#kraft paper board

[papernboard]

Paper N Board - Best Kraft Board Supplier

Paper N Board is your one-stop shop for all your kraft board needs. We offer a wide range of kraft boards in various sizes, thicknesses, and finishes to cater to different industries and applications. Our expert team provides customized solutions, ensuring that our clients receive the best possible products and services.

[paper-nboard]

Elevating Packaging Standards: The Paper N Board Promise

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To know more, please visit @ https://papernboard.in/products/

Email: papernboardpvtltd@gmail.com

[kalpanahandmadepaper]

https://kalpanapapers.com/collections/handmade-paper-box

[przionica]

Market Definition For Duplex Paper Board Global Market

In the realm of packaging materials, duplex paper board stands out as a versatile and widely used option across various industries. Its popularity stems from several key advantages, making it a pivotal component in the global packaging market.

What is Duplex Paper Board?

Duplex paper board is a type of paperboard composed of two layers often made from recycled fibers bonded together. The outer layers are typically made of bleached chemical pulp, providing a smooth and printable surface, while the inner layer is made of unbleached pulp for added strength and stability. This construction makes duplex paper board suitable for a wide range of packaging applications.

Global Market Overview

The global duplex paper board market has witnessed steady growth, driven by increasing demand from sectors such as food and beverage, pharmaceuticals, cosmetics, and consumer goods. Key factors contributing to this growth include:

Versatility in Packaging Solutions: Duplex paper board is highly versatile, suitable for various packaging types including boxes, cartons, and trays. Its ability to withstand printing, lamination, and coating processes makes it ideal for customized packaging solutions.

Sustainable Packaging Trends: With growing environmental concerns, duplex paper board's recyclable and biodegradable properties make it a preferred choice among eco-conscious consumers and businesses. The shift towards sustainable packaging solutions has further bolstered its market demand.

Rising Demand in Emerging Economies: Emerging economies in Asia-Pacific and Latin America are witnessing increasing consumption of packaged goods, driving the demand for duplex paper board. This trend is fueled by urbanization, changing lifestyles, and expanding retail sectors.

Key Advantages for Pharmaceutical Boxes

In pharmaceutical packaging, duplex paper board offers several distinct advantages:

Protection and Safety: Pharmaceutical products require packaging that ensures protection from external elements such as light, moisture, and mechanical damage. Duplex paper board provides excellent barrier properties, safeguarding the integrity of the contents.

Printability and Branding: The smooth surface of duplex paper board allows for high-quality printing, enabling pharmaceutical companies to include essential information, branding elements, and regulatory requirements directly on the packaging.

Sustainability: As pharmaceutical companies increasingly prioritize sustainable practices, duplex paper board meets these expectations by being recyclable and contributing to eco-friendly packaging solutions.

Market Outlook

Looking ahead, the global duplex paper board market is poised for continued growth, driven by innovation in packaging designs, increasing awareness of environmental sustainability, and expansion in end-use industries. Manufacturers are focusing on enhancing product quality, optimizing production processes, and exploring new applications to capitalize on emerging opportunities.

Duplex paper board plays a crucial role in the global packaging landscape, offering a blend of functionality, sustainability, and versatility. Its widespread adoption across diverse industries underscores its importance as a preferred choice for packaging solutions worldwide.

[exportsinsouthafrica]

What are the five major duplex paper Exports to South Africa?

The specific details of Exports of Duplex Paper Board to South Africa, especially regarding duplex paper, may vary over time and require current data sources. However, here are five types of duplex paper and related products that are commonly imported by various countries, including South Africa:

Duplex Board: This is a type of paperboard made from two layers of pulp, typically with a grey back and a white front. It's used extensively in packaging for various consumer goods.

Coated Duplex Board: Similar to duplex board but with a coated surface, providing enhanced printing quality and aesthetic appeal. It's often used for high-quality packaging and printing applications.

