#kyousei caps

[koushirouizumi]

{DigiAdv tri.} ~ K Y O U S E I + J E S M O N vs M E I C R A C K M O N ~ C R E A T I N G Yūgami {D I S T O R T I O N}s + O M E G A M O N ~ S L I C I N G O P E N Yūgami

To the D i g i t a l W o r l d

Cap'd by @izzyizumi {DO NOT R E P O S T} {DO NOT R E P R O D U C E MY WORKS WITHOUT MY P E R M I S S I O N UNDER ANY CIRCUMSTANCES} (Please ASK to Use)

[jinrou]

[shoujo-dump]

Hakushaku Reijou wa Kenen no Naka no Elite Kishi to Kyousei-teki ni Tsugai ni saserareru

[fizzingwizard]

[sewerhawk]

Mushoku Kyousei Shuuyoujo Gee So-Lyung & Atsushi Kamakura

[izzyizumi]

Digimon Adventure Last Evolution Kizuna [Bonds] ~ Comparisons vs. Digimon Adventure Tri: Kyousei (Meiko’s Digivice)

Click on top image + open in new tab + right click + ZOOM IN for more full view !!

IS THIS RELATED OR

[keep-on-trying]

Guys. I don’t see anyone talking about this. Is this the Dark Ocean materializing in Human World? Or am I imagining things? Because the whole sequence seems very important, it looks very much like Dark Ocean? I’m screaming!

[fornicaras]

𝑮𝑶𝑻𝑯𝑰𝑪 𝑳𝑰𝑻𝑬𝑹𝑨𝑻𝑼𝑹𝑬.

bold what applies to your muse, italicize what sometimes applies to them. repost, don’t reblog.

WUTHERING HEIGHTS.   the wildness of open spaces. withered trees with limbs like spiders.  abandoned homes.   two souls that are the same.   dying young. the ghost of a girl. revenge that does not satisfy. tapping at the window.  knowing too much of the pains of others. cruelty that doesn’t fade. an unresolved past.  marrying, but not for love.   rolling hills.  hair flying in the blustering wind.  sudden illness.  disinterment. the deep pain of loss. carrying a namesake that is not your own.  facing a storm head on.  an accent thick upon the tongue.  a figure on the horizon, shrouded by mist. aging walls and rotting floorboards. intruding upon the wake of destruction.  wasting away.  together in death.

JANE EYRE.   the madwoman in the attic. candle-flame and burn stains.  soft laughter. a fire roaring in the hearth. silence in the halls. folded hands over modest skirts.  the pain of being wronged. a wedding interrupted at the altar. dark brows. a horse riding up the path. the isolation of a church.   gray skies. landscape as bleak as your soul. finding sanctuary.  a bird flying free from its cage. discovering your worth. returning to a place that feels like home. falling in love in spite of yourself.   schoolyards full of children. lying in bed while clasping a loved one’s hands in yours. hopeless prayers. hiding in an alcove to read.  timid but strong.  being true to oneself above all.

FRANKENSTEIN.   grand prose. the glory of nature.  playing god. the spark of madness that drives creation. stripped down to shirtsleeves. the gritty streets of the city. staying awake too long.  snow-capped peaks. retreating from society. innocent recollections that become twisted. a lost paradise.lightning across a dark sky.  to be destined for one alone.  shouting from the top of a mountain. strewn corpses. the implements of a surgeon scattered across a surface.  a bride on her wedding night.  books left open to gather dust, pulled from shelves. dark circles beneath the eyes. the deathly pallor of a corpse. things alive that shouldn’t be. desiring a love of your own. feeling your soul restored with a bliss that cannot last. icy terrain. unsatisfactory endings.

