#landmark story

[frc-ambaradan]

Do you know what came out today, 60 years ago?

"Zio Paperone e il kiwi volante" written by Abramo and Giampaolo Barosso and drawn by Giorgio Bordini is Rockerduck's very first italian story and his all time second appearance in comics.

First published on Almanacco Topolino #75 dated 1st March 1963, not only it marked the beginning of John's astonishing italian career but it also holds the merit of starting a brief new strike of stories starring Rockerduck written by american authors, first and foremost Fethry's creator Dick Kinney.

Bordini's Rockerduck is still very similar to Barks', so much so that some poses of the character are reproduced exactly from Barks' drawings in "Boat Buster". "Zio Paperone e il kiwi volante" is the only story in which Rockerduck's drawn by Bordini, starting from his third story the character then ends up in Romano Scarpa's capable hands who defines his ultimate design. A design moved forward by other great artists such as Giovan Battista Carpi and Giorgio Cavazzano.

Barks' panels from "Boat Buster" (1961) and Bordini's from "Zio Paperone e il kiwi volante" (1963) face to face.

Despite being such a corner stone for Rockerduck's character, "Zio Paperone e il kiwi volante" (which translates as "Uncle Scrooge and the flying kiwi") is not a very well known story. In Italy it got re-printed only three times (latest one being in 2006), while internationally it's been published only in Belgium, Brazil, France, Spain, Germany and Turkey with very few re-prints and in pretty old editions too 😔 (I know it's not the masterpiece of the century, but it's a fun 60s story and I'd like to see it get a re-print more often).

Fun fact: in "Zio Paperone e il kiwi volante" Rockerduck and Scrooge address each other as "Mr. Rockerduck" and "Mr. McDuck" and they use the courtesy pronoun "voi" (second person plural). They keep being... err... "formally civil" to each other until 1966 but only in stories written in italian, while in translated works (such as stories produced by Disney for the foreign market) they are on first name basis 🤷

"You'll have to walk over my dead body!" "That's exactly what I intend to do!" Their first italian brawl, rigidly on courtesy pronoun basis... history!

[halloawhatisthis]

I was dying, and no one could see it but you. You saved my life, Joan.

[pratchettquotes]

There was a village tucked in a narrow valley between steep woods. It wasn't a large village, and wouldn't have shown up on a map of the mountains. It barely showed up on a map of the village.

It was, in fact, one of those places that exist merely so that people can have come from them. The universe is littered with them: hidden villages, windswept little towns under wide skies, isolated cabins on chilly mountains, whose only mark on history is to be the incredibly ordinary place where something extraordinary started to happen. Often there is no more than a little plaque to reveal that, against all gynecological probability, someone very famous was born halfway up a wall.

Terry Pratchett, Equal Rites

[claudia-kishi]

What is different now?

[queen-mabs-revenge]

there is something so exceptional about the audio form and the kind of...meta-narrative (?) of horror it creates that really leapt out at the end of this re: dracula episode (25 Sept).

seeing the runtime of each episode sets the scene - 27:06? ok, i'm in for something here -- we have a few, uhhhhh, long-winded characters in rotation so it might not be an eventful something, but at this point in the story, we've already been gutted by episodes with longer runtimes so just glimpsing the runtime already sets the scene for heightened dread. you might set aside time to experience the dread instead of maybe quickly listening to a minute long episode wherever/whenever you are.

i luckily got to listen through without interruption and so i was only vaguely aware of the passing time in that approximate way one's body clock ever is. so as this episode came to a close, and mina asks van helsing to not reply if he agrees to meet for breakfast, the dread spiked

i didn't know how long was left in the episode -- the music was still lingering. how much time has it been? 27 minutes? it feels like it could be 27 minutes, but it also feels much shorter? can't be sure. and even if the runtime is nearly elapsed, we know from previous episodes that a telegram can take mere seconds, a journal entry just a few words. is van helsing going to be called away? is he going to cancel the meeting? is mina going to be left alone again with no answers and no friends? with the count and the 'bloofer lady' closing in? how long has the music been playing? holding my breath for the morse code. holding my breath for van helsing's voice. holding my breath for 'letter by hand'. holding my breath for 'letter unopened'...

