she elevates everything she's in. However. This one is just stupid. It's convoluted in its premise, which is this: when this chick puts on a pair of shoes, it takes her to a certain point in her life where pivotal decisions were made (whether or not she knew at the time), and is giving her an opportunity to play Choose Your Own Adventure and see what could've happened if she'd chosen differently. We don't need the shoes for this story to happen, is my point, because just have her hold an object or have a magical person take her there a la ghosts of Christmas past. Which, well, okay - here we go.

It's also *very* convoluted in how the magic happens and how the love interest comes into it, and is as follows: she works in a department store and gets locked in there randomly one night, and meets her fairy godmother-esque guardian angel who is klutzy and quirky and initiates this whole flashbacking in time with shoes jazz, and in addition Ditzy Angel Fairy is always there kind've interfering and being bumbling while Candace and love interest are working together planning some charity thing involving his firehouse (yeah, he's a fireman, there’s additional backstory for him about following in his dad’s footsteps and something-something-something), and the department store, which somehow necessitates awkward moments in stock rooms and whilst cookie baking, oh and by the way he's also her new next door neighbor. 

Did you follow all that? Congratulations, and pass the liquor. Holy shit. Again, Candace elevates this dreck, as does - oh damn, now I remember her name, it's Jean Smart! - so a star for that, and it doesn't tick like a thousand boxes on the Bingo, but those things don't rescue the bizarre nature of this one. It's all over the place. And so it loses its charm. The shoes are a stupid shtick to try to make this be *not* the same story that we've all seen and heard a million times. And then they piled on all that other extraneous stuff to distract us from that? I guess? Question mark? You may enjoy it because it's chipper and moves at a quick clip, but... yeah, it just didn't do it for me. This type of thing has been done elsewhere, and done better. You make the call.

2/5 stars

Jingle Around The Clock (Hallmark, 2018 - Brooke Nevin, other people)

Career chick gets overwhelmed trying to balance work and the holidays, then she and the dude who's one of many in a pool of potential candidates for a job she wants end up falling for each other. Nevin's a decent actress, and she and the other lead have decent chemistry, and the plot is... you know, it's... well, decent. The only thing that really irked me is that - as in a lot of these movies - there's a stupid misunderstanding that could easily be remedied by one person holding up their hands, interrupting the person who's doing the misunderstanding, and saying "Whoa, hold on. I know what you heard/saw, but here's what actually happened." 

And in this movie's case it was reeeeeally a stretch - like, in other movies, sometimes they'll have one person get pulled away or some other thing where the misunderstood person kinda doesn't have a chance to explain, but this time it's a convo where they're both standing there for minutes upon minutes. Fucking SAY SOMETHING. Anyway. Whatevs. Some of the acting from the peripheral characters is clunky, and pacing is a little off, but overall not intolerable. And it doesn't check a metric shitton of bingo boxes. So, it's cute, not a complete waste of your time.

3/5 stars

Trading Christmas (Hallmark, 2011 - Faith Ford, Tom Cavanagh, Gil Bellows)

Outstanding production value, above-average script, and the 4 shared leads can all act. It's one of those happenstance stories, where - as in real life - no one would've been expecting to meet someone they click with when they're doing what they're doing, and what they're doing isn't some fantastical thing, they’re just trying something new (traveling/staying somewhere else for the holidays).

Everybody behaves like the grown-ups they are, there's no drama, and a tiny spat that occurs between two of them is cute, not grating. Speaking of, particular kudos to best friend character who pulls off the nosy-sassy vibe without being irritating. Even the occasional pop-over scenes to the daughter and her boyfriend at college are fine, they also can act, and they're sweet together, no shmoop, just average folks you'd have been friends with in college, and boyfriend is supportive of daughter when she has a change of heart about them doing their own traveling for Christmas. 

Everything was balanced, no one interlude at a given location lasted too long before getting back to the parallel stories going on elsewhere, and since the scenes with daughter and boyfriend are secondary, even less time was spent with them, and good, that's as it should be. And here's the part I like the best, because it's *different* and *interesting* - your 2 primary leads? Ford and Cavanagh? They aren't each other's romantic will-they-won't-they, so how's about that? This barely hits anything on the bingo card, ergo the score is....

5/5 stars

Time For Me To Come Home For Christmas (Hallmark, 2018 - Josh Henderson, Megan Park) 

I should take off a star right now for the long title. You'll know by the end of the review what I've decided. Anyhow, out of the gate, understand that I had to make myself watch this one because the synopsis tells me part of this has to do with the dude being a country music singer and that means somebody's gonna sing - likely, him - and it'll probs be a Christmas song, and that also carries with it the risk of *original* Christmas song, which is infinitely worse. I also have no idea who this Josh Henderson person is - if he happens to be a singer by trade and this is what got him the role, well, I'm not looking it up, I'm reserving my judgment for when I actually hear him sing and see him act.  

Second thing to know, there's something very important that sold me on watching this: turns out Megan Park is the actress who played my favorite character in one of these Christmas movies so far - and some of you will understand the gravity of this, but if you don't then go now and read my write-up on the worst of the worst, My Christmas Love. Folks, Megan Park played Janet. *The* Janet. Light of my life during that shitstorm Janet. She who kept me afloat in a sea of dreck Janet. I owe this to Janet. 

Henderson's a fine actor, Park is way above average and should be doing more than Hallmark movies, and they click together, so good casting, there. (Also good casting? He's actually Southern, the accent isn't fake - though on the occasional word he bumps it up a bit but that could've been because of director, who knows - and for my Southern ears that is so re-fucking-freshing). The dialogue is better than usual for these movies (read: it sounds like things real people would say), and it's elevated by the fact that our two leads are delivering it well. The story unfolds in an easygoing, natural manner (as in, it's not smitten at first sight, they grow to fall for each other over the course of their journey), while at the same time moving at a nice clip. The quick and dirty: they're both from nearby towns/cities in the same state in the midwest, she thinks she knows him from local choir competitions so he's appreciating her treating him like anybody else vs. famous, they're both kinda dreading going home - her because breaking news to dad that the family business is in worse trouble than they thought, him because it's going to be first Christmas since his dad died, plus he's stressed anyhow because he's got songwriter's block. 

A run-down of the songs, so you're fully prepared.... I'll give you the length too because I'm a super nice person... okay not really, but Christmas miracles and hope and bleccccch....

Song one: Deck the Halls, piano, solo, shortish

Okay, he can carry a tune but there's nothing exceptional about his voice. I'm still not looking him up.

Song two: Jingle Bells, acoustic guitar, two old people harmonizing (poorly), short

Bless.

Song three: Joy To The World --> O Come All Ye Faithful, acapella, choir, shortish (but most part in background), they're ever-so-slightly flat which is worse than being completely flat (hi, choir nerd here)

Sigh.

Song four: Away In A Manger, him & 2 precocious children, acoustic, shortish

Twice.

Second time longer.

Second verse with him. 

Fuuuuuuuuu--------

Song five: 

The original song (which isn't entirely bad), acoustic, she inexplicably knows the tune and words well enough to harmonize and so does the mom and then there's inexplicable ability for sister to play 2nd guitar, and inexplicable background somebody to fiddle along, as well. It's a brand new song. He just wrote it. He essentially had just finished it in his mind. Length: Long, as it finishes the movie.

Stupid. So, so stupid. Just have him sing it. I don't mind the 2nd guitar or the fiddle because people skilled on such can pick up chords after watching another person run through it once, and can insert a little complementary medley in between verses, respectively - it's the people magically knowing the lyrics that's irritating and takes you out of the movie completely.

Major Complaint: there's three separate misunderstandings. One: she thinks he was trying to make a fool of her (huh?) by not telling her who he was (re: famous) and he reacts calmly; two: she sees a tabloid saying he had a girlfriend, acts pissy til he finally gets her to pony up what the hell is wrong, she says, and he reacts good naturedly; three, he offers to invest in the fam business so they don't have to rely on bank loans, and she gets all offended saying this must mean he doesn't believe in her (::sigh:: no, it doesn't), and he again takes it well. What annoys me is that all three of these are stupid and are on her, and she's not a stupid person, so her behaving this way is contrary to the other 90% we've seen. I don't get it. It was really odd.

Okay, I won't give it stars off because of the title, fine. But the title *is* cumbersome and kept me from this movie last year, it should've been called A Sweet Christmas Song or something of that ilk - sweet since she makes preserves and candy bars, then of course him writing the song, and also we can't possibly have one of these movies without Christmas in the title. 

Here's the problem: this ticks way too many bingo boxes. The family business is in danger of being lost. There's a dead parent (one for each lead, bonus sick spouse of random friend). There's Christmas songs sung by lead character. There's precocious children (three, specifically). One of the lead characters is famous. Character performs an instrumental talent. Group baking scene. Visit to a town with a holiday event. Characters make Christmas wishes. 

Those coupled with the annoying triple-play of Standard Hallmark Movie Misunderstanding Moment means this should be in negative star territory. But we're going to break the rules. I am docking it only one star for all the tropes, then another star specifically for song overload, as it would've been more impactful to hear his voice for the first time (bits in background as he comes on radio/TV notwithstanding) in the song he's been struggling to write when it happens at the end. All the music was just too much, between him and rando touring couple and choir and kids (twice), then the family sing-a-long. Good god almighty, I actually got tired just typing all that out. This movie is so strange because the components are of the suck, but afterwards you'll be like "Eh, that wasn't bad". 

Bottom line: if you're going to watch a Christmas movie, this one is way far from the worst, it's not a waste of your time, just beware the huge trope minefield and know it's only saved by the quick pacing and very natural acting on the parts of your two leads. 

3/5 stars (but just barely, and easily could've been 5/5 which is much disappoint)

Magical Christmas Ornaments (Hallmark, 2017 - people named Jessica Lowndes and Brendan Perry, the latter of whom I recognize from something)

So, I caught part of this last year and I don't think I went over it, but don't worry if I did because I am not going over it now. Brief synopsis: Mom, who has a real hard-on for Christmas, sends daughter ornaments and they turn out to be "magical", because they are reminding her of happy anecdotes from Christmases of her past so it's changing her attitude, plus coincidental great stuff is happening after she receives each one. To sum: anti-Christmas person starts to get into the spirit, lady lead is really focused on her career, falls in love with physician neighbor, precocious kids - it's trope-a-palooza from what I've seen (about an hour). 

Here's why I'm not bothering to get into it - well, beyond the fact that the lady lead couldn't act her way out of a paper bag, plus (and this is *not* her fault) her hair and makeup are poorly done and it's very distracting - it's a commercial for Hallmark Keepsake Ornaments. The very first one she opens, it's an over-the-shoulder shot and she's got the box tilted precisely to where the logo is clear-as-a-bell into the camera. Fuck that noise. I'm not sticking around for the rest of the ornaments, it may've only happened with that one but I don't care. Also, the pacing is soooo slow. 