THE PHANTOM OF THE OPERA.  the long, fatal crack across a mirror. unearthly voices echoing through the dark.   a duet.  snow falling against statues of angels. the lament of a violin’s strings.  resurrected hopes. the sensation of being watched. candles blowing out on their own.  masquerade revelers. unrequited love. the snapping of a noose. an obscured face. the scintillating light of an ornate chandelier. mysterious and inexplicable catastrophes. watching your dreams shatter. curtains drawing back from a stage. devils that are angels. a soft kiss on the forehead. scratches of red ink. long capes and gloved hands. retreating to the rooftop. being led in a trance. love as your undoing and your salvation.

NORTHANGER ABBEY. the turrets of a gothic mansion made of stone. portraits looming above the stairwell. suspicion of all around you. dreaming of grandeur, awaking to normalcy. the sound of a carriage coming up the street. top hats and fine suits. dancing at a ball. the lavish throes of society. the thrill of being introduced. a mystery that goes ignored. chests that harbor secrets. old love letters. thumbing through the pages of a novel. disappointing the one you admire. the appearance of indifference. having your heart played with.   grand rooms housing past memories. mistaken first impressions. affluent personages.  kissing in the garden.

DRACULA.   your life draining out of you.  a castle on a lonely precipice. fog spreading through woodlands. dutifully kept journals. enthusiastic correspondence with one you love. blood dripping down the chin. a tongue stroking sharp teeth. the howling of wolves coming closer. wreathes of garlic hung about the room. rosary beads and crucifixes. violence that spans centuries. tall figures that cast long shadows. disturbing the silence of a grave. the sensation of leaving your homeland. not dead, only sleeping. last wishes. a long and arduous journey. an ominous ship at sea. the sound of shovels in the basement. eerie lights that obstruct your path. goblets of blood red wine. a stake through the heart. to be at peace at last.

tagged by: @kyousei​ !! THANK YOU!

tagging: YOU >:)

[koushirouizumi]

{DigiAdv Tri.} ~ K Y O U S E I + H I K A R I vs " H O M E O S T A S I S " ? Y G G D R A S I L

"GET OUT!!!"

"T O M O D A C H I," - Hikari "..." - Meiko, Notably B l i n k i n g in S t u n n e d S u r p r i s e

"YURUSENAI!!!"

{ "I WON'T F O R G I V E Y O U !!!" }

(Cue f l a s h to Y G G D R A S I L, Above Hikari)

Gifs by @izzyizumi / @koushirouizumi {DO NOT R E P O S T} {DO NOT R E P R O D U C E MY WORKS WITHOUT MY P E R M I S S I O N UNDER ANY CIRCUMSTANCES} (Please ASK to Use)

[shoujo-dump]

Hakushaku Reijou wa Kenen no Naka no Elite Kishi to Kyousei-teki ni Tsugai ni saserareru

[shizibande]

@kyousei

haschwalth has v convenient hair tho. (and shes gorgeous im cryin)

half the time I take it out and the other half I’m like... but... its pretty... lets just...... leave it there... but yeah his caps are the best to work with I find ???

[adventure-hearts]

tri. Chapter 5 - Recap, Analysis, Review [part one]

This is me trying to make sense of of a dense, multilayered chapter that for once brough us more answers than questions. My notes got very long and I ended up taking dozens of screen-caps, so I decided to split this post into four segments (one for each part of the movie). You can expect the others soon, over the next few days.

I hope you survive this!

Chapter 5 (Kyousei - Coexistence or Symbiosis, depending on who you ask) starts where we were left off last time: Mystery Man torturing Meiko in order to make Meicoomon snap, and telling her she should not have been born.

At once, we get another flashback from Meiko's childhood - this time, with a very specific date: Autumn 1999 -- that is, shortly after the events of Digimon Adventure. This has ties with a previous flashback (set in the summer) of Meiko finding Meicoomon in the woods. While the exact time when Meicoomon met Meiko in the human world is still unclear, everything in this chapter points to this meeting happening shortly after August 1-3, that is, after the defeat of Apocalymon.