Folding Box Board (FBB): FBB is a type of paperboard with a coated surface on one or both sides, making it suitable for folding cartons and packaging applications where a smooth finish is desired.

White Lined Chipboard (WLC): WLC is made from layers of recycled paperboard, typically with a white coated surface. It's used for products where a clean, white appearance is important, such as cereal boxes or shoeboxes.

Grey Duplex Board: Grey duplex board is a thick, rigid type of paperboard made from recycled paper pulp. It's used for applications requiring strong backing or support, such as book covers or rigid boxes.

For the most accurate and current information specific to South Africa's imports of duplex paper and related products, I recommend checking with trade statistics from sources like the South African Revenue Service (SARS), industry reports, or consulting with trade associations and customs authorities that specialize in import data. They can provide detailed insights into the types and quantities of duplex paper products being imported into South Africa.

[yeahwriters]

Duplex board paper is a versatile and indispensable material with a wide array of applications in the packaging, printing, and stationery industries

Duplex paper board, also known as duplex board, is a type of paperboard or cardboard that is renowned for its sturdiness and versatility. As a leading manufacturer and exporter of white and grey back coated Duplex board paper in Morbi, Gujarat, India, we take pride in providing high-quality duplex paper board to meet various packaging and printing needs.

One of the key features of duplex board paper is its dual-sided composition, with one side being white and the other side being grey. This unique characteristic makes duplex board paper ideal for a wide range of applications, including packaging, printing, and stationery.

In the realm of packaging, duplex board paper is widely used for manufacturing cartons, boxes, and other types of packaging materials. Its sturdy and durable nature ensures that products are well-protected during transportation and handling. Additionally, the smooth and printable surface of the white side allows for high-quality printing of branding, product information, and designs, making duplex board paper an excellent choice for packaging that requires attractive visual presentation.

Moreover, duplex board paper finds extensive use in the printing industry for various purposes such as making book covers, posters, and promotional materials. The white surface of the duplex board paper provides an excellent base for vibrant and detailed printing, making it a preferred choice for creating eye-catching printed materials.

The grey back of the duplex board paper offers excellent rigidity, which is crucial for maintaining the structural integrity of packaging and printed materials. Whether it's for packaging heavy-duty industrial products or for creating durable marketing collaterals, the grey back of duplex board paper ensures stability and support.

Furthermore, duplex board paper is also a popular choice for stationery items such as notebooks, folders, and binders. Its ability to hold printing ink well, combined with its reliable strength, makes it an ideal material for producing high-quality stationery that can withstand regular use.

As a manufacturer and exporter of duplex board paper, we understand the importance of delivering products that meet the highest standards of quality and reliability. Our state-of-the-art manufacturing facilities and stringent quality control measures ensure that our duplex board paper consistently meets the expectations of our customers.

[milleniumpapers]

One of the top producers and exporters of Duplex Board Paper in India

We take great satisfaction in providing a product that is distinguished by its special qualities and attributes. Duplex Board Paper is more than just paper; it's an illustration of excellence, durability, and creativity. As a Duplex Board Paper manufacturer and exporter in India, we at Millennium Papers know how important it is to deliver excellence, and we go above and beyond to meet and exceed your expectations. Discover the difference by using our Duplex Board Paper, which combines innovation and quality. In addition, we are a reliable source for Kraft Liner Paper, so you can count on us to take care of all your paper needs. Select Millennium Papers to embark on an adventure with premium paper goods.

[skmpapers]

https://www.skmpapers.com/duplex-board/

It is a kind of paperboard or cardboard and It is called as a duplex board because it is made up of two layers, or plies. The exterior of the board is very often coated to make it more water-resistant and to give it a glossy sheen.