1/5 stars (the one only because the male lead can act, and may make it tolerable for you)

[pintofteaforthesoul]

Elorcan One-shot

PROMPT:

So this took so much longer than I’d intended but it's PERFECT so I hope you enjoy it. Tagging everyone who liked the original prompt: @skeletons-and-flowers, @badwolf084, @athletic-book-nerd, @nalgenewhore, @mis-lil-red, @lazyperfectionistteen

~~~

Elide laid on her stomach, sprawled on her bed with her ankles crossed in the air. It was a regular Friday night, music blaring from the small speaker on her desk. She was scrolling through Instagram as per usual when she had nothing better to do. It was the week before finals so any party going on was subdued. That’s what she should have been doing tonight- studying. Her books and notebook for Organic Chemistry were open before her, but she couldn’t concentrate.

Elide scrolled past a picture of her ex and scowled. How could she have forgotten to unfollow that scumbag? But she frowned when taking a closer look. She had unfollowed him, but who would be posting a picture of him? She clicked on the tag name, following so many people and unable to immediately recognize it.

The page opened to a friend of a friend’s page- Lysandra. One of her sorority sister’s best friends. Elide blinked in surprise. Clicking again on the picture of Aedion, with his long blond hair flowing over his shoulders while he grinned at the camera. It was a grin he’d often given her over the two years they were together.

Tears wanted to well in her eyes but Elide shoved them down. Aedion was the reason she now attended Terrasen University, they’d been high school sweethearts and won Prom King and Queen just last May.

Elide saw there were more pictures and swiped, biting down on her tongue when she saw they were indeed together in the next photo- Lysandra and Aedion. They’ve barely been broken up for a month and Aedion had already found another girlfriend.

A piece of Elide’s heart shattered. What did that say about her? What was wrong with her if he’d so easily been able to get over her? Elide hopped off the bed and left the room, weaving through the halls of the Gamma Phi Epsilon sorority house until she’d found the right door. She’d only moved into the house at the beginning of January after initiation and was still figuring out her way around. She’d been one of the lucky girls to get her own room and not have to share, perks of being a legacy Elide assumed.

Aelin answered after a moment, cute glasses perched on the edge of her nose. She looked surprised. “Elide! What’s up?” Elide had known Aelin in high school but hadn’t been super close until they’d joined the same sorority- not because Elide didn’t like her but they’d never been in the same friend groups. It had been a raving recommendation coupled with Elide being a legacy that had made her an obvious choice for ΓΦE. She was also Aedion’s cousin and looked exactly like him.

Elide shifted from foot to foot. “Hey, sorry to interrupt your studying but I had a question…. About Aedion…”

Aelin’s face shifted, her eyebrows knitted and her mouth thinning. Elide could tell the emotion wasn’t directed at her when the other girl said, “Lysandra posted something didn’t she?” Elide gave a small nod. Aelin cursed under her breath. “I told her to wait. I’m sorry, Elide. They’re not actually serious, Lysandra gets in over her head when she starts a new relationship.”

When Elide’s crestfallen expression doesn’t change, Aelin puts her hand on the shorter girl’s shoulder. Elide looks up through the thick curtain of her dark hair.

“Aedion is an asshole. Look, I’ll make Lys take it down.”

Elide gave the barest shake of her head. “No… I’m glad he’s,” she struggled to get the word out. “happy.”

Aelin sighed, drawing Elide in for a bone-crushing hug. “If you need anything, don’t hesitate to let me know.” Elide returned the hug, grateful for the human contact. Aelin pulled back, her turquoise eyes fiery. “He may be my cousin, but you’re by sister now. Sisters stay together.”

Elide wiped away a tear that had fallen and gave Aelin a small smile before tracking down to the kitchen for a snack. As a sorority house filled with seventy girls, the freezer was constantly stocked with post-break-up ice cream. Elide grabbed the pint of rocky road and made her way back up to her room.

Giving up on studying, Elide piled up her pillows at the headboard and rested her back against them. Laptop balanced on a knee, she opened Netflix and clicked on something to watch that would distract her from the turmoil in her gut. Multitasking was usually the best distraction, and unable to resist herself, Elide opened Instagram once again.

The first picture on her feed left her mouth hanging open, spoon dangling from her lips. Elide practically swooned, beholding the massive golden form flexing muscles that had no right being that large. Lorcan Salvaterre was the epitome of hunk, having gained popularity and fame because of his portrayal in a popular werewolf show- not as the main love interest but the bad boy older brother.

Elide watched the show almost religiously just to see Lorcan, and the plot was decently good for a fantasy show based around romance.

The picture was actually one from the show, with Lorcan’s character, Damian, and some of the other members of the cast. Underneath was the caption, ‘You mess with my pack, you deal with me’.

Elide snorted at the cheesy line, but couldn’t resist going into the comments. She’d never left something before, but something was making her brave. There were the usual comments about how hot he was and who was looking forward to the next episode.

Before she could convince herself otherwise, Elide typed out, ‘I wish I was a part of your pack so you could help me egg my asshole ex’s house’. It was so ridiculous it made her laugh, such an impossible thing that she knew it could never happen.

~~~

Lorcan Salvaterre hated social media- it was so tedious and exhausting. He usually let his manager handle posting on it, not really caring what photos were on it. He did enjoy scrolling through the comments though, boosting his ego in ways nothing else could.

It was one comment that grabbed his attention though, something so out of left field. Lorcan clicked on her tag name – ladylochanx- and let out a breath of air. Elide Lochan. She was stunning was Lorcan’s first thought. He scrolled through her page, noticing at the top that she was a member of Gamma Phi Epsilon at TU- the campus only thirty minutes away from his apartment.

Elide was shy, that much he could tell by the few photos of herself alone. Lorcan clicked on the most recent one- showing Elide with her dark hair covering half her face. She looked solemn, dark eyes dancing at the camera as the barest of smiles hinted at her lips. Her caption was simple ‘Everything happens for a reason’. Lorcan clicked out to try to find a picture with the ex she’d mentioned in her comment, but found nothing obvious.

No, wait. A post from last May displayed Elide in a graduation gown, grinning at the camera with her arms around two blonde figures who looked like twins- a boy and a girl. The first boy Lorcan had seen on Elide’s dash. He clicked to see if the two were tagged, and indeed the girl was but the boy was not. Lorcan read the caption and found the name- Aedion. That was the guys name. The tag would’ve disappeared when Elide blocked him, but she hadn’t bothered to edit the caption.

Lorcan was out of his seat before he really knew what he was doing. Rowan Whitethorn, an old friend he’d met on set years prior, glanced up from the TV where he was playing a first-person shooter. “Where are you going?”

Lorcan didn’t glance back. “I have a request to fulfill.” Rowan merely rolled his eyes as Lorcan went to change. Elide would indeed get her wish.

~~~

It was nearly midnight when Manon appeared at Elide’s open door, lounging against the frame as if she owned it as per usual. Elide glanced up from where she was halfway through her pint, mouth full. “Can I help you?” She mumbled out, quickly pressing pause on her show.

“I see studying is going well.” Manon remarked drily, her eyebrow quirked as regarded the forgotten books at the foot of Elide’s bed.

Elide shrugged, pulling the spoon from her mouth. “I got distracted.”

Manon snorted. “Uhuh. Well, you have a visitor at the door.”

Elide’s heart jumped into her mouth. “A… a visitor?”

Manon’s arms were crossed. “Yeah and you’re lucky I was downstairs or your bootycall would’ve had to climb to your window. He’s still at the door, I told him to wait. He’s pretty hot though.”

Before Elide could say anything, Manon turned on her heel and walked out. Elide could barely process what was happening. Who could possibly have showed up at her sorority house at midnight? Aedion? The thought came and she dismissed it, not wanting to hope that her high school love had crawled back to her.

She quickly cleaned her room, shoving the books that had fallen off under her bed, snapping her laptop closed and placing it on her desk. Elide was decently cleanly, so that was the only thing out of place. She swooped up the pint of ice cream and rushed back downstairs. After depositing it back in the freezer, Elide padded to the door.

Her heart was racing in her chest as she fussed over her messy hair- pulling it down from the pony tail so it could sweep down her back. Elide was grateful she’d just done laundry and could answer the door in her favorite Gamma Phi Epsilon tank top and short pajama shorts.

Before she died of a heart attack, Elide swung open the door- and froze. She let out a small strangled gasp, eyes raking over the towering figure standing on the porch of the sorority house. Lorcan Salvaterre looked down-right rugged in black jeans and a fitted long-sleeve shirt that showed off every delightful curve of muscle on his body.

He gave her an almost nervous grin. “Elide Lochan?”

“Yes?” Elide squeaked, gripping the door out of fear her knees would give out.

Shocking her, Lorcan swept into a bow. “I’m here to make your wish come true.” Elide’s breath slipped out between her lips and she noticed that cartons tucked under Lorcan’s arm. Egg cartons. When he straightened, Lorcan looked her over with almost hungry eyes. “If we’re going to go out, you should probably put on something warmer. Here,” He pulled a dark form that had been hanging from his arm too and tossed it at her.

Elide caught it mostly out of reflex, smelling firewood and merlot. She almost dropped when she realized what it was- Lorcan’s hoodie. The smell was from him.  She was gaping at it, disbelieving eyes switching from the hoodie in her hands to gorgeous man standing before her.

Lorcan’s eyebrow lifted. “Well? Are we going to do this or what?”

Elide caught her bottom lip between her teeth before she could say ‘You can do me, that’s for sure’. “Um… you’re serious?” She found herself saying instead.

Lorcan’s thick eyebrows furrowed, a cute v appearing in his forehead. “Of course, I’m making you a member of my pack.”

Elide sputtered, heat curling in her body at the words and the rough voice he used to say them. “Why?” She was breathless and utterly confused.

Lorcan’s large shoulders shrugged, but his eyes were clear. “Because you’re beautiful and I don’t understand why your ex would break up with you.”

A blush creeped over Elide’s cheeks. She suddenly couldn’t meet his eyes. “I’ll um… I’ll go put on some pants and be right down.” Lorcan nodded, but Elide stepped aside. “You’re welcome to wait in the living room.” She peeked a glance up at him to find Lorcan’s keen gaze still on her. He followed her inside, taking in the large space.

Although there were nearly 200 girls in the sorority, only a select few were given the opportunity to live in the house. Well that and it took every bill Elide had just to afford it. Even though it would be cheaper to find roommates and live off-campus, Elide preferred the convenience.

Elide raced up the stairs to change, pressing her back into her door as she puzzled over the situation she’s found herself in. Lorcan Salvaterre was here. He was waiting downstairs. He came to help her egg Aedion’s house. Elide’s thoughts whirled. Could she actually go through with it? Well damn it to hell, she wasn’t about to let this golden opportunity to pass her by.

Elide dragged on a pair of black sweatpants over her shorts and after thoroughly smelling the hoodie pulled it over her head. Then she checked her pace going down the stairs, not content with savoring every moment of this fantasy right out of her dreams.

Lorcan was right where she’d left him and smiled up at Elide when she descended the stairs. As they left the sorority house, Lorcan pulled her arm through his so she was tight against his side. “So,” he murmured down to her. “where does this idiot ex live?”

Elide pulled him in the right direction. “Aedion is a member of the Kappa Xi’s, so he lives in their frat house. It’s a short walk down Greek Row.”

But Lorcan was smiling. “Figures. All Kappa Xi’s are assholes.”

Elide blinked up at him. “How do you know?”

He grins down at her, bright teeth flashing in the darkness. “I attended school here.”

Elide gaped. She hadn’t known this. “You went to TU?” She breathed as they walked arm in arm down the sidewalk. Lorcan guided her over the cracks and holes like a pro, truly revealing that he had indeed spent time on Greek Row.

“I graduated two years ago.”

Elide gave a small frown. “But that would’ve meant you were in college while shooting the show.”

Lorcan whistled low. “Yeah, it wasn’t easy. Had to take mostly online classes because we were traveling so much. I almost didn’t graduate on time.” His dark eyes met hers, face mostly shadowed and hard to read. “And you’re a freshman now?”

Elide shrugged. “It’s my first year at TU, but I’m technically a sophomore now because I had dual-enrollment credits coming in.”

Lorcan’s eyes widened as if he were impressed. Elide fought the urge to blush again when he said, “You must be incredibly smart.” She gave a noncommittal shrug and they lapsed into silence. Eventually, Lorcan asked, “So what happened between you and this Aedion? If you don’t mind my asking?”

Elide’s mouth pursed, but the familiar ache in her chest didn’t bloom at the sound of his name. “We’d been dating for two years when he texted me out of the blue saying he wanted to break up. Never really gave me a reason why, but early tonight a friend I follow on Instagram posted a photo of the two of them.”

Lorcan’s scowl was illuminated as they passed under a streetlamp. “What an asshole.” Elide murmured her agreement. “What made you ask me for help?”

Elide snorted. “I didn’t really ask for help. It was more of a joke. I hadn’t expected that you would… you know… actually show up.” She fiddled with her hands in front of her- a nervous habit.

Lorcan stopped, taking Elide’s hands in his and turning her to face him. She trailed her eyes up his broad chest until they met his serious eyes. Elide’s heart thrummed low in her chest, a piece of her wanting to trail her fingers over the stubble on his chin. “Are you unhappy that I came?”

Elide’s head shook side to side of its own accord. “No! I’m actually thrilled. I’ve…” she was embarrassed to admit it, staring at her feet as she continued, “been a fan of yours for a while.”

One of Lorcan’s eyebrows shot up. “Really?”

Elide’s face warmed considerably despite the chilly air. “Well, yeah.” She couldn’t meet his eyes.

After a beat that Elide wished for nothing more than to sink into the floor, Lorcan said, “I think I’m a fan of yours as well, Elide.” His voice was quiet but earnest.

Elide’s eyes whipped up to his, shock making her dumb. “What? But I’m not… I’m not famous. You don’t know anything about me…”

Lorcan merely shrugs. “I’d like to.” Elide was at a loss of words. Lorcan fumbled on. “But first… let’s egg Aedion’s car. It’ll make you feel better.” His grin was wicked and Elide could only follow after him.