This flashback shows us two incidents of Meicoomon's past. In the first one, she attacks a group of birds, resulting in loose feathers and a pool of blood, and she soils Meiko's shirt with it. Symbolism aside, it’s unclear what caused the blood: was she hunting or defending herself? Did she “snap” because she was scared, after finding herself away from Meiko? Anyway, this was the first time Meicoomon shown she was capable of being violent.

The second incident is much more serious.

Meiko's father is taking  Meicoomon to the lab to be examined by some Tokyo people. This happens in 1999, when human authorities were trying to make sense of what had happened with the Digimon that summer. Significantly, this seems to suggest that Meiko's father isn't exactly keeping Meicoomon's existence a secret from the authorities; nor does it seem that he’s using his daughter’s Digimon to conduct scientific experiences or anything suspicious.

However, Meicoomon snaps and destroys the lab, injuring Meiko’s father in the process.

We also learn that Himekawa was one of the people who came from Tokyo to see Meicoomon, and her connection to this digimon starts here. This gives us some clues about Maki's age; if in 1999 she was already done with her studies and working for the Agency, so she was at least in her early 20s then. You can do the math yourself, but basically Maki is at least 27 in tri., perhaps older.

Meiko witnesses the incident, in shock. But as soon as shes there, Meicoomon goes back to normal; she’s confused at first, but quickly becomes happy to see Meiko, as if nothing had happened. Maki watches everything with interest. Is this the moment when she realises Meicoomon could play a role in her plans for the Reboot?

Back in the present time, Mystery Man’s plan worked. Meicoomon has gone berserk and is wreaking havoc. The flashback serves to contextualise and explain what’s happening: It seems that what triggers Meicoomon’s transformation is being scared and/or being separated from Meiko -- in other words, Meiko's presence keeps Meicoomon calm and controlled... until now. All this will be explained later in the movie.

Anyway, it’s clear that the distortions Meicoomon is causing are making Mystery Man extremely happy. Digimon start invading the real world, a repetition of both Vamdemon’s invasion and Demon’s invasion.

Meiko calls the transtorned Meicoomon and there’s a tense moment when it seems that she can get Meicoomon to break away from her trance, just like before. Instead, it utterly fails: Meicoomon is confused, screams and agony and finally attacks Meiko. 

Meiko is paralysed and apparently has given up, as she realises that she can no longer reach Meicoomon when she’s in her evil form. As she’s about to get murdered by her own partner, Meiko remembers happy moments they spent together… but fortunately Taichi plays the gallant hero and saves her at the last moment. 

There’s another tense exchange of looks, but it appears that Meicoomon changes her mind about killing her and runs off.

The conclusion from this scene is simple: Meicoomon has snapped so deeply that Meiko can no longer reach her and bring her back to normal; yet, it seems that there’s still something inside her that keeps her from killing Meiko.

Does she? This is the first indication that Meiko’s will to live is perhaps being challenged in Kyousei.  

Takeru recalls Mystery Man’s words about Meicoomon is ��the key to destroying” the world - which seems fitting as they’re seeing the Digital World go crazy under her powers. Meanwhile, Meiko is closer to accepting the truth that Meicoomon may be beyond saving at this point.

* 

Speaking of trauma, we find out what’s going on with Maki. After her reunion with Bakumon went wrong, she wanders around with a gun as she watches the destruction and fantasises that this time she will be chosen. 

What does this mean? Now that the Reboot (the plan she spent years working on) has failed, has Maki lost her sanity? Or is she revealing her new plan, a fantasy that a new crisis will give her and Bakumon a second chance to be “chosen”? 

Either way, it doesn’t seem that Maki is acting out of evil intentions or a desire to cause destruction. Raving, she wanders after her partner....

*

Back in the human world, Digimon are causing major problems. Taichi and Hikari’s mother is watching the news on TV and worrying about her kids. She decides to prepare a huge meal for them, her own little contribution to the cause. It seems that tri. Has picked Yuuko as the representative of the children’s families, and her perspective is an important one - especially in a Chapter that focuses so much on the Yagami siblings.