[ohmightydevviepuu]

fanbinding: the reason birds can fly

the story: the reason birds can fly by philthestone

genuinely i sometimes wonder if i am the only person who has read this little gem of a fic. canon-divergent post-s5 finale and an absolute delight of absurdity and ... reality from Henry Mills' POV as he heads to college after everything he has survived.

the binding: sewn boards paperback legal quarto. designed to look like an american school kid's composition notebook. took me ages to line up the notebook lines and then they didn't print that way so i had to trim it pretty much by hand using a guillotine. speckle design from stock imagery printed on sparkle HTV. modified spine with bookcloth, no backing, to give it that rounded feeling. in retrospect, i might have made a few different choices; if i ever print it again i might try black kraft paper with white sparkle HTV so the feeling of negative space is different. but this bind has been in progress over a year and i'm happy just to be holding it in my hand.

yes, the first page is on the wrong page. yes, i (mostly) did that on purpose. lol.

[vanessagillings]

I love your art so much!!! I've also been starting to paint with gouache, and I'd love to know a little more about your process! What kind of paints do you use, do you sketch first or start with paint, do you paint in layers over several day or all at once?

Hi and thank you! I hope you don't mind me answering this publicly and apologies for length, but:

MY ART PROCESS!

Supplies: I use winsor and newton gouache and arches cold press paper blocks, usually 140 lbs (the lime green ones) and sometimes 300 lbs (the teal green ones). Even though this paper comes pre-stretched in blocks, I actually take the sheets off and stretch them myself because I've found arches' glue isn't as strong as it used to be. This is how you get watercolor paper to lay flat! I recommend youtubing some videos on how to do it -- there's a lot of great tutorials out there. Also, I use princeton brushes, and kraft paper tape and these boards to stretch my paper. (these aren't affiliate links, I just shop at blick)

A word about art supplies: these are the exact tools I use but everyone uses supplies differently and two people with the exact same supplies might get different results! A lot of it is about what works for you and what you like, so I always suggest that gouache/watercolor beginners just buy a few tubes from a couple of different paint companies and some small pieces of paper from different manufacturers to see what you like. Just changing one ingredient in the above has created massively different results for me, but maybe that'll end up being something you'd like! The first step in learning a new medium imo is to play. Just have fun!

ALSO: gouache isn't super light permanent, check your tubes for which ones hold up to sunlight. Here is winsor and newton's color chart explaining which ones will fade when exposed to sunlight -- all manufacturers will give you this. I only use the colors rated A and AA, and I still frame my pieces with UV glass just to be safe. Not all gouache is re-wettable, but winsor and newton is. I just put it in my palettes and refill my palettes if it runs low. AND SOME PAINT IS TOXIC. A lot of paints have cadmium and cobalt in them. I don't use any of the toxic colors, but if you do, make sure you don't eat while working and wash your hands thoroughly afterwards. This information is also usually available on manufacturer's websites. As more people are rejecting cadmium paint, you'll see more tubes labeled things like cadmium-free yellow. This is why. More artists should be aware that their tools can be dangerous. You don't need that many tubes of paint to begin, just a warm and cool red, warm and cool yellow, warm and cool blue, white and black. I have around 50 colors and use 20 regularly. I always mix all my colors myself, and never use straight tube paint. Most of my colors have about 5-6 different tube colors mixed together. If you use re-wettable paint a tube of paint will last you years; even as a professional I only buy new paints every 5 years or so.

Process: I ALWAYS start with a sketch first. Not everyone has to, but because I do illustration work -- where sometimes a client gets input on a drawing -- I always do a lot of preliminary work before I even begin to paint. At this point, even my personal work usually involves the exact same process:

I start with a 3" or so thumbnail that I scan (left; I traced it quickly digtally for clarity to myself here) and then either clean up digitally or print out and clean up traditionally with tracing paper (right):

Then I scan the cleaned sketch in and color rough it digitally (left, this was for a gallery show, so no one had to approve my color roughs, so it's messy!) then I transfer my sketch to my paper (with either carbon transfer paper or a light table), stretch my paper, and paint (right):

I obviously changed my mind about the color of the ribbon in the trees, ha, and made everything a lot more vibrant. The benefit again of gallery work is no pre-approval!