~~~

The Kappa Xi’s frat house was the last on the lane, Aedion’s bright yellow Camaro stark out front. Elide pointed it out to Lorcan, who merely grinned in response. “Time to get to work.” He said with a killer expression.

By the time they were done, Aedion’s car was gracefully covered in almost invisible egg whites and egg yolks. Lorcan surveyed his handiwork, standing next to Elide, but Elide only had eyes for him. When he glanced over and noticed her stare, Lorcan cocked his head to the side. “Feeling better about it all?”

“Yeah.” Elide breathed. “But not because of the car.”

Lorcan opened his mouth to ask something, but a light flicked on in the house’s living room. “Quick!” Lorcan hissed, pulling Elide aside to hide behind a gaggle of bushes.

Footsteps sounded on the Kappa Xi porch then a voice calling out, “Hello?” It was a male voice Elide didn’t recognize. Lorcan’s finger pressed against her mouth, the warmth making her lips tingle. After a second, the footsteps sounded again and the front door closed.

Lorcan grinned at Elide and she was struck again by just how beautiful he was. Lorcan’s features could’ve been carved from marble, the cut of his jaw capable of slicing diamonds. They paused, staring at one another. Elide breathed shallowly as Lorcan’s thumb moved from her mouth to her cheek and swept her hair behind her ear.

Feeling too warm and awkward, she started, “I should-” Elide went to stand, but her foot got caught in the long pantleg. She bit back her yelp, grappling onto Lorcan’s arm to try to keep her balance. But Elide went back, taking Lorcan with her.

When Elide opened her eyes again, Lorcan’s weight was pressing into her, face hovering inches above her own. “Lorcan.” She breathed, eyes wide.

Lorcan gazed down at her, untold emotions in his eyes. Without wasting a beat, he swooped down and captured Elide’s lips with his own.

Elide’s hand squeezed his arm as the heated kiss rocked her senses. One of Lorcan’s hands got lost in her hair while the other tilted her chin to give him better access. When his tongue grazed her bottom lip, Elide gasped- giving him entrance. Their tongues danced and Elide’s body burned. Lorcan’s hand on her chin fell to along her shoulder then down her side until it landed on her hip.

Then he pulled back, panting. “Tell me to stop. Tell you don’t want it and I’ll stop.”

Elide was panting too, unfamiliar with the heat that curled in her core. “I want you. I want you more the air I breathe.” She reached her hands up to caress his cheeks, the stubble tickling her skin.

Lorcan’s eyes widened at that but he shook his head. “Not here, not in the grass.”

“My room, at the house.” It was all the encouragement he needed, using his grace and bulk to lift them both on their feet. Then they practically sprinted back to the sorority house.

Finally alone in Elide’s room, Lorcan pressed Elide into the door. With barely a jerk of his arms, Lorcan’s hoodie was up and over her head- discarded somewhere across the room. He resumed their kiss and Elide moaned into his mouth as his hands trailed down her body. His large hands cupped her breasts and Elide arched into him.

Lorcan kneaded them for only a moment before continuing on, finding the waistband of Elide’s sweatpants. On his knees before her, Lorcan gazed up at her with obvious lust in his eyes. Elide only nodded, letting Lorcan peel the pants off her- taking the shorts with it.

Left in only her panties, Elide felt self-conscious. Her hands came up to cover her crotch and Lorcan looked confused. He stood slowly, regarding her. “Have you been with a man before?” He asked.

Elide bit the inside of her cheek. “Yes, but not… you. You’re…” She couldn’t think of a word that accurately described him, so she settled on, “an Adonis.”

“Elide.” Lorcan’s head tilted to the side, her name on his lips sending chills over her skin. He pressed his mouth into the crook of her neck. “You. Are. Ravishing.” He said each word with a kiss for emphasis. Elide shook her head no to which Lorcan viciously pressed his lips to hers- devouring her. “Let me prove it to you. Let me make love to you.” His voice was scarce over a whisper as he obviously battled for control.

Elide placed her hands on his covered chest and Lorcan got rid of the garment. Her eyes were wide as he beheld his toned skin and deep grooves of muscle. A Greek hunk indeed. Ever so slowly, Elide leaned forward and pressed a kiss to Lorcan’s sternum. A whistle of breath between his teeth was Elide’s only sign to continue.

She roamed her hands over his heated skin, loving the feel of him and barely believing it was actually him. Keeping her eyes on his, she planted kisses over his chest then a little lower to his abdomen. His skin tasted divine and Elide began to crave more.

She sunk lower, letting her tongue loll into Lorcan’s belly button and swirl. Lorcan cursed, hands coming up to grip her hair but made no other movement. Elide continued her tongue and kiss assault to the wide expanse of his hips, leaving little bites on the tan skin just above his waistline.

With fumbling fingers, Elide reached up to stabilize herself on Lorcan’s thighs, digging her fingers into the dark denim. She was now on her knees before him, staring up at his gaze that read very clearly what Lorcan wanted to do to her.

Before she lost her courage, Elide ran her tongue over the obvious bulge in Lorcan’s jeans- eliciting a tight curse and groan. “Fuck, Elide.” Lorcan’s hands twirled in her long hair, but didn’t guide her.

Elide reached up and undid his belt, feeling her heart in her throat. She could tell Lorcan wasn’t breathing. Gingerly, she loosened the button and slid the zipper down. Lorcan didn’t rush her as she hooked her fingers in his waistband and began to slide the jeans down.

When he sprang free, Elide nearly choked- her eyes whipping up to catch Lorcan’s satisfied expression. Aedion had been average, she thought… but Lorcan… Elide didn’t know whether he would fit inside her- mouth or otherwise.

She wrapped her hand around the hardened length and Lorcan exhaled, watching her every movement.  “Are you alright?” He asked after her clear hesitation.

Elide pursed her lips, embarrassment coloring her cheeks. “I’ve um… never been particularly good at this… sort of thing. I don’t want to disappoint you.”

Lorcan’s eyes flashed. “As long as my cock is in your mouth, Elide, I can die a happy man.”

Elide giggled and steeled her nerves, flicking her wrist the way Manon said men liked. Lorcan cursed, so Elide did it again, running tongue along the tip- already slick with his arousal. Lorcan’s hands tightened in her hair, but didn’t force her to go deeper. Elide quickened the motion with her hand, taking more of him into her mouth at the same time. She sucked softly, careful to keep her teeth sheathed behind her lips.

In a moment of bravery, Elide pulled back to draw her tongue along the entire underside of him- balls to tip. Lorcan groaned loudly and his eyes flared. “If you do that again, I might come.”

Elide hid her grin and took him back into her mouth, placing both hands on either side of his crotch. Lorcan’s cock hit the back of her throat and she gagged but didn’t release, sucking harder. Instead, she bobbed her head up and down, humming lightly. With a glance up, she could see Lorcan’s head tilted back in ecstasy.

Elide dragged her nails down Lorcan’s thighs and the man moaned. “Elide, if you don’t stop…” She didn’t, drawing back enough to wrap one hand around him to squeeze. Both of Lorcan’s hands were in her hair now. Elide sucked, running her tongue over and along him until finally Lorcan gasped- shooting his release down her throat.

Elide pulled back, licking the tip clean, before glancing up at him. Lorcan was staring down at her. Nervous energy thrummed through and she started, “I’m sorry if I-” Lorcan didn’t let her finish the statement before he dragged her up by her arms and molded his mouth on hers. His hands latched him to her, flowing down her body until they found her ass. Lorcan kneaded and squeezed before lifting Elide up as if she weighed nothing and taking her to the bed.