*

With Himekawa missing, nobody is listening to Daigo, who’s worried about the kids being stranded in the Digital World. He decides to take matters into his own hands and meets with Professor Mochizuki, who apparently is no longer invited to speak at the table during important meetings where decisions are being made. You have to wonder if Homeostasis is also behind this - don’t forget Meiko’s father has an emotional investment in this, meaning he’s probably biased towards Meicoomon (if anything, for his daughter’s sake).

Hackmon joins the conversation and finally drops some important answers. 

Homeostasis only agenda is to protect stability. Libra (Meicoomon) is no longer fulfilling her role in that balance and has become to unstable. This was why she was banished (was this why she ended up on the Real World, perhaps after Apocalymon’s demise?).

Finally, with Meiko no longer acting as a balancing force to Meicoomon’s incredible destructive power, the latter is a loose canon and it must be destroyed.

This seems a pretty heartless decision from Homeostasis, but at least it’s consistent with their role in this universe. If you see things from the perspective of “keeping the balance at all costs” this is a reasonable conclusion. Sentiment has no place in Homeostasis’ job.

*

Meanwhile, the Digital World is trying to kill the Chosen Children (and failing miserably at it; but then, after Sora’s improbable survival last Chapter, maybe they’ve all developed inhuman invulnerability). They seek refuge in a cave and try to make sense of what’s happening.

Hikari is the most intuitive member of the team and the one who has a deeper connection with the Digital World, so it’s fitting that she is the first one to sense this and to convey it to the others. Again, this is a side of Hikari’s personality that plays a big role in this movie.

*

Back in the office, Homeostasis has spoken its sentence. Without Meiko’s protection, there’s no hope for Meicoomon.

*

Then we get the scene by the fire, where we get some very subtle, and some very interesting character moments. Everyone’s core personality gets to shine through. For instance, there’s the funny contrast between Mimi’s childlike comment that they could be seeing shooting stars, and Jou’s deadpan pragmatism:

(You can go really meta and pretend this is a reference to “I wish!) 

Yamato has made his decision and is as determined as possible. Remember that he means just that - “stopping”. After all, they all realise that Meicoomon is the source of this mess and she’s causing all these troubles in the real world. But no one is considering destruction at this point. Taichi is asking Koushirou to find a way to get them home, and he’s trying.

The scene then focuses on Meiko, who’s blaming herself because this time she couldn’t stop Meicoomon. The group tries to cheer her up.

There’s a very nice sentiment there. But, remember, at this point the kids aren’t seeing the bigger picture and they still don’t know what we know. They have no idea that this trouble with Meicoomon can’t be solved with good ol’ fashioned friendship, “believing” in each other, or “accepting each other’s faults”.

Still, this scene beautifully explains the wonderful relationship between the partners, from Meiko’s point of view - specificially how they balance each other perfectly and how each duo has its own dynamic. She’s been paying attention to this. Comparing.

But Meiko is reasonably questioning their assumptions. If Meicoomon is so different, how can their relationship compare? Moreover, the partner bonds seem to have been broken beyond repair. Sora reminds Meiko that she’s stopped running and has accepted responsibility for being Meicoomon’s partner.

But now Meiko’s starting to wonder if the fault is actually on her side - she has interpreted these last events as Meicoomon snapping because of her. She’s feeling powerless, thinking that if she was a different type of partner - a different person - this wouldn’t be happening.

This sentence sums a big theme through out this episode (and throughout this series), as multiple characters come back to this difficult question, again and again.

Consider Meiko’s position at this moment: She knows something is wrong with Meicoomon (she’s always had a “problem”) but now she can no longer do anything to make her stop.  Meiko did everything right: She faced the truth, she believed in her partner, she came back for her -- and Meicoomon just tried to murder her. What if she's the problem? What if a more capable partner could have stopped this?