"this episode featured..."

relief

when reading, you have the unread pages in your hand constantly telling you the story of the progress of the narrative's shape. unless every piece of ephemera of an epistolary story is set on its own separate page, you can see the next item in your eyesight. sure, even if they are on separate new pages, you can see through the printed page the shadows of the text on the next, giving you a subconscious hint of expectation.

with a film, you lose the tangibility of the physical object informing the narrative, but you have other sensory cues - something like a fade to black over the lingering music can manipulate your expectations of narrative completion (and either follow through or subvert them). if you're watching on a device, an accidental activation of the screen or cursor might give you a glimpse of the progression bar, again changing your narrative perception.

with an audio drama you're left with just the one sense as your guide. unless you're actively watching the progression bar as you're listening or actively watching a clock, you just don't know beyond your own imperfect perception of time what you're in for and fuck me the added anxiety because of that is just

whew

[dreaminginthedeepsouth]

The Hotel Chelsea (also known as the Chelsea Hotel and the Chelsea) is a hotel at 222 West 23rd Street in the Chelsea neighborhood of Manhattan in New York City. Built between 1883 and 1884, the hotel was designed by Philip Hubert in a style described variously as Queen Anne Revival and Victorian Gothic. The 12-story Chelsea, originally a housing cooperative, has been the home of numerous writers, musicians, artists, and entertainers, some of whom still lived there in the 21st century. As of 2022, most of the Chelsea is a luxury hotel. The building is a New York City designated landmark and on the National Register of Historic Places.

The front facade of the Hotel Chelsea is 11 stories high, while the rear of the hotel rises 12 stories. The facade is divided vertically into five sections and is made of brick, with some flower-ornamented iron balconies; the hotel is capped by a high mansard roof. The Hotel Chelsea has thick load-bearing walls made of masonry, as well as wrought iron floor beams and large, column-free spaces. When the hotel opened, the ground floor was divided into an entrance hall, four storefronts, and a restaurant; this has been rearranged over the years, with a bar and the El Quijote restaurant occupying part of the ground floor. The Chelsea was among the first buildings in the city with duplex and penthouse apartments, and there is also a rooftop terrace. The hotel originally had no more than 100 apartments; it was subdivided into 400 units during the 20th century and has 155 units as of 2022. The idea for the Chelsea arose after Hubert & Pirsson had developed several housing cooperatives in New York City. Developed by the Chelsea Association, the structure quickly attracted authors and artists after opening. Several factors, including financial hardships and tenant relocations, prompted the Chelsea's conversion into an apartment hotel in 1905. Knott Hotels took over the hotel in 1921 and managed it until about 1942, when David Bard bought it out of bankruptcy. Julius Krauss and Joseph Gross joined Bard as owners in 1947. After David Bard died in 1964, his son Stanley operated it for 43 years, forming close relationships with many tenants. The hotel underwent numerous minor changes in the late 20th century after falling into a state of disrepair. The Krauss and Gross families took over the hotel in 2007 and were involved in numerous tenant disputes before the Chelsea closed for a major renovation in 2011. The hotel changed ownership twice in the 2010s before BD Hotels took over in 2016, and the Chelsea reopened in 2022.

Over the years, the Chelsea has housed many notables such as Arthur Miller, Bob Dylan, Arthur C. Clarke, Patti Smith, Robert Mapplethorpe, and Virgil Thomson. The Chelsea received much commentary for the creative culture that Bard helped create within the hotel. Critics also appraised the hotel's interior—which was reputed for its uncleanliness in the mid- and late 20th century���and the quality of the hotel rooms themselves. The Chelsea has been the setting or inspiration for many works of popular media, and it has been used as an event venue and filming location.