Without breaking their kiss, Lorcan laid her down- radiating heat over her body as his weight pressed her into the mattress. His hands found the hem of her tank top and began to push it up and they were forced to part. Elide was gasping, but Lorcan pulled back. “Can I bind your hands with this?” He was needy and breathless and Elide only nodded, practically vibrating with heat.

Lorcan looped the top around one of Elide’s wrist, twisting the fabric before slinging it around one of the wide slats in Elide’s headboard. He secured her wrist in the other side. It was by no means tight, but it gave Elide something to grab and kept her hands over her head.

Now naked in just her panties before him, Lorcan stared down at her. With a wicked gleam in his eyes, he said, “I plan to worship you, Elide.” Elide practically convulsed at the words- nowhere near anything Aedion had ever said to her. Lorcan pressed a quick kiss to her lips before starting down her body. One of his hands trailed over her hip where Elide’s thighs were pressed tightly together and the other was at her breast. His thumb flicked over her pert nipple and Elide almost screamed. Lorcan delighted in her reaction, his mouth trailing over her collarbones before finding its place at her other breast.

Elide writhed beneath his ministrations, fists clutching the fabric of the top that held her. Lorcan tongue swirled one nipple while his thumb and forefinger rolled the other. It was almost too much, the molten lava threatening to rip through Elide’s insides.

Lorcan’s teeth clamped onto her nipple and Elide had to bite her lip on the moan that would’ve woken the entire household. Thankfully, Lorcan continued on, planting kisses down her tensed stomach. He shot her a grin before swirling his tongue around her belly button. “Lorcan!” Elide gasped out, practically shaking with need.

Lorcan tsked at her, following the same path she’d made on his skin, but unlike hers, his kisses and nips left small marks on her skin. “You’re so pale.” Lorcan murmured, tongue rolling over his lips. “I love making your skin flush.”

Elide pulled at her restraints, hips nearly bucking off the bed. Lorcan crawled lower, hands running over her thighs. Elide’s skin turned numb at his touch, her muscles relaxing as he coaxed her legs apart. Lorcan hooked his fingers in her panties and began to slowly draw them down her legs.

When they were fully off and Elide’s legs spread for him, Lorcan’s eyes burnished. “Oh, Elide, you’re so wet for me.” He used a finger to caress her entrance, but didn’t push into her. Elide whined as Lorcan brought the finger back up to his mouth and sucked on it. “Divine.” Lorcan breathed and nestled himself between her thighs.

“Please, Lorcan.” Elide’s eyes scrunched shut as he softly blew on her sensitive clit and slipped a single finger inside her.

“What do you want, baby?” His words were rough, demanding, as he pumped one finger in and out in a torturous pace.

“You, please, now.” She could barely get the words out.

“As you wish.” Lorcan added a second finger and Elide mewled, the fingers curved to hit that special place inside her.

Her breath coming in pants, she said again, “Lorc-AH!” She moaned out the last syllable as Lorcan’s wicked tongue lapped at her clit and he pushed a third finger into her, picking up the pace. Elide’s back was arched off the bed, hips gyrating against his mouth. It took barely three swirls of his tongue before Elide was convulsing around him, moaning out her release.

Lorcan’s fingers pulled out and Elide whined but found his weight back over her and his fingers now at her lips. “Suck.” He commanded, dark eyes hooded, and Elide took his fingers into her mouth and tasted her own arousal coating them. Lorcan purred at the sight, pulling Elide’s hands free from their fabric prison. She immediately brought them into his hair and pulled his mouth down to hers. Elide’s kiss was demanding and intense, Lorcan answering in kind.

At the same time, he spread her legs wider and ran his cock over her folds. Elide bit down on Lorcan’s lip and he entered her in a quick thrust. “Fuck!” Lorcan growled, hips molded to Elide’s, but he didn’t move again. Elide’s fingernails dug into the skin of Lorcan’s shoulders, but she tipped her head back to revel in the fullness. No, Lorcan was nothing like Aedion, she decided. Lorcan’s lips trailed over her jaw, breath tickling her skin. “You okay? Can I move?” Elide nodded because her voice wasn’t working.

When Lorcan began to move, Elide lost all common sense. He rocked his hips into her, setting up an even rhythm that left her gasping.

Lorcan’s fingers dug into her hips as he hissed. “Fuck, you’re so tight.” He plunged into her, over and over again until Elide could barely remember her own name. Lorcan pushed one of her thighs up to her chest so that her ankle met his shoulder, the other hand finding its way to her clit. Elide gasped out his name, not sure if she could take much more. She was climbing again, legs tensing as Lorcan didn’t tire.

Then all at once he stopped and, in a smooth motion, flipped Elide onto her stomach. Lorcan drew her knees up so her ass was in the air and before another heartbeat could pass, he was buried in her again. Elide’s hands flew to brace herself on the headboard so she didn’t fly into it. Lorcan’s speed picked up now and Elide was shaking. “Please.” She bit out between pants of much needed air. “Don’t stop.”

Lorcan growled, hand coming up to grip her hair and pull her head back. “Are you on birth control?”

Elide couldn’t nod, so she gasped out, “Yes.”

“Good.” Lorcan thrust in particularly deeply and Elide had to fight to remain on her knees. “Because I’m about to come inside you.”

Elide couldn’t reply, words failing her as Lorcan pulled her back tighter against him. One hand still in her hair, the other found Elide’s bundle of nerves again. Elide wrapped her arms back around his neck to grip his hair, feeling herself near the top of her climax. “Lorcan… please… I’m so close.”

Lorcan’s breath was hot in her ear as he growled. “Come for me, baby.” Just the demand alone sent Elide over the edge, and as she tightened around him, Lorcan fell with her.

They collapsed to the bed and Elide thought she was spent, but Lorcan pulled out of her and flipped her back over. “Lorcan.” She murmured, exhausted, as his intentions became clear. “I don’t think I can-” She never finished the sentence.

Lorcan tongue was at her folds, tasting their combined juices, as his fingers pinched her clit. That wicked tongue pushing into her, Elide latched onto his hair and pushed his head closer. Still so sensitive from her last orgasm, Elide didn’t think it possible but her legs were again tensing. Lorcan’s tongue was relentless, fingers downright punishing. And then she was falling again, down and down into that endless pool of pleasure Lorcan had given her. Elide would’ve screamed if her voice hadn’t been hoarse.

After drawing out the orgasm for her as much as he could, Lorcan pulled back- his chin and mouth dripping. Elide’s chest heaved and she grasped her hands together over her stomach.  She eyed him. “Satisfied?”

Lorcan’s answering grin was mischievous and Elide pulled her legs closed, but he said, “Yes, quite,” He flopped down on his side and drew her up against his hulking form. In her ear, he continued, “and you?”

Elide nodded, but suddenly shivered. As if able to read her, Lorcan lifted them up and threw the covers aside before laying back down. Elide snuggled into the hungrily, before gazing over at Lorcan who looked unsure. She placed a hand on his cheek, the question in her eyes.

Instead, he asked a question of his own, in a nervous tone Elide had yet to hear from him, “Is it alright if I stay?”

Elide let out a breath of relief, leaning closer until her mouth was at his ear. “If you stay, we can do that again in the morning.” Elide plopped back onto her pillows with a grin, pulling the covers up to her chin.

Lorcan’s head tilted to the side, but he got under the covers.  It wasn’t until he’d flicked off her nightstand lamp and drawn her against his body in the darkness that he replied, “I think I’d enjoy that, Elide Lochan.” Elide’s toes curled at the promise and she turned into his body to press a kiss to his lips. In a sultry whisper, Lorcan purred, “Maybe we won’t have to wait that long.” And met her kiss with his own.

[zdbztumble]

“Kingdom Hearts II” revisited: Final Thoughts

There’s an obvious logic to having the Drive Form named Final appear so late in the game, but I think it’s introduced too late. By the time I got it to trigger, the Door had already appeared, and I’d decided that there really wasn’t much left in the other worlds of the game that I wanted to do. That meant there wasn’t much opportunity to play around with the Final Form, or level it up, outside of base grinding, something I always hate doing in any game. I do like Final Form, but it should have come earlier in the game to give the player the most value.

And speaking of final - that final boss is really...lame. As in, not fun to play and not satisfying on a story level. You can say a lot about every KH game that’s come after this - and I have, and will, at considerable length - but at least each of them presents a final boss who is a primary character of that game, in a recognizable form, with (somewhat) motivated stages of transformation. Here in KH II, we have to fight buildings, blasters, reactor cores, those bomb things from the Gummi levels (which, I admit, I appreciated - bringing those into the main gameplay), the armored figure in a chair twice, and a dragon-like mecha before we finally get a shot at Xemnas as we know him (in fabulous zebra robes), in a battle full of reaction commands and triggers that seem intentionally designed to make Riku look like a badass at Sora’s expense.

None of these stages are all that hard IMO, nor are any of them that engaging. The brief section where you play as Riku is a low point for me, due to his limited moveset and trouble navigating the space. I’m not opposed to alternating which character you play as during a final boss, but the execution of the idea here is terrible. Denying any role in the final battle to Kairi and King Mickey is a bigger problem, and I actually refused to have Riku in my party until required to because of that. I’m convinced the staff behind this game want players to use him, but I say - if you’re going to ignore every possible opportunity you give yourselves to have the Destiny Islands trio together in a party, then I’m not going to play with your Creators’ Pet. (And he is exactly that. I may have softened on Riku over the years, but he - and Axel, and half the Organization - are textbook examples of a creative team letting their fondness for characters supersede what’s actually best for them in a narrative.)

Of course, the battle itself isn’t all there is to the finale, and there’s more right than wrong to the story here. For one thing, Roxas and Namine get a nice denouement, one that makes it quite clear how they feel - and what they choose - about rejoining with their original selves. As someone who was bothered by the Riku/Namine business at the end of KH III, due to memories of this game, I can concede that there isn’t a whole lot to Roxas and Namine’s relationship here. Their scenes at the beginning are emotional, and their scene at the end is sweet, but their interaction is very limited. The mere fact that they are the Nobodies of Sora and Kairi does a lot of the heavy lifting for their relationship, and that bond is strong enough - and, at this point in the series, still written well enough - to sell the idea, but only just. I daresay this is something that Days could and should have addressed, but we’ll get to that another time.

The lead-up to the final boss provides nice moments between Kairi and Riku, Sora and Kairi, Sora and Riku, and one wonderful moment between the three of them. Setting aside the fact that the whole final boss should have been a second moment for the trio, and the game’s pandering to Riku’s prowess during the fight - the scenes between Sora and Riku after defeating Xemnas are quite well-done, and very effectively illustrate how their friendship has healed and reached a new equilibrium. Even better than that, however, is the game’s final scene. From Kairi’s letter reappearing as the key to the light and the enthusiastic greetings from the Disney cast, to the last flashes of Roxas and Namine and the final exchange between Sora and Kairi (which has some of the best voice acting those two VAs have done in the entire series), it’s an absolutely beautiful finale. The bittersweet, open, and uncertain finale of KH I is still the emotional high point of the series in my eyes, and I continue to applaud the game’s staff for daring such an ending; the way KH II ends is much closer to what one probably would have expected of KH I. But the happy ending of KH II is very much an earned one, and it’s an effective cap, not just on this game, but on everything done in the series up to that point. Kairi’s past remains mysterious and Maleficent is still unaccounted for, but the chain of tragedies set off by Ansem’s research is ended, the last traces of Xehanort are defeated, the worlds are at peace, and the three friends whose lives were torn apart are finally healed, whole, and together again, ready for a new adventure.