You are correct, I paint in a series of washes, going from lightest to darkest, where I apply the same color beneath all shapes that are the same warmth (cools under all upcoming cools, warms under all upcoming warms). I paint a piece usually in one or two days, depending on complexity. I didn't take pictures of the above painting, but here's a different painting to show you a little bit what I mean:

I painted the peach color under everything (and twice for skin tones), and the gray color of the sky under everything that would be grayish (the rocks, trees, her pants, her skirt, and coat). I do this to stop me from getting darker lines where two different colors butt up against each other, and also for color harmony. I have step by step photos of this in my process stories highlight on my instagram; also check my FAQ and tip highlights for more info on all this stuff. Most pieces take around 25-30 washes before I start adding in the details (sometimes I add in face details early though because if I mess those up it's not worth finishing the rest of the painting! 😅)

All this might seem like a lot of work (...it is) but I do it so that I can show clients previews of the final piece and so I don't have to repaint the finals. I also used to pre-test all of my washes on scrap paper like this:

I still recommend doing this if you're just beginning! But at this point I only do it when testing techniques because I know my paints really well. (the above was my test for the pine boughs in this piece)

Painting by far is the longest part of the process, so I do more work up front to not have to do it twice. Every piece takes about 6-24 hrs of actual work time to produce. Stretching watercolor paper takes about 24 hrs to dry, and because I sell most of my originals in galleries, they need to be flawless, so planning ahead is useful and in the end saves me time.

And to conclude this novel of an explanation, don't be overwhelmed by all the information I've given you! I put it here so that people at various stages of their artistic journey can maybe find something useful in it. But seriously, the first step to learning how to paint whether it's traditionally or digitally is just to have fun. Try it out, see what's working and what isn't, and then try to solve specific issues that you're struggling with. I've been doing this for a loooooong time at this point, but here's my first watercolor piece from when I was re-teaching myself how to paint traditionally nine years ago:

Obviously, I was destined for greatness. Ha, yeah, no. If you scroll back through my tumblr archive, you can see me learning how to use these paints in real time. And keep in mind that I'd been working digitally for years before then, and years before that where I didn't post my work online at all.

So for anyone who needs to hear it: there's no such thing as talent, just hard work, patience, and trying again and again and again...and sometimes again. What I do is a skill and anyone can learn it. Sometimes, progress is slow. I'm 38. I only really feel like my art was half-way decent starting a few years ago, but I've been making art my entire life, and I went to art school at 18. 20 years later I'm kind of figuring it out.

The best advice I can give, whether it's about art or not, is find the thing you love so much that you'll keep at it even when you suck at it, because most skills you'll suck at to begin with -- and perhaps for a long time. I sucked at art for yeeeaaaaarrrrs. On top of the usual learning curve, I struggled with fine motor control and dexterity. But I loved it so much I kept trying every time I failed. If I can do it, so can all of you, no matter what stage of art you're at now, and no matter how old you are.

Anyway, thank you to those still reading this deep in. I wish you all the best on your artistic journey. Art can kick your butt sometimes, but it's also pretty dang rewarding 💛

[papernboard]

Paper N Board: Premium Kraft Paper Cones | Wholesale & Retail

Paper N Board: Premium Kraft Paper Cones | Wholesale & Retail. Ideal for thread spools, these strong and durable cones are perfect for organizing and storing sewing thread. Larger sizes are available for packing heavy kilograms of yarn, with jumbo cones capable of holding up to 5-7 kgs.

[paper-nboard]

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To know more, please visit @ https://papernboard.in/

[kalpanahandmadepaper]

https://kalpanapapers.com/collections/handmade-paper-box

[chubsonthemoon]

Finished binding @that-banhus's fantastic King of Infinite Space today! You ever get into a pairing fresh out of binging a series and read a fic that just solidifies the characters in your head? Like, they go from "funny lil guy I enjoyed watching on TV" to someone who could be real, someone you could know. That was this fic for me--banhus's Hob is such a delight to read, so vibrant and funny and optimistic. And of course Dream's voice in this is just *chef's kiss* pitch perfect.