The main point here is this: Meiko’s right to have doubts and to be scared. This isn’t a repetition of her conflict in the previous chapters, because there has been a definit breaking point in her bond with Meicoomon. Meiko isn’t being cowardly or weak, she’s being reasonable before the facts.

[sewerhawk]

Mushoku Kyousei Shuuyoujo Gee So-Lyung & Atsushi Kamakura

[izzyizumi]

Digimon Adventure x Digimon Adventure tri ~ featuring CHARACTER: Koushiro[u] Izumi [Koushiro “Izzy” Izumi in US dub] (+relationship with Mimi Tachikawa) [+Taichi Yagami] + IMPORTANT DIALOGUES (in Adventures & connecting to tri.) + CHARACTER/STORY PROGRESSION

also known as: KOUSHIRO vs. COMMUNICATION {further a.k.a: Communication Is Hard.}

{the following related quotes and information relates more specifically to Tri!Koushiro. There will be minimal spoilers for both his & Mimi’s roles in tri, without majorly spoiling the ending / plot surrounding Meiko.}

“I WISH THAT KOUSHIRO would act more spoiled and unreasonable instead of always keeping it inside”

“like a 'GOOD BOY’”

“I want him to tell me what he LIKES”

“and” “HATES”

“That’s what being A KID is all about!”

“...Don’t you think so?”

- Mrs Izumi, Adventure Episode 31 (Japanese version)

{... Or maybe it would have been better if you

NEVER SAID ANYTHING AT ALL.}

- {Koushiro, internally, @ himself, Often, Probably} [?]:

Original Posters’ {Mine} Commentary:

{Some Food For Thought TM, Maybe}

(a refresher, of relevant Koushiro backstory potentials from the novels written by Adventure director Kakudou!) {I tend to refer to these passages a Lot when discussing or analyzing Koushiros concepts for Reasons}: [with translations thanks to Onkei; as tumblr refuses to show posts with links in the tags nowadays, please check in comments if you want the links to novels, thank you!]

- from the opening chapters; when lost on File Island

- from the part covering Adventure episode 28; a.k.a. “the Gate”:

“Before now, before he had come to the Digital World, Koushiro had considered himself

an insignificant and WORTHLESS human being.”

{Note: it should be important to be kept in mind that Koushiro within this point of the pre-series story [Novels, above] is 10~ years old and he’s been feeling those things SINCE HE WAS A TINY CHILD [Ages 5~10].}

{“THERE’S NOTHING WRONG WITH BEING [INTO/OBSESSED WITH] COMPUTERS!”} [Note: in novels, it’s translated as “obsessed with”.]

BONUS:

{from later in the same sequence of Adventure #31, above}:

{from later on in Tri; Kyousei ending}:

THE BIGGEST BONUS:

tri. head Director Motonaga: As tri. is connected to 02, the entire theme of this work is depicting what the first generation of Chosen Children would be thinking about as they become adults.

Because the question of what kind of adults they’ll become has already been answered, we’re working on the problem of getting to that answer, in a sort of reverse problem-solving.

(on Koushiro) As Koushiro begins to try changing his clothes in Part 1, he wants to become someone who can do something by himself.

- Otomedia, February 2016 (Digimon Adventure tri. interview) [with translation credit thanks to website DigiLab Blog!]

“what they were learning in Tri.”: (KOUSHIRO):

“ After understanding about himself, GAINS ABILITY TO UNDERSTAND OTHERS. Learns to easily/OPENLY ACCEPT OTHERS’ LOVE TOWARDS HIM .”