...Or, at least that’s what should have happened.

Back when I first played Kingdom Hearts II - fresh off of KH I, unaware that CoM even existed - it was, without question, my preferred game of the two. I would’ve even called it my favorite video game of all time (which wouldn’t have meant much - even now, it’s a very short list of video games that I’ve played from beginning to end.) I would’ve said the same after the second time I played through it, even as certain nagging doubts crept into my mind. Several years and the rest of the series later, I can’t give KH II that level of praise. 

Kingdom Hearts is a series where the first truly is the best, at least so far. Like CoM before it, KH II either introduces or continues trends and ideas that would bring later games down, and they all start to grate here. Elements like the secret reports and Summons lose their motivation in-story, and in the former case become a lazy way to toss out exposition that should have been part of the gameplay and cutscenes. For the first time, certain Disney worlds are saddled with stiff and uninspired re-tellings of their movie plots, devoid of room for Sora to make a difference. The pacing is uneven and it’s easy to lose sight of the main story during certain Disney worlds. Dialogue is often clunky, and fan service and pandering to Creators’ Pets hurts significant moments of the story. A lot of potential in the backstory of Roxas and the fate of Namine is left untapped. The trend of offering Kairi the will and ability to be more involved only to ignore the opportunity continues, Riku’s reintroduction to the group has issues, and Sora is caught in an awkward transition between the hero of the first came and the idiotic and ineffectual would-be messiah of later games.

With all of that said, though...I still love this game.

On paper, entries like Dream Drop Distance or KH III might’ve had greater ambition in the amount or kind of story they tried to tell, but in the actual presentation of the story, KH II is far more daring. From the prolonged opening sequence spent with a new character to the slow burn on the revelation of the Organization’s plans, KH II is quite unconventional in its story structure, and it often works to the game’s favor. Leaving so much of the year between KH I and II untold, even with CoM, is mystery done right, in a way that feels open to speculation and possibilities rather than heavy-handed teasing and baiting for spin-offs. This is the only time in the series where Maleficent and Pete make for an equal and compelling third party, and having that third force at play makes for another off-beat structural element that’s ultimately satisfying, even with the not-insignificant lag during the back half of the first Disney pass. The Organization being a collective villain rather than a single figure (even if Xemnas was its instigator) is a nice differentiation from KH I and CoM, and how pathetic the villains ultimately turn out to be gives them a nice degree of pathos - though that pathos isn’t carried too far.

While KH II is a few steps down the dark road, it hasn’t hit the abyss yet, and things that start to look problematic here are still strong overall. Some of the Disney worlds may have stiff movie recaps, but most are loose and accommodating to the larger KH story. Some may be filler, but most of them - on both passes - are at least technically connected to the main plot, and most of them - even the filler - in a meaningful and engaging way. The reports aren’t strongly motivated, but they’re not a complete crutch either. Roxas and Namine, if unfulfilled in their full potential, are still a force throughout the game (well, Roxas more than Namine) instead of being abruptly dropped.

Kairi’s denied obvious chances to get more involved, but she does get to strike out on her own and play a more active role in the story than she did in KH I. Riku’s pandered too a little too much once he reappears, but his role behind the scenes before then makes for a strong continuation of his redemption arc from R/R and is well-woven into the overall plot. Sora’s on the road to Flanderization, but he still has many of his better traits from the first game, including his greater competence at his missions and his believable, human reactions to the events around him. While he doesn’t have the arc of growth he had in KH I, or go through the deconstruction of CoM, he does have definite goals as an individual, and a pronounced sense of world-weariness as his chances of meeting those goals - finding Riku, going home, and seeing Kairi again - get further and further away.

Most of all, Kingdom Hearts II is still manageable in its story. The two sets of villains have relatively simple (but not simplistic) goals, and they’re revealed in a comprehensible fashion. More importantly, the logistics and pseudo-philosophical notions behind the villain plots don’t override the entire game, or pull focus from the protagonists. The heroes all have stories here, and if there’s an overarching theme to this game (not as clearly presented as the themes of KH I, mind you), it’s completion and resolution. If we may break them down:

Organization XIII, having made the foolish choice to discard their hearts, desperately try to escape the consequences of that choice through evil acts, only to fail and meet their ultimate end.

Roxas, who opens the game with mystery and confusion, comes to learn who he is and completes himself and Sora with his choice to surrender to his fate, something he grows to be at peace with.

Namine, having achieved a measure of peace with who and what she is, completes her tasks from the end of CoM and rejoins with her true self, after first saving Kairi and granting (most of) the heroes an escape from The World That Never Was.

Ansem the Wise, whose curiosity opened the door to everything that went wrong later, turns his back on base revenge and works to set the worlds to right, giving his own life in the process.

King Mickey, the hero who kept a deliberate watch on the state of the worlds and sounded the alert on the danger they were in, uncovers the truth about Organization XIII and plays his part to bring them to peace and finally makes it back home.

Donald and Goofy finally find their king.

Kairi, left alone with fading memories for a year, resolves to set out to find her friends, and not only achieves that goal, but facilitates their reconciliation and provides the means for them to finally return home.

Riku, after finding some measure of peace with himself in R/R, gives his all to see Sora restored and works to help him from the shadows, but fears to face his friends after his actions in KH I. When finally forced to, he learns that he hasn’t lost them, and the last of his self-doubt is discarded as he joins forces with Sora to finish off the last trace of Xehanort and make it back home.

And as for Sora, our chief hero: he is fully restored from his trials in CoM. Though eager - even desperate - to resume his search for Riku and return home, he doesn’t hesitate to start protecting the worlds again and finish off the remainder of the threat he first faced. While an authority figure presents that threat to him, Sora chooses to take it up, and carries it out without being directed or puppeted by Yen Sid at every step. The weight of the ordeals and his constant travels wear him down, the events of the year he lost (and Roxas’s role in those events) challenge him, and he does at one point refuse the call of the Keyblade (”Not yet! I have to find Kairi!”) Yet he persists in defending the worlds, even when it benefits the villains, and he fights his way to their castle to rescue and reunite with his friends. Having set out early in KH I to rescue those friends, he achieves this, finishes off the villain who turned his world upside down, and finally makes his way home to the island, the friends, and the girl he loves.

Kingdom Hearts II’s resolutions to all of these things is so final, and so satisfying, that the series since has had to ignore its finale, and a good chunk of its story, just to keep dragging things out. That’s to their detriment, but not KH II’s. While imperfect and uneven, it is a worthy sequel to the first game - the last such entry in the series - a lot of fun to play, and an ambitious and satisfying story.

And it has, to date, Kaoru Wada’s finest orchestration for the series. I absolutely adore his arrangement of Sanctuary from this game, and it makes me wish I’d kept up with the French horn every time I hear it.

[theheavymetalmama]

And now, some Unpopular Opinions!

Because at this point, why the hell not?

Iron Man was better than The Dark Knight

I am in no way, shape, or form suggesting that The Dark Knight is a bad movie. Far from it, in fact. It’s a damn good movie with some fantastic performances, a gripping story, and some of the best written characters and dialogue in the history of movie making. So is Iron Man the better movie? For one, it’s not so stuck up its’ own ass about its’ message. The Dark Knight is a lot of things and one of them is pretentious as fuck, come off as less of a love letter to Batman and more of a method of the director Chris Nolan showing how much he has nothing but contempt for superheroes and comic books in general. Iron Man, in contrast, embraces it and has fun with the idea of a guy who builds a mech suit and fights bad guys. There’s also the question of influence, and that right there is no contest. The Dark Knight influenced Batman; Iron Man influenced the entire movie industry.

Final Fantasy XV was a massive disappointment

I kind of feel bad for dunking on this game considering they just cancelled the last of the DLC. Then again the last of the DLC was going to expand on Lady “Show Up and Blow Up” Lunafreya and Aranea “I’m here and now I’m not” Highwind’s stories and now we’re not getting them and I’m still bitter as fuck for the director’s pathetic excuse for why a girl couldn’t attend the coming of age road trip, so all bet’s are off! Okay, the ladies getting shafted aside, there is a lot to like about Final Fantasy XV, but was it worth the tedious development time? No way in hell. The game looks good but like many open world games feels mostly lifeless and empty, and of the four main characters only one of them is likable and isn’t even playable in the game’s vanilla form. The story is a broken mess that requires other forms of media to fully grasp (dick fucking move there, Squeenix) and the summons coming at random times serves as more of an annoyance than anything, especially since they always seem to show up except during times when and where they’d be useful. It also doesn’t say good things about a company’s management when a game can sell millions of copies in record time as well as do gangbusters on downloadable content and then still manage to lose over 30 million dollars.

And for the record, let it be known that Noctis is far and away the whiniest and most emo protagonist in Final Fantasy history, which is saying something considering this is a series where one such protagonist’s entire character is being so jaded and world weary to the point that his name is the sound a crying baby makes, and he doesn’t whine and complain as much as Noctis does.

Just because you’re a cop or a soldier, that doesn’t automatically make you a good person

I’m in favor of police and law enforcement and even though I believe our military budget makes Caligula himself look frugal in comparison I do support our troops. Having said that, being a cop or a trooper doesn’t mean jack shit if the person under the uniform is a complete and utter scumbag, which happens more often than many care to admit. In fact some people, many people, become cops and soldiers not to protect and serve or out of a sense of honor and duty, but simply because they like making others miserable and want to do it for a living. There’s a reason songs about fighting the law and unflattering depictions of authority figures date back as far as authority figures have been a thing. Respect is earned, not given.

‘White Nationalist’ and ‘Nazi’ are the same things

Calling a Nazi a white nationalist is like calling somebody who abuses their spouse a rough lover. Stop beating around the bush and tell it like it is. Also, don’t debate Nazis, punch them. Punch them as hard as you fucking can. If they punch you back, punch them again, and again, and again until they either run away (which most of them do) or stop moving. Trust me, nobody is going to miss them. That goes double for the alt right. Oh, and speaking of which...