Over the years, the Chelsea has become particularly well-known for its residents, who have come from all social classes. The New York Times described the hotel in 2001 as a "roof for creative heads", given the large number of such personalities who have stayed at the Chelsea; the previous year, the same newspaper had characterized the list of tenants as "living history". The journalist Pete Hamill characterized the hotel's clientele as "radicals in the 1930s, British sailors in the 40s, Beats in the 50s, hippies in the 60s, decadent poseurs in the 70s". Although early tenants were wealthy, the Chelsea attracted less well-off tenants by the mid-20th century, and many writers, musicians, and artists lived at the Hotel Chelsea when they were short on money. Accordingly, the Chelsea's guest list had almost zero overlap with that of the more fashionable Plaza Hotel crosstown. New York magazine wrote that "people who lived in the hotel slept together as often as they celebrated holidays together", particularly under Stanley Bard's tenure. Despite the high number of notable people associated with the Chelsea, its residents typically desired privacy and frowned upon those who used their relationships with their neighbors to further their own careers.

The Hotel Chelsea has housed numerous literary figures, some of whom wrote their books there. Arthur C. Clarke wrote 2001: A Space Odyssey while staying at the Chelsea, calling the hotel his "spiritual home" despite its condition. Thomas Wolfe lived in the hotel before his death in 1938, writing several books such as You Can't Go Home Again; he often walked around the halls to gain inspiration for his writing. William S. Burroughs also lived at the Chelsea. While living at the Chelsea, Edgar Lee Masters wrote 18 poetry books, often wandering the hotel for hours. Welsh poet Dylan Thomas (who lived with his wife Caitlin Thomas) was staying in room 205 when he became ill and died in 1953, while American poet Delmore Schwartz spent the last few years of his life in seclusion at the Chelsea before he died in 1966. Irish poet Brendan Behan, a severe alcoholic who had been ejected from the Algonquin Hotel, lived at the hotel for several months before his death in 1964. Many poets of the Beat poetry movement also lived at the Chelsea before the Beat Hotel in Paris became popular.

Other authors, writers, and journalists who stayed or lived at the hotel have included: Henry Abbey, poet Nelson Algren, writer Léonie Adams, poet; lived with husband William Troy Sherwood Anderson, writer Ben Lucien Burman, writer Henri Chopin, poet and musician Ira Cohen, poet and filmmaker Gregory Corso, poet Hart Crane, poet Quentin Crisp, writer and actor Jane Cunningham Croly, journalist Katherine Dunn, novelist and journalist Edward Eggleston, writer James T. Farrell, novelist Allen Ginsberg, poet John Giorno, poet Maurice Girodias, publisher Pete Hamill, journalist Bernard Heidsieck, poet O. Henry, writer Herbert Huncke, poet Clifford Irving, novelist and reporter Charles R. Jackson, author Theodora Keogh, novelist Jack Kerouac, writer Suzanne La Follette, journalist John La Touche, lyricist Jakov Lind, novelist Mary McCarthy, novelist and political activist Arthur Miller, playwright Jessica Mitford, author Vladimir Nabokov, novelist Eugene O'Neill, playwright Joseph O'Neill, novelist Claude Pélieu, poet and artist Rene Ricard, poet James Schuyler, poet Sam Shepard, playwright and actor Valerie Solanas, writer Benjamin Stolberg, publicist and author Richard Suskind, children's writer William Troy, critic; lived with wife Léonie Adams Mark Twain, writer Gore Vidal, writer Arnold Weinstein, librettist Tennessee Williams, playwright Yevgeny Yevtushenko, poet

The Chelsea was particularly popular among rock musicians and rock and roll musicians in the 1970s. These included Sid Vicious of the Sex Pistols, who allegedly stabbed his girlfriend Nancy Spungen to death at the hotel in 1978; after Vicious's death, their room was split into two units to prevent the room from being turned into a shrine. Numerous rock bands frequented the Chelsea as well, including the Allman Brothers, the Band, Big Brother and the Holding Company, the Paul Butterfield Blues Band, the Byrds, Country Joe and the Fish, Jefferson Airplane, Lovin' Spoonful, Moby Grape, the Mothers of Invention, Quicksilver Messenger Service, Sly and the Family Stone, and the Stooges. The Kills wrote much of their album No Wow at the Chelsea prior to its release in 2005. The Grateful Dead once performed on the roof.