Some process chatter, under the cut! <3

SIZE

So this was my first go at a quarto size on legal paper (8.5" x 14"), and I LOVE it. This size is perfect for that 10k-15k range, and with the community imposer designed by the lovely folks at @renegadepublishing (thank you, @simply-sithel and Cocoa!), it was such a breeze to figure out the formatting. (Printing, on the other hand, was a bit of a mess since my printer doesn't do duplex for legal sizes, but I figured it out in the end. And hey, I got a bunch of waste sheets out of it! XD)

BINDING

I did a variation of the paperback format I've seen floating around in the Renegade discord (@ashmouthbooks kindly explained it a few months ago, thank you so much!). French link stitching glued with PVA as per usual, although no tapes or mull.

The cover is made of scrapbook paper and is glued directly to the flyleaf (flyleafs? flyleaves?), although as you can see below I added an extra layer of kraft paper to give it more of a "board" feel:

The pictures in this post are of my second/author copy, with an added a half-centimeter hinge so the spine can open more easily. My first copy did not have a hinge so it's a little stiff when you open it, but it gets the job done baha. Now I know for future binds in this size: hinges are the way to go!

DESIGN (or, as I call it, VibesTM)

The first line of this fic has lived rent-free in my brain for months now: They sat at the New Inn until the afternoon melted into evening, the sunlight thickened to a rich orange, and the late crowd began to trickle into the inn in chattering groups. I remember reading it late at night and immediately sitting up and going "oh hell yeah." This fic gives me that "walking to class in the fall semester and feeling the whole world passing you by and you have books to read and papers to write but you see your friend from across the quad and they wave at you and you wave back and everything is okay, maybe, because the leaves are turning and you're going to make it, dammit, you are going to make it" vibes. So the cover paper is from one of Michael's paper packs, called "Autumn Blaze."

HOWEVER, Banhus also mentioned that the paper looks like a sandy beach, and I'm smacking myself over the head for not doing that intentionally because yes! There's a lovely lovely scene at the end where Dream and Hob are lounging on the shore of the Dreaming and are finally, finally figuring it out, and it's wonderful and so atmospheric and I am 100% going to pretend that my paper choice here was tailored for that scene specifically XD

Titling is permanent adhesive vinyl cut by my Cricut, Charlotte, with hand-drawn "bolding" around each letter done with my uniball Signo white gel pen. And since I've been trying to get better at documenting my fonts, the titling for this one was Perpetua Titling MT, and the body was my go-to Garamond my beloved.

As a bonus, here is my first go at binding this fic, but in quarto letter size instead of legal! Smol :3

And that's all for today! Thank you so much, Banhus, for letting me bind your work! It was a pleasure, and I can't wait for you to receive your copy <3

All my love!

[goldfarthing]

https://www.etsy.com/uk/listing/1413094475/

A customisable A6 greeting card featuring my hobbity watercolour painting and calligraphy on the front.

A warm golden door, beautifully textured (and 100% recycled) card, and a blank interior make this the perfect gift for book and fantasy lovers, whatever the occasion! A6 brown kraft envelope included.

You can also choose to have a custom message handwritten inside in a familiar rustic script. Just drop your message in the customisation box, and my trusty pen and I will do the rest! Swipe through the photos to see an example.

Want me to send the filled-in card directly to the recipient? Pop their address in the delivery address section, and remember to mark your order as a gift! I'll seal the envelope, write the recipient name on it, and post it directly to their address (inside a second, board-backed envelope so it doesn't bend in the mail).

Dimensions: A6 (105 x 148.5 mm) when folded. 300 gsm.

Materials: Card that is 100% recycled, FSC-certified, carbon-balanced, and fully recyclable. Made with modern Elemental Chlorine free processes, eliminating toxins in wastewater and also helping to preserve the pulp for onward recycling.

Envelope made of brown kraft paper.