Far Cry 5 chickened out

As somebody who grew up in a dead gold mining community that was mostly Catholic, when the first trailer for Far Cry 5 came out I was stoked as hell for the chance to gun down religious fanatics and skinheads in a place in rural America that didn’t look all that different. Then the game came out and it was abundantly clear to anybody that something somewhere in the game was changed at the last minute. Some have argued that it was their intention from the get go, others claimed they didn’t want to alienate their core demographic. It doesn’t say nice things about your core demographic if you’re worried about depictions of white supremacist cultists scaring them away, but okay, fine. Then make a game that takes place during the decline of the Ku Klux Klan, or in a post World War II Europe where you hunt Nazi war criminals, or failing that make something akin to Black Dynamite or a wacky 70′s Kung Fu movie where everything is purposefully over the top and exaggerated, I don’t care! All your other games have you gunning down hordes of brown people, let people like me and my husband kill some skinheads god damn it!

If you still support Donald Trump after all the vile and abhorrent things he’s done, you’re a bad person

There’s no beating around the bush on this one. I don’t blame people who were swooned by this conman thinking he’d genuinely make a good president and have since regretted their decision. I have nothing but sympathy for them. No, I’m talking about the people who STILL trip over themselves to defend this vile, homophobic, delusions, misogynist, narcissistic bigot. Like when he called Nazis “very fine people,” or is still pushing for a stupid wall along our border that will be bested by two extension ladders and a pair of tin snips. The travel ban, the rollback on regulations that kept food insecure people fed, kids dying in his fucking concentration camps, yeah, no. He’s a treasonous scumbag who deserves to be locked in an 8x8 cell until he rots, and if you still support him then you can claim the top bunk.

Climate change is real and coal can fuck off

Coal is dead. Let it lay down and rot. What, coal is your only source of income in the area you live in? Then move somewhere else! You think I would have left my hometown if there were any opportunities other than timber, fishing, and tourist traps? Sorry, but the longer we stay in the past with coal the lesser we can look forward to a future where a planet can sustain human life. If we want our planet to live then coal needs to die.

No, the left isn’t “just as bad” as the right

This is a fucking gas lighting farce that immediately falls apart when put under scrutiny. Are there extremists and crazies on the left? Of course there are, but they’re entirely different beasts as those found on the right. The left is more of a “eat enough kale and you can talk to dolphins” or “sleep with crystals under your bed and you can see the future” kinds of crazy, whereas the right is more of the “kill all the queers and let the brown babies starve” kind of crazy. Oh, and to each and every single person who said “Clinton is just as bad as Trump,” y’all can cover your reproductive organs in honey and stick them in a mason jar filled with live bullet ants and tarantula hawks, you ignorant scare mongering shitheels!

“Captain Marvel doesn’t smile!”

So what? She’s a space Navy Seal, not a boy scout like Captain America or Superman; she’s not supposed to smile.

No, the ‘alt left’ doesn’t exist and Antifa aren’t the same as Nazis

Are Antifa breaking the law? Yes. Should they be held accountable for their actions? Yes. Are people who want to kill Nazis exactly the same as people who want to exterminate the Jews and subjugate anybody who isn’t white while wiping other people’s culture off the face of the Earth under an authoritarian rule? Hell to the no and “Antifa is just as bad as the Nazis” is right up there with “Vaccinations cause autism” and “the Earth is flat” on the scale of “If you believe this, you are STUPID.” If Nazis and white supremacists went unopposed they’d go around raping and murdering Jews and non whites until there were absolutely none of them left. You know Antifa would be doing if there weren’t any Nazis around? Sitting in their crappy apartments smoking weed, sipping craft beer, eating pizza, and laughing their asses off at 20 year old Saturday Night Live skits. Ooooooh, scary! Yes, Antifa are assaulting people and destroying public property and yes they should be held accountable for their actions. But I’m not going to pretend, even hypothetically, that Nazi apologist scumbags like Tucker Carlson having his door banged on or actual Nazis like Richard Spencer getting punched in the face is on the same playing field as babies being put in cages, innocent black people being murdered by cops, or Jews being put into ovens, you fucks!

New She Ra is better than Old She Ra and 80′s cartoons in general

If you don’t like the new She Ra and prefer the old one, fine, you do you, but don’t act like the original is “So much better” because it isn’t at all. The villains were jokes, the animation was beyond cheap, the characters all looked the same, there were stupid talking animal sidekicks, and the story went nowhere really fucking fast outside of “Bad guys are doing bad guy stuff, our heroes must stop them” because they were commercials to sell toys. Nothing more, nothing less. If the new She Ra isn’t your bag then that’s all well and good, but don’t be a stupid asshole about it, talking about how it wasn’t featured at PowerCon like it’s a big fucking deal when only sad dorks like us give a shit about conventions, or whine about how you’re being oppressed and censored because a 16 year old isn’t rocking 44DD’s, or talk about “CalArts style” like that’s a real goddamn thing. Oh yeah, and speaking of which...

“CalArts style” is not a thing

Shut the fuck up, no it isn’t. It’s a stupid, meaningless buzzword hurled at people who never fucking went to CalArts in the first place. If you’re perplexed as to why modern cartoons all look like Steven Universe, the simple fact is that cartoons are made predominantly for children and shows are made to be aesthetically pleasing to them. With shows like Adventure Time, Regular Show, Steven Universe, Star vs the Forces of Evil, and Gravity Falls being soaring success stories while shows like Young Justice, new GI Joe, and 2011 Thundercats ambitious failures, it’s obvious that formal abstractionist non angularity is in while aspirational human physical fitness is out, and a big reason the latter was even a thing in the first place is because they were toy commercials first and there were only so many variations on plastic molds to form the fucking action figures and because it was the 80′s and Arnold was the biggest star at the time.

“Star Wars: the Last Jedi” is a good movie and fanboys can eat bantha poodoo

I’ve heard all the reasons for why The Last Jedi is a bad movie and they’re all either stupid nitpicky bullshit or meaningless fanboy gripes. I could write an entire essay debunking those reasons point for point, like how the reason Holdo didn’t tell Poe a damn thing because no admiral would ever a tell a lowly grunt anything about their plan, especially after being demoted for being a hotheaded little fuckup. Or that Rey being related to Obi Wan or any previous Star Wars character didn’t happen because that would have been stupid and the definition of predictable. Or that the reason Akbar didn’t do the suicide run is because he’s a meme that the general audience doesn’t give a shit about and that there’s no way in Hell that the Mouse would allow a character named “Akbar” to do a suicide run. Or that Kylo Ren not being an intimidating villain is the whole point and that you’re supposed to hate him because he’s a petulant Darth Vader wannabe and a snake to boot. Or that the effectiveness of said suicide run, where Snoke came from, or the state of the Resistance by the end of the movie, or that any other so called ‘plot hole’ doesn’t matter because this is a movie about space wizards for children and paying obsessive attention to meaningless and pedantic details is exactly how we end up with stupid subplots in the Beauty and the Beast remake and Metropolis and Gotham City being across the river from each other! But the biggest one is Luke wasn’t portrayed as some Jedi Clint Eastwood (why fanboys want that eludes me; the EU did that a few times and they were all terrible) and that him exiling himself doesn’t make any sense.

Sorry, but no, Luke running off to a far and unreachable island makes perfect sense. For one, it’s kind of a thing that disgraced Jedi do, and for two, Star Wars is a fairy tale in space. All of the characters draw inspiration from characters and archetypes from fairy tales and fables of old, and the one Luke Skywalker resembles most (largely by design) is King Arthur. Think about it. Common boy who doesn’t know who his real parents are, meets an old wizard, gets a legendary sword, discovers he’s of noble lineage, tags along with a few colorful characters, goes on a quest that’s bigger than him and the life he knew, hits a few bumps down the road, and then eventually he saves the kingdom by overthrowing his father who once was a great man and a hero but gave in to power and corruption and became a dark reflection of his former self.

You will never unsee that. 

Oh yeah, and remember how things turned out for King Arthur in the end? He started a whole new kingdom, he had a few good years, he grew arrogant, things started to fall apart, and suddenly he and everything he worked to build up were undone overnight by a younger, more vindictive relative. Disgraced, Arthur was whisked away to an unreachable island deep rooted in his own legend and mythology where he remained until Britain had fallen to darkness and needed him again. Now of course Britain as we know it has yet to see such a thing (we’ll see how Brexit turns out) but Luke did exactly that. And no, sorry fanboys, but The Last Jedi wasn’t a failure in any sense of the word. It grossed over a billion dollars, received critical praise, the DVDs and BluRays sold like hotcakes, and was adored by kids, teenagers, and young adults, the primary audience that Star Wars is for in the first place. And I don’t give a shit what the audience score on RT says, because for one aggregate sites are a blight on film criticism and we went from this;

“Batman v Superman and Suicide Squad are AMAZING, Rotten Tomatoes is biased and paid off by Disney!”

To this...

“Star Wars: the Last Jedi is TERRIBLE, Rotten Tomatoes says so!”

In just over a year. To say nothing of the fact that what you’re currently saying about The Last Jedi was also said about The Empire Strikes, and like ‘Empire’ twenty years from now people will look back on the fanboy outrage and say “Wow, what a bunch of babies.” And before the inevitable response...

“But Solo bombed because of The Last Jedi!” 

Nooooo, Solo bombed because it came out right between Infinity War and Deadpool 2, was rife with development issues since day one of production, it was aimed overwhelmingly at fanboys obsessed with Star Wars deep lore answering questions that the general audience doesn’t give a shit about, nobody was even interested in the thing until the Lego Movie guys were signed on for a hot second, moviegoers aren’t currently hurting for cocky space cowboys...

...and because of the simple fact that it’s a solo movie about Han Solo...and it’s not 1995 and Harrison Ford isn’t in it. See, fanboys don’t realize that just because nerd and geek bullshit is mainstream now doesn’t mean that everyone is now a fanboy deep rooted in everything from where the characters are from to where they’re going, because when people say “I love Star Wars and Han Solo is my favorite character” what the vast majority of them mean is “Those movies with the space wizards and the laser swords are a lot of fun and Harrison Ford is a great movie star.” That’s it. That’s extent of why people like Han Solo. Sad dorks like us may care about stuff like where and when he got the Falcon, how he met Chewie, where the dice came from and all of that and more, but the general audience just wants to see Harrison Ford do cool shit in space. That’s it. To say nothing of the fact that nobody was even interested in the spinoffs in the first place. When Disney announced that they were making episodes 7,8, and 9 everyone went “Oh Hell yes, sign me up!” Then when they followed up with that they were also making spinoff movies about stuff that happened off screen or between movies the same audience was like “Oh...well that’s neat, I guess.”

And no, that stupid fanboy boycott had nothing to do with. Even the dude who started that petition to strike TLJ from canon admitted that he was in a bad place and that he was being stupid and angry, and I can promise you that all the shrieking dorks on Youtube are the buzzing of flies to Disney. If that crowd had any box office and movie making decision influence whatsoever, the next spinoff we’d see a trailer for would be “My Twi’lek Waifu: a Star Wars Story.”