[Chris Stein]

[creaturefeaster]

all drawn with my stupid broken mouse so it's no masterwork but still. here take it!!!!!

[thevegetablewhichnoonedaresname]

I'm starting Mission to Zyxx Season 5 now, and I have feelings about that.

First, it generally scares me when people hype anything up at all because there is no guarantee that anyone values the exact same thing I do to the same degree. Even if I trust the creators of a thing to value something and try to do right by it, that doesn't always necessarily mean it will be successful, especially if that involves doing something wildly different than what made it good in the first place (I have been burned this way before). I guess I'm just hoping they continue the format of goofy improv shenanigans for the majority of it with something more planned and emotional in the finale if they want, like they've been doing all along. I'd think they would, and I've heard nothing bad about the ending, but I guess it still makes me nervous because I'm so close to the end and I want it so badly to stick the landing. I'm setting my expectations on the floor so I can be surprised instead of disappointed, but honestly, I don't need it to be better, I just need it to be on par with the rest.

Second, and more briefly, I'm happy it's (hopefully) ending before it has a chance to decline. I am so on board with that philosophy. But on the other hand, finishing a thing that I really, really like and knowing there's not another one out there gives me a special kind of heartache. Like, I know there will be other good media, and stuff that's good and unique in other ways, but I know for a fact that there are no other podcasts out there that have the same mix of a balance of off-the-wall improv and structured narrative, quality comedy, fantastical sci-fi setting and loveable characters, and high quality production. There are other things out there with many of those qualities, but nothing that checks every one of those boxes. It's a lightning-in-a-bottle thing that very much feels like the right people had to be in the right place at the right time to do it. Attempts to do it again would feel hollow because it had to be born out of necessity and passion and the talents of the people involved, so if you switch out the people it loses the reasons it's great, and if the same people tried to do it again it'd feel tired. That makes me so, so grateful it exists, but also so, so sad that it doesn't, and I'm 80% of the way done. When it's over, it's over.

Anyway. Now that that's all out there, I'm just gonna finish listening and have fun. Wish me luck.

[rabbitcruiser]

Patriot Day

Honor those who died in the September 11th terrorist attacks, as well as those who risked their lives to save others, on the ground in New York and on United 93.

Patriot Day falls on 11th September (also commonly known as ‘Nine-Eleven’) and is remembered globally as the anniversary of the catastrophic terrorist attacks on the USA of 11th September 2001.

Learn about Patriot Day

Embedded in the memories of everyone who lived through it, this was the day four jet planes were hijacked and crashed into the New York World Trade Center and the Pentagon in Arlington, Virginia, causing the deaths of 2,977 people. The fourth plane (United Airlines Flight 93) was directed at Washington DC, but its passengers bravely attempted to take back control and it crashed into a field near Shanksville, Pennsylvania.

The large majority of those lost after the attacks on the Twin Towers were working at or above the points of collision; thousands of people who had gone to work that morning like every other day, found themselves suddenly stranded at the top of a burning skyscraper. A number made the choice to jump from the flaming buildings rather than wait to be caught by the flames or for the building to collapse. No one could forget the terrifying and heartbreaking stories and images captured by the news footage of the day.

In the wake of the World Trade Center collisions, many brave men and women from the emergency services risked their lives to try to help rescue victims of the attacks, and of them 411 lost their own lives attempting to fight fires and rescue people.

History of Patriot Day

Patriot Day is recognized by US law as the official day of remembrance for these tragic events, and has been observed every year since. Each year on this day, American flags are flown at half-staff to honour and commemorate those lives lost. The US President asks fellow Americans to observe a moment of silence at 8.46am (Eastern Daylight Time), the time of the first plane collision into the North Tower of the World Trade Center.