- from a post-Tri livestream interview given by Kazumasa Habu (who, along with Kenji Watanabe and Mr. Maekawa, are members) of the Digimon Staff that works with the LCD Virtual Pets [with translation via Onkei]

{pictured: Habu holds up the planning sheet for Tri.}

MIMI - ‘selfishness’{-like quality, aka ‘Jikochu’ in Ketsui} disappears, learns to be courteous towards others

[&] Learns not to expect others to be sweet on her "just because she's a girl." {<- this includes Koushiro Izumi!} learns that when it's necessary, she'll have to get dirty herself and give in to things.

start of {Kokuhaku} / {Confession} [Movie #3]:

(earlier on, as well), {Ketsui}:

{Kyousei} / {Coexistence}; Movie #5: {when she becomes stuck in a familiar-to-the-viewers setting with Tentomon}:

[hey, wouldn’t you know, she’s very clearly not upset with Koushiro anymore?]

{Kizuna}:

[the last we have of Original!Koushiro so far, from the credits; he’s now the head of his own company, having learnt how to UNDERSTAND others while openly ACCEPTING LOVE towards HIMSELF, from the people who CARE about him, {and even simply learning how to communicate in TEAMS}]

(people who CARE ABOUT HM): {ALSO KNOWN AS: HIS FRIENDS} & {HIS FAMILY}

“KNOWING NOTHING is just a chance to learn new things, RIGHT?”

“PLEASE KEEP LEARNING NEW THINGS,

... AND ENJOYING IT.”

{Note: this post is part of a series discussing Koushiro using canonical references and quotations from the original Japanese version [and not the U.S. dub] to attempt to explain his progressing storyline; you can view more of my headcanons thoughts and analysis at my Neurodivergent Koushiro analysis series!}

caps/gifs by @izzyizumi,

{DO NOT REPOST} {DO NOT REMOVE CAPTION} {DO NOT USE MY POSTS FOR ARGUING OR DISCOURSE} {DO NOT COMMENT / TAG WITH SERIES / CANON HATE} {OTHERWISE YOU WILL BE BLOCKED} {THIS ALSO APPLIES TO TAGGING/TAGS ON THIS POST.} {usage of gifs may be allowed if permission is asked / or if credit is given. However, read my about & FAQ pages first. Please do NOT use / ask if you match anything in my “Do Not Interact” sections.}

{Additional note: this post is mainly intended SPECIFIC CHARACTER/POSITIVITY FOCUSED. please remember + RESPECT this when interacting {Failure to acknowledge interacting rules WILL result in a block}

[Note: commenting/tagging positively/respectfully is ok!] (Please AGREE TO BANNERS BEFORE interacting) (Note: click on the banners to enlarge!)

REGARDING GIFS USAGE:

- they must NOT be used to spread negativity for the canon/fandom! {INCLUDES: in regards to Adventures AS A WHOLE, Adventure (Original series), 02, Tri, Kizuna, Adventure & 02 movies, Drama CDs, any spinoff materials} - they must NOT be used to promote shipwarring within the fandom - they must NOT be used to attack any Adventures character focused on - IF I SEE YOU DOING THIS I WILL LIKELY BLOCK WITHOUT MERCY {usage may be allowed IF PERMISSION IS ASKED TO USE.}

{Please also LIKE this post if you are wanting to use!} {Once you have “Liked”, feel free to contact me to ask for permission!} {However, read my about & FAQ pages first. Please DO NOT use / ask if you match anything in my “Do Not Interact” section.} {I MAY POLITELY DECLINE USAGE REGARDLESS. Please do not take it personally!} {if you are unsure if you can use you can SEND ME AN ASK} {I will check your blog; if you do not match anything on my “DNI”; [CHECK THE FAQ FOR MY DNI SECTION/S] you will likely/may pass the check and can use!} {However please note my ENTIRE FAQ sections on such} {It is possible I may not grant permission for other reasons} [i.e.: You post a lot of something I have blacklisted]

[keep-on-trying]

I want to protect these two so badly, look how adorable they are!

[shoujo-dump]

Hakushaku Reijou wa Kenen no Naka no Elite Kishi to Kyousei-teki ni Tsugai ni saserareru