PewDiePie is the worst thing to happen to video games this side of the gaming crash of 83 and he needs to fuck off

Yes, you read that right, and I don’t say that lightly. All sorts of terrible things have happened in the gaming industry since the gaming crash of 83. The console wars, the Atari Jaguar, the Philips CDi, Jack Thompson, the death of the Dreamcast, WoW, an entire console generation packed to the gills with homogenous gray and brown shooters with protagonists who all looked the fucking same, GamerGate, microtransactions, DLC abuse, the death of Maxis, an increasingly toxic fandom, “women are too hard to animate,” the degradation of E3 from a showcase of the biggest and bestest in gaming to a corporately sponsored circlejerk of self congratulatory backslapping and so much, much more.

I don’t care how much PewDiePie gives to charity, or how many fans he has, or how many people think he’s just the greatest, because he’s not. He’s an embarrassing, stupid asshole who constantly gets busted for making stupid racist jokes and by extension making his fans and everyone who has even the vaguest ties to the word ‘gamer’ look like stupid, racist assholes. He’s a corporate ass sucking apologist who gives exposure to anti Semites and racist wastes of space to his audience of mostly 10 to 15 year old boys, and he’s more terminally obnoxious than an Adderall addicted Pomeranian. 

The day he posted his first video of him overreacting to a jump scare while making loud screeching noises on top of edgy rape jokes was the day the progress of “gaming as an art form” was shot between the eyes, placed in a box that was then filled with concrete, and thrown into the ocean. He’s a dumbass man child that’s making all of us look bad and he needs to take his millions worth of corporate sponsorships and fuck off forever into some dark, lonely corner of the Internet where he’ll never be seen or heard from again until an inevitable meltdown that lands him on an episode of Down the Rabbit Hole.

And that concludes this post. I’ll give my final thoughts tomorrow, and on Saturday I’m closing this account forever.

[truthbeetoldmedia]

The 100 6x05 "The Gospel of Josephine" Review

Y’all breathing okay? I think there were a few times when I held my breath this episode and boy howdy! I’m glad The 100 can still give me those moments. Now let’s dive right in to the episode:

Bonjour Josephine!

Last week we got a tiny bite of Josephine. Tonight we got the whole "gâteau opéra”, emphasis on “opera”, for the story of the Primes seems to be a long and bloody Shakespearean affair on an alien moon. Jaux!Clarke (see what I did there?) has barely fired up her silicone memories before she dispatches poor Kaylee with a cheese knife. Apparently Kaylee assisted, or at least didn’t prevent, Josephine’s last host body’s “death”, and she’s been on ice for six years waiting for a new host to be born and grow up. (Which we learn later is because they need a fully developed over-21 adult brain to host an adult’s memory chip, as they overload and kill child hosts. Glad we don’t have to see how they know that.)

Apparently Russell and Simone “jumped line” to bring back Josephine so I’m assuming it’s setup like an organ donor list, except people wait actual decades to talk to their loved ones again. The price of eternal life, eh? Also I can bet there will be some VERY unhappy Primes once they find out Russell and Simone cut line to get their daughter back amongst the living. Josephine seems to be hardened by her long life, and thinks very pragmatically and cold. She has successfully “other-ed” everyone except her loved ones...which is not comforting but also, I can’t help but think the gang would be very happy to have old Clarke back when they get a taste of real cold indifference from Jaux!Clarke.

Her “parents” give her time to adjust and we see Jaux!Clarke painting while dancing to French rap — a sentence I never thought I’d type for a sci-fi show review. She’s of course been given a task: find out how many nightbloods, aka hosts, our Space Popsicles have (since we really can’t call our gang the 100 or the delinquents anymore I’ve decided to call them this, fight me) to keep the Primes from becoming extinct. How hard can it possibly be to pretend to be Clarke right? All I thought was give Bellamy Blake and Jordan Green 10 minutes alone with her and she will figure that out real quick. (Also I was SO pleased to discover I was correct with guessing those two!)  

Space Popsicle™️ Fam finds skeletons in the closet!

Jaux!Clarke meets up with Bellamy, Jordan, Gaia and the rest of the SpacePops™️ Fam and starts acting weird immediately. (Subtle at first but someone forgot to check if she knew Trig ha!) She dodges her first bullet and finds Abby to try and find out how many nightbloods might be on the main ship, only to hear herself called a monster and have Abby compare her book to the Eugenics books of our time. I enjoyed seeing her squirm at Abby’s assessment of her book, though Abby doesn’t have a lot of room to judge...

When Abby questions why her left-handed daughter is writing with her right hand, Jaux!Clarke needs to find a reason to exit stage left and she sees Bellamy and Murphy looking for Jordan and follows them. They find Jordan in the spooky science closet full of skeletons (subtle the Primes are not) and Bellamy is of course in full Dad mode™️, asking Jordan what the heck he’s doing. Jordan delivers quite possibly my favorite line of the season, thus far:   

“What you would’ve done, The you before Praimfaya, anyway. Heart over head. That was always my favorite Bellamy.”

Monty and Harper's son, ladies and gentlemen!! Y’all I nearly jumped to my feet and clapped! Because that Bellamy is also my favorite Bellamy! And this whole season is a little odd feeling to me because Bellamy already feels like he’s been body snatched. Let’s hope this wonderful line delivered with perfection by the fabulous Shannon Kook is a sign we will get some old “I say, screw fear. I’m telling my own damn story” Bellamy Blake back this year! (Can I get an amen!)

Back to the science skeleton closet:

Jaux!Clarke Tries and fails to lure team SpacePops™️ out but Jordan and Gaia keep digging around and they end up watching the first “successful” upload of Josephine by Gabriel and her now very old looking father (og body) Russell. We also learned it took 25 years for them to develop and perfect the AI tech and lord knows how many corpses to get there.

We don’t know yet but I have a feeling we can guess the “old man” is Gabriel and “the Children of Gabriel” are followers against the “Primes ways” and are a result of him regretting playing God to get Josephine back and exiling himself once Josephine and fam got a little to unhinged about “hosts” and “nightblood”, leading others to follow his example. After Jaux!Clarke calls Murphy “John” and says a few other strange things, Bellamy asks to speak to her alone and, I’m just saying, if you watch this scene you see that Bellamy already KNoWS this isn’t “normal” Clarke. He isn’t sure what’s wrong yet, but he knows enough to test her and he can tell she can’t really understand what he’s saying in Trig! So he pulls a signature “Bellamy” move and yanks her back by the throat and starts asking questions because he’s now officially in panic mode —

BUT alas! She had a syringe of that lovely paralytic on hand just in case and the last thing we see in this scene is the horrible realization in Bellamy’s eyes as he lies helplessly paralyzed on the ground: there is a cold stranger behind his best friend’s beautiful blue eyes...and he cannot process his fear and loss fast enough. Welcome back heart over head Bellamy, we’ve missed you!!

Cut to Jaux!Clarke finding Murphy in the bar and revealing her true identity and confessing “Clarke is dead. My parents killed her” (listen I don’t buy it kids) and offering our favorite morally questionable cockroach something he might not be able to pass up: eternal life. Given his recent brush with death and sudden fear of hell….oh boy! It’s gonna take him a minute to realize he should help his friends, I just hope he realizes that before he’s made a full deal with the devil.

Diyoza and the Brat

This pair is a surprising team up, but if I have to suffer through Octavia’s “redemption” they couldn’t have picked a better reward than my favorite Season 5 addition (besides sweet Shaw! I’m still bitter about that guys) DIYOZA! Sassy, amazing fighter, the universe’s longest known pregnant lady. I could watch an entire show about her. (Also Ivana Milicevic is a dream in this role.) She’s the gift that keeps on giving, cool as a cucumber while stuck in space quicksand as Octavia is about to go under because she cannot be still for one second. Probably because if Octavia’s quiet she’ll think and with that comes dark thoughts: how she failed as a leader, how she was willing to abuse, torture and maybe even kill her brother, how her brother, the one person who she thought would always love her through her greatest faults, finally couldn’t take anymore and rejected her. She doesn’t have anything left to lose. Rock bottom meet Octavia Blake, Octavia Blake meet rock bottom.

Now I know I sound harsh but after Season 4 I was beyond seeing her as anything but a villain. I know she is on her way to redemption, but I’m glad they are giving her the long way through the dirt and mud, letting her soak in the cage of her own making a while. And giving us the wonderful Diyoza to lighten the mood. I am all for unsuspecting road trip buddies in shows (Arya and the Hound anyone?) but unfortunately so far all Octavia’s done is try to murder people, throw tantrums, and sulk. Oh well, at least Diyoza is getting in some practice for when she finally gets to have her 200-year-old baby! Really though bless her heart, she deserves some kind of sainthood for this.

Mount Weather + City of Light + Commander worship, shaken not stirred

I actually dig the intersecting of all the “bad guy” storylines into one big villain origin story wearing Clarke’s face. If nothing else it’s a poetic rehash of all the previous seasons, but refreshing enough to not seem stale...for the most part. I grow tired of the Flame/commander story and miss the more simple “teens surviving the unknown my learning to depend and care for each other” story of the first few seasons. BUT considering Season 5’s underwhelming last half, if there is one thing I can say about Season 6 of The 100...it’s not boring! And for a show that sometimes paces the plot too fast I was actually okay with that this time around! I did not want it to take three episodes for our fave family of 150 year old space popsicles to discover Clarke is “dead”. Also I am so glad it was the magic duo of Bellamy and Jordan that made the realization first.

Final thoughts

Eliza Taylor has grown so much as an actress over the seasons! She looks like she had so much fun playing Jaux!Clarke and she gave her such a different “spirit” than our usual worried and sometimes snarky but mostly serious Clarke Griffin. Just the way her eyes dance lets you know it’s not “real Clarke”.

I neglected to mention the importance of Jordan knowing “Delilah” before her change to Priya VII, so his spidey senses also go off around Clarke because he knows what a person who just got body snatched acts like! When he took “Delilah” the flowers I was like my poor son.

This episode was great because the focus was tighter and had fewer characters to keep up with! (Listen I love ensemble casts but they have not given Raven a strong independent storyline since Season 4, and I love Emori but she doesn’t really have a lot to do at the moment either, as for Echo...why she was made a main character when Harper was right there all those seasons? I’ll never know.) All that to say, I like when they break up the cast a bit and just focus on a few at a time to really get that interpersonal development between characters. That used to be the bread and butter of this show. Don’t get me wrong, I still love The 100 and find it unique and fun and twisty and exhilarating and at times beautifully heartbreaking.

(Episodes 1x05, 1x07, 1x13, 2x15, 2x16, 4x13 and 5x13 are perfect examples of this.)

But I do yearn for those slower, deeper days of, say, a boy and a girl grappling with the moral quandary of torturing a stranger tied up in the cockpit of a crashed spaceship to save a dying friend. Sometimes bigger and shiner isn’t always better. But no matter how this season goes, The 100 is still one of my favorite TV shows ever, and deserves a spot up there with a lot of other great sci-fi dramas of the past two decades.

As of now all I need to know is: where the heck is Bellamy Blake and is he okay?!

Gina’s episode rating: 🐝🐝🐝🐝

The 100 airs Tuesdays at 9/8c on the CW.

[theharellan]

dragon age positivity meme | accepting

i’m going to be answering these in one post for the sake of simplicity and cutting down ooc posts!

✾ your favourite da:o main quest | sent by @cuervocanto

my actual favourite quest is paragon of her kind, but i talked about why i love that one here. and yes, i don’t even rly mind the deep roads.

my second favourite is probably the landsmeet, especially taking into account that it has some sub-main quests that are grouped together under the umbrella of preparing for the landsmeet. such as resucing anora, breaking out of fort drakon, and solving the unrest in the alienage. i find returning to the alienage as tabris second to aeducan returning to orzammar, but it’s still very interesting coming back to a place where you grew up with no power, suddenly having power. and regardless of origin the worldbuilding is good, immediately the fact that you’re barred from the alienage upon initially entering denerim tells you a lot about the state of elves in ferelden. the choice at the end isn’t particularly difficult, “slavery is bad” isn’t a controversial opinion even in ferelden and so even the warden i created with the intention of being That Kind of Human couldn’t choose that option, BUT it does make for an emotional choice when playing tabris

as for rescuing anora and breaking out of drakon, i just love the humour in the quest. i never have my warden break out themselves just so i can have the companions bullshit their way in. my personal favourite combination is zevran and oghren, although i do enjoy morrigan-leliana and sten-dog, as well. i think my fave thing about oghren and zev tho is that iirc they’re one of the most successful combinations.

as for the landsmeet itself, it’s not particularly challenging, but i enjoy the variety of options you get and how it changes the game going forward. like, in every game anora is queen for me in some capacity, but beyond that i’ve had a bitter king alistair working with a warden who recruited loghain, loghain and the warden alone, etc. i enjoy the politicking and making an alliance with anora. it’s enjoyable even on replays.

❄ your favourite da:i personal quest | sent by @pentaghasted

my actual favourite personal quest is cole’s, which i talked about here. instead i’ll talk about iron bull’s b/c i’m glad they committed to what they started in trespasser and i also appreciate how the choice is set up. most of us save the chargers b/c the lot of them stole our hearts in the two scenes they were in, but unlike some other choices in the series choosing the sadder/arguably worse option doesn’t require you to be roleplaying as an evil bastard to choose it.

so like, most games i save the chargers, but my playthrough where i’m playing a practical trevelyan-- she goes with the qunari dreadnought. the chargers were assets, but a qunari alliance could have been more beneficial in the long term. heck, even my inquisitor who saves the chargers feels a lot of guilt about it-- because even if she didn’t know the people on the dreadnought, there were a whole lot of them, and her decision got them killed. she needed to show she cared for her own people first, but that doesn’t mean they didn’t matter.

which contrasts this personal quest for something like... say, fenris’s third one, which don’t get me wrong, is very emotional. but i cannot fathom why a hawke how kept fenris around for all that time and clearly spent time talking to him would just say “yeah you can take him” its just kinda over-the-top cruel. so i am glad when i can roleplay the alternate decisions i ordinarily wouldn’t make.

and i love seeing the quest’s differing effect on bull. he adjusts either way, but one puts him on a path where he’s going to be facing you, one way or another. and he pays the price for that.

♦ your favourite piece of lore | sent by @felandaristhorns & @sephirajo

i’ve answered this before the last time i reblogged this meme and answered the dalish mage lore from da:i and rivain just. as a whole. i’m going with the lore regarding elvhenan, though, b/c i think the games do a good job of subverting what we were told in da:o and da2 while also explaining how those misconceptions happened. i love going back to the previous games and seeing new angles to the lore and the places where they were building up to it. i love seeing the foreshadowing within inquisition itself.

and i just love how elvhenan is characterised, as a hyper-magic society where reality and dreams aren’t necessarily different things. and where feelings are just as physical as every other aspect of a person. it explains so much about the fade, spirits, solas, it makes even comments like merrill’s-- someone with a pretty nuanced view of spirits-- kind of sad. she calls the fade “another people’s land” not knowing that it was her land, and her people.

while i’m on that spirits in general make me sad. how perception screws with them, and how i think that just further isolates mages. for once i don’t think this is a plot by the chantry, i don’t think they’re lying about how they think spirits are, they’re just wrong to characterise them as they do. but at the same time i don’t think they’d disapprove of the effect is has on mages. it’s cutting them off from potential friendships, and not only that but friendships the templars would have 0 way of regulating given they could potential happen in dreams.

but i’m off-topic. the point is i find the worldbuilding surrounding elvhenan, to be some of bioware’s best. it makes sense, it’s nuanced and varied and doesn’t make elvhen characters wear one single hat. clearly it was a heavily flawed place, but it had a lot of merits and you can see why solas misses it or why cole, upon learning that the veil was never meant to be, feels validated by the idea that he was never wrong to want to be a part of both worlds.

♬ your favourite part of the da:i soundtrack | sent by @daggersandpoison

da:i has the best soundtrack in the series and i don’t think this is a controversial opinion. i do love inon sur’s work, and i was a little worried when i heard morris was composing inquisition b/c i found me3′s soundtrack to be overall a step down from me2′s (it lost a lot of what made the mass effect series unique). BUT with inquisition he managed to keep dragon age’s unique sound while also improving upon it. the inquisition theme gives me chills when i start up the game and even while i’m walking around in the field and a few chords play while i’m picking up my 100th elfroot.

but it’s always hard to choose my favourite. it’s honestly a tie between journey to skyhold and the dark solas theme. both of these give me specific solas feelings, the former b/c you have solas entrusting a lot of hope and faith in the inquisitor (it’s esp poignant if by that point you have a burgeoning friendship with him). and b/c it comes off one of the strongest moments in the dragon age series, aka the battle of haven and encounter w/ corypheus. also i love the dawn will come, fite me. and from my inquisitor’s perspective, esp my main inquisitor, thora, this is probably the first time she’s felt like she was worth all this herald talk. even if she doesn’t believe it, the song beginning with a soft, unsure sound and rising to a triumphant end when skyhold is unveiled encapsulates what i love about the inquisitor’s story and my inquisitor’s personal feelings.

dark solas theme i love b/c it conveys so much of the sadness and loneliness of his character. i would talk more about it b/c it makes me so sad i literally can’t listen to it unless i’m writing post-trespasser solas and even then it’s risky. it’s just a good track ok. and it caps off my favourite dlc.

ღ your favourite da:i banter | sent by @renaudtrevelyan

i talked about some banter i love here between bull and solas. i have to admit i have a hard time choosing my favourite in da:i b/c i just love so much of the banter in this game. i always tell myself not to choose solas banter, and i’m going to... choose one solas and one non-solas.

Solas: I do not understand you, Sera. You have no end goal for your organization. Sera: Nobles get rattled, and people get payback. I play in the middle. Solas: Why not go all the way? You see injustice, and you have organized a group to fight it. Don't you want to replace it with something better? Sera: What, just lop off the top? What's that do, except make a new top to frig it all up? Solas: I...forgive me. You are right. You are fine as you are. Sera: You hurt my head sometimes, Solas. Solas: Yes, I have been known to do that.

this banter is great to me (and all the banter leading up to it) b/c it informs so much about both of their characters. solas is trying to help sera, in this string of banter. he’s trying to give advice so that the red jennies could potentially become an organisation that does more than makes little people’s lives better with pranks or the occasional knife in someone’s back. it’s a conversation between two characters who are, in different ways, absolutely sick of the system and have different ways of dealing with it.

solas wants change. sweeping, societal change. sera isn’t sure change will help any, and would prefer the relative stability of a pre-breach world where she knows which way’s up. neither is wrong to deal with it the ways they are, and solas just has to look at the top he lopped off to see that, yes, they grow back just as bad. idk i just love solas and sera a lot and i love seeing what they have in common and how they handle their frustrations differently.

Sera: I don't get it. If you want to change, just change. Why this "fake Warden" rubbish? Blackwall: For one, people wanted me dead. Being someone else kept me breathing. Blackwall: And then, knowing that people thought I was good made it easier. Sera: (Laughs.) You needed them to think you could, so you could think you could! Sera: You're smart, but you're sort of stupid.

i’m picking another sera banter b/c i love her. i love sera b/c she’s smarter than ppl give her credit for, she cuts through why rainier did what he did the same way cole does. their relationship on the whole is very sweet and it was hard choosing one banter. but i appreciate her ability to both love and support thom while also calling him out on his bullshit. the two of them are good for each other and im so glad they’re friends. my only regret is i’ve never seen thom as sera’s best man in wedding art. or sera as blackwall’s for that matter. their friendship needs more love-- actually, sera just needs more love period.

☄ your favourite da:i codex entry | sent by @chantrysworn

i love this codex entry, describing wisdom (solas’s spirit friend):

When the summoning ritual was complete, the spirit appeared. Both spirits and demons have no gender as we understand it, but this one, much like the rare and dangerous desire demon, presented as female. Although its form was not threatening, the spirit carried itself with a confidence, an awareness, I suppose, that I have seen only in the most powerful of demons.

This spirit of wisdom was polite and courteous. It answered our questions about the Fade, even acknowledging the difficulty when we could not understand what it meant. There was none of the bargaining one normally associates with a summoned creature, save that the spirit sometimes asked us questions as well. Heras shared a mathematical formula he had recently proven, while Etrenne explained her study on magical themes in the Chant of Light, and young Rhys talked a little about his mother.

When we were finished, the spirit thanked us for the conversation and then vanished, although none of us had dismissed it. We soon discovered that the summoning ritual we had devised was critically flawed. The spirit had been under no compulsion to come or remain. All the time it had talked with us, it had stayed of its own volition. Heras was greatly concerned that such a powerful spirit remained free, and has updated the ritual to correct for the weakness in the binding enchantment. I understand his caution, but I also confess that I quite enjoyed the conversation. I am not certain the spirit would have talked so freely had it been shackled at the time.

—An excerpt from Spirits of the Spire by Senior Enchanter Francois

you can see so much of why they were friends in this codex. the politeness, answering and asking questions, no bargaining just a nice conversation where both parties learn things. and then you find out it never had to show up in the first place, it just wanted to-- and likely would not have been as accommodating had it not been free.

it’s great for informing us on a character we tragically don’t know all that well. and also? it’s incredibly sad when you think about what happens to it, it almost makes you wonder if the mages who ultimately bound and killed it would have had better luck simply asking for its protection. solas says something along those lines, but he also says it prefers remaining in the fade (interesting in itself, given that the chantry pushes the agenda that all spirits want beyond it. contradicted by multiple spirits we’ve met tbh, including cole, who actually quite likes the fade).

this codex is also interesting b/c it tells you some about what mages study and do with their time. and it goes back to what i mentioned previously, w/ chantry attitudes depriving spirits and mages of one another’s company.

anyway i love wisdom and it deserved better.