While the events took place within the USA, the shock and grief experienced in response to the attacks was shared across the globe, and for this reason Patriot Day will be observed not only in America, but all over the world.

How to observe Patriot Day

There are a number of ways that you can observe Patriot Day. One way is by paying honor to those who were on the ground on September 11th, as well as those that lost their lives. There are a number of different ways that you can do this. Thanks to the Internet, we are able to reach out to people that we never would have been able to, and so you can always post a message on social media.

If you don���t know much about the attacks because you were too young at the time, it is a good idea to spend some time doing a bit of research about the occasion. On this date, four airliners carrying passengers, which were bound for California from northeastern airports in the United States, were hijacked by terrorists of al-Qaeda (19 in total).

Two of the planes crashed into the North and South twin towers of the World Trade Center in Lower Manhattan. This was United Airlines Flight 175 and American Airlines Flight 11. Both of the 110 story towers collapsed within an hour and 42 minutes. All of the other buildings in the World Trade Center complex collapsed either partially or completely because of the resulting fires and debris.

The third plane crashed into the Pentagon. This was American Airlines Flight 77. This resulted in the west side of the headquarters for the United States Department of Defense collapsing partially. The fourth plane was flown in the direction of Washington D.C. This was United Airlines Flight 93. However, passengers thwarted the hijackers, and the plane crashed into a field in Pennsylvania, potentially saving many lives. 

There is a great film that focuses on the fourth flight – United Airlines Flight 93. The film is called United 93, and it was released in 2006. The film aims to take you through the events of what happened on the plane, focusing on the passengers responding to the hijackers in order to direct the plane away from Washington D.C. The film received critical acclaim, winning a number of awards.

The film is a great watch. It shows how the passengers came together to revolt against the hijackers, despite knowing that their lives were at very high risk. While they ultimately lost their lives in the end, they stopped the terrorists from reaching their intended target, saving many more lives in the process. 

It is also a good idea to use this day to pay honor to the people who died on the 11th of September. This not only includes those on board the aircrafts, but those who died as a consequence of the collapsing buildings and the brave men and women who risked their lives to try and help those in danger. In total, 2,977 victims died on this day, with there being more than 6,000 injuries. Most of the people who died were civilians. However, there were also 71 law enforcement officers who died and 343 firefighters. Why not spend some time reading up on them to show that we will never forget!

Source

[zykamiliah]

me, a bingqiu shipper, watching sns and wangxian being pitted against each other:

someone: but aren't you a sns fan too-

me: yeah and that's why i think sns should lose

[spearxwind]

so does anyone actually know what happened exactly with subnautica below zero? I feel like ive asked this before but i dont recall

all i know is i remember reading developer blogs where they mentioned that the lead writer changed midway through development and there was some sort of situation where the dev team rewrote absolutely everything that the original writer had done to the point where it was unrecognizeable

cause the early access iterations of SBZ had a drastically different story and plot thread, so playing through it on full release was just... not good

[halloawhatisthis]

Elementary playing the long game with Odker (part 1):

1x18 Déjà Vu All Over Again 1x21 A Landmark Story 2x03 We Are Everyone 2x04 The Poison Pen 2x11 Internal Audit 2x13 All In The Family 2x15 Corpse De Ballet 2x16 The One Percent Solution 2x17 Ears To You 2x23 Art In The Blood 2x24 The Grand Experiment

[turuin]

Inktober is over!

Day 31: Landmark.

[claudia-kishi]

If she's that allergic to bee stings, then she's gonna have an EpiPen.

[callmeblake]

From brandongomezphoto instagram stories

(and re-grammed by lsdunes)

Snippet of Past Lives at L.S. Dunes at Furnace Fest on October 5th, 2024 at Sloss Furnaces

[redjaybathood]

That's almost poetic. Everyone thinks bringing down the Lenin statue would wreck up a good part of the city, but it turns out, it's hollow.

It is, isn